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Bibliography Adam, Paul. “Les salons de 1896: la peinture, les dessins et les objets d’art au Salon du Champ-de-Mars.” Gazette des Beaux-Arts 16, no. 3 (1896): 5–35. Adams, Henry. The Degradation of the Democratic Dogma. New York: Macmillan, 1919. Ahlund, Claes. Medusas huvud: Dekadensens tematik I svensk sekelskiftsprosa. Acta Universitatis Upsalensis: Historia litterarum 18. Uppsala: Uppsala University, 1994. Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de Siècle. Göttingen: Cuvillier, 1996. Alatri, Paolo. Gabriele D’Annunzio. Paris: Fayard, 1992. Anderson, Per Thomas. Dekadanse I nordisk litteratur 1880–1900. Oslo: Aschehaug, 1992. Andreoli, Annamaria. “Note.” In Versi d’amore e di Gloria, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. ———. Il vivere inimitabile. Vita di Gabriele D’Annunzio. Milan: Mondadori, 2001. Anstie, Francis Edmund. Stimulants and Narcotics, Their Mutual Relations. New York: Arno, 1981. 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Athanasopoulou, Aphroditi. “O ‘πολιτικός’ Σεφέρης και ο ‘ιστορικός’ Καβάφης· παράλληλο;.” Το Δέντρο 179/180 (2011): 9–22 [“O ‘poli- tikós’ Seféris kai o ‘historikós’ Kavafis parállilo?” To Déntro 179/180 (2011): 9–22]. Badone, Ellen. The Appointed Hour: Death, Worldview and Social Change in Brittany. Berkeley: University of California Press, 1989. Baldi, Guido. L’ambiguità della “decadenza”: D’Annunzio romanziere. Napoli: Liguori, 2008. Balducci, Maria Giulia. Introduction to Trionfo della morte, by Gabriele D’Annunzio. Edited by Maria Giulia Balducci, v–xxxvi. Milan: Mondadori, 1995. Barrès, Maurice. La République ou le roi: correspondance inédite, 1888–1923: Maurice Barrès- Charles Maurras. Paris: Plon, 1970. Battaglia Ricci, Lucia. Ragionare nel giardino: Boccaccio e i cicli pittorici del Trionfo della Morte. Rome: Salerno Editrice, 2000. Baudelaire, Charles. “Edgar Allen Poe, His Life and Works.” In Selected Writings on Art & Artists. Edited by C. Baudelaire. Translated by P. E. Charvet, 162–87. Cambridge: Cambridge University Press, 1981. ———. Oeuvres complètes. Edited by Claude Pichois. Paris: Gallimard, 1975. Bauer, J. Edgar. “The Saint and the Dandy: Oscar Wilde’s Aestheticism and the Transformation of Religion.” Paper presented at the 1993 CESNUR Conference at the London School of Economics, http://www.cesnur .org/2003/bauer_wilde.htm. Bazalgette, Léon. À quoi tient l’inferiorité française? Paris: Librairie Fischbacher, 1900. ———. Le problème de l’avenir latin. Paris: Librairie Fischbacher, 1903. Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Clarendon, 1996. Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France. Ithaca: Cornell University Press, 1994. Bénédite, Léonce. “Les Salons de 1898.” Gazette des beaux arts 20, no. 3 (1898): 55–76. ———. “Charles Cottet.” Art et décoration: revue mensuelle d’art moderne 15, no. 1 (1904): 101–16. Benoist, Félix, and Hippolyte Lalaisse. La Normandie illustrée, Monuments, sites et costumes de la Seine-Inférieure, de l’Eure, du Calvados, de l’Orne et del la Manche. Nantes: Charpentier, 1852. Bentley, Toni. Sisters of Salome. New Haven: Yale University Press, 2002. Bérenger, Henry. L’aristocratie intellectuelle. Paris: Colin, 1895. Bergman-Carton, Janis. “Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness.” Art Journal 55, no. 2 (1996): 55–64. Bernadac, Marie-Laure, ed. Le Symbolisme russe. Paris: Réunion des musées nationaux, 2000. Bernecker, Walther L. “Del ‘desastre de 1898’ a ‘la crisis de fin de siglo.’ El cambio de paradigm en la historiografia española sobre la Guerra BIBLIOGRAPHY 247 hispanoamericana.” In España en América: Influencias, intereses, imágenes. Madrid: Iberoamericana, 2007. Bernheimer, Charles. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de-Siècle in Europe. Baltimore: Johns Hopkins University Press, 2002. Binni, Walter. La poetica del decadentismo. Florence: Sansoni, 1996. Birkett, Jennifer. “Fin-de-Siècle Painting.” In Fin de Siècle and Its Legacy. Edited by Mikuláš Teich and Roy Porter, 152–59. Cambridge: Cambridge University Press, 1990. Bisno, Adam. “Stefan George’s Homoerotic Erlösungsreligion, 1891–1907.” In A Poet’s Reich: Politics and Culture in the George Circle. Edited by Melissa S. Lane and Martin A. Ruehl, 37–55. Rochester, NY: Camden House, 2011. Blakesley, Rosalind P. “A Century of Women Painters, Sculptors, and Patrons from the Time of Catherine the Great.” In An Imperial Collection: Women Artists from the State Hermitage Museum. Edited by Jordana Pomeroy, Rosalind P. Blakesley, Vladimir Matveyev, and Elizaveta P. Renne, 51–75. London: Merrell, 2003. Bloch, Iwan. Das Sexualleben unserer Zeit in seinen Beziehungen zur modernen Kultur. Berlin: Marcus, 1908. Borok, Natal’ia Polenova. “M. V. Iakunchikova,” Mir iskusstva 3 (1904): 105–24. Bourget, Paul. Cruelle énigme. Profils perdus. Paris: Plon, 1885. Bouton, Christophe, ed. Dieu et la nature: la question du panthéisme dans l’idéalisme allemand. Hildesheim: Olms, 2005. Bowlt, John E. Moscow and St. Petersburg 1900–1920: Art, Life and Culture. New York: Vendome, 2008. ———. The Silver Age, Russian Art of the Early Twentieth Century and the “World of Art” Group. Newtonville, MA: Oriental Research Partners, 1979. ———. “Through the Glass Darkly: Images of Decadence in Early Twentieth- Century Russian Art.” Journal of Contemporary History 17, no. 1 (1982): 93–110. Bowra, Cecil Maurice. “Cavafy and the Greek Past.” In The Creative Experiment. Edited by C. M. Bowra, 29–60. London: Macmillan, 1967. Boyle-Turner, Caroline and Samuel Josefowitz. Gauguin and the School of Pont-Aven: Prints and Paintings. London: Royal Academy of Arts, pub- lished in association with Weidenfeld and Nicolson, 1989. Braungart, Wolfgang. Ästhetischer Katholizismus: Stefan Georges Rituale der Literatur. Tübingen: Niemeyer, 1997. Breuer, Stefan. Ästhetischer Fundamentalismus: Stefan George und der deutsche Antimodernismus. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995. Brunetière, Ferdinand. Art and Morality. Translated by Arthur Beatty. Boston: Crowell, 1899. Brush, Stephen. The Temperature of History: Phases of Science and Future in the Nineteenth Century. New York: Burt Franklin, 1978. 248 BIBLIOGRAPHY Bucknell, Brad. “On ‘Seeing’ Salome.” English Literary History 60, no. 2 (1993): 503–26. Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Calloway, Stephen and Orr Lynn Federle, eds. The Cult of Beauty, the Aesthetic Movement 1860–1900. London: Victoria and Albert, 2011. Cambry, Jacques. Voyage dans la Finistère, ou État de ce department en 1794 et 1795. Paris: Cercle-social, 1799. Campas, Chryssoula. “Athen und Ägypten. Helmut von den Steinen, Übersetzer von Kavafis.” In Hellas Verstehen. Deutsch Griechischer Kulturtransfer im 20. Jahrhundert. Edited by Chryssoula Campas and Marilisa Mitsou, 289–328. Cologne: Böhlau, 2010. Campbell, Harry. Differences in the Nervous Organisation of Man and Woman: Physiological and Pathological. London: Lewis, 1891. Cantelmo, Marinella. Il piacere dei leggitori. D’Annunzio e la comunicazione letteraria. Ravenna: Longo, 1996. Cappello, Angelo Piero. “Note e notizie sui testi.” In Prose di ricerca, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Giorgio Zanetti, 3444–45. 3 vols. Milan: Mondadori, 2005, Vol 2. Cariou, André. Charles Cottet et La Bretagne. Moulin de Perret, Raillé: URSA/Le Chasse-marée, 1988. ———. Le peintre Charles Cottet et la Bretagne. Rennes: Université de Haute- Bretagne, 1972. Carlyle, Thomas. On Heroes, Hero-Worship and the Heroic in History: Six Lectures. New York: Wiley and Putnam, 1846. Carpenter, Henry and Mari Pritchard. The Oxford Companion to Children’s Literature. Oxford: Oxford University Press, 1984. Carter, Alfred E. The Idea of Decadence in French Literature 1830–1900. Toronto: University of Toronto Press, 1958. Cavafy, C. P. Collected Poems. Edited by George Savidis, translated by Edmund Keely and Philip Sherrard. Princeton: Princeton University Press, 1992. Cazamian, Madeleine. Le roman et les idées en Angleterre, l’Anti-Intellectual- isme et l’esthétisme, 1880–1900. Paris: Les Belles Lettres, 1935. Chadwick, Whitney. Women, Art, and Society. 2nd ed. London: World of Art, 1996. Chantovoine, Jean. “Artistes contemporains. M. Charles Cottet.” Gazette des Beaux-Arts 16, no. 650 (1911): 103–22. Chappelle, John A. V. Science and Literature in the Nineteenth Century. London: Macmillan, 1986. Charalambidou-Solomi,
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  • The Importance of Salomé: Approaches to a Fin De Siècle Theme

    The Importance of Salomé: Approaches to a Fin De Siècle Theme

    THE IMPORTANCE OF SALOMÉ: APPROACHES TO A FIN DE SIÈCLE THEME Anthony Pym Published in French Forum 14/3 (1989): 311-322. Salomé: Topic and Theme Salomé dances; John the Baptist is beheaded; and that, so it would seem, is enough to define one of the most extensive themes of high Modernism. But although Salomé has been well studied and documented as a textual corpus1, no researcher has yet seriously posed the problem of how such a theme should be approached, nor why this particular corpus should be of any particular importance to literary history. This is moreover a problem of thematics as a whole, which has long tended to be overwhelmed by its material and not sufficiently endowed with serious thought about why and how such investigations should be undertaken. In this sense, careful treatment of Salomé may to some extent exemplify a more general methodological strategy, and should hopefully lead thematics to cut short some of its more useless endeavors and say something of or about historical importance. An essentially pragmatic Stoffgeschichte would accept as Salomé virtually any woman going by that name. But should one also accept every woman named Herodias or Hérodiade, the mother occasionally confused with her generally dancing daughter? Should acceptance similarly be extended to a Salomé who speaks instead of dancing (Laforgue), who becomes a devout Christian (Heywood), or who lives in New York (Yezierska)? And what might then be done with a narrative that makes structural reference to Salomé but insists on calling her “La Fanfarlo” and replaces the beheading with the far more modern catastrophe of bourgeois marriage and the birth of twins? This kind of questioning quickly reveals the fragility of most attempts of distinguish any one theme from another.
  • Robert Ross Memorial Collection: Envelopes Box 1: Ross Env

    Robert Ross Memorial Collection: Envelopes Box 1: Ross Env

    Robert Ross Memorial Collection: Envelopes Box 1: Ross Env b.2 - Ross Env b.10; Ross Env c.1 - Ross Env c.35 Ross Env b.2 (Ross b.2: Pan, Vols. 19, 31, 32). Contents (5 items): 4 letters, 1 set of notes. Ross Env b.2.i A letter (1 leaf, manuscript) from H.V.S. [Hedley Vicars Storey, author and bookseller, manager of the Shelley Book Agency, 1870-1929] to Christopher Millard [Christopher Sclater Millard, author and bookseller, 1872- 1927]; dated 14th February 1912. Storey writes that he has been unwell and has gone to Brighton to recover. He explains that he has written to a friend in Oxford who will look at Pan and get the information Millard wants, noting that he was not well enough to go to the Bodleian before he left Oxford but will write again when he hears more. He also writes that he has something to send to Millard and that he recently read Millard’s letter about Oscar Wilde’s letters [the title of the publication not deciphered] and that he bought one of Wilde’s letters two years ago and, although he sold it, kept a copy which he asks if Millard would like to see. He concludes by sympathising with Millard over his financial situation and explaining that he too has yet to make his fortune, noting that his partnership was the ‘biggest trouble of my life’ [the name of Storey’s partner could not be deciphered]. Ross Env b.2.ii A letter (1 leaf, manuscript) from Hedley Storey to Christopher Millard; dated 3rd March 1912; written on headed stationery: “Shelley Book Agency for social reform literature…books, pamphlets, blue books, and periodicals…Gloucester Street, Oxford”.
  • Herodias and Salome: Worldly Women

    Herodias and Salome: Worldly Women

    Herodias and Salome: worldly Women INTRODUCTION Among the female characters of the Bible, Herodias and her daughter, Salome proved to be a deadly duo of evil. Through Herodias’ adulterous marriage to King Herod Antipas, they both arose to a high position of power and royal prestige (Mark 6:17, 22). John the Baptist’s message of repentance and public exposure of their adultery posed an enormous threat to their royal station and sinful way of living. His holy words must have weighed heavily upon the conscience of the king. Salome’s mother, Herodias was the dominating influence of evil in her daughter’s life. She instructed her as an apprentice in evil. Under her mother’s control, Salome carried out a mission of destruction by willingly submitting to be an accomplice to her mother’s secret scheme. They were women who deliberately and consciously devised a murderous plot to imprison and then silence one of God’s greatest and anointed messengers. These powerful women used their beauty and seductive nature to influence Herod in ordering the death of John the Baptist. SCRIPTURE MEMORY VERSE And thou [John], child, shalt be called the prophet of the Highest: for thou shalt go before the face of the Lord to prepare His ways; to give knowledge of salvation unto His people by the remission of their sins (Luke 1:76, 77). Names Given to the Women in this Story Herodias . Herod himself had sent forth and laid hold upon John, and bound him in prison for Philip’s wife Herodias’ sake, his brother Philips’s wife: for he had married her (Mark 6:17).