DOCSLIB.ORG

Theatres Performers Really the Stage Rhene Rnmrblfl Inil 3707 Ml

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theatres Performers Really the Stage Rhene Rnmrblfl Inil 3707 Ml B-10 **THE EVENING STAR, Washington, D. C. AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. TUESDAY. JUNE 23, 1933 The Passing Show 'Merry Widow' Looks Better Under a Moon in a Park cartoons! CO MED I By Jay Carmody ES! “The Merry Widow’s” ceaseless march through the twentieth 600tY... century brought her to Rock Creek Park last night, the second offering in Washington Festival’s summer operetta series. There, POWYt...HYIW>TWWU in the moonlight and at distances greater than those from which it normally is viewed, the lively relic of Franz Lehar looks better lILOREN 354 than one remembers. Sounds better, The too. dra- ‘THE MERRY WIDOW.” produced by matic is that for all the Washington Festival, Inc., music by fact Franz Lehar. book by Victor Leon and thousand times one may have Leo Stein. English adaptation by George Edwardes. staged by Arthur Sicom. set- heard “Villia," Carter Barron tings designed by Albert Johnson, music ampitheater is the setting for it. under the direction ot Jay Chernis. Choral direction by Boris Kogan, RNED THE choreography staged ON Lehar’s “witch wood” in by Kelly, en- i of the Fred city’s tire production under the supervision of the loveliest slice of real Constance Bennett. At the Carter Bar- estate and the voice of Irra Pet- ron Amphitheater. E j tina is by no means the crone The Cast. she has Popoff Malcolm Bens seemed to be in an end- Natalie Gabrielle less series of roofed productions. Prince Dantlo Robert Bhaefer Danilo In Ballet Sequence w <, : -:v.v There’s authentic witchery _ . Jack Kauflin Sonia irra Petina about her and if the operetta Camille dejolidon Robert Watts it Marquis Csscada Jack Leon has no other surprises, which Raoul de St. Brioche A1 Kuns does not, this is one for the RhadJa _ Loney Lewis Melltza Ellen Kampman LAWLESS! memory book. Nova Korich . Ernest Sarracino Olga Dorothea MacParland NO It is a good singing company Nish Bill Sully COVER CHARGE CONDITIONED Servant Darrell Flaherty Miss Constance Bennett has as- Heedwalter *v^/ Bill McDonald sembled to go with Miss Pettina Zo-Zo Sonia Levkova 10-Lo Joan Sandes and they give Lehar’s album of familiar music the works. More- over, unlike “Showboat.” the divert attention from the brain- second production in the series lessness of the operetta's plot. provides Choreographer Fred Neither this inspiration, nor MRS. HOUDINI—In Paramount’s film biography of the great Films of More Than Routine Merit Kelly occasion to enliven the Arthur Sircom’s resigned direc- magician is Janet Leigh, husband, Tony Curtis, plays show with dancing. tion actually anything whose “THE BAD AND THE BEAUTIFUL,” Kirk Douglas as an amoral achieved the title role in “Houdini.” The film will be the next attrac- movie-maker. Kelly is one of the enterprise’s like this result, naturally. tion at the Ontario. “CALLME MADAM,”Ethel assets that was largely hidden in Merman in a fine film version of her stage hit. the opening production. This angel? She played '’Oklahoma!” “COME BACK, LITTLE SHEBA,” stunningly acted by Shirley should not be allowed to happen Booth, again for it is his inspiration on the stage here and now is “HIGH NOON,” with Gary Cooper’s Academy award-winning Hollywood In “The . Diary Great Waltz.” And of the that puts considerable performance. merriment and grace into the Doris Day needs a tall hand- appearance. Sinatra Has His Troubles some singer for “Lucky Me.” So “KINDHEARTS AND CORONETS,” deftly played by Alec Guinness. widow's latest “MOULIN ROUGE,” colorful of his *** * how about Danny Scholl? recall Toulouse-Lautrec and With the times. Swedish Press Now 1 found on Nothing, of course, can ever Howard Keel the “SUDDEN FEAR,” Joan Crawford vs. a murder-bent mate. the impression that —By Sheilah Graham —— ¦ verge of exhaustion at Metro. eliminate “ “TITANIC,” Barbara Stanwyck, Clifton Webb and disaster at sea. my I Widow” is the ‘Kiss Me Kate’ is sixth I “The Merry HOLLYWOOD. With gBeXTRA<. Tony Owen going to picture since last June,” Howard mother of all the mongoloid Frank Sinatra carried on fit Africa to “Duel in 2**"® 5’- 4?! THE VILLAGE comedy that shoot the groaned, “and 3-D is murder.” i •REED TParking1 Space. ¦"•VAir Cond- ISSbS^Si idiot musical plots to beat the in He Jungle, “look a an- -BTEWART GRANGER JEAN BIM- IDA LUPINO In "BEWARE MY band Sweden. for sad He won’t get a after Va. I LOVELY." St 6:3‘>. 0:48: YVONNE persisted through the first four to pose at nouncement from rest until MONB. “YOUNG BESS.” Color by I refused for pictures wife Donna “Rose Marie” and “Sobbin’ 9-9909 Technicolor. DeCARLO In "FRONTIER GAL." at decades of this century. the Stockholm airport, fooled the Reed. This is what them 7:49. broke Women” are & ,2,h It is a tissue of spectacular press by going to a ho- up the , completed. SL VTRRHffh Memorial Blvd. Ut St. j N w:E different last time. ** * * TIRUMIAKl. 9-6133. Air Cond. newton A. 6*;;?; ' which not the out CLARK f inanities even tel. ordered photographers Jerry Wald gets to his Colum- CLIFTON WEBB. BARBARA 6TAN- | GABLE. GENE TIERNEY most of theater in Arlene Dahl solos East. Fer- WYCK. ‘"TITANIC." In "NEVER LET ME GO.” at 6:00, dullest and conscientious the Malmo and bia office at 6 every morning and 7:48, 0:36. follow. They then left in a huff be- nando Lamas has to remain here fairlinaton, Va. AirCond. Theatres performers really the stage rhene rnmrblfl Inil 3707 Ml. Vernon Ava. doesn’t leave much before 9 p.m. Fm Parking. VFMfrilf |. rightly that it is fore finishing the show there. to do Treasure of the something Ts 4.1000. tuuiuii A x Va K , 9. 2424 have assumed Take is easy, boy. GREGORY PECK. SUSAN HAY- CLARK GABLE. explains or other for Pine-Thomas. WARD. "SNOWS OF KILIMAN- GENE TIERNEY the Lehar score that Red Skelton’s deal with CBS- JARO," by Conditioned in "NEVER LET ME GO.’’ at 6:00, Mifckey Rooney and Color Technicolor. the longevity of “The Merry TV allows him to film 10 com- Eddie Talking with Mrs. Merian Air 7:40. 0:25. Bracken will team up for 18*h nr. R. Ava. Widow,” plus, of the sen- plete shows, with six-minute film Fred Cooper, she told me her lovin’ SHIRLINGTON JUaLJFXSF I. N.E. course Finklehoffe’s Broadway play, Alexandria-Arlington, LA. 6-3112 inserts in the other . no intention what- l«fw«llo», CLARK GABLE. GENE TIERNEY. RANDOLPH SCOTT timentality of the human species., 29. Jean husband has in "CAPTAIN celebrating “Ankles Away.” Freddie is here of leaving cinerama ‘NEVER LET ME GO." KIDD.” at 7:00. 9:40; "TROMBA So, they sing the songs and Hersholt is 17 con- ever the ,3 WU THE TIGER MAN.” Featuring tha polishing the script. Krone Circus, at ad lib an approximation of the secutive years with “Dr. Chris- setup. That seems only fair. GEORGETOWN iV 4 e,«* Healthfully 6:00. 8:40. Barbara Community book and the operetta lives tian” for the same SDonsor, on Stanwyck is far from Meriana started it. Cinerama’s "The Art Cinema” Bernheimer's SUPER CHIEF day set for “Three big project Air Conditioned DRIVE-IN happily ever afterward. the same and at the same Coins in the next will be “Seven SUSAN A GEORGETOWN Scoop. Limited En- Open 7:30. Double Feature. CLARK time, without missing a single Fountain.” “The only two signed Wonders of the World.” gagement of DASHIELL HAMMETT'S GABLE and GENE TIERNEY in As matter of fact. Choreog- STARTS TOMORROW Classic “Who-Dun-It!” "NEVER LET ME GO." at 10:50: a week. This, my friends, are * Louis JANE RUSSELL is Clifton Webb and Louis takes a first try at . 10;4S A.M. iSfPJI In “MONTANA rapher Kelly inspired ad- Irene Dunne’s TV DOORS OPEN t Paul ‘THE MALTESE FALCON” BELLE" (Technicolor!, at 9:00. record. Jourdan—with possibly Vittorio rVLLLT Lucky Tag vantage this practice in the ended disastrously. She’s trying Starring Night. You May Be tha of J. Carrol Naish says he’s been Gassman.” Siegel production. He interpo- Producer Sol again, however, with a new dra- = = HUMPHREY BOGART current getting 10.000 letters a week urg- tells me. Most of the picture RKOKEITH’Sa MART ASTOR. PETER SYD- will matic series of film. But Irene LORRE.Open lates a dream waltz into the ing him to return to the air be made in Hollywood instead NEY OREENSTREET. Doors 5:45 Arlington-Falls Church, Va. of never has to worry about dough, P.M. Feature at 6:00. 8:00. 10:00 PM. opening act that provides the again “Luigi.” might—- JA. 7-4260 with He Rome because of the mounting she’s of the wealthiest gals FREE PARKING! latest “Merry Widow” with one but radio only. of foreign one on cost production. in town. Arli THE RYRO CINEMA of its more lively interludes. John Lund isn’t making any AIRPORT DRIVE IN T ;ftS> 191 8. Wayne St. Johnny Ray is madder than a * 0 Winner Academy Plastic surgery do no movies now, because won’t The final blow-up on “Ele- •LAST W "NEVER LET ME GO.” CLARK GABLE. of Six Awards could he nest of dislodged over DAY- GENE TIERNEY, at 0:05; Plus "RED if hornets phant Walk” came when the “THEBAD ANDTHE more, as much. lower his price. He doesn’t have the postponement of No HUNNICUTT^ SECOND" SNOW.” GUY MADISON, at 10:55. Car- ** * * “There’s trainer warned the assistant di- I toon Located In Arlington on U.
Load more

Recommended publications
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Printable Schedule
    Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins
    [Show full text]
  • Marvin A. Chirelstein
    Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2016 In Memoriam – Marvin A. Chirelstein Barbara Aronstein Black Columbia University Law School, [email protected] Stephen B. Cohen Michael J. Graetz Columbia Law School, [email protected] Roberta Romano Carol Sanger Columbia Law School, [email protected] See next page for additional authors Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Law Commons Recommended Citation Barbara A. Black, Stephen B. Cohen, Michael J. Graetz, Roberta Romano, Carol Sanger & Robert E. Scott, In Memoriam – Marvin A. Chirelstein, 116 COLUM. L. REV 287 (2016). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2 This In Memoriam is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. Authors Barbara Aronstein Black, Stephen B. Cohen, Michael J. Graetz, Roberta Romano, Carol Sanger, and Robert E. Scott This in memoriam is available at Scholarship Archive: https://scholarship.law.columbia.edu/faculty_scholarship/2 COLUMBIA LAW REVIEW VOL. 116 MARCH 2016 NO. 2 IN MEMORIAM THE INCOMPARABLE MARVIN: AN APPRECIATION BarbaraAronstein Black* Marvin Chirelstein was my good friend long before he was my colleague, and Ellen is one of my closest friends-it's a friendship that's lasted through oh! so many ups and downs for all of us for oh! so many years. As a sign of how good a friend I considered Marvin, I will report that he is the only person I have ever permitted to call me Babs! Now Marvin and I did of course become colleagues-at Yale for a while, and at Columbia for almost 30 years.
    [Show full text]
  • The Per Niente Per Niente Club Septembre 1, Due Mila Cinque Volume 1, Issue IX Editor Joe Di Leo
    The Per Niente Per Niente Club Septembre 1, due mila cinque Volume 1, Issue IX Editor Joe Di Leo Richard Conte (March 24, 1910 – April 15, 1975) Inside this issue: was an American actor who appeared in films such as I'll Cry Tomorrow and The Godfather. Bread and Onions 2/3 He was born Nicholas Conte in Jersey City, New Jersey, the son of a barber. Mrs Calabash 3 In 1935, Conte was spotted by Elia Kazan and John Garfield when he was working as an entertainer at a Connecticut resort, which led to Conte finding Roy Campanella 4/5 stage work. Conte eventually earned a scholarship to study at the Neighborhood Playhouse in New York, where he became a standout actor. The 5' 8" Maggiore’s Corner 6 Conte became a Broadway actor in the late 30s, starring in such plays as Night Music and Walk Into My Parlor. That lead to his first film performance in 1939, Heaven with a Barbed Wire Fence. Letter’s to the Editor 7 In 1942 he signed a long-term contract with 20th Century Fox. He then changed his The Journey Over 8/9 stage name to Richard. His first film at Fox was Guadalcanal Diary (1943). During the World War II years, Conte played mostly soldiers in war dramas, including A Walk in the Sun (1945). Spiegelman on Golf 10/11 During the World War II years Conte appeared in such Fox crime dramas as Cry of the Grandpa 12 City and Call Northside 777 (both from 1948). In the early 1950s, Conte, now not Pictures 13 working for Fox, began appearing in films for various studios.
    [Show full text]
  • Notes for Where the Sidewalk Ends
    IAP Film Series, January 2012: Five Émigré Directors and the Rise of Film Noir SCREENING #6: Where the Sidewalk Ends (96 minutes) Production Company Twentieth Century Fox / Produced by Otto Preminger US Release 7 July 1950 (New York) Director Otto Preminger: He was born in 1905, probably in a Ukrainian region of the Austro- Hungarian Empire, but possibly in Vienna; his family were middle-class Jews. His father became a leading prosecutor for the government, and the family relocated to Vienna in 1915. Otto studied law at the University of Vienna and got his degree in 1928; but by then he had begun a career in the theater, at first under the tutelage of Max Reinhardt. Starting as an actor (of moderate success), he moved into directing and also directed a few German-language films in the early 1930s. In 1935 he was invited by producer Joseph Schenck to come work at Fox in the USA, to which he agreed. Arriving in New York in 1936, he stopped off to direct a play, then went on to Hollywood. His work at Fox came to an abrupt halt in 1938, when he was fired by Zanuck while directing the “A-List” film Kidnapped. So he studied English and resumed a career directing plays in New York and elsewhere. He was called back to Fox in 1942, originally to act in various films. In 1944 he was hired by Zanuck to produce the controversial film version of Laura, eventually becoming its director. The success of this “scandalous” film noir led to his being hired to direct (and often to produce) 13 more films at Fox—the fine film Where the Sidewalk Ends being the next to last.
    [Show full text]
  • October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
    October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin.
    [Show full text]
  • Preminger at Fox
    PREMINGER AT FOX tto Ludwig Preminger was born on Dec- stance, all five films have the look and feel of his name kind of gets lost in the shuffle, which ember 5, 1905. In his late teens, he was noir, they’re all very much of a piece and they’re is a shame, since he was a very talented com - Omentored by the legendary theatre direc - all brilliantly directed. poser. tor, Max Reinhardt, and then began his young life in the theater. In 1935 fate came calling in First up on CD 1 is Fallen Angel (1945), based No Preminger at Fox collection would be com - the person of producer Joseph Schenk, who, on the novel by Marty Holland (who turned out plete without the film that started it all – Laura , with his partner Daryl F. Zanuck, were looking to be Mary Holland). The film starred Dana An - Preminger’s 1944 classic. There’s really no need for new talent to bring to Twentieth Century-Fox. drews, Alice Faye, Linda Darnell and Charles to write about that film or score – its place in the The meeting obviously went well, since Pre - Bickford. Fallen Angel has all the classic noir in - pantheon of classic noir is no secret and the bril - minger was immediately signed to work for Fox. gredients – a down-at-the-heels drifter, a sultry liance of its David Raksin score has been written siren that men will do anything for, an innocent about many times – in fact, we refer you to Julie Thus began his tenure at the studio, where he nice girl, a tough cop, and various other arche - Kirgo’s excellent liner notes for our release of the directed some low budget features.
    [Show full text]
  • Tgjlipjbm’S Biggest
    ! AMTSEMEVTS. * Drama News and Reviews Hollywood Diary E&S! || ■■■■-...... ■ ■ ..'By Shellah Grohom HOLLYWOOD conveniently for his stuaio. He parts, regardless of whether they /The Great Train Lamarr tells me that she didn't come Robbery' Hedy down with it until the are big or small. My role in ‘Mr. and Herbie Klotz have been look- day after he finished ‘‘To Please and Miss Anonymous’ is not very Started a ing at houses in the Long Island A Lady.” big, but I hope it’s good, and I Lasting area. "Because, if I make up my Kathryn Grayson expects to is think Cycle hope my policy good.” I _ By Horry MocArthur mind to say yes. I’ll marry him; I leave the United States, around it is. will, of course, live in the East the middle of July. "It's the Janet STARTS This business of re-releasing hit movies of the only Leigh, the busiest gal in past—revival is with after I can a word him,” says Hedy, who. way get rest,” Kathy tells town, has snagged the lead with 0 which makes the film people cringe—has dredged up some a three-week vacation with her me between Charleston takes with Mario Lansa in "The Life of curious items. The most curious, it can be scarcely denied, are those children at to Lake Tahoe, flies Van Johnson on the set of Caruso This sounds like a post- that have turned up in the living rooms by way of television, but a New York and Easthampton for “Grounds for Marriage.” “If I ponement of her RKO picture, fascinating prospect for the theaters of the land is being mentioned the summer, and I’ll take stay in this country, someone will "Two Tickets to _TODAY in Hollywood right now.
    [Show full text]
  • Evil in the 'City of Angels'
    Visit Our Showroom To Find The Perfect Lift Bed For You! April 24 - 30, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 W L M C A B L R G R C S P L N Your Key 2 x 3" ad P E Y S W Z A Z O V A T T O F L K D G U E N R S U H M I S J To Buying D O I B N P E M R Z Y U S A F and Selling! N K Z N U D E U W A R P A N E 2 x 3.5" ad Z P I M H A Z R O Q Z D E G Y M K E P I R A D N V G A S E B E D W T E Z P E I A B T G L A U P E M E P Y R M N T A M E V P L R V J R V E Z O N U A S E A O X R Z D F T R O L K R F R D Z D E T E C T I V E S I A X I U K N P F A P N K W P A P L Q E C S T K S M N T I A G O U V A H T P E K H E O S R Z M R “Penny Dreadful: City of Angels” on Showtime Bargain Box (Words in parentheses not in puzzle) Lewis (Michener) (Nathan) Lane Supernatural Place your classified Classified Merchandise Specials Solution on page 13 Magda (Natalie) Dormer (1938) Los Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Tiago (Vega) (Daniel) Zovatto (Police) Detectives Midlothian Mirror and Ellis Evil in the Peter (Craft) (Rory) Kinnear Murder County Trading1 Post! x 4" ad Deal Merchandise Word Search Maria (Vega) (Adriana) Barraza Espionage Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘City of Angels’ for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com Natalie Dormer stars in “Penny Dreadful: City of Angels,” All specials are pre-paid.
    [Show full text]
  • Queer Affluence, Popular Media, and the Matter of the Openly Gay Spokesperson
    Queer Affluence, Popular Media, and the Matter of the Openly Gay Spokesperson A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy By Owen L. Pillion Dr. Michael J. Porter, Dissertation Supervisor August 2007 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled QUEER AFFLUENCE, POPULAR MEDIA, AND THE MATTER OF THE OPENLY GAY SPOKESPERSON Presented by Owen L. Pillion, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________ Professor Michael J. Porter ________________________________________ Professor Elisa Glick ________________________________________ Professor Mitchell McKinney ________________________________________ Professor Jennifer Aubrey ________________________________________ Professor Andrew Hoberek ACKNOWLEDGEMENTS I would like to sincerely thank my advisor, Dr. Michael J. Porter for his advice, guidance, direction and endless enthusiasm for my project on queer affluence. His positive attitude, willingness to quickly turn around draft copies, and gentle nudges were invaluable in helping me complete this project. His support for my work has never wavered, and I am truly grateful that he has been my advisor throughout my doctoral program. I have learned to be a better writer and teacher because of his passion for media communication. I gratefully acknowledge all the members of my committee who have given their time to read this manuscript and who have also offered valuable advice during my graduate career at The University of Missouri. Elisa Glick has served as a major mentor and role model for me.
    [Show full text]
  • Luxurious Lather"
    _AMUSEMENTS_ __AMUSEMENTS interest at 20th Century-Fox for with seating capacity for 18 Riddell Will Conduct has loaned i his Lord Byron property. If Cornel Howard Hughes Ty Indictments Charge navigator and co-pilot from TWA Southeastern U. doesn’t make this one soon, I’ll which heaven be t It Choir This new plane is owned by 20th praised was C. E. Riddell, director of three scream. So will Cornel. He won’t Century-Fox. very uncomfortable this year In the choral con- Shrine Auditorium. Hiere may be t*99AH^ D. C. Man Defrauded 4 Washington groups, will be happy until he does it. Cyd Charisse, by the way, seems duct the Southeastern a cocktail party next year at the 44, of the 1600 block University * * * * to be sharing the ubiquitous Mr n i ng Joseph Pacyna. Choral Society this fall and winter. Ambassador Hotel instead, with the I was Hughes with Jean Peters. of S street N.W. indicted yes- Angela Lansbury is another Hol- awards announced at the end of It. The choral society will sing at Joan Crawford’s Petei on charges of defrauding four ex-escort, (RtlenwJ by NANA) The Newest—The Largest—The Clesest terday 9:30 pm. on the following dates, lywoodite trekking to Broadway for District residents of $477 with tales Shaw, will be dropped at Metre according to Margaret F. a play this coming season. boat and a Morgano, when his next option comes around of a Florida fishing the friend is not secretary of society: September Jimmy Stewart's girl was ii THEATER Scotch sale in Baltimore.
    [Show full text]
  • The Culture of Queers
    THE CULTURE OF QUEERS For around a hundred years up to the Stonewall riots, the word for gay men was ‘queers’. From screaming queens to sensitive vampires and sad young men, and from pulp novels and pornography to the films of Fassbinder, The Culture of Queers explores the history of queer arts and media. Richard Dyer traces the contours of queer culture, examining the differ- ences and continuities with the gay culture which succeeded it. Opening with a discussion of the very concept of ‘queers’, he asks what it means to speak of a sexual grouping having a culture and addresses issues such as gay attitudes to women and the notion of camp. Dyer explores a range of queer culture, from key topics such as fashion and vampires to genres like film noir and the heritage film, and stars such as Charles Hawtrey (outrageous star of the Carry On films) and Rock Hudson. Offering a grounded historical approach to the cultural implications of queerness, The Culture of Queers both insists on the negative cultural con- sequences of the oppression of homosexual men and offers a celebration of queer resistance. Richard Dyer is Professor of Film Studies at The University of Warwick. He is the author of Stars (1979), Now You See It: Studies in Lesbian and Gay Film (Routledge 1990), The Matter of Images (Routledge 1993) and White (Routledge 1997). THE CULTURE OF QUEERS Richard Dyer London and New York First published 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.
    [Show full text]