Bibliography

Adam, Paul. “Les salons de 1896: la peinture, les dessins et les objets d’art au Salon du Champ-de-Mars.” Gazette des Beaux-Arts 16, no. 3 (1896): 5–35. Adams, Henry. The Degradation of the Democratic Dogma. New York: Macmillan, 1919. Ahlund, Claes. Medusas huvud: Dekadensens tematik I svensk sekelskiftsprosa. Acta Universitatis Upsalensis: Historia litterarum 18. Uppsala: Uppsala University, 1994. Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de Siècle. Göttingen: Cuvillier, 1996. Alatri, Paolo. Gabriele D’Annunzio. Paris: Fayard, 1992. Anderson, Per Thomas. Dekadanse I nordisk litteratur 1880–1900. Oslo: Aschehaug, 1992. Andreoli, Annamaria. “Note.” In Versi d’amore e di Gloria, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. ———. Il vivere inimitabile. Vita di Gabriele D’Annunzio. Milan: Mondadori, 2001. Anstie, Francis Edmund. Stimulants and Narcotics, Their Mutual Relations. New York: Arno, 1981. Antliff, Mark and Patricia Leighton. “Primitive.” In Critical Terms for Art History. Edited by Robert S. Nelson and Richard Shiff, 217–33. Chicago: University of Chicago Press, 2003. Arambatzidou, Eleni. “Καβαφές συνάφειες αισθητιςμού. Συγχρονία και διαχρονία σε μια κοσμοπολίτικη αλεξανδρινή εκδοχή.” In Η ποίηση του κράµατος, Μοντερνισµός και διαπολιτισµικότητα στο έργο του Καβάφη. Edited by Michalis Pieris, 29–36. Heraklion: Πανεπιστημιακές εκδόσεις Κρήτης, 2008. [“Kavafés synáfeies aisthītismoú. Sygchronía kai diachronía se mia kosmopolítikī alexandrine ekdochī.” In Ī poíīsī tou krámatos, Monternismós kai diapolitismikótīta sto érgo tou Kaváfī. Edited by Michalis Pieris. 29–36. Heraklion: Panepistīmiakés ekdóseis Krītīs, 2008.] Aronna, Michael. “Pueblos Enfermos”: The Discourse of Illness in Turn-of-the- Century Spanish and Latin-American Essays. Chapel Hill: North Carolina Press, 1991. 246 BIBLIOGRAPHY

Arwas, Victor. Berthon & Grasset. New York: Rizzoli, 1978. Athanasopoulou, Aphroditi. “O ‘πολιτικός’ Σεφέρης και ο ‘ιστορικός’ Καβάφης· παράλληλο;.” Το Δέντρο 179/180 (2011): 9–22 [“O ‘poli- tikós’ Seféris kai o ‘historikós’ Kavafis parállilo?” To Déntro 179/180 (2011): 9–22]. Badone, Ellen. The Appointed Hour: Death, Worldview and Social Change in Brittany. Berkeley: University of California Press, 1989. Baldi, Guido. L’ambiguità della “decadenza”: D’Annunzio romanziere. Napoli: Liguori, 2008. Balducci, Maria Giulia. Introduction to Trionfo della morte, by Gabriele D’Annunzio. Edited by Maria Giulia Balducci, v–xxxvi. Milan: Mondadori, 1995. Barrès, Maurice. La République ou le roi: correspondance inédite, 1888–1923: Maurice Barrès- Charles Maurras. Paris: Plon, 1970. Battaglia Ricci, Lucia. Ragionare nel giardino: Boccaccio e i cicli pittorici del Trionfo della Morte. Rome: Salerno Editrice, 2000. Baudelaire, Charles. “Edgar Allen Poe, His Life and Works.” In Selected Writings on Art & Artists. Edited by C. Baudelaire. Translated by P. E. Charvet, 162–87. Cambridge: Cambridge University Press, 1981. ———. Oeuvres complètes. Edited by Claude Pichois. Paris: Gallimard, 1975. Bauer, J. Edgar. “The Saint and the Dandy: Oscar Wilde’s Aestheticism and the Transformation of Religion.” Paper presented at the 1993 CESNUR Conference at the London School of Economics, http://www.cesnur .org/2003/bauer_wilde.htm. Bazalgette, Léon. À quoi tient l’inferiorité française? Paris: Librairie Fischbacher, 1900. ———. Le problème de l’avenir latin. Paris: Librairie Fischbacher, 1903. Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Clarendon, 1996. Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France. Ithaca: Cornell University Press, 1994. Bénédite, Léonce. “Les Salons de 1898.” Gazette des beaux arts 20, no. 3 (1898): 55–76. ———. “Charles Cottet.” Art et décoration: revue mensuelle d’art moderne 15, no. 1 (1904): 101–16. Benoist, Félix, and Hippolyte Lalaisse. La Normandie illustrée, Monuments, sites et costumes de la Seine-Inférieure, de l’Eure, du Calvados, de l’Orne et del la Manche. Nantes: Charpentier, 1852. Bentley, Toni. Sisters of Salome. New Haven: Yale University Press, 2002. Bérenger, Henry. L’aristocratie intellectuelle. Paris: Colin, 1895. Bergman-Carton, Janis. “Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness.” Art Journal 55, no. 2 (1996): 55–64. Bernadac, Marie-Laure, ed. Le Symbolisme russe. Paris: Réunion des musées nationaux, 2000. Bernecker, Walther L. “Del ‘desastre de 1898’ a ‘la crisis de fin de siglo.’ El cambio de paradigm en la historiografia española sobre la Guerra BIBLIOGRAPHY 247

hispanoamericana.” In España en América: Influencias, intereses, imágenes. Madrid: Iberoamericana, 2007. Bernheimer, Charles. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de-Siècle in Europe. Baltimore: Johns Hopkins University Press, 2002. Binni, Walter. La poetica del decadentismo. Florence: Sansoni, 1996. Birkett, Jennifer. “Fin-de-Siècle Painting.” In Fin de Siècle and Its Legacy. Edited by Mikuláš Teich and Roy Porter, 152–59. Cambridge: Cambridge University Press, 1990. Bisno, Adam. “Stefan George’s Homoerotic Erlösungsreligion, 1891–1907.” In A Poet’s Reich: Politics and Culture in the George Circle. Edited by Melissa S. Lane and Martin A. Ruehl, 37–55. Rochester, NY: Camden House, 2011. Blakesley, Rosalind P. “A Century of Women Painters, Sculptors, and Patrons from the Time of Catherine the Great.” In An Imperial Collection: Women Artists from the State Hermitage Museum. Edited by Jordana Pomeroy, Rosalind P. Blakesley, Vladimir Matveyev, and Elizaveta P. Renne, 51–75. London: Merrell, 2003. Bloch, Iwan. Das Sexualleben unserer Zeit in seinen Beziehungen zur modernen Kultur. Berlin: Marcus, 1908. Borok, Natal’ia Polenova. “M. V. Iakunchikova,” Mir iskusstva 3 (1904): 105–24. Bourget, Paul. Cruelle énigme. Profils perdus. Paris: Plon, 1885. Bouton, Christophe, ed. Dieu et la nature: la question du panthéisme dans l’idéalisme allemand. Hildesheim: Olms, 2005. Bowlt, John E. Moscow and St. Petersburg 1900–1920: Art, Life and Culture. New York: Vendome, 2008. ———. The Silver Age, Russian Art of the Early Twentieth Century and the “World of Art” Group. Newtonville, MA: Oriental Research Partners, 1979. ———. “Through the Glass Darkly: Images of Decadence in Early Twentieth- Century Russian Art.” Journal of Contemporary History 17, no. 1 (1982): 93–110. Bowra, Cecil Maurice. “Cavafy and the Greek Past.” In The Creative Experiment. Edited by C. M. Bowra, 29–60. London: Macmillan, 1967. Boyle-Turner, Caroline and Samuel Josefowitz. Gauguin and the School of Pont-Aven: Prints and Paintings. London: Royal Academy of Arts, pub- lished in association with Weidenfeld and Nicolson, 1989. Braungart, Wolfgang. Ästhetischer Katholizismus: Stefan Georges Rituale der Literatur. Tübingen: Niemeyer, 1997. Breuer, Stefan. Ästhetischer Fundamentalismus: Stefan George und der deutsche Antimodernismus. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995. Brunetière, Ferdinand. Art and Morality. Translated by Arthur Beatty. Boston: Crowell, 1899. Brush, Stephen. The Temperature of History: Phases of Science and Future in the Nineteenth Century. New York: Burt Franklin, 1978. 248 BIBLIOGRAPHY

Bucknell, Brad. “On ‘Seeing’ Salome.” English Literary History 60, no. 2 (1993): 503–26. Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Calloway, Stephen and Orr Lynn Federle, eds. The Cult of Beauty, the Aesthetic Movement 1860–1900. London: Victoria and Albert, 2011. Cambry, Jacques. Voyage dans la Finistère, ou État de ce department en 1794 et 1795. Paris: Cercle-social, 1799. Campas, Chryssoula. “Athen und Ägypten. Helmut von den Steinen, Übersetzer von Kavafis.” In Hellas Verstehen. Deutsch Griechischer Kulturtransfer im 20. Jahrhundert. Edited by Chryssoula Campas and Marilisa Mitsou, 289–328. Cologne: Böhlau, 2010. Campbell, Harry. Differences in the Nervous Organisation of Man and Woman: Physiological and Pathological. London: Lewis, 1891. Cantelmo, Marinella. Il piacere dei leggitori. D’Annunzio e la comunicazione letteraria. Ravenna: Longo, 1996. Cappello, Angelo Piero. “Note e notizie sui testi.” In Prose di ricerca, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Giorgio Zanetti, 3444–45. 3 vols. Milan: Mondadori, 2005, Vol 2. Cariou, André. Charles Cottet et La Bretagne. Moulin de Perret, Raillé: URSA/Le Chasse-marée, 1988. ———. Le peintre Charles Cottet et la Bretagne. Rennes: Université de Haute- Bretagne, 1972. Carlyle, Thomas. On Heroes, Hero-Worship and the Heroic in History: Six Lectures. New York: Wiley and Putnam, 1846. Carpenter, Henry and Mari Pritchard. The Oxford Companion to Children’s Literature. Oxford: Oxford University Press, 1984. Carter, Alfred E. The Idea of Decadence in French Literature 1830–1900. Toronto: University of Toronto Press, 1958. Cavafy, C. P. Collected Poems. Edited by George Savidis, translated by Edmund Keely and Philip Sherrard. Princeton: Princeton University Press, 1992. Cazamian, Madeleine. Le roman et les idées en Angleterre, l’Anti-Intellectual- isme et l’esthétisme, 1880–1900. Paris: Les Belles Lettres, 1935. Chadwick, Whitney. Women, Art, and Society. 2nd ed. London: World of Art, 1996. Chantovoine, Jean. “Artistes contemporains. M. Charles Cottet.” Gazette des Beaux-Arts 16, no. 650 (1911): 103–22. Chappelle, John A. V. Science and Literature in the Nineteenth Century. London: Macmillan, 1986. Charalambidou-Solomi, Despina. “A Study in Decadence: The Love Poetry of Ernest Dowson and C. P. Cavafy.” PhD diss., University of Athens, 2008. Charcot, Jean-Martin. Clinical Lectures on the Diseases of the Nervous System Delivered at La Salpêtrière. Translated by Thomas Saville. 5 vols. London: New Sydenham, 1889. Vol. 3 reprinted with preface by Ruth Harris. London: Tavistock/Routledge, 1991. BIBLIOGRAPHY 249

———. Lectures on the Diseases of the Nervous System. Philadelphia: Lea, 1879. Chavanne, Blandine. Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin. Versailles: Artlys, 2006. ———. “Η κλειστή κάμαρη στην ερωτική ποίηση του Καβάφη.” In Η ποίηση του κράµατος.Μοντερνισµός και διαπολιτισµικότητα στο έργο του Καβάφη. Edited by Michalis Pierris, 213–25. Heraklion: Πανεπιστημιακές εκδόσεις Κρήτης, 2000. [“Ī kleistī kámarī stīn erōtikī poíīsī tou Kaváfī.” In Ī poíīsī tou krámatos. Monternismós kai diapolitismikótīta sto érgo tou Kaváfī. Edited by Michalis Pierris. 213–25. Heraklion: Panepistīmiakés ekdóseis Krītis, 2000.] Chester, Pamela. “Painted Mirrors: Landscape and Self-Representation in Russian Women’s Verbal and Visual Art.” In Russian Literature, Modernism and the Visual Arts. Edited by Catriona Kelly and Stephen Lovell, 278– 305. Cambridge: Cambridge University Press, 2000. Ciani, Ivanos. “La religion nel primo D’Annunzio da ‘Primo vere’ al ‘Trionfo della morte.’ ” In D’Annunzio e la religiosità. Atti del Convegno di Gardone Riviera 22–23 giugno 1981. Quaderni del Vittoriale 28 (1981): 37–54. Circeo Ermanno. L’Abruzzo in D’Annunzio. Studio critico con antologia. Pescara: Centro nazionale di studi dannunziani, 1995. Clarke, Bruce. Energy Forms: Allegory and Science in the Era of Classical Thermodynamics. Ann Arbor: University of Michigan Press, 2001. Colajanni, Napoleone. Latini e anglosassoni, razze inferiori e razze superiori. Rome: Rivista popolare, 1906. Constable, Liz, Dennis Denisoff, and Matthew Potolsky. Introduction to Perennial Decay: On the Aesthetics and Politics of Decadence. Edited by Liz Constable, Dennis Denisoff, and Matthew Potolsky, 1–32. Philadelphia: University of Pennsylvania Press, 1999. Conway, Jill. “Stereotypes of Femininity in a Theory of Sexual Evolution.” Victorian Studies 14, no. 1 (1970): 47–62. Cooke, Peter. “Text and Image, Allegory and Symbol in Gustave Moreau’s Jupiter and Semelé.” In Symbolism, Decadence and the Fin de Siècle: French and European Perspectives. Edited by Patrick McGuinness, 122–43. Exeter: University of Exeter Press, 2000.. Corbin, Alain. The Lure of the Sea: The Discovery of the Seaside in the Western World, 1750–1840. Translated by Jocelyn Phelps. Berkeley: University of California Press, 1994. Coriat, Isador H. “The Sadism in Oscar Wilde’s ‘Salome.’ ” The Psychoanalytic Review 1, no. 3 (1914): 257–59. Costa, Joaquín. Oligarquia y Caciquismo: como forma de gobierno en España, urgencia y modo de cambiarla. Madrid: Biblioteca Nueva, 1988. Costa, Simona. D’Annunzio. Rome: Salerno Editrice, 2012. Cott, Nancy F. “Passionlessness: An Interpretation of Victorian Sexual Ideology, 1790–1850.” Signs 4, no. 2 (1978): 219–36. Coughlin, Maura. “Cloaks, Crosses and Globes: Women’s Material Culture of Mourning on the Brittany Coast.” In Women and Things, 1750–1950: 250 BIBLIOGRAPHY

Gendered Material Strategies. Edited by Maureen Goggin and Beth Tobin. Burlington, 281–97. VT: Ashgate, 2009. ———. “Place Myths of the Breton Landscape.” In Impressionist France: Visions of Nation from Le Gray to Monet. Edited by Simon Kelly, 67–78. New Haven: Yale University Press, 2013. ———. “Representing Heritage and Loss on the Brittany Coast: Sites, Things and Absence.” International Journal of Heritage Studies 2 (2012): 1–16. Croix, Alain and François Roudaut. Les Bretons, la mort et Dieu: de 1600 à nos jours. Paris: Messidor/Temps actuels, 1984. Dale, Peter A. In Pursuit of a Scientific Culture: Science, Art, and Society in the Victorian Age. Madison: University of Wisconsin Press, 1989. D’Annunzio, Gabriele. Contemplazione della morte. Edited by Raffaella Castagnola. Milan: Mondadori, 1995. ———. Fedra. Edited by Pietro Gibellini. Milan: Mondadori, 2001. ———. Forse che sì forse che no. Edited by Raffaella Castagnola. Milan: Mondadori, 1998. ———. La Leda senza cigno. Racconto seguito dalla “Licenza.” Milan: Treves, 1916. ———. Notturno. Edited by Gianni Turchetta. Milan: Mondadori, 1995. ———. Il Piacere. Edited by Giansiro Ferrata. Milan: Mondadori, 1984. ———. Prose di ricerca. Edited by Annamaria Andreoli and Giorgio Zanetti. 3 vols. Milan: Mondadori, 2005. ———. Scritti giornalistici. Edited by Annamaria Andreoli. 2 vols. Milan: Mondadori, 1996–2003. ———. Taccuini. Edited by Enrica Bianchetti and Roberto Forcella. Milan: Mondadori, 1965. ———. The Triumph of Death. Translated by Arthur Hornblow. Boston: Page, 1896. ———. Trionfo della morte. Edited by Maria Giulia Balducci. Mondadori: Milan, 1995. ———. Versi d’amore e di gloria. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. Danto, Arthur C. Nietzsche as Philosopher, expanded edition. New York: Columbia University Press, 2005. Darío, Rubén. Azul; Prosas Profanas. Madrid: Alhambra, 1985. Darwin, Charles. The Descent of Man and Selection in Relation to Sex. 2 vols. New York: Appleton, 1871. ———. The Origin of Species. New York: Collier, 1909. Datta, Venita. Birth of a National Icon: The Literary Avant-Garde and the Origins of the Intellectual in France. Albany: State University of New York Press, 1999. Davenport-Hines, Richard. The Pursuit of Oblivion: A Global History of Narcotics. New York: Norton, 2002. BIBLIOGRAPHY 251

David, Claude. Stefan George. Sein dichterisches Werk. Munich: Hanser, 1967. De Biez, Jacques. La question juive. Paris: Marpon and Flammarion, 1886. De Castris, Leone. Il Decadentismo italiano. Svevo, Pirandello, D’Annunzio. Bari: Laterza, 1995. Décaudin, Michel. “Un mythe ‘fin de siècle’: Salomé.” Comparative Literature Studies 4, nos. 1–2 (1967): 109–17. De Gobineau, Arthur. Essai sur l’inegalité des races humaines. 4 vols. Paris: Didot, 1853–55. Dellamora, Richard. “Traversing the Feminine in Oscar Wilde’s Salomé.” In Oscar Wilde: A Collection of Critical Essays. Edited by J. Freedman, 99–113. Upper Saddle River, NJ: Prentice Hall, 1996. Delouche, Denise and Catherine Puget. Les peintres de la Bretagne. Quimper: Palantines, 2011. De Malherbe, G. Dix estampes décoratives de Eugène Grasset. Paris: De Malherbe, 1897. De Michelis, Eurialo. Tutto D’Annunzio. Milan: Feltrinelli, 1960. Demolins. Edmond. Anglo-Saxon Superiority: To What Is It Due? Translated by L. B. Lavigne. London: Leadenhall, 1898. Derrida, Jacques. Archive Fever: A Freudian Impression. Translated by Eric Prenowitz. Chicago: University of Chicago Press, 1996. Diagilev, Sergei. “M. V. Iakunchikova.” Mir iskusstva 12 (1902): n.p. Díaz-Plaja, Guillermo. Modernismo frente a noventa y ocho: Una introducción a la literatura Española del siglo XX. Madrid: Espasa Calpe, 1979. Dierkes-Thrun, Petra. Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression. Ann Arbor: University of Michigan Press, 2011. Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press, 1986. Dimiroulis, Dimitris. “Cavafy’s Imminent Threat: Still Waiting for the Barbarians.” Journal of the Hellenic Diaspora 1.2 (1984): 89–103. Dix estampes décoratives d’Eugène Grasset. Edited by G. de Malherbe. Paris: De Malherbe, 1897. Dolinina, Kira. “ ‘Eyes Wide Shut’: Landscape Painting in Nineteenth Century Russia and France.” In Russian Landscape. Edited by David Jackson and Patty Wageman, 106–16. Schoten, Belgium: BAI, 2003. Donchin, Georgette. The Influence of French Symbolism on Russian Poetry. The Hague: Mouton, 1958. “A Dreadful Opera.” The Medical Times: A Monthly Journal of Surgery and the Collateral Sciences 35, no. 3 (1907): 85–86. Druick, Douglas W. “Cézanne, Vollard, and Lithography: The Ottawa Maquette for the Large Bathers Colour Lithograph.” National Gallery of Canada Bulletin 19 (1972): 1–3. Drumont, Édouard Adolphe. La France juive, essai d’histoire contemporaine. Paris: Librairie Blériot, 1886. 252 BIBLIOGRAPHY

Durkheim, Émile. The Elementary Forms of Religious Life. Translated on Karen E. Fields. New York: Free Press, 1995. Duroc, Jacqueline. Camaret, Cité d’artistes. Douarnenez: Le Chasse-marée, 1988. Durzak, Manfred. Der junge Stefan George. Kunsttheorie und Dichtung. Munich: Fink, 1968. Eagleton, Terry. Saint Oscar and Other Plays. Oxford: Blackwell, 1997. Ekdawi, Sarah. “Cavafy’s Mythical Ephebes.” In Ancient Greek Myth in Modern Greek Poetry. Essays in Memory of C. A. Trypanis. Edited by Peter Mackdridge, 33–44. London: Routledge, 1996. Elgee Wilde, Francesca. Poems by Speranza. Glasgow: Cameron & Ferguson, 1871. Ellmann, Richard. Oscar Wilde. New York: Vintage Books, 1988. ———. “Overtures to Salome.” In Oscar Wilde: A Collection of Critical Essays. Edited by Richard Ellmann, 73–91. Englewood Cliffs, NJ: Prentice Hall, 1969. Evangelista, Stefano. British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile. Basingstroke: Palgrave Macmillan, 2009. Farmer, Albert J. Le Mouvement esthétique et décadent en Angleterre (1873– 1900). Paris: Honoré Champion, 1931. Felski, Rita. “The Counterdiscourse of the Feminine in Three Texts by Wilde, Huysmans, and Sacher-Masoch.” PMLA 106.5 (1991): 1094–105. Ferrara, Mario N. “Religiosità e creatività in Gabriele D’Annunzio.” In D’Annunzio e la religiosità. Atti del Convegno di Gardone Riviera 22–23 giugno 1981. Quaderni del Vittoriale 28 (1981): 9–36. Fortini, Arnaldo. D’Annunzio e il francescanesimo. Assisi: Edizioni Assisi, 1963. Fouillée, Alfred. Education from a National Standpoint. New York: Appleton, 1892. Fowlie, Wallace. Mallarmé. Chicago: University of Chicago Press, 1962. Frankel, Nick. “The Dance of Writing: Wilde’s Salome as a Work of Contradiction.” Text 10 (1997): 73–106. Freud, Sigmund. The Ego and the Id. Lexington: Pacific Publishing Studio, 2010. ———. “Mourning and Melancholia.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Edited by James Strachey. 24 vols. London: Hogarth, 1957. Vol. 14.Galerie Bellier. Polyptyques et paravents: un siècle de creation, 1890–1990. Paris: Galerie Bellier, 1990. Garb, Tamar. Women Impressionists. New York: Rizzoli, 1988. Garrard, Mary D. “Here’s Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist.” Renaissance Quarterly 47, no. 3 (1994): 556–622. Garrot, Henri. Les juifs Algériens: leurs origines. Alger: Librairie Louis Relin, 1898. BIBLIOGRAPHY 253

Gautier, Théophile. Introduction to Les Fleurs de mal, by Charles Baudelaire. Paris: Lévy, 1869. Genty, Gilles and Johanne Berlemont. Les univers de George Lacombe, 1868– 1916. Milan: Cinisello Balsamo, 2012. George, Stefan. Werke. Edited by Robert Boehringer. 2 vols. Munich: Küppinger, 1958. ———. The Works of Stefan George. Translated by Olga Marx and Ernst Morwitz. 2nd ed. Chapel Hill: The University of North Carolina Press, 1974. Germinario, Francesco. Argomenti per lo sterminio: stereotipi dell’immaginario antisemita. Turin: Einaudi, 2011. Giacon, Maria Rosa. “Distanza e ‘malinconia’: Venezia e il Veneto nella vita e nell’opera di Gabriele D’Annunzio.” In Terre, città e paesi nella vita e nell’arte di Gabriele D’Annunzio. 8 vols. Edited by Silvia Capecchi, 4:91– 108. Pescara: Centro nazionale di studi dannunziani, 1996. Giannakopoulou, Liana. The Power of Pygmalion: Ancient Greek Sculpture in Modern Greek Poetry, 1860–1960. Bern and Oxford: Peter Lang, 2007. Gibellini, Pietro. “ ‘Alcyone’ dopo ‘Alcyone’: note sul paesaggio.” In Terre, città e paesi nella vita e nell’arte di Gabriele D’Annunzio. 8 vols. Edited by Silvia Capecchi, 3:513–21. Pescara: Centro nazionale di studi dannunziani e della cultura in Abruzzo, 1999. Gillespie, Michael Patrick. Oscar Wilde and the Poetics of Ambiguity. Gainesville: University Press of Florida, 1996. Gillis, John R. The Human Shore: Seacoasts in History. Chicago: University of Chicago Press, 2012. Gilman, Sander. “Salome, Syphilis, Sarah Bernhardt and the ‘Modern Jewess.’ ” The German Quarterly 66, no. 2 (1993): 195–211. ———. “Strauss, the Pervert, and Avant Garde Opera of the Fin de Siècle.” New German Critique 43 (1988): 35–68. Gioanola, Elio. Il Decadentismo. Rome: Edizioni Studium, 1993. Glicksberg, Charles I. Modern Literature and the Death of God. The Hague: Nijhoff, 1996. Goetz, Christopher G., Michel Bonduelle, and Toby Gelfand. Charcot: Constructing Neurology. New York: Oxford University Press, 1995. Golan, Romy. Modernity and Nostalgia: Art and Politics in France between the Wars. New Haven: Yale University Press, 1995. Gold, Barri. Thermopoetics: Energy in Victorian Literature and Science. Cambridge: The MIT Press, 2010. Gonzalez Rodríguez, Jorge. Rodó: Prolegómenos de un Siglo para la Ética y la Política. La Habana: Varela, 2003. Gould, Stephen Jay. Ontogeny and Phylogeny. Cambridge: The Belknap Press of Harvard University Press, 1977. ———. The Mismeasure of Man: The Definitive Refutation to the Argument of the Bell Curve. New York: Norton, 1996. 254 BIBLIOGRAPHY

Grabar, Igor. “Degeneration or Renaissance? Notes on Contemporary Trends in Art” (“Upadok ili vozrozhdeniia: Ocherki sovremennikh techenii v iskusstve”), supplement to Niva 1, 1897. Grabar, Vladimir. “Parnassy i dekadany.” Russkie vedomosti 26, no. 34 (1889): 2–3. Grasset, Eugène. “L’Art Nouveau.” Revue des Arts Décoratifs 17 (1897) 129–44; 182–200. Gray, Rosalind. “Questions of Identity at Abramtsevo.” In Artistic Brotherhoods in the Nineteenth Century. Edited by Laura Morowitz and William Vaughan, 105–21. London: Ashgate, 2000. Green, Nicholas. The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France. Manchester: Manchester University Press, 1990. Green, Robert Louis. Mrs Molesworth. London: Bodley Head, 1961. Greslé, Yvette. “Strategies for Veiling Same-Sex Desire and Its Public Consumption: Aubrey Beardsley’s Illustration of Oscar Wilde’s 1894 Salome.” De Arte 70 (2004): 22–41. Grimm, Jacob. Deutsche Mythologie. Göttingen: Dieterichschen Buchhandlung, 1835. ———. Teutonic Mythology. Translated by James S. Stallybrass. 4 vols. London: Bell, 1882. Grimm, Jacob and Wilhelm Grimm. Grimm’s Fairy Tales. Ware: Wordsworth, 1993. Grossman, Joan Delaney. Valery Bryusov and the Riddle of Russian Decadence. Berkeley: University of California Press, 1985. Gsell, Paul. “La tristesse, la douleur et la mort dans l’oeuvre de Charles Cottet.” Aesculape (1911): 209–12. Gullón, Ricardo. Direcciones del Modernismo. Madrid: Gredos, 1963. ———. Invención del 98 y otros ensayos. Madrid: Gredos, 1969. Guthke, Karl S. The Gender of Death. A Cultural History in Art and Literature. Cambridge: Cambridge University Press, 1999. Haas, Diana. “ ‘Στον ένδοξό μας βυζαντινισμό.’ Σημειώσεις για ένα στίχο του Καβάφη.” Διαβάζω 78 (1983): 76–81. [“‘Ston éndoxó mas vyz- antinismó.’ Sīmeiōseis gia éna stícho tou Kaváfī.” Diavázō 78 (1983): 76–81.] Haeckel, Ernst. The Evolution of Man: A Popular Exposition of the Principal Points of Human Ontogeny and Phylogeny. 2 vols. New York: H. L. Fowle/ International Science Library, n.d. Hamel, Maurice. “Les Salons de 1899.” La Revue de Paris 6, no. 3 (1899): 651–80. Hamilton, Lisa K. “New Women and ‘Old’ Men: Gendering Degeneration.” In Women and British Aestheticism. Edited by Talia Schaffer and Kathy Alexis Psomides, 62–80. Charlottesville: University Press of Virginia, 1999. Hanson, Ellis. Decadence and Catholicism. Cambridge: Harvard University Press, 1997. BIBLIOGRAPHY 255

Hansson, Ola. Sensitiva amorosa. Uppsala: Almqvist & Wikcells, 1957. Härmänmaa, Marja. “Celebrating Decadence: Gabriele D’Annunzio and the Wild Abruzzo in Trionfo della morte.” The European Legacy 18, no. 6 (2013): 698–714. ———. “La ‘città morta’: la rappresentazione delle città antiche in alcune opera di Gabriele D’Annunzio.” In Atti dell’ VIII Congresso degli Italianisti Scandinavi. Edited by Svend Bach, Leonardo Cecchini, and Alexandra Kratschmer. Aarhus: Institut for Sprog, Litteratur of Kultur, Aarhus Universitet, 2009. Harris, Franck. The Life and Confessions of Oscar Wilde. 2 vols. Whitefish: Kessinger, 2005. Harris, Ruth. “Melodrama, Hysteria and Feminine Crimes of Passion in the Fin-de-Siècle.” History Workshop 25 (1988): 31–63. Harvey Darton, Frederick J. Children’s Books in England. Cambridge: Cambridge University Press, 1960. Hearn, Michael Patrick, ed. The Victorian Fairy Tale Book. New York: Pantheon, 1990. Heffernan, James A. W. Cultivating Picturacy: Visual Art and Verbal Interventions. Waco: Baylor University Press, 2006. Heine, Heinrich. Atta Troll. Translated by Herman Scheffauer. New York: Huebsch, 1914. Hennegan, Alison. “Personalities and Principles: Aspects of Literature and Life in Fin-de-Siècle England.” In Fin-de-Siècle and Its Legacy. Edited by Mikuláš Teich and Roy Porter, 170–250. Cambridge: Cambridge University Press, 1990. Herbert, Robert L. Monet on the Normandy Coast: Tourism and Painting, 1867–1886. New Haven: Yale University Press, 1994. Heumann, P. M. “The Unseen Universe: Physics and the Philosophy of Nature in Victorian Britain.” The British Journal for the History of Science 6, no. 21 (1972): 73–79. Higgins, Jennifer. “Unfamiliar Places: France and the Grotesque in Aubrey Beardsley’s Poetry Prose.” The Modern Language Review 106, no. 1 (2011): 63–85. Hinterhäuser, Hans. “D’Annunzio e la Germania.” In L’arte di Gabriele D’Annunzio. Edited by Emilio Mariano, 439–61. Milan: Mondadori, 1968. Hirschfeld, Magnus. Naturgesetze der Liebe: Eine Gemeinverständliche Untersuchung über den Liebes-Eindruck, Liebes-Drang und Liebes-Ausdruck. Berlin: Pulvermacher, 1912. Hodgson, Barbara. In the Arms of Morpheus: The Tragic History of Laudanum, Morphine, and Patent Medicines. Buffalo: Firefly, 2001. Hopkin, David M. “Fishermen, Tourists and Artists in the Nineteenth Century: The View from the Beach.” In Impressionists by the Sea. Exhibition catalog edited by John House. London: Royal Academy of Arts, 2007. Horn, David. The Criminal Body: Lombroso and the Anatomy of Deviance. New York: Routledge, 2003. 256 BIBLIOGRAPHY

Hunt, Peter. Children’s Literature: An Illustrated History. Oxford: Oxford University Press, 1995. Hunter, John. Observations on Certain Parts of the Animal Œconomy. London: n.p., 1786. Hustvedt, Asti. Medical Muses: Hysteria in Nineteenth-Century Paris. Ashland: Bloomsbury Books, 2011. Huysmans, Joris-Karl. Against Nature (À rebours). Translated by Margaret Mauldon. Oxford: Oxford University Press, 2009. ———. En rade. Paris: Gallimard, 1984. Ibsen, Henrik. Ibsen’s Selected Plays. Translated by Brian Johnston. New York: Norton, 2004. Jackson, Holbrook. The Eighteen Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century. Brighton: The Harvesters Press, 1976. Jackson, Mary V. Engines of Instruction, Mischief and Magic. Aldershot: Scolar Press, 1989. Jacob, Max (Léon David). “Charles Cottet.” Moniteur des Arts 44, no. 2373 (1899): 1049–51. James, Henry. “On the Occasion of Hedda Gabler.” The New Review 4, no. 1 (1891): 519–30. Jankélévitch, Vladimir. “La Décadence.” Revue de métaphysique et de morale 4 (1950), 337–869. Johnston, Brian. “The Dangerous Seductions of the Past: Ibsen’s Counter- Discourse to Modernity.” In Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett. Edited by Frederick J. Marker and Christopher Innes, 3–17. Toronto: University of Toronto Press, 1998. Jullian, Philippe. Dreamers of Decadence. Translated by Robert Baldick. New York: Praeger, 1971. Jurkevitch, Gayana. “Abulia, Nineteenth-Century Psychology and the Generation of 1898.” Hispanic Review 60, no. 2, 181–94. Jusdanis, Gregory. The Poetics of Cavafy: Textuality, Eroticism, History. Princeton: Princeton University Press, 1987. Kafitz, Dieter. Décadence in Deutschland. Studien zu einem versunkenen Diskurs der 90er Jahre des 19. Jahrhunderts. Heidelberg: Winter, 2004. Kandall, Stephen. Substance and Shadow: Women and Addiction in the United States. Cambridge: Harvard University Press, 1996. Karageorgevich, Bojidar. “Charles Cottet: The Painter of Sailor-Life in Brittany.” Magazine of Art 26 (1902): 481–87. Kavafis, Konstantin P. Gedichte: Das gesammelte Werk. Translated by Helmut von den Steinen. Amsterdam: Castrum Peregrini, 1985. Keely, Edmund. Kavafy’s Alexandria: Study of a Myth in Progress. London: Hogarth, 1977. Kennedy, Janet. The “Mir iskusstva” Group and Russian Art, 1898–1912. New York: Garland, 1977. Kermode, Frank. Romantic Image. New York: Macmillan, 1957. ———. Sense of an Ending: Studies in the Theory of Fiction. Oxford: Oxford University Press, 2000. BIBLIOGRAPHY 257

Kierkegaard, Søren. The Sickness unto Death. Translated by Alastair Hannay. London: Penguin, 1989. Kilpi, Volter. Antinous. Helsinki: Otava, 1903. ———. Bathseba. Helsinki: Otava, 1900. Kipling, Rudyard. Rudyard Kipling’s Verse: Inclusive Edition, 1885–1918. Garden City: Doubleday and Page, 1921. Kisch, Enoch Heinrich. Die Sexuelle Untreue der Frau. Bonn: Marrus and Webers, 1921. Kiselev, Mikhail F. Mariia Iakunchikova. Moscow: Iskusstvo, 1979. ———. Mariia Iakunchikova. Moscow: Izobrazitel’noe iskusstvo, 2005. ———. “M. V. Iakunchikova: k 100-letiuu so dnia rozhdeniia.” Iskusstvo 10 (1970): 57–60. ———. Kiselev, Mikhail F. and D. E. Iakovlev. “Dnevnik M. V. Iakunchikovoi 1890–1892 gg.” In Pamiatniki kul’tury, novye otkrytiia, 469–97. St. Petersburg: Nauka, 1996. Kline, Thomas Jefferson and Naomi Schor. Preface to Decadent Subject: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin de Siècle in Europe, by Charles Bernheimer. Edited by Thomas Jefferson Klein and Naomi Schor. Baltimore: Johns Hopkins University Press, 2002. Koskimies, Rafael. Der Nordische Dekadent: Eine vergleichende Literaturstudie. Annales Academiæ Scientiarum Fennicæ, Series B, 155. Helsinki: Suomalainen Tiedeakatemia, 1968. Kraemer, Ross S. “Implicating Herodias and Her Daughter in the Death of John the Baptizer: A (Christian) Theological Strategy?” Journal of Biblical Literature 125, no. 2 (2006): 321–49. Krafft-Ebing, Richard von. Psychopathia Sexualis: With Special Reference to the Antipathic Sexual Instinct. A Medico-Forensic Study. Translated by F. J. Rebman. New York: Rebman, n.d. Kragh, Helge. Entropic Creation: Religious Contexts of Thermodynamics and Cosmology. Aldershot: Ashgate, 2008. Kruglov, Vladimir. “Impressionizm v Rossii.” In Russkii impressionism. Edited by Evgeniia Petrova, 7–40. St. Petersburg: State Russian Museum, 2000. Kultermann, Udo. “The ‘Dance of the Seven Veils’: Salome and Erotic Culture around 1900.” Artibus et Historiae 27, no. 53 (2006): 187–215. Laclotte, Michel, Dominique Thiebaut, Rodolphe Rapetti, and Isabelle Monod. Polyptyques. Le tableau multiple du moyen âge au vingtième siècle. Paris: Réunion des musées nationaux, 1990. Lafourcade, Georges. Swinburne: A Literary Biography. New York: Russell, 1967. Laín Entralgo, Pedro. La Generación del Noventa y Ocho. Madrid: Diana, 1945. Lapshin, Vladimir. “Poslednii imperator Rossi i otechestvennaia khudozhest- vennaia zhizn’ kontsa XIX—nachala XX veka.” Iskusstvoznanie 1 (2004): 539–578. Laqueur, Thomas W. Making Sex: Body and Gender from the Greeks to Freud. Cambridge: Cambridge University Press, 1990. 258 BIBLIOGRAPHY

Latour, Bruno. We Have Never Been Modern. Cambridge: Harvard University Press, 1993. Lavrov, Alexsandr, ed. Letopis’ literaturnykh sobytii v Rossii kontsa XIX-nachala XX v. (1891-oktiabr’ 1917). Vypusk 1 (1891–1900). Moscow: IMLI RAN, 2002. Le Bon, Gustave. Lois psychologiques de l’évolution des peuples. Paris: Félix Alcan, 1916. ———. “Recherches anatomiques et mathématiques sur les lois des variations du cerveau et sur leurs relations avec l’intelligence.” Revue d’anthropologie 2 (1879): 27–104. Le Braz, Anatole. La légende de la mort en Basse-Bretagne: croyances, tradi- tions et usages des Bretons armoricains. Paris: Champion, 1893. ———. Le Gardien du feu. Paris: Calmann-Lévy, 1909. ———. “Sang de la Sirène.” In Gens de Bretagne. Edited by Pierre Jakez Hélias. Paris: Presses de la Cité, 1994. Lehtonen, Joel. Mataleena. Helsinki: SKS, 1905. ———. Paholaisen viulu. Helsinki: Otava, 1904. ———. Villi. Helsinki: Otava, 1905. Leopardi, Giacomo. Canti. Edited by Niccolò Gallo and Cesare Garboli. Turin: Einaudi, 1993. Lepdor, Catherine. Eugène Grasset 1845–1917: l’art et l’ornement. Exhibition, Musée cantonal des beaux-arts de Lausanne, March 18–June 13, 2011. Milan: Èditions 5 Continents, 2011. Exhibition catalog. Le Stum, Philippe. Fées, Korrigans et autres creatures fantastiques de Bretagne. Rennes: Ouest-France, 2001. Linke, Hansjürgen. Das Kultische in der Dichtung Stefan Georges und seiner Schule. Munich: Küpper, 1960. Litvak, Lily. Latinos y anglosajones: Orígenes de una polémica. Barcelona: Puvill, 1980. Lloyd, Christopher. J.-K. Huysmans and the Fin-de-Siècle Novel. Edinburgh: Edinburgh University Press, 1990. Lodge, Kirsten. Introduction to The Dedalus Book of Russian Decadence: Perversity, Despair and Collapse. Edited by Kristen Lodge. Sawtry: Dedalus, 2007. Lombroso, Cesare. La donna deliquente: la prostituta e la donna normale. Turin: Fratelli Bocca 1903. Lombroso, Cesare and William (Guglielmo) Ferrero. The Female Offender. Translator unattested. New York: Appleton, 1895. Loos, Adolf. Ornament and Crime: Selected Essays. Edited by Adolf Opel. Riverside: Ariadne Press, 1998. Lorenzini, Niva. Il segno del corpo. Saggio su D’Annunzio. Rome: Bulzoni, 1984. Louis, Margot. Swinburne and His Gods: The Roots and Growth of an Agnostic Poetry. Montreal: McGill-Queens University Press, 1990. BIBLIOGRAPHY 259

Lübbren, Nina. Rural Artists’ Colonies in Europe, 1870–1910. Manchester: Manchester University Press, 2001. Lucie-Smith, Edward. Symbolist Art. New York: Jaeger, 1972. Lyytikäinen, Pirjo. Narkissos ja sfinks: Minä ja Toinen vuosisadanvaihteen kir- jallisuudessa. Helsinki: SKS, 1997. Machado, Manuel. Alma; Ars Moriendi. Madrid: Cátedra, 1988. Magnus, Bernd and Kathleen M. Higgins. “Nietzsche’s Works and Their Themes.” In Nietzsche. Edited by Bernd Magnus and Kathleen M. Higgins, 4–35. Cambridge: Cambridge University Press, 1996. Maik, Linda L. “Nordau’s Degeneration: The American Controversy.” Journal of the History of Ideas 50, no. 4 (1989): 607–23. Mamontova, Natal’ia. “Polenov i molodaia moskovskaia shkola zhivopisi.” In Vasilii Dmitrievich Polenov i russkaia khudozhestvennaia kul’tura vtoroi poloviny XIX—pervoi chetverti XX veka. Sbornik materialov, 84–94. Moscow: Letnii sad, 2001. Marcadé, Jeane-Claude. “Pour une typologie du symbolisme russe dans les arts plastiques.” In L’art russe dans la seconde moitié du XIXe siècle: en quête d’identité, 245–50. Paris: Musée d’Orsay, 2005. Marcovitch, Heather. “The Princess, Persona, and Subjective Desire: A Reading of Oscar Wilde’s Salome.” Papers on Language & Literature 40 (2004): 88–101. Marcus, Sharon. “Salomé!! Sarah Bernhardt, Oscar Wilde, and the Drama of Celebrity.” PMLA 126, no. 4 (2011): 999–1021. Mariano, Emilio, ed. L’arte di Gabriele D’Annunzio. Milan: Mondadori, 1968. Marillier, H. C. The Early Work of Aubrey Beardsley. London: John Lane, The Bodley Head, 1899. Marlais, Michael A. Conservative Echoes in Fin de Siècle Parisian Art Criticism. University Park: Pennsylvania State University Press, 1992. Martin, Ann. Red Riding Hood and the Wolf in Bed: Modernism’s Fairy Tales. Toronto: University of Toronto Press, 2006. Marx, Roger. “Les Salons de 1895.” Gazette des beaux arts 14, no. 3 (1895): 15–32. Mason, Stuart. Bibliography of Oscar Wilde. London: T. Werner Laurie, 1914. Matich, Olga. Erotic Utopia: The Decadent Imagination in Russia’s Fin de Siècle. Madison: University of Wisconsin, 2005. Maurice, Jacques and Carlos Serrano. Joaquín Costa: Crisis de la Restauración y Populismo (1875–1911). Madrid: Siglo XXI de España, 1977. McKenna, Neil. The Secret Life of Oscar Wilde. New York: Basic Books, 2005. Mejías-López, Alejandro. The Inverted Conquest: The Myth of Modernity and the Transatlantic Onset of Modernism. Nashville: Vanderbilt University Press, 2009. Merezhkovskii, Dmitrii. O prichinakh upadka i o novykh techeniiakh sovremen- noi russkoi literatury. St. Petersburg: B. M. Vol’f, 1893. 260 BIBLIOGRAPHY

Micale, Mark S. Hysterical Men: The Hidden History of Male Nervous Illness. Cambridge: Harvard University Press, 2008. Mills, Kevin. Approaching Apocalypse: Unveiling Revelation in Victorian Writing. Lewisburg: Bucknell University Press, 2007. Modersohn-Becker, Paula. Paula Modersohn-Becker, the Letters and Journals. Edited by Günter Busch and Liselotte von Reinken. Translated by Arthur S. Wensinger and Carole Clew Hoey. Evanston: Northwestern University Press, 1998. Moi, Toril. Henrik Ibsen and the Birth of Modernism. Oxford: Oxford University Press, 2006. Molloy, Sylvia. “Ser y Decir en Darío: El Poema liminar en Cantos de Vida y Esperanza.” In Essays on Hispanic Literature in Honor of Edmund L. King. Edited by Luis F. Cifuentes y Sylvia Molloy, 187–99. London: Támesis, 1983. ———. “Too Wilde for Comfort: Desire and Ideology in Fin-de-Siècle Spanish America.” Social Text 31–32 (1992): 187–201. Monahan, Michael. Nemesis. New York: Frank-Maurice, 1926. Morel, Bénédict Augustin. Traité des dégénérescences physiques, intellectuelles et morales de l’espèce humaine et des causes qui produisent ces varieties malad- ives. Paris: Baillière, 1857. Morel, Corinne. Dictionnaire des symbols, mythes et croyances. Paris: l’Archipel, 2004. Morice, Charles. La littérature de tout à l’heure. Paris: Perrin, 1889. Morris, William. “The Manifesto of the Socialist League.” Commonweal, February 1885. William Morris, in the Marxist Internet Archive, www. marxists.org. Mosedale, Susan Sleeth. “Science Corrupted: Victorian Biologists Consider ‘The Woman Question.’ ” Journal of the History of Biology 11, no. 1 (1978): 1–55. Moss, Anita. “Mothers, Monsters, and Morals in Victorian Fairy Tales.” The Lion and the Unicorn 12, no. 2 (1988), 47–60. Murray-Robertson, Anne. Eugène Grasset: une certaine image de la femme. Milan: Skira, 1998. ———. Grasset: pionnier de l’Art nouveau. Lausanne: Heures, 1981. Myers, Fred. “ ‘Primitives,’ Anthropology and the Category of ‘Primitive Art.’ ” In Handbook of Material Culture. Edited by Chris Tilley, Susanne Kuechler, Michael Rowlands, Webb Keane, and Patricia Spyer, 267–84. London: Sage, 2006. Myers, Greg. “Nineteenth-Century Popularizations of Thermodynamics and the Rhetoric of Social Prophecy.” In Energy and Entropy: Science and Culture in Victorian Britain. Edited by Patrick Brantlinger, 307–38. Bloomington: Indiana University Press, 1989. Napieralski, Edmund A. “Miss Julie: Strindberg’s Tragic Fairy Tale.” Modern Drama 26, no. 3 (1983): 282–89. “New Art Publications.” The Art Journal 56 (1894): 159–60. BIBLIOGRAPHY 261

Nicholls, Peter. Modernisms. A Literary Guide. Houndmills: Palgrave Macmillan, 2009. Niefanger, Dirk. “Formen historischer Lyrik in der literarischen Moderne.” In Literatur und Geschichte. Ein Kompendium zu ihrem Verhältnis von der Aufklärung bis zur Gegenwart. Edited by Daniel Fulda, 441–46. Berlin: De Gruyter, 2002. Nietzsche, Friedrich. The Antichrist: A Criticism of Christianity. Translated by Anthony M. Ludovici. New York: Barnes & Noble, 2006. ———. Sämtliche Werke: Kritische Studienausgabe in 15 Bänden. Edited by Giorgio Coli and Mazzino Montinari. 15 vols. Munich: Deutscher Taschenbuch, de Gruyter, 1980. ———. Thus Spoke Zarathustra. Translated by Graham Parkes. Oxford: Oxford University Press, 2008. ———. We Philologists. In The Complete Works of Friedrich Nietzsche. Edited and translated by Oscar Levy, William A. Haussmann, J. M. Kennedy, Anthony Mario Ludovici, Maximilian August Mugge, Helen Zimmern, Paul Victor Cohn, Thomas Common, Horace Barnett Samuel, Robert Guppy, Adrian Collins. 18 vols. 109–190. New York: Russell, 1964. Vol. 8. ———. The Will to Power. Edited by Walter Kaufmann. Translated by Walter Kaufmann and R. I. Hollingdale. New York: Random House, 1967. Nochlin, Linda. Realism. Harmondsworth: Penguin, 1971. ———. “Why Have There Been No Great Women Artists?” In Women, Art, and Power and Other Essays, 144–78. Oxford: Westview Press, 1988. Nordau, Max. Degeneration. Translator unattested. New York: Fertig, 1968. ———. On Art and Artists. Translated by W. F. Harvey. Philadelphia: Jacobs, 1907. Oosterhuis, Harry. Stepchildren of Nature: Krafft-Ebing, Psychiatry, and the Making of Sexual Identity. Chicago: University of Chicago Press, 2000. Ortega, Julio. Rubén Darío. Barcelona: Omega, 2003. Orton, Fred and Griselda Pollock. “Les données bretonnantes: la prairie de representation.” Art History 3, no. 3 (1980): 314–44. Oswald, Victor A., Jr. “The Historical Content of Stefan George’s Algabal.” The Germanic Review 23 (1948): 193–205. Pachmuss, Temira. “Women Writers in Russian Decadence.” Journal of Contemporary History 17, no. 1 (1982): 111–36. Palacio, Jean de. La décadence: le mot et la chose. Paris: Les Belles Lettres, 2011. ———. Figures et formes de la décadence. Second edition. Paris: Séguier, 2000. Panayotopoulous, I. M. “Ο Καβάφης, ποιητής του κλειστού χώρου.” In Τα πρόσωπα και τα κείµενα. Edited by I. M. Panayotopoulos, 4:89–102. Athens: Εκδόσεις των φίλων, 1982. [“O Kaváfīs, poiītīs tou kleistoú chōrou.” In Ta prósōpa kai ta keímena. Edited by I. M. Panayotopoulos, 4: 89–102. Athens: Ekdóseis tōn fílōn, 1982.] 262 BIBLIOGRAPHY

Pan-Montojo, Juan. “El atraso económico y la regeneración.” In Más se perdió en Cuba: España, 1898 y la crisis de fin de siglo. Edited by Juan Pan-Montojo, 261–334. Madrid: Alianza Editorial, 1998. Paratore, Ettore. “D’Annunzio e Wagner.” Quaderni del Vittoriale 36 (1982): 67–82. ———. “La religiosità nella ‘Figlia di Iorio.’ ” In D’Annunzio e la religiosità. Atti del Convegno di Gardone Riviera 22–23 giugno 1981, Quaderni del Vittoriale 28 (1981): 83–96. ———. “Il Trionfo della morte.” In Il Trionfo della morte. Atti del III Convegno Internazionale di Studi dannunziani, 22–24 aprile 1981. Edited by Edoardo Tiboni and Luigia Abrugiati, 11–28. Pescara: Centro nazion- ale di studi dannunziani, 1981. Parshin, Sergei. Mir iskusstva. Moscow: Isobrazitel’noe iskustvo, 1993. Pater, Walter. The Renaissance: Studies in Art and Poetry. In Walter Pater: Three Major Texts. Edited by William E. Buckler, 69–220. New York: New York University Press, 1986. Péron, Françoise. Ouessant, l’île sentinelle: vie et traditions d’une île bretonne. Douarnenez: La Chasse-Marée/Armen, 1997. Perry, Gill. “Primitivism and the ‘Modern.’ ” In Primitivism, Cubism, Abstraction, the Early Twentieth Century. Edited by Charles Harrison, Francis Fascina, and Gillian Perry, 3–86. New Haven: Yale University Press, 1993. Petrov, Vsevolod and Kamenskii, Aleksandr. The World of Art Movement in Early 20th-Century Russia. Leningrad: Aurora Art Publishers, 1991. Petrova, Yevgenia, ed. Mir Iskusstva: On the Centenary of the Exhibition of Russian and Finnish Artists, 1898. St. Petersburg: Palace Editions, 1998. Pick, Daniel. Faces of Degeneration: A European Disorder, c. 1848–c. 1918. Cambridge: Cambridge University Press, 1989. Pierrot, Jean. The Decadent Imagination, 1880–1900. Translated by Derek Coltman. Chicago: University of Chicago Press, 1981. Plantin, Yves. Introduction to Eugène Grasset: Lausanne 1841-Sceaux 1917. Paris: Plantin et Blondel, 1980. Exhibition catalog. Potolsky, Matthew. The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley. Philadelphia: University of Pennsylvania Press, 2013. Praz, Mario. La Carne, la Morte e il Diavolo nella letteratura romantic. Florence: Sansoni, 2003. Propp, Vladimir. The Morphology of the Folk-Tale. Translated by Laurence Scott. Austin: University of Texas Press, 1968. Puget, Cathérine. Peintres de la Bretagne et quête spirituelle (1860–1960). Pont-Aven: Musêe de Aven, 2006. Punch, June 25, 1881, in www.punch. photoshelter.com Pyman, Avril. A History of Russian Symbolism. Cambridge: Cambridge University Press, 1994. BIBLIOGRAPHY 263

Radufe, Dominique. “Yan’ Dargent et l’âme bretonne.” In Yan ‘Dargent 1824–1899. Edited by Jean Berthou. Landerneau: la Ville de Landerneau, 1989. Rancy, Catherine. Fantastique et decadence en Angleterre (1890–1914). Paris: CNRS, 1982. Rapetti, Rodolphe. “Léon Frédéric et les ages de la vie de l’ouvrier: sym- bolism et messianisme social dans la Belgique de Léopold II.” Revue du Louvre et des musées de France 40, no. 2 (1990): 136–45. ———. Symbolism. Translated by Deke Dusinberre. Paris: Flammarion, 2005. Rasch, Wolfdietrich. Die literarische Décadence um 1900. Munich: Beck, 1986. Real de Azúa, Carlos. Medio Siglo de Ariel: Su Significación y Transcendencia Literario-Filosófica. Montevideo: Academia Nacional de Letras, 2001. Rebell, Hugues. Union des trois aristocraties. Paris: Bibliothèque artistique et littéraire, 1894. Redon, Odilon. À soi-même, journal (1867–1915). Notes sur la Vie, l’Art et les Artistes. Paris: Floury, 1922. Reed, John R. Decadent Style. Athens, OH: Ohio University Press, 1985. Retté, Adolphe. Le Symbolisme: anecdotes et souvenirs. Paris: Léon Vanier, 1903. Ribot, Théodule. Les maladies de la Volonté. Paris: Alcán, 1987. Rigopoulos, Giannis. Ut pictura poesis: Το εκφραστικό σύστηµα της ποίησης και ποίητικής του Κ. ∏. Καβάφη. Athens: Σμίλη, 1991. [Ut picture poesis: To ekfrastikó sýstīma tīs poíīsīs kai poíītikīs tou K. P. Kaváfī. Athens: Smílī, 1991.] Rodó, José Enrique. Ariel. Translated by Margaret Sayers Peden. Texas: University of Texas Press, 2013. ———. Rubén Darío. Montevideo: Rusconi, 2000. Roos Rosa de Carvalho, Fleur and Marije Vellekoop. Printmaking in Paris: The Rage for Prints at the Fin de Siècle. Brussels: Mercatorfonds, 2013. Rosenberg, Rosalind. “In Search of Woman’s Nature, 1850–1920.” Feminist Studies 3, nos. 1–2 (1975): 141–54. Rosenblum, Robert, Maryanne Stevens, and Ann Dumas. 1900: Art at the Crossroads. New York: Abrams, 2000. Ross, Robert. Aubrey Beardsley (With Sixteen Full-Page Illustrations and a Revised Iconography by Aymer Vallance). London: Lane, the Bodley Head, 1921. Rusakova, Alla. Simvolizm v russkoi zhivopisi: protosimvolizm, Mikhail Vrubel’, “Mir iskusstva,” Viktor Borisov-Musatov, “Golubaia roza,” Kuz’ma Petrov- Vodkin. Moscow: Iskusstvo, 1995. Russett, Cynthia Eagle. Sexual Science: The Victorian Construction of Womanhood. Cambridge: Harvard University Press, 1989. Saïd, Edward Wadie. Orientalism. New York: Vintage, 1979. Sakharova, Ekaterina V. Vasilii Dmitrievich Polenov: Elena Dmitrievna Polenova. Khronika sem’i khudozhnikov. Moscow: Iskusstvo, 1964. 264 BIBLIOGRAPHY

Salinas, Pedro. “El concepto de generación literaria aplicado al 98.” Revista de Occidente 50, no. 150 (1935): 249–59. Salomé, Karine. Les îles bretonnes: une image en construction, 1750–1914. Rennes: Presses Universitaires de Rennes, 2003. Santamaría Laorden, Natalia. “Debates finiseculares entre autores espa- ñoles y latinoamericanos sobre el regeneracionismo español.” Cuadernos Americanos 132, no. 2 (2010): 111–31. ———. “Modernismo y regeneracionismo como discursos permeables: Darío Rodó y Unamuno.” Decimonónica 8, no. 1 (2011): 76–92. Sareyiannis, I. A. Σχόλια στον Καβάφη. Athens: ΄Ικαρος, 1964. [Schólia ston Kaváfī. Athens: Íkaros, 1964.] Sarmata [pseud.]. “Kartinki zhizni.” Pridneprovskii krai. Ezhednevnaia, nauchno-literaturnaia, politicheskaia i ekonomicheskaia gazeta (1898): 2–3. Schoolfield, George C. A Baedeker of Decadence: Charting a Literary Fashion 1884–1927. New Haven: Yale University Press, 2003. Schopenhauer, Arthur. The World as Will and Presentation. Translated by Richard E. Aquila and David Carus. 2 vols. New York: Pearson, 2008. Schweick, Robert C. “Oscar Wilde’s Salome, the Salome Theme in Late European Art, and a Problem of Method in Cultural History.” In Twilight of Dawn. Edited by O. M. Brack, 123–36. Jr. Tucson: University of Arizona Press, 1987. Scrogham, Ron E. “The Echo of the Name ‘Iaokanann’ in Flaubert’s Hérodias.” The French Review 71, no. 5 (1998): 775–84. Seferis, Giorgos. “Κ. ∏. Καβάφης, Θ. Σ. ΄Ελιοτ· παράλληλοι.” In Δοκιµές. Edited by Giorgos Seferis, vol. A, 324–63. Athens: ΄Ικαρος, 1974. [“K. P. Kaváfīs, Th. S. Eliot: parállīloi.” In Dokimés. Edited by Giorgos Seferis, vol. A, 324–63. Athens: Íkaros, 1974.] Sekula, Allan. “The Body and the Archive.” October 39 (1986): 3–64. Sergi, Giuseppe. La decadenza delle nazioni latine. Turin: Bocca, 1900. Serrano, Carlos. “Conciencia de la crisis, conciencia en crisis.” In Más se perdió en Cuba: España, 1898 y la crisis de fin de siglo. Edited by Juan Pan- Montojo, 335–405. Madrid: Alianza Editorial, 1998. Serrano, Carlos and Jacques Maurice. Joaquín Costa: Crisis de la Restauración y Populismo (1875–1911). Madrid: Siglo XXI de España, 1977. Shakespeare, William. The Tempest. Edited by M. Mason Vaughan and A. T. Vaughan. London: The Arden Shakespeare, 2003. Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Siècle. London: Virago 1992. Sienkiewicz, Henryk. Quo Vadis: A Narrative of the Time of Nero. Translated by Jeremiah Curtin. Boston: Little & Brown, 1914. Silverman, Deborah. Van Gogh and Gauguin: The Search for Sacred Art. New York: Farrar, Straus and Giroux, 2000. Simonson, Mary. “‘The Call of Salome’: American Adaptations and Re-creations of the Female Body in the Early Twentieth Century.” Women and Music: A Journal of Gender and Culture 11, no. 1 (2007): 1–16. BIBLIOGRAPHY 265

Sine, Nadine. “Cases of Mistaken Identity: Salome and Judith at the Turn of the Century.” German Studies Review 11, no. 1 (1988): 9–29. Smith, Crosbie. The Science of Energy: A Cultural History of Energy Physics in Victorian Britain. Chicago: University of Chicago Press, 1998. Smith, Crosbie, and Norton M. Wise. Energy and Empire: A Biographical Study of Lord Kelvin. Cambridge: Cambridge University Press, 1989. Snodgrass, Chris. “Beardsley’s Oscillating Spaces: Play, Paradox, and the Grotesque.” In Reconsidering Aubrey Beardsley. Edited by Robert Langfeld. Ann Arbor: UMI Research Press, 1989. ———. “Decadent Mythmaking: Arthur Symons on Aubrey Beardsley and Salomé.” Victorian Poetry 28 (1990): 61–109. Sobejano, Gonzalo. Nietzsche en España. Madrid: Gredos, 1967. Somerville, Siobhan B. “Scientific Racism and the Invention of the Homosexual Body.” In Sexology in Culture: Labelling Bodies and Desires. Edited by L. Bland and L. L. Doan, 60–76. Chicago: The University of Chicago Press, 1998. Soth, Lauren. “Gauguin, Van Gogh and the Fishermen of Iceland.” The Burlington Magazine 131, no. 1033 (1989): 296–97. Souvestre, Émile. Le foyer breton, traditions populaires. Paris: Coquebert, 1844. Spackman, Barbara. Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D’Annunzio. Ithaca: Cornell University Press, 1989. Spencer, Herbert. First Principles. New York: Burt, 1880. Springer, Annemarie. “Some Images of Women in French Posters of the 1890s.” Art Journal 33, no. 2 (1973): 116–24. Stein, Mary Beth. “Folklore and Fairy Tales.” In The Oxford Companion to Fairy Tales. Edited By Jack Zipes, 166–70. Oxford: Oxford University Press, 2000. Stekel, Wilhelm. Onanism and Homosexuality: The Homosexual Neuroses. Brooklyn: Physicians And Surgeons Book Co., 1934. ———. Sadism and Masochism: The Psychology of Hatred and Cruelty. New York: Liveright, 1929. Stepanovna, Svetlana. Moskovskoe uchilishche zhivopisi i vaianiia. Gody stanov- lenie. St. Petersburg: Iskusstvo—SPB, 2005. Stephan, Philip. Paul Verlaine and the Decadence. Manchester: Manchester University Press, 1974. Stetz, Margaret D. “Publishing Industries and Practices.” In The Cambridge Companion to the Fin de Siècle. Edited by Gail Marshall, 113–30. Cambridge: Cambridge University Press, 2007. Stewart, Balfour and Peter Tait. The Unseen Universe, or Physical Speculations on a Future State. London: Macmillan, 1894. Stokes, John. “Varieties of Performance at the Turn of the Century.” In The Cambridge Companion to the Fin de Siècle. Edited by Gail Marshall, 207–22. Cambridge: Cambridge University Press, 2007. Strindberg, August. Miss Julie and Other Plays. Translated by Michael Robinson. Oxford: Oxford University Press, 1998. 266 BIBLIOGRAPHY

Stupples, Peter. “Letters of Mariya Iakunchikova: 1888.” New Zealand Slavonic Journal (1987): 107–68. Sulzberger, Maurice. “Chronique artistique.” Revue de Belgique 2, no. 30 (1900): 173. Summerfield, Geoffrey. “The Making of the Home Treasury.” Children’s Literature 8 (1980): 35–52. Sünderhauf, Esther Sophia. Griechensehnsucht und Kulturkritik. Die deutsche Rezeption von Winckelmanns Antikenideal 1840–1945. Berlin: Akademie Verlag, 2004. Suomi, Vilho. Nuori Volter Kilpi. Helsinki: Otava, 1952. Swinburne, Algernon C. The Poems of Algernon Charles Swinburne in 6 Volumes. Vol. 1. New York: Harper, 1904. Symons, Arthur. The Art of Aubrey Beardsley. New York: Boni and Liveright, 1918. Szobar, Patricia. “Telling Sexual Stories in the Nazi Courts of Law: Race Defilement in Germany, 1933–1945.” Journal of the History of Sexuality 11, nos. 1–2 (2002): 131–63. Tailhade, Laurent. La noire idole: étude sur la morphomanie. Paris: Vanier, 1907. Taine, Hippolyte. History of English Literature. Translated by H. Van Laun. 6 vols. New York: Ungar, 1965. ———. The Ideal in Art. Translated by John Durand. New York: Holt and Williams, 1896. Talbot, Eugene. Degeneracy: Its Causes, Signs, and Results. London: Walter Scott, 1898. Taylor, Jenny Bourne. “Psychology at the Fin de Siècle.” In The Cambridge Companion to the Fin de Siècle. Edited by Gail Marshall, 13–30. Cambridge: Cambridge University Press, 2007. Templeton, Joan. Ibsen’s Women. Cambridge: Cambridge University Press, 1997. Thiébault-Sisson, François. “La vie artistique: á propos de la Société Nouvelle. Un peintre de la Bretagne et de la mer.” Le Temps (March 10, 1912): 3. Thomson, Richard. The Troubled Republic: Visual Culture and Social Debate in France, 1889–1900. New Haven: Yale University Press, 2004. Thomson, William. Mathematical and Physical Papers. Cambridge: Cambridge University Press, 1882. Thomson, William and Peter Tait. Treatise on Natural Philosophy. Oxford: Oxford University Press, 1867. Thum, Reinhard H. The City. Baudelaire, Rimbaud, Verhaeren. New York: Peter Lang, 1994. Tierno Galván, Enrique. Costa y el regeneracionismo. Barcelona: Barna, 1961. Todd, Jeffrey. “Stefan George and Two Types of Aestheticism.” In A Companion to the Works of Stefan George. Edited by Jens Rieckmann, 127–43. New York: Camden House, 2005. BIBLIOGRAPHY 267

Törnqvist, Egil. “Ibsen and Strindberg Conquer Paris.” In 1984: European Theatre in Turmoil: Meaning and Significance of the Theatre a Hundred Years Ago. Vol. 36 of Tijdschrift voor Theaterwetenschap. Edited by Hub Hermans, Wessel Krul, and Hans van Maanen, 83–96. Amsterdam: Rodopi, 1996. Tosi, Guy. “Il personaggio di Giorgio Aurispa nei suoi rapporti con la cul- tura francese.” In Trionfo della morte. Atti del III Convegno internazionale di studi dannunziani 22–24 aprile 1981. Edited by Edoardo Tiboni and Luigia Abrugiati, 87–142. Pescara: Centro nazionale di studi dannunziani, 1981. Toudouze, Gustave. Péri en mer! Paris: Flammarion, 1905. Tretyakov Gallery Manuscript Division, fond 54 (Polenovs) and fond 205 (Iakunchikovs). Turchetta, Gianni. Introduction to Notturno, by Gabriele D’Annunzio. Milan: Mondadori,1995. Tziovas, Dimitris. “Cavafy’s Barbarians and Their Western Genealogy.” Byzantine and Modern Greek Studies 10 (1986): 161–78. Uzanne, Octave. “Modern Colour Engraving with Notes on Some Work by Marie Jacounchikoff.” The Studio 6 (1895–1896): 148–52. Valenti, Davide. D’Annunzio lettore di Nietzsche. Per una rettifica. Catania: Boemi, 1996. Valkenier, Elizabeth. Russian Realist Art: The State and Society: The Peredvizhniki and Their Tradition. Ann Arbor: Ardis, 1977. Valman, Nadia. The Jewess in Nineteenth-Century British Literary Culture. Cambridge: Cambridge University Press, 2007. Van Delden, Maarten. “ ‘The Survival of the Prettiest’: Transmutations of Darwin in José Enrique Rodó’s Ariel.” In Constellation Caliban: Figurations of a Character,. Edited by Nadia Lie and Theo d’Haen, 150–57. Amsterdam: Rodopi, 1997. Van der Laarse, Robert. “Masking the Other: Max Nordau’s Representation of Hidden Jewishness.” Historical Reflections 25 (1999): 1–32. Varela Ortega, José. “Del desastre y sus consecuencias.” Imágenes y Ensayos del 98. Valencia: Cañada Blanch (1998): 253–89. Varthalitis, Georgios. Die Antike und die Jahrhundertwende. Stefan Georges Rezeption der Antike. PhD diss., Heidelberg University, 2000. Verlaine, Paul. Oeuvres poétiques. Edited by Jacques Robichez. Paris: Garnier, 1969. Vilain, Robert. “Stefan George’s Early Works 1890–1895.” In A Companion to the Works of Stefan George. Edited by Jens Rieckmann, 51–77. New York: Camden House, 2005. Vogt, Carl. Lectures on Man: His Place in Creation, and in the History of the Earth. London: Published for the Anthropological Society by Longman, Green, Longman, and Roberts, 1864. Voloshin, Maks. “Tvorchestvo M. V. Iakunchikova.” Vesy 1 (1905): 30–38. 268 BIBLIOGRAPHY

Weidmann, Heiner. “Die doppelte Salome: Zur Konstruktion der Femme fatale.” KulturPoetik 4, no. 2 (2004): 149–72. Weir, David. Decadence and the Making of Modernism. Amherst: University of Massachusetts Press, 1995. Welby, T. Earle. A Study of Swinburne. London: Faber and Gwyer, 1926. Wells, Herbert G. The Short Stories of H. G. Wells. London: Benn, 1957. West, Shearer. Fin de Siècle. London: Bloomsbury, 1993. Wilde, Oscar. The Artist as Critic: Critical Writings of Oscar Wilde. Edited by Richard Ellmann. Chicago: University of Chicago Press, 1982. ———. The Complete Fairy Tales. Winnetka: Norilana, 2007. ———. The Collected Oscar Wilde. Edited by Angus Fletcher. New York: Barnes & Noble, 2007. ———. The Complete Works. Edited by Vyvyan Holland. 3 vols. London: Heron, 1966. ———. De Profundis: The Ballad of Reading Gaol and Other Writings. Edited by Anne Varty. Ware: Wordsworth, 2002. ———. Essays and Lectures. Rockville, MD: Arc Manor, 2008. ———. Letters of Oscar Wilde. Edited by Rupert Hart-Davis. London: Hart- Davis, 1962; Ware: Wordsworth, 2002. ———. The Picture of Dorian Gray, and Three Stories: Lord Arthur Saville’s Crime, The Happy Prince, The Birthday of the Infanta. New York: Signet, 1995. ———. Salome: A Tragedy in One Act, Translated from the French of Oscar Wilde, with Sixteen Drawings by Aubrey Beardsley. Translated by Lord Alfred Bruce Douglas. London: John Lane, the Bodley Head, 1907. ———. Salome: A Tragedy in One Act, Translated from the French of Oscar Wilde: Pictured by Aubrey Beardsley. In Modern Art 2, no. 3 (1894): n.p. Williams, Roger L. The Horror of Life. Chicago: University of Chicago Press, 1980. Witt-Bradström, Ebba. Dekadensens kön: Ola Hansson och Laura Marholm. Stockholm: Norstedts, 2007. Woodhouse, John. Gabriele D’Annunzio. Oxford: Oxford University Press, 2001. Wulffen, Erich. Sexualspiegel von Kunst und Verbrechen. Leipzig: Roßberg ‘sche Buchdruckerei, n.d. ———. Das Weib als Sexualverbrecherin: ein Handbuch für Juristen, Verwaltungsbeamte und Ärzte. Berlin: Langenscheidt, 1923. Yablonskaya, Miuda N. Women Artists of Russia’s New Age 1900–1935. New York: Rizzoli, 1990. Yatromanolakis, Dimitrios and Panagiotis Roilos, eds. Προς µια τελετουργική ποιητική. Athens: Αλεξάνδρεια, 2005. [Pros mia teletourgikí poiītikī. Athens: Alexándreia, 2005.] Yeeyon, Im. “Oscar Wilde’s Salomé: Disorienting Orientalism.” Comparative Drama 45, no. 4 (2011): 361–80. Zagona, Helen G. The Legend of Salome and the Principle of Art for Art’s Sake. Geneva: Droz, 1960. BIBLIOGRAPHY 269

Zatlin, Linda Gertner. Aubrey Beardsley and Victorian Sexual Politics. Oxford: Clarendon, 1990. ———. Beardsley, Japonisme, and the Perversion of the Victorian Ideal. Cambridge: Cambridge University Press, 1997. Zieger, Susan. Inventing the Addict: Drugs, Race, and Sexuality in Nineteenth-century British And American Literature. Amherst: University of Massachusetts Press, 2008. Zipes, Jack. Fairy Tales and the Art of Subversion. London: Routledge, 2012. ———. Introduction to The Oxford Companion to the Fairy Tale. Edited by Jack Zipes. Oxford: Oxford University Press, 2000. Index

Académie Julian, 205 Arwas, Victor, 104, 108–9 Adam, Paul, 218 Atche, Jane, 113 Adams, Henry, 33n33 Athens, 90 Aestheticism, 1, 4, 12n12, 49, 51, 58, 60, 68, 73–6, 78, 80n29, Baju, Anatole, 4 88, 90, 91, 126–7, 130, 138, Baldi, Guido, 227, 239n21 139n6, 149 Bande Noire, la, 205 Ahlund, Claes, 101n15 barbarism, 4, 13n22, 39, 52–3, Alexander II (tsar), 148 63n22, 92 Alexander III (tsar), 149 Barc de Bouteville exhibitions, 205 Alexandria, 8, 49, 50, 52, 54–6, 60, Barrés, Maurice, 42, 236, 243n78 61, 65n47 Basile, Giambattista, 69, 79n6 Algabal, 54–6, 63n15 Baudelaire, Charles, 2, 3, 4, 11n5, Alma-Tadema, Sir Lawrence, 64n31 39–40, 45n11, 56, 57, 63n16, Amiet, Cuno, 219n4 93, 161n33, 204, 226, 234 Anderson, Hans Christian, 67, Baumgarten, Alexander Gottlieb, 73 141n20 Bazalgette, Léon, 37 Andrea Sperelli (in D’Annunzio’s Il Beardsley, Aubrey, 10, 68, 196, Piacere), 237 196n1, 197n8, 198n9 Ange du Bizarre exhibition, 223n45 Black Cape of, 185 Anguissola, Sofonisba, 154 Climax of, 184 Anstie, Francis, 118 Dancer’s Reward of, 184 Antinous, 87, 89–91, 95 Enter Herodias of, 185 Antioch, 54 Eyes of Herod of, 193–5 anti-Semitism, 170, 173–4, 177–8 Peacock Skirt of, 184, 190–3, Antoine, André, 205 194–5 Apocalypse, 18, 22, 26, 28, 31n15, Platonic Lament of, 185 34n35, 94 Stomach Dance of, 184 Ariel, 41 Toilette of Salomé I, II of, 185 Armageddon, 28 Beauty and the Beast (fairy tale), Arnold, Matthew, 33n25 79n6 Aronna, Michael, 37 Beer, Gillian, 25–6, 28, 31n15, Art Journal, 183–4 33n25 Art Nouveau, 105, 109, 149, 154 Belle Époque, la, 104 Art Nouveau, Salon, 205 Bénédite, Léonce, 203, 207, art pour l’art, 49, 51, 65n47 209–13 272 INDEX

Bérenger, Henry, 38 Calloway, Stephen, 75 Bergman-Carton, Janis, 166, Camaret-sur-Mer, 205–7, 213–15 179n11, 180n22 Cambry, Jacques, 207 Bermonde, Adolphe, 236 Campas, Chryssoula, 62n2 Bernard, Émile, 211, 219n4 Campbell, Harry, 200n36 Bernhardt, Sarah, 173 Cantar de mio Cid, 46n22 Bertrand, Albert, 156 Carducci, Giosuè, 233 Besnard, Paul-Albert, 119, 155 Cariou, André, 206 Bible, 20, 33n26, 93, 129, 167, 230 Carlyle, Thomas, 45n14 Biez, Jacques de, 170–1 Carpenter, Edward, 77 Binni, Walter, 11n1, 242n62 Carrière, Eugene, 155 Bithynia, 90 Carvalho, Fleur Roos Rosa de, 109 black flower/blue flower (in poetry Catholicism, 7, 75, 80n28, of Stefan George), 54 206, 233 Blake, William, 2 Cavafy, Constantine, 8, 49–61, Blätter für die Kunst, 50 62n1, 63n12, 65nn46–7 Bloch, Erwin, 175 “Alexandrian Kings” of, 56 Bon Mots, 196n1 “For Ammonis, Who Died at 29, Bonnard, Pierre, 110, 205 in 610” of, 60 Boudin, Eugène, 208 “Genesis of a Poem” of, 55 Bourget, Paul, 89 “God Abandons Antony” of, 52 Bowlt, John, 146 “In a Town of Osroini” of, 59 Bowra, Cecil Maurice, 62n10 “Ionic” of, 59 Braungart, Wolfgang, 57 “Ithaka” of, 55 Bresdin, Rodolphe, 5 “I’ve Looked So Much” of, 60 Breton, Jules, 219n4 “Kaisarion” of, 60 Britain, 4, 8, 9, 20, 26, 36, 38, 68, “King Dimitrios” of, 51 170, 180n22, 183 “Tomb of Iasis” of, 60 British Association for the “Waiting for the Barbarians” of, Advancement of Science, 21 52–3, 61, 63n12 Brittany, 11, 203–19, 219n4, “Walls” of, 54 220n6, 220n12, 222n37 Cazamian, Madeleine, 75 Broca, Paul, 187, 189 Cervantes, Miguel de, 41 Brown, Julia Prewitt, 74 Champ-de-Mars (salon), 150, 151 Brunetière, Ferdinand, 42 Chantavoine, Jean, 209 Bulwer-Lytton, Edward, 26 Chants of Labour: A Songbook of the Burne-Jones, Edward, 196n1 People, 77 Byzantium, 2, 8, 50–1, 57, Charcot, Jean-Martin, 93–4, 65n47, 214 101–2nn25–6, 171, 180n26 Chéret, Jules, 104, 113 Caliban, 41, 138 Chester, Pamela, 158n2 Caligula, 63n15 Christ, 28, 74, 129, 183 Calinescu, Mattei, 127 Christianity, 7, 13n20, 14n25, Call to Order (aesthetic 20–4, 29, 31nn14–15, 31n17, movement), 206 58, 74, 129, 161n27, 170, Callimachus, 65n47 172, 173, 207, 211, 233–4 INDEX 273

Claretie, Jules, 118 Primo vere of, 233 Clarke, Bruce, 26 “Suspiria de profundis” of, 230 Clausius, Rudolf, 30n1 Trionfo della morte of, 226–9, Cleopatra, 56, 165, 177 232–3, 235 Colajanni, Napoleone, 37–8 Vangelo secondo l’Avversario Cole, Sir Henry, 70 of, 231 Conference on Art Nouveau, 107 Darío, Rubén, 46n22, 47n23 Corbin, Alain, 213, 222n26 Darwin, Charles, 37–8, 40, 43, Coriat, Isador, 175–6 185–8 Costa, Joaquín, 37, 38–9, 42, 43, Descent of Man of, 186, 193 45n15 Origin of Species of, 37, Cottet, Charles, 11, 203–19, 223n14 185, 188 In the Country of the Sea. The Men theory of atavistic reversion Who Leave, the Farewell Dinner, of, 187–8 the Women Who Remain of, Darwinism, 8, 23, 28, 36–7, 42–3, 207–12 46n19, 89 Marine Grieving of, 216–18 Datta, Venita, 38, 42, 46n18 Courbet, Gustave, 203, 206, 218 Dauchez, André, 205 Cubism, 206 Daumier, Honoré, 114 Davenport-Hines, Richard, 117 Dagnan-Bouveret, Pascal, 219n4 Davison, Neil, 166, 179n11 Dance of the Seven Veils, 132–4, de Malherbe, G., 109 167, 169, 172–3 de Rivera, Primo, 36 D’Annunzio, Gabriele, 11, 225–37, De Sade, Marquis, 226 237nn3–4 death, 3, 7–8, 10–11, 12n5, 12n6, “Ammonimento” of, 230 17, 89, 94–6, 99, 120, 127, Chimera of, 237n3, 238n14, 150–4, 196, 206–7, 210, 213– 239n30, 240n38 19, 220n12, 222n33, 223n45, Contemplazione della morte of, 225–37, 238n15, 239n23, 232, 235–6 239n30 Fedra of, 236 personification of, 229–31 Forse che sì forse che no of, 239n24, Death in Venice, 59 242n60 Deborah, 170 home on Lake Garda of, 232, 236 Decadence, 1–7, 9, 11nn1–2, Il Piacere of, 237 12n12, 13n17, 13n22, 47n23, La Leda senza cigno of, 230 49, 50, 53, 56, 59, 61, 68, “La visitazione” of, 229 73–6, 85–7, 89–91, 93, 97–9, Libro segreto of, 225, 230, 101n21, 104–7, 116, 119, 238n14, 241n51 121, 126–8, 130, 132, 135, Licenza of, 230–1, 235, 240n41, 137–8, 139n6, 145–50, 154, 241n51 156–7, 157n1, 158n6, 159n8, Maia of, 229–32, 240n34 160n21, 167, 177–8 Notturno of, 230, 232, 235–6, Décadent, Le, 4 241n51 decadentismo, 11n1, 225–6, 230–1 “Per i marinai d’Italia morti in Decadents, 1, 4, 9, 11n2, 58, 88, Cina” of, 232 92, 94, 98, 137, 172 274 INDEX degeneration, 1, 3–7, 9, 10, 26, Eagleton, Terry, 78 29, 37, 39, 43, 44n9, 46n18, Ecole des Beaux Arts, 205 51–3, 55, 68, 74–5, 87, 92, Eden, 112, 127 98, 104–7, 117, 119, 120, Egypt, 56, 90, 95 136–8, 146–8, 150, 170–1, Einstein, Albert, 242n67 174, 180n25, 184–5, 188, 195, Ekdawi, Sarah, 60 199n28 El Mundial, 36, 44n4 Delacroix, Eugène, 2 Elgee, James Francesca (Speranza), Delâtre, Eugène, 156 77, 79n15 Delilah, 170, 177 Eloi (in Wells’s The Time Machine), Demarest, Albert-Guillaume, 219n4 7, 13n24, 26 Demarest, Louis-Adolphe, 222n33 ephebe, 58–61, 87 Demeter, 74 Eros, 226, 229 Demolins, Edmond, 38, 46n21 Eve, 112 Demont-Breton, Virginie, 219n4, Exposition Universelle, 147, 205 222n33 Denis, Maurice, 219n4 fairy tales, 9, 67–73, 126–7, 130–2, Derrida, Jacques, 140n12 139n7, 140n19, 148 Des Esseintes (in Huysmans’ À fascism, 226 rebours), 3, 6, 12nn7–8, 13n23, Fates, 217–18 87–9, 91–3, 97–9, 100n11, Felski, Rita, 198n13 172, 227 femme fatale, 10, 91, 105, 111–12, Desiderio Moriar (in D’Annunzio’s 113, 121, 132, 151–2, La Leda senza cigno), 230 167, 171 Diagilev, Sergei, 156, 162n47 Ferrero, Guglielmo, 169, 189–90, Diana, 130, 141n23 193, 195 Dickens, Charles, 70 Filiger, Charles, 219n4 Dijkstra, Bram, 153, 179n14 Finistère, 214, 216 Dimiroulis, Dimitris, 52 Finland, 87, 90, 92, 101n22 Dimitrios (in Cavafy’s “King Flaubert, Gustave, 2, 3, 129, 138n1, Dimitrios”), 51 140n17, 167–8 Dionysian art instinct, 91–2, 96, Forbes, Stanhope, 219n4 98–9, 102n31, 228 Fouillée, Alfred, 38 Dionysus, 74 France, 3, 12n4, 37–8, 42, 46n18, Don Quixote, 41 111, 119, 180n22 Dostoevsky, Fyodor, 161n34 Franco, Francisco, 36, 44n3 Douarnenez, 207 Franco-Prussian War, 3, 8, 11n4, Douglas, Lord Alfred, 167, 36, 46n18, 225 179nn16–17 Frédéric, Léon, 211–12 Dreyfus, Alfred, 173 Freud, Sigmund, 140n11, 226 Dreyfusards, 38 Futurism, 206 Drumont, Édouard, 170 du Maurier, George, 75 Garrot, Henri, 173–4 Dubut de Laforest, Jean-Louis, 118 Gauguin, Paul, 204, 219n4 Durkheim, Émile, 216 Gautier, Théophile, 2, 6, 11n2, 225 INDEX 275

George, Stefan, 8, 49–59, 61, 62n2, Grimm, Jacob, 130, 167, 179n12 63n12, 65nn46–7 Grimm, Jacob and Wilhelm, 69, Algabal of, 50, 53–4, 56 70, 134 Books of the Eclogues and Eulogies, Gsell, Paul, 213–14 of Legends, and Lays of the Guiata, Stanislas de, 119 Hanging Gardens of, 50, 51–2 Guillou, Alfred, 222n33 “Burning of the Temple” of, Gullón, Ricardo, 35 52–3, 61 Guyau, Jean-Marie, 39 Emperor Alexis’s Letters to the Poet Arkados of, 61 habituée, 105, 112–14, 117–19, 121 “End of the Victor” of, 52 Hades, 74 Eulogy of Mallarmé of, 65n47 Hadrian (emperor), 87 “Knight Who Gives Up” of, 52 Haeckel, Ernst, 200n37 Maximin cycle of, 58 Hamel, Maurice, 216 Maximin, ein Gedenkbuch, 58–9 Hansson, Ola, 9, 101n14 “Old Christian Vision” of, 57 Sensitiva amorosa of, 86, 88–9, “Poet Arkados” of, 61 91, 100n11 “Realm Below” of, 53–4 “Gallblomma” (Tidens kvinnor) Gibellini, Pietro, 234 of, 101n15 Gillis, John, 213 Haymarket anarchists, 77 Gilman, Sander, 166, 175, 178, heat-death, 18–20, 22–5, 29, 34n33 179n11 Hedda Gabler, 131–2, 134, 137 Gioanola, Elio, 225, 231, 241n47 Heine, Heinrich Giorgio Aurispa (in D’Annunzio’s Atta Troll of, 129, 141n23, 167, Trionfo della morte), 171, 179n13 226–8, 235 Heliogabalus. See Algabal Glebova, Anna, 159n11 Hellenism, 8, 49, 50–1, 55, 60, Gnosticism, 62n2 65n45, 65n47 Gobineau, Arthur de, 39, 44n8 Helmholtz, Hermann von, 30n1 God, 8, 19–20, 23–4, 31n14, Hera, 74 33n29, 76, 78, 100n9, 233–4 Herod Antipas, 93, 130, 132–4, Goncharova, Natal’ia, 158n2 137, 167–9, 171–4, 179n12, Gonzalez Rodriguez, Jorge, 42 183, 190, 195 Gould, Stephen Jay, 187, Herodias, 3, 125, 130, 132, 139n1, 199nn26–7 141n23, 167, 169–70, 172, Grabar, Igor, 157n1 173, 175, 179n13, 183 Grabar, Vladimir, 145, 157n1 Hirschfeld, Magnus, 175 Grasset, Eugène, 9, 103–21, 122n9 historicism, 49–50, 61 Depôt de chocolate Masson, History of Giles Gingerbread (fairy Chocolat mexicain of, 115 tale), 70 Inquiétude of, 109 Hodgson, Barbara, 118 Morphinomaniac of, 106–17, 121 Hodler, Ferdinand, 223n41 Tasse de grès of, 108–9 Holda (Frau Holle), 130 Trois femmes et Trois Loups of, 109 Holofernes, 170 Green, Roger Lancelyn, 70 Home Treasury, The, 70 276 INDEX homosexuality, 58–61, 90, 166, Jacob, Max, 213 175–6 James, Henry, 130 Hopkin, David, 213 Jankélévitch, Vladimir, 74 Hunt, Peter, 74 Japanese prints, 108, 120, 154 Hunter, John, 186–7, 189 Japonism (japonisme), 103–4, Huxley, Thomas, 28 108–9, 120–1, 196n1 Huysmans, Joris-Karl, 3, 4, 5, 6, Jewishness, beliefs about, 166–74, 9, 12n15, 68, 86–9, 92–3, 178, 179n11, 180n26 97, 100n11, 101n25, 138n1, John the Baptist, 3, 125, 128–9, 140n17, 167, 172, 179n12, 227 131–2, 137, 165, 168–73, hyperesthesia, 168 179nn13–14, 183, 191, 195 hysteria, 5, 13n18, 86, 92–4, 98, Jokanaan. See John the Baptist 117–18, 125, 168, 171–2, Joule, James Prescott, 30n1 180n25 Judith, 139n1, 165, 170, 177 Jugendstil. See Art Nouveau Iakunchikova, Mariia, 10, 145–57, Julie, Miss (in Strindberg’s Miss 157–8n2, 160n20, 161n25, Julie), 132, 134, 136–7, 161nn32–4, 162nn36–7, 141n23, 141n28 162n47 Jung, Carl, 175, 242n62 Bells of, 156 Death and Flowers of, 150–1 Karageorgevitch, Bojidar, 213 Death at the Piano of, 150 Kermode, Frank, 28, 134–6 l’Effroi of, 153–4 Kierkegaard, Søren, 100n9, 101n14 l’Irréparable of, 151–3, 156 Kilpi, Volter, 9 Quietude of, 156 Antinous of, 86–7, 89–91, 95–6 Reflections of, 155 Bathseba of, 101n14 Reflets intimes of, 155 Parsifal of, 101n14 Tsar in the Prayer Room of, 147 Kipling, Rudyard, 24 Winter in Petersburg of, 156 Kisch, Enoch, 175 Ibsen, Henrik, 125–6, 129–32, Kiselev, Mikhail Fedorovich, 158n2 135–8, 139n9 Klimt, Gustav, 138 Hedda Gabler of, 125–6, 131–2, Kline, Thomas Jefferson, 228 137, 139n3, 139n5 Kraemer, Ross S., 129 Peer Gynt of, 141n20 Krafft-Ebing, Richard von, 167, Imperial Academy of the Arts, 169, 179n16, 187 148–9 Kragh, Helge, 31n11 Impressionism, 5, 108, 119, Kronenberg, Maximilian, 58 147, 205 Indépendants, Salon des, 153 Lacombe, Georges, 205, 214–16, Ippolita Sanzio (in D’Annunzio’s 219n4 Trionfo della morte), 226–8 Lafourge, Jules, 140n17 Italy, 37, 38, 234 Laín Entralgo, Pedro, 35 Last Judgment, 28, 238n14 Jackson, Holbrook, 76 Latin America, 8, 35–7, 39, 42–3, Jackson, Mary V., 70 47n23 INDEX 277

Latin races, degeneration of, 8, Marradi, Giovanni, 234 38, 225 Marty, André, 108 Latour, Bruno, 204 Mary Magdalene, 97 Le Bon, Gustave, 45n13, 187, 189, Massenet, Jules, 140n17 200n33 materialism, 4, 20, 28, 29, 78, Le Braz, Anatole, 207, 210, 216–18 101n25, 242n67 Le Page, Jules Bastien, 212, 219n4 Matthew, Gospel of, 93, 129, 167 Lectura, La, 36 Maudle and Jellaby Postlethwaite Legros, Alphonse, 206 (characters in Punch), 75 Lehtonen, Joel, 9 Maurice, Jacques, 42 Mataleena of, 85–7, 91–2, 96–9, Maurin, Charles, 112 102n32 Maxwell, James, 23 Paholaisen viulu of, Villi of, McKenna, Neil, 167–8 102n31 Medical Times, The, 174 Leopardi, Giacomo, 234, 240n41 Mejías-López, Alejandro, 43–4n1 lesbianism, 166 menstruation, 131, 141n28, 168–9 Lessing, Gotthold, 230 Merezhovskii, Dmitrii, 149 Levy-Dhurmer, Fréderic, 223n45 Meudon Cemetery, 153 Lhermitte, Léon, 219n4 Meunier, Georges, 113 Libre Esthétique (artistic Millet, Jean-François, 203, 206 society), 205 Mills, Kevin, 33n32, 34n35 livsångest, 88 Mir iskusstva. See World of Art group Lombroso, Cesare, 5, 169, 180n21, misogyny, 9–10 189–90, 192, 193, 195, Modern Art, 185 199nn27–8, 199n30 modernism, 9, 35, 43–4n1, 50, 54, Lorrain, Jean, 140n17 58, 62n2, 63n16, 90, 126–8, Loti, Pierre, 210 138, 139n9, 141n32, 146–8, Louise, Margot, 25 156–7 Lübbren, Nina, 220n6 Modersohn-Becker, Paula, 208, 211 Luminais, Evariste, 207 Moi, Toril, 135–6, 141n32 Luxembourg Museum, 203, 208 Molloy, Sylvia, 46–7n23 Lysippus, 60–1 Monahan, Michael, 176 Monet, Claude, 208 Machado, Manuel, 46n22 Moreau, Gustave Madonna. See Virgin Mary influence on Huysmans of, 12n7, Maeterlinck, Maurice, 135, 139n7 12–13n15, 94 Magnan, Valentin, 107 Salomé Dancing before Herod of, Mallarmé, Stéphane, 3, 4, 12n6, 57, 5, 179n14 138n1, 140n17, 167, 179n15 Salome paintings of, 3, 5, 93, Mallat de Bassilan, Marcel, 118 138n1, 140n17, 167 Malory, Sir Thomas, 196n1 Morel, Bénedict Augustin, 5, 188, Mann, Thomas, 59 199n28 Mantegna, Andrea, 196n1 Morice, Charles, 40, 45n11 Marcadé, Jean-Claude, 159n6 Morlocks (in Wells’s The Time Mark, Gospel of, 129, 167 Machine), 7, 26 278 INDEX morphine addiction, 107, 111–14, Nietzsche, Friedrich, 11n1, 37, 87, 116–20 96, 98, 100n9, 227, 233, 236, Morris, William, 77, 81n41, 196n1 239n24 Moscow Arts Society, 159n10 Antichrist of, 13n20, 14n25 Moscow School of Painting, Birth of Tragedy of, 91, 101n20, Sculpture and Architecture, 147 102n31 mourir en beauté, 3, 7, 56, 228 eternal return (recurrence) of, 6, Mucha, Alphonse, 104, 113 11, 13n21, 236–7 Munch, Edvard, 112, 153 Thus Spoke Zarathustra of, 6, Munich Secession, 205 13n21, 102n31 Murray-Robertson, Anne, 110, 116, We Philologists of, 39 123n21 Will to Power of, 42–3 Musée des Beaux Arts (in Night, 229 Quimper), 206 Niobe, 218 Muter, Mela, 219n4 Nochlin, Linda, 206 Myers, Greg, 33n26 Nordau, Max Degeneration of, 5, 6, 13n18, Nabis, 108, 110, 205, 215, 219n4, 13n20, 68, 105–7, 117–18, 223n45 120–1, 148, 160n20, 180n25, Nación, La, 36 188, 218 Napoleon, 147 Die Krankheit des Jahrhunderts narcissism, 154 of, 118 Narcissus, 91, 97 On Art and Artists of, 218 Narraboth (in Wilde’s Salomé), 171, Normandie Illustrée, La, 213 190–2, 194–5 nystagmus, 5 Nation, The, 77 Naturalism, 1, 10, 20, 86–91, 93, Orcagna (Andrea di Cione), 238n14 97, 110, 126, 135, 138, Orientalism, 56, 129, 163n49, 166, 203–6, 212–14, 218, 169–70, 172, 174, 179n15 219n4, 222n37 Ortega, Julio, 46n22 nature, 4, 6, 9, 11, 23, 25, 33n33, Orton, Fred, 204 51, 54–5, 92, 97–8, 101n21, Ouessant, 207–10, 212, 216–17 128, 132, 151, 184, 185, 195, 198n13, 204, 218, 219, 228, Palaiologos, Theophilos 231, 233–5 (emperor), 51 Navarre, Joan, 197n7 Pall Mall Budget Magazine, 196n1 Nazarene painters, 211 Pall Mall Gazette, The, 76 Nazi regime, 178 Panayotopoulos, I. M., 54 necrophilia, 171–2 Pandora, 112 Nero, 7, 63n15 panismo, 234–5 neurasthenia, 6, 86 pantheism, 234 neurosis, 2, 6, 86–9, 91–4 Paratore, Ettore, 234 New Woman, 126, 135–6 Paris, arts in, 145, 147, 149–50, Newtonian mechanics, 19, 22 156–7, 170, 210 Niefanger, Dirk, 49 Paris Salon, 205 INDEX 279

Pascoli, Giovanni, 234 Rachilde (Marguerite Vallette- Pater, Walter, 55, 58, 60, 65n46, Eymery), 118 74, 75, 80n29 Rancy, Catherine, 75 Penmarc’h, 214 Rankine, William, 21–2, 27, 30n3, Peredvizhniki (artist group), 146, 31n11 150, 158n3 Rasch, Wolfdietrich, 51 Pericles, 51 Raza, 44n3 Perovskaia, Sofiia, 148–9 Real de Azua, Carlos, 42 Perrault, Charles, 69, 134 realism, 11, 72, 109–10, 126, 128, Persephone, 74 135, 138, 203, 214, 218 Petronius Arbiter Elegantiarum, 7, Rebell, Hugues, 42 13–14n25 Redon, Odilon, 3, 5, 12n9 Phoenicia, 56 Reed, John R., 4–5 piacular rite, 216 Regnault, Henri, 138n1, 140n17 Pierrot, Jean, 127–8, 130 Remon (in Cavafy’s “In a Town of Plantin, Yves, 110, 122nn19–20 Osroini”), 59 Platonism, 58–9, 90 Renaissance, 74, 79n6, 129, 154, Poe, Edgar Allan, 2 196n1, 236 Poètes maudits, 4 Reni, Guido, 76, 81n37 Pointillists, 5 Retté, Adolphe, 42 Polenov, Vasilii, 147 Revelation. See Apocalypse Polenova, Elena, 148, 149, 158n2 Richon-Brunet, Richard, 205, 214, Polenova, Natal’ia, 158n2 216, 219n4 Pollock, Griselda, 204 Rimbaud, Arthur, 4, 234 pomegranate, symbolism of, 74, Rodó, José Enrique, 39–43, 80n26 44–5nn9–11, 45n14, 46n19, Pont-Aven artists, 204–5, 211, 47n23 219n4 Roll, Rodolphe, 205 positivism, 4, 9, 134 Roman Empire, 2, 3–4, 7, 8, Post-Impressionism, 104, 120, 147 49–51, 53, 61, 63n12, Pre-Raphaelites, 2, 4, 106, 65n47, 90 196n1, 211 Romanes, George, 192 primitivism, 11, 98, 204, 218, Romanticism, 2, 10, 50, 54–5, 86, 220n6 100n9, 102n31, 126–8, proella (Breton ritual object), 210 134, 135–8, 167, 223n45, Propp, Vladimir, 71 229, 234 Psychoanalytic Review, 175 Rose + Croix Salon, 105, 150, Punch, 75, 80n30 161n27 Puss-in-Boots (fairy tale), 79n6 Ross, Robert, 80n28, 196–7n1, Puvis de Chavannes, Pierre, 196n1, 198n9 205, 214 Roussel, Ker-Xavier, 205 Pyman, Avril, 160n21 Rudinì, Alessandra di, 229 Rumpelstilzskin (fairy tale), 69 Quo Vadis: A Narrative of the Time Rusiñol, Santiago, 119 of Nero, 7, 47n23 Ruskin, John, 70 280 INDEX

Russia, arts in, 145–9, 151, 154, Simon, Lucien, 205 156–7, 157–8n2, 158n6, Smith, Crosbie, 23, 30n4 159n8, 160n21 Smith, Crosbie and Nathan M. Russian prints (lubki), 154 Wise, 19, 30n6 Snodgrass, Chris, 191–2 sadism, 173–7 Sobejano, Gonzalo, 39 Saint-Pol-Roux, 205 socialism, 68, 76–9, 80n20, 81n41 Salinas, Pedro, 35 Societé Nationale des Beaux-Arts Salomania, 125, 165–6, 178 (SNBA), 205, 207, 211, Salome, 3, 9, 10, 93, 94, 97, 222n33 102n28, 125–33, 134–7, 134, Somerville, Siobhan, 166 136, 139n1, 140n17, 165–77, South Kensington Museum, 156 179nn11–12, 179n15, Souvestre, Émile, 207 190–6, 197n3 Spackman, Barbara, 86 Salon des Cent, 108 Spain, 35–9, 42, 45n15, 47n23 Salpêtrière Hospital, 171 Spanish-American War, 8, Samain, Albert, 140n17 35–6, 44n3 Sancho Panza, 41 Spencer, Herbert, 21–2, 30n10, Schjerfbeck, Helene, 219n4 31n11, 33n33 Schopenhauer, Arthur, 1, 11n1, 87, sphinx, 91, 94–5, 99, 101n19, 90–1, 94–5, 100n12, 101n14, 102n29 102n30, 227, 231–3, 236 Spinoza, Baruch, 234, 242n67 Schor, Naomi, 228 Springer, Annmarie, 105 Scottish Presbyterian Church, 20 Stasov, Vladimir, 159n8 Sebastian (saint), 76, 81n37 Stecchetti, Lorenzo, 233 Secession, The, 149 Steinen, Helmut von den, 62 Seferis, Giorgios, 50 Steinlen, Théophile-Alexandre, 113 Sein (island of Brittany), 207 Stekel, Wilhelm, 176–7 Seleucia, 55, 59 Stephan, Philip, 58 sensitiva amorosa (plant), 86 Stewart, Balfour, 22–3, 27, 31n12, Sergi, Giuseppe, 37 31n14, 31n15, 31–2nn16–22 Serrano, Carlos, 42 Stokes, Marianne, 219n4 Sérusier, Paul, 211, 219n4 Straparola, Giovanni Francesco, sexual atavism in female, 187–90, 79n6 192–6 Strauss, Richard, 174, 177 sexual differentiation, 186–7, Strindberg, August 189–90, 192, 198n13, 200n36 Miss Julie of, 125–6, 129–32, Shakespeare, William 135–8, 139nn3–4, 141n20, A Midsummer Night’s Dream, of, 141n22, 141n28 45n14 Sabor of, 141n20 The Tempest of, 39, 45n10 Studio, The, 156, 158n2 Sharaku, 108 suicide, 7, 56, 87, 91, 96, 102n30, Shaw, George Bernard, 81–2n44 118, 134, 137, 191, 225–8, Sidon, 55 230, 237n4, 239n22 Sienkiewicz, Henryk, 7, 47n23 Sulzberger, Maurice, 214 INDEX 281

Sweet Rampion, 69 triptych, function of, 211–13 Swinburne, Algernon, 24–5, 29, Triumph of Death (fresco in Pisa), 33n29 226, 238n14 “Garden of Proserpina” of, 24, 29 Tsvetaeva, Marina, 158n2 “Hertha” of, 25 tuberculosis, 145–6, 150–1, 153–5, “A Nympholept” of, 25 161n34, 196n1 “Swinburne to Watt after Reading Turchetta, Gianni, 241n49 Tyndall’s Belfast Address” of, Turgenev, Ivan, 148 24 Tyndall, John, 20–2, 24 “To Walt Whitman in America” Tziovas, Dimitris, 53 of, 25 Symbolism, 1–6, 12n14, 35, 47n23, Unamuno, Miguel de, 36 49, 50, 68, 90, 91, 104–6, ukiyo-e. See Japanese prints 108–11, 113, 127–8, 130, 132, Uzanne, Octave, 156 136, 140n17, 146, 147–50, 153, 155, 157, 158n6, 159n8, Valéry, Paul, 57 160n21, 203, 205–6, 209, Valkenier, Elizabeth, 158n3 212–14, 216, 218–19, 219n4, Vallard, Ambroise, 108, 110, 112, 223n41 119, 120 Symons, Arthur, 68 Vallentin, Bertold, 65n46 Syria, 56, 59 Vallotton, Félix, 205, 211 Valman, Nadia, 170 Tadzio (in Mann’s Death in Van Delden, Maarten, 42 Venice), 59 Van Gogh, Vincent, 154 Tailhade, Laurent, 123n28 Varela Ortega, José, 44n2 Taine, Hippolyte, 37, 40–3, 45n13, Vellekoop, Marije, 109 45–6n16 Verhaeren, Émile, 234 Tait, Peter Guthrie, 21–3, 27, Verlaine, Paul, 3–4, 12n11, 57 31n12, 31n14, 31n15, “Langueur” of, 3, 63n12 31–2nn16–22 Vesy, 158n2 Talbot, Eugene, 192, 199n24 Victoria and Albert Museum, 156, Tattegrain, Francis, 222n33 162n47 Thackeray, William, 70 Victorian society, 9, 25, 29, 34n35, Thanatos, 127, 226, 229–31 60, 67–70, 72, 73, 75, 78–9, thermodynamics, 8, 17–21, 26, 107, 166 28, 30n1 Vienna Secession, 105 Thomson, William, 18–20, 23, Virgin Mary, 93, 97, 152, 207, 214 29–30n1 Vogt, Carl, 187, 189, 192 Tierno Galvan, Enrique, 42 Voloshin, Maksim, 153, 158n2 Time Machine, The, 7, 26–8, 33n33 Vuillard, Édouard, 205 Tolstoy, Leo, 161n34 Toudouze, Gustave, 205, 213 Wagner, Richard, 11n1, 226–8, Toulouse-Lautrec, Henri de, 104 239n23 Toyoluni, 108 Weber, Lev, 152, 158n2 transvestism, 176–7 Welby, T. Earle, 25 282 INDEX

Wells, H. G., 7, 26–8 Soul of Man Under Socialism of, Weltauge (world eye), 90 67, 68, 72–4, 76, 80n20 Wild Hunt, 130, 141n23 “Star Child” of, 67, 71, 72, 74 Wilde, Oscar, 3, 4, 6–7, 9, 10, 60, translation to English of Salomé 79n15, 81–2n44, 129–30, 132, of, 179n17, 183–5 135–8, 141n32, 179nn15–17, “Young King” of, 71, 72, 75–6, 78 183–5, 193–5, 196n1 Wilde, William, 77, 79n15, 82n45 banning of Salomé of, 184, 193, Winckelmann, Johann Joachim, 58, 197n5, 197n7 60, 65n46 “Birthday of the Infanta” of, 3, Wittgenstein, Ludwig, 242n67 74–5, 80n26, 81n36 Wolfskehl, Karl, 62n2 Critic as Artist of, 77 woman as born criminal, 170–1, De Profundis of, 78 174, 177, 189–90, 195 “Decay of Lying” of, 128 Wonder of the Forest (in Lehtonen’s “Devoted Friend” of, 71, 72 Mataleena), 97–8, 102n32 “Fisherman and His Soul” of, 72, World, The, 75 74, 75, 80n26, 81n35 World of Art group, 146–7, 156, “Happy Prince” of, 67, 70, 71, 158n2, 159n8 74, 76, 80n18, 141n20 World War I, 177–8, 203, 232 House of Pomegranates, 67–8, 70, Wullfen, Erich, 174 74, 141n20 imagery of moon in Salomé of, Yan’ Dargent (Jean-Édouard 131, 168–9 Dargent), 207 Letters of, 80n28, 81n42 Yeats, William Butler, 135–6 “Nightingale and the Rose” Yellow Nineties, 73 of, 71 Picture of Dorian Gray of, 6, 67, Zarathustra, 13n21 74, 138 Zieger, Susan, 116, 120 popularity in Germany of, 175 Zipes, Jack, 68, 69 Salomé of, 47n23, 65n45, 67–79, Zola, Émile, 86, 87, 92, 97, 110, 125–6, 139n3, 139n7, 166–7 141n32 “Selfish Giant” of, 71, 72, 77–8 Zorn, Anders, 159