Any Video, Anywhere'

Total Page:16

File Type:pdf, Size:1020Kb

Any Video, Anywhere' ceocfointerviews.com – All rights reserved. – Issue: October 12, 2007 ”Any Video, Anywhere’ - With people demanding video on their PCs, TVs and mobile phones, On2 Technologies provides the solutions to deliver any video to any device over any network sion and streaming technologies. On2 looking for in my career, the opportunity video codecs are widely used in the Inter- to take a promising company to the next net, gaming, VoIP, and mobile media level.” markets. On2's software is used by such leading global companies as CEOCFO: What is the current vision for Adobe/Macromedia, AOL, Skype, XM the company and how do you get there? Satellite Radio, Sony, CTTnet, Vital- Mr. Joll: “Our vision for On2 Technolo- Stream, and Tencent. Located in New gies is formed around the mantra of ‘any York City, the company has R&D offices video, anywhere’. This is something we in Clifton Park, NY, and Cambridge, UK. have been doing for some time, but now it Services is a mainstream industry trend. What this Business Services represents is that we enable any video to (ONT-AMEX) Interview conducted by: be delivered anywhere, meaning to any Lynn Fosse, Senior Editor On2 Technologies, Inc. CEOCFOinterviews.com device, for any application, over any net- work. What is happening with video to- 21 Corporate Drive, Suite 103 CEOCFO: Mr. Joll, you are fairly new in day is that consumers want to view video Clifton Park, NY 12065 the role of CEO, what attracted you to on their PC, TV, mobile phones, and Phone: 518-348-0099 On2 Technologies? portable devices --basically any device. Mr. Joll: “On2 is uniquely positioned in New and established media companies the video industry. We are known to pro- are launching services to offer download vide the best quality video for any appli- and streaming services, but also tradi- cation. We have been the vanguard in tional broadcasters are embracing new pushing the envelope in this aspect, and mediums to reach a wider spectrum of we are the video in many pioneering users. We call this convergence or cross products and services from well-known platform applications, but the reality is brands, as a result. A few that come to that there is a sea change underway in the mind are companies like Skype, Adobe video industry. We have been involved in (Flash® video), AOL, Sony, and so on. such cross platform video since early days We have approximately 1.2 billion de- of the company, by applying our tech- ployments of On2’s video technologies. nologies for multiple applications, device Yet we are still a small company, and and delivery platforms. It is therefore in given the revolution that is happening in our DNA, in a manner of speaking, to bring solutions and innovations to this video -- that is video is moving from the transformation that is going on in the Bill Joll living room now to practically any device industry. We provide everything from President and CEO and can be consumed anywhere – the growth prospects before On2 are compel- core video compression technology to ling. Moreover, On2’s position in the tools, and system solutions, and are build- Company Profile: industry is an advantage – we are well ing our company’s operations around this On2 Technologies (Amex: ONT) is a known and respected for our technology capability to deliver any video, anywhere leading provider of video compression prowess and a fifteen-year history of suc- – in the most efficient, easy and afford- software and solutions. The company cess in this regard. So, when I look at able way for our customers.” revolutionized digital media delivery with where we are and where we can take this the creation of its advanced full-motion, company, it is perfect for what I was full-screen TrueMotion® video compres- CEOCFO: What are you actually provid- evolved solution level, we have a com- companies that are serious about video ing for people? plete end-to-end system for mobile video, know us. As we have broadened our solu- Mr. Joll: “At the core, we develop video called our TrueMobile® solution, that is tions for consumers and web media com- compression technologies, and the prod- the most efficient mobile video system panies, a lot of our customers find us uct is called a codec. Codec stands for presently available and it is currently in through word of mouth, including compression and decompression. So, in trials by China Mobile in ten provinces. through various influencers on the web. essence our technology allows video to be As part of this solution, we have a player We also have a growing sales force and compressed to a much smaller size by the that is deployed on mobile devices, and channel partners that conduct business developer of the video, and then decom- going forward we have playback and de- development and sales for us. Today we pressed at the user’s end while playing coding technologies that are being im- are also more proactive with advertising back video with a higher qual- plemented in chipsets by major semicon- and public relations than we have histori- ity than a non compressed file “Our vision for On2 Technologies is formed cally been.” for a given bandwidth. Codecs are the engines that power around the mantra of ‘any video, anywhere’. CEOCFO: Is it proprietary video, as we know it today. This is something we have been doing for some technology, is it a better way of What primarily sets codecs time, but now it is a mainstream industry trend. using the technology; what sets apart from one another is their What this represents is that we enable any video you apart from the competi- ability to maintain the quality to be delivered anywhere, meaning to any de- tion? of the video as bandwidth de- vice, for any application, over any network. Mr. Joll: “We became the de creases. Factors such as com- facto standard when Adobe plexity, which affects power What is happening with video today is that con- (formerly Macromedia) chose consumption and processor sumers want to view video on their PC, TV, mo- our technology for Flash video, requirements, are also key dif- bile phones, and portable devices --basically any the Adobe® Flash® Player 8. ferentiators. Our TrueMotion device. New and established media companies We provide higher quality, codecs are regarded as the best are launching services to offer download and better licensing terms, and we in the world, and these have use less bandwidth, so that is about 1.2 billion deployments streaming services, but also traditional broad- what sets us apart. Now what is with high-profile customers casters are embracing new mediums to reach a happening in the industry is the such as Adobe, Skype, AOL, wider spectrum of users. We call this conver- standards based technologies and Viewpoint. While we gence or cross platform applications, but the re- have established themselves in maintain our commitment to ality is that there is a sea change underway in certain markets, such as video- our best-of-breed codecs, with the video industry. We have been involved in on-demand. And while we con- our pending acquisition of tinue to aggressively market Hantro Products located in such cross platform video since early days of the our proprietary technology and Finland, we will add the ability company, by applying our technologies for mul- help introduce new service to support leading standards tiple applications, device and delivery platforms. paradigms, such as what we based codecs for our solutions It is therefore in our DNA, in a manner of have done with Skype, with the that are built on codecs. These speaking, to bring solutions and innovations to the pending Hantro acquisition solutions are a range of soft- we will support customers for ware products that fulfill the this transformation that is going on in the indus- standards based technologies to ‘any video, anywhere’ promise. try. We provide everything from core video the extent that we provide We also market our Flix® compression technology to tools, and system so- value to the industry and derive brand of encoding and publish- lutions, and are building our company’s opera- synergies with our existing ing tools, which allow our cus- tions around this capability to deliver any video, products and technologies. tomers to create and publish anywhere – in the most efficient, easy and af- Therefore, we have a combina- videos for web, mobile devices, tion of proprietary technologies and other applications. Suffice fordable way for our customers.” - Bill Joll ideally suited for the Internet it to say, we offer the broadest and mobile applications, and line of products that allow practically any ductor houses so that consumer grade the standards based technologies that are video file to be purposed or repurposed devices like set-top boxes and DVD play- used by some in the broadcasting indus- for any desired application. We have ers will be able to play video in high try. With the pending acquisition of Han- these products for consumers, profes- quality.” tro, we are further expanding our pres- sional users, enterprises, and service pro- ence in the standards and device space.” viders, with a varying range of features CEOCFO: How do you reach your cus- and capabilities for different markets. We tomers? CEOCFO: Are acquisitions part of your also provide these for desktops and server Mr. Joll: “As I mentioned earlier, we strategies going forward? side encoding, and across Windows, have been established as a leader in video Mr. Joll: “The industry is moving fast Linux and Mac platforms. At a more codecs for more than fifteen years, and and there are many diverse elements con- verging.
Recommended publications
  • FCC-06-11A1.Pdf
    Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service ..............................................................................................................
    [Show full text]
  • Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
    download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more.
    [Show full text]
  • Microsoft Powerpoint
    Development of Multimedia WebApp on Tizen Platform 1. HTML Multimedia 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video (2) HTML5 Audio (3) HTML Pulg-ins (4) HTML YouTube (5) Accessing Media Streams and Playing (6) Multimedia Contents Mgmt (7) Capturing Images 3. Multimedia Processing Web Device API Multimedia WepApp on Tizen - 1 - 1. HTML Multimedia • What is Multimedia ? − Multimedia comes in many different formats. It can be almost anything you can hear or see. − Examples : Pictures, music, sound, videos, records, films, animations, and more. − Web pages often contain multimedia elements of different types and formats. • Multimedia Formats − Multimedia elements (like sounds or videos) are stored in media files. − The most common way to discover the type of a file, is to look at the file extension. ⇔ When a browser sees the file extension .htm or .html, it will treat the file as an HTML file. ⇔ The .xml extension indicates an XML file, and the .css extension indicates a style sheet file. ⇔ Pictures are recognized by extensions like .gif, .png and .jpg. − Multimedia files also have their own formats and different extensions like: .swf, .wav, .mp3, .mp4, .mpg, .wmv, and .avi. Multimedia WepApp on Tizen - 2 - 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video • Some of the popular video container formats include the following: Audio Video Interleave (.avi) Flash Video (.flv) MPEG 4 (.mp4) Matroska (.mkv) Ogg (.ogv) • Browser Support Multimedia WepApp on Tizen - 3 - • Common Video Format Format File Description .mpg MPEG. Developed by the Moving Pictures Expert Group. The first popular video format on the MPEG .mpeg web.
    [Show full text]
  • Max Sound V. Google
    LAW OFFIClS 0~ _,.._.. \'XIALKUP, MELODIA, KELLY & SCHOEN I"ScRGEt<. 2 A PIKlll SSIONAL CORPORA l ION ..... G!JO CALIFORNIA STRE ET, 2611 1~L OO R -' SA N FRANCISCO, CALIFORNIA 94108-2615 (41 5) 901 7210 4 MICHAEL A. KELLY (State Bar #71460) 5 [email protected] MATTHEW D. DAVIS (State Bar #141986) 6 [email protected] KHALDOUN A. BAGHDADI (State Bar #1901 11 ) 7 kbaghdad i@wal kuplawofficc .com 8 JAY W. EISEN HOFER (pro hac vice to be submitted) GEOFFREY C. JARVIS (pro hac vice to be submitted) 9 ADAM J. LEVJTT ,(pro hac vic~ to be submitted) CATHERINE 0 SUILLEABHAfN (pro hac vice to be submitted) 10 GRANT & EISENHOFER P.A. 30 North LaSall e Street, Suite 1200 ll Chicago, Illinois 60602 Tel: (312) 214-0000 12 CHRJSTOPHER M. JOE (pro hac vice to be submitted) 13 ERJC W. BlJETHER (pro hac vice to be submitted) BRIAN A. CARPENTER (State Bar #262349) 14 MARK A. PERANTI E (pro hac vice to be submitted) BUETHER JOE & CARPENTER, LLC 1.5 1700 Pacific, Suite 4750 Dallas, Texas 75201 16 Tel: (214) 466-1272 ATTORNEYS FOR PLAINTIFFS 17 18 TN THE SUPERIOR COURT OF THE STATE OF CALIFORNIA 19 COUNTY OF SANTA CLARA 20 21 MAX SOUND CORPORATION, VSL CaseNo. 114CVI89231 COMMUNICATIONS LTD .. and VEDANTI 22 SYSTEMS LIMITED, UNLIMITED .JURISDICTION 23 Plainti ITs , COMPLAINT FOR DAMAGES AND INJUNCTIVE RELIEF: 24 V. 1. MISAPPROPRIATION OF TRADE SECRETS 25 GOOGLE, INC. , YOUTUBE, LLC , ON2 2. BREACH OF CONTRACT TECHNOLOGIES, IN C., and DOES 1-100, 3. UNFAIR COMPETITION ~ 26 4.
    [Show full text]
  • A Comparison of Video Formats for Online Teaching Ross A
    Contemporary Issues in Education Research – First Quarter 2017 Volume 10, Number 1 A Comparison Of Video Formats For Online Teaching Ross A. Malaga, Montclair State University, USA Nicole B. Koppel, Montclair State University, USA ABSTRACT The use of video to deliver content to students online has become increasingly popular. However, educators are often plagued with the question of which format to use to deliver asynchronous video material. Whether it is a College or University committing to a common video format or an individual instructor selecting the method that works best for his or her course, this research presents a comparison of various video formats that can be applied to online education and provides guidance in which one to select. Keywords: Online Teaching; Video Formats; Technology Acceptance Model INTRODUCTION istance learning is one of the most talked-about topics in higher education today. Online and hybrid (or blended) learning removes location and time-bound constraints of the traditional college classroom to a learning environment that can occur anytime or anywhere in a global environment. DAccording to research by the Online Learning Consortium, over 5 million students took an online course in the Fall 2014 semester. This represents an increase in online enrollment of over 3.9% in just one year. In 2014, 28% of higher education students took one or more courses online (Allen, I. E. and Seaman, J, 2016). With this incredible growth, albeit slower than the growth in previous years, institutions of higher education are continuing to increase their online course and program offerings. As such, institutions need to find easy to develop, easy to use, reliable, and reasonably priced technologies to deliver online content.
    [Show full text]
  • Audio and Video Standards for Internet Resources
    Downloaded from http://www.everyspec.com NASA STD-2821 Approval Date: 02/08/12 Expiration Date: None Audio and Video Standards for Internet Resources Downloaded from http://www.everyspec.com NASA STD-XXX FOREWORD The evolution of audio and video resources on the World Wide Web has grown beyond a fashionable trend and is fast becoming a primary means for communicating to a global audience. However, a result of this increasing success has led to such a wide range of competing codecs, media players, formats, wrappers, viewing devices and delivery options that accessing content has become increasingly confusing and can discourage even the most savvy web users. The National Aeronautic and Space Administration (NASA), a distinguished world class leader in Science, Engineering and Exploration has offered audio and video resources content on the internet for over a decade, though these offerings have suffered because of rapid growth of these various options and formats. Due to this perplexity, it has become a priority of the agency to establish an audio and video resources standard for use by the entire Agency to assure that every effort is made to reach the greatest possible audience with the simplest means available. This standard has been developed by the NASA Web Video Working Group and is approved and published by NASA for use by NASA Headquarters, NASA Centers and their subsidiary locations as well as NASA contractors where applicable to NASA contractual agreements. This standard provides a comprehensive guide for all audio and video resources produced by or for the agency, and also defines applicable requirements for accessibility as required by Federal law.
    [Show full text]
  • NY Amended Class Action Complaint (2009)
    SUPREME COURT OF THE STATE OF NEW YORK COUNTY OF QUEENS : COMMERCIAL DIVISION x MICHAEL JIANNARAS, on Behalf of : Index No. 21262/09 Himself and All Others Similarly Situated, : : Plaintiff, : The Honorable Marguerite A. Grays, J.S.C. : vs. : : MIKE ALFANT, MIKE KOPETSKI, J. AMENDED CLASS ACTION COMPLAINT : ALLEN KOSOWSKY, JAMES MEYER, : AFSANEH NAIMOLLAH, THOMAS : WEIGMAN, ON2 TECHNOLOGIES, INC. : and GOOGLE INC., : : Defendants. : x Plaintiff, by his attorneys, alleges upon information and belief, except for those allegations that pertain to him, which are alleged upon personal knowledge, as follows: NATURE OF THE ACTION 1. Plaintiff brings this shareholder class action on behalf of himself and all other public shareholders of On2 Technologies, Inc. (“On2” or the “Company”), against On2 and its Board of Directors (the “Board” or “Individual Defendants”), arising out of the proposed sale of On2 to defendant Google Inc. (“Google”) in a transaction valued at approximately $106.5 million pursuant to which each share of On2 common stock will be exchanged for 60 cents worth of Google Class A common stock (the “Proposed Transaction”). 2. In connection with the Proposed Transaction, however, the Board failed to discharge its fiduciary duties to the shareholders by, inter alia : (i) failing to ensure that they will receive maximum value for their shares; (ii) failing to conduct an appropriate sale process; (iii) implementing preclusive deal protections that will inhibit an alternate transaction; (iv) favoring the interests of certain “insider” shareholders over the interests of the Company’s unaffiliated public shareholders; (v) falsely portraying the Proposed Transaction as one in which the On2 shareholders will receive Google stock in exchange for their shares; and (vi) favoring its own interests in connection with the Proposed Transaction by attempting to extinguish shareholder derivative standing to evade liability for admitted accounting improprieties that resulted in the generation of false financial statements.
    [Show full text]
  • Comparison of Video Compression Standards
    International Journal of Computer and Electrical Engineering, Vol. 5, No. 6, December 2013 Comparison of Video Compression Standards S. Ponlatha and R. S. Sabeenian display digital pictures. Each pixel is thus represented by Abstract—In order to ensure compatibility among video one R, G, and B components. The 2D array of pixels that codecs from different manufacturers and applications and to constitutes a picture is actually three 2D arrays with one simplify the development of new applications, intensive efforts array for each of the RGB components. A resolution of 8 have been undertaken in recent years to define digital video bits per component is usually sufficient for typical consumer standards Over the past decades, digital video compression applications. technologies have become an integral part of the way we create, communicate and consume visual information. Digital A. The Need for Compression video communication can be found today in many application sceneries such as broadcast services over satellite and Fortunately, digital video has significant redundancies terrestrial channels, digital video storage, wires and wireless and eliminating or reducing those redundancies results in conversational services and etc. The data quantity is very large compression. Video compression can be lossy or loss less. for the digital video and the memory of the storage devices and Loss less video compression reproduces identical video the bandwidth of the transmission channel are not infinite, so after de-compression. We primarily consider lossy it is not practical for us to store the full digital video without compression that yields perceptually equivalent, but not processing. For instance, we have a 720 x 480 pixels per frame,30 frames per second, total 90 minutes full color video, identical video compared to the uncompressed source.
    [Show full text]
  • How to Convert AVI, MP4, FLV (Flash Video) and Other Non-Free Video Encoded Formats to Free Video Format Encoding OGV (Ogg Vorbis / Theora) on GNU / Linux and Freebsd
    Walking in Light with Christ - Faith, Computing, Diary Articles & tips and tricks on GNU/Linux, FreeBSD, Windows, mobile phone articles, religious related texts http://www.pc-freak.net/blog How to convert AVI, MP4, FLV (flash video) and other non-free video encoded formats to Free Video format encoding OGV (Ogg Vorbis / Theora) on GNU / Linux and FreeBSD Author : admin I was looking for a way to convert some Video and Sound files, downloaded from Youtube (mostly things dedicated to free software) and as far as I looked online unfortunately these pieces of nice music and tutorials are not available for download anywhere else or at least not available for download in some of the Open / Free Format (OGG Vorbis or OGV (OGG / Theora Video). When it comes to convertion between different formats, always the first things that I think of is ffmpeg or mencoder , however I was not sure if some of this tools are doing the trick so I did a quick research online if there is some specialised console or GUI program that can do the convertions between MP4, FLV etc. to OGV. In less than 10 minutes I found a threat mentioning about ffmpeg2theora - A Simple Convertor to create Ogg Theora files As I'm running Debian GNU / Linux, I installed ffmpeg2theora straight via apt, according to some reports online ffmpeg2theora cmd convertion tool is also available straight from repositories on Ubuntu as well. On FreeBSD there is a port /usr/ports/multimedia/ffmpeg2theora available for install. Of course FFmpeg2Theora can be installed from source on other Linux distributions that might be missing a pre- built binary.
    [Show full text]
  • (Flash Video Format). Uestions.Php
    page 84 Digitized video in formats, such as Quicktime, MPEG, AVI or DV and its http://www.flvplayer.com/q own FLV (Flash Video format). uestions.php Linking your video file as an Embedding your video file into external file to the flash file the flash file flash flash Streaming video You cannot use the original one. You need to compress it. Video Different compression method: Size (for example 320 by 240 pixels) Audio: Video You need to bring a video clip into the library. 0) Create a folder “videoLJW” under the “assign- ment” folder. 1)Copy “lmh.mov” from the class homepage to “videoLJW” folder. (Hold down the “Option” key and click the link to the file. 2) Open a flash file. (File/New) 3) Save it as “videoLJW.fla” under the assignment folder. 4) Rename “Layer 1” “video” 5) Select “File/Import/Import Video”. Select Video Flash looks for the location of your video file. If your video file is on your computer. click “Choose” to locate the file. If it is already on a commercial Flash Video Streaming Service or Macromedia Flash Communication Server, you need to select the second option and provide the file’s URL. Select the “lmh.mov” under the folder of “videoLJW”. Click “Open”. You will see the location of (File path to) “lmh.mov”. Click “Continue”. Deployment -- How would you tap into the lvideo file. Select “Progressive download from a web server”. First opton: Progressive download displays video when enough information to play is downloaded rather than the entire video is downloaded.Viewers have to play sdquentially.
    [Show full text]
  • Input Formats & Codecs
    Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS:
    [Show full text]
  • Basics of High-Efficiency Video Coding (HEVC) and Its Comparison from H.264/AVC Video Codec Imran Ullah Khan [1] Mohd
    International Journal of Engineering and Techniques – Volume 1 Issue 2, Mar – Apr 2015 RESEARCH ARTICLE OPEN ACCESS Basics of High-Efficiency Video Coding (HEVC) and its Comparison from H.264/AVC Video Codec Imran Ullah Khan [1] Mohd. Javed Khan [2] ,S.Hasan Saeed [3] ,Nupur Mittal [4] [1], [2],[3],[4] Dept. Electronics & Comm. Eng.,Integral University, India Abstract: This paper deals with the overview of latest video coding standard High-Efficiency Video Coding (HEVC). Also this work presents a performance comparison of the two latest video coding standards H.264/MPEG-AVC and H.265/MPEG-HEVC. According to the experimental results, which were obtained for a whole test set of video sequences by using similar encoding configurations, H.265/MPEG-HEVC provides significant average bit-rate savings of around 40%. Keywords: - CABAC , CAVLC, H.264/AVC, HEVC PSNR and SBAC. I. INTRODUCTION compared to its predecessor like H.264/MPEG- AVC [3-5]. The H.264/AVC video coding standard explicitly defines all the syntax elements, such as In parallel with the open video coding motion vectors, block coefficients, picture numbers, standardization processes of ITU-T and ISO/IEC, a and the order they appear in the video bitstream. few companies individually developed their own There are several Advanced Features of video codecs, which often were based partly on H.264/AVC video Codec which distinguish it from their own secretly kept technologies and partly on the previous video compression standards such as variants of the state-of-the-art technologies used in H.261,MPEG-1,2 and H.263 etc.[1, 2].
    [Show full text]