The Rebel Returns
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SIEL-LIEN-Shatter-Album-Release-Single 334.11 Kb
SEIL LIEN ANNOUNCE DEBUT RECORD ‘SHATTER’ + VIDEO FOR ‘IT’S LOVE THAT BROUGHT YOU HERE’ Album release: April 17th 2020 Label: CarbFace Records Pre-order from: https://seillien.bandcamp.com/album/shatter Website // Twitter // Facebook // Instagram // Spotify "Sublime debut" Planet Rock “Someone once described me as Nine Inch Nails meets Kate Bush, which I thought was funny. But I see what they mean, there’s an ethereal vulnerability which contrasts to the producers industrial edge.” Says Marie- Claire of Glaswegian atmospheric rock act SEIL LIEN. Due release their debut album ‘Shatter’ on April 17th 2020, SEIL LIEN is one of the most unique artists to come out of Scotland, and the brain child of an uncompromising underground experimentalist. A preview of the record can be heard on the new single ‘It’s Love That Brought You Here’ released today, with an accompanying video available to view on YouTube HERE. WATCH: ‘It’s Love That Brought You Here’ via YouTube With a solid fanbase built up over years of hard graft playing live, SEIL LIEN’s debut album ‘Shatter’ has been a long-awaited follow up to the aptly named ‘A Little While More EP’ released in 2018. Hitting the ground running, SEIL LIEN were thrust into the public eye when in 2018, through the publishing arm of Ninja Tune, the song ‘A Little While More’ was synced in a series of Boots ‘Inspirational Women’ campaign advertisements. Lead member Marie-Claire described the experience as “amazing, unexpected and life affirming!” and the catalyst to get the debut album finished. The final product is eight songs of uncompromising artistry a total of 3 years in the making, and a sound that could be described as the distillation of prolonged periods of improvisation and experimentation. -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
LINEN SALE the Cominenoeiiient Exercises of Tlie Tuesday Evenings, June 19Aud 20, Com Adilttllvii
i0ianta VOL. XLVII. MASON, MICH.. THURSDAY, JUNE 15, 1905. NO. 24. ;,'!J': GRADUATING EXERCISES Senior Oratoricals, WILL BE RE-ELECTED. The class of 1005, Mason High fl GIFT Will 1)0 Ilolil nt Uiiyiinr Opurit II»UN«! School, will give iheir ora'toricals at Krln II. OikNtnrllii IN WIUIIIIIK: » I'liiuv TliiirNdiiy KVUIIIIIK', JIIIIU S2, the high school room on Monday und uf I'roiuliiuiive ia Iltlcli. (JOIIUKO THAT IS HARD LINEN SALE The cominenoeiiient exercises of tlie Tuesday evenings, June 19aud 20, com Adilttllvii. TO BEAT. classes of 1905,-Mason High school and mencing at eight o'clock. Following Wc want every careful and judicious buj'cr to visit oijr Ingham County Normal school will is the program; From llie Alma Journal. Linen Department duringf this sale. In Table Linens, Towels, i)e held at Rayner opera house Thurs MONDAY reVBNlNCl,.TUNKll),lfl05, Couspiclous among those who have Crashes, Napkins. Lunch Cloths and Pillow Shams, we are day evening, June 22, at 8 o'clock. rnvocftHoii, won a nume for themselves In Alma a K©02\K showing positive bargains in quality, worth and price that you Seven young men and six young ladies Music-"Evening Slnoiber" , college la Erie H. Casterliu, '07, Alma's will graduate from the High school .' UIKII ;-ieboal Orcliealra athletic director iu the Michigan Inter cannot fail to appreciate. Essay—•'Jlodurn OboiiUHlry" „.. FROM and nine young ladies will receive , Allen Donald Uowo collegiate Athletic assoclaliou. Mr. Li your own interests come and secure some of these Linen (liploinas from the normal school. Essay—"Tlie liilliionoe of Lllerauiro'' Casterliu came to Alma from Mason $1.00 TO $35.00 JSlliol V. -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
TX Craft Beer Week—The Puckish Nick Lowe—Side Ef
Vol. 4 JUNE 2012 JUNE — issue 6 issue Also inside: When Asia Isn’t Exactly Asia—Plaza Implosion Postmortem— TX Craft Beer Week—The Puckish Nick Lowe—Side Effects—LOUD! FEST In Pickchures—12 Summer Reads—Todd On Film—Concert Calendar Asia Not Asia Every year I allot precious column inches to crapping all over College Station’s Starlight Music Series, a set of five or six concerts held over the summer at Wolf Pen Creek Amphitheater. My general complaint is that, aside from 979Represent is a local magazine booking Rosie Flores and Cowboy Mouth, most of the head- lining acts have been crumby tribute bands or some other for the discerning dirtbag. bullshit. My point of view has been that I believe the City of College Station has a completely different take on what the Starlight Series should be than me. Okay, so be it. The Editorial bored attraction is getting families to camp out and enjoy music in the park, not about bringing awesome music to College Kelly Minnis—Kevin Still Station. I’m cool with that. What I wish they’d do is instead of paying thousands to bring cover bands to town that they Art Splendidness should instead pay those thousands of dollars to local cover bands and keep the money here and promote local artists. Wonko The Sane—Katie Killer Make the locals the feature artists instead of letting them open for the touring version of the locals. But that is what it is, and I let it be. Folks That Do Other Shit For Us Until I noticed a couple of months back that Starlight had Tom Callins, Jack A. -
Behind the Music
Q&A BEHIND THE MUSIC It’s crazy to think that this year marks the 20th Anniversary of Kurt Cobain’s passing – a true game-changer in our industry, and a man who, in many ways, revolutionised music, inadvertently spawning a whole new scene. Nevermind is a seminal record, and its success was the catalyst for record labels’ mission impossible, the search for ‘the next Nirvana’. Although he might not have known it at the time, those 16 days recording Nevermind would change Butch Vig’s career forever. It paved the way for a remarkable musical journey, the production of a string of hit records for supergroups such as The Smashing Pumpkins, The Foo Fighters, and many more... Not to mention Garbage, Vig’s own band, which has enjoyed more than 17 million record sales over the last two decades. This legend of the game reveals some of his trade secrets, and shares some fond, unforgettable memories... Your career speaks for itself, but first up, how did it all begin for you? Well, I played in bands in high school in a small town in Wisconsin, and then I went to University in Madison. I started getting into the local music scene, and joined a band, which was sort of a power pop, new wave band called Spooner; and Duke [Erikson] from Garbage was the guitarist and lead singer at the time. I also got a degree in film, and ended up doing a lot of music for film; a lot of synth, and abstract music, and that’s where I kind of got the recording bug. -
La Pasiva Perifrastica #2
La Pasiva PerifrAstica #2 Mexican Fagzine / Letras Cuir Septiembre 2016 INDICE 3 La derecha está en campaña contra los derechos humanos de la co- munidad LGBT+… Por un hablador irresponsable 7 Contarte en lésbico de Elena Madrigal Héctor 11 Colección de encabezados Por un hablador desconocido 13 Katleen Hanna, Riot Grrl hasta el final Lidia Gatica 9 Title 1 xJvlivsx 19 Sex is not the enemy! Supervixen Está terminantemente permitida y es alentada la reproducción total o parcial de este documento. Nota del Editor Este número resultó en algo muy chingón. Para mí, la perfecta combinación de política y música. Con lo que ha pasado este mes, con tanta marcha por la familia heteronormada y el Trump que se quiere comer a los Estados Unidos y jodernos a los mexicanos en el pro- ceso, uno no puede evitar encabronarse, ¿pero saben qué hay que hacer cuando uno está encabronado, triste o ambos (estado catártico al que llamo emputristeza)? Escu- char punk. No sólo punk, pero mi subgénero favorito: queercore y la música de las Riot Grrls. Súbele el volumen, grita, patalea, arma un slam en tu cuarto y mientras tanto, léete esta zine y checa lo que les traemos ahora. Un colaborador que ha hecho llamar Hablador Irresponsable nos manda una muy bien hecha y muy necesitada crítica a los políticos de izquierda que no se han pronunciado ni en contra del FNF ni a favor de la comunidad LGBTQIA+, mientras que los de dere- cha armaban sus pedas llenas de cisexismo y homofobia. Una vez más, Héctor nos trae una reseña literaria, esta vez de un poemario lésbico, del cual me dejó leer un poema bastante cómico, pero él lo explica mejor que yo, ¡chéquenlo en la página 7! Lidia Gatica ha escrito un artículo sobre Katleen Hanna, para mí, la Riot Grrl más em- blemática, vocalista de Bikini Kill, banda que me enseñó lo que era el queer punk. -
Investigating the Chronological Variation of Popular Song Lyrics Through Lexical Indices
Investigating the Chronological Variation of Popular Song Lyrics Through Lexical Indices Investigating the Chronological Variation of Popular Song Lyrics Through Lexical Indices Yuichiro Kobayashi1, Misaki Amagasa**, and Takafumi Suzuki** Abstract Popular songs can be regarded as a fine representation of modern society and culture. In particular, the lyrics of popular songs are the most important aspect for understanding the sense of values and linguistic sensitivity in a given generation and community. The purpose of the present study is to investigate the chronological variation of popular Japanese songs using stylometric techniques. This study draws on the lyrics of 858 songs, which appeared on the Oricon annual top 20 single hit chart between 1976 and 2015. The linguistic features investigated in this study include five different types of lexical indices, namely (a) number of words, (b) parts-of-speech, (c) word types, (d) character types, and (e) vocabulary level. Multiple regression analysis was conducted to explore the chronological change in the frequencies of lexical indices. The results showed that the frequencies of word types and character types dramatically changed before and after 1990. Moreover, the usages of auxiliary verbs as well as lower level vocabulary became more prominent, whereas the frequencies of adjectival nouns and conjunctions decreased. The findings suggest that a turning point in cultural trends corresponds with the historically significant political and economic events, such as the end of the Showa era and the burst of the bubble economy. 1. Introduction Popular songs provide a special kind of window into modern society and culture. In the United States, a number of people listen to top-ranked songs on the Billboard chart, and many songwriters make an effort to compose songs that can reach not just domestic listeners but also overseas fans. -
Chant) : on Voulait Simplement D’Écriture a Été Complètement Différent Cette L Pourquoi Avoir Attendu Si Longtemps Avant De Lancer Fois
TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE MENSUEL GRATUIT SEPTEMbRE 2012 60 Daily Rockwww.daily-rock.com Les concerts 2 – 3 • • One Lucky Sperm Les interviews 4 – 7 • • Testament • Sybreed • The Hives • Danko Jones • Katatonia • François and the Atlas mountain Le calendrier 8 – 9 Les dossiers 11 – 12 • • Croisière Kiss GARBAGE Les chroniques 13 – 14 • Coconut Kings • Progstone développement durable • Arcane Roots • Dinosaur Jr. © Laure Noverraz • Dead Can Dance • Rencontre avec la moitié ont alors arrêté de nous promouvoir. Après sept Ma vie explosait dans tous les sens et j’ai eu le même ans, nous avons décidé que nous valions mieux sentiment lorsque j’ai revu les gars après sept ans, sexy/marrante de Garbage, que ça. Nous avons des fans même si la maison de une sorte d’explosion. On savait que quelque chose groupe que certains avaient disques pense le contraire. C’est ce qui a motivé de bon allait arriver. La chanson parle de… sexe, enterré un peu tôt. ce nouvel album en fait. mais avec la perspective d’un adulte. Lorsque j’étais édito jeune, je ne me sentais pas puissante sexuellement. Je Pussy Rioteuses, Pussy Rioteurs, Rigolade et enthousiasme Votre dernière vidéo 'Blood for Poppies' a été vue plus ne comprenais pas ce qui se passait. En grandissant, Dans le marasme d’un mois d’août au programme, saupoudrés d’un million de fois sur YouTube, qu’est-ce que ça vous tu développes une certaine confiance en toi. Tu plombé sous une chaleur à en faire inspire ? commences à savoir ce que tu veux et comment pâlir d’envie le Malin lui-même, d’un poil d’amertume. -
Two New Orleans Stories
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-16-2003 My Kind of Music: Two New Orleans Stories Mary-Louise Ruth University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Ruth, Mary-Louise, "My Kind of Music: Two New Orleans Stories" (2003). University of New Orleans Theses and Dissertations. 16. https://scholarworks.uno.edu/td/16 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MY KIND OF MUSIC: TWO NEW ORLEANS STORIES A Thesis Submitted to the Graduate faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Mary-Louise Ruth B.A., University of New Orleans, 1970 Education Credential, St. Mary’s College, 1987 May 2003 Copyright 2003, Mary-Louise Ruth ii ACKNOWLEDGMENTS I wish to thank all of my teachers and fellow students for their perceptive comments, criticisms and support which will inspire me for the rest of my life. -
Garbage, Die Band Um Die Schottische Sängerin Shirley Manson, Duke Erikson, Steve Marker Und Butch Vig, Kommt Zurück Nach Deutschland!
Garbage, die Band um die schottische Sängerin Shirley Manson, Duke Erikson, Steve Marker und Butch Vig, kommt zurück nach Deutschland! Nachdem sich die Band in Madison im US-Bundesstaat Wisconsin formiert hatte, ist 1995 ihr selbstbetiteltes Debütalbum erschienen. Die Platte mit Hits wie “Stupid Girl”, “Only Happy When It Rains”, “Queer” und Anderen verkaufte sich mehr als vier Millionen Mal und machte die Band um den erfolgreichen Produzenten Butch Vig - der unter anderem für Nirvanas “Nevermind” verantwortlich war - zu einer der einflussreichsten Alternative-Rock-Bands der USA. Ihr einzigartiger Sound und die provokante visuelle Ästhetik sorgten für weltweite Aufmerksamkeit und Erfolg. Das folgende Album “Version 2.0” überstieg den Erfolg des Debüts noch einmal, erreichte 1998 in vielen Ländern die Charts und wurde gleich in mehreren Kategorien – inklusive “Album des Jahres” - für einen Grammy nominiert. “Version 2.0” bleibt bis heute Garbages kommerziell erfolgreichstes Album. Mit “Beautiful Garbage” (2001) und “Bleed Like Me” (2005) folgten zwei weitere erfolgreiche Platten des Quartetts. Nach einer siebenjährigen Auszeit veröffentlichten Garbage 2012 das Album “Not Your Kind Of People” auf dem bandeigenen Indie-Label Stunvolume. Das Werk wurde damals unter den 50 besten Platten des Jahres im Rolling Stone geführt und von Pichtfork als “the alternative to everything” bejubelt. 2016 folgte „Strange Little Birds“, das ebenfalls von Fans und Kritikern hochgeschätzt ist. Garbage haben bis dato weltweit mehr als 15 Millionen Alben verkauft und sind in 45 Ländern aufgetreten – Deutschland war dabei jedoch immer eine ihrer wichtigsten Anlaufstellen. Die erste Jahreshälfte von 2019 verbringt die amerikanische Band größtenteils im Studio, um an ihrem siebten Album zu arbeiten. -
June 2002 BBRANCHESRANCHES OOUTUT
• WECKL’S NEW SABIAN CYMBALS • MORE BILLY WARD • LLETTERMANETTERMAN’’SS ANTANTONON FIGFIG June 2002 BBRANCHESRANCHES OOUTUT AALIENLIEN AANTNT FFARMARM’’SS MMIKEIKE CCOSGROVEOSGROVE BBUTCHUTCH VVIGIG OOFF GGARBAGEARBAGE JJOHNOHN DDOLMAOLMAYYANAN “C“CHOPHOP SSUEYUEY”” DDANNYANNY CCAREYAREY’’SS TTOOLOOL GGROOVESROOVES MD’MD’SS MMASSIVEASSIVE NEW PRODUCT PREVIEW! $4.99US $6.99CAN NEW PRODUCT PREVIEW! 06 0 74808 01203 9 Contents ContentsVolume 26, Number 6 David Letterman’s ANTON FIG Obscure South African drummer becomes first-call drummer for New York’s most prestigious gigs. Read all about it. by Robyn Flans 38 Paul La Raia Alien Ant Farm’s UPDATE 20 MIKE COSGROVE Sveti’s Marko Djordjevic The AAF formula for heavy-rock success? Ghetto beats, a Michael 52 CPR’s Stevie Di Stanislao Jackson cover, and work, work, Willie Nelson’s Paul & Billy English Alex Solca and more work. by David John Farinella Japanese Tabla Synthesist Asa-Chang Warrant’s Mike Fasano Garbage’s Lamb Of God’s Chris Adler BUTCH VIG That rare artist with platinum experi- ROM HE AST ence on both sides of the glass, 62 F T P 132 Butch Vig knows of what he speaks. WEST COAST BEBOP PIONEER Alex Solca by Adam Budofsky ROY PORTER He carried first-hand knowledge from Charlie Parker to the West Coast, and helped MD’S PRODUCT EXTRAVAGANZA usher in a new chapter in jazz history. by Burt Korall Gearheads of the world, this is your issue! WOODSHED 138 76 CHRIS VRENNA Running on caffeine and plenty of ROM, ex–Nine Inch Nails drummer Chris Vrenna creates sonic scenarios unlike anything you’ve heard.