Fr 2.059 French Films
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
DP Ce Que Le Jour Doit a La Nuit Mise En Page 1
DP Ce que le jour doit à la nuit_Mise en page 1 26/06/12 10:48 Page2 ALEXANDRE FILMS Présente UN FILM DE ALEXANDRE ARCADY CRÉDITS PHOTOS : © ETIENNE GEORGE. CRÉDITS PHOTOS : DP Ce que le jour doit à la nuit_Mise en page 1 26/06/12 10:48 Page4 ALEXANDRE FILMS présente Un film d’ALEXANDRE ARCADY D’après le best-seller de YASMINA KHADRA Avec NORA ARNEZEDER, FU’AD AÏT AATTOU, ANNE PARILLAUD, VINCENT PEREZ, ANNE CONSIGNY, FELLAG, NICOLAS GIRAUD, OLIVIER BARTHÉLÉMY Sortie : 12 SEPTEMBRE Durée : 2h39 / Image : Scope / Son : Dolby digital DISTRIBUTION RELATIONS PRESSE WILD BUNCH DISTRIBUTION BCG PRESSE 99, rue de la Verrerie – 75004 Paris 23, rue Malar Tél. : 01 53 10 42 50 75007 Paris [email protected] Tél. : 01 45 51 13 00 www.wildbunch-distribution.com [email protected] Les photos et le dossier de presse sont téléchargeables sur le site du film www.cequelejourdoitalanuit.com/presse DP Ce que le jour doit à la nuit_Mise en page 1 26/06/12 10:48 Page6 Synopsis Algérie, années 1930. Younes a 9 ans lorsqu’il est confié à son oncle pharmacien à Oran. Rebaptisé Jonas, il grandit parmi les jeunes de Rio Salado dont il devient l’ami. Dans la bande, il y a Emilie, la fille dont tous sont amoureux. Entre Jonas et elle naîtra une grande histoire d’amour, qui sera bientôt troublée par les conflits qui agitent le pays. DP Ce que le jour doit à la nuit_Mise en page 1 26/06/12 10:48 Page7 Alexandre Arcady - Yasmina Khadra Entretien croisé Alexandre Arcady, comment avez-vous découvert le livre de Yasmina Khadra et qu’est-ce qui vous a donné envie de l’adapter ? Alexandre Arcady – C’est en vacances à l’étranger il y a déjà maintenant trois ans, que j’ai eu connaissance du roman de Yasmina Khadra Ce que le jour doit à la nuit en lisant une critique dans un journal. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Inside Holy Cross - Inside
Inside Holy Cross - inside VOL. XXI, NO. 86 FRIDAY, FEBRUARY 6,1987 the independent student newspaper serving Notre Dame and Saint Mary’s Three platforms to run for SMC student body offices By MARILYN BENCHIK stated, “No experience necessary,” Assistant Saint Mary’s Editor and said, “ So, we’re just going to go for it.” Canidates for Saint Mary’s student Class officer canidates also attended body offices attended the second pre the Thursday night meeting. Running election information meeting Thursday for senior class officer positions are: night. Julie Bennett, Ana Cote, Patti Petro, Election hopefuls were required to at and Lorie Potenti. Potenti said they are tend only one of the two sessions. The not yet sure who will run for which po first pre-election meeting was held sition. Wednesday night. Sandy Cerimele, “ All four of us have had experience election commissioner, and Jeanne Hel in working with student government in ler, student body president, set the the last three years, and we feel we guidelines for campaigning have a great senior class. We want to procedures. make next year the most memorable,” The three platforms, each consisting Petro said. P of three canidates for the offices of Cote added, “Our experience is one president, vice president for student af of the most im portant factors to be con fairs, and vice president for academic sidered. We’ve already learned to deal affairs, are: Ann Rucker, Ann Reilly, with students’ problems and the issues and Ann Eckhoff; Sarah Cook, Janel which may arise.” Hamann, and Jill Hinterhalter; Eileen Canidates for the junior class posi Hetterich, Smith Hashagen, and Julie tions of president, vice president, sec Parrish. -
THE BLACK BOOK of FATHER DINIS Directed by Valeria Sarmiento Starring Lou De Laâge, Stanislas Merhar, Niels Schneider
Music Box Films Presents THE BLACK BOOK OF FATHER DINIS Directed by Valeria Sarmiento Starring Lou de Laâge, Stanislas Merhar, Niels Schneider 103 MIN | FRANCE, PORTUGAL | 2017 | 1.78 :1 | NOT RATED | IN FRENCH WITH ENGLISH SUBTITLES Website: https://www.musicboxfilms.com/film/the-black-book/ Press Materials: https://www.musicboxfilms.com/press-page/ Publicity Contact: MSophia PR Margarita Cortes [email protected] Marketing Requests: Becky Schultz [email protected] Booking Requests: Kyle Westphal [email protected] LOGLINE A picaresque chroNicle of Laura, a peasaNt maid, aNd SebastiaN, the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th century. SUMMARY THE BLACK BOOK OF FATHER DINIS explores the tumultuous lives of Laura (Lou de Laâge), a peasaNt maid, aNd SebastiaN (Vasco Varela da Silva), the youNg orphaN iN her charge, against a backdrop of overflowing passion and revolutionary intrigue in Europe at the twilight of the 18th ceNtury. An uNlikely adveNture yarN that strides the coNtiNeNt, from Rome aNd VeNice to LoNdoN aNd Paris, with whispers of coNspiracies from the clergy, the military, aNd the geNtry, this sumptuous period piece ponders the intertwined nature of fate, desire, and duty. Conceived by director Valeria SarmieNto as aN appeNdix to the expaNsive literary maze of her late partNer Raul Ruiz's laNdmark MYSTERIES OF LISBON, this picaresque chronicle both eNriches the earlier work aNd staNds oN its owN as a graNd meditatioN of the stories we construct about ourselves. THE BLACK BOOK OF FATHER DINIS | PRESS NOTES 2 A JOURNEY THROUGHOUT EUROPE AND HISTORY Interview with Director Valeria Sarmiento What was the origin of the project? OrigiNally, I was supposed to make aNother film with Paulo BraNco called The Ice Track (from Roberto Bolaño’s Novel), but we could Not fiNd fuNdiNg because the rights of the Novel became more aNd more expeNsive. -
THE OUTSIDER a Film by Christophe Barratier
THE OUTSIDER A film by Christophe Barratier Production country: France Production year: 2016 Original Title: L’Outsider Language: French Duration: 117 minutes HD – 2.39 – color – 5.1 A drama by Christophe Barratier SYNOPSIS 2008. The world economy is hit by the worst crisis since 1929. And only one man, a young trader, is the alleged responsible for the first and most extravagant in a series of scandals that will shake the financial markets worldwide: Jérôme Kerviel. Indeed, the biggest banking loss of its kind in history (almost 5 billion euros!) is discovered at the French bank Société Générale and soon attributed to this quiet, low-profile, 31 years old employee... Hired as a simple clerk at the same bank, 8 years before, no one could have predicted that Jérôme Kerviel would go so far, so fast. He became the star of the trading floor, nicknamed “the cash machine” by his colleagues. But how could he gamble supposedly alone - and in secret - 50 billion euros? This film is based on a true story CHRISTOPHE BARRATIER - FILMOGRAPHY 2016 – THE OUTSIDER with Arthur Dupont, François-Xavier Demaison, Sabrina Ouazani 2011 – WAR OF BUTTONS with Laetitia Casta, Guillaume Canet 2008 – PARIS 36 with Gérard Jugnot, Clovis Cornillac, Kad Merad 2004 – THE CHORUS with Gérard Jugnot, François Berléand, Jean-Baptiste Maunier 2001 – LES TOMBALES with Lambert Wilson, Carole Weiss, Kad Merad Interview with director CHRISTOPHE BARRATIER After your first three films, it’s surprising to see you dealing with finance. How did you get the idea for the film? A fortuitous encounter in 2011. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Octobre / Říjen 2010 41
s e octobre / říjen 2010 41 l l e v u o N Journal de l'Alliance française de Brno Noviny Francouzské Aliance v Brně Edito Chers membres et amis franco- Milí členové a přátelé fran- philes, couzské kultury, Et voilà, c'est la rentrée ; dés le a je to znovu tady, semestr 4 octobre les salles et couloirs začíná; počínaje 4. říjnem se de l'Alliance française de Brno učebny a chodby Francouzské vont se remplir d'étudiants de aliance znovu naplní studenty tous les âges, avides de všech věkových kategorií connaissance et de pratique de dychtícími po znalostech a la belle langue de Molière. zdokonalování se v krásném Molièrově jazyce. Les professeurs sont prêts et en pleine forme après des va- Učitelé jsou po zaslouženém cances bien méritées, et toute prázdninovém odpočinku při- l'équipe de l'Alliance vous pré- praveni a v plné formě a celý pare moult évènements franco- kolektiv Aliance pro vás chystá phones. spoustu frankofonních událostí. Au programme de ce mois V říjnovém programu figurují d'octobre, des films, des filmy, přednášky nebo knihy. conférences ou des livres. Svou činnost v říjnu na Alianci Le Ciné-café rouvre ses portes obnoví cyklem tří filmů Luca à l'Alliance avec la diffusion de Bessona také projekce Ciné-ca- trois films de Luc Besson en fé. Na listopad pak slibují re- octobre, suivie le mois suivant trospektivu věnovanou dílu d'une rétrospective en hom- slavného francouzského režisé- mage à Claude Chabrol, réali- ra tzv. nové vlny Clauda Cha- sateur emblématique de la brola, který opustil nejen « nouvelle vague » française, filmový svět 12. -
Benicio Del Toro Mathieu Amalric Psychotherapy of A
WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s. -
Kering and the Festival De Cannes Will Present the 2017 Women in Motion Award to Isabelle Huppert the Young Talents Award Will Be Presented to Maysaloun Hamoud
Kering and the Festival de Cannes will present the 2017 Women in Motion Award to Isabelle Huppert The Young Talents Award will be presented to Maysaloun Hamoud International film icon Isabelle Huppert will receive the third Women in MotionAward presented by Kering and the Festival de Cannes. Isabelle Huppert has chosen director and scriptwriter Maysaloun Hamoud to receive the Young Talents Award. François-Henri Pinault, Chairman and CEO of Kering, Pierre Lescure, President of the Festival de Cannes, and Thierry Frémaux, General Delegate of the Festival of Cannes, will present these awards during the official Women in Motion dinner on Sunday, 21 May 2017. Credits: Brigitte Lacombe For the third Women in Motion programme, official partner Kering and the Festival de Cannes will present the Women in Motion Award to French actress Isabelle Huppert. Exceptionally free-spirited and bold, Isabelle Huppert has taken many artistic risks in her career, and whilst acting with leading names, she has successfully established her own style in a variety of registers ranging from drama to comedy. She has pushed back boundaries with the strong and far-from-stereotypical roles that she has played since the early days of her career. Whether being directed by legendary filmmakers or by a brilliant new generation of talented filmmakers, Isabelle Huppert is one of the most inspirational figures in the world of cinema. Isabelle Huppert has in turn chosen to honour Maysaloun Hamoud by awarding her the Young Talents prize. In 2016 this young Palestinian director and scriptwriter made her first feature film, In Between (Bar Bahar), which chronicles the daily lives of three young Palestinian women living in Tel Aviv, torn between family traditions and their desire for independence.