Bibliography

Bibliography

Bibliography Adam, Paul. “Les salons de 1896: la peinture, les dessins et les objets d’art au Salon du Champ-de-Mars.” Gazette des Beaux-Arts 16, no. 3 (1896): 5–35. Adams, Henry. The Degradation of the Democratic Dogma. New York: Macmillan, 1919. Ahlund, Claes. Medusas huvud: Dekadensens tematik I svensk sekelskiftsprosa. Acta Universitatis Upsalensis: Historia litterarum 18. Uppsala: Uppsala University, 1994. Ahn, Bang-Soon. Dekadenz in der Dichtung des Fin de Siècle. Göttingen: Cuvillier, 1996. Alatri, Paolo. Gabriele D’Annunzio. Paris: Fayard, 1992. Anderson, Per Thomas. Dekadanse I nordisk litteratur 1880–1900. Oslo: Aschehaug, 1992. Andreoli, Annamaria. “Note.” In Versi d’amore e di Gloria, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Niva Lorenzini. 2 vols. Milan: Mondadori, 2001. ———. Il vivere inimitabile. Vita di Gabriele D’Annunzio. Milan: Mondadori, 2001. Anstie, Francis Edmund. Stimulants and Narcotics, Their Mutual Relations. New York: Arno, 1981. Antliff, Mark and Patricia Leighton. “Primitive.” In Critical Terms for Art History. Edited by Robert S. Nelson and Richard Shiff, 217–33. Chicago: University of Chicago Press, 2003. Arambatzidou, Eleni. “Καβαφές συνάφειες αισθητιςμού. Συγχρονία και διαχρονία σε μια κοσμοπολίτικη αλεξανδρινή εκδοχή.” In Η ποίηση του κράµατος, Μοντερνισµός και διαπολιτισµικότητα στο έργο του Καβάφη. Edited by Michalis Pieris, 29–36. Heraklion: Πανεπιστημιακές εκδόσεις Κρήτης, 2008. [“Kavafés synáfeies aisthītismoú. Sygchronía kai diachronía se mia kosmopolítikī alexandrine ekdochī.” In Ī poíīsī tou krámatos, Monternismós kai diapolitismikótīta sto érgo tou Kaváfī. Edited by Michalis Pieris. 29–36. Heraklion: Panepistīmiakés ekdóseis Krītīs, 2008.] Aronna, Michael. “Pueblos Enfermos”: The Discourse of Illness in Turn-of-the- Century Spanish and Latin-American Essays. Chapel Hill: North Carolina Press, 1991. 246 BIBLIOGRAPHY Arwas, Victor. Berthon & Grasset. New York: Rizzoli, 1978. Athanasopoulou, Aphroditi. “O ‘πολιτικός’ Σεφέρης και ο ‘ιστορικός’ Καβάφης· παράλληλο;.” Το Δέντρο 179/180 (2011): 9–22 [“O ‘poli- tikós’ Seféris kai o ‘historikós’ Kavafis parállilo?” To Déntro 179/180 (2011): 9–22]. Badone, Ellen. The Appointed Hour: Death, Worldview and Social Change in Brittany. Berkeley: University of California Press, 1989. Baldi, Guido. L’ambiguità della “decadenza”: D’Annunzio romanziere. Napoli: Liguori, 2008. Balducci, Maria Giulia. Introduction to Trionfo della morte, by Gabriele D’Annunzio. Edited by Maria Giulia Balducci, v–xxxvi. Milan: Mondadori, 1995. Barrès, Maurice. La République ou le roi: correspondance inédite, 1888–1923: Maurice Barrès- Charles Maurras. Paris: Plon, 1970. Battaglia Ricci, Lucia. Ragionare nel giardino: Boccaccio e i cicli pittorici del Trionfo della Morte. Rome: Salerno Editrice, 2000. Baudelaire, Charles. “Edgar Allen Poe, His Life and Works.” In Selected Writings on Art & Artists. Edited by C. Baudelaire. Translated by P. E. Charvet, 162–87. Cambridge: Cambridge University Press, 1981. ———. Oeuvres complètes. Edited by Claude Pichois. Paris: Gallimard, 1975. Bauer, J. Edgar. “The Saint and the Dandy: Oscar Wilde’s Aestheticism and the Transformation of Religion.” Paper presented at the 1993 CESNUR Conference at the London School of Economics, http://www.cesnur .org/2003/bauer_wilde.htm. Bazalgette, Léon. À quoi tient l’inferiorité française? Paris: Librairie Fischbacher, 1900. ———. Le problème de l’avenir latin. Paris: Librairie Fischbacher, 1903. Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Clarendon, 1996. Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France. Ithaca: Cornell University Press, 1994. Bénédite, Léonce. “Les Salons de 1898.” Gazette des beaux arts 20, no. 3 (1898): 55–76. ———. “Charles Cottet.” Art et décoration: revue mensuelle d’art moderne 15, no. 1 (1904): 101–16. Benoist, Félix, and Hippolyte Lalaisse. La Normandie illustrée, Monuments, sites et costumes de la Seine-Inférieure, de l’Eure, du Calvados, de l’Orne et del la Manche. Nantes: Charpentier, 1852. Bentley, Toni. Sisters of Salome. New Haven: Yale University Press, 2002. Bérenger, Henry. L’aristocratie intellectuelle. Paris: Colin, 1895. Bergman-Carton, Janis. “Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness.” Art Journal 55, no. 2 (1996): 55–64. Bernadac, Marie-Laure, ed. Le Symbolisme russe. Paris: Réunion des musées nationaux, 2000. Bernecker, Walther L. “Del ‘desastre de 1898’ a ‘la crisis de fin de siglo.’ El cambio de paradigm en la historiografia española sobre la Guerra BIBLIOGRAPHY 247 hispanoamericana.” In España en América: Influencias, intereses, imágenes. Madrid: Iberoamericana, 2007. Bernheimer, Charles. Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de-Siècle in Europe. Baltimore: Johns Hopkins University Press, 2002. Binni, Walter. La poetica del decadentismo. Florence: Sansoni, 1996. Birkett, Jennifer. “Fin-de-Siècle Painting.” In Fin de Siècle and Its Legacy. Edited by Mikuláš Teich and Roy Porter, 152–59. Cambridge: Cambridge University Press, 1990. Bisno, Adam. “Stefan George’s Homoerotic Erlösungsreligion, 1891–1907.” In A Poet’s Reich: Politics and Culture in the George Circle. Edited by Melissa S. Lane and Martin A. Ruehl, 37–55. Rochester, NY: Camden House, 2011. Blakesley, Rosalind P. “A Century of Women Painters, Sculptors, and Patrons from the Time of Catherine the Great.” In An Imperial Collection: Women Artists from the State Hermitage Museum. Edited by Jordana Pomeroy, Rosalind P. Blakesley, Vladimir Matveyev, and Elizaveta P. Renne, 51–75. London: Merrell, 2003. Bloch, Iwan. Das Sexualleben unserer Zeit in seinen Beziehungen zur modernen Kultur. Berlin: Marcus, 1908. Borok, Natal’ia Polenova. “M. V. Iakunchikova,” Mir iskusstva 3 (1904): 105–24. Bourget, Paul. Cruelle énigme. Profils perdus. Paris: Plon, 1885. Bouton, Christophe, ed. Dieu et la nature: la question du panthéisme dans l’idéalisme allemand. Hildesheim: Olms, 2005. Bowlt, John E. Moscow and St. Petersburg 1900–1920: Art, Life and Culture. New York: Vendome, 2008. ———. The Silver Age, Russian Art of the Early Twentieth Century and the “World of Art” Group. Newtonville, MA: Oriental Research Partners, 1979. ———. “Through the Glass Darkly: Images of Decadence in Early Twentieth- Century Russian Art.” Journal of Contemporary History 17, no. 1 (1982): 93–110. Bowra, Cecil Maurice. “Cavafy and the Greek Past.” In The Creative Experiment. Edited by C. M. Bowra, 29–60. London: Macmillan, 1967. Boyle-Turner, Caroline and Samuel Josefowitz. Gauguin and the School of Pont-Aven: Prints and Paintings. London: Royal Academy of Arts, pub- lished in association with Weidenfeld and Nicolson, 1989. Braungart, Wolfgang. Ästhetischer Katholizismus: Stefan Georges Rituale der Literatur. Tübingen: Niemeyer, 1997. Breuer, Stefan. Ästhetischer Fundamentalismus: Stefan George und der deutsche Antimodernismus. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995. Brunetière, Ferdinand. Art and Morality. Translated by Arthur Beatty. Boston: Crowell, 1899. Brush, Stephen. The Temperature of History: Phases of Science and Future in the Nineteenth Century. New York: Burt Franklin, 1978. 248 BIBLIOGRAPHY Bucknell, Brad. “On ‘Seeing’ Salome.” English Literary History 60, no. 2 (1993): 503–26. Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Calloway, Stephen and Orr Lynn Federle, eds. The Cult of Beauty, the Aesthetic Movement 1860–1900. London: Victoria and Albert, 2011. Cambry, Jacques. Voyage dans la Finistère, ou État de ce department en 1794 et 1795. Paris: Cercle-social, 1799. Campas, Chryssoula. “Athen und Ägypten. Helmut von den Steinen, Übersetzer von Kavafis.” In Hellas Verstehen. Deutsch Griechischer Kulturtransfer im 20. Jahrhundert. Edited by Chryssoula Campas and Marilisa Mitsou, 289–328. Cologne: Böhlau, 2010. Campbell, Harry. Differences in the Nervous Organisation of Man and Woman: Physiological and Pathological. London: Lewis, 1891. Cantelmo, Marinella. Il piacere dei leggitori. D’Annunzio e la comunicazione letteraria. Ravenna: Longo, 1996. Cappello, Angelo Piero. “Note e notizie sui testi.” In Prose di ricerca, by Gabriele D’Annunzio. Edited by Annamaria Andreoli and Giorgio Zanetti, 3444–45. 3 vols. Milan: Mondadori, 2005, Vol 2. Cariou, André. Charles Cottet et La Bretagne. Moulin de Perret, Raillé: URSA/Le Chasse-marée, 1988. ———. Le peintre Charles Cottet et la Bretagne. Rennes: Université de Haute- Bretagne, 1972. Carlyle, Thomas. On Heroes, Hero-Worship and the Heroic in History: Six Lectures. New York: Wiley and Putnam, 1846. Carpenter, Henry and Mari Pritchard. The Oxford Companion to Children’s Literature. Oxford: Oxford University Press, 1984. Carter, Alfred E. The Idea of Decadence in French Literature 1830–1900. Toronto: University of Toronto Press, 1958. Cavafy, C. P. Collected Poems. Edited by George Savidis, translated by Edmund Keely and Philip Sherrard. Princeton: Princeton University Press, 1992. Cazamian, Madeleine. Le roman et les idées en Angleterre, l’Anti-Intellectual- isme et l’esthétisme, 1880–1900. Paris: Les Belles Lettres, 1935. Chadwick, Whitney. Women, Art, and Society. 2nd ed. London: World of Art, 1996. Chantovoine, Jean. “Artistes contemporains. M. Charles Cottet.” Gazette des Beaux-Arts 16, no. 650 (1911): 103–22. Chappelle, John A. V. Science and Literature in the Nineteenth Century. London: Macmillan, 1986. Charalambidou-Solomi,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    37 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us