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Javascript and the DOM
Javascript and the DOM 1 Introduzione alla programmazione web – Marco Ronchetti 2020 – Università di Trento The web architecture with smart browser The web programmer also writes Programs which run on the browser. Which language? Javascript! HTTP Get + params File System Smart browser Server httpd Cgi-bin Internet Query SQL Client process DB Data Evolution 3: execute code also on client! (How ?) Javascript and the DOM 1- Adding dynamic behaviour to HTML 3 Introduzione alla programmazione web – Marco Ronchetti 2020 – Università di Trento Example 1: onmouseover, onmouseout <!DOCTYPE html> <html> <head> <title>Dynamic behaviour</title> <meta charset="UTF-8"> <meta name="viewport" content="width=device-width, initial-scale=1.0"> </head> <body> <div onmouseover="this.style.color = 'red'" onmouseout="this.style.color = 'green'"> I can change my colour!</div> </body> </html> JAVASCRIPT The dynamic behaviour is on the client side! (The file can be loaded locally) <body> <div Example 2: onmouseover, onmouseout onmouseover="this.style.background='orange'; this.style.color = 'blue';" onmouseout=" this.innerText='and my text and position too!'; this.style.position='absolute'; this.style.left='100px’; this.style.top='150px'; this.style.borderStyle='ridge'; this.style.borderColor='blue'; this.style.fontSize='24pt';"> I can change my colour... </div> </body > JavaScript is event-based UiEvents: These event objects iherits the properties of the UiEvent: • The FocusEvent • The InputEvent • The KeyboardEvent • The MouseEvent • The TouchEvent • The WheelEvent See https://www.w3schools.com/jsref/obj_uievent.asp Test and Gym JAVASCRIPT HTML HEAD HTML BODY CSS https://www.jdoodle.com/html-css-javascript-online-editor/ Javascript and the DOM 2- Introduction to the language 8 Introduzione alla programmazione web – Marco Ronchetti 2020 – Università di Trento JavaScript History • JavaScript was born as Mocha, then “LiveScript” at the beginning of the 94’s. -
Podcast Presentation
3/18/2009 Today’s Goals Podcasts: Understanding, 1. What is a podcast? Creating, and Deploying them 2. How do I get podcasts? 3. How do I play podcasts? 4. Why should I care about podcasts for Dr. Rick Jerz ediducation? 5. How do I produce my own audio podcasts? [email protected] 6. How do I deliver (deploy) my own podcasts? www.rjerz.com 1 © 2009 rjerz.com 2 © 2009 rjerz.com Demos 1) What is a Podcast? • It must be nothing, since the “podcast” is not in my dictionary. • It is something only children do. • It has something to do with fishing. • It is a radio talk show. • It a music file. • It is a TV program. • It is a lecture. 3 © 2009 rjerz.com 4 © 2009 rjerz.com Podcast Definition1 Rick’s Podcast Definition • Podcasting is a new format for distributing A method of obtaining (subscribing) audio and video content via the Internet. Actually, podcasting is just multimedia computer files (episodes), usually content enclosed into an RSS file. audio (mp3) or video (m4v), from a • RSS means Really Simple Syndication. RSS is a catalog (RSS feed, XML) on the special format based on XML. In fact, RSS Internet (website), and having them feeds are XML files containing data according to the RSS specification, and usually located automatically delivered to your on a website. computer and then to your iPod (or • XML: an HTML‐like file for handling data. other multimedia player) • HTML: Hyper Text Markup Language 1 ‐ http://www.rss‐specification.com/sitemap.htm 5 © 2009 rjerz.com 6 © 2009 rjerz.com 1 3/18/2009 2) How do I get podcasts? iTunes: An Aggregator -
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more. -
The Interplay of Compile-Time and Run-Time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel
The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel To cite this version: Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel. The Interplay of Compile-time and Run-time Options for Performance Prediction. SPLC 2021 - 25th ACM Inter- national Systems and Software Product Line Conference - Volume A, Sep 2021, Leicester, United Kingdom. pp.1-12, 10.1145/3461001.3471149. hal-03286127 HAL Id: hal-03286127 https://hal.archives-ouvertes.fr/hal-03286127 Submitted on 15 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel Univ Rennes, INSA Rennes, CNRS, Inria, IRISA Rennes, France [email protected] ABSTRACT Both compile-time and run-time options can be configured to reach Many software projects are configurable through compile-time op- specific functional and performance goals. tions (e.g., using ./configure) and also through run-time options (e.g., Existing studies consider either compile-time or run-time op- command-line parameters, fed to the software at execution time). -
MSD FATFS Users Guide
Freescale MSD FATFS Users Guide Document Number: MSDFATFSUG Rev. 0 02/2011 How to Reach Us: Home Page: www.freescale.com E-mail: [email protected] USA/Europe or Locations Not Listed: Freescale Semiconductor Technical Information Center, CH370 1300 N. Alma School Road Chandler, Arizona 85224 +1-800-521-6274 or +1-480-768-2130 [email protected] Europe, Middle East, and Africa: Information in this document is provided solely to enable system and Freescale Halbleiter Deutschland GmbH software implementers to use Freescale Semiconductor products. There are Technical Information Center no express or implied copyright licenses granted hereunder to design or Schatzbogen 7 fabricate any integrated circuits or integrated circuits based on the 81829 Muenchen, Germany information in this document. +44 1296 380 456 (English) +46 8 52200080 (English) Freescale Semiconductor reserves the right to make changes without further +49 89 92103 559 (German) notice to any products herein. Freescale Semiconductor makes no warranty, +33 1 69 35 48 48 (French) representation or guarantee regarding the suitability of its products for any particular purpose, nor does Freescale Semiconductor assume any liability [email protected] arising out of the application or use of any product or circuit, and specifically disclaims any and all liability, including without limitation consequential or Japan: incidental damages. “Typical” parameters that may be provided in Freescale Freescale Semiconductor Japan Ltd. Semiconductor data sheets and/or specifications can and do vary in different Headquarters applications and actual performance may vary over time. All operating ARCO Tower 15F parameters, including “Typicals”, must be validated for each customer 1-8-1, Shimo-Meguro, Meguro-ku, application by customer’s technical experts. -
Microsoft Powerpoint
Development of Multimedia WebApp on Tizen Platform 1. HTML Multimedia 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video (2) HTML5 Audio (3) HTML Pulg-ins (4) HTML YouTube (5) Accessing Media Streams and Playing (6) Multimedia Contents Mgmt (7) Capturing Images 3. Multimedia Processing Web Device API Multimedia WepApp on Tizen - 1 - 1. HTML Multimedia • What is Multimedia ? − Multimedia comes in many different formats. It can be almost anything you can hear or see. − Examples : Pictures, music, sound, videos, records, films, animations, and more. − Web pages often contain multimedia elements of different types and formats. • Multimedia Formats − Multimedia elements (like sounds or videos) are stored in media files. − The most common way to discover the type of a file, is to look at the file extension. ⇔ When a browser sees the file extension .htm or .html, it will treat the file as an HTML file. ⇔ The .xml extension indicates an XML file, and the .css extension indicates a style sheet file. ⇔ Pictures are recognized by extensions like .gif, .png and .jpg. − Multimedia files also have their own formats and different extensions like: .swf, .wav, .mp3, .mp4, .mpg, .wmv, and .avi. Multimedia WepApp on Tizen - 2 - 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video • Some of the popular video container formats include the following: Audio Video Interleave (.avi) Flash Video (.flv) MPEG 4 (.mp4) Matroska (.mkv) Ogg (.ogv) • Browser Support Multimedia WepApp on Tizen - 3 - • Common Video Format Format File Description .mpg MPEG. Developed by the Moving Pictures Expert Group. The first popular video format on the MPEG .mpeg web. -
On Audio-Visual File Formats
On Audio-Visual File Formats Summary • digital audio and digital video • container, codec, raw data • different formats for different purposes Reto Kromer • AV Preservation by reto.ch • audio-visual data transformations Film Preservation and Restoration Hyderabad, India 8–15 December 2019 1 2 Digital Audio • sampling Digital Audio • quantisation 3 4 Sampling • 44.1 kHz • 48 kHz • 96 kHz • 192 kHz digitisation = sampling + quantisation 5 6 Quantisation • 16 bit (216 = 65 536) • 24 bit (224 = 16 777 216) • 32 bit (232 = 4 294 967 296) Digital Video 7 8 Digital Video Resolution • resolution • SD 480i / SD 576i • bit depth • HD 720p / HD 1080i • linear, power, logarithmic • 2K / HD 1080p • colour model • 4K / UHD-1 • chroma subsampling • 8K / UHD-2 • illuminant 9 10 Bit Depth Linear, Power, Logarithmic • 8 bit (28 = 256) «medium grey» • 10 bit (210 = 1 024) • linear: 18% • 12 bit (212 = 4 096) • power: 50% • 16 bit (216 = 65 536) • logarithmic: 50% • 24 bit (224 = 16 777 216) 11 12 Colour Model • XYZ, L*a*b* • RGB / R′G′B′ / CMY / C′M′Y′ • Y′IQ / Y′UV / Y′DBDR • Y′CBCR / Y′COCG • Y′PBPR 13 14 15 16 17 18 RGB24 00000000 11111111 00000000 00000000 00000000 00000000 11111111 00000000 00000000 00000000 00000000 11111111 00000000 11111111 11111111 11111111 11111111 00000000 11111111 11111111 11111111 11111111 00000000 11111111 19 20 Compression Uncompressed • uncompressed + data simpler to process • lossless compression + software runs faster • lossy compression – bigger files • chroma subsampling – slower writing, transmission and reading • born -
Installation Manual
CX-20 Installation manual ENABLING BRIGHT OUTCOMES Barco NV Beneluxpark 21, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Registered office: Barco NV President Kennedypark 35, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Copyright © All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco. Trademarks Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufacturers. Trademarks USB Type-CTM and USB-CTM are trademarks of USB Implementers Forum. HDMI Trademark Notice The terms HDMI, HDMI High Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing Administrator, Inc. Product Security Incident Response As a global technology leader, Barco is committed to deliver secure solutions and services to our customers, while protecting Barco’s intellectual property. When product security concerns are received, the product security incident response process will be triggered immediately. To address specific security concerns or to report security issues with Barco products, please inform us via contact details mentioned on https://www.barco.com/psirt. To protect our customers, Barco does not publically disclose or confirm security vulnerabilities until Barco has conducted an analysis of the product and issued fixes and/or mitigations. Patent protection Please refer to www.barco.com/about-barco/legal/patents Guarantee and Compensation Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. -
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
Screen Capture Tools to Record Online Tutorials This Document Is Made to Explain How to Use Ffmpeg and Quicktime to Record Mini Tutorials on Your Own Computer
Screen capture tools to record online tutorials This document is made to explain how to use ffmpeg and QuickTime to record mini tutorials on your own computer. FFmpeg is a cross-platform tool available for Windows, Linux and Mac. Installation and use process depends on your operating system. This info is taken from (Bellard 2016). Quicktime Player is natively installed on most of Mac computers. This tutorial focuses on Linux and Mac. Table of content 1. Introduction.......................................................................................................................................1 2. Linux.................................................................................................................................................1 2.1. FFmpeg......................................................................................................................................1 2.1.1. installation for Linux..........................................................................................................1 2.1.1.1. Add necessary components........................................................................................1 2.1.2. Screen recording with FFmpeg..........................................................................................2 2.1.2.1. List devices to know which one to record..................................................................2 2.1.2.2. Record screen and audio from your computer...........................................................3 2.2. Kazam........................................................................................................................................4 -
Ffmpeg Documentation Table of Contents
ffmpeg Documentation Table of Contents 1 Synopsis 2 Description 3 Detailed description 3.1 Filtering 3.1.1 Simple filtergraphs 3.1.2 Complex filtergraphs 3.2 Stream copy 4 Stream selection 5 Options 5.1 Stream specifiers 5.2 Generic options 5.3 AVOptions 5.4 Main options 5.5 Video Options 5.6 Advanced Video options 5.7 Audio Options 5.8 Advanced Audio options 5.9 Subtitle options 5.10 Advanced Subtitle options 5.11 Advanced options 5.12 Preset files 6 Tips 7 Examples 7.1 Preset files 7.2 Video and Audio grabbing 7.3 X11 grabbing 7.4 Video and Audio file format conversion 8 Syntax 8.1 Quoting and escaping 8.1.1 Examples 8.2 Date 8.3 Time duration 8.3.1 Examples 8.4 Video size 8.5 Video rate 8.6 Ratio 8.7 Color 8.8 Channel Layout 9 Expression Evaluation 10 OpenCL Options 11 Codec Options 12 Decoders 13 Video Decoders 13.1 rawvideo 13.1.1 Options 14 Audio Decoders 14.1 ac3 14.1.1 AC-3 Decoder Options 14.2 ffwavesynth 14.3 libcelt 14.4 libgsm 14.5 libilbc 14.5.1 Options 14.6 libopencore-amrnb 14.7 libopencore-amrwb 14.8 libopus 15 Subtitles Decoders 15.1 dvdsub 15.1.1 Options 15.2 libzvbi-teletext 15.2.1 Options 16 Encoders 17 Audio Encoders 17.1 aac 17.1.1 Options 17.2 ac3 and ac3_fixed 17.2.1 AC-3 Metadata 17.2.1.1 Metadata Control Options 17.2.1.2 Downmix Levels 17.2.1.3 Audio Production Information 17.2.1.4 Other Metadata Options 17.2.2 Extended Bitstream Information 17.2.2.1 Extended Bitstream Information - Part 1 17.2.2.2 Extended Bitstream Information - Part 2 17.2.3 Other AC-3 Encoding Options 17.2.4 Floating-Point-Only AC-3 Encoding -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.