"IISW- Matinee, Adults 74C; Night, $1.00

Total Page:16

File Type:pdf, Size:1020Kb

Thursday Afternoon, PAGE TWO TIIE WAYNESVILLE MOUNTAIN October AT Mrs. Felix Stovall and her sis- Mrs. Fitzhugh Shapter, who ha At Tho Park Sun., Mon., and Tucj Clyde Mason To Ashe-vilj- Tues. ter, Mrs. T. A. Bryson of e- spent the summer at her home in At Strand Sun Mon. and left Monday for Durham Hazelwood. left yesterday for Wash- Get 33rd Degree where they ate spending tins week ington. D. C. Edwin of Clyde will re- Fincher FOR RENT-o- T" ceive thg 33rd degree o Masonry ..., . i. a ceremony Friday night in Ra;(ll in able. Call n90-- Washington, D. C. ' He was elected by the Supreme Council at the biennial session of WAYNESVILLE the order, which is currently-observin- Its 150th anniversary. - 17 CHILDREN UNDER 12 , I THE GREEN ROOM SA ADMITTED FREE s Show Starts At 6:13 P.M. m O FRIDAY, OCT. 1!) Back-to-bac- Randolph teamed in Ml Aoes David Brian and Scott are "Fort Worth " Warner Bros.' frontier story in color by Technicolor; "YOUNG DANIEL BOONE" which begins its local engagement at the Slrand Theatre on Sun- (In Cine-color-) day, Phyllis Thaxter supplies the feminine interest in the film. Starring DAVID II RITE and KRISTINE MILLER Iron Duff CDP Large Number 5 Cartoons and Comedies Attends Reunion A classic love story David and . Bathshcba. one of the Immortal Meets Monday love pairs of history, as portrayed by Gregory Peck and Susan Hay-wa- rd one twenty Around hundred and. in '""'avid and Bathsheba,'Te'hnicoloied Twentieth Century-Fo- x Iron Duff Community will meet relatives and friends attended the SATURDAY, OCT. 20 spectacle at the Park Theatre' Sunday, Monday and Tuesday, Monday night at 7:30 p. m. at the family reunion held recently at the 21, 22 23, join, the of lovers immortalized, oai stage Antioch Baptist Church, Jarvls home of Mr. and Mrs. A. L. Yar-borou- Oct and ranks COWBOY' Caldwell today. Wayne ' and screen. Among them: Romeo and Juliet, Antony and Cleopatra, 'THE REDHEAD AND THE announced in Rogers Cove. ' Corpenlng wifl be present for a The program included special Camille and Armand, Samson and Deulah, Starring ' discussion of projects for the WNC music and talks by visiting min- - Community Development contest ; ,.' GLENN FORD and RHONDA FLEMING Isters. :. Dnlhslieha Celurns To he SUNDAY, OCT. 21 itPLEASE BELIEVE ME PARE(THEATSIE Dathitib As Susan Ilayuard j ! Starring PROGRAM After a span of 2950 years; the Snow ; . i MISS JACKSON AT HOME .J WALKER Biblical siren Bathsheba is back at DEBORAH KERR and ROBERT FRIDAY, OCT. 19 her bath again, and. the movies Miss Alma Jackson, who has been long fam- e, News and Cartoon 'SECRET OF CONVICT LAKE' boast another in a line of a natient at Mission Hospital, Ashe-vill- ous bathtub scenes. The charmer, returned to her home Sunday. ': Starring , whose love affair with King David be She is reported to much better -- : Variety; ;. 22-2- began with her bathing in view of MONDAY - TUESDAY. OCT. 3 GLENN FORD - GENE TIERNEY but will be confined to her home VMT the royal palace, thus changing the this week. ffp'j' course of world history, once more 'ROGUES OF SHERWOOD FOREST" SATURDAY, OCT. 20 was attended by Nubian slaves for Starring her ablutions as pictured in "David cameras did and the audience does DOUBLE FEATURE and Bathsheba," Twentieth Centur- m the finished picture. and 1)1 ANN A LYNN : l JOHN DLREK y-Fox's new Technicolored spec- And f :rmNt!, Cartoon and Comedy tacle starring Gregory Peck and ! Susan Ilayward. "UNDER THE ' W The Park Theatre scheduled the WEATIIERSTRIPPING ..... film for Sunday, Monday and Tues- lor vour windows and. doors. ' kmm day;' Kxperlly installed by our skilled MIAN 'For the filinltiR of the important Mechanics. Kasy terms If desired ,i m H BIG TOP" M'LANE incidentwhich is' adapted from the Second Book of Samuel of the Old INSULATION a Testament, Director Henry KiriK I.dt us blow Gold Bond Rock Wool Starring had' Miss Hay ward bathe standing into the side walls and attic ol' up in a tub. your home. Reduce your fuel bill Fifty special studio guards were by as much as 40 Ve. Kasy terms for TONIGHT - FRIDAY MAIUORIE MAIN vour convenience. Mi assigned to keep unauthorized per- RICHARD CONTE - HENRY HULL sonnel away, while on the set an n JACK LaRUE unprecedented number news Prolex Weatherstrip of mkmiur men and photographers gathered. And Screen Co. 'THE HOLLYWOOD STORY1 to Theif numbers had be restrict C Central Ave. Phone . , , i ed and" photographs pooled to j. their Asheville, N. C. " ' suvequity foe all. At all limes. D. Marcus Ward i SATURDAY ONLY however, great' care was exercised Sales Representative LATE SHOW to make certain that the onlooker; P. O. Box 541, Waynesville, N. C. Come in early choo .. saw.no more of Miss Hayward than Vf DOUBLE FEATURE II ii school war CASA MANANA Gregory Peck and the Technicolor '&i your child's ro")e 'rom our comi)'ele MEET THE QUEEN! Starring sps.?' ftfr TWO GREAT WESTERN STARS RIO BROTHERS - SPADE COOLEY - ANYONE WHO 1IZ and girls' clothing. In One Tingling "SHI" AIN'T l iv V took! Were fiivj Action HiM SUN. - MON. TUES. OCT. a Till Ywri Supply of1 First Showing in W. N. C. op Ill i estforbidden of the world's IF; great WITH ANY NEW love stories!- - 1951 - , l i u & iu X Ml " What an opportunity to get set for happy, happy wash- days! Now, for a limited time only, you can get a full MIOHTY AS COUATHl case of 60 packages- -a full year's supply of wonderful TEMPESTUOUS AS THEIR TIDE with your new THOR Washer! And at no LOVE rUMIMO ACROSS extra cost! rim I j77 3000 TEARS! Ihiskv zip ja1 ft keep Jr. arm. ji i q ' Tom and Jerry Cartoon If up U ) " II $3.99 . only Thor Gives You '.i :! t CITVn V TIT T mimnnur II all 4 ' ' ' Hydro-Swi- :;J W"' - ; - I I ' J 1. rl Washing Actionl 2. Saves up to 27 gallons of hot water! 3. Controllable washing time! over! OTR Thor-Wa- ' 4. y overflow rinsel $224.95 i.,.v warm F Bun W for v W B B, I 1 $1.98 up Quality Plus Economy Means Valu- e- infiinl'-- 1! ' --.- .. i 1 - I TO'. Full 9-l-b; capacity t-nK- fouzht - A- -' Thor Super-Agitato- r Action Electro-Rins- ' , Famous e ' ' RAYMOND MASSEY (optional) , V . Hi. rf ': KIERON MOORE Tub porcelain enameled inside I I I ( and out TVX drip-proo- t f V I mechanism I I M MocUl I MISSES' COATS TO PLUS S YEAR PROTECTION I I iflt on all 1951 Thor Washers '. - Ask us for Details ROOM $129.95 THE GREEN A FREE IOX OF TIDE WITH EVERY THOR DEMONSTRATION Waynesville's Exclusive Shop" Special admission, prices for this picture, BE SURE TO ASK FOR YOUR TRADE JUBILEE TICKETS RIB MIDI "IISW- Matinee, Adults 74c; Night, $1.00. STOB; Children under 12 yrs., 25o all performances. Garrett Furniture Co., Inc. BATS T. EDWIN L MARIN Warner Bros. 0Pft All price include federal tax. - rnone i . Main bt. Waynesville r-- ,.
Recommended publications
  • The Per Niente Per Niente Club Septembre 1, Due Mila Cinque Volume 1, Issue IX Editor Joe Di Leo
    The Per Niente Per Niente Club Septembre 1, due mila cinque Volume 1, Issue IX Editor Joe Di Leo Richard Conte (March 24, 1910 – April 15, 1975) Inside this issue: was an American actor who appeared in films such as I'll Cry Tomorrow and The Godfather. Bread and Onions 2/3 He was born Nicholas Conte in Jersey City, New Jersey, the son of a barber. Mrs Calabash 3 In 1935, Conte was spotted by Elia Kazan and John Garfield when he was working as an entertainer at a Connecticut resort, which led to Conte finding Roy Campanella 4/5 stage work. Conte eventually earned a scholarship to study at the Neighborhood Playhouse in New York, where he became a standout actor. The 5' 8" Maggiore’s Corner 6 Conte became a Broadway actor in the late 30s, starring in such plays as Night Music and Walk Into My Parlor. That lead to his first film performance in 1939, Heaven with a Barbed Wire Fence. Letter’s to the Editor 7 In 1942 he signed a long-term contract with 20th Century Fox. He then changed his The Journey Over 8/9 stage name to Richard. His first film at Fox was Guadalcanal Diary (1943). During the World War II years, Conte played mostly soldiers in war dramas, including A Walk in the Sun (1945). Spiegelman on Golf 10/11 During the World War II years Conte appeared in such Fox crime dramas as Cry of the Grandpa 12 City and Call Northside 777 (both from 1948). In the early 1950s, Conte, now not Pictures 13 working for Fox, began appearing in films for various studios.
    [Show full text]
  • Notes for Where the Sidewalk Ends
    IAP Film Series, January 2012: Five Émigré Directors and the Rise of Film Noir SCREENING #6: Where the Sidewalk Ends (96 minutes) Production Company Twentieth Century Fox / Produced by Otto Preminger US Release 7 July 1950 (New York) Director Otto Preminger: He was born in 1905, probably in a Ukrainian region of the Austro- Hungarian Empire, but possibly in Vienna; his family were middle-class Jews. His father became a leading prosecutor for the government, and the family relocated to Vienna in 1915. Otto studied law at the University of Vienna and got his degree in 1928; but by then he had begun a career in the theater, at first under the tutelage of Max Reinhardt. Starting as an actor (of moderate success), he moved into directing and also directed a few German-language films in the early 1930s. In 1935 he was invited by producer Joseph Schenck to come work at Fox in the USA, to which he agreed. Arriving in New York in 1936, he stopped off to direct a play, then went on to Hollywood. His work at Fox came to an abrupt halt in 1938, when he was fired by Zanuck while directing the “A-List” film Kidnapped. So he studied English and resumed a career directing plays in New York and elsewhere. He was called back to Fox in 1942, originally to act in various films. In 1944 he was hired by Zanuck to produce the controversial film version of Laura, eventually becoming its director. The success of this “scandalous” film noir led to his being hired to direct (and often to produce) 13 more films at Fox—the fine film Where the Sidewalk Ends being the next to last.
    [Show full text]
  • October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
    October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin.
    [Show full text]
  • Preminger at Fox
    PREMINGER AT FOX tto Ludwig Preminger was born on Dec- stance, all five films have the look and feel of his name kind of gets lost in the shuffle, which ember 5, 1905. In his late teens, he was noir, they’re all very much of a piece and they’re is a shame, since he was a very talented com - Omentored by the legendary theatre direc - all brilliantly directed. poser. tor, Max Reinhardt, and then began his young life in the theater. In 1935 fate came calling in First up on CD 1 is Fallen Angel (1945), based No Preminger at Fox collection would be com - the person of producer Joseph Schenk, who, on the novel by Marty Holland (who turned out plete without the film that started it all – Laura , with his partner Daryl F. Zanuck, were looking to be Mary Holland). The film starred Dana An - Preminger’s 1944 classic. There’s really no need for new talent to bring to Twentieth Century-Fox. drews, Alice Faye, Linda Darnell and Charles to write about that film or score – its place in the The meeting obviously went well, since Pre - Bickford. Fallen Angel has all the classic noir in - pantheon of classic noir is no secret and the bril - minger was immediately signed to work for Fox. gredients – a down-at-the-heels drifter, a sultry liance of its David Raksin score has been written siren that men will do anything for, an innocent about many times – in fact, we refer you to Julie Thus began his tenure at the studio, where he nice girl, a tough cop, and various other arche - Kirgo’s excellent liner notes for our release of the directed some low budget features.
    [Show full text]
  • Luxurious Lather"
    _AMUSEMENTS_ __AMUSEMENTS interest at 20th Century-Fox for with seating capacity for 18 Riddell Will Conduct has loaned i his Lord Byron property. If Cornel Howard Hughes Ty Indictments Charge navigator and co-pilot from TWA Southeastern U. doesn’t make this one soon, I’ll which heaven be t It Choir This new plane is owned by 20th praised was C. E. Riddell, director of three scream. So will Cornel. He won’t Century-Fox. very uncomfortable this year In the choral con- Shrine Auditorium. Hiere may be t*99AH^ D. C. Man Defrauded 4 Washington groups, will be happy until he does it. Cyd Charisse, by the way, seems duct the Southeastern a cocktail party next year at the 44, of the 1600 block University * * * * to be sharing the ubiquitous Mr n i ng Joseph Pacyna. Choral Society this fall and winter. Ambassador Hotel instead, with the I was Hughes with Jean Peters. of S street N.W. indicted yes- Angela Lansbury is another Hol- awards announced at the end of It. The choral society will sing at Joan Crawford’s Petei on charges of defrauding four ex-escort, (RtlenwJ by NANA) The Newest—The Largest—The Clesest terday 9:30 pm. on the following dates, lywoodite trekking to Broadway for District residents of $477 with tales Shaw, will be dropped at Metre according to Margaret F. a play this coming season. boat and a Morgano, when his next option comes around of a Florida fishing the friend is not secretary of society: September Jimmy Stewart's girl was ii THEATER Scotch sale in Baltimore.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • 1948-02-20, [P ]
    d Friday, February 20,1948 TOLEDO UNION JOURNAL Page Five “My Girl Tisa” Esther Williams ■y ■v Battling 7 lie Keys ''-n ‘ '■! / ' * HOLLYWOOD — Esther Williams is trying to dupli­ cate her speed in the swim­ ming pool on a typewriter. The amphibious Metro- Goldwyn-Mayer star, re­ Fortune Tn Jewels cently returned from a per­ Teen-Agers Find Hollywood sonal appearance tour in Screen-Tested AVith connection with the Tech­ Barbara Stanwyck nicolor musical, “This Time Land Of Opportunity HOLLYWOOD — A fortune For Keeps,” is battling a January 1 deadline. HOLLYWOOD—Hollywood is the teen-agers best booster. in jewels to be worn by Barbara % In no other field of professional activity do ambitious adol­ Stanwyck in Hal Wallis’ “Sorry, Scheduled for summer escents get so many opportunities of putting their talents to work release> Miss Williams’ with such profitable results in keeping the piggy bank full. The Wrong Humber” was screen- 41 / fy. Ok' AA-Aa^A^A book, “Or Would You tested at Paramount when a Rather Be A Fish?” must movie-makers have long made a jractice of keeping their talent reach publishers Doubleday, scouts on the lookout fo promis­ quarter of a million dollars in Doran and Company, be­ ing teen-age material for future T7i roiving Gurred diamonds and other precious stardom. stones were photographed. 0 "W'J fore the New Year. Petite Wanda Hendrix, whose A guide to swimming, A heavy squad of studio five feet, two inches hardly ta. the book covers all angles measure up to her large abilities % police was stationed on Stage 7 of the aquatic art.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980
    [Show full text]
  • Leave Her to Heaven
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE 目白大学 人文学研究 第10号 2014年 151─161 151 Leave Her to Heaven マーヴィン・スミス Marvin SMITH Keywords: cinema, film noir, film adaptation キーワード: 映画、フィルム・ノワール、映画化 Introduction Based on Ben Ames William’s 1944 best-selling novel and released on December 20, 1945, Leave Her to Heaven received the 1946 Academy Award for Best Color Cinematography for Leon Shamroy’s brilliant Technicolor photography.i ) Shot at eight different locations, principally in the American Southwest, it offered up breath-taking desert vistas and scenes of lakes and rustic living. There were no dark cities, no rain-drenched detectives, no gangster argot, and no knives or guns. In other words, on the surface, Leave Her to Heaven seems to be the antithesis of what one would expect from film noir. However, it cannot be denied that this film is thematically one of the quintessential film noirs of the 1940s, offering one of the most extreme examples of a femme fatale within the film noir canon. Over the years, the film’s reputation has grown. Currently(as of September 2013), it is rated 7.6/10 by The Internet Movie Database. Since its release, it has been praised on multiple levels over the years. For example, Pauline Kael, the influential critic of The New Yorker magazine, found its over-the-top story to be, “Gothic psychologizing melodrama, so preposterously full-blown and straight-faced that it’s juicy entertainment.”(Kael 415) Others have praised it for those aspects mentioned above ─its seemingly incongruous setting and the use of Technicolor in a film noir: The country settings of Leave Her to Heaven do not suit the urbane locale usually associated with film noir.
    [Show full text]
  • Gun Crazy (1950) October 20: Ace in the Hole July 7
    SEPTEMBER 8: FORCE OF EVIL NOVEMBER 3: KISS ME MILLICENT LIBRARY (1948) - An unethical lawyer, with an DEADLY (1955) - A doomed MOVIE NIGHT older brother he wants to help, becomes a female hitchhiker pulls Mike Hammer partner with a client in the numbers into a deadly whirlpool of intrigue, racket. Starring John Garfield, directed by revolving around a mysterious "great Abraham Polonsky. 1 hour, 18 minutes. whatsit." Starring Ralph Meeker, directed by Robert Aldrich, based on JULY 7: GASLIGHT (1944) - SEPTEMBER 22: THEY LIVE BY the novel by Mickey Spillane. 1 hour, Years after her aunt was murdered 46 minutes. in her home, a young woman moves NIGHT (1948) - An escaped convict is back into the house with her new injured and is helped by a woman with husband. However, he has a secret whom he has an ill-fated relationship. NOVEMBER 17: TOUCH OF which he will do anything to protect, Starring Farley Granger, directed by EVIL (1958) - A stark, perverse even if that means driving his wife Nicholas Ray. 1 hour, 35 minutes. story of murder, kidnapping, and insane. Classic suspense starring police corruption in a Mexican border Charles Boyer, Ingrid Bergman and OCTOBER 6: GUN CRAZY (1950) town. Starring Charlton Heston, Joseph Cotten. 1 hour, 54 minutes. directed by Orson Welles. - A well meaning crack shot husband is pressured by his beautiful marksman wife JULY 21: NIGHT OF THE to go on an interstate robbery spree, DECEMBER 1: THE NAKED HUNTER (1955) - A where he finds out just how deadly she KISS (1964) - The setup is pure religious fanatic marries a gullible really is.
    [Show full text]
  • Filmmakers from Berlin and Vienna Exiled in Hollywood
    Migration and artistic identities Filmmakers from Berlin and Vienna exiled in Hollywood Laure SCHNAPPER ABSTRACT The symbiosis of European and American cultures enabled Hollywood to produce the greatest masterpieces of cinema, as filmmakers from Berlin and Vienna, during the 1930s in particular, brought their know-how and culture, which they adapted to their new environment. German expressionism, psychoanalysis and Viennese humour contributed to film noir, light and serious comedy, melodrama and the Western. Poster for the film Casablanca, directed by Michael Curtiz, starring Ingrid Bergman, Paul Henreid, Conrad Veidt and Peter Lorre, 1942. During the 1920s, German cinema showed the way for modernity, as the UFA (Universum Film AG) studio in Berlin- Tempelhof, the largest and most advanced in Europe, brought together the greatest talents, including the producer Erich Pommer, and the directors Fritz Lang and Ernst Lubitsch. The great Hollywood studios, which had offices in Berlin, sought to attract the most talented directors; for instance in 1922, Paramount brought Ernst Lubitsch (1892-1947), who became the uncontested master of the elegant American comedy, and the famous “Lubitsch touch,” but who also released a biting satire of Nazi Germany in To Be or Not to Be. Universal brought in William Wyler (Wilhelm Weiller) (1902-1981) that same year, Warner called on the Hungarian Michael Curtiz (1886-1962) in 1926, and Fox gave a contract to Wilhelm Murnau (1888-1931) in 1927. Passed over by both Vienna and Berlin, Curtiz directed a series of masterpieces in America that have subsequently become classics, notably with the actor Errol Flynn, who starred in Captain Blood in 1935 and especially in The Adventures of Robin Hood in 1938.
    [Show full text]