Ffmpeg Documentation Table of Contents
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Lossless Audio Codec Comparison
Contents Introduction 3 1 CD-audio test 4 1.1 CD's used . .4 1.2 Results all CD's together . .4 1.3 Interesting quirks . .7 1.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) . .7 1.3.2 Compressibility . .9 1.4 Convergence of the results . 10 2 High-resolution audio 13 2.1 Nine Inch Nails' The Slip . 13 2.2 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 16 2.3 Wasted bits . 18 3 Multichannel audio 20 3.1 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 20 A Motivation for choosing these CDs 23 B Test setup 27 B.1 Scripting and graphing . 27 B.2 Codecs and parameters used . 27 B.3 MD5 checksumming . 28 C Revision history 30 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec performance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased. -
Space Application Development Board
Space Application Development Board The Space Application Development Board (SADB-C6727B) enables developers to implement systems using standard and custom algorithms on processor hardware similar to what would be deployed for space in a fully radiation hardened (rad-hard) design. The SADB-C6727B is devised to be similar to a space qualified rad-hardened system design using the TI SMV320C6727B-SP DSP and high-rel memories (SRAM, SDRAM, NOR FLASH) from Cobham. The VOCAL SADB- C6727B development board does not use these high reliability space qualified components but rather implements various common bus widths and memory types/speeds for algorithm development and performance evaluation. VOCAL Technologies, Ltd. www.vocal.com 520 Lee Entrance, Suite 202 Tel: (716) 688-4675 Buffalo, New York 14228 Fax: (716) 639-0713 Audio inputs are handled by a TI ADS1278 high speed multichannel analog-to-digital converter (ADC) which has a variant qualified for space operation. Audio outputs may be generated from digital signal Pulse Density Modulation (PDM) or Pulse Width Modulation (PWM) signals to avoid the need for a space qualified digital-to-analog converter (DAC) hardware or a traditional audio codec circuit. A commercial grade AIC3106 audio codec is provided for algorithm development and for comparison of audio performance to PDM/PWM generated audio signals. Digital microphones (PDM or I2S formats) can be sampled by the processor directly or by the AIC3106 audio codec (PDM format only). Digital audio inputs/outputs can also be connected to other processors (using the McASP signals directly). Both SRAM and SDRAM memories are supported via configuration resistors to allow for developing and benchmarking algorithms using either 16-bit wide or 32-bit wide busses (also via configuration resistors). -
Concatenation of Compression Codecs – the Need for Objective Evaluations
Concatenation of compression codecs – The need for objective evaluations C.J. Dalton (UKIB) In this article the Author considers, firstly, a hypothetical broadcast network in which compression equipments have replaced several existing functions – resulting in multiple-cascading. Secondly, he describes a similar network that has been optimized for compression technology. Picture-quality assessment methods – both conventional and new, fied for still-picture applications in the printing in- subjective and objective – are dustry and was adapted to motion video applica- discussed with the aim of providing tions, by encoding on a picture-by-picture basis. background information. Some Various proprietary versions of JPEG, with higher proposals are put forward for compression ratios, were introduced to reduce the objective evaluation together with storage requirements, and alternative systems based on Wavelets and Fractals have been imple- initial observations when concaten- mented. Due to the availability of integrated hard- ating (cascading) codecs of similar ware, motion JPEG is now widely used for off- and different types. and on-line editing, disc servers, slow-motion sys- tems, etc., but there is little standardization and few interfaces at the compressed level. The MPEG-1 compression standard was aimed at 1. Introduction progressively-scanned moving images and has been widely adopted for CD-ROM and similar ap- Bit-rate reduction (BRR) techniques – commonly plications; it has also found limited application for referred to as compression – are now firmly estab- broadcast video. The MPEG-2 system is specifi- lished in the latest generation of broadcast televi- cally targeted at the complete gamut of video sys- sion equipments. tems; for standard-definition television, the MP@ML codec – with compression ratios of 20:1 Original language: English Manuscript received 15/1/97. -
Making Speech Recognition Work on the Web Christopher J. Varenhorst
Making Speech Recognition Work on the Web by Christopher J. Varenhorst Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Masters of Engineering in Computer Science and Engineering at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 2011 c Massachusetts Institute of Technology 2011. All rights reserved. Author.................................................................... Department of Electrical Engineering and Computer Science May 20, 2011 Certified by . James R. Glass Principal Research Scientist Thesis Supervisor Certified by . Scott Cyphers Research Scientist Thesis Supervisor Accepted by . Christopher J. Terman Chairman, Department Committee on Graduate Students Making Speech Recognition Work on the Web by Christopher J. Varenhorst Submitted to the Department of Electrical Engineering and Computer Science on May 20, 2011, in partial fulfillment of the requirements for the degree of Masters of Engineering in Computer Science and Engineering Abstract We present an improved Audio Controller for Web-Accessible Multimodal Interface toolkit { a system that provides a simple way for developers to add speech recognition to web pages. Our improved system offers increased usability and performance for users and greater flexibility for developers. Tests performed showed a %36 increase in recognition response time in the best possible networking conditions. Preliminary tests shows a markedly improved users experience. The new Wowza platform also provides a means of upgrading other Audio Controllers easily. Thesis Supervisor: James R. Glass Title: Principal Research Scientist Thesis Supervisor: Scott Cyphers Title: Research Scientist 2 Contents 1 Introduction and Background 7 1.1 WAMI - Web Accessible Multimodal Toolkit . 8 1.1.1 Existing Java applet . 11 1.2 SALT . -
Ardour Export Redesign
Ardour Export Redesign Thorsten Wilms [email protected] Revision 2 2007-07-17 Table of Contents 1 Introduction 4 4.5 Endianness 8 2 Insights From a Survey 4 4.6 Channel Count 8 2.1 Export When? 4 4.7 Mapping Channels 8 2.2 Channel Count 4 4.8 CD Marker Files 9 2.3 Requested File Types 5 4.9 Trimming 9 2.4 Sample Formats and Rates in Use 5 4.10 Filename Conflicts 9 2.5 Wish List 5 4.11 Peaks 10 2.5.1 More than one format at once 5 4.12 Blocking JACK 10 2.5.2 Files per Track / Bus 5 4.13 Does it have to be a dialog? 10 2.5.3 Optionally store timestamps 5 5 Track Export 11 2.6 General Problems 6 6 MIDI 12 3 Feature Requests 6 7 Steps After Exporting 12 3.1 Multichannel 6 7.1 Normalize 12 3.2 Individual Files 6 7.2 Trim silence 13 3.3 Realtime Export 6 7.3 Encode 13 3.4 Range ad File Export History 7 7.4 Tag 13 3.5 Running a Script 7 7.5 Upload 13 3.6 Export Markers as Text 7 7.6 Burn CD / DVD 13 4 The Current Dialog 7 7.7 Backup / Archiving 14 4.1 Time Span Selection 7 7.8 Authoring 14 4.2 Ranges 7 8 Container Formats 14 4.3 File vs Directory Selection 8 8.1 libsndfile, currently offered for Export 14 4.4 Container Types 8 8.2 libsndfile, also interesting 14 8.3 libsndfile, rather exotic 15 12 Specification 18 8.4 Interesting 15 12.1 Core 18 8.4.1 BWF – Broadcast Wave Format 15 12.2 Layout 18 8.4.2 Matroska 15 12.3 Presets 18 8.5 Problematic 15 12.4 Speed 18 8.6 Not of further interest 15 12.5 Time span 19 8.7 Check (Todo) 15 12.6 CD Marker Files 19 9 Encodings 16 12.7 Mapping 19 9.1 Libsndfile supported 16 12.8 Processing 19 9.2 Interesting 16 12.9 Container and Encodings 19 9.3 Problematic 16 12.10 Target Folder 20 9.4 Not of further interest 16 12.11 Filenames 20 10 Container / Encoding Combinations 17 12.12 Multiplication 20 11 Elements 17 12.13 Left out 21 11.1 Input 17 13 Credits 21 11.2 Output 17 14 Todo 22 1 Introduction 4 1 Introduction 2 Insights From a Survey The basic purpose of Ardour's export functionality is I conducted a quick survey on the Linux Audio Users to create mixdowns of multitrack arrangements. -
Installation Manual
CX-20 Installation manual ENABLING BRIGHT OUTCOMES Barco NV Beneluxpark 21, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Registered office: Barco NV President Kennedypark 35, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Copyright © All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco. Trademarks Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufacturers. Trademarks USB Type-CTM and USB-CTM are trademarks of USB Implementers Forum. HDMI Trademark Notice The terms HDMI, HDMI High Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing Administrator, Inc. Product Security Incident Response As a global technology leader, Barco is committed to deliver secure solutions and services to our customers, while protecting Barco’s intellectual property. When product security concerns are received, the product security incident response process will be triggered immediately. To address specific security concerns or to report security issues with Barco products, please inform us via contact details mentioned on https://www.barco.com/psirt. To protect our customers, Barco does not publically disclose or confirm security vulnerabilities until Barco has conducted an analysis of the product and issued fixes and/or mitigations. Patent protection Please refer to www.barco.com/about-barco/legal/patents Guarantee and Compensation Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. -
Important Notice Regarding Software
Important Notice Regarding Software The software package installed in this product includes software licensed to Onkyo & Pioneer Corporation (hereinafter, called “O&P Corporation”) directly or indirectly by third party developers. Please be sure to read this notice regarding such software. Notice Regarding GNU GPL/LGPL-applicable Software This product includes the following software that is covered by GNU General Public License (hereinafter, called "GPL") or by GNU Lesser General Public License (hereinafter, called "LGPL"). O&P Corporation notifies you that, according to the attached GPL/LGPL, you have right to obtain, modify, and redistribute software source code for the listed software. ソフトウェアに関する重要なお知らせ 本製品に搭載されるソフトウェアには、オンキヨー & パイオニア株式会社(以下「弊社」とします)が 第三者より直接的に又は間接的に使用の許諾を受けたソフトウェアが含まれております。これらのソフト ウェアに関する本お知らせを必ずご一読くださいますようお願い申し上げます。 GNU GPL / LGPL 適用ソフトウェアに関するお知らせ 本製品には、以下の GNU General Public License(以下「GPL」とします)または GNU Lesser General Public License(以下「LGPL」とします)の適用を受けるソフトウェアが含まれております。 お客様は添付の GPL/LGPL に従いこれらのソフトウェアソースコードの入手、改変、再配布の権利があ ることをお知らせいたします。 Package List パッケージリスト alsa-conf-base glibc-gconv alsa-conf glibc-gconv-utf-16 alsa-lib glib-networking alsa-utils-alsactl gstreamer1.0-libav alsa-utils-alsamixer gstreamer1.0-plugins-bad-aiff alsa-utils-amixer gstreamer1.0-plugins-bad-bluez alsa-utils-aplay gstreamer1.0-plugins-bad-faac avahi-autoipd gstreamer1.0-plugins-bad-mms base-files gstreamer1.0-plugins-bad-mpegtsdemux base-passwd gstreamer1.0-plugins-bad-mpg123 bluez5 gstreamer1.0-plugins-bad-opus busybox gstreamer1.0-plugins-bad-rawparse -
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats. -
CSE-800 User Guide
ClickShare CSE-800 User guide ENABLING BRIGHT OUTCOMES Registered office: Barco NV President Kennedypark 35, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Barco NV Beneluxpark 21, 8500 Kortrijk, Belgium www.barco.com/en/support www.barco.com Barco ClickShare Product Specific End User License Agreement1 THIS PRODUCT SPECIFIC USER LICENSE AGREEMENT (EULA) TOGETHER WITH THE BARCO GENERAL EULA ATTACHED HERETO SET OUT THE TERMS OF USE OF THE SOFTWARE. PLEASE READ THIS DOCUMENT CAREFULLY BEFORE OPENING OR DOWNLOADING AND USING THE SOFTWARE. DO NOT ACCEPT THE LICENSE, AND DO NOT INSTALL, DOWNLOAD, ACCESS, OR OTHERWISE COPY OR USE ALL OR ANY PORTION OF THE SOFTWARE UNLESS YOU CAN AGREE WITH ITS TERMS AS SET OUT IN THIS LICENSE AGREEMENT. 1. Entitlement Barco ClickShare (the “Software”) offered as a wireless presentation solution that includes the respective software components as further detailed in the applicable Documentation. The Software can be used upon purchase from, and subject to payment of the relating purchase price to, a Barco authorized distributor or reseller of the ClickShare base unit and button or download of the authorized ClickShare applications (each a “Barco ClickShare Product”). • Term The Software can be used under the terms of this EULA from the date of first use of the Barco ClickShare Product, for as long as you operate such Barco ClickShare Product. • Deployment and Use The Software shall be used solely in association with a Barco ClickShare Product in accordance with the Documentation issued by Barco for such Product. 2. Support The Software is subject to the warranty conditions outlined in the Barco warranty rider. -
Influence of Speech Codecs Selection on Transcoding Steganography
Influence of Speech Codecs Selection on Transcoding Steganography Artur Janicki, Wojciech Mazurczyk, Krzysztof Szczypiorski Warsaw University of Technology, Institute of Telecommunications Warsaw, Poland, 00-665, Nowowiejska 15/19 Abstract. The typical approach to steganography is to compress the covert data in order to limit its size, which is reasonable in the context of a limited steganographic bandwidth. TranSteg (Trancoding Steganography) is a new IP telephony steganographic method that was recently proposed that offers high steganographic bandwidth while retaining good voice quality. In TranSteg, compression of the overt data is used to make space for the steganogram. In this paper we focus on analyzing the influence of the selection of speech codecs on hidden transmission performance, that is, which codecs would be the most advantageous ones for TranSteg. Therefore, by considering the codecs which are currently most popular for IP telephony we aim to find out which codecs should be chosen for transcoding to minimize the negative influence on voice quality while maximizing the obtained steganographic bandwidth. Key words: IP telephony, network steganography, TranSteg, information hiding, speech coding 1. Introduction Steganography is an ancient art that encompasses various information hiding techniques, whose aim is to embed a secret message (steganogram) into a carrier of this message. Steganographic methods are aimed at hiding the very existence of the communication, and therefore any third-party observers should remain unaware of the presence of the steganographic exchange. Steganographic carriers have evolved throughout the ages and are related to the evolution of the methods of communication between people. Thus, it is not surprising that currently telecommunication networks are a natural target for steganography. -
TR 101 329-7 V1.1.1 (2000-11) Technical Report
ETSI TR 101 329-7 V1.1.1 (2000-11) Technical Report TIPHON; Design Guide; Part 7: Design Guide for Elements of a TIPHON connection from an end-to-end speech transmission performance point of view 2 ETSI TR 101 329-7 V1.1.1 (2000-11) Reference DTR/TIPHON-05011 Keywords internet, IP, network, performance, protocol, quality, speech, voice ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.:+33492944200 Fax:+33493654716 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://www.etsi.org/tb/status/ If you find errors in the present document, send your comment to: [email protected] Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.