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Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
In This Issue in Toronto and Jewelry Deco Pavilion
F A L L 2 0 1 3 Major Art Deco Retrospective Opens in Paris at the Palais de Chaillot… page 11 The Carlu Gatsby’s Fashions Denver 1926 Pittsburgh IN THIS ISSUE in Toronto and Jewelry Deco Pavilion IN THIS ISSUE FALL 2013 FEATURE ARTICLES “Degenerate” Ceramics Revisited By Rolf Achilles . 7 Outside the Museum Doors By Linda Levendusky . 10. Prepare to be Dazzled: Major Art Deco Retrospective Opens in Paris . 11. Art Moderne in Toronto: The Carlu on the Tenth Anniversary of Its Restoration By Scott Weir . .14 Fashions and Jewels of the Jazz Age Sparkle in Gatsby Film By Annette Bochenek . .17 Denver Deco By David Wharton . 20 An Unlikely Art Deco Debut: The Pittsburgh Pavilion at the 1926 Philadelphia Sesquicentennial International Exposition By Dawn R. Reid . 24 A Look Inside… The Art Deco Poster . 27 The Architecture of Barry Byrne: Taking the Prairie School to Europe . 29 REGULAR FEATURES President’s Message . .3 CADS Recap . 4. Deco Preservation . .6 Deco Spotlight . .8 Fall 2013 1 Custom Fine Jewelry and Adaptation of Historic Designs A percentage of all sales will benefit CADS. Mention this ad! Best Friends Elevating Deco Diamonds & Gems Demilune Stacker CADS Member Karla Lewis, GG, AJP, (GIA) Zig Zag Deco By Appointment 29 East Madison, Chicago u [email protected] 312-269-9999 u Mobile: 312-953-1644 bestfriendsdiamonds.com Engagement Rings u Diamond Jewelry u South Sea Cultured Pearl Jewelry and Strands u Custom Designs 2 Chicago Art Deco Society Magazine CADS Board of Directors Joseph Loundy President Amy Keller Vice President PRESIDENT’S MESSAGE Susanne Petersson Secretary Mary Miller Treasurer Ruth Dearborn Ann Marie Del Monico Steve Hickson Conrad Miczko Dear CADS Members, Kevin Palmer Since I last wrote to you in April, there have been several important personnel changes at CADS . -
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
International Symposium
Xl. ve XVIII. yüzyıllar Xl. to XVIII. centuries iSLAM-TÜRK MEDENiYETi VE AVRUPA ISLAMIC-TURKISH CIVILIZATION AND EUROPE Uluslararası Sempozyum International Symposium iSAM Konferans Salonu !SAM Conference Hall Xl. ve XVIII. yüzyıllar islam-Türk Medaniyeti ve Avrupa ULUSLARARASISEMPOZYUM 24-26 Kas1m, 2006 · • Felsefe - Bilim • Siyaset- Devlet • Dil - Edebiyat - Sanat • Askerlik • Sosyal Hayat •Imge fl,cm. No: Tas. No: Organizasyon: Türkiye Diyanet Vakfı islam Araştırmaları Merkezi (iSAM) T.C. Diyanet işleri Başkanlığı Marmara Üniversitesi ilahiyat Fakültesi © Kaynak göstermek için henüz hazır değildir. 1 Not for quotation. ,.1' Xl. ve XVIII. yüzyıllar Uluslararası Sempozyum DIFFERING ATTITUDES OF A FEW EUROPEAN SCHOLARS AND TRAVELLERS TOWARDS THE REMOVAL OF ARTEFACTS FROM THE OTTOMAN EMPIRE Fredrik THOMASSON• The legitimacy of removal of artefacts from the Ottoman Empire during the Iate 181h and early 191h century was already debated by contemporary observers. The paper presents a few Swedish scholars/travellers and their views on the dismemberment of the Parthenon, exeavation of graves ete. in the Greek and Egyptian territories of the Empire. These scholars are often very critica! and their opinions resemble to a great extent many of the positions in today's debate. This is contrasted with views from representatives from more in:fluential countries who seem to have fewer qualms about the whotesale removal of objects. The possible reasons for the difference in opinions are discussed; e.g. how the fact of being from a sınaller nation with less negotiating and economic power might influence the opinions of the actors. The main characters are Johan David Akerblad (1763-1819) orientalist and classical scholar, the diplomat Erik Bergstedt (1760-1829) and the language scholar Jacob Berggren (1790-1868). -
Hoock Empires Bibliography
Holger Hoock, Empires of the Imagination: Politics, War, and the Arts in the British World, 1750-1850 (London: Profile Books, 2010). ISBN 978 1 86197. Bibliography For reasons of space, a bibliography could not be included in the book. This bibliography is divided into two main parts: I. Archives consulted (1) for a range of chapters, and (2) for particular chapters. [pp. 2-8] II. Printed primary and secondary materials cited in the endnotes. This section is structured according to the chapter plan of Empires of the Imagination, the better to provide guidance to further reading in specific areas. To minimise repetition, I have integrated the bibliographies of chapters within each sections (see the breakdown below, p. 9) [pp. 9-55]. Holger Hoock, Empires of the Imagination (London, 2010). Bibliography © Copyright Holger Hoock 2009. I. ARCHIVES 1. Archives Consulted for a Range of Chapters a. State Papers The National Archives, Kew [TNA]. Series that have been consulted extensively appear in ( ). ADM Admiralty (1; 7; 51; 53; 352) CO Colonial Office (5; 318-19) FO Foreign Office (24; 78; 91; 366; 371; 566/449) HO Home Office (5; 44) LC Lord Chamberlain (1; 2; 5) PC Privy Council T Treasury (1; 27; 29) WORK Office of Works (3; 4; 6; 19; 21; 24; 36; 38; 40-41; 51) PRO 30/8 Pitt Correspondence PRO 61/54, 62, 83, 110, 151, 155 Royal Proclamations b. Art Institutions Royal Academy of Arts, London Council Minutes, vols. I-VIII (1768-1838) General Assembly Minutes, vols. I – IV (1768-1841) Royal Institute of British Architects, London COC Charles Robert Cockerell, correspondence, diaries and papers, 1806-62 MyFam Robert Mylne, correspondence, diaries, and papers, 1762-1810 Victoria & Albert Museum, National Art Library, London R.C. -
Historic Walking Tour – East
5 NAPERVILLE Historic Walking Tour – East 3rd printing, revised Spring 2006 Brief Summary of Naperville’s Past In 1831, Captain Joseph Naper traveled from Ashtabula, Ohio, to the fertile soil of Illinois, approximately 30 miles west of Chicago, near the DuPage River. He brought along several families and individuals as well as plans and provisions for establishing a community. By early 1832, Naper’s Settlement had 180 people dwelling in it, along with a trading house, mills and a school. The following year saw a post office and frame homes erected. Naperville’s early development was possible because a road connecting Chicago and Ottawa, and the Galena Road (now Aurora Avenue), passed through town. Naperville was home to the county seat from 1839 until 1867, when Wheaton contested and gained the rights. Completion of the Chicago, Burlington and Quincy Railroad through Naperville in 1864 helped spur growth and was responsible for opening the Chicago market to the town’s already flourishing nurseries, breweries and quarries. The railroad also enabled the Naperville Lounge Company (later Kroehler Manufacturing Company) to grow into one of the world’s largest furniture manufacturers. Pioneer settler and real estate developer Morris Sleight once owned much of the land on the east side of Naperville. By the time of his death in 1863, he had amassed a total of 473 acres, which were developed into residential plots. Most homes in this tour are frame, two-story single-family dwellings, though some of masonry can be found. Throughout the area, the Italianate Style predominates. Other architectural styles include Queen Anne, National Folk, Stick, Craftsman, Prairie School, Gothic, and Classical Revival. -
Urban Change Cultural Makers and Spaces in the Ruhr Region
PART 2 URBAN CHANGE CULTURAL MAKERS AND SPACES IN THE RUHR REGION 3 | CONTENT URBAN CHANGE CULTURAL MAKERS AND SPACES IN THE RUHR REGION CONTENT 5 | PREFACE 6 | INTRODUCTION 9 | CULTURAL MAKERS IN THE RUHR REGION 38 | CREATIVE.QUARTERS Ruhr – THE PROGRAMME 39 | CULTURAL PLACEMAKING IN THE RUHR REGION 72 | IMPRINT 4 | PREFACE 5 | PREFACE PREFACE Dear Sir or Madam, Dear readers of this brochure, Individuals and institutions from Cultural and Creative Sectors are driving urban, Much has happened since the project started in 2012: The Creative.Quarters cultural and economic change – in the Ruhr region as well as in Europe. This is Ruhr are well on their way to become a strong regional cultural, urban and eco- proven not only by the investment of 6 billion Euros from the European Regional nomic brand. Additionally, the programme is gaining more and more attention on Development Fund (ERDF) that went into culture projects between 2007 and a European level. The Creative.Quarters Ruhr have become a model for a new, 2013. The Ruhr region, too, exhibits experience and visible proof of structural culturally carried and integrative urban development in Europe. In 2015, one of change brought about through culture and creativity. the projects supported by the Creative.Quarters Ruhr was even invited to make a presentation at the European Parliament in Brussels. The second volume of this brochure depicts the Creative.Quarters Ruhr as a building block within the overall strategy for cultural and economic change in the Therefore, this second volume of the brochure “Urban Change – Cultural makers Ruhr region as deployed by the european centre for creative economy (ecce). -
Spring Newsletter
Perit inci et, vel utpatum san- dio commy nit lore digna con eugueri ureros essi ea facil delismodiat, vel et augait ut wismod mod eliscilismod tion velis eugaitPUBLISHED augiat. Ut lut BYerae- strud mod molorercing ea con-THE sendre estrud. Spring 2018 NINETEENTH ANNUAL MEETING Vol. 19 no. 1 SATURDAY/SUNDAY, 23-24 JUNE 2018 ISSN: 1542-0884 Walter Burley Griffin JOIN US IN PARK RIDGE and AURORA, ILLINOIS Society of America 1152 Center Drive MEETING: The nineteenth annual meeting of the Walter Burley Griffin So- St. Louis, MO 63117 ciety of America will be held in the Chicago suburb of Park Ridge on the Website: www.WBGriffinSociety.org weekend of 23-24 June 2018. The morning session will be held at the Pick- Email: [email protected] wick Theater, 5 S. Prospect Ave, Park Ridge, 60068. Doors will open at 8:30 Society President Peter Burley Griffin with the meeting beginning at 9:00. Parking is available behind the theater Board of Directors complex and across the street in the lot of the public library. A guided tour of Peggy L. Bang the building will follow the lectures, with box lunches arriving at noon. The Griffin Homeowner, Mason City, IA Rich H. Berry afternoon tour, which includes open houses by Bruce Goff, Barry Byrne and Griffin Homeowner, Edwardsville, IL Harold Zook and a late church by Lloyd Wright, will begin at 1:00 and end at Kathleen Cummings 4:30, followed by a reception at the Iannelli Studios Heritage Center, 255 N. Architectural Historian, Chicago, IL Eleanor E. Grumman Northwest Highway, lasting until 6:00. -
Brutalism? Some Remarks About a Polemical Name, Its Definition, and Its Use to Designate a Brazilian Architectural Trend
Published at En Blanco n.9/2012 pages 130-2 Avaliable at: http://www.tccuadernos.com/enblanco_numero.php?id=86 Brutalism? Some Remarks About a Polemical Name, its Definition, and its Use to Designate a Brazilian Architectural Trend Ruth Verde Zein [email protected] Mackenzie University São Paulo, Brazil Abstract The term Brutalism is both used and ignored in the architectural literature of the second half of the twentieth century. A thorough analysis of the term shows that it does not have a single, agreed-upon meaning. Although its definition and frequent use have not provided an unequivocal characterization of a Brutalist “essence,” to use Reyner Banham’s words, there seems to be no shortage of architecture identified as Brutalist, even if they are only superficially related. Paradoxically, instead of disregarding the term as inappropriate or vague, we might consider it adequate if we agree that what is common to all the architecture referred to as Brutalist is nothing more than their appearance. By accepting a non-essentialist definition of this movement, one may correctly apply the term to a number of different works, from different places, designed between 1950 and 1970. For the most part, what really connects these buildings is not their essence but their surface, not their inner characteristics but their extrinsic ones. Such a straightforward definition, encompassing the broad variety of Brutalist works, has the merit of providing a working definition of a broadly influential if understudied movement in modern architecture. 1 Fifty years after Brasilia’s inauguration in 1960, Brazilian architecture remains stuck in the same frozen images of a glorious moment in history. -
Phases of Modern Architecture
Contemporary Architecture and Design Prof. Saptarshi Kolay Department of Architecture & planning Indian Institute of Technology, Roorkee Lecture – 12 Phase of Modern Architecture-Chicago and Prairie School Welcome students, to the online NPTEL course Contemporary Architecture and Design. In the previous class, we have started discussing the style of Chicago school movement, which was one of the movement under the functionalist style under modernism, earlier phases of modernism. And we are started discussing the similarities and dissimilarities with Bauhaus movement and Chicago style movement. So, we will just see how where Chicago school was placed in the time frame of modernism. (Refer Slide Time: 00:55) It is within functionalism Chicago school is there, which is almost parallel to Bauhaus style. In their thought process, but the visual style of Chicago is very different from Bauhaus. And Bauhaus was more closely linked with De Stijl, which started in Europe and Chicago was in USA. So, Chicago took the inspiration from art nouveau style and they have transferred the art nouveau style into the more geometric treatment in the façade. But, Chicago schools more the main form evolved from functionalist approach. So, only the facade treatments were taken from to ascetically beautify that. Now, we will see this Chicago school's position. (Refer Slide Time: 01:47) How they are linked with Bauhaus? And how they have inspired another school of thought? Which is prairie and so, we have seen a little bit of inspiration, what they have taken from art nouveau style we have seen that in the service core in the work of the wrought iron work. -
View Full Itinerary (Pdf)
HOST Hamburg Marketing www.marketing.hamburg.de FAM Trip Hamburg Jessica Schmidt 2018 Project Manager Media Relations Phone: +49 (0) 40 300 51-581 Mobile: +49 (0) 174 91 77 17 9 [email protected] WELCOME TO HAMBURG Hamburg – Beautiful period apartments or ultra-modern new buildings, the It is the world’s largest coherent tranquility of parks and waterways or warehouse complex and includes a the hustle and bustle of the city centre: number of interesting museums and shaped by contrast, the Hanseatic City exciting exhibitions. of Hamburg demonstrates that nature and urban life make a perfect match. The Elbphilharmonie Hamburg Hamburg’s iconic concert venue and new Speicherstadt and HafenCity: tradition landmark, the Elbphilharmonie Hamburg, and modernity is located at the western tip of the HafenCity district. Ever since its official With the HafenCity Hamburg, an entirely opening on 11 and 12 January 2017, the new urban quarter of town is currently Elbphilharmonie has become a true taking shape on more than 150 hectares magnet for Hamburg’s locals and guests of former port land. Located in the very from around the globe. Situated directly on heart of the city, the innovative the River Elbe and surrounded by water architectural design of the HafenCity’s on three sides, the spectacular building office and residential buildings and the includes three concert halls, a large music spacious Magellan Terrassen and Marco education area, a restaurant, a hotel, and Polo Terrassen directly on the waterfront the Plaza – a public viewing platform that make the HafenCity well worth exploring. offers a unique panoramic view of the city. -
TOM FINKELPEARL (TF) Former Deputy Director of P.S
THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: TOM FINKELPEARL (TF) Former Deputy Director of P.S. 1 INTERVIEWER: JEFF WEINSTEIN (JW) Arts & Culture Journalist / Editor LOCATION: THE MUSEUM OF MODERN ART DATE: JUNE 15, 2010 BEGIN AUDIO FILE PART 1 of 2 JW: I‟m Jeff Weinstein and we are sitting in the Architecture and Design conference room at the education and research building of The Museum of Modern Art on Tuesday, 3:30, June 15th, and I‟m talking to… TF: 2010. JW: 2010. Is it Thomas or Tom? TF: Tom. JW: Tom Finkelpearl. And we‟re going to be talking about his relationship to P.S. 1. Hello. Could you tell me a little background: where you were born, when, something about your growing up and your education? TF: Okay. Well, I was born in 1956 in Massachusetts. My mom was an artist and my dad was an academic. So, actually, you know, I had this vision of New York City from when I was a kid, which was, going to New York City and seeing, like, abstract expressionist shows. We had a Kline in our front hall. They had a de Kooning on consignment, but they didn‟t have the three hundred and fifty dollars. And so the trajectory of my early childhood was that I always had this incredible vision of coming to New York City and working in the arts. Then actually, I went undergraduate to Princeton. I was a visual arts and art history major, so I was an artist when I started P.S.