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Bibliography Bibliography Adam, Paul. “Les salons de 1896: la peinture, les dessins et les objets d’art au Salon du Champ-de-Mars.” Gazette des Beaux-Arts 16, no. 3 (1896): 5–35. Adams, Henry. The Degradation of the Democratic Dogma. New York: Macmillan, 1919. Ahlund, Claes. Medusas huvud: Dekadensens tematik I svensk sekelskiftsprosa. Acta Universitatis Upsalensis: Historia litterarum 18. Uppsala: Uppsala University, 1994. Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de Siècle. Göttingen: Cuvillier, 1996. Alatri, Paolo. Gabriele D’Annunzio. Paris: Fayard, 1992. Anderson, Per Thomas. Dekadanse I nordisk litteratur 1880–1900. Oslo: Aschehaug, 1992. Andreoli, Annamaria. “Note.” In Versi d’amore e di Gloria, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. ———. Il vivere inimitabile. Vita di Gabriele D’Annunzio. Milan: Mondadori, 2001. Anstie, Francis Edmund. Stimulants and Narcotics, Their Mutual Relations. 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Athanasopoulou, Aphroditi. “O ‘πολιτικός’ Σεφέρης και ο ‘ιστορικός’ Καβάφης· παράλληλο;.” Το Δέντρο 179/180 (2011): 9–22 [“O ‘poli- tikós’ Seféris kai o ‘historikós’ Kavafis parállilo?” To Déntro 179/180 (2011): 9–22]. Badone, Ellen. The Appointed Hour: Death, Worldview and Social Change in Brittany. Berkeley: University of California Press, 1989. Baldi, Guido. L’ambiguità della “decadenza”: D’Annunzio romanziere. Napoli: Liguori, 2008. Balducci, Maria Giulia. Introduction to Trionfo della morte, by Gabriele D’Annunzio. Edited by Maria Giulia Balducci, v–xxxvi. Milan: Mondadori, 1995. Barrès, Maurice. La République ou le roi: correspondance inédite, 1888–1923: Maurice Barrès- Charles Maurras. Paris: Plon, 1970. Battaglia Ricci, Lucia. Ragionare nel giardino: Boccaccio e i cicli pittorici del Trionfo della Morte. Rome: Salerno Editrice, 2000. Baudelaire, Charles. “Edgar Allen Poe, His Life and Works.” In Selected Writings on Art & Artists. Edited by C. Baudelaire. Translated by P. E. Charvet, 162–87. Cambridge: Cambridge University Press, 1981. ———. Oeuvres complètes. Edited by Claude Pichois. Paris: Gallimard, 1975. Bauer, J. Edgar. “The Saint and the Dandy: Oscar Wilde’s Aestheticism and the Transformation of Religion.” Paper presented at the 1993 CESNUR Conference at the London School of Economics, http://www.cesnur .org/2003/bauer_wilde.htm. Bazalgette, Léon. À quoi tient l’inferiorité française? Paris: Librairie Fischbacher, 1900. ———. Le problème de l’avenir latin. Paris: Librairie Fischbacher, 1903. Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Clarendon, 1996. Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France. Ithaca: Cornell University Press, 1994. Bénédite, Léonce. “Les Salons de 1898.” Gazette des beaux arts 20, no. 3 (1898): 55–76. ———. “Charles Cottet.” Art et décoration: revue mensuelle d’art moderne 15, no. 1 (1904): 101–16. Benoist, Félix, and Hippolyte Lalaisse. La Normandie illustrée, Monuments, sites et costumes de la Seine-Inférieure, de l’Eure, du Calvados, de l’Orne et del la Manche. Nantes: Charpentier, 1852. Bentley, Toni. Sisters of Salome. New Haven: Yale University Press, 2002. Bérenger, Henry. L’aristocratie intellectuelle. Paris: Colin, 1895. Bergman-Carton, Janis. “Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness.” Art Journal 55, no. 2 (1996): 55–64. Bernadac, Marie-Laure, ed. Le Symbolisme russe. Paris: Réunion des musées nationaux, 2000. Bernecker, Walther L. “Del ‘desastre de 1898’ a ‘la crisis de fin de siglo.’ El cambio de paradigm en la historiografia española sobre la Guerra BIBLIOGRAPHY 247 hispanoamericana.” In España en América: Influencias, intereses, imágenes. Madrid: Iberoamericana, 2007. Bernheimer, Charles. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de-Siècle in Europe. Baltimore: Johns Hopkins University Press, 2002. Binni, Walter. La poetica del decadentismo. Florence: Sansoni, 1996. Birkett, Jennifer. “Fin-de-Siècle Painting.” In Fin de Siècle and Its Legacy. Edited by Mikuláš Teich and Roy Porter, 152–59. Cambridge: Cambridge University Press, 1990. Bisno, Adam. “Stefan George’s Homoerotic Erlösungsreligion, 1891–1907.” In A Poet’s Reich: Politics and Culture in the George Circle. Edited by Melissa S. Lane and Martin A. Ruehl, 37–55. Rochester, NY: Camden House, 2011. Blakesley, Rosalind P. “A Century of Women Painters, Sculptors, and Patrons from the Time of Catherine the Great.” In An Imperial Collection: Women Artists from the State Hermitage Museum. Edited by Jordana Pomeroy, Rosalind P. Blakesley, Vladimir Matveyev, and Elizaveta P. Renne, 51–75. London: Merrell, 2003. Bloch, Iwan. Das Sexualleben unserer Zeit in seinen Beziehungen zur modernen Kultur. Berlin: Marcus, 1908. Borok, Natal’ia Polenova. “M. V. Iakunchikova,” Mir iskusstva 3 (1904): 105–24. Bourget, Paul. Cruelle énigme. Profils perdus. Paris: Plon, 1885. Bouton, Christophe, ed. Dieu et la nature: la question du panthéisme dans l’idéalisme allemand. Hildesheim: Olms, 2005. Bowlt, John E. Moscow and St. Petersburg 1900–1920: Art, Life and Culture. New York: Vendome, 2008. ———. The Silver Age, Russian Art of the Early Twentieth Century and the “World of Art” Group. Newtonville, MA: Oriental Research Partners, 1979. ———. “Through the Glass Darkly: Images of Decadence in Early Twentieth- Century Russian Art.” Journal of Contemporary History 17, no. 1 (1982): 93–110. Bowra, Cecil Maurice. “Cavafy and the Greek Past.” In The Creative Experiment. Edited by C. M. Bowra, 29–60. London: Macmillan, 1967. Boyle-Turner, Caroline and Samuel Josefowitz. Gauguin and the School of Pont-Aven: Prints and Paintings. London: Royal Academy of Arts, pub- lished in association with Weidenfeld and Nicolson, 1989. Braungart, Wolfgang. Ästhetischer Katholizismus: Stefan Georges Rituale der Literatur. Tübingen: Niemeyer, 1997. Breuer, Stefan. Ästhetischer Fundamentalismus: Stefan George und der deutsche Antimodernismus. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995. Brunetière, Ferdinand. Art and Morality. Translated by Arthur Beatty. Boston: Crowell, 1899. Brush, Stephen. The Temperature of History: Phases of Science and Future in the Nineteenth Century. New York: Burt Franklin, 1978. 248 BIBLIOGRAPHY Bucknell, Brad. “On ‘Seeing’ Salome.” English Literary History 60, no. 2 (1993): 503–26. Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Calloway, Stephen and Orr Lynn Federle, eds. The Cult of Beauty, the Aesthetic Movement 1860–1900. London: Victoria and Albert, 2011. Cambry, Jacques. Voyage dans la Finistère, ou État de ce department en 1794 et 1795. Paris: Cercle-social, 1799. Campas, Chryssoula. “Athen und Ägypten. Helmut von den Steinen, Übersetzer von Kavafis.” In Hellas Verstehen. Deutsch Griechischer Kulturtransfer im 20. Jahrhundert. Edited by Chryssoula Campas and Marilisa Mitsou, 289–328. Cologne: Böhlau, 2010. Campbell, Harry. Differences in the Nervous Organisation of Man and Woman: Physiological and Pathological. London: Lewis, 1891. Cantelmo, Marinella. Il piacere dei leggitori. D’Annunzio e la comunicazione letteraria. Ravenna: Longo, 1996. Cappello, Angelo Piero. “Note e notizie sui testi.” In Prose di ricerca, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Giorgio Zanetti, 3444–45. 3 vols. Milan: Mondadori, 2005, Vol 2. Cariou, André. Charles Cottet et La Bretagne. Moulin de Perret, Raillé: URSA/Le Chasse-marée, 1988. ———. Le peintre Charles Cottet et la Bretagne. Rennes: Université de Haute- Bretagne, 1972. Carlyle, Thomas. On Heroes, Hero-Worship and the Heroic in History: Six Lectures. New York: Wiley and Putnam, 1846. Carpenter, Henry and Mari Pritchard. The Oxford Companion to Children’s Literature. Oxford: Oxford University Press, 1984. Carter, Alfred E. The Idea of Decadence in French Literature 1830–1900. Toronto: University of Toronto Press, 1958. Cavafy, C. P. Collected Poems. Edited by George Savidis, translated by Edmund Keely and Philip Sherrard. Princeton: Princeton University Press, 1992. Cazamian, Madeleine. Le roman et les idées en Angleterre, l’Anti-Intellectual- isme et l’esthétisme, 1880–1900. Paris: Les Belles Lettres, 1935. Chadwick, Whitney. Women, Art, and Society. 2nd ed. London: World of Art, 1996. Chantovoine, Jean. “Artistes contemporains. M. Charles Cottet.” Gazette des Beaux-Arts 16, no. 650 (1911): 103–22. Chappelle, John A. V. Science and Literature in the Nineteenth Century. London: Macmillan, 1986. Charalambidou-Solomi,
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