DOCSLIB.ORG

Jo, Dona. a Lili Elbe

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jo, Dona. a Lili Elbe DANSA TEATRE MARTA CARRASCO Jo, dona. A Lili Elbe © David Ruano Teatre de Salt Divendres 15 de novembre,a les 20.30 h www.temporada-alta.com Un festival de amb el suport de: MARTA CARRASCO Jo, dona. A Lili Elbe “Aquest homenatge és per a tu Lili, per obrir un camí gairebé impossible d’imaginar. Per ser la primera. Per no rendir-te. Per fer feliç a tanta gent. Per no perdre mai el somriure. Per a tu.” Marta Carrasco #Jo,Dona.ALiliElbe 2 MARTA CARRASCO Jo, dona. A Lili Elbe Fitxa artística Direcció: Marta Carrasco i Manel Quintana Intèrprets: Marta Carrasco i Albert Hurtado Il·luminació: Quico Gutiérrez Espai sonor: Joan Valldeperas Vestuari: Pau Fernández Espai escènic: Marta Carrasco i Pau Fernández Músiques: Marta Carrasco Producció Executiva: Manel Quintana Coproducció: Companyia Marta Carrasco i Temporada Alta 2019 Dades Dia i hora: Divendres 15 de novembre, a les 20.30 h Lloc: Teatre de Salt Preus: 26, 16€ Durada: 1h 10min DANSA TEATRE SEGELL TEMPORADA ALTA ESTRENA 3 MARTA CARRASCO Jo, dona. A Lili Elbe MARTA CARRASCO Jo, dona. A Lili Elbe © David Ruano Lili Elbe, nascuda a Dinamarca a finals CAST de segle XIX, va ser una de les primeres La bailarina y coreógrafa de danza-teatro Marta persones a sotmetre’s a una cirurgia de Carrasco rinde su particular homenaje a Lili Elbe, reassignació de sexe. Pintora d’èxit con- una de las primeras personas que se sometieron a una operación de reasignación de sexo. siderable, va morir l’any 1931, tres mesos després d’una operació de trasplanta- ENG ment d’úter. Després de Perra de nadie, Dancer and dance theatre choreographer Marta Carrasco pays a personal tribute to Lili Elbe, one el seu comiat com a ballarina de solos, of the first people to undergo gender reassignment la coreògrafa Marta Carrasco, guardona- surgery. da amb el Premi Nacional de Dansa de Catalunya l’any 2005, ret el seu particular homenatge a Elbe amb un muntatge que barreja dansa i teatre. Una peça que se centra en l’instant que ho va canviar tot: el primer cop que Lili Elbe es va vestir de dona. 4 MARTA CARRASCO Jo, dona. A Lili Elbe JO, DONA. A LILI ELBE Introducció 1882 Dinamarca. d’aquest esdeveniment. M’ho vaig jugar tot, sense importar el preu a pagar. Tot va començar com un joc. M’hi oposava des del principi. Aquell instant ho canviaria tot per sem- Hagués fet qualsevol cosa per pre. la meva estimada Gerda, i ho Lili Elbe vaig fer. Lili Elbe va néixer a Dinamarca el 1882. Ningú era conscient del que estava a Nascuda com Einar Wegener, va ser una punt de passar. pintora de considerable èxit, a més de ser Aquella va ser la la primera persona coneguda en sotme- Aquest homenatge és meva experiència tre’s a una cirurgia de reassignació de per a tu Lili, per obrir vital més autèn- sexe. Lili desitjava ser mare i es va sotme- un camí impossible tica. tre a vàries intervencions per aconseguir el seu somni. Se li va arribar a trasplantar d’imaginar. Vaig submer- l’úter d’una jove. Lili morí a causa de la gir-me en un món infecció provocada per la seva darrera aliè a mi. Deixant de ser, en aquell instant, intervenció el 1931. l’home que jo creia que era. La sensació de plenitud no es pot explicar en pa- Marta Carrasco raules. No era conscient del simbolisme 5 MARTA CARRASCO Jo, dona. A Lili Elbe SOBRE LILI ELBE La vida de Lili Elbe paisatges mentre que Gerda ho va fer en llibres il·lustrats i revistes de moda. Lili va rebre el premi Neuhausens el 1907, des- prés d’exhibir a la Kunstnernes Efterår- sudstilling, al Vejle Art Museum, i al Salon d’Automne de París. Lili es va adonar de la seva condició de dona transsexual mentre reemplaçava a la model absent de Gerda. Gerda li va demanar a Lili que vestís mitges i saba- tes de taló perquè pogués substituir les cames de la model amb les seves. Amb el temps, Gerda es faria famosa per les seves pintures d’una dona molt bonica amb bells ulls i vestida a la moda. El 1913 Lili Elbe (aleshores encara Einar Wegener) i Gerda Gottlieb. 1924 es va descobrir que aquesta dona era en realitat la Lili. Lili Elbe (Vejle, 28 de Després d’això, entre 1920 i 1930 Lili es desembre de 1882 - Dresden, vestia regularment de dona i anava a di- 13 de setembre de 1931) va ser ferents festes i atenia a les visites a casa la primera persona coneguda seva presentant-se com a Lili Elbe. Una a fer-se una cirurgia de de les coses que li agradava fer era des- aparèixer utilitzant un dels seus vestits, reassignació de sexe. pels carrers de París, entre la multitud en Va néixer a Dinamarca i va ser identifica- el Carnestoltes. Aparentment era accep- da com a home al moment del seu naixe- tada com a dona i fins i tot va rebre una ment. Va ser una artista de considerable èxit amb el nom assignat al néixer de Einar Mogens Wegener. Va ser la primera Lili va conèixer Gerda Wegener a l’Escola persona coneguda a d’Art de Copenhaguen (Kunstakademiet) fer-se una cirurgia de i es van casar el 1904, quan Lili tenia 22 reassignació de sexe anys i Gerda 19. La parella va viatjar per Itàlia i França i es van establir finalment a París l’any 1912, on Lili va començar a proposta de matrimoni, molts anys abans viure obertament com a dona. de dur a terme la seva transició quirúrgi- Totes dues van treballar com a il·lustrado- ca. Només els seus amics íntims sabien res. Lili es va especialitzar en pintures de que era una dona transsexual i per a 6 MARTA CARRASCO Jo, dona. A Lili Elbe una tercera i quarta operació, a causa del rebuig i a altres greus complicacions. La cinquena operació va consistir en un tras- plantament d’úter i estava pensada per permetre a Lili, que rondava els 50, ser mare, però va resultar també un fracàs. Al moment de la cirurgia, el seu cas ja era una sensació als diaris de Dinamarca Al moment de la cirurgia de Lili, el seu cas ja era una sensació als diaris de Dina- marca i Alemanya. El Rei de Dinamarca va invalidar el matrimoni dels Wegener a l’octubre de 1930. Després de la disso- Lili Elbe, en una de les pintures de Gerda Gottlieb lució del matrimoni dels Wegener Gerda aquells que no ho sabien, Gerda la pre- Wegener es va casar amb un oficial Italià, sentava com si Lili fos la cosina de Einar. aviador, i diplomàtic, el major Fernando L’any 1930, Lili va viatjar a Alemanya per “Nando” Porta, i es van mudar al Marroc. realitzar-se una cirurgia, la qual era enca- Per la seva banda, Lili va acceptar una ra molt experimental en aquell temps. Es proposta de matrimoni d’un home desco- van dur a terme una sèrie de cinc opera- negut, pensant a casar-se tan aviat com cions en un període de dos anys. pogués estar a punt per ser mare. La primera intervenció va consistir en la Lili Elbe va morir el 1931, probablement castració amb l’extirpació completa dels a causa de complicacions després de la òrgans genitals masculins, feta sota la seva cinquena i última operació. Els estu- supervisió del sexòleg Magnus Hirschfeld dis del cas de Lili fan l’efecte que la seva a Berlín. defunció va ser causada per les greus La resta de les complicacions produïdes per un fallit cirurgies de Lili les trasplantament d’ovaris. Es troba enterra- Es van dur a terme va dur a terme el da a Dresden. una sèrie de cinc doctor Kurt War- operacions en un nekros a la clínica període de dos anys. municipal per a dones de Dresden. La segona inter- venció va consistir en un trasplantament d’ovaris, provinents d’una jove de 26 anys d’edat. Els hi van extirpar ràpidament en 7 MARTA CARRASCO Jo, dona. A Lili Elbe UNA CRÍTICA DE LA PELÍCULA The Danish girl Ella interpreta a la pintora danesa Gerda Wegener, esposa de Einar Wegener (Edddie Redmayne), dedicado asimismo a la pintura y que en los años 20 descubre su verdadera condición femenina, transformándose en Lili Elbe. Contará con la complicidad de su esposa, siempre entregada a él y a la que confiesa: “No puedo seguir viviendo sin saber quién soy”. Se trata de dos personajes reales y por supuesto totalmente anómalos para las normas de la sociedad en aquella época, que Tom Hooper recrea con cierta tendencia al artificio visual. Resulta evidente que el cineasta británico se Fotograma de la pel·lícula The Danish Girl ha dejado llevar por el arte pictórico en su recreación fílmica de las imágenes, Casi siempre inquietante siempre bajo la influencia de los lienzos en sus fantásticas transformaciones ante la Resulta evidente que cámara, el actor londinense el cineasta británico Eddie Redmayne se hizo el año pasado con el Oscar al mejor se ha dejado llevar actor protagonista por su portentosa por el arte pictórico recreación de Stephen Hawking en La teoría del todo. Aquí vuelve a estar que Gerda pintó, inspirándose en la prodigioso en su doble papel de la figura de su marido transexual. Hooper primera persona que quiso cambiar de ha omitido aquella escueta sentencia del sexo mediante la cirugía. En esta peculiar reverenciado Robert Bresson, cuando película realizada por Tom Hooper, cinco advirtió: “Retoca lo real con lo real”.
Load more

Recommended publications
  • Reading Group Notes the Danish Girl 2 Curious, I Went to the New York Public Library and Began to Search for References to Einar Wegener
    N O T E S F O R pic here R E A D I N G THE DANISH GIRL by David Ebershoff G Contents R About David Ebershoff .......................................................... 2 O A conversation with David Ebershoff ........................................ 2 U Reviews............................................................................. 7 P Some suggested points for discussion ..................................... 11 S Further reading ................................................................. 11 About David Ebershoff David Ebershoff was born in Pasadena, California and is a graduate of Brown University and the University of Chicago. He has also studied at Keio University in Tokyo. He currently lives in New York City where he is the Publishing Director of the Modern Library, a division of Random House. The Danish Girl is Ebershoff ’s first novel. He spent two years writing it during his vacations from Random House and made headlines when the unfinished novel created a bidding war between five interested publishers. Viking won the rights for a reported US$350 000 two-book deal, which also included publishing his first collection of short stories. The Danish Girl has racked up an impressive sale of foreign rights, with eleven countries publishing translations of the novel. Several film studios and actors have also expressed interest in the film rights, including DreamWorks, Angelina Jolie, and Ally McBeal co-star, Gil Bellows. Ebershoff ’s new work, The Rose City (published by Allen & Unwin in August 2001) combines vivid characters with Ebershoff ’s trademark emotional insight and lush prose in seven stories about young men and boys making their way in a chaotic world. He is currently writing his second novel, Pasadena. A Conversation with David Ebershoff How did you discover the story of Einar, Greta, and Lili? A few years ago, a friend who works at a university press mailed me a book about gender theory that his press was publishing.
    [Show full text]
  • Universidade Presbiteriana Mackenzie Emerson
    UNIVERSIDADE PRESBITERIANA MACKENZIE EMERSON RODRIGUES DE BRITO RELAÇÕES IMAGÉTICAS ENTRE ARTES PLÁSTICAS E CINEMA: UNIVERSOS PARALELOS? PROBLEMATIZANDO A ELABORAÇÃO DE “A GAROTA DINAMARQUESA” São Paulo 2018 EMERSON RODRIGUES DE BRITO RELAÇÕES IMAGÉTICAS ENTRE ARTES PLÁSTICAS E CINEMA: UNIVERSOS PARALELOS? PROBLEMATIZANDO A ELABORAÇÃO DE “A GAROTA DINAMARQUESA” Tese apresentada ao Programa de Pós-Graduação em Educação, Arte e História da Cultura da Universidade Presbiteriana Mackenzie como requisito parcial para a obtenção do título de Doutor. Orientador: Prof. Dr. Marcos Rizolli São Paulo 2018 2 3 EMERSON RODRIGUES DE BRITO RELAÇÕES IMAGÉTICAS ENTRE ARTES PLÁSTICAS E CINEMA: UNIVERSOS PARALELOS? PROBLEMATIZANDO A ELABORAÇÃO DE “A GAROTA DINAMARQUESA” Tese apresentada ao Programa de Pós-Graduação em Educação, Arte e História da Cultura da Universidade Presbiteriana Mackenzie como requisito parcial para a obtenção do título de Doutor. Aprovado em 08 agosto 2018 4 AGRADECIMENTOS A elaboração desta tese tornou-se possível graças ao auxílio da UNIVERSIDADE PRESBITERIANA MACKENZIE, Com carinho e agradecimento ao meu orientador Professor Doutor Marcos Rizolli, que dedicou sua confiança e profissionalismo. Agradeço imensamente ao amigo e Professor Doutor Paulo Roberto Monteiro de Araujo que com suas aulas sobre o humano e o olhar constante me auxiliaram com sabedoria e cuidados. Aos meus pais Antonio Brito e Maria Lucia Brito que me trouxeram uma visão religiosa. Aos amigos Leandro Fernandes e Lidiane Fontes com suas informações valiosas. E a Gerda Wegener e Lili Elbe pelo início de tudo. 5 “No princípio era o verbo, e o verbo estava com Deus, e o verbo era Deus.” João 1:1 6 Resumo A presente tese intitulada “Relações Imagéticas entre Artes Plásticas e Cinema: Universos Paralelos? Problematizando a Elaboração de A Garota Dinamarquesa”, teve como hipótese central a questão de leitura narrativa poética do filme como expressão simbólica de um tema religioso / criacionista por meio da Direção de Arte.
    [Show full text]
  • Aacl Bioflux
    Proceedings of the 28th International Conference on Literature: “Literature as a Source of Wisdom”, July 11-13, 2019, Universitas Syiah Kuala, Banda Aceh, Indonesia ISBN: 978-623-7086-21-5 I AM ENTIRELY MYSELF: THE PSYCHOLOGICAL ANALYSIS OF EINAR WEGENER CHARACTER 1Meta Keumala, 1Nyak Mutia Ismail, 1Siti Sarah Fitriani, 2Rena Juliana & 3Veni Nella Syahputri 1Department of English Education, Faculty of Teacher Training and Education, Syiah Kuala University, Banda Aceh 23111, Indonesia 2Department of English Education, Faculty of Teacher Training and Education, STAIN Teungku Dirundeng, Meulaboh 23616, Indonesia 3Faculty of Public Health, Teuku Umar University, Meulaboh 23615, Indonesia *Corresponding author: [email protected] DOI: 10.24815/.v1i1.14445 Abstract Scenes in movies are the reflections of how human being would act and react in facing daily life real drama. This study sought the types of human psychology when they deal with life realms that are portrayed in a movie called The Danish Girl based on Freud’s Tripartite Psychological Model. The method utilized in this study was mainly descriptive qualitative design. The data source was a biographical movie entitled The Danish Girl directed by Tom Hooper, which was released in 2015. The subject was the character named Einar Wegener, who transgendered himself into a woman named Lili Elbe. The objects were all scenes that are in accordance with the Freud’s Tripartite Psychological Model. The data were collected by merely observing the movie for 120 minutes and marking the relevant scenes. After the data were obtained, based on the Tripartite Psychological Model, the results suggest that there are 48 scenes of Einar altogether; 36 scenes representing the identity, 7 scenes representing the ego, and 5 scenes representing the superego.
    [Show full text]
  • The Danish Girl: Symmetry As a Representation of Society
    THE DANISH GIRL: SYMMETRY AS A REPRESENTATION OF SOCIETY DANIEL BUSTILLO INSTITUTO FRANKLIN–UAH The 1920s were famous for been the time of the opening of mind in the United States and also in some parts of Europe. Before and during the First World War, the Victo- rian mentality predominating in Europe was marked by narrow-minded approaches to Changes in soCial Customs, such as declared homosexuality, bisexuality or trans- sexuality. However, after the Great War, some big Cities such as London or Paris adopted a more progressive stand, while other Countries remained stuck in a Con- servative mentality. Among them, Denmark stood out as generally intolerant to so- Cial transformation. This illiberal soCiety is portrayed in the American-British movie The Danish Girl, in which the topic of transsexuality has been explored. Based on actual events, The Dan- ish Girl (Tom Hooper, 2015) deals with the life of Einar Wegener (Eddie Redmayne), a Danish man married to his wife Gerda Wegener (Alicia Vikander) who, by acCi- dent, disCovers that he feels more Comfortable with the female gender. The Case of Einar Wegener, who will be later named as Lili Elbe, has been represented on the big sCreen as the first transgender woman to undergo a sex reaffirmation surgery in his- tory. Moreover, it has been brought forth as an example for all the transgender peo- ple that feel oppressed daily by their own community. In order to indirectly portray the Conservative soCiety and Context of the time, the director of the film, Tom Hooper, decided to exploit the device of symmetry.
    [Show full text]
  • Arrested and Arresting
    ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 18 (2020) 57–71 DOI: 10.2478/ausfm-2020-0003 Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema Hajnal Király Sapientia Hungarian University of Transylvania (Cluj Napoca, Romania) E-mail: [email protected] Abstract. The paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The lasting effect of visually compelling films on the individual spectator’s emotions has been addressed only sporadically by cognitive film theory, film phenomenology and aesthetics. Therefore, the author proposes to bring together terms and concepts from different discourses (film and literary theory, intermediality studies and empirical psychological research of the literary effect) in order to elucidate how intermedial, painterly references in midcult and arthouse films mobilize the associative dimensions of film viewing and may have an impact on spectatorial self- reflexion and emotional growth. Moreover, films that rely on the associative power of still(ed) images, painterly references bring into play the personal and cultural experiences of the viewer. As such, they can be effectively used in professional and cultural sensitivization. Keywords: arresting image, self-reflexion, intermediality, stillness, painterly reference, professional
    [Show full text]
  • Frameworks Journal 1, the Wall Edition
    a A Journal of Undergraduate Research in the Interdisciplinary Humanities Issue 1, Fall 2020 The Wall Edition 1 2 FRAMEWORKS PROGRAM DIRECTOR /JOURNAL EDITOR Max Rayneard EDITORIAL BOARD Laura Bland Robert Cremins Robert Zaretsky DESIGN AND LAYOUT Martha Hayes FACULTY MENTORS Richard Armstrong, Laura Bland, Hayan Charara, Robert Cremins, Richard Garner, Robert Liddell, Iain Morrison, Andrew Pegoda, David Rainbow, Roberto Tejada, Bhavya Tiwari, Marina Trninic, Jess Waggoner, Robert Zaretsky THE FRAMEWORKS PRIZE FOR EXCELLENCE IN UNDERGRADUATE RESEARCH IN THE INTERDISCIPLINARY HUMANITIES Paulina Ezquerra – mentored by Robert Zaretsky “Reading Kafka in the Age of Trump” SPECIAL MENTION Ayania Hicks – mentored Marina Trninic “Breaking Artistic Boundaries: Zora Neale Hurston and theHarlem Renaissance” WITH GRATITUDE TO Dean Bill Monroe Associate Dean Jonathan Williamson Stacey Michael Lorena Lopez Director of the Creative Work Minor, Robert Cremins The Honors College Office of Communications Julia Brown, Brenda Cruz, Martha Hayes, Jillian Holden The Office of Undergraduate Research and Major Awards Ben Rayder, Karen Weber, Rikki Bettinger, and Brittni MacLeod The Cougar Initiative to Engage (CITE) Ann Dayton, Fan Wu FrameWorks Speakers Richard Armstrong, Laura Bland, Jesse Rainbow FrameWorks is grateful to be funded in part by a grant from the Cougar Initiative to Engage (CITE], a program of the office of Provost Paula Myrick Short 3 FrameWorks: A Journal of Undergraduate Research in the Interdis- ciplinary Humanities is published by the Honors College of the University of Houston under the auspices of Creative Work with support from the Office of Undergraduate Research and Major Awards. The journal is published annually and contains articles written by undergraduate students (predominantly sophomores and juniors) who completed the FrameWorks Pro- gram, a year-long co-curricular course that facilitates under- graduate research in the interdisciplinary humanities through faculty mentorship and peer support.
    [Show full text]
  • Art Nouveau En Transition (The Danish Girl, Tom Hooper, 2015)
    Strand 1. The Filmed City: Art Nouveau and Cinema Art Nouveau en transition (The Danish Girl , Tom Hooper, 2015) Cyril Barde Université Paris VIII Résumé Cet article s’intéresse aux références à l’architecture Art Nouveau dans le film The Danish Girl de Tom Hooper (2015) qui raconte la vie de la première femme transgenre à avoir accompli une transition. Pour Hooper, l’Art Nouveau est la manière d’exprimer e cinématographiquement la coïncidente entre l’essor artistique du Paris du début du XX siècle, la subversion de l’ordre du genre et la révolution intime du peintre Einar Wegener dont la métamorphose en Lili Elbe s’accomplit au sein et au rythme des volutes Art Nouveau. Nous étudierons la mise en scène de cette éclosion en resituant les choix du réalisateur dans l’histoire longue de la réception de l’Art Nouveau qui apparaît, à bien des égards, comme un style de (la) transition et du trouble de l’identité. Mots clés: Art Nouveau ; genre ; transgenre ; Hooper ; Bruxelles ; Horta ; Art Déco Abstract Art Nouveau in Transition (The Danish Girl, Tom Hooper, 2015) This article deals with the presence of Art Nouveau architecture in The Danish Girl , by Tom Hooper (2015). This film tells the story of the first male to female transition surgery. According to Hooper, Art Nouveau enables to show, by cinematographic means, the link th between artistic modernity of Paris in the early XX century, the subversion of gender order, and the transformation of the painter Einar Wegener into Lili Elbe. We will study the representation of this metamorphosis in the Art Nouveau scenery which appears as a design of transition and identity trouble.
    [Show full text]
  • Transgender in the Novel the Danish Girl บุคคลข้ามเพศในนวนิยายเรื่อง เดอะ เดนิช เกิร์ล
    HMO5 Transgender in the Novel The Danish Girl บุคคลข้ามเพศในนวนิยายเรื่อง เดอะ เดนิช เกิร์ล Roiporn Chotkarnchanawat (ร้อยพร โชติกาญจนวัฒน์)* Dr.Nantawan Senchantichai (ดร.นันทวัน เสนจันทร์ฒิชัย)** ABSTRACT The Danish Girl, written by David Ebershoff, is based on the true story of the transgender pioneer Lili Elbe, who was born as Einar Wegener in the early 20th century. Einar had a happy married life with his wife Gerda Wegener until Gerda convinced her husband Einar to pose in women’s clothing for a portrait, so Gerda would be able to finish her work. This small moment becomes aa momentous incident when Einar realizes that he could not hide his true gender and identity as a woman any longer. The novel focuses on how Lili, formerly Einar, struggles throughout her groundbreaking transgender journey. Some of Lili’s journey includes intimacy that challenges social standards, the division of males and females within society and Lili’s sex reassignment surgery to become fully female. The purpose of this study is to analyze how the life of Lili Elbe/Einar Wegener is portrayed, by adopting Judith Butler’s queer theory as the lens to obtain knowledge and understand queer individuals in society during that time period. Through the course of this study both confusion as well as social and family pressures were found, which can then be used to illuminate the definition of transgender in a “socially-constructed” society. บทคัดย่อ นวนิยายเรื่อง เดอะ เดนิช เกิร์ล เขียนโดยเดวิด เอเบอร์ชอฟฟ์ เป็นนวนิยายที่นำเสนอเรื่องราวของสตรีข้ามเพศ ในยุคแรกที่ชื่อว่า
    [Show full text]
  • Louise Bourgeois 13.10.2016 -26.2.2017 47
    #11 • november 2016 Köpenhamn SHOPPING - NÖJE - KULTUR inne DANIEL håll RICHTER NOVEMBER 2016 8.9.2016 Köpenhamn -8.1.2017 42 44 40 LOUISE BOURGEOIS 13.10.2016 -26.2.2017 47 ENKELT I DIN MOBIL, LÄSPLATTA FöljELLER oss DATOR på www.facebook.com 48 /magasinetdethander www.dethander.com Omslagsfoto: Thomas Petri, Kamilla Bryndum, Miklos Szabo, Morten Pors Daniel Richter, Tarifa, 2001. © Daniel Richter. Louise Bourgeois, CELL XXVI, 2003. Foto: Christopher Louisianas Burke, © The Easton Foundation / copydanbilleder.dk 2016 Main Corporate Partners: ab www.dethander.com – Det Händer 35 13.09.2016_Det_hander.indd 1 14/09/16 12.32 BELLA CENTER CENTER BELLA 11. - 13. NOVEMBER FREDAG 10-19 LØRDAG OG SØNDAG 10- SØNDAG OG LØRDAG 10-19 FREDAG NOVEMBER - 13. 11. FORUM 2016 CLAUDE MONET, ÅKANDEDAMMEN, 1899 18 ©The National Gallery, London 2016 Foto: Bogforum Foton: FreeImages, Nordisk Film BOGFORUM.DK 1 BOG 2 3 1. Unika Monet 3. Kliv in i filmkulissen Ordrupgaard bjuder in publiken till en visuell resa genom Monets berömda verk. Utställning- På Nordisk Film i Köpenhamn kan man komma riktigt nära kulisser, kostymer och andra en fokuserar på Monets legendariske bildserier där ljusets och väderförhållandens påverkan föremål från olika kända, danskproducerade filmer. Nordisk Film är ett av världens äldsta av motiven fick ett stort inflytande på konstnärans utvecklingsresa bort från impressionismen filmföretag och här har man i mer än 100 år skapat en uppsjö av älskade tv-serier och biograf- och över till den mera fria form och färg som används inom modern konst. Utställningen på filmer som “Matador”, “Beck”, “Nyckel Hus Spegel” och “Kon Tiki”.
    [Show full text]
  • Journal of Literature, Linguistics and Cultural Studies Ethical Dilemmas As Seen Through the Major Characters Reflected in the D
    RAINBOW Vol. 8 (2) (2019) Journal of Literature, Linguistics and Cultural Studies http://journal.unnes.ac.id/sju/index.php/rainbow Ethical Dilemmas as Seen Through the Major Characters Reflected in The Danish Girl Movie Screenplay Written by Lucinda Coxon Kemala Putri Anggraeni, Maria Johana Ari Widayanti English Department, Faculty of Languages and Arts, Universitas Negeri Semarang Article Info Abstract ________________ ___________________________________________________________________ Article History: An ethical dilemma is an interesting topic to discuss since it always occurs to us in Received 15 October our daily lives whether we realise it or not. The study is aimed to explain the ethical 2019 Approved 29 November dilemmas of the major characters in The Danish Girl movie screenplay by Lucinda 2019 Coxon. This study used psychoanalytic theory of the tripartite model theory by Published 30 November Sigmund Freud and employed qualitative method. The result was the ethical 2019 dilemmas of the major characters occurred before they made a decision in their ________________ actions. This study revealed that the ethical dilemma happened to them because they Keywords: Characters, Ethical Dilemma, Movie needed to think about the impact of their actions on other people or themselves. It Screenplay, could prevent them from doing or saying inappropriate things which could hurt Psychoanalytic Theory, someone's feelings or harm themselves. Another result in this study was that the The Danish Girl, ethical dilemmas that happened to the major characters mostly represent ego more ____________________ than the other two parts of psyche. They could control what they wanted to say or do since they thought about the possible things that could happen to each choice before they made the decision.
    [Show full text]
  • Elbe, Lili (1886-1931) by Teresa Theophano
    Elbe, Lili (1886-1931) by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Lili Elbe. For most of her life, Lili Elbe was better known as Einar Wegener, a male Danish painter of some renown who specialized in landscapes and paintings of Paris. Indeed, it was not until well into adulthood, after she was both a successful artist and husband, that she began her transition to living full-time as female. Her series of sexual reassignment surgeries in the early twentieth century was a remarkable and pioneering feat, making her one of the world's first post-operative male-to-female transsexuals. Einar was born in Denmark in 1886. He first met Gerda Wegener at art school in Copenhagen. The two budding artists fell in love at first sight. They married when Elbe was approximately twenty years old, and before she had any inkling of her true gender identity. Lili Elbe was "born" one day while filling in for Gerda's absentee model; Gerda asked Einar to wear stockings and heels so that she could substitute Einar's legs for those of her model. Einar felt surprisingly comfortable in the get-up. Later the intended model showed up unexpectedly and dubbed Einar "Lili." Elbe, who later decided on her last name in tribute to the river she loved, continued to model for Gerda on a regular basis, and Gerda's numerous paintings of Elbe gained quite a bit of popularity in Copenhagen. Gerda was later invited to Paris to exhibit her works featuring Elbe, whom she introduced as Einar's sister.
    [Show full text]
  • Katalog 2016-17.Book
    FILMKATALOG 2016 / 2017 Min mor Sauls søn SAMMENSLUTNINGEN AF DANSKE FILMKLUBBER FILMKATALOG 2016/2017 DCP · Blu-ray · dvd Redaktion: Peter Jeppesen SAMMENSLUTNINGEN AF DANSKE FILMKLUBBER FILMKATALOG 2016/2017 2016Sammenslutningen af Danske Filmklubber Sammenslutningen af Danske Filmklubber (SDF) Tagensvej 85 E, 2200 København N Telefon 33 21 41 76, telefax 33 21 41 60 E-mail: [email protected] Web: www.danskefilmklubber.dk Danske Børne- og Ungdomsfilmklubber (DaBUF) Tagensvej 85 E, 2200 København N Telefon 33 21 41 76, telefax 33 21 41 60 E-mail: [email protected] Web: www.dabuf.dk Layout: Peter Jeppesen FILMKATALOG 2016/2017 er udgivet med støtte fra: Det Danske Filminstitut Billeder forside: Sauls søn (Camera Film) • Min mor (Camera Film) INDHOLDSFORTEGNELSE Filmkatalog – nye titler . 5 Filmkatalog – øvrige titler . 21 Fortegnelse over titler efter lande . 41 Fortegnelse over titler efter udlejer . 42 Fortegnelse over filmudlejere. 43 KATALOGETS BRUG FILMKATALOG udsendes hvert forår og indeholder en fortegnelse over de digitale film, der i den følgende sæson vil kunne lejes af filmklubber, som er medlem Sammenslut- ningen af Danske Filmklubber (SDF). Filmene er udvalgt af SDFs Katalogudvalg. Det første Filmkatalog udkom i 1985. Filmene anføres i alfabetisk rækkefølge efter deres danske udlejningstitel. I dette års katalog er bestemte og ubestemte artikler – f.eks. den, det eller a og the – taget med i opslagsordet, som nu er blevet almindeligt, dvs. filmen "Den skaldede frisør" skal sø- ges under den og ikke under skaldede. For hver film anføres udlejningsselskabet og de vigtigste credits. "Længde" angiver filmens spilletid i minutter er baseret på Medierå- dets angivelse hvis en sådan foreligger.
    [Show full text]