Index

Abbott, Edwin, 368 aestheticism, 36, 52–3, 260, 266, 281 Flatland, 368 affect and emotion, 3–4, 11, 28, 92, 94–5, 117, Achebe, Chinua, 334, 431 177, 225–37, 246, 262, 342, 349, 351–2, Things Fall Apart, 334 377–8, 392–3, 420, 437–8 Ackroyd, Peter, 345–6 affective fallacy, 234 The Great Fire of London, 345–6 and benevolist theories of sentiment, 227 Hawksmoor, 345–6 and breakdown of critical distance, 226–7 Ada, the Betrayed (Prest and Rymer), 134 and comedy, 230 Adam Bede (Eliot), 36, 38–40, 42, 100, 164, contemporary theorizing of, 226–7 252, 394 devaluation in twentieth century, 234–5 Addams, Jane, 161 disgust and fear, 231–2 Addison, Joseph, 243, 356 eroticism, 233–5 Adichie, Chimamanda Ngozi, 436, 438 and film, 170–171 Half of a Yellow Sun, 436, 438 and melodrama, 229–30 Adorno, Theodor, 135–7, 142 and nationality, 392–3 “The Culture Industry: Enlightenment as Mass “ordinary” affects, 420 Deception”, 135–7 in postmodern fiction, 235–7 Adventures of Abdallah, The (Bignon), 324 as vehicle of moral instruction, 227–8 Adventures of a Bank‐Note, The, 145–6, 151 and sensation fiction, 45–6, 230–231 Adventures of David Simple, The (Fielding), 10–11, and the sublime, 227–8 14–16 vicarious experience, 3–4, 11, 92, Adventures of Kavalier and Clay, The (Chabon), 170 227–8, 234 Adventures of Mr. Harley (Austen),COPYRIGHTED 113 afternoon: a storyMATERIAL (Joyce), 146 Adventures of a Pin, The, 150–151 Ahmed, Aijaz, 385 Adventures of Sherlock Holmes, The (Doyle), 433 Akomfrah, John, 74 Adventures of a Silver Penny, The, 155–6 Albert Angelo (Johnson), 198–9 Adventures of a Watch! The, 151–2 Algerine Captive, The (Tyler), 310 Adventures of the Rambler’s Magazine, The, 146 Alice’s Adventures in Wonderland (Carroll), Adventures of Tom Sawyer, The (Twain), 164 163, 170, 193

A Companion to the English Novel, First Edition. Edited by Stephen Arata, Madigan Haley, J. Paul Hunter, and Jennifer Wicke. © 2015 John Wiley & Sons, Ltd. Published 2015 by John Wiley & Sons, Ltd.

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Ali, Monica, 237, 341, 342, 357–8, 430–431 Araeen, Rashid, 74 Brick Lane, 357–8, 430–431 Aragon, Louis, 418 allegory, 11, 73–4, 95, 106, 377, 379, 383 Arata, Stephen, 330, 362, 396, 410 Allen, Grant, 233 Aravamudan, Srinivas, 429 An Army Doctor’s Romance, 233 Ardis, Ann, 233 The Woman Who Did, 233 Aristotle, 162, 217, 241, 243, 244, 246, 263, Allingham, Margery, 346 267, 268, 273 Alliston, April, 217 Armstrong, Nancy, 162, 219, 277, 429, 437, 445 All that Fall (Beckett), 385 Army Doctor’s Romance, An (Allen), 233 Almodóvar, Pedro, 169 Arnold, Matthew, 34, 73, 257, 366, 382, 390 Alton Locke (Kingsley), 35 “Dover Beach”, 73 Alwyn (Holcroft), 204 On the Study of Celtic Literature, 382 amatory fiction, 92, 96 Arrighi, Giovanni, 81 Ambassadors, The (James), 167–8, 185, 221, 222, Art of Fiction, The (Besant), 253 259 “Art of Fiction, The” (James), 253–4, 264–5, 394 Amelia (Fielding), 97, 100, 325 Arthur Mervyn (Brown), 309–10 America and American literature, 24, 71–2, Ashford, Daisy, 112 80–83, 163–4, 170–171, 219, 221, 230, The Young Visiters, 112 233, 235–6, 264–9, 272–4, 281, 283, Aslam, Nadeem, 437 295–6, 299, 306–11, 317, 331, 333, Maps for Lost Lovers, 437 456–9, 461, 463, 467 Aspects of the Novel (Forster), 256, 259–60, 262, American Adam, The (Lewis), 306 309, 463 American Novel and Its Tradition, The (Chase), Atonement (McEwan), 237, 272, 278–81, 303 306–7 Atrocity Exhibition, The (Ballard), 236 Amis, Kingsley, 370 At Swim‐Two‐Birds (O’Brien), 202, 236, 385 Lucky Jim, 370 Auden, W. H., 421 Amis, Martin, 156, 438 “Musée des Beaux Arts”, 421 Time’s Arrow, 156 Auerbach, Erich, 38, 268, 275, 447, 450, 453, Amours de Voyage (Clough), 397 463–4 Anand, Mulk Raj, 50, 56, 64–6 Mimesis, 38, 268, 275, 447, 463–4 Untouchable, 50, 56, 64–6 “Auguries of Innocence” (Blake), 69 Anatomy of Criticism (Frye), 105, 268, 273 Austen, Jane, 18, 30, 104–14, 146, 186–9, 212, Ancient Ballads and Legends of Hindustan (Dutt), 225, 246, 251, 262, 263, 267, 269, 397 272–6, 278–82, 293–4, 306–9, 311, Anderson, Amanda, 42, 391, 444–5, 447 314–20, 331, 360, 382, 412, 428–30, Anderson, Benedict, 366–7, 427–8, 390, 427, 432, 435, 437–8, 450, 464 429, 432, 449, 450, 452 The Adventures of Mr. Harley, 113 Imagined Communities, 366, 390, 427 The Beautiful Cassandra, 113 Anderson, Perry, 390 Emma, 247, 293, 308, 311, 314–16, 318 Anna Karenina (Tolstoy), 170, 365–6, 396 Henry and Eliza, 113 Annals of the Parish (Galt), 380 The History of England, 110, 114 Anna St. Ives (Holcroft), 23–4 juvenilia, 104–5, 107–14 Anti‐Pamela (Haywood), 3, 11–12, 15, 16 Lesley Castle, 112 Antiquary, The (Scott), 448 Mansfield Park, 293, 314, 315, 450 Antoinette, Marie, 22 Northanger Abbey, 104, 110, 111, 117, 246, Antonioni, Michelangelo, 169 278, 293, 314, 412 Blow‐Up, 169 Persuasion, 109, 293, 314, 316, 318–19, 328 Apology for the Life of Mr. Colley Cibber, An Pride and Prejudice, 111, 293, 314–16, 318, (Cibber), 9, 13 428 Appadurai, Arjun, 391 Sense and Sensibility, 30, 186–91, 293, 314, Modernity at Large, 391 318, 430 Appropriate Form, The (Hardy), 269 Authorship see also copyright; readers and reading Apter, Emily, 271, 394, 395 and earning capacity, 292–303, 400–401 Apuleius, 150–153 implied author, 179–80, 184–7, 189–90, The Golden Ass, 150–153 201, 268

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as labor, 292, 296, 298–302 Beasley, Jerry C., 8 and patronage, 292–3, 299, 302–4 Beattie, James, 244–5, 325 as profession, 134–6, 291–304 Beautiful Cassandra, The (Austen), 113 Autobiography (Trollope), 253, 400–401, 417 Bechdel, Alison, 145, 170 autobiography and memoir, 13–14, 23, 135, 145, Fun Home, 145 237, 253, 295, 331, 400–401, 411, 417, Beckett, Samuel, 202, 207, 385, 438 464, 469 All that Fall, 385 autobiography and memoir (fictional), 13–14, 25, Molloy, 202 31, 95–6, 129, 170, 180, 182, 231, 261, Beetle, The (Marsh), 234 352–3, 441–2, 467 Behn, Aphra, 92, 96, 148 autoethnography, 42, 361, 377, 383, 395 Oroonoko, 148 Ayrshire Legatees, The (Galt), 380 Bell, Gabrielle, 170–172 Cecil and Jordan in New York, 171 babas del diablo, Las (Cortazar), 169 The Voyeurs, 170–172 Bacon, Francis, 147 When I’m Old, 171 The New Organon, 147 Belsey, Catherine, 29 Bage, Robert, 24–5 Bend in the River, A (Naipaul), 431, 466 Hermsprong, or; Man as He is Not, 24–5 Benjamin, Walter, 165, 167, 399, 411, 457 Bagehot, Walter, 250, 341, 351, 355 “The Work of Art in the Age of Mechanical Bainbridge, Beryl, 421 Reproduction”, 165 Injury Time, 421 Bennett, Arnold, 258, 262–3, 265, 302, 421 Bakhtin, Mikhail, 93–5, 259, 277, 361, 362, Bennett, Louise, 74 364–6, 369, 435, 443–4, 450, 453, Bentham, Jeremy, 389, 391 454, 466 Bentley, Richard, 295–6, 299, 400 Balibar, Etienne, 391 Bentley’s Miscellany, 299 We, the People of Europe?, 391 Berlant, Lauren, 226, 227 Ballard, J. G., 236 Berlioz, Hector, 351 The Atrocity Exhibition, 236 Bernard, Claude, 147 Banim, John, 380 Besant, Walter, 253 Tales of the O’Hara Family, 380 The Art of Fiction, 253 Banim, Michael, 380 Betjeman, John, 303 Barbauld, Anna Laetitia, 195, 326 Betrothed, The (Manzoni), 459 The British Novelists, 326 Between the Acts (Woolf), 279, 421 “On the Origin and Progress of Novel Bhabha, Homi, 76, 390 Writing”, 195 Nation and Narration, 390 Barchester Towers (Trollope), 35, 37, 41, 45–7, Bignon, Jean Paul, 324 365, 394 The Adventures of Abdallah, 324 Barkawi, Tarak, 392 Bildungsroman, 53–6, 236, 366, 383, 384, 397, Barker, Pat, 79, 236–7 442, 443, 449, 458, 465 Regeneration Trilogy, 79, 236–7 Billy Liar (Schlesinger), 370 Barnes, Julian, 237 Birdsong (Faulks), 236 Barrymore, Lionel, 164 Birmingham, Kevin, 56 Barthes, Roland, 210–211, 273–7, 282, 285, “Birthday of the Infanta, The” (Wilde), 131 411, 412 Black Beauty (Sewell), 231 S/Z, 210–211 Black Jacobins, The (James), 78 Bartholomew, Freddie, 164 Blackstone, William, 27 Basil (Collins), 35, 44 Black, William, 380 Baudrillard, Jean, 283 MacLeod of Dare, 380 Bauman, Zygmunt, 83 The Princess of Thule, 380 Bayley, John, 269, 467 Blackwood, John, 394 The Characters of Love, 269 Blackwood’s, 45, 377, 390 Beach, Joseph Warren, 258 Blair, Hugh, 244 The Method of Henry James, 258 Blair, Tony, 71–2 Beach, Sylvia, 57 Blake, William, 69, 117, 345 Beardsley, Monroe, 234 “Auguries of Innocence”, 69

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Blanchot, Maurice, 409 Brouillette, Sarah, 433, 434 Blanes, Ruy, 211 Brown and Blue Books (Wittgenstein), 215–16 Bleak House (Dickens), 35, 37, 41–5, 163, 177, Brown, Bill, 411 204, 250, 261, 262, 265, 327, 344, Brown, Charles Brockden, 307–11, 317, 319 350–351, 382, 395, 436–7 Arthur Mervyn, 309–10 Blow‐Up (Antonioni), 169 Browne, Hablot Knight, 163 Bodenheimer, Rosemarie, 351, 353 Brown, George Douglas, 380 Bolter, Jay David, 160 The House with Green Shutters, 380 Book of Dave, The (Self), 82–3 Brown, Homer, 106–7 Bookshop, The (Fitzgerald), 370 Browning, Elizabeth Barrett, 396–7 Boon (Wells), 259 Browning, Robert, 396–7 Booth, Wayne C., 179, 257, 268–9, 278–9 Brownstein, Rachel, 111 The Company We Keep, 278–9 Brown, William Hill, 310 The Rhetoric of Fiction, 257, 268–9 The Power of Sympathy, 310 Boswell, James, 98, 345, 351 Buchanan, Robert, 396 Bourdieu, Pierre, 432 “The Fleshly School of Poetry”, 396 Bowen, Elizabeth, 302–3 Buchan, John, 234 Bowlby, Rachel, 419–20 Greenmantle, 234 Boyle, Robert, 150 Buddha of Suburbia, The (Kureishi), 74, 357 Brackenridge, Hugh Henry, 310 Bulwer‐Lytton, Edward, 217, 247, 248, Modern Chivalry, 310 299, 330 Bradbury, Malcolm, 273 “On Art in Fiction”, 247 “Towards a Poetics of Fiction: An Approach Kenelm Chillingly, 330 through Structure”, 273 Pelham, 217 Braddon, Mary Elizabeth, 122–5, 230, 396, 413 Bunyan, John, 57 The Doctor’s Wife, 396 Burgess, Anthony, 82, 157 “Garibaldi”, 396 A Clockwork Orange, 82, 157 Lady Audley’s Secret, 122–5, 128, 396 Burke, Edmund, 22, 27, 227–8, 351 Brantlinger, Patrick, 396 A Philosophical Inquiry into the Origins of our Ideas Brautigan, Richard, 235 of the Sublime and Beautiful, 227–8 Brennan, Timothy, 391–2, 435 Reflections on the Revolution in France, 22 Brewster, William, 162 Burke, Thomas, 357 Brick Lane (Ali), 357–8, 430–431 Limehouse Nights, 357 Bride of Lammermoor, The (Scott), 449 burlesque, 104–5, 108, 110, 111 British Museum is Falling Down, The (Lodge), 421 Burney, Frances, 100, 113, 216, 245, 341, 351–2, British Novelists, The (Barbauld), 326 356, 429 Britons: Forging the Nation (Colley), 390 Cecilia, 100 Broider, Thomas, 329 Evelina, 100, 216, 245, 351–2 Brontë, Ann, 35, 249 Burn, W. L., 34, 36 The Tenant of Wildfell Hall, 249 Burton, Antoinette, 391 Brontë, Charlotte, 35, 125, 164, 249, 264, 269, Burton, Tim, 170 367, 383 Butler, Marilyn, 22 Jane Eyre, 35, 125, 164, 229, 249, 264, 362–4, Butterfield, Herbert, 106, 108 427, 431 Buzard, James, 42, 361, 395 Shirley, 35, 38, 367 Byatt, A. S., 237 Villette, 35, 37, 41, 44, 329, 383 Byron, Lord (George Gordon), 108–11 Brontë, Emily, 35, 164, 186, 201, 215–16, 264 Hours of Idleness, 110 Wuthering Heights, 164, 186, 201, 215–16, 222, 249, 264–6 Caird, Mona, 233 Brontë, Patrick, 378 Cakes and Ale (Maugham), 256 The Maid of Killarney, 378 Calendar of Modern Letters, 264 Brooke, Rupert, 294 Called Back (Conway), 233 Brooks, Peter, 27, 229, 276 Calle, Sophie, 410 Reading for the Plot, 276 Cambrian Sketch‐Book, The (Davies), 381

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Cameron, David, 435 Changing Places (Lodge), 272–5 Camus, Albert, 276 characters, 10–13, 19, 23, 54, 58–60, 93, 96, Canning, George, 109–10 178–9, 209–23 Canterbury Tales, The (Chaucer), 342–3 vs.actants or existents, 178–9, 211 Capital (Marx), 411, 451 aligned with novelistic realism, 209–11 Capra, Frank, 230 antithetical critical responses to, 209–11 It’s a Wonderful Life, 230 as clockwork mechanisms, 213, 220–222 Captivity and Restoration of Mrs. Mary Rowlandson, as exemplars, 217 Narrative of the (Rowlandson), 429 as ghosts, 213, 222–3 Carbullan Army, The (Hall), 82 “mixed” and “unmixed” characters, 10–12, 91–2 Carey, John, 232 as monsters, 213, 219–20 Carey, Peter, 181 ontological hybridity of, 211–13 Jack Maggs, 181 relation to notions of selfhood, 211–12 Caribbean Artists Movement, 74 relation to textuality and inscription, 213–16 Carleton, William, 380 as simulacra for real people, 89, 209–12 Fardorougha the Miser, 380 as specimens or types, 213, 217–20 Traits and Stories of the Irish Peasantry, 380 in mass market fiction, 140 Carlyle, Thomas, 78, 138, 181, 294, 365, 427, stock characters, 23 458, 462–3 Character and the Novel (Harvey), 269 Heroes and Hero‐Worship, 462–3 Characters of Love, The (Bayley), 269 Past and Present, 138 Charles Dickens: The World of His Novels (Miller), 266 “Carmilla” (Le Fanu), 121, 122, 127–8 Charles O’Malley (Lever), 380 Carney, Bethan, 229 Charlotte Temple (Rowson), 310 Carr, John Dickson, 346 Chase, Richard, 306–7 Carroll, Lewis, 163, 193 The American Novel and Its Tradition, 306–7 Alice’s Adventures in Wonderland, 163, 170, 193 Chatman, Seymour, 179 Through the Looking‐Glass, 163 Chatterton, Thomas, 109, 114 Carter, Angela, 236 Chaucer, Geoffrey, 341–3 Carter, Elizabeth, 325 The Canterbury Tales, 342–3 Carter, Helena Bonham, 163 Cheah, Pheng, 451 Caruth, Cathy, 226 Chekhov, Anton, 469 Casanova, Pascale, 434 Chesterfield, Earl of, 292–3 Castle of Otranto, The (Walpole), 114, 118, 122, Ch’ien, Evelyn, 157 123, 182, 311–13, 324, 458 Weird English, 157 Castle Rackrent (Edgeworth), 377 Child of the Jago, A (Morrison), 232 Castle Richmond (Trollope), 381 Children of the Ghetto (Zangwill), 357 Catriona (Stevenson), 380 Children of Violence (Lessing), 457 Caudwell, Sarah, 346 Christie, Agatha, 346 Cavell, Stanley, 410 Christmas Carol, A (Dickens), 163, 229–30 In Quest of the Ordinary, 410 Chrysal (Johnstone), 154–6 The Senses of Walden, 410 Cibber, Colley, 9, 13, 14 Caxton, William, 292 An Apology for the Life of Mr. Colley Cibber, 9, 13 Cecil and Jordan in New York (Bell), 171 Clan‐Albin: A National Tale (Johnstone), 378 Cecil, David, 257 Clarissa (Richardson), 3, 6–11, 14–16, 23–4, Early Victorian Novelists, 257 91–2, 98–100, 205, 216, 218–19, 245, Cecilia (Burney), 100 325–7, 354, 355 Céitinn, Seathrún, 377, 378 Clarke, James Stanier, 107–8 Foras Feasa ar Éirinn, 377 Clarke, Marcus, 397 censorship, 45, 56–7, 161 For the Term of His Natural Life, 397 Chabon, Michael, 170 Cleland, John, 13–14, 149 The Adventures of Kavalier and Clay, 170 Memoirs of a Woman of Pleasure, 13–16, 149 Chadwick, Edwin, 34 Clery, Emma, 22 Chambers’s Edinburgh Journal, 133 Clockwork Orange, A (Burgess), 82, 157 Changing My Mind (Smith), 285–6 Cloud Atlas (Mitchell), 145

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Clough, Arthur Hugh, 251, 396–7 Cooper, James Fenimore, 307, 308, 327, 328, 459 Amours de Voyage, 397 The Last of the Mohicans, 328 Clowes, Daniel, 145 The Pathfinder, 327 Ghost World, 145 Cooper, Thomas, 397 Coburn, Alvin, 167 Cooper, William, 370 Coetzee, J. M., 145, 431 Scenes from Provincial Life, 370 Diary of a Bad Year, 145 Coover, Robert, 235 Elizabeth Costello, 145 Copeland, Edward, 112 Foe, 431 copyright, 291–3, 295–6, 299, 303, 326 Cohen, Margaret, 393 Coquette, The (Webster), 310 The Literary Channel, 393, 394 Cornhill, 36, 297, 387, 388, 398, 400, 401 Colburn, Henry, 295–6 Cortazar, Julio, 169 Colet, Louise, 197 Las babas del diablo, 169 Collector Collector, The (Fischer), 149–50 Cotsell, Michael, 395 Collector, The (Fowles), 149 Counterfeit Lady Unveiled, The (Kirkman), 96 Colley, Linda, 41, 390 Cousin Phillis (Gaskell), 186 Britons: Forging the Nation, 390 Coventry, Francis, 209 Collins, Michael, 57 Pompey the Little, or, The Life and Adventures of a Collins, Wilkie, 35, 36, 45–6, 124, 137, 201, Lapdog, 209 230, 231, 346, 396, 413, 451 Crace, Jim, 82 Armadale, 396 The Pesthouse, 82 Basil, 35, 44, 396 Craft of Fiction, The (Lubbock), 168, 195–6, Heart and Science, 231 256–8, 260–263, 268, 273–4, 463 The Moonstone, 124–5, 201, 396, 451 Crane, R. S., 267–8 “The Unknown Public”, 137 “The Concept of Plot and the Plot of The Woman in White, 35, 36, 46, 201 Tom Jones”, 267 Collins, William, 3 Cranford (Gaskell), 186, 230, 363, 364 Colonel Jack (Defoe), 243 Cricket on the Hearth, The (Dickens), 159, 163 Comfort, Alex, 303 crime and detective fiction, 35, 43, 132, 229, Common Reader, The (Woolf), 212, 264 232, 331–2, 345–7, 397, 433 Communist Manifesto (Marx and Engels), 451–2, Crime and Punishment (Dostoevsky), 362 458–61 criminal biography, 26, 96, 182 Company We Keep, The (Booth), 278–9 Critique of Everyday Life (Lefebvre), 410–411, 423 Composition no. 1 (Saporta), 156 Croxall, Samuel, 242 “Concept of Plot and the Plot of Tom Jones, The” A Select Collection of Novels, 242 (Crane), 267 Cruikshank, George, 138, 163 Concluding (Green), 421 Crying of Lot 49, The (Pynchon), 155 Condition of England fiction, 35, 72, 138, 395 Cryptographer, The (Hill), 435 Confessions of Harry Lorrequer, The (Lever), 380 Cuchulain of Muirthemne, 375 Congreve, William, 241–2, 244 Culler, Jonathan, 273–4, 428 Incognita, 242 Structuralist Poetics, 273–4 Connolly, Cyril, 302–4 “Culture Industry, The: Enlightenment as Mass Conrad, Joseph, 42, 51–2, 78, 148, 162, 168, Deception” (Horkheimer and Adorno), 218, 259, 306, 433, 446, 448–9, 460, 135–7 464, 466, 467, 469 Cummings, E. E., 57 Heart of Darkness, 51–3, 60, 68, 431, 446 Cymbeline (Shakespeare), 69 Lord Jim, 218, 433, 446, 448 The Nigger of the ‘Narcissus’, 148 Dallas. E. S., 252 A Personal Record, 448–9 Daly, Nicholas, 433 Considerations on Representative Government (Mill), Damasio, Antonio, 226 392–3 Damrosch, David, 457–8 “Contemporary Novel, The” (Wells), 259 What is World Literature?, 457–8 Conway, Hugh, 233 Daniel Deronda (Eliot), 164, 308, 319, 388, Called Back, 233 394, 395

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Danielewski, Mark, 146 Descartes, René, 226 House of Leaves, 146 Desmond (Smith), 31 Dante, 57, 266, 462 detective fiction see crime and detective fiction Darwin, Charles, 36, 123, 231 Dever, Carolyn, 393 On the Origin of Species, 36, 123 The Literary Channel, 393, 394 David Copperfield (Dickens), 35, 163, 164, Devil on Two Sticks, The (Le Sage), 151 220–222, 249, 329, 331, 396 Dewas, Maharajah of, 61 Davidoff, Leonore, 316 D. H. Lawrence, Novelist (Leavis), 257 David Simple, Volume the Last (Fielding), 11 Diary of a Bad Year (Coetzee), 145 Davies, Gill, 347 Dickens, Charles, 35, 42–4, 46, 57, 132–3, 135, Davies, R. Rice, 381 137, 141, 159–60, 163–4, 167, 180–181, The Cambrian Sketch‐Book, 381 204–5, 210, 220–223, 229–30, 237, Davis, John, 326 247–51, 253, 258, 260–263, 265–6, 268, Davis, Lennard, 103 269, 292, 294, 299–300, 303, 319, Factual Fictions, 103 327–9, 331, 333, 334, 341–2, 344, 345, Day of the Locust, The (West), 164 350–351, 353, 355–7, 365, 382, 393, Day of the Triffids, The (Wyndham), 346 395–6, 415, 431, 435–7 “Dead, The” (Joyce), 230, 375–6, 384 Bleak House, 35, 37, 41–5, 163, 177, 204, 250, Deane, Seamus, 376 261, 262, 265, 327, 344, 350–351, 382, de Balzac, Honoré, 147, 248, 249, 258, 260, 276, 395, 436–8 285, 394–7, 459–60 A Christmas Carol, 163, 229–30 Lost Illusions, 395, 459 The Cricket on the Hearth, 159, 163 de Certeau, Michel, 410 David Copperfield, 35, 163, 164, 220–222, 249, The Practice of Everyday Life, 410 329, 331, 396 de Cervantes, Miguel, 57, 89–90, 96, 242, 275, Dombey and Son, 249, 300, 394, 395 442–3, 458, 459 Great Expectations, 46, 163, 180–181, 185–6, Don Quixote, 89–90, 93, 96, 242, 442–3 328, 431 Defoe, Daniel, 4, 45, 92, 94–6, 148–50, 201, Hard Times, 35, 265, 396 202, 214, 232, 242–3, 265–7, 291, 292, Little Dorrit, 35, 41, 43, 46, 163, 204, 251, 299, 303–4, 306, 341, 342, 344–7, 349, 266, 300, 345, 395 350, 352–4, 356, 412, 429–32, 437, The Mystery of Edwin Drood, 163, 300 441–3, 449–53 Nicholas Nickleby, 163, 299 Colonel Jack, 243 The Old Curiosity Shop, 132, 141, 248 The Farther Adventures of Robinson Crusoe, 243 Oliver Twist, 163, 229, 248, 299, 331 A Journal of the Plague Year, 344–7, 352–3, 437 Our Mutual Friend, 204, 253, 415 Moll Flanders, 45, 95–7, 149, 201, 265, 350, The Pickwick Papers, 230, 247–8, 299, 328, 329 429, 452 Sketches by Boz, 299 Robinson Crusoe, 4, 92, 94–6, 148, 149, 177, A Tale of Two Cities, 35, 181, 395 201, 225, 243, 412, 429–32, 441–2, Dickens the Novelist (Leavis and Leavis), 265 449–53 “Dickens World, The: The View from Todgers’s” Roxana, 95, 96, 242–3, 344, 354, 356 (Van Ghent), 266 de Gouges, Olympe, 30 Dictionary of the English Language, A (Johnson), 293 Delafield, E. M., 354–6 Diderot, Denis, 151 The Provincial Lady in London, 354–6 The Indiscreet Jewels, 151 de la Torre, Lillian, 345 Dilke, Charles, 388 Dr. Sam: Johnson, Detector, 345 Dimock, Wai Chee, 393 de Lesseps, Ferdinand, 398–400 Through Other Continents, 393 de Maupassant, Guy, 263 Disraeli, Benjamin, 328, 388–9 Demme, Jonathan, 169 Disraeli, Isaac, 29 Dennis, John, 243, 323–4 Dissent, 465 Derrida, Jacques, 72, 83, 106, 276 Distant Reading (Moretti), 457 “The Law of Genre”, 106 Divided Self, The (Laing), 465 de Sade, Marquis, 23 Dixon, J. Hepworth, 136 La Philosophie dans le boudoir, 23 Doctor Faustus (Mann), 465

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Doctor’s Wife, The (Braddon), 396 Adam Bede, 36, 38–40, 42, 100, 164, 252, 394 Doctor Thorne (Trollope), 35, 400 Daniel Deronda, 164, 308, 319, 388, 394, 395 Dombey and Son (Dickens), 249, 300, 394, 395 Middlemarch, 162, 182–5, 190, 220, 250, 252, domestic fiction, 29–31, 117, 121, 232, 248, 266, 269, 273, 298, 362, 364, 367–71, 277, 307, 311, 382, 384, 412–13, 394, 444–6 415–16, 422, 436, 438 The Mill on the Floss, 164, 220, 252, 362–3, 368 Don Quixote (Cervantes), 89–90, 93, 96, 242, 442–3 Romola, 164 Doody, Margaret, 108, 452 Scenes of Clerical Life, 164, 413–15 Dostoevsky, Fyodor, 260, 265, 362 Silas Marner, 164 Crime and Punishment, 362 Eliot, Simon, 294 “Dover Beach” (Arnold), 73 Eliot, T. S., 118, 257, 260, 263–5, 345, 385, 467 Doyle, Arthur Conan, 232, 346–7, 433 The Sacred Wood, 257 The Adventures of Sherlock Holmes, 433 Elizabeth Costello (Coetzee), 145 A Study in Scarlet, 347 Elliott, Kamilla, 163, 165 Dracula (Stoker), 118, 120–128, 182, 201, 232, Ellis, Sarah Stickney, 415 234, 347, 356, 362, 441, 448 The Women of England, 415 drama and theater, 53, 58, 118, 151, 164, 178, Emerson, Ralph Waldo, 410 229, 230, 241, 243–5, 247, 251, 257, 261, Emma (Austen), 247, 293, 308, 311, 314–16, 318 265, 266, 268, 269, 273, 375, 458, 459 Emma Courtney (Hays), 25 dramatic method, 245–7, 249, 251, 253, 261, empiricism, 3, 94–5, 147, 152, 155, 219–20, 227 263, 268 End of History and the Last Man, The (Fukuyama), Dr. Sam: Johnson, Detector (de la Torre), 345 71, 285 Dubliners (Joyce), 64, 234, 375 Englishness, 42, 49–52, 65, 74–6, 78, 79, 306–8, Dumas, Alexander, 205, 258 379, 382–5, 402, 426 The Three Musketeers, 258 English Novel, The (Ford), 258–9 du Maurier, George, 163, 170, 234 English Novel, The (Saintsbury), 257 Trilby, 163, 234 English Novel, The: Form and Function Duncan, Ian, 20, 361–2, 379, 442 (Van Ghent), 266 Dunciad, The (Pope), 3, 293 English Rogue, The (Head), 343–4, 347 Dutt, Toru, 397 Enigma of Arrival, The (Naipaul), 466–7 Ancient Ballads and Legends of Hindustan, 397 Enlightenment, 18, 25, 27, 63, 118–19, 122–3, Dyer, Reginald, 63 135, 281–2, 374–5, 435 Dynasts, The (Hardy), 365 Enquiry Concerning Human Understanding, An dystopian fiction, 81–4, 236 (Hume), 4 Entail, The (Galt), 380 Early Victorian Novelists (Cecil), 257 epic, 3, 9, 57, 59, 93–4, 182, 235, 241, 244–5, Eastern Life Past and Present (Martineau), 399 374, 375, 383, 458 Eaton, F. A., 398 Epic of Gilgamesh, 458 Eco, Umberto, 434 epistolary fiction, 10, 23–4, 98–9, 150, 182, 186, Eden, Emily, 364 189, 205, 216–17, 245, 351, 427 The Semi‐Detached House, 364 Ermath, Elizabeth, 43 Edgeworth, Maria, 57, 377, 383 Espirito Santo, Diana, 211 Castle Rackrent, 377 Essay Concerning Human Understanding, An Edinburgh Review, 111, 247 (Locke), 149 Edison, Thomas, 162, 163 Essay on the History of Civil Society, An (Ferguson), Edwards, O. M., 381 310–311, 429 Egerton, George, 233 Essay on the Principle of Population, An (Malthus), 317 Eichenbaum, Boris, 273 Essays and Reviews, 36 Eisenstein, Sergei, 159–60, 165–7, 171–2 Esther Waters (Moore), 233 Ela, the Outcast (Prest and Rymer), 134, 138 Esty, Jed, 76, 78, 448 Eliot, George, 36, 37, 39–40, 42, 45, 60, 100, 162, A Shrinking Island, 448 164, 182–5, 189–90, 220, 249, 250–253, Ethics of Reading, The (Miller), 278 258, 268, 269, 273, 297–8, 300, 301, 303, Eustace Diamonds, The (Trollope), 397, 401 308, 319, 362–4, 367–71, 388, 393–6, Evans, Caradoc, 381 413–15, 430, 435, 444–50, 460, 464 My People, 381

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Evelina (Burney), 100, 216, 245, 351–2 Fielding, Sarah, 10, 113 Everyday Life in the Modern World (Lefebvre), 410 Adventures of David Simple, The, 10–11, 14–16 everyday life, representation of, 5–6, 19, 35, 37–8, David Simple, Volume the Last, 11 50, 148–9, 178, 205, 220, 242–3, 246, Fields, W. C., 164 249, 308, 329, 369–70, 409–23, 428 film, 81, 118, 135, 153, 159–72, 178, 181, Expansion of England, The (Seeley), 389 230, 275, 293, 303, 344, 346, 366, experimental novel, 35, 50–70, 77, 78, 144–57, 370, 394 199–200, 202, 206, 236–7, 263–4, 277, 433 adaptations of novels, 159, 163–4, 170, 181, hybridization of genre and media, 145–6 293, 303, 346 it‐narrative, 149–53 audiences, 161 metafictional elements in, 146 and culture of visuality, 160, 166–71 and modernism, 50–70, 144 influence on the novel, 164–5 and psychology, 150–153 origins and precursors, 159–61 self‐reflexivity of, 144 Finnegans Wake (Joyce), 157, 384–5 temporality in, 153–7 Firbank, Ronald, 50, 52–3 ties to empirical science, 147–8 Valmouth, 50, 52–3 Experimental Novel, The (Zola), 147–8 Fischer, Tibor, 149–50, 155 The Collector Collector, 149–50 fable, 3, 94, 244–5, 252, 434 Fisher, Caitlin, 146 Factual Fictions (Davis), 103 These Waves of Girls, 146 fairy tale and folk tale, 30, 236, 248, 364, 375, Fisher, Philip, 352, 415–16 443–4 Fish, Stanley, 272 Fardorougha the Miser (Carlton), 380 Fitzgerald, F. Scott, 164, 166, 170 Farther Adventures of Robinson Crusoe, The (Defoe), 243 The Great Gatsby, 166, 170 Fast, Howard, 169 The Last Tycoon, 164 Faulkner, William, 164 Fitzgerald, Penelope, 370 Faulks, Sebastian, 236, 237 The Bookshop, 370 Birdsong, 236 Flatland (Abbott), 368 Faust (Goethe), 58 Flaubert, Gustave, 38, 45, 57, 147, 197–8, 258, Feeling Global (Robbins), 393 260–262, 264, 266, 276, 285, 366, 394, Female Quixote, The (Lennox), 100 395, 396, 450 Fénelon, François, 22 Madam Bovary, 260, 261, 366, 394, 396, 450 Fenwick, Eliza, 27 Fleming, Marjory, 108 Secresy; or, The Ruin in the Rock, 27 “Fleshly School of Poetry, The” (Buchanan), 396 Fergus, Jan, 111, 114 Flood, The (Gee), 82 Ferguson, Adam, 310–311, 429 Foe (Coetzee), 431 An Essay on the History of Civil Society, Foer, Jonathan Safran, 146, 199–200 310–311, 429 Tree of Codes, 146, 199–200 “Few Words on Non‐Intervention, A” (Mill), 389 Fokkema, Aleid, 236 Fiction and the Reading Public (Leavis), 210, Foras Feasa ar Éirinn (Céitinn), 377 257, 264 Ford, Ford Madox, 78, 168, 257–9 Fiedler, Leslie, 306 Henry James, 258 Love and Death in the American Novel, 306 The English Novel, 258–9 Fielding, Henry, 3, 4, 9, 15, 18, 91, 92, 96–9, 103, form in the novel, 20–21, 31, 35, 46–7, 56–8, 111, 149, 150, 153–4, 185, 194, 197, 201, 148, 192–207, 247, 249–50, 252–4, 204, 205, 214, 218, 221, 244, 245, 256, 258–69, 273–4, 276–80, 363–4 259, 261–3, 266–9, 278, 292, 311, anti‐formalism, 194, 195, 205–6, 259–60, 313–14, 319, 325, 326, 341, 412, 452, 458 262, 264 Amelia, 97, 100, 325 chapters as formal device, 200–202 Joseph Andrews, 3, 9, 13, 15, 96–7, 99, 111, historicity of, 202–4 201, 214, 218, 313–14, 325, 452, 458 metaphors for, 194 Shamela, 11–12, 16 organic form, 194, 247, 258 Tom Jones, 4, 9, 10, 15–16, 91, 92, 97–100, 109, spatial form, 197–200, 261–2 111, 149, 153–4, 181–2, 194, 197, 201, separate from content, 195–6 204, 244, 256, 267, 319, 325, 326, 412, 452 and temporality, 197–200

0002515133.indd 479 4/15/2015 10:42:35 AM 480 Index

Forster, Antonia, 22 Gandhi, Sanjay, 236 Forster, E. M., 50, 53, 60–64, 73, 186–7, “Garibaldi” (Braddon), 396 189–91, 207, 256–60, 262, 263, 269, Garnett, Constance, 464, 469 274, 281–3, 309, 398, 463 Garrick, David, 351 Aspects of the Novel, 256, 259–60, 262, 309, 463 Gaskell, Elizabeth, 35, 40, 186, 230, 364, 416 The Hill of Devi, 61 Cousin Phillis, 186 Howards End, 61, 73, 186–7, 189–91, 281–3 Cranford, 186, 230, 363, 364 A Passage to India, 60–64, 66 Mary Barton, 35, 40, 249, 329, 367, 416 Forster, John, 436 North and South, 35, 40–41, 416 For the Term of His Natural Life (Clarke), 397 Ruth, 44, 329 Foucault, Michel, 45, 226, 277, 282, 435 Wives and Daughters, 364, 367 The History of Sexuality, 45 Gee, Maggie, 82 Fowler, Christopher, 346 The Flood, 82 Fowles, John, 146, 149 gender, 23–6, 66, 68, 104, 113, 120–121, 125, The Collector, 149 127, 180, 220, 233, 236–7, 433–4, 446–7 The French Lieutenant’s Woman, 146 Genette, Gérard, 182, 200 Fox, Charles, 295 George Eliot (Stephen), 257 Framley Parsonage (Trollope), 401 “George Walker at Suez” (Trollope), 400–403 France and French literature, 5–6, 18, 21–2, Geraldine; or, The Secret Assassins of the Old Stone 29–31, 38, 41, 49, 57, 118, 122, 130, 144, Cross (Prest), 134, 137–41 181, 228, 232, 242, 249–50, 262, 282, Ghosh, Amitav, 427, 431–2, 438, 461 310–311, 356, 366, 374–5, 382, 385, The Glass Palace, 427 393–400, 417, 449, 451, 458–9, 461 River of Smoke, 461 Frank, Adam, 226 Sea of Poppies, 431–2, 461 Frankenstein (Shelley), 118, 120–122, 128, Ghost World (Clowes), 145 130–131, 148, 182, 201 Gikandi, Simon, 432 Frayn, Michael, 237 Gilbert, Sandra, 110 Freedgood, Elaine, 416 Gilroy, Paul, 72, 79, 80 French Lieutenant’s Woman, The (Fowles), 146 Gish, Lillian, 164 French, Patrick, 467 Gissing, George, 292, 300–301, 303, 341, 353, French Revolution, 18, 21, 24, 25, 27, 29, 31, 417–18 118, 122, 130, 181, 228, 395 New Grub Street, 292, 300–301, 353, 417–18 French Revolution, The: A Novel (Stewart), 146 The Odd Women, 353 Freud, Sigmund, 226, 233, 265, 271, 272, 278 Glass Palace, The (Ghosh), 427 Frow, John, 211, 213–14, 216 global fiction, 50, 52–3, 58–70, 75–6, 356, Frye, Northrup, 103, 105–7, 110, 268, 273, 276 384–5, 390–398, 426, 431–5, 448, 454, Anatomy of Criticism, 105, 268, 273 456–69 Fry, Roger, 234 Glyn, Elinor, 233–4 Fukuyama, Francis, 71, 285–6 Go‐Between, The (Hartley), 39 The End of History and the Last Man, 71, 285 “Goblin Market” (Rossetti), 118, 121, 129 Fun Home (Bechdel), 145 Godard, Jean‐Luc, 165–6, 171 future, novels set in, 81–4 Masculin Féminin, 165–6 Vivre sa vie, 171 Galileo, 162 Godwin, William, 18, 22–5, 31, 130, 250 Gallagher, Catherine, 212, 218, 452 Political Justice, 22, 26 Galperin, William, 104 Things as They Are, or The Adventures of Caleb Galsworthy, John, 262 Williams, 18, 26–7, 31, 250 Galt, John, 379–80 Goetz von Berlichingen (Goethe), 459 Annals of the Parish, 380 Golden Ass, The (Apuleius), 150–153 The Ayrshire Legatees, 380 Golden Bowl, The (James), 167 The Entail, 380 Golden Notebook, The (Lessing), 457, 464–6 The Provost, 380 Goldsmith, Oliver, 227 Gandhi, Indira, 236 Gondry, Roger, 171 Gandhi, Mohandas, 63, 64, 66 Gone With the Wind (Mitchell), 164

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Goodlad, Lauren, 392, 394, 436 Grenby, M. O., 29 The Victorian Geopolitical Aesthetic, 394 Grey, E. C., 248 Gossip’s Story, A (West), 30 Griffin, Dustin, 292 Gothic fiction, 19, 23, 26–9, 35, 100, 117–31, Griffith, D. W., 159–60, 162–4, 167 145, 182, 228–30, 232–4, 246, 307, Grusin, Richard, 160 311–12, 345–6, 382, 396, 458 Guards! Guards! (Pratchett), 349, 352 as dark pastoral, 119–20, 128 Gubar, Susan, 110 and incest, 121–2 Guerillas (Naipaul), 466 and empire, 123–5, 396 Guest, Charlotte, 375 excess in, 118–20 Gulliver’s Travels (Swift), 92, 145, 148, 325 and gender, 119–25 Gunning, Tom, 159 and history, 122–3 “Gustave Flaubert” (Murry), 260 and the limits of the human, 120–121 migrations among different media, 118 Habermas, Jürgen, 427, 429, 436 as modern myths, 118 Hack, Daniel, 298–9 monsters in, 130–131 Haddad, Emily A., 398 as network novel, 311–12 Hadley, Elaine, 363–4 non‐rational elements in, 119 Haggard, H. Rider, 232, 234 precursors to, 118 King Solomon’s Mines, 232 relation to realism, 117–19, 311–12 She, 232, 234 relation to science fiction, 118 Hale, Dorothy, 280, 282–3 rhetorically stylized, 120, 129 Half of a Yellow Sun (Adichie), 436, 438 and same‐sex desire, 120–122, 127 Hall, Sarah, 82 as social criticism, 119–30 The Carbullen Army, 82 graphic novels, 118, 145, 170–172, 181–2 Hall, Stuart, 74 Gramsci, Antonio, 80 Halperin, John, 114 Grandma’s Reading Glass (Smith), 167 Halttunen, Karen, 228 Grand, Sarah, 233 Hamilton, Elizabeth, 29, 31 Grass, Günter, 466–7 Memoirs of Modern Philosophers, 31 The Tin Drum, 466–7 Hamlet (Shakespeare), 118, 222–3, 458 Grass is Singing, The (Lessing), 457 Handy Andy (Lover), 380 Gray, Alasdair, 236 Harding, D. W., 331 Lanark, 236 Hard Times (Dickens), 35, 265, 396 Gray, Thomas, 325 Hardt, Michael, 391 “Great Circumbendibus, The” (Sala), 399–400 Hardy, Barbara, 257, 269 Great Exhibition (1851), 34, 127, 389 The Appropriate Form, 269 Great Expectations (Dickens), 46, 163, 180–181, Hardy, Thomas (novelist and poet), 60, 202, 263, 185–6, 328, 431 269, 364, 365, 367, 368, 395 Great Fire of London, The (Ackroyd), 345–6 The Dynasts, 365 Great Gatsby, The (Fitzgerald), 168, 170 Jude the Obscure, 368 Great Novelists and Their Novels (Maugham), 257 Tess of the D’Urbervilles, 368 Great Tradition, The (Leavis), 210, 257, 265, Two on a Tower, 367 306–8, 463 Hardy, Thomas (radical), 21 Greatest Plague of Life, The (Mayhew and Mayhew), 138 Harris, Wilson, 431 Greenberg, Clement, 234 Palace of the Peacock, 431 Greene, Graham, 427 Harry Potter and the Order of the Phoenix (Rowling), The Heart of the Matter, 427 76–7 Greene, Thomas, 343 Harry Potter series, 76–8, 170 Green, Henry, 421 Hart, George Vaughan, 326 Concluding, 421 Hartley, L. P., 39 Greenery Street (Mackail), 354, 355 The Go‐Between, 39 Greenmantle (Buchan), 234 Harvey, David, 81 Gregory, Augusta, 375, 381 Harvey, W. J., 257, 269 Greimas, A. G., 178, 275, 276 Character and the Novel, 269

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Hawkes, John, 235 Holcroft, Thomas, 23–4, 31, 204 Hawksmoor (Ackroyd), 345–6 Alwyn, 204 Hawthorne, Nathaniel, 40, 164 Anna St. Ives, 23–4 The Scarlet Letter, 164 Hollinghurst, Alan, 237 Hays, Mary, 25, 30, 31 Holmes, Oliver Wendell, 162 Emma Courtney, 25 Homer, 57 Victims of Prejudice, 25 Odyssey, 57, 59 Haywood, Eliza, 3, 4, 92, 96, 151 homoerotic desire, representation of, 52–3, Anti‐Pamela, 3, 11–12, 15, 16 121–2, 127, 129, 232 The Invisible Spy, 151 Horkheimer, Max, 135–7, 142 Love in Excess, 4, 92 “The Culture Industry: Enlightenment as Mass Hazlitt, William, 23 Deception”, 135–7, 142 Head, Richard, 343–4 Hornby, Nick, 341, 353–4 The English Rogue, 343–4, 347 About a Boy, 353–4 Heads of the People (Meadows), 218 Horne, Richard, 294 Heart and Science (Collins), 231 Hours of Idleness (Byron), 110 Heart of Darkness (Conrad), 51–3, 60, 68, 431, 446 House for Mr. Biswas, A (Naipaul), 457, 466 Heart of the Matter, The (Greene), 427 Household Words, 294, 395, 436 Heidegger, Martin, 411 House, Humphry, 251 He Knew He Was Right (Trollope), 395 House Mother Normal (Johnson), 199 Henry and Eliza (Austen), 113 House of Leaves (Danielewski), 146 Henry Esmond (Thackeray), 35, 37, 38, 41, 44, 46 House with Green Shutters, The (Brown), 380 Herbert, Christopher, 42 Howard, Keble, 419 Herder, Johann Gottfried, 375, 427, 459 Howards End (Forster), 61, 73, 186–7, 189–91, Hermsprong, or; Man as He is Not (Bage), 24–5 281–3 Heydt‐Stevenson, Jillian, 113 Howe, Irving, 465 Heywood, Christopher, 394 Howells, William Dean, 457, 459 Heywood, John, 343 Howitt, William, 294 Highmore, Ben, 418, 419 Hughes, Richard, 332 Hill, Aaron, 243 Hughes, Tom, 76 Hill of Devi, The (Forster) 61 Tom Brown’s Schooldays, 76 Hill, Tobias, 435 Hugo, Victor, 459 The Cryptographer, 435 The Hunchback of Notre Dame, 459 Historical Novel, The (Lukács), 38, 42, 443–4, 459 Human Document, A (Mallock), 206–7 Historie of Bevis of Hampton, The, 341, 343–4 “Humble Remonstrance, A” (Stevenson), 253–4 history and the novel, 4, 8, 20–23, 26–7, 38–42, Hume, David, 3, 4, 16 71–2, 75–80, 93, 122–7, 155–7, 181–2, Enquiry Concerning Human Understanding, An, 4 228, 229, 236–7, 242–5, 247, 286, Treatise of Human Nature, A, 3, 4 326–7, 344–6, 352–3, 374–80, 384–5, Hume, Fergus, 233 421, 438, 442–50, 459, 467 The Mystery of a Hansom Cab, 233 History of a French Louse, The, 156–7 Humphrey, Ewyn, 382 History of England, The (Austen), 110, 114 Outside the House of Baal, 382 History of Sexuality, The (Foucault), 45 Humphry Clinker (Smollett), 353 Hitchcock, Alfred, 160, 167–9 Humument, A (Phillips), 206–7 Psycho, 169 Hunchback of Notre Dame, The (Hugo), 459 Rear Window, 168–9, 171 Hunger Games films, 170 Vertigo, 168–9 Hunter, J. Paul, 92, 93, 100, 161 Hitchens, Christopher, 469 Huntington, Samuel, 72 Hoban, Russell, 82 Hunt, Leigh, 107–9 Riddley Walker, 82 Hurd, Richard, 105 Hobsbawm, Eric, 49, 453 Husserl, Edmund, 411 Hobson, J. A., 390 Hutton, R. H., 252, 365 Hogg, James, 126, 380 Huxley, Aldous, 164 The Private Memoirs and Confessions of a Justified Huyssen, Andreas, 433 Sinner, 126 Hyde, Douglas, 381

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Ibsen, Henrik, 57 James, C. L. R., 78 Icarus Girl, The (Oyeyemi), 431 The Black Jacobins, 78 Ice Storm, The (Lee), 366 James, E. L., 237 If Nobody Speaks of Remarkable Things James, Henry, 42, 57, 160, 162, 167–9, 171–2, (McGregor), 421 185, 194, 204, 205, 207, 218, 219, illustration, 138, 140, 145, 162–3, 167, 170, 221–2, 249–54, 256–65, 267–9, 273–4, 181–2, 193, 196, 206–7 280, 294, 306, 307, 394, 395, 397, 413, Illustrations of Political Economy (Martineau), 295 417, 457–60, 464, 467 Imagined Communities (Anderson), 366, 390, The Ambassadors, 167–8, 185, 221, 222, 259 427–8 “The Art of Fiction”, 253–4, 264–5, 394 Imagistes, Des: An Anthology, 234 The Golden Bowl, 167 imperialism and narrative fiction, 35–6, 42, The Princess Casamassima, 218, 221–2 51–4, 58–72, 74–6, 79–81, 123–7, The Portrait of a Lady, 219 130–131, 382–5, 388–91, 395–403, The Sacred Fount, 167–8 426–9, 431–5, 448–9, 451–4, 465–7 The Sense of the Past, 167 Importance of Being Earnest, The (Wilde), 53 The Spoils of Poynton, 417 In Another Country (Joshi), 434–5 The Tragic Muse, 258 Inchbald, Elizabeth, 18, 29–30 The Turn of the Screw, 186 Nature and Art, 29–30 What Maisie Knew, 162 Incognita (Congreve), 242 “The Younger Generation”, 258, 259 Inconvenient Truth, An, 81 Jameson, Fredric, 76, 103, 273–4, 276, 394–5, 462 In Quest of the Ordinary (Cavell), 410 The Political Unconscious, 103, 276 In Search of Lost Time (Proust), 194, 465 The Prison‐House of Language, 273 India, 60–66, 68, 123–5, 236, 387–90, 395, James, P. D., 346 397–8, 400, 401, 431–2, 434, 453, James, William, 57, 221, 418 456–8, 460–461, 463–9 Jane Austen or the Secret of Style (Miller), 318 India: A Wounded Civilization (Naipaul), 466 Jane Eyre (Brontë), 35, 125, 164, 229, 249, 264, Indian Mutiny see Rebellion of 1857 362–4, 427, 431 Indiscreet Jewels, The (Diderot), 151 Jeffs, William, 395 Injury Time (Bainbridge), 421 Jenkins, Robert, 5 intellectual property see copyright Jerome, Jerome K., 230 Introduction to the English Novel, An (Kettle), 266 Three Men in a Boat, 230 Invisible Spy, The (Haywood), 151 Jerrold, Douglas, 416 Ireland and Irish literature, 41, 57–60, 123, “The Story of a Feather”, 416 126–7, 228, 236, 297, 374–81, 383–5, Jimmy Corrigan: The Smartest Kid on Earth (Ware), 145 389, 396, 441, 453 “John Bull on the Guadalquivir” (Trollope), 401 Irving, Washington, 230 John, Juliet, 134 The Sketch Book of Geoffrey Crayon, Gent., 230 Johns, Adrian, 352 Ishiguro, Kazuo, 83–4, 149, 222, 370, 431, 438 Johnson, B. S., 198–200 Never Let Me Go, 83–4, 149, 222 Albert Angelo, 198–9 The Remains of the Day, 370 House Mother Normal, 199 When We Were Orphans, 431, 438 The Unfortunates, 199 Island of Doctor Moreau, The (Wells), 82, 83 Johnson, Claudia, 26, 27, 29 Italian, The (Radcliffe), 28 Johnson, Samuel, 3, 10, 91, 92, 98, 149, 161, It’s a Wonderful Life (Capra), 230 243–4, 292–3, 301, 358 Ivanhoe (Scott), 294, 328, 379, 431, 444, 445 A Dictionary of the English Language, 293 The Vanity of Human Wishes, 3 Jack Hinton, The Guardsman (Lever), 380 Johnstone, Charles, 154–6 Jack Maggs (Carey), 181 Chrysal, 154–6 Jack the Ripper, 125 Johnstone, Christian, 378 Jacobism and anti‐Jacobism, 5–6, 22, 28–30, Clan‐Albin: A National Tale, 378 154, 374, 378, 442 Johnstone, Stephen, 410 Jacob’s Room (Woolf), 54–6 Jones, Lloyd, 431 Jakobson, Roman, 273–5 Mr. Pip, 431

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Jones, William, 460 Kipling, Rudyard, 42, 233, 427, 434, 456–7 Joseph Andrews (Fielding), 3, 9, 13, 15, 96–7, 99, The Jungle Books, 456 111, 201, 325, 452, 458 Kim, 427, 456 Joseph Anton (Rushdie), 469 “Mrs. Bathurst”, 233 Joshi, Priya, 395, 434–5, 461 Kirkman, Francis, 96 In Another Country, 434–5 The Counterfeit Lady Unveiled, 96 Journal of the Plague Year, A (Defoe), 344, 345–7, Knight, Charles, 133 352–3, 437 Knight, G. Wilson, 264 Joyce, James, 45, 50, 56–61, 64, 65, 78, 147–8, Kracauer, Siegfried, 411 153, 157, 164–5, 172, 195, 199, 207, Kuleshov, Lev, 160 230, 234, 235, 263–4, 266, 268, 269, Kureishi, Hanif, 74, 357 307, 375–6, 382–5, 421, 427, 434, 466 The Buddha of Suburbia, 74, 357 “The Dead”, 230, 375–6, 384 Kyd, Thomas, 118 Dubliners, 64, 234, 375 The Spanish Tragedy, 118 Finnegans Wake, 157, 384–5 “A Little Cloud”, 384 Lady Audley’s Secret (Braddon), 122–5, 128 “A Mother”, 384 Lady’s Magazine, 112 A Portrait of the Artist as a Young Man, 60, 269, Laffey, Mark, 392 383–4 Laing, R. D., 465 Ulysses, 45, 50, 56–60, 64, 66, 147, 153, 157, The Divided Self, 465 165, 195, 199, 202, 235, 263–6, 307, Lanark (Gray), 236 332, 382, 421, 434 Lane, John, 233 Joyce, Michael, 146 Lang, Andrew, 253 afternoon: a story, 146 Langbaum, Robert, 209 Jude the Obscure (Hardy), 368 Laocoön (Lessing), 197, 263 Julien, Isaac, 74 Last Messages, The (Luntiana), 146 Jungle Books, The (Kipling), 456 Last of the Mohicans, The (Cooper), 328 juvenile literature, 104–15, 181–2 Last Tycoon, The (Fitzgerald), 164 Juvenile Magazine, 113 Last Year at Marienbad (Resnais), 170 Laurence, Patricia, 447 Kafka, Franz, 43, 257, 265 “Law of Genre, The” (Derrida), 106 Kant, Immanuel, 317–18 Lawrence, D. H., 45, 235, 257, 258, 260, 264–6, “Perpetual Peace”, 317 269, 370, 418, 460, 463, 464, 466 Kapoor, Anish, 74 Lady Chatterley’s Lover, 269 Kay‐Shuttleworth, James, 34 Sons and Lovers, 45, 370, 418 Keating, Joseph, 381 “Surgery for the Novel—or a Bomb”, 260 Keating, Peter, 433 Women in Love, 235 Keats, John, 108–9, 155 Lay of the Last Minstrel, The (Scott), 450 Kee, Robert, 303 Le Fanu, Sheridan, 121, 127 Keirstead, Christopher, 396 “Carmilla”, 121, 122, 127–8 Kelly, Gary, 23, 29 Le Sage, René, 151 Kellys and the O’Kellys, The (Trollope), 381 The Devil on Two Sticks, 151 Kenelm Chillingly (Bulwer‐Lytton), 330 Lean, David, 163 Kent, Christopher, 106 Leavis, F. R., 210, 257, 260, 264–6, 278–80, Kettle, Arnold, 210, 266 306–8, 427, 438, 460, 463–4 An Introduction to the English Novel, 266 D. H. Lawrence, Novelist, 257, 265 Kidman, Nicole, 171 Dickens the Novelist, 265 Kidnapped (Stevenson), 380 The Great Tradition, 210, 257, 265, 306–8, 463 Kim (Kipling), 427, 456 New Bearings in English Poetry, 257 Kingsley, Charles, 35, 251 Revaluation, 257 Alton Locke, 35 Leavis, Q. D., 210, 257, 264, 267 Yeast, 35 Dickens the Novelist, 265 King Solomon’s Mines (Haggard), 232 Fiction and the Reading Public, 210, 257, 264 Kinks are the Village Green Preservation Society, The, 370 Lectures on Colonization and Colonies (Merivale), 388

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Lee, Ang, 366 Lodge, David, 148, 272–7, 281, 282, 286, The Ice Storm, 366 421, 434 Lefebvre, Henri, 410–411, 421–3 The British Museum is Falling Down, 421 Critique of Everyday Life, 410–411, 423 Changing Places, 272–5 Everyday Life in the Modern World, 410 Small World, 272, 275–7 Leighton, Angela, 194 Loiterer, The, 104, 110, 112–13 On Form, 194 London Corresponding Society, 21 Lennox, Charlotte, 100 London International Exhibition (1862), 389–90 The Female Quixote, 100 London Labour and the London Poor (Mayhew), 141–2 Lesley Castle (Austen), 112 Lonely Londoners, The (Selvon), 74, 79, 357, 427 Lessing, Doris, 456–7, 460, 464–6 Longinus, 227 Children of Violence, 457 Lord Jim (Conrad), 218, 433, 446, 448–9 The Golden Notebook, 457, 464–6 Lord of the Rings, The (Tolkein), 77 The Grass is Singing, 457 Lost Illusions (Balzac), 459 Walking in the Shade, 464 “Love, actually” (Smith), 282–3 Lessing, Gottfried, 197, 263 Love and Death in the American Novel (Fiedler), 306 Laocoön, 197, 263 Love in Excess (Haywood), 4, 92 Lever, Charles, 380–381 Lover, Samuel, 380 Charles O’Malley, 380 Handy Andy, 380 The Confessions of Harry Lorrequer, 380 Lovesey, Peter, 346 Jack Hinton The Guardsman, 380 Lubbock, Percy, 168, 195–6, 199, 256–8, Tom Burke of Ours, 380 260–263, 265, 267, 268, 273–4, 463 Levine, Caroline, 393 The Craft of Fiction, 168, 195–6, 256–8, Levine, George, 205, 397, 413 260–263, 268, 273–4, 463 The Realistic Imagination, 397 Lucas, Charles, 29 Lévi‐Strauss, Claude, 276 Lucky Jim (Amis), 370 Levy, Andrea, 79–80, 333, 427 Luhrmann, Baz, 170 Small Island, 79–80, 333, 427 Lukács, Georg, 38, 42, 275, 397, 442–4, 449–50, Lewes, G. H., 229, 247–51, 297–8, 395, 396 453, 454, 459, 463 Lewis, Matthew, 28–9, 114, 117 The Historical Novel, 38, 42, 433–4, 459 The Monk, 28–9, 114, 117, 123–4 The Theory of the Novel, 463 Lewis, R. W. B., 306 Lumière brothers (Auguste and Louis), 159, The American Adam, 306 163, 172 Liberty, On (Mill), 36 Luntiala, Hannu, 146 libraries, 45–6, 294–5, 302, 306, 326, 330–332, The Last Messages, 146 433 Luxborough, Henrietta, 325 Life in a Day, 153, 157 Lynch, Deidre, 316, 428, 430 Life on the Mississippi (Twain), 459 Lyotard, Jean‐François, 155 Limehouse Nights (Burke), 357 The Postmodern Condition, 155 Lindsay, Jack, 78 1649, 78 Mabinogion, 375 Literary Channel, The (Cohen and Dever), 393, 394 Macaulay, Thomas Babington, 458, 460–461 Literature at Nurse (Moore), 46 “Minute on Indian Education”, 458, 460–461 Lives of the Novelists (Scott), 311 Macbeth (Shakespeare), 462 “Little Cloud, A” (Joyce), 384 Maccall, William, 294 Little Dorrit (Dickens), 35, 37, 41, 43, 46, 163, Macdermots of Ballycloran, The (Trollope), 381 204, 251, 266, 300, 345, 395 MacDiarmid, Hugh, 380 Little Stranger, The (Waters), 413 Macdonald, Dwight, 135–7 Lloyd, Edward, 133–42 Mackail, Denis, 354, 355 Lloyd’s Penny Weekly, 133, 135, 140 Greenery Street, 354, 355 Locke, John, 148, 149, 152, 362 Mack, Edward, 113 An Essay Concerning Human Understanding, 149 Mackenzie, Henry, 24, 227 Lockhart, John Gibson, 181, 377, 379 Maclaren‐Ross, Julian, 291, 303 Peter’s Letters to His Kinsfolk, 379 MacLeod of Dare (Black), 380

0002515133.indd 485 4/15/2015 10:42:35 AM 486 Index

Macpherson, James, 375 mass‐market fiction see popular and mass‐market Madam Bovary (Flaubert), 260, 261, 366, 394, fiction 396, 450 Masson, David, 249, 250, 388 Magnetic Girl, The (Marsh), 233 Master of Ballantrae, The (Stevenson), 380 Maid of Killarney, The (Brontë), 378 Matthew Arnold (Trilling), 257 Making of the English Working Class, The Matthews, Elkin, 233 (Thompson), 464–5 Maturin, Charles, 126, 228, 378, 396 Mallock, W. H., 206–7 Melmoth the Wanderer, 126, 128, 228 A Human Document, 206–7 The Wild Irish Boy, 378 Malory, Thomas, 77 Matz, Aaron, 417 Le Morte d’Arthur, 77 Maugham, W. Somerset, 256–7, 294 Malthus, Thomas, 317 Cakes and Ale, 256 An Essay on the Principle of Population, 317 Great Novelists and Their Novels, 257 Manley, Delarivier, 96, 242, 243 Max Havelaar (Multatuli), 449 The New Atalantis, 96 Mayhew, Augustus, 138 The Secret History of Queen Zarah, 242 The Greatest Plague of Life, 138 Manley, Lawrence, 343 Mayhew, Henry, 138, 141 Manning, Susan, 219 The Greatest Plague of Life, 138 Mann, Thomas, 260, 385, 465 London Labour and the London Poor, 141–2 Doctor Faustus, 465 Mazzuchelli, David, 170 Mansfield Park (Austen), 293, 314, 315, 450 McCarthy, Tom, 225, 285–6 Mantel, Hilary, 237 Remainder, 285–6 Manzoni, Alessandro, 459 McEwan, Ian, 73–4, 152, 237, 272, 278–81, 283, The Betrothed, 459 303, 421, 437–8 Maps for Lost Lovers (Aslam), 437 Atonement, 237, 272, 278–81, 303 Marcus, Laura, 164, 165 Saturday, 73–4, 76, 152, 421, 437–8 Marcus, Sharon, 46 McGregor, Jon, 421 Marcus, Steven, 45 If Nobody Speaks of Remarkable Things, 421 The Other Victorians, 45 McKeon, Michael, 428 Margolis, Stacey, 310 McLuhan, Marshall, 459 Maria; or, The Wrongs of Women (Wollstonecraft), Meadows, Kenny, 218 26, 27, 31 Heads of the People, 218 Marquez, Gabriel Garcia, 385, 466 Melmoth the Wanderer (Maturin), 126, 128, 228 One Hundred Years of Solitude, 466 melodrama, 38, 92, 99, 138–9, 226, 229–30, Marsh, Joss, 163 233, 237, 248, 251, 368 Marsh, Ngaio, 346 Memoirs and Interesting Adventures of an Embroidered Marsh, Richard, 233, 234 Waistcoat, 416 The Beetle, 234 Memoirs of a Woman of Pleasure (Cleland), The Magnetic Girl, 233 13–16, 149 Martineau, Harriet, 248, 295–6, 299, 302, 303, Memoirs of Martinus Scriblerus, 145 388, 399 Memoirs of Miss Sidney Biddulph (Sheridan), 100 Eastern Life Past and Present, 399 Memoirs of Modern Philosophers (Hamilton), 31 Illustrations of Political Economy, 295 Meredith, George, 35–6, 60, 252, 259, 266, 394 Society in America, 296 The Ordeal of Richard Feverel, 35–6 Martin, Ellen, 113 Merely Mary Ann (Zangwill), 233 Marx, John, 448 Merivale, Herman, 388 The Modernist Novel and the Decline of Empire, 448 Lectures on Colonization and Colonies, 388 Marx, Karl, 278, 282, 391, 411, 449, 451–3, Messager, Annette, 410 458, 459, 461–2 Method of Henry James, The (Beach), 258 Capital, 411, 451 Michaels, Walter Benn, 376 Communist Manifesto, 451–2, 458, 459, 461–2 Microcosm, The, 109–10, 112 Mary Barton (Gaskell), 35, 40, 249, 329, 367, 416 Middlemarch (Eliot), 162, 182–5, 190, 220, 250, Masculin Féminin (Godard), 165–6 252, 266, 269, 273, 298, 362, 364, Mason, Emma, 226 367–71, 394, 444–6

0002515133.indd 486 4/15/2015 10:42:35 AM Index 487

Midnight’s Children (Rushdie), 236, 431, 457, Monthly Review, 22, 105 463, 466–7 Moonstone, The (Collins), 124–5, 201, 451 Midsummer Night’s Dream, A (Shakespeare), 128 Moore, George, 46, 233, 394 Miles, Robert, 27, 28 Esther Waters, 233 Miller, Andrew H., 39 Literature at Nurse, 46 Miller, D. A., 226, 277, 318, 436 moral instruction and didacticism, 4–5, 7, 10, 12, Jane Austen or the Secret of Style, 318 14, 19, 23, 27, 30, 91–2, 100, 133, 136, Miller, J. Hillis, 43, 257, 266, 278 204, 217, 227–8, 242–3, 246, 280, Charles Dickens: The World of His Novels, 266 325, 377 The Ethics of Reading, 278 More, Hannah, 132, 142 Miller, Peter, 435 Moretti, Franco, 361–2, 366, 393, 432–3, Mill, John Stuart, 36, 389, 392–3 450–451, 457, 458 Considerations on Representative Government, Distant Reading, 457 392–3 Morley, John, 249 “A Few Words on Non‐Intervention”, 389 Morrison, Arthur, 232 On Liberty, 36 A Child of the Jago, 232 Mill on the Floss, The (Eliot), 164, 220, 252, Morte d’Arthur, Le (Malory), 77 362–3, 368 Mortimer, John, 346 Milne, A. A., 294 Mosley, Sir Oswald, 234 Milton, John, 77 “Mother, A” (Joyce), 384 Paradise Lost, 77 Mo, Timothy, 237 mimesis, 20–21, 38, 61–2, 129, 147–8, Motte, Warren, 144 160–161, 178, 211–13, 217, 243, “Mr. Bennett and Mrs. Brown” (Woolf), 42, 247, 268, 370, 447, 463 262–3, 466 Mimesis (Auerbach), 38, 268, 275, Mr. Pip (Jones), 431 447, 463–4 “Mrs. Bathurst” (Kipling), 233 Minerva Press, 28 Mrs. Dalloway (Woolf), 54–6, 66–9, 147, 153, Minstrelsy of the Scottish Border (Scott), 375 194, 202, 221, 235, 350, 419–20, 422, “Minute on Indian Education” (Macaulay), 458, 430, 446, 447, 453 460–461 Mudie, Charles Edward, 45 Miss Marjoribanks (Oliphant), 362, 364 Mudie’s Select Library, 45, 294–5, 306 Mitchell, David, 145, 427 Mufti, Aamir, 460, 469 Cloud Atlas, 145 Muir, Edwin, 256, 257, 263, 463 The Thousand Autumns of Jacob de Zoet, 427 The Structure of the Novel, 256, 257, Mitchison, Naomi, 78 263, 463 Mitford, Mary Russell, 360–361, 367, 369 Multatuli, 449, 450 Modern Chivalry (Brackenridge), 310 Max Havelaar, 449 “Modern Fiction” (Woolf), 262–3 Mulvey, Laura, 169 Modernism and modernist literature, 42, “Visual Pleasure and Narrative Cinema”, 169 45–6, 50–70, 76, 78–9, 118, 144, Murray, John, 248 147–8, 152–3, 202, 221, 226, 233–5, Murry, John Middleton, 260 251, 260–265, 269, 279–80, 331, “Gustave Flaubert”, 260 332, 341, 382, 384–5, 430, 434, “Musée des Beaux Arts” (Auden), 421 446–8, 466 Muybridge, Eadweard, 159, 162, 171–2 Modernist Novel and the Decline of Empire, The My People (Evans), 381 (Marx), 448 Mystères de Paris, Les (Sue), 229 Modernity at Large (Appadurai), 391 Mysteries of London, The (Reynolds), 132, 229 Molesworth, Jesse, 96 Mysteries of the Court of London, The Moll Flanders (Defoe), 45, 96, 97, 149, 201, 265, (Reynolds), 229 350, 429, 452, 453 Mysteries of Udolpho, The (Radcliffe), Molloy (Beckett), 202 28, 117, 120, 124, 128, 228, Monk, The (Lewis), 28–9, 114, 117, 123–4 246, 312–13 Montague, Mary Wortley, 325 Mystery of a Hansom Cab, The (Hume), 233 Monthly Magazine, 22 Mystery of Edwin Drood, The (Dickens), 163, 300

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Nabokov, Vladimir, 145, 282 Negri, Antonio, 391 Pale Fire, 145 Netherland (O’Neill), 284–5 Nagel, Thomas, 150 Nersessian, Anahid, 24 Naipaul, V. S., 431, 457, 460, 461, 466–8 Never Let Me Go (Ishiguro), 83–4, 149, 222 A Bend in the River, 431, 466 New Atalantis, The (Manley), 96 The Enigma of Arrival, 466–7 New Bearings in English Poetry (Leavis), 257 Guerillas, 466 Newcomes, The (Thackeray), 258 A House for Mr. Biswas, 457, 466 Newell, Stephanie, 434–5 India: A Wounded Civilization, 466 New Grub Street (Gissing), 292, 300–301, 353, Nairn, Tom, 390, 391 417–18 narration, 14, 15–16, 25, 26, 28, 31, 43, Newman, John Henry, 41 100–101, 146, 149–53, 177–91, 198, New Organon, The (Bacon), 147 201, 222, 234–5, 260, 268–9, 283–4, newspapers and periodicals, 21, 22, 35, 108, 197 402, 421, 445 New Woman fiction, 233, 397 actants and existents, 178–9, 181, 187, 190, 211 Nicholas Nickleby (Dickens), 163, 299 analepsis, 181, 198 Nichols, Grace, 74 communication model, 178–80 Nietzsche, Friedrich, 278 diegesis, 178, 222, 234–5, 445 Nigger of the ‘Narcissus’, The (Conrad), 148 defining, 178–9 9/11, 71–3, 75–6, 80, 83, 207, 280, 281, focalization, 156–7, 159, 169, 183–4, 187, 283–4, 285 188, 190, 261, 283–4 Nineteen Eighty‐Four (Orwell), 77, 348, 349 free indirect discourse, 78, 167, 184, 188, No Orchids for Miss Blandish (Chase), 331–2 190, 284 Norris, Frank, 164 implied author, 179–80, 184–6, 187, 189–90, The Pit, 164 201, 268 North and South (Gaskell), 35, 40–41, 416 implied reader, 179–80 Northanger Abbey (Austen), 104, 110, 111, 117, narratees, 178–82, 185, 186, 189, 191 246, 278, 293, 314, 412 narrators, 15–16, 28, 31, 43, 146, 149–53, North British Review, 254 178–91 “Note on Fiction, A” (Rickword), 264 first‐person narrators, 14, 25, 26, 100–101, Nussbaum, Martha, 280, 282, 285 150, 180, 184–6, 199, 222, 261, 268, 421 unreliable narrators, 185–6, 190, 268–9, 402 Oath, The; or, The Buried Treasure (Rymer), 134, in non‐fiction, 177–8, 181–2 137, 139–41 pace of, 184–5 O’Brien, Flann, 202, 236, 385 paratext, 181–2, 200–202 At Swim‐Two‐Birds, 202, 236, 385 plot, 16, 19–21, 23, 27, 43–4, 95–6, 104–15, Obscene Publications Act, 45 138–40, 156–7, 220–221, 236, 244, 250, Odd Women, The (Gissing), 353 259, 263–5, 267–9, 275–6, 279–81, Odes (Collins), 3 329–30, 365–6, 377 Odyssey (Homer), 57, 59 prolepsis, 198 Old Curiosity Shop, The (Dickens), 132, 141, 248 psychonarration, 184–5 Old London Bridge (Rodwell), 344–5 as representation of events, 178–82 Oliphant, Margaret, 45–6, 134, 136–8, 141, 301, stream of consciousness narration, 57, 60, 147, 364, 413 152, 153, 202, 279, 352, 446 Miss Marjoribanks, 362, 364 Nashe, Thomas, 343 “Reading for the Millions”, 134, 136–8, 141 Nation and Narration (Bhabha), 390 Oliver Twist (Dickens), 163, 229, 248, 299, 331 Nation and Novel (Parrinder), 444 “On Art in Fiction”, (Bulwer‐Lytton), 247 nationality and the novel, 35–7, 41–2, 72, 74–9, On Beauty (Smith), 272, 281–6 120, 122, 211, 247, 306–8, 310–312, One Fine Day (Panter‐Downes), 421–3 314–18, 366–9, 373–85, 390–403, One Hundred Years of Solitude (Marquez), 466 426–36, 441–54, 457–69 O’Neill, Joseph, 284–5 “Naturalism on the Stage” (Zola), 147–8 Netherland, 284–5 Nature and Art (Inchbald), 29–30 On Form (Leighton), 194 Nava, Mica, 80 Ong, Walter, 459

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“On the Origin and Progress of Novel Writing” Pendennis (Thackeray), 249, 296–7, 395 (Barbaud), 195 penny serials, 132–42 On the Origin of Species (Darwin), 36, 123 People of the Black Mountains (Williams), 382 On the Study of Celtic Literature (Arnold), 382 Percy, Thomas, 105 Oranges are Not the Only Fruit (Winterson), 236 Perec, Georges, 410–412 Ordeal of Richard Feverel, The (Meredith), 35–6 Peregrine Pickle (Smollett), 220, 324 ordinariness see everyday life periodicals see newspapers and periodicals Orientalism (Said), 466 Perkin, Harold, 436 Oroonoko (Behn), 148 “Perpetual Peace” (Kant), 317 Orwell, George, 77, 257, 302, 341, 348, 349 Personal Record, A (Conrad), 448–9 Nineteen Eighty‐Four, 77, 348, 349 Persuasion (Austen), 109, 293, 314, 316, Ossian, 109, 375 318–19, 328 Other Victorians, The (Marcus), 45 Pesthouse, The (Crace), 82 Ouida, 329 Peter’s Letters to His Kinsfolk (Lockhart), 379 Our Mutual Friend (Dickens), 204, 253 Philander, Joakim, 152–3 Outside the House of Baal (Humphrey), 382 Vitulus Aureus: The Golden Calf, 152–3 Overbury, Thomas, 214, 217, 219 Phillips, Tom, 206–7 Owen Glendower (Powys), 381 A Humument, 206–7 Owenson, Sydney, 326, 377–9, 383 Philosophical Inquiry into the Origins of our Ideas of the The Wild Irish Girl, 377–8 Sublime and Beautiful, A (Burke), 227–8 Owen, Wilfrid, 79 philosophical novel, 26–7, 30–31, 465 Oyeyemi, Helen, 431 Philosophie dans la boudoir, La (Sade), 23 The Icarus Girl, 431 picaresque, 19, 26, 96, 230, 243, 341 Pickwick Papers, The (Dickens), 230, 247–8, 299, Paine, Tom, 22, 24 328, 329 The Rights of Man, 22 Picture of Dorian Gray (Wilde), 118, 121, 122, Palace of the Peacock (Harris), 431 127, 128, 232, 234 Pale Fire (Nabokov), 145 Pinch, Adela, 28 Palmer, Beth, 231 Pit, The (Norris), 164 Palmerston, Lord, 387–8, 390, 398 Pitt, William, 21, 26, 30 Paltrow, Gwyneth, 163 Plato, 61–2, 243 Pamela (Richardson), 3, 4, 9, 11–13, 15, 92, 98, Poems and Ballads (Swinburne), 253 149, 205, 225, 244, 245, 306, 311–13, Poetics (Aristotle), 241 325, 429, 452 Polanski, Roman, 171 Panter‐Downes, Mollie, 421–3 Repulsion, 171 One Fine Day, 421–3 Political Justice (Godwin), 22, 26 Paradise Lost (Milton), 77 Political Unconscious, The (Jameson), 103, 276 paratext, 181–2, 200–202 Politics of Aesthetics, The (Rancière), 18 Parenti, Christian, 81 Pompey the Little, or, The Life and Adventures of a Park, Julie, 412 Lapdog (Coventry), 209 parody, 13, 38, 97, 100–101, 112, 117, 145, Pope, Alexander, 3, 292, 293 181, 188, 201, 202, 207, 277, 282, 364, The Dunciad, 3, 293 370, 451 Popular and mass‐market fiction, 89, 92, 94, 96, Parrinder, Patrick, 444 118–19, 132–42, 228–30, 248, 253–4, Nation and Novel, 444 263–4, 331–2, 433 Partisan Review, 465 audiences for, 135–7 Passage to India, A (Forster), 60–64, 66, 398 definitions of, 134–6 “Passage to India, A” (Whitman), 61 and expansion of literacy, 133 Past and Present (Carlyle), 138 formal features of, 137–41 Pathfinder, The (Cooper), 327 immoral effects of, 136 Patmore, Coventry, 45 and “improving” literature, 133 Paul, R. W., 163, 165 sales of, 133–4 Pearson, Karl, 329–30 serialization of, 133–42 Pelham (Bulwer‐Lytton), 217 social classes represented in, 134–5

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Porius (Powys), 381 Psycho (Hitchcock), 169 pornography, 13–15, 45, 334 publishers and publishing, 4, 22, 77, 133–5, 200, Portrait of a Lady, The (James), 219 291–304, 352, 380, 400–401, 428, Portrait of the Artist as a Young Man, A (Joyce), 60, 433–4 see also authorship; libraries; 269, 383–4 Mudie’s Select Library postcolonialism and postcolonial fiction, 50, 65, and censorship, 45, 56–7, 161 75–6, 80–81, 83–4, 378, 383–5, 393–4, and mass‐market fiction, 133–5, 141 427, 431–2, 434–5, 450, 457, 464–6, 469 titles published 1700–1750, 4 Postmodern Condition, The (Lyotard), 155 titles published 1770–1800, 22 postmodernism and postmodern fiction, 75, 144, and world literature, 433–4 155, 235–6, 272, 275–7, 280, 283, 285, Pye, Henry, 243 345, 385, 465–6 Pynchon, Thomas, 155, 467 Power of Sympathy, The (Brown), 310 The Crying of Lot 49, 155 Powys, John Cowper, 381–2 Owen Glendower, 381 Queen, Ellery, 345 Porius, 381 Practical Criticism (Richards), 264 race and racial identity, 20, 52–3, 69, 74–6, Practice of Everyday Life, The (Certeau), 410 79–80, 104, 122–3, 125, 379, 384, Pratchett, Terry, 349, 350, 352 389–90, 396, 401–2, 431, 436, 447, Guards! Guards! 349, 352 464, 467 Pratt, Mary Louise, 377 Radcliffe, Ann, 28, 103, 117, 120, 124, 128, Prest, Thomas Prescott, 134, 137, 139 145, 228, 246, 311–13, 319, 324 Ada, the Betrayed, 134 The Italian, 28 Ela, the Outcast, 134, 138 The Mysteries of Udolpho, 28, 117, 120, 124, Geraldine; or, The Secret Assassins of the Old Stone 128, 228, 246, 312–13 Cross, 134, 137–41 The Romance of the Forest, 28 Varney the Vampire, 134, 229 Radway, Janice, 137–8 Price, Leah, 225, 325, 433–4 Ragged‐Trousered Philanthropists, The (Tressell), 135 Pride and Prejudice (Austen), 111, 293, 314–16, Rainey, Lawrence, 332 318, 428 Rancière, Jacques, 18, 19, 26, 30 Prime Minister, The (Trollope), 395–6, 398 Ransom, John Crowe, 265 Prime of Miss Jean Brodie, The (Spark), 212 “The Understanding of Fiction”, 265 Primitive Culture (Tylor), 369–70 Raven, James, 22, 293 Prince, Gerald, 178 readers and reading see also moral instruction and Princess Casamassima, The (James), 218, 221–2 didacticism Princess of Thule, The (Black), 380 absorption, 327–8, 360, 362–3 Principles of Literary Criticism (Richards), 257, 264 book clubs, 333–4 Prison‐House of Language, The (Jameson), 273 conditions necessary for reading, 321–2 Pritchett, V. S., 302 empathy, 39, 73, 83–4, 89, 91–2, 95, 210, Private Memoirs and Confessions of a Justified Sinner, 332, 446 The (Hogg), 126 “frivolous” reading, 324–6, 330–332 probability and plausibility in fictional narrative, interrupted reading, 138–40 4, 10–11, 19, 31, 37, 52–3, 58, 89–91, literacy, 5, 133, 161, 317, 322, 330–333 96, 150–152, 182, 219–20, 241–4, reading aloud, 5, 178, 321, 444 245–6, 248, 313, 413 receptive fallacy, 135 Progress of Romance, The (Reeve), 105, 241, 245 relation to affect and emotion, 225–37, 323–4 Propp, Vladimir, 274, 276 semi‐detachment, 363–4, 366–70 Proust, Marcel, 194, 198, 269, 385, 465 and social class, 323, 330–331 In Search of Lost Time, 194, 465 sympathy, 25–6, 39–40, 42, 73, 80, 91–2, 149, Swann’s Way, 198 189–90, 280, 308, 313, 414–15, 422 Providence and providential narratives, 5, 95–6, vicarious experience, 3–4, 11, 92, 227–8, 234 99, 204–5, 243 Read, Herbert, 303 Provincial Lady in London, The (Delafield), 354–6 “Reading for the Millions” (Oliphant), 134, Provost, The (Galt), 380 136–8, 141

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Reading for the Plot (Brooks), 276 Rignall, John, 394 realism, 6, 10, 12, 35–47, 59, 60, 89–101, Riley, Linda, 113 117–19, 129, 144–5, 147–8, 205, Rise of the Novel, The (Watt), 267, 306, 451 210–211, 216–17, 219–20, 247–54, 263, River of Smoke (Ghosh), 461 267, 272–7, 279–83, 285–6, 307, 311, Rivers, W. H. R., 236 363, 369, 380, 382, 384, 393–7, 412–13, Robbe‐Grillet, Alain, 148, 169–70 417, 420, 442–7, 452 Robbins, Bruce, 391, 393, 431 Realistic Imagination, The (Levine), 397 Feeling Global, 393 Rear Window (Hitchcock), 168–9, 171 Robertson, Leslie, 108 Rebellion of 1857, 36, 63, 123, 389, 395, 397, 400 Robespierre, Maximilien, 27 Red and the Black, The (Stendhal), 131, 459, 465 Robinson Crusoe (Defoe), 4, 92, 94–6, 148, 149, 177, Reed, Henry, 303 201, 225, 243, 412, 429–32, 441–2, 449–53 Reeve, Clara, 105, 109, 112, 241, 244, 245 Rob Roy (Scott), 449 The Progress of Romance, 105, 241, 245 Roderick Random (Smollett), 3, 7–8, 10, 14, 15, Reflections on the Revolution in France (Burke), 22 91, 242, 326 Reitz, Caroline, 436 Rodowick, D. N., 170, 171 Regeneration Trilogy (Barker), 79, 236–7 Rodwell, George Herbert, 344–5 Remainder (McCarthy), 285–6 Old London Bridge, 344–5 Remains of the Day, The (Ishiguro), 370 romance (genre), 4–5, 19, 89–90, 92, 99, Rembrandt, 281–4 103–15, 197, 204, 233, 241–5, 247, Rendall, Ruth, 346 252–3, 275–6, 308, 311, 317, 343–4, Repton, Humphry, 326 378–82, 434, 442–3, 450, 459 Repulsion (Polanski), 171 Romance of the Forest, The (Radcliffe), 28 Revaluation (Leavis), 257 Romola (Eliot), 164 Reynolds, G. W. M., 132–4, 136, 229, 396 Rose, Jonathan, 136, 331 The Mysteries of London, 132, 229 Rose, Mark, 292 The Mysteries of the Court of London, 229 Rose, Nikolas, 435 Reynolds, John Hamilton, 109 Rosenman, Ellen Bayuk, 136 Rhetoric of Fiction, The (Booth), 257, 268–9 Rossetti, Christina, 118 Rhys, Jean, 50, 68–70, 431 “Goblin Market”, 118, 121, 129 Voyage in the Dark, 50, 68–70 Rossetti, Dante Gabriel, 396 Wide Sargasso Sea, 431 Rousseau, Jean‐Jacques, 21, 24, 29, 449, 451 Richards, I. A., 257, 264 Roxana (Defoe), 95, 96, 242–3, 344, 354, 356 Principles of Literary Criticism, 257, 264 Rowlandson, Mary, 429 Practical Criticism, 264 Narrative of the Captivity and Restoration of Mrs. Richardson, Alan, 114 Mary Rowlandson, 429 Richardson, Dorothy, 78 Rowling, J. K., 76–8, 346 Richardson, Samuel, 3, 4, 9, 18, 57, 91–2, 96, Harry Potter and the Order of the Phoenix, 76–7 98–100, 149, 150, 205, 216–19, 221, Rowson, Susannah, 310, 317 244, 267, 278, 292, 306, 307, 311–14, Charlotte Temple, 317 319, 325, 354, 355, 429, 443, 452 Rushdie, Salman, 64, 74, 75, 236, 237, 385, 427, Clarissa, 3, 6–11, 14–16, 23–4, 91–2, 98–100, 431, 457, 460, 461, 463, 466–70 205, 216, 218–19, 245, 325–7, 354, Joseph Anton, 469 355, 452 Midnight’s Children, 236, 431, 457, 463, 466–7 Pamela, 3, 4, 9, 11–13, 15, 92, 98, 149, 205, The Satanic Verses, 75–6, 385, 427, 466, 467–9 225, 244, 245, 306, 311–13, 325, 429, 452 Shame, 236 Sir Charles Grandison, 205, 307, 325 Ruskin, John, 36, 250, 251 Rickword, C. H., 264 Unto This Last, 36 “A Note on Fiction”, 264 Ruth (Gaskell), 44, 329 Ricouer, Paul, 278 Rymer, James Malcolm, 134, 136, 139 Riddley Walker (Hoban), 82 Ada, the Betrayed, 134 Ridge, William Pett, 419 Ela, the Outcast, 134, 138 Riffaterre, Michael, 90 The Oath; or, The Buried Treasure, 134, 137, Rights of Man, The (Paine), 22 139–41

0002515133.indd 491 4/15/2015 10:42:36 AM 492 Index

Sabor, Peter, 112 Ivanhoe, 294, 328, 379, 431, 444, 445 Sacred Fount, The (James), 167–8 The Lay of the Last Minstrel, 450 Sacred Wood, The (Eliot), 257 Lives of the Novelists, 314 Said, Edward, 315, 466 Minstrelsy of the Scottish Border, 375 Orientalism, 466 Rob Roy, 449 Saintsbury, George, 257 Waverley, 38, 209–10, 212, 294, 377, 378–80, The English Novel, 257 442–5, 449–50 Sala, George Augustus, 399–400 Scrutiny, 264–7 “The Great Circumbendibus”, 399–400, 402 Seacole, Mary, 397 Salomé (Wilde), 118, 121, 123–5, 127 The Wonderful Adventures of Mrs. Seacole in Many Sand, George, 248, 395 Lands, 397 Sanford, Elizabeth Poole, 109 Sea of Poppies (Ghosh), 431–2, 461 Woman, in Her Social and Domestic Character, 109 Seasons, The (Thomson), 3 Sansay, Leonore, 310 Secresy; or, The Ruin in the Rock (Fenwick), 27 Secret History, 310 Secret History (Sansay), 310 Saporta, Marc, 156 Secret History of Queen Zarah, The (Manley), 242 Composition no. 1, 156 Sedan, The, 151–2 Sassoon, Sigfried, 79, 236–7 Sedgwick, Eve Kosofsky, 226 Satanic Verses, The (Rushdie), 75–6, 385, 427, Seditious Meetings Act, 21 466–9 Seeley, J. R., 389 satire, 8, 11–13, 97, 104–5, 112–14, 275, 353 The Expansion of England, 389 Sartre, Jean‐Paul, 411 Seidel, Michael, 148 Saturday (McEwan), 73–4, 76, 83, 152, 421, Selbourne (White), 367 437–8 Select Collection of Novels, A (Croxall), 242 Saunders, John, 295–6 Self, Will, 82–3 de Saussure, Ferdinand, 273–4 The Book of Dave, 82–3 Savile, Gertrude, 324, 331, 334 Selvon, Sam, 74, 79, 357, 427 Saville, Julia, 397 The Lonely Londoners, 74, 79, 357, 427 Sayers, Dorothy, 346, 356 Selznich, David, 163, 164 scandal chronicle, 96 Semi‐Detached House, The (Eden), 364 Scarlet Letter, The (Hawthorne), 164 sensation fiction, 35, 36, 45–6, 122, 124, 226, Scenes from Provincial Life (Cooper), 370 230–231, 233, 244, 396, 412–14, 448 Scenes of Clerical Life (Eliot), 164, 413–15 Sense and Sensibility (Austen), 30, 186–91, 293, scenic method see dramatic method 314, 318, 430 Scholes, Robert, 273–4 Sense of the Past, The (James), 167 Structuralism in Literature, 273 Senses of Walden, The (Cavell), 410 school novels, 76–8 sentimental fiction, 19, 23, 26, 27, 100–101, 227–9 Schorer, Mark, 265 Sentimental Journey Through France and Italy, A “Technique as Discovery”, 265 (Sterne), 100, 145, 216 Schreiner, Olive, 42, 397 Sentimental Magazine, 227–8 The Story of an African Farm, 397 serial publication, 35, 45, 133–42, 145–6, Schulz, Bruno, 199–200 182–3, 201, 248, 254, 300, 398, 427 The Street of Crocodiles, 199–200 Seshagiri, Urmila, 447 Scoop (Waugh), 353 Seth, Vikram, 434 Scotland and Scottish literature, 5–6, 21, 108, A Suitable Boy, 434 126, 236, 374–6, 378–82, 389, 435, Seward, Anna, 326 442–5, 447, 450, 453, 459 Sewell, Anna, 231 Scott, Walter, 18, 38, 39, 106–7, 114, 181, Black Beauty, 231 209–10, 222, 247–8, 258, 261–2, 266, sexual desire, representation of, 15, 28, 45–7, 292, 294–5, 300, 303, 308–11, 314–17, 52–3, 55, 97–101, 121–2, 127, 129, 206, 326–7, 329, 334, 345, 366, 369, 375–80, 232–4, 394, 418, 465 382, 383, 431, 442–50, 459 sexual identity, 52–3, 66–7, 233 The Antiquary, 448 sex work and prostitution, 13–15, 26, 31, 58, The Bride of Lammermoor, 449 69, 149

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Shaftesbury, Lord, 227 Smollett, Tobias, 3, 5, 24, 91, 96, 145, 220, 242, Shail, Andrew, 164, 165 311, 319, 324, 326, 341, 353 Shakespeare, William, 57, 69, 118, 120, 128, Humphry Clinker, 353 247, 254, 257, 311, 458, 459, 461–3 Peregrine Pickle, 220, 324 Cymbeline, 69 Roderick Random, 3, 7–8, 10, 14, 15, 91, Hamlet, 118, 222–3, 458 242, 326 Macbeth, 462 social problem fiction, 251, 365 A Midsummer Night’s Dream, 128 Society in America (Martineau), 296 The Tempest, 461 “Sociological Aesthetics” (Simmel), 418 Shame (Rushdie), 236 Sollers, Philippe, 276 Shamela (Fielding), 11–12 Sons and Lovers (Lawrence), 45, 370, 418 Sharpe, Lancelot, 326 Southam, B.C., 112 Shaviro, Steve, 170 Southey, Robert, 293 Shaw, Harry, 38, 39 Spacks, Patricia Meyer, 19 She (Haggard), 232, 234 Spanish Tragedy, The (Kyd), 118 Shelley, Mary, 118, 148, 201 Spark, Muriel, 212 Frankenstein, 118, 120–122, 128, 130–131, The Prime of Miss Jean Brodie, 212 148, 182, 201 Spectator, 110, 113 Shelley, Percy, 109 Spencer, Herbert, 415 Sheridan, Frances, 100 Spenser, Edmund, 311 Memoirs of Miss Sidney Biddulph, 100 Spoils of Poynton, The (James), 417 Shirley (Brontë), 35, 38, 367 Steedman, Carolyn, 114, 416 Shklovsky, Victor, 148, 149, 193–5, 274 Steele, Richard, 356 Shrinking Island, A (Esty), 448 Steinbeck, John, 333 Silas Marner (Eliot), 164 Stendhal, 131, 147, 459, 465 silver fork novels, 38 The Red and the Black, 131, 459, 465 Simmel, Georg, 411, 418 Stephen, James Fitzjames, 250–251 “Sociological Aesthetics”, 418 Stephen, Leslie, 251, 257 Simple Story, A (Inchbald), 18 George Eliot, 257 Sir Charles Grandison (Richardson), 205, Stephenson, Robert, 398 307, 325 Sterne, Laurence, 24, 100–101, 145, 148, 150, Siskin, Clifford, 104, 107–8, 109 154, 192–5, 202, 214, 216, 220, 225, Sketch Book of Geoffrey Crayon, Gent., The 227, 256, 259, 266, 311 (Irving), 230 A Sentimental Journey Through France and Italy, Sketches by Boz (Dickens), 299 100, 145 slavery and slave trade, 21, 69, 94, 96, 155, 296, Tristram Shandy, 100–101, 145, 153, 315, 389, 396, 461 192–4, 196, 201, 202, 222, 246, Small Island (Levy), 79–80, 333, 427 256, 325 Small World (Lodge), 272, 275–7 Stevenson, Robert Louis, 42, 121, 127, Smiles, Samuel, 415 232–3, 253–4, 294, 331, 346, 362, Smith, Adam, 298, 310, 429 380, 434 Smith, Alexander McCall, 225 Catriona, 380 Smith, Charlotte, 27, 31 “A Humble Remonstrance”, 253–4 Desmond, 31 Kidnapped, 380 Marchmont, 27 The Master of Ballantrae, 380 The Old Manor House, 27 Strange Case of Dr. Jekyll and Mr. Hyde, 121–2, Smith, G. A., 163, 167, 171–2 127–9, 232–3, 294, 346 Grandma’s Reading Glass, 167 Treaure Island, 232, 331 A View Through a Telescope, 167 Weir of Hermiston, 380 Smith, Zadie, 74–6, 237, 272, 281–6, 357, 457 Stewart, Garrett, 159 Changing My Mind, 285–6 Stewart, James, 168 “Love, actually”, 282–3 Stewart, Matt, 146 On Beauty, 272, 281–6 The French Revolution: A Novel, 146 White Teeth, 74–6, 357 Stewart, Susan, 418

0002515133.indd 493 4/15/2015 10:42:36 AM 494 Index

Stoker, Bram, 118, 126, 201, 232, 234, 342, 347, Pendennis, 249, 296–7, 395 396, 448 Vanity Fair, 35, 46, 163, 164, 249, 297, 394 Dracula, 118, 120–128, 182, 201, 232, 234, Thatcher, Margaret, 74, 78, 79 347, 356, 362, 396, 441, 448 theater see drama “Story of a Feather, The” (Jerrold), 416 Thelwall, John, 21 Story of an African Farm, The (Schreiner), 397 Theophrastus of Eresus, 217–18 Story of the Stone, The, 432 theory of the novel see also experimental novel; Strange Case of Dr. Jekyll and Mr. Hyde (Stevenson), moral instruction and didacticism; readers 121–2, 127–9, 232–3, 346 and reading Street of Crocodiles, The (Schulz), 199–200 affect and emotion, 3–4, 11, 28, 92, 94–5, String of Pearls, The, 132 117, 177, 225–37, 246, 262, 342, 349, Structuralism in Literature (Scholes), 273 351–2, 377–8, 392–3, 420, 437–8 Structuralist Poetics (Culler), 273–4 characters, 10–13, 19, 23, 54, 58–60, 93, 96, Structure of the Novel, The (Muir), 256, 257, 263, 463 178–9, 209–23 Stuart, Charles Edward (King James III), 5–6, 41 form, 20–21, 31, 35, 46–7, 56–8, 148, Study in Scarlet, A (Doyle), 347 192–207, 247, 249–50, 252–4, 258–69, Sue, Eugène, 229, 396 273–4, 276–80, 363–4 Les Mystères de Paris, 229 mimesis, 20–21, 38, 61–2, 129, 147–8, Suitable Boy, A (Seth), 434 160–161, 178, 211–13, 217, 243, 247, Summer Will Show (Warner), 78 268, 370, 447, 463 “Surgery for the Novel—or a Bomb” (Lawrence), 260 narration, 14–16, 25, 26, 28, 31, 43, 100–101, Swann’s Way (Proust), 198 146, 149–53, 177–91, 198, 201, 222, Swift, Jonathan, 92, 145, 148, 325 234–5, 260, 268–9, 283–4, 402, 421, 445 Gulliver’s Travels, 92, 145, 148, 325 probability and plausibility, 4, 10–11, 19, 31, A Tale of a Tub, 145 37, 52–3, 58, 89–91, 96, 150–152, 182, Swinburne, Algernon, 253, 396–7 219–20, 241–6, 248, 313, 413 Poems and Ballads, 253 realism, 6, 10, 12, 35–47, 59, 60, 89–101, “To Walt Whitman in America”, 397 117–19, 129, 144–5, 147–8, 205, Symons, Julian, 345, 346 210–211, 216–17, 219–20, 247–54, 263, S/Z (Barthes), 210–211 267, 272–7, 279–83, 285–6, 307, 311, 363, 369, 380, 382, 384, 393–7, 412–13, Tagore, Rabindranath, 464 417, 420, 442–7, 452 Tale of a Tub, A (Swift), 145 relation of novel to romance, 89–90, 103, Tale of the Times, A (West), 30 105–7, 197, 204, 241–5, 252–3, 276, Tale of Two Cities, A (Dickens), 35, 181, 395 308, 311 Tales of All Countries (Trollope), 398, 400, 401 Theory of the Novel, The (Lukács), 463 Tales of the O’Hara Family (Banim), 380 These Waves of Girls (Fisher), 146 Tancred (Disraeli), 249 Things as They Are, or The Adventures of Caleb Tate, Allen, 265 Williams (Godwin), 18, 26–7, 31, 250 “Techniques of Fiction”, 265 Things Fall Apart (Achebe), 334 “Technique as Discovery” (Schorer), 265 Thiong’o, Ngũgı ̃ wa, 431 “Techniques of Fiction” (Tate), 265 Thirlwall, Connop, 327 Tenant of Wildfell Hall, The (Brontë), 249 Thompson, E. P., 78, 97, 464–5 Tennenhouse, Leonard, 429, 437 The Making of the English Working Class, 464–5 Tenniel, John, 163 Whigs and Hunters, 97 Tennyson, Alfred, 400 Thomson, James, 3 “Ulysses”, 400 Thoreau, Henry David, 410 Ternan, Ellen, 300 Thousand Autumns of Jacob de Zoet, The (Mitchell), 427 Tess of the D’Urbervilles (Hardy), 368 1649 (Lindsay), 78 Tempest, The (Shakespeare), 461 Three Men in a Boat (Jerome), 230 Thackeray, William, 35, 36, 46, 163, 164, 205, Three Musketeers, The (Dumas), 258 249–52, 258, 259, 261–3, 268, 293, Through Other Continents (Dimock), 393 296–7, 341, 393, 395 Through the Looking‐Glass (Carroll), 163 Henry Esmond, 35, 37, 38, 41, 44, 46 Tillotson, Kathleen, 39 The Newcomes, 258 Time Machine, The (Wells), 81–2, 148–9, 231–2

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Time’s Arrow (Amis), 156 The Warden, 35, 361, 364–5 Tin Drum, The (Grass), 466–7 The Way We Live Now, 295, 397 To the Lighthouse (Woolf), 153, 264, 418, Trotter, David, 164 420–421, 446–8, 453 Trumpener, Katie, 375, 380, 383, 450 “To Walt Whitman in America” (Swinburne), 397 Turner, J. M. W., 351 Todorov, Tzvetan, 27–8 Turn of the Screw, The (James), 186 Toer, Pramoedya Ananta, 449 Twain, Mark, 164, 457, 459 Tolkein, J. R. R., 77 Life on the Mississippi, 459 The Lord of the Rings, 77 Twilight films, 170 Tolstoy, Leo, 170, 205, 258, 260–262, 269, Two on a Tower (Hardy), 367 365–6, 395, 396 Tyler, Royall, 310, 317 Anna Karenina, 170, 365–6, 396 The Algerine Captive, 310 War and Peace, 258, 262 Tylor, Edward, 369–70 Tom Burke of Ours (Lever), 380 Primitive Culture, 369–70 Tom Jones (Fielding), 4, 9, 10, 15–16, 91, 92, 97–100, 109, 111, 149, 153–4, 181–2, Ugly Americans, 468 194, 197, 201, 204, 244, 256, 267, 319, Ulysses (Joyce), 45, 50, 54, 56–61, 64, 66, 147, 325, 326, 412, 452 153, 157, 165, 195, 199, 202, 235, Tomkins, Silvan, 226 263–6, 307, 332, 382, 421, 434 Tono‐Bungay (Wells), 265 “Ulysses” (Tennyson), 400 Tooke, John Horne, 21 Uncle Tom’s Cabin (Stowe), 164 “Towards a Poetics of Fiction: An Approach “Understanding of Fiction, The” (Ransom), 265 through Structure” (Bradbury), 273 Unfortunates, The (Johnson), 199 Tragic Muse, The (James), 258 Union of Ethical Societies, 61 Traits and Stories of the Irish Peasantry (Carleton), 380 “Unknown Public, The” (Collins), 137 travel narrative, 96, 182, 295, 388, 397, Unto This Last (Ruskin), 36 399–402, 466 Untouchable (Anand), 50, 56, 64–6 Treasonable Practices Act, 21 Treasure Island (Stevenson), 232, 331 Valmouth (Firbank), 50, 52–3 Treatise of Human Nature, A (Hume), 3, 4 Van Ghent, Dorothy, 257, 266 Tree of Codes (Foer), 146, 199–200 “Dickens’s World: The View from Todgers’s”, 266 Trench, Richard, 369–70 The English Novel: Form and Function, 266 Tressell, Robert, 135 Vanity Fair (Thackeray), 35, 46, 163, 164, 249, The Ragged‐Trousered Philanthropists, 135 297, 394 Trilby (du Maurier), 163, 234 Vanity of Human Wishes, The (Johnson), 3 Trilling, Lionel, 257, 266, 280 van Leeuwenhoek, Antonie, 162 Matthew Arnold, 257 Varney the Vampire (Prest), 134, 229 Tristram Shandy (Sterne), 100–101, 145, 154, Vermeule, Blakey, 15, 212 192–4, 196, 201, 202, 222, 246, 256, 325 Verne, Jules, 399 Trollope, Anthony, 35, 37, 40, 229, 249, 251–3, Vertigo (Hitchcock), 168–9 295, 301, 329, 361, 364–6, 369, 381, Vertov, Dziga, 160 393–8, 400–403, 417 Victims of Prejudice (Hays), 25 Autobiography, 253, 400–401, 417 Victorian Geopolitical Aesthetic, The (Goodlad), 394 Barchester Towers, 35, 37, 41, 45–7, 365, 394 View Through a Telescope, A (Smith), 167 Castle Richmond, 381 Villette (Brontë), 35, 37, 41, 44, 329, 383 Doctor Thorne, 35, 400 Vindication of the Rights of Men, A (Wollstonecraft), 22 The Eustace Diamonds, 397, 401 Vindication of the Rights of Women, A Framley Parsonage, 401 (Wollstonecraft), 21, 23, 25 “George Walker at Suez”, 400–403 Virgil, 57, 227 He Knew He Was Right, 395 “Visit to the Suez Canal, A” (Wyllie), 387–8, “John Bull on the Guadalquivir”, 401 398–402 The Kellys and the O’Kellys, 381 “Visual Pleasure and Narrative Cinema” The Macdermots of Ballycloran, 381 (Mulvey), 169 The Prime Minister, 395–6, 398 Viswanathan, Guari, 431, 461 Tales of All Countries, 398, 400, 401 Vitulus Aureus: The Golden Calf (Philander), 152–3

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Vivre sa vie (Godard), 171 West, Jane, 29, 30 von Goethe, Johann Wolfgang, 58, 458–9, 462, 469 A Gossip’s Story, 30 Faust, 58 A Tale of the Times, 30 Goetz von Berlichingen, 459 West, Nathanael, 164 Wilhelm Meister’s Apprenticeship, 458 The Day of the Locust, 164 Voyage in the Dark (Rhys), 50, 68–70 West, Rebecca, 257 Voyage Out, The (Woolf), 53–4, 68, 420, 448 West, Richard, 325 Voyeurs, The (Bell), 170–172 We, the People of Europe? (Balibar), 391 Vranjes, Vlasta, 443, 447 What is World Literature? (Damrosch), 457–8 What Maisie Knew (James), 162 Wales and Welsh literature, 374–5, 378, Wheatstone, Sir Charles, 162 381–2, 453 When I’m Old (Bell), 171 Walking in the Shade (Lessing), 464 When We Were Orphans (Ishiguro), 431, 438 Walkowitz, Rebecca, 449 Whigs and Hunters (Thompson), 97 Walpole, Horace, 103, 114, 118, 126, 182, White, Gilbert, 367 311–13, 319, 458 Selbourne, 367 The Castle of Otranto, 114, 118, 122, 123, 182, White Teeth (Smith), 74–6, 357 311–13, 324, 458 Whitman, Walt, 61, 397 Walters, Minette, 346 “A Passage to India”, 61 War and Peace (Tolstoy), 258, 262 Wicke, Jennifer, 434 Warden, The (Trollope), 35, 361, 364–5 Wide Sargasso Sea (Rhys), 431 Ware, Chris, 145 Wild Irish Boy, The (Maturin), 378 Jimmy Corrigan: The Smartest Kid on Earth, 145 Wild Irish Girl, The (Owenson), 377–8 Warhol, Robyn, 180 Wilde, Oscar, 52, 53, 57, 117, 118, 127, Warner, Sylvia Townsend, 78 131, 232 Summer Will Show, 78 “The Birthday of the Infanta”, 131 Warner, William, 96 The Importance of Being Earnest, 53 War of Austrian Succession, 5 The Picture of Dorian Gray, 118, 121, 122, 127, War of Jenkins’ Ear, 5, 8 232, 234 War of the Worlds, The (Wells), 231 Salomé, 118, 121, 123–5, 127 Waters, Sarah, 237, 413 Wilhelm Meister’s Apprenticeship (Goethe), 458 The Little Stranger, 413 Williams, David, 293–4 Watt, Ian, 18, 38, 93, 95, 103–4, 106, 108, 147, Williams, Raymond, 40, 78, 382 257, 267, 275, 306–8, 369, 429–30, 443, People of the Black Mountains, 382 451, 452 Wilson, Edmund, 265–6 The Rise of the Novel, 267, 306, 451 The Wound and the Bow, 265–6 Waugh, Evelyn, 256, 341, 353 Wilson, Woodrow, 390 Scoop, 353 Wimsatt, W. K., 234 Waverley (Scott), 38, 209–10, 212, 377, 378–80, Winterson, Jeanette, 236, 237 442–5, 449–50 Oranges are Not the Only Fruit, 236 Waves, The (Woolf), 194, 202, 263, 421 Wise Virgins, The (Woolf), 419, 420 Way We Live Now, The (Trollope), 295, 397 Wittgenstein, Ludwig, 215–16 Weber, Max, 234, 457 Brown and Blue Books, 215–16 Webster, Hannah, 310 Wives and Daughters (Gaskell), 364, 367 The Coquette, 310 Wodehouse, P. G., 230, 234, 346 Weir of Hermiston (Stevenson), 380 Wollstonecraft, Mary, 21, 22–6, 30, 31, 130 Weird English (Ch’ien), 157 Maria; or, The Wrongs of Women, 26, 31 Wells, H. G., 81–2, 148, 164–5, 231–2, 257–60, A Vindication of the Rights of Men, 22 262, 265–6, 274 A Vindication of the Rights of Women, 21, 23, 25 Boon, 259 Woman, in Her Social and Domestic Character “The Contemporary Novel”, 259 (Sanford), 109 The Island of Doctor Moreau, 82, 83 Woman in White, The (Collins), 35, 36, 46, 201 The Time Machine, 81–2, 148–9 Woman Who Did, The (Allen), 233 Tono‐Bungay, 265 Women in Love (Lawrence), 235 The War of the Worlds, 231 Women of England, The (Ellis), 415

0002515133.indd 496 4/15/2015 10:42:37 AM Index 497

Wonderful Adventures of Mrs. Seacole in Many Lands, World War I, 51, 52, 54–5, 60, 67–8, 79, 118, The (Seacole), 397 122, 187, 236 Wood, Mrs. Henry, 230, 231 World War II, 51, 52, 77–80, 237, 279–81 Wood, Sir Charles, 389 Wound and the Bow, The (Wilson), 265–6 Woolf, Leonard, 419, 420 Wright, Patrick, 77–9 The Wise Virgins, 419, 420 Wuthering Heights (Bronte), 164, 186, 201, Woolf, Virginia, 42, 50, 53–6, 60, 61, 66–8, 78, 215–16, 222, 249, 264–6 147–9, 153, 156, 164–5, 172, 194, Wyllie, John William Shaw, 387–8, 398–402 201–4, 212, 221, 235, 257, 258, “A Visit to the Suez Canal”, 387–8, 398–402 260–265, 269, 274, 279, 280, 341, 350, Wyndham, John, 348–9 414, 418–22, 430, 434, 446–50, 453, The Day of the Triffids, 348–9 463, 464, 466 Between the Acts, 279, 421 Years, The (Woolf), 421 The Common Reader, 212, 264 Yeast (Kingsley), 35 Jacob’s Room, 54–6 Yeats, William Butler, 118, 381 To the Lighthouse, 153, 264, 418, 420–421, “Younger Generation, The” (James), 258, 259 446–8, 453 Young, G. M., 34 “Modern Fiction”, 262–3 Young, Robert, 127 “Mr. Bennett and Mrs. Brown”, 42, 262–3, 466 Young Visiters, The (Ashford), 112 Mrs. Dalloway, 54–56, 66–9, 147, 153, 194, 202, 221, 235, 350, 419–20, 422, 430, Zangwill, Israel, 233, 357 446, 447, 453 Children of the Ghetto, 357 The Voyage Out, 53–4, 68, 420, 448 Merely Mary Ann, 233 The Waves, 194, 202, 263, 421 Žižek, Slavoj, 169, 285 The Years, 421 Zola, Émile, 45, 147–8, 152, 253, 258, Wordsworth, William, 107, 246 394, 417 “Work of Art in the Age of Mechanical The Experimental Novel, 147–8 Reproduction, The” (Benjamin), 165 “Naturalism on the Stage”, 147–8

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