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Bibliography Bibliography Adam, Paul. “Les salons de 1896: la peinture, les dessins et les objets d’art au Salon du Champ-de-Mars.” Gazette des Beaux-Arts 16, no. 3 (1896): 5–35. Adams, Henry. The Degradation of the Democratic Dogma. New York: Macmillan, 1919. Ahlund, Claes. Medusas huvud: Dekadensens tematik I svensk sekelskiftsprosa. Acta Universitatis Upsalensis: Historia litterarum 18. Uppsala: Uppsala University, 1994. Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de Siècle. Göttingen: Cuvillier, 1996. Alatri, Paolo. Gabriele D’Annunzio. Paris: Fayard, 1992. Anderson, Per Thomas. Dekadanse I nordisk litteratur 1880–1900. Oslo: Aschehaug, 1992. Andreoli, Annamaria. “Note.” In Versi d’amore e di Gloria, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. ———. Il vivere inimitabile. Vita di Gabriele D’Annunzio. Milan: Mondadori, 2001. Anstie, Francis Edmund. Stimulants and Narcotics, Their Mutual Relations. 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La Normandie illustrée, Monuments, sites et costumes de la Seine-Inférieure, de l’Eure, du Calvados, de l’Orne et del la Manche. Nantes: Charpentier, 1852. Bentley, Toni. Sisters of Salome. New Haven: Yale University Press, 2002. Bérenger, Henry. L’aristocratie intellectuelle. Paris: Colin, 1895. Bergman-Carton, Janis. “Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness.” Art Journal 55, no. 2 (1996): 55–64. Bernadac, Marie-Laure, ed. Le Symbolisme russe. Paris: Réunion des musées nationaux, 2000. Bernecker, Walther L. “Del ‘desastre de 1898’ a ‘la crisis de fin de siglo.’ El cambio de paradigm en la historiografia española sobre la Guerra BIBLIOGRAPHY 247 hispanoamericana.” In España en América: Influencias, intereses, imágenes. Madrid: Iberoamericana, 2007. Bernheimer, Charles. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de-Siècle in Europe. Baltimore: Johns Hopkins University Press, 2002. 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Profils perdus. Paris: Plon, 1885. Bouton, Christophe, ed. Dieu et la nature: la question du panthéisme dans l’idéalisme allemand. Hildesheim: Olms, 2005. Bowlt, John E. Moscow and St. Petersburg 1900–1920: Art, Life and Culture. New York: Vendome, 2008. ———. The Silver Age, Russian Art of the Early Twentieth Century and the “World of Art” Group. Newtonville, MA: Oriental Research Partners, 1979. ———. “Through the Glass Darkly: Images of Decadence in Early Twentieth- Century Russian Art.” Journal of Contemporary History 17, no. 1 (1982): 93–110. Bowra, Cecil Maurice. “Cavafy and the Greek Past.” In The Creative Experiment. Edited by C. M. Bowra, 29–60. London: Macmillan, 1967. Boyle-Turner, Caroline and Samuel Josefowitz. Gauguin and the School of Pont-Aven: Prints and Paintings. London: Royal Academy of Arts, pub- lished in association with Weidenfeld and Nicolson, 1989. Braungart, Wolfgang. Ästhetischer Katholizismus: Stefan Georges Rituale der Literatur. Tübingen: Niemeyer, 1997. Breuer, Stefan. Ästhetischer Fundamentalismus: Stefan George und der deutsche Antimodernismus. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995. Brunetière, Ferdinand. Art and Morality. Translated by Arthur Beatty. Boston: Crowell, 1899. Brush, Stephen. The Temperature of History: Phases of Science and Future in the Nineteenth Century. New York: Burt Franklin, 1978. 248 BIBLIOGRAPHY Bucknell, Brad. “On ‘Seeing’ Salome.” English Literary History 60, no. 2 (1993): 503–26. Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Calloway, Stephen and Orr Lynn Federle, eds. The Cult of Beauty, the Aesthetic Movement 1860–1900. London: Victoria and Albert, 2011. Cambry, Jacques. Voyage dans la Finistère, ou État de ce department en 1794 et 1795. Paris: Cercle-social, 1799. Campas, Chryssoula. “Athen und Ägypten. Helmut von den Steinen, Übersetzer von Kavafis.” In Hellas Verstehen. 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