Volume 44, Number 01 (January 1926) James Francis Cooke
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Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945. T939. 311 rolls. (~A complete list of rolls has been added.) Roll Volumes Dates 1 1-3 January-June, 1910 2 4-5 July-October, 1910 3 6-7 November, 1910-February, 1911 4 8-9 March-June, 1911 5 10-11 July-October, 1911 6 12-13 November, 1911-February, 1912 7 14-15 March-June, 1912 8 16-17 July-October, 1912 9 18-19 November, 1912-February, 1913 10 20-21 March-June, 1913 11 22-23 July-October, 1913 12 24-25 November, 1913-February, 1914 13 26 March-April, 1914 14 27 May-June, 1914 15 28-29 July-October, 1914 16 30-31 November, 1914-February, 1915 17 32 March-April, 1915 18 33 May-June, 1915 19 34-35 July-October, 1915 20 36-37 November, 1915-February, 1916 21 38-39 March-June, 1916 22 40-41 July-October, 1916 23 42-43 November, 1916-February, 1917 24 44 March-April, 1917 25 45 May-June, 1917 26 46 July-August, 1917 27 47 September-October, 1917 28 48 November-December, 1917 29 49-50 Jan. 1-Mar. 15, 1918 30 51-53 Mar. 16-Apr. 30, 1918 31 56-59 June 1-Aug. 15, 1918 32 60-64 Aug. 16-0ct. 31, 1918 33 65-69 Nov. 1', 1918-Jan. 15, 1919 34 70-73 Jan. 16-Mar. 31, 1919 35 74-77 April-May, 1919 36 78-79 June-July, 1919 37 80-81 August-September, 1919 38 82-83 October-November, 1919 39 84-85 December, 1919-January, 1920 40 86-87 February-March, 1920 41 88-89 April-May, 1920 42 90 June, 1920 43 91 July, 1920 44 92 August, 1920 45 93 September, 1920 46 94 October, 1920 47 95-96 November, 1920 48 97-98 December, 1920 49 99-100 Jan. -
Survey of Current Business March 1927
UNITED STATES DEPARTMENT OF COMMERCE WASHINGTON SURVEY. OF CURRENT BUSINESS MARCH, 1927 No. 67 COMPILED BY ' BUREAU OF THE CENSUS - ' " ' ' ·BUREAU.. OF FOREIGN AND DOMESTIC COMMERCE BUREAU OF STANDAR!JS IMPORTANT NOTICE. In addition to figures given from Government sources, there at:e also. incorporated for completeness of , krvite figures from ·other -sources .generally acqepted by the trades, the authority and respoh,sibil#y for which are noted in the "Sources of Data," on pages I35-I38 oftheFelwuary setrtiannualissue . ' .. Subscription price of the SuRVEY OF CuRRENT BusiNESS is $1.50 a year; sing!~ copies (monthly), lO cents; semiannual issues, 25 cents. Foreign subscriptions, $2.25; single copies (monthly issues), including postage, 14 cents; semiannual issues, 36 cents. Subscription price of CoMMERCE ~EPORTS is $4 a year; with the SuR:VEY, $5.50 a year. Make remittances only to Superintendent of Documents, Washington, :Q. C., by postal money order, express order, or New York draft. · Currency at sender's risk; Postage stamps or foreign ~oney not accepted U. I~ -QOVERNME'JIT PR'iNTIIfO OFFICE INTRODUCTION THE SuRVEY OF CuRRENT BusiNESS is designed to Relative. numbers may also be used to calculate the present each month a picture of the business situation approximate percentage increase or decrease in a move .by setting forth the principal facts regarding the vari- ment from one period to the next. Thus, if a.relative . ous lines of trade and industry. At semiannual inter number at one month is 120 and for a later month it vals detailed tables are published giving, for each item, is 144 there has been an increase of 20 per cent. -
A Study of Music Publishers, Collecting Societies and Media Conglomerates'
Prometheus, Vol. 17, No. 2, 1999 163 The Changing Location of Intellectual Property Rights in Music : A Study of Music Publishers, Collecting Societies and Media Conglomerates' MARTIN KRETSCHMER, GEORGE MICHAEL KLIMIS & ROGER WALLIS ABSTRACT This article reports the results of a major study, conducted between 1996 and 1999, examining the impact of de-regulation and digital technologies on the global music industry . 14/e analyse four negotiations in the process of bringing music to the world market: commod#ication, globalisation, delivery, and royalty management. 141e show that the location of intellectual property rights in this process depends on the mutual bargaining power of the parties involved, within a statutory frame vesting music copyright initially in the author. 14,e describe the forces which have led to the appropriation of rights accounting for 80% of global publishing and recording revenues 1y only five companies : LA71 (U)) Bertelsmann (Germany), 141'arner (US), Sony (Japan) and Universal (Canada) . 14'e predict that this regime will not last and consider the likely future location of intellectual properly rights in music . Keywords : globalisation, information society, intellectual property, music copyright, royalty, vertical integration . Introduction Music is covered by complex intellectual property provisions . A right arises if an original musical idea is given a fixed expression ; for example, if a song is written down or recorded in some other from . This right is located in the creator of that musical idea . By an act of legislation, the musical idea turns into a copyrighted work, owned by the creator, who will have the power to prevent others from using it . -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
RF Annual Report
The Rockefeller Foundation Annual Report 1926 The Rockefeller Foundation 61 Broadway, New York ~R CONTENTS FACE PRESIDENT'S REVIEW 1 REPORT OF THE SECRETARY 61 REPORT OF THE GENERAL DIRECTOR OF THE INTERNATIONAL HEALTH BOARD 75 REPORT OF THE GENERAL DIRECTOR OF THE CHINA MEDICAL BOARD 277 REPORT OF THE DIRECTOR OF THE DIVISION OF MEDICAL EDUCATION 339 REPORT OF THE DIRECTOR OF THE DIVISION OF STUDIES 359 REPORT OF THE TREASURER 371 INDEX 441 ILLUSTRATIONS Map of world-wide activities of Rockefeller Foundation in 1926.... 4 School of Public Health, Zagreb, Yugoslavia 17 Institute of Hygiene, Budapest, Hungary 17 Graduating class, Warsaw School of Nurses 18 Pages from "Methods and Problems of Medical Education" 18 Fellowships for forty-eight countries 41 I)r. Wallace Buttricfc 67 Counties of the United States with full-time health departments.... 90 Increa.se in county appropriations for full-time health work in four states of the United States 92 Reduction in typhoid death-rate in state of North Carolina, in counties with full-time health organizations, and in counties without such organizations 94 Reduction in infant mortality rate in the state of Virginia, in counties with full-time health organizations, and in counties without such organizations 95 Health unit booth at a county fair in Alabama 101 Baby clinic in a rural area of Alabama 101 Pupils of a rural school in Tennessee who have the benefit of county health service 102 Mothers and children at county health unit clinic in Ceylon 102 States which have received aid in strengthening their health services 120 Examining room, demonstration health center, Hartberg, Austria. -
Climate Change: the IPCC 1990 and 1992 Assessments 1
CLIMATE CHANGE: The IPCC 1990 and 1992 Assessments CLIMATE CHANGE: The 1990 and 1992 IPCC Assessments IPCC First Assessment Report Overview and Policymaker Summaries and 1992 IPPC Supplement June. 1992 Published with the support of:* Australia Austria Canada France Germany Japan The Netherlands Norway Spain United Kingdom United States of America WMO UNEP © Intergovernmental Panel on Climate Change 1992 Printed in Canada Climate Change: The IPCC 1990 and 1992 Assessments 1. Climate Changes I. Title II. IPCC ISBN: 0-662-19821-2 ® Tills paper contains a minimum of 60% recyded fibres, mduding 10%posn»nsumei fibres ACKNOWLEDGEMENTS Cover Photographs Top Image A composite colour image of GOES satellite using visible and infrared channels. This image was produced by the Data Integration Division, Climate Adaptation Branch, Canadian Climate Centre. Middle Image A full global disc satellite image (Channel Visible 2) for 4 September 1983 reproduced with the permission of EUMETSAT. Bottom Image A full earth disc view of cloud patterns over the Australian region on 19 February 1991 from the Japanese Geostationary Satellite (GMS4). This image is a colour enhanced composite of information from the visible and infrared channels produced by the Australian Centre for Remote Sensing of the Australian Survey and Land Information Group. *Notes Spain - Instituto Nacional de Meteorología üi TABLE OF CONTENTS Preface vü Foreword ix 1992 IPCC Supplement 1 IPCC First Assessment Report: 47 Overview 51 Policymaker Summary of Working Group I (Scientific Assessment -
Native American Elements in Piano Repertoire by the Indianist And
NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers. -
DRAMATIC COMMITTEE of Y. Mf, C. A, to PRESENT PLAY
Georgia College Knowledge Box Colonnade Special Collections 1-1926 Colonnade January, 1926 Colonnade Follow this and additional works at: https://kb.gcsu.edu/colonnade Part of the Higher Education Commons, and the Mass Communication Commons Recommended Citation Colonnade, "Colonnade January, 1926" (1926). Colonnade. 12. https://kb.gcsu.edu/colonnade/12 This Book is brought to you for free and open access by the Special Collections at Knowledge Box. It has been accepted for inclusion in Colonnade by an authorized administrator of Knowledge Box. VOL. I. GEORGIA STATE COLLEGE FOR WOMEN, MILLEDGEVILLE, GA., JANUARY, 1926. NO. 8 EXAMINATIONS ARE DRAMATIC COMMITTEE PERFECTING PLANS SPECTRUM TO BE CHANGES OF TWO APPROACHING; BEGIN FOR STUDENT VOL- CRAMMING NOW OF Y. Mf, C. A, TO UNTEER CONFERENCE PUBLISHED SOON CENTURIES ARE "A Stitch in Time Saves Nine" PRESENT PLAY The annual Student Volun- Margaret Meaders Named Editor- DISCUSSED teer Conference is to convene in-Chief of Annual; Anna If you will take this adage to at G. S. C. from Feb. 12-14. E. Branch, Business mind, Cast Selected for Monsieur The students from colleges Members of Faculty and Student Beaucaire Rehearsing Manager. There is no doubt you will find Body Speak throughout the entire state are That the earlier you begin' expected to attend. Miss Katherine Scott Hopes of Students to Be Realized cramming, Many Advancements Presented Before you begin your exam- is Director Go by (he Y office and as- in Again Having Annual; Stu- ining, sure Miss Goodson that sh© dents Pledge Support. What are tlie most important Much interest is toeing shown in Tin; easier Dame Knowledge can count on you to do your changes of the last twenty-five years ? will come the play "Monsieur Beaucaire" part in making this conference The CoMonade welcomes to the This question was discussed in a very To the pen betwixt your finger which is to be given in the early a great success. -
Preliminary Thoughts on Burmese Modes
UC Irvine UC Irvine Previously Published Works Title Preliminary Thoughts on Burmese Modes Permalink https://escholarship.org/uc/item/1pd9g1bf Journal Asian Music, VIII(I) Author Garfias, R Publication Date 1975 License CC BY 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Preliminary Thoughts on Burmese Modes Author(s): Robert Garfias Source: Asian Music, Vol. 7, No. 1, Southeast Asia Issue (1975), pp. 39-49 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/833926 Accessed: 16-05-2017 22:09 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of Texas Press is collaborating with JSTOR to digitize, preserve and extend access to Asian Music This content downloaded from 128.200.102.71 on Tue, 16 May 2017 22:09:55 UTC All use subject to http://about.jstor.org/terms PRELIMINARY THOUGHTS ON BURMESE MODES by Robert Garfias Little precise written information exists concerning the theory of Burmese music. Upon closely investigating the present performance practice of Burmese musicians, however, it becomes apparent that a rather complex orally transmitted theory of the music exists. It is never taught as theory per se, but the knowledge is acquired as the musician adds one composition after another to his repertoire. -
Bits & Pieces of the Big Apple
Bits & Pieces of The Big Apple Fascinating facts, frivolities Awful events & witty ditties Cliff Strome 1 Cover Photo The Statue of Liberty’s arms were raised and the tablet was put under lock and key during the soaring rate of crime from the 1970’s through the ‘90’s. It served as a warning that the city should take the crime surge seriously. The tablet is embossed: July IV MDCCLXXVI (July 4th 1776) the date of the signing of The Declaration of Independence. She is the enduring symbol our nation. “Life, liberty and the pursuit of happiness.” Photo by Cliff Strome Photoshop by Evan Kimia Custom & Private New York Tours, Inc. www.customandprivate.com [email protected] 212-222-1441 “Providing fun, memorable and informative New York City experiences, targeting your interests, preferences and whims!” That’s my mission. 2 Welcome to Bits & Pieces of The Big Apple Bits & Pieces is an assortment of humorous snippets, amusing info, offbeat tales, tragedies, folklore, obscure historic facts and hilarities happenings in New York. Bits and Pieces This tour through “the city” will entertain, educate and amuse you. A table of contents is not provided to encourage you to read every Bit and Piece. What’s the difference between a bit and apiece? I don’t have a clue I just like the name! I’m not a writer however I like to tell stories. Throughout the book I provide my opinions and others may include my participation. Please don’t take everything too seriously, it’s intended to amuse, entertain and in form. -
An Analysis of Teacher Education Context, Structure, and Quality-Assurance Arrangements in TEDS-M Countries
A AN ND QU An Analysis of A LYSIS OF TE LYSIS A Teacher Education LI T The Teacher Education and Development Study (TEDS-M) is the first crossnational Y-ASSUR Context, Structure, study to examine the mathematics preparation of future teachers for both primary and secondary school levels. The study, conducted under the auspices of the International Association for the Evaluation of Educational Achievement (IEA), and Quality-Assurance A CHER collected data from representative samples of future teachers and their educators. A During the 55 years of its activities, IEA has conducted over 30 comparative research NCE ARR Arrangements in studies focusing on educational policies, practices, and outcomes in various school subjects in more than 80 countries around the world. TEDS-M is the first IEA project E DUC to address tertiary education. TEDS-M Countries A The study’s key research questions focused on the relationships between teacher at NGEMEN education policies, institutional practices, and the mathematics and pedagogy knowledge of future teachers at the end of their preservice education. Seventeen ION Findings from the IEA countries participated in TEDS-M. Data were gathered from approximately 22,000 C future teachers from 750 programs in about 500 teacher education institutions. ON Teacher Education and Teaching staff within these programs were also surveyed. They included close to T TEDS S IN T 5,000 mathematicians, mathematics educators, and general pedagogy educators. T Development Study in EX This report presents various characteristics -
UNIVERSITY of CINCINNATI August 2005 Stephanie Bruning Doctor Of
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Indian Character Piece for Solo Piano (ca. 1890–1920): A Historical Review of Composers and Their Works D.M.A. Document submitted to the College-Conservatory of Music, University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Piano Performance August 2005 by Stephanie Bruning B.M. Drake University, Des Moines, IA, 1999 M.M. College-Conservatory of Music, University of Cincinnati, 2001 1844 Foxdale Court Crofton, MD 21114 410-721-0272 [email protected] ABSTRACT The Indianist Movement is a title many music historians use to define the surge of compositions related to or based on the music of Native Americans that took place from around 1890 to 1920. Hundreds of compositions written during this time incorporated various aspects of Indian folklore and music into Western art music. This movement resulted from many factors in our nation’s political and social history as well as a quest for a compositional voice that was uniquely American. At the same time, a wave of ethnologists began researching and studying Native Americans in an effort to document their culture. In music, the character piece was a very successful genre for composers to express themselves. It became a natural genre for composers of the Indianist Movement to explore for portraying musical themes and folklore of Native-American tribes.