Homage to Bernardo Bertolucci
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A Continuation of Myth: the Cinematic Representation of Mythic American Innocence in Bernardo Bertolucci’S Last Tango in Paris and the Dreamers
A CONTINUATION OF MYTH: THE CINEMATIC REPRESENTATION OF MYTHIC AMERICAN INNOCENCE IN BERNARDO BERTOLUCCI’S LAST TANGO IN PARIS AND THE DREAMERS Joanna Colangelo A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of The requirements for the degree of MASTER OF ARTS December 2007 Committee: Carlo Celli, Advisor Philip Hardy ii ABSTRACT Carlo Celli, Advisor The following thesis aims to track the evolution and application of certain fundamental American cultural mythologies across international borders. While the bulk of my discussion will focus on the cycle of mythic American innocence, I will pay fair attention to the sub-myths which likewise play vital roles in composing the broad myth of American innocence in relation to understanding American identities – specifically, the myth of the Virgin West (or America-as-Eden), the yeoman farmer and individualism. When discussing the foundation of cultural American mythologies, I draw specifically from the traditional myth-symbol writers in American Studies. Those works which I reference are: Henry Nash Smith’s, Virgin Land: The American West as Symbol and Myth, Leo Marx’s, The Machine in the Garden: Technology and the Pastoral Ideal in America and R.W.B. Lewis’s, The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century. I focus much of my discussion on the applicability of the myth of innocence, rather than the validity of the actual myth throughout history. In this sense, I follow the myth as a cycle of innocence lost and regained in American culture – as an ideal which can never truly reach its conclusion for as long as America is invested in two broad definitions of innocence: the American Adam and the Noble Savage. -
Govt Scrambles to Contain Fallout of Canceled Subsidies
SUBSCRIPTION MONDAY, JANUARY 5, 2015 RABI ALAWWAL 14, 1436 AH www.kuwaittimes.net Expatriates Rouhani Australian Valencia bristle over urges end PM makes beat Real hefty fines, to Iran’s unannounced 2-1 to end mistreatment3 isolation7 trip to Iraq8 22-win20 streak Govt scrambles to contain Min 08º Max 21º fallout of canceled subsidies High Tide 13:12 & 23:31 Low Tide No hike in petrol, power prices • Price-gouging companies penalized 06:44 & 18:18 40 PAGES NO: 16393 150 FILS By B Izzak conspiracy theories KUWAIT: Rising diesel and kerosene prices following the removal of subsidies on Jan 1 have become the Predictions main issue in the country after a subsequent wave of price hikes and bakery strikes. The government has vowed to clamp down on violators. Commerce and and reality Industry Minister Abdulmohsen Al-Mudej said the min- istry went into action yesterday, penalizing at least 70 companies and shutting down 15 restaurants that raised prices under the pretext of the increase in diesel prices. Speaking at a joint press conference with the minis- By Badrya Darwish ters of finance and oil, Mudej said the companies will be referred to the public prosecution for further legal action as he vowed to take action against all companies that raise their prices or charges. A decision by the government to lift the subsidies on [email protected] kerosene, diesel and aviation fuel came into effect on Jan 1 and lead to increases in the prices at some restau- rants, construction companies, Iranian bread bakeries, water tankers and others. -
SKYPANEL New Accessories for the Family of LED Soft Lights
NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Il Conformista/The Conformist
November 13, 2001 (IV:11) BERNARDO BERTOLUCCI (16 March 1941, Parma, Italy) directed Heaven and Hell 2001, Paradiso e inferno 1999, Besieged 1998, Stealing Beauty 1996, Little Buddha 1993, The Sheltering Sky 1990, The Last Emperor 1987 (9 Academy Awards), Tragedia di un uomo ridicolo/Tragedy of a Ridiculous Man 1981, La Luna 1979, 1900 1976, Ultima tango a Parigi/Last Tango in Paris 1972, La Salute é malata o i poveri morirono prima 1971, La Strategia del ragno/The Spider’s Strategem 1970, Il Canale 1966, La.Via del petrolio 1965, and La Commare secca/Before the Revolution 1962. He wrote the scripts for most of them as well. He won best director and screenplay IL CONFORMISTA/THE Academy Awards for The Last Emperor, and was nominated for best director for Last Tango in Paris and best CONFORMIST screenplay for The Conformist. For more, visit http://italian.vassar.edu/bertolucci/bertcore.html. (1970, 113 minutes) JEAN-LOUIS TRINTIGNANT (11 December 1930, Piolenc, France) provided the voice in The City of Lost Children 1995, Jean-Louis Trintignant...Marcello which M. Faust presented in the MAFAC Sunday Classics a few weeks ago. He was also in nearly 120 other films in Stefania Sandrelli...Giulia a career that began with four films in 1956, the best known of them Roger Vadim’s And God Created Woman, the Gastone Moschin...Manganiello film that made both him and Brigitte Bardot international stars. He appeared in Trois couleurs: Rouge/Red 1994, Enzo Tarascio...Professor Quadri Under Fire 1983, Vivement Dimance/Confidentially Yours 1983, My Night at Maud's 1969, Z 1969, Is Paris Burning? 1966, Fosco Giachetti...Il colonnello and Un homme et une femme/A Man and a Woman 1966. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
Between Two Worlds: an Interview with Shirin Neshat
Speechless, 1996. RC print. © 1996 Shirin Neshat. Photo by Larry Barns. Courtesy of Barbara Gladstone Gallery, New York City. Between Two Worlds: An Interview with Shirin Neshat Scott MacDonald A native of Qazvin, Iran, Shirin Neshat finished high school and attended college in the United States and once the Islamic Revolution had transformed Iran, decided to remain in this country. She now lives in New York City, where she is represented by the Barbara Gladstone Gallery. In the mid-1990s, Neshat became known for a series of large photographs, “Women of Allah,” which she designed, directed (not a trained photogra- pher, she hired Larry Barns, Kyong Park, and others to make her images), posed for, and decorated with poetry written in Farsi. The “Women of Allah” photographs provide a sustained rumination on the status and psyche of women in traditional Islamic cultures, using three primary elements: the black veil, modern weapons, and the written texts. In each photograph Neshat appears, dressed in black, sometimes covered completely, facing the camera, holding a weapon, usually a gun. The texts often appear to be part of the photographed imagery. The photographs are both intimate and confrontational. They reflect the repressed status of women in Iran and their power, as women and as Muslims. They depict Neshat herself as a woman caught between the freedom of expression evi- dent in the photographs and the complex demands of her Islamic heritage, in which Iranian women are expected to support and sustain a revolution Feminist Studies 30, no. 3 (Fall 2004). © 2004 by Feminist Studies, Inc. -
4 Colour Zonal.Eps
Ingrid David Zucker Vilmos Zsigmond Bergman Marlon Gary Cooper Bruce Sharman Brando Russell Carpenter C B 5 Zakaria Aladui JJ Abrams Walter Bette Davis John Huneck Kacee DeMasi Allan Ekelund Brennan William Wyler Steven Soderbergh Jerry Zucker Robert Josph L. Mankiewicz Fred 6 Elia Kazan Norman Zemeckis Danny DeVito Tony Brownrigg Zinnemann Denise Patty Milos Forman Gay Gerald R. Molen Denis Holt Ridley Chris Colombus Minter Bonfilio Clint Robert Downey Sr. Scott 4 Darius Khondji Eastwood 5 John Toll Joseph Ruttenburg Lawrence Kasdan Barry Levinson Robert Richardson Jonathan Robert Surtees Robert De Niro George Templeton Latham Jane Whitney Houston Hartwell Ralph S. Haskell Janusz Barry Bernardi Louis M. Wiard Brown Wexler Kaminski Leon Shamroy Jane Fonda Walter Murch Freddie Francis Singleton Lucino Francis Ford Coppola Mann Ihnen Dustin Kevin Edgardo Jan Foster Hoffman Spacey Visconti Jay Roach Great Watkins Pabarno Guido Arthur Miller Leonardo Di Caprio 3 Ki-Duk Carlos Gerald R. Cerasuolo Kim Menendez 4 Molen Vivien Leigh Maggie Lee Katz Howard Stern Annie Ismail Merchant Elizabeth Symes Philip M. Smith Peter Jay-Z Lennox Daryl Kass Marco Oliveri James Stewart Goldfarb Kevin Smith Jackson Hsiao-hsien Hou John Bailey James P. Katherine Phil Rawlins Jan De Bont John Glen Jeff J.J. Authors Irving James Hogan Neil Young Berlin Erwin Ronald L. Hepburn Magic Johnson Ivory Ron Fricke Godschalk Schwary Richard A. Harris Tod Browning Abby Singer George Bam Margera Hans Stanley Kramer Dean Semler Stevens Zimmer Ron Shelton 200m Kazuo Hal Ashby Roger Michael Cary Grant Jon Landau Caine Miyagawa Irving G. Thalberg Daltrey Roger John Juan Clemente Halle Berry Jon De Bello Vangelis John Williams Douglas Trumbull 2 Elton John Moby Waters Carpenter 3 Propser Thelma Schoonmaker Conrad Hall Jack N. -
IO E TE” Von Niccolò Ammaniti
ICH UND DU( I O E T E ) Ein Film von Bernardo Bertolucci Nach dem Roman “IO E TE” von Niccolò Ammaniti Cannes 2012 („Out Of Competition“) International Film Festival Rotterdam 2013 Film des Jahres, Nastro d’Argento-Preis Im Verleih von: KOOL Filmdistribution Belfortstraße 37, 79098 Freiburg Presse: Ludwig Ammann - 0761 26763 0179 - 1109211 Download der Bilder, Presseheft, EPK & APK: (demnächst) SYNOPSIS Lorenzo nimmt sich eine Auszeit. Olivia auch… Lorenzo steht mit seinen Mitschülern nicht auf bestem Fuß. Auf dem Weg zum Skikurs macht er kehrt und Büchern und einer Ameisenkolonie. Doch mitten in der Nacht wecken ihn Schritte: Eine junge Frau, seine Halbschwester Olivia, die schon vor Jahren ausgezogen ist, sucht nach ihren Sachen. Nun braucht sie seine Hilfe Nach vielen Jahren Schweigen ein neuer Film von Bernardo Bertolucci (DER LETZTE TANGO IN PARIS, LITTLE BHUDDA, DER LETZTE KAISER). Zum Rollstuhl verurteilt, kehrt er nach seinen großen historischen Ausstattungsdramen und TRÄUMER (2003) zurück zu einer kleinen, intimen Geschichte, der Wiederannäherung zweier Geschwister und den ersten Schritten junger Menschen ins eigene Leben! „Zweifellos eines der schönsten Werke in seinem Oeuvre, das tief berührt durch eine neue Zartheit, Subtilität und die Ernsthaftigkeit der Inszenierung!“ LES INROCKS „Jacopo Olmo Antinori, ein mediterraner Malcolm McDowell, ist ideal als Lorenzo: ein bisschen bizarr und sehr ergreifend!“ LE MONDE „Der Höhepunkt zu David Bowies RAGAZZO SOLO hat mich zu Tränen gerührt!“ HUFFINGTON POST „Wo ndet man heute das Kino Italiens? In einem Keller, bei Bertolucci! Es ist eine Katakombe des Kinos, darin seine Laterna Magica mit einer geheimnisvollen prä-neorealistischen Schönheit, einem Jungen wie aus Pasolini und mit abgelegten Dingen eine Parallelwelt zu Leben erweckt!“ LA REPUBBLICA BERNARDO BERTOLUCC I ÜBER ICH UND DU Für mich ist dieser Film eine Rückkehr ins Leben. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Mise En Page 1
mai 2012 La lettre n° 220 s o r B r e n r a W 2 1 0 2 © – n i a t n u o M r e t e P o t o h P - C S A , C F A l e n n o b l e D o n u r B r a p é i h p a r g o t o h p , n o t r u B m i T e d s w o d a h S k r a D s n a d p p e D y n n h o J Association Française des directeurs de FILMS AFC SUR LES ÉCRANS > p. 2 ACTIVITÉS AFC > p. 2, 3 la photographie Cinématographique FESTIVAL DE CANNES > p. 4 à 9 LE CNC > p. 10, 11 ÇÀ ET LÀ > p. 12, 13 Membre fondateur de la fédération européenne IMAGO NOSASSOCIÉS>p.14à16 PRESSE,LECTUREETINTERNET>p.18,19 [ activités AFC | festival de Cannes | çà et là | le CNC | films AFC | associés | presse | lecture | Internet ] Dernière minute A l'issue d'un vote qui a suivi l'assemblée générale du 17 mars 2012, la présidence de l'AFC est désormais assurée par trois coprésidents : Matthieu Poirot-Delpech, Michel Abramowicz et Rémy Chevrin. SUR LES ÉCRANS : Lors de sa toute dernière réunion, jeudi 3 mai, le conseil d'administration de l'AFC a procédé à l'élection du bureau Dark Shadows de Tim pour l'année en cours. Outre Michel Abramowicz et Rémy Burton, photographié par Chevrin, Richard Andry, Pierre-William Glenn, Jacques Bruno Delbonnel AFC, ASC Loiseleux et Philippe Van Leeuw ont été élus vice-présidents. -
The Ambivalent Identity of Wong Kar-Wai's Cinema
Université de Montréal The ambivalent identity of Wong Kar-wai’s cinema par Ludmila Moreira Macedo de Carvalho Département de Littérature Comparée Faculté des Arts et des Sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Ph.D. en Littérature option Littérature et cinéma Juin 2009 Copyright Ludmila Moreira Macedo de Carvalho, 2009 Université de Montréal Faculté des Arts et des Sciences Cette thèse intitulée The ambivalent identity of Wong Kar-wai’s cinema présentée par : Ludmila Moreira Macedo de Carvalho a été évaluée par un jury composé des personnes suivantes : Savoy, Eric Président-rapporteur Lu, Tonglin Directrice de recherche Vigo, Julian Membre du jury Liu, Kang Examinateur externe Garneau, Michèle Représentante du doyen de Faculté ii Sommaire Ayant réalisé neuf longs-métrages entre 1988 et 2007, aussi que plusieurs campagnes publicitaires, vidéo-clips, courts-métrages et projets collectifs, Wong Kar- wai est un des réalisateurs contemporains les plus importants actuellement. Issu de l'industrie cinématographique fortement commerciale de Hong Kong, Wong est parvenu à attirer l'attention du circuit international des festivals de cinéma avec son style visuel unique et son récit fragmenté. Considéré par plusieurs critiques comme le poète de la recherche d’identité de Hong Kong après 1997, Wong Kar-wai défie toutes les tentatives de catégorisation. L’étude qui se poursuivit ici a donc pour objet essentiel de fournir une analyse attentive et complète de son oeuvre, tout en se concentrant sur les traits stylistiques qui donnent à ses films une unité. Ces caractéristiques correspondent à une certaine façon de raconter des histoires, de composer des personnages et des récits, de manipuler le temps et d'utiliser des ressources techniques de sorte que ses films offrent une identité cohérente.