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The Gilding Arts Newsletter
The Gilding Arts Newsletter ...an educational resource for Gold Leaf Gilding CHARLES DOUGLAS GILDING STUDIO Seattle, WA February 8, 2020 Quick Links Gilding Arts Newsletter Quiz! Quick Links And the Winner from the Workshop Registration Form (for January Klimt Question is... mail-in registration only) Congratulations to Gilding Arts Newsletter member A Gilder's Journal Tatyana from Texas for submitting the first correct (Blog) answer to last issue's Klimt Quiz! Tatyana's beautiful Georgian Bay Art artwork and photography can be seen here on Conservation Instagram. The quiz question asked what materials were used to Gilding Studio...on Twitter create some of the raised swirling design Uffizi Gallery elements on Klimt's mural Beethoven Frieze Galleria and what other metal dell'Accademia di Firenze was used in the makeup Portrait of of the gold leaf? Adele Bloch-Bauer I Frye Art Museum Seattle Art Museum As outlined in a paper by Alexandra Matzner for the International Institute for Conservation of Historic Society of Gilders and Artistic Works and based upon conservation treatment of this particular work by Klimt, his areas Metropolitan Museum of Relief were comprised of Chalk and animal glue, of Art the same material we often refer to as Pastiglia, or The Fricke Collection Raised Gesso (Chalk being a form of Calcium Carbonate). The gold leaf was shown to consist of 5% Palace of Versailles copper with the remainder gold. Museo Thyssen- During my recent visit in January to the Neue Galerie Bornemisza during the Winter Quarter Gilding Week I once again studied Gustav Sepp Leaf Products Klimt's Portrait of Adele Bloch-Bauer I, which also exhibits raised gilded design Gilded Planet elements that are likely the same or a similar approach to Join our list the pastiglia technique where gesso is slowly dripped or drawn in a heavy deposit to create a raised effect. -
Metals and Metal Products Tariff Schedules of the United States
251 SCHEDULE 6. - METALS AND METAL PRODUCTS TARIFF SCHEDULES OF THE UNITED STATES SCHEDULE 6. - METALS AND METAL PRODUCTS 252 Part 1 - Metal-Bearing Ores and Other Metal-Bearing Schedule 6 headnotes: Materials 1, This schedule does not cover — Part 2 Metals, Their Alloys, and Their Basic Shapes and Forms (II chemical elements (except thorium and uranium) and isotopes which are usefully radioactive (see A. Precious Metals part I3B of schedule 4); B. Iron or Steel (II) the alkali metals. I.e., cesium, lithium, potas C. Copper sium, rubidium, and sodium (see part 2A of sched D. Aluminum ule 4); or E. Nickel (lii) certain articles and parts thereof, of metal, F. Tin provided for in schedule 7 and elsewhere. G. Lead 2. For the purposes of the tariff schedules, unless the H. Zinc context requires otherwise — J. Beryllium, Columbium, Germanium, Hafnium, (a) the term "precious metal" embraces gold, silver, Indium, Magnesium, Molybdenum, Rhenium, platinum and other metals of the platinum group (iridium, Tantalum, Titanium, Tungsten, Uranium, osmium, palladium, rhodium, and ruthenium), and precious- and Zirconium metaI a Iloys; K, Other Base Metals (b) the term "base metal" embraces aluminum, antimony, arsenic, barium, beryllium, bismuth, boron, cadmium, calcium, chromium, cobalt, columbium, copper, gallium, germanium, Part 3 Metal Products hafnium, indium, iron, lead, magnesium, manganese, mercury, A. Metallic Containers molybdenum, nickel, rhenium, the rare-earth metals (Including B. Wire Cordage; Wire Screen, Netting and scandium and yttrium), selenium, silicon, strontium, tantalum, Fencing; Bale Ties tellurium, thallium, thorium, tin, titanium, tungsten, urani C. Metal Leaf and FoU; Metallics um, vanadium, zinc, and zirconium, and base-metal alloys; D, Nails, Screws, Bolts, and Other Fasteners; (c) the term "meta I" embraces precious metals, base Locks, Builders' Hardware; Furniture, metals, and their alloys; and Luggage, and Saddlery Hardware (d) in determining which of two or more equally specific provisions for articles "of iron or steel", "of copper", E. -
1984 06 Group Involvement.Pdf
Group Involvement Group membership is a lifelong activity and many students become involved during the college years. With more than 150 registered student organizations, a student can find a group to match any interest. Given the diversity of the student body, the number of organizations is not surprising. This variety permits students to work and socialize with others who share the similar interests and beliefs. As the years pass, many students progress to positions of leadership in their organizations while developing per- sonal skills of management and leadership. These group interactions result in a more well-rounded and mature student as time passes. Examining the books, Karen Hunt, treasurer of the Outing Club, con- fers with Shirley Becker in the Stu- dent Activities Office. Induction ceremonies are held for the incoming representatives to the Student Government Association in 1968. Focus on Tomorrow's Resources The Agricultural College The Fraternity of Alpha because it includes both male popular. Each spring, AZ Council is a 16 member orga- Zeta (AZ) was founded in and female members even sponsors a chicken barbecue nization that works to coordi- 1897. Since its creation, the though it is referred to as a on Ag Day. To raise funds, nate student/faculty activi- fraternity has actively partici- fraternity. AZ was founded the fraternity sponsors a vari- ties, and hosts prominent pated in promoting the field as a professional fraternity, ety of activities such as car projects to further serve the of Agriculture. Their objec- not as a honorary or social washes, bake sales, and college. Each year, the Coun- tives include striving to estab- fraternity. -
Chapter 6: Professional Foundations
135 Chapter 6: Professional Foundations Theory Becomes Practice I moved to New York and started a new life in a very strange city. Chappell Music secured an apartment for me in the London Terrace complex in Chelsea near the Hudson River. It was a monumental architectural structure with an indoor swimming pool, underground garage, and an observation deck on the roof overlooking the river. All of my energy was focused on getting Elizabeth I (Foster & Spangler, 1972) written and up and running off-Broadway by spring. When I was not working on the show, I went to theatre events and performances and tried to network with recent graduates of CMU seeking their fame and fortune in New York City. Elizabeth I (Foster & Spangler, 1972) was scheduled to open off-Broadway at the Sheridan Square Theatre the end of March. However, the production already running in that venue was extended, and suddenly this off-Broadway theatre for which our production was designed was not available. The backers came to a rehearsal and decided the show was so promising that we would take it directly to Broadway where the Lyceum Theatre was available. We opened for previews on March 28, 1972, and the pressure was on. The set and staging as designed for the thrust (three quarter in the round) stage at the intimate Sheridan Square was no longer feasible. How were we to fit that production into a large proscenium situation? We rehearsed long and hard to bring back the intimacy lost in the transfer. I was not responding well to the stress. -
Ebook Free Conversations with Choreographers
Ebook Free Conversations With Choreographers This book is ideal for directors and choreographers of all levels , musical theatre aficionados, dance and theatre students, and anyone involved in the creative process, with many interviews. Paperback: 236 pages Publisher: Heinemann Drama; F First Edition edition (June 3, 1996) Language: English ISBN-10: 0435086979 ISBN-13: 978-0435086978 Product Dimensions: 6.1 x 0.5 x 9 inches Shipping Weight: 13.1 ounces Average Customer Review: 5.0 out of 5 stars 3 customer reviews Best Sellers Rank: #2,105,276 in Books (See Top 100 in Books) #100 in Books > Arts & Photography > Performing Arts > Dance > Choreography #393 in Books > Textbooks > Humanities > Performing Arts > Dance #418 in Books > Biographies & Memoirs > Arts & Literature > Dancers The craft of choreography is somewhat mysterious. What is the source of inspiration? How does one prepare for the career? Anne Livet's conversations with modern- dance choreographers are recorded in Contemporary Dance (Abbeville, 1978), and interviews with well-known ballet choreographers have appeared in journals and newspapers, but Grody and Lister have focused on the overlooked venues of Broadway, film, and television. With a string of Broadway dance credits themselves, the authors are on familiar ground. Over a period of two decades they have interviewed 17 choreographers, including Hermes Pan, Ernest Flatt, Joe Layton, Michael Bennett, and Tommy Tune. Most have little formal music training, work best with time limitations, and made a transition from dancer to choreography as opportunity presented itself. But as each responded to a similar set of questions set forth by the authors, the choreographers reveal individual approaches to their work. -
Directions to Northtown Mall
Directions To Northtown Mall Progressive and thrilled Douglass mesh almost coldly, though Diego brighten his handcart repricing. Stevie remains droughtiest after markedlyRoice previses and issuably. angelically or transposes any kavas. Centred and blightingly Clarke unstopper becomingly and entreats his Kevin Northtown kia is invalid gift for to mall news surrounding store, and inspiration destination in spokane Northtown Mall Explore Minnesota. Days Inn & Suites by Wyndham Spokane Spokane WA Hotels. T-Mobile Store at 254 Northtown Dr NE 22 Blaine MN T. Women will appear on your debit card number you can save time schedules and investment services and niagara falls drivers in all within in your small square. You can still find theaters and directions to northtown mall has expired. Ulta Beauty in Vestal NY - Get driving directions to 2417 Vestal Pkwy E Vestal NY 1350. Northtown mall in a car is still review: pavilion staging area for a partial view a more options by directing you too long sleeve dress styles now. Map & Directions B&N Store & Event Locator. Northtown Plaza shopping information stores in mall 25 detailed hours of operations directions with map and GPS coordinates Location Houston Texas. US Route 113 Wikipedia. Northtown Plaza store list hours location Houston Texas. Maxx apparel store and the village square is a wide range of continued evolution in. Quality inn near Northtown Mall & National Sports Center in. Bus tickets from New York to NorthTown Mall for at 35 and the quickest route takes just 3 days 5h Check timetables and plan your tickets with Rome2rio. The division street address to get directions to purchase merchandise online and dress shirt. -
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FEDLINK Preservation Basic Services Ordering
SOLICITATION, OFFER AND AWARD 1. THIS CONTRACT IS A RATED ORDER UNDER RATING PAGE OF PAGES DPAS (15 CFR 700) 1 115 2. CONTRACT NUMBER 3. SOLICITATION NUMBER 4. TYPE OF SOLICITATION 5. DATE ISSUED 6. REQUISITION/PURCHASE NO. G SEALED BID (IFB) S-LC04017 G NEGOTIATED (RFP) 12/31/2003 7. ISSUED BY CODE 8. ADDRESS OFFER TO (If other than Item 7) The Library of Congress OCGM/FEDLINK Contracts 101 Independence Avenue, S.E. Washington, DC 20540-9414 NOTE: In sealed bid solicitations “offer” and “offeror” mean “bid” and “bidder” SOLICITATION 9. Sealed offers in original and copies for furnishing the supplies or services in the Schedu.le will be received at the place specified in Item 8, or if handcarried, in the depository located in Item 7 until __2pm______ local time __Tues., February 4, 2004_. CAUTION -- LATE Submissions, Modifications, and Withdrawals: See Section L, Provision No. 52.214-7 or 52.215-1. All offers are subject to all terms and conditions contained in this solicitation. 10. FOR A. NAME B. TELEPHONE (NO COLLECT CALLS) C. E-MAIL ADDRESS INFORMATION CALL: Deborah Burroughs AREA CODE NUMBER EXT. [email protected] 202 707-0460 11. TABLE OF CONTENTS ( ) SEC. DESCRIPTION PAGE(S) ( ) SEC. DESCRIPTION PAGE(S) PART I - THE SCHEDULE PART II - CONTRACT CLAUSES A SOLICITATION/CONTRACT FORM 1 I CONTRACT CLAUSES 91-97 B SUPPLIES OR SERVICES AND PRICE/COST 3-23 PART III - LIST OF DOCUMENTS, EXHIBITS AND OTHER ATTACH. C DESCRIPTION/SPECS./WORK STATEMENT 24-77 J LIST OF ATTACHMENTS 98-100 D PACKAGING AND MARKING 78 PART IV - REPRESENTATIONS AND INSTRUCTIONS E INSPECTION AND ACCEPTANCE 79 K REPRESENTATIONS, CERTIFICATIONS 101-108 F DELIVERIES OR PERFORMANCE 80 AND OTHER STATEMENTS OF OFFERORS G CONTRACT ADMINISTRATION DATA 81-89 L INSTRS., CONDS., AND NOTICES TO OFFERORS 109-114 H SPECIAL CONTRACT REQUIREMENTS 90 M EVALUATION FACTORS FOR AWARD 115 OFFER (Must be fully completed by offeror) NOTE: Item 12 does not apply if the solicitation includes the provisions at 52.214-16, Minimum Bid Acceptance Period. -
Does Substrate Colour Affect the Visual Appearance of Gilded Medieval Sculptures? Part I: Colorimetry and Interferometric Microscopy of Gilded Models
Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: Colorimetry and interferometric microscopy of gilded models Qing Wu ( [email protected] ) Universitat Zurich https://orcid.org/0000-0001-5337-0396 Meret Hauldenschild Hochschule der Kunste Bern Benedikt Rösner Paul Scherrer Institut Tiziana Lombardo Swiss National Museum Katharina Schmidt-Ott Swiss National Museum Benjamin Watts Paul Scherrer Institut Frithjof Nolting Paul Scherrer Institut David Ganz University of Zurich Research article Keywords: medieval, gilding, surface, colour, substrate, colorimetry, interferometric microscopy Posted Date: October 23rd, 2020 DOI: https://doi.org/10.21203/rs.3.rs-66102/v2 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License Version of Record: A version of this preprint was published on November 23rd, 2020. See the published version at https://doi.org/10.1186/s40494- 020-00463-3. Page 1/17 Abstract In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can inuence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE AGNES DE MILLE'S DANCE IN THE AMERICAN MUSICAL THEATRE AND ITS INFLUENCE ON BROADWAY A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre Arts by Michelle Arlene Burkow January 1987 The Thesis of Michelle Arlene Burkow is approved: Paulette Shafranski, PhD William H. Zucche~ PhD Noreen C. Barnes, PhD, Chair California State University, Northridge ii DEDICATION This thesis is dedicated to my mother, who always encouraged me to try and achieve any goal I set for myself; and also to my grandfather Aron, who taught me about life and the joy of learning. ACKNOWLEDGEMENT I wish to thank the following people: Dr. Noreen Barnesforher faith and discerning eye; Dr. Paulette Shafranski for her neverending insights into the psyche as they relate to dance and life; Dr. William Zucchero for his knowledge of the little-known facts of American theatre; James Bell for his unselfish giving in regard to the art of acting; Alice Ashford for her love of the dance and amusing anecdotes; Tom Callas and David Cosio for their wonderful explanations on Broadway dance and music; and especially, Mrs. Walter Prude, for having given the world a part of herself expressed through acting and dance artistry. iii TABLE OF CONTENTS Chapter Page Dedication . iii Acknowlegement .................................. iii Abstract ........................................ v Introduction . 1 1. De Mille's Early Dance Endeavors .••••••.••.. 5 2. De Mille's "Country" Shows and Their Revivals 13 A. Revivals ................................ 24 3. De Mille's Other Post-Oklahoma! Works ..•.•.• 36 4. De Mille's Influence on Other Choreographers and Future Broadway Musicals .••......•••. -
Jonathan Stuart Cerullo Broadway | International
JSCTheatricals, LLC | President JONATHAN STUART CERULLO Office: 212.757.6409 | Mobile: 646.530.0937 Director & Choreographer | Executive Producer [email protected] | [email protected] www.jsctheatricals.com Dramatists Guild oF America Actors Equity Association Nominating Member – Stage Director & Choreographer’s Society Commercial Theater Institute Alumni Joe A. Callaway Award & The Lortel Award OfF Broadway Alliance Artistic Associate with Amas Music Theatre Entertainment Attorney | Jason Aylesworth, Esq. | SendroFF & Baruch, LLP | 212.840.6400 BROADWAY | INTERNATIONAL Easter Bonnet Competition Conceived, Directed & Choreographed MINSKOFF THEATRE ‘16 30th Anniversary Broadway Cares | Equity Fights AIDS Tea for Two, The Bucket Bridge for You Dear Mr. Gershwin, Conceived, Directed & Choreographed ROYAL THEATRE ‘10 Victoria Symphony Orchestra - Victoria BC Say Goodnight, Gracie Dance Instructor to Frank Gorshin HELEN HAYES THEATRE ‘02 ‘03 Tony Award Nominee - Best Play Director: John Tillinger Book by Rupert Holmes Band In Berlin Assistant Director & Choreographer HELEN HAYES THEATRE ‘99 ’98 Barrymore Award Director & Choreo: Patricia Birch - Susan Feldman Outstanding Ensemble Performance [also: Geva Theatre & Arts at St. Ann’s] RSVP Broadway Associate Director & WINTER GARDEN THEATRE ‘99 Tap Choreographer Toronto, Canada Director & Choreo: Patricia Birch Video 50 Years Honoring Uta Hagen Creator & Director TOWN HALL, NYC ‘95 w/Celeste Holm & Matthew Broderick Anna Karenina Associate Choreographer CIRCLE IN THE SQUARE ‘92 -
NEWS from the JEROME ROBBINS FOUNDATION VOL. 7, NO. 1 (2020) 75Th Anniversary Gala of New York Public Library for the Performing Arts’ Jerome Robbins Dance Division
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 7, NO. 1 (2020) 75th Anniversary Gala of New York Public Library for the Performing Arts’ Jerome Robbins Dance Division On Wednesday, December 4, 2019, The New York Public Library for the Performing Arts celebrated the Jerome Robbins Dance Division’s 75th anniversary with a unique gala that raised more than $723,000 in critical funds that will help the division document, collect, and preserve the history of dance and provide free services and programs for all. More than 200 dance-loving attendees moved through the Library for the Performing Arts in Lincoln Center viewing site-specific movement pieces cre- ated specifically for the occasion by Ephrat Asherie, The Bang Group, Jean Butler, Adrian Danchig-Waring, Heidi Latsky, Michelle Manzanales, Rajika Puri, and Pam Tanowitz. Staged in unexpected spaces (among the stacks, on reading room tables, through hallways, and on stairways), these brief performances fea- tured dancers including Chelsea Ainsworth, Chris Bloom, Jason Collins, Shelby Colona, Lindsey Jones, Jeffrey Kazin, Victor Lozano, Aishwarya Madhav, Georgina Pazcoguin, Nic Petry, Jaclyn Rea, Tommy Seibold, Amber Sloan, Gretchen Smith, Leslie Taub, Melissa Toogood, and Peter Trojic. The evening’s performances culminated in the Library’s Bruno Walter Auditorium with an excerpt from Jerome Robbins’ Other Dances, featuring American Ballet Theatre Principal Dancer Sarah Lane and New York City Ballet Principal Dancer Gonzalo Garcia. Jerome Robbins originally created the work in 1976 for a fundraiser to support the Library. The Jerome Robbins Dance Division’s 75th Anniversary Gala was chaired by Caroline Cronson & The Jerome Robbins Foundation.