October 2010 Calendar
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Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
PL 16-17 (Affiche Programme 22/07)
LES JEUDIS CINEPHILIQUES DE PLAN(S) LIBRE(S) 2016-2017 SALLE MELIES SAINT FRANCOIS EVENTS HOR SCENE AUTEUR-TITRE AN DUR COU NAT DIR PHOTO DISTINCTIONS 13/10 MICHAEL CIMINO 2017 : DÉCÈS DE SÉANCE D’OUVERTURE HEAVEN’S GATE 1980 MICHAEL CIMINO HOMMAGE À 20H (La porte du Paradis) Rest 216 COU USA Vilmos Zsigmond réalisateur et Version intégrale 2014 Vilmos ZSIGMOND MICHAEL CIMINO Director’s Cut restaurée chef opérateur du film (1939-2017) FRITZ LANG 10/11 LE SECRET DERRIERE LA PORTE Stanley Cortez JOURNÉE 9H 1947 99 NB ALL (Secret beyond the Door) ELOGE DE L’OMBRE Version numérique restaurée ÉCRANS DÉMONIAQUES Inspiré de la ville futuriste FRITZ LANG d'Antonio Sant'Elia 152 architecte italien futuriste. FRITZ LANG 14H METROPOLIS 1927 NB ALL Günther Krampf I. (rest) 1er film inscrit sur le Version numérique restaurée Registre de la Mémoire du monde de l’Unesco. DAVID LYNCH ERASERHEAD Herbert Cardwell, Antenne d'or au Festival 19H Version numérique restaurée 1977 89 NB USA Frederick Elmes international du film fantastique d’Avoriaz 1978 1er film de David Lynch II. DAVID LYNCH César du meilleur film étranger 1982 DAVID LYNCH Grand Prix du Festival 21H BLUE VELVET 1980 125 NB USA Freddie Francis international du film Version numérique restaurée fantastique d'Avoriaz, 1981. British Academy Film Award du meilleur film Palme d’or M-A ANTONIONI Cannes 1967 19H BLOW UP 1967 112 COU ITA Carlo Di Palma NSFC Award meilleur Version numérique restaurée réalisateur 1967. WHAT IS REAL ? Prix 1968 de la critique 08/12 BRIAN DE PALMA 21H BLOW OUT 1981 107 COU USA Vilmos Zsigmond Version numérique restaurée Grand prix du cinéma ROBERT BRESSON de création au Festival Pasqualino De L’ARGENT de Cannes 1983 (à 19H 1983 85 COU FRA Santis Emmanuel version restaurée l'unanimité et ex æquo Machuel 12/01 Dernier film avec Nostalghia d'Andreï Tarkovski) ARGENT/POUVOIR Meilleur Réalisateur MAINS SALES par le National Society J.C CHANDOR Independent Spirit CERVEAUX CLEAN MARGIN CALL Awards 2012 : Robert 2011 107 COU USA Frank G. -
4 Colour Zonal.Eps
Ingrid David Zucker Vilmos Zsigmond Bergman Marlon Gary Cooper Bruce Sharman Brando Russell Carpenter C B 5 Zakaria Aladui JJ Abrams Walter Bette Davis John Huneck Kacee DeMasi Allan Ekelund Brennan William Wyler Steven Soderbergh Jerry Zucker Robert Josph L. Mankiewicz Fred 6 Elia Kazan Norman Zemeckis Danny DeVito Tony Brownrigg Zinnemann Denise Patty Milos Forman Gay Gerald R. Molen Denis Holt Ridley Chris Colombus Minter Bonfilio Clint Robert Downey Sr. Scott 4 Darius Khondji Eastwood 5 John Toll Joseph Ruttenburg Lawrence Kasdan Barry Levinson Robert Richardson Jonathan Robert Surtees Robert De Niro George Templeton Latham Jane Whitney Houston Hartwell Ralph S. Haskell Janusz Barry Bernardi Louis M. Wiard Brown Wexler Kaminski Leon Shamroy Jane Fonda Walter Murch Freddie Francis Singleton Lucino Francis Ford Coppola Mann Ihnen Dustin Kevin Edgardo Jan Foster Hoffman Spacey Visconti Jay Roach Great Watkins Pabarno Guido Arthur Miller Leonardo Di Caprio 3 Ki-Duk Carlos Gerald R. Cerasuolo Kim Menendez 4 Molen Vivien Leigh Maggie Lee Katz Howard Stern Annie Ismail Merchant Elizabeth Symes Philip M. Smith Peter Jay-Z Lennox Daryl Kass Marco Oliveri James Stewart Goldfarb Kevin Smith Jackson Hsiao-hsien Hou John Bailey James P. Katherine Phil Rawlins Jan De Bont John Glen Jeff J.J. Authors Irving James Hogan Neil Young Berlin Erwin Ronald L. Hepburn Magic Johnson Ivory Ron Fricke Godschalk Schwary Richard A. Harris Tod Browning Abby Singer George Bam Margera Hans Stanley Kramer Dean Semler Stevens Zimmer Ron Shelton 200m Kazuo Hal Ashby Roger Michael Cary Grant Jon Landau Caine Miyagawa Irving G. Thalberg Daltrey Roger John Juan Clemente Halle Berry Jon De Bello Vangelis John Williams Douglas Trumbull 2 Elton John Moby Waters Carpenter 3 Propser Thelma Schoonmaker Conrad Hall Jack N. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Frenchlieutenantswom
Virtual April 6, 2021 (42:10) Karel Reisz: THE FRENCH LIEUTENANT’S WOMAN (1981, 124 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The French Lieutenant’s Woman Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Directed by Karel Reisz Based on the novel by John Fowles Screenplay by Harold Pinter Produced by Leon Clore Original Music by Carl Davis Cinematography by Freddie Francis Liz Smith....Mrs. Fairley The film was nominated for five Oscars, including Patience Collier....Mrs. Poulteney Best Actress in a Leading Role (Meryl Streep) and David Warner....Murphy Best Writing, Screenplay Based on Material from Another Medium (Harold Pinter), at the 1982 Karel Reisz (21 July 1926, Ostrava, Academy Awards. Czechoslovakia—25 November 2002, London, England) directed 13 theatrical and tv films: “Act Meryl Streep....Sarah/Anna Without Words I” (2000), The Deep Blue Sea (1994), Jeremy Irons....Charles Henry Smithson/Mike Everybody Wins (1990), Sweet Dreams (1985), The Hilton McRae....Sam French Lieutenant's Woman (1981), Who'll Stop the Emily Morgan....Mary Rain (1978), The Gambler (1974), Isadora (1968), Charlotte Mitchell....Mrs. Tranter Morgan (1966), Night Must Fall (1964), Saturday Lynsey Baxter....Ernestina Night and Sunday Morning (1960), We Are the Jean Faulds....Cook Lambeth Boys (1958) and Momma Don't Allow Peter Vaughan ....Mr. -
Pinewood Studios Freelancer
Anthony Waye – Film credits Pinewood Studios Started in Mail room at Pinewood Studios 5th July 1954 - £38.3 per week Rank Organisation – 3rd assistant on Sink the Bismarc, Singer not the Song, North West Frontier. 1st assistant on Twice round the Daffodils, Dr at Sea, Carry on Jack, Wild and the Willing, Life for Ruth, On the Beat. Made redundant from Pinewood 27th March 1964 Freelancer Kings Story -9 July 1964 – Harry Booth – Oscar nominated I’ve Gotta Horse 26 Aug 64– Ken Hume – Billy Fury, Amanda Barry Be my Guest - 9 Nov 64 – Lance Comfort The Skull - 15 Dec 64– Freddie Francis – Peter Cushing, Jill Bennett. Dr Who & the Daleks - 8 Feb 1965 – Gordon Flemyng- Peter Cushing, Roy Castle. Early Bird - 26 Apr 65 – Bob Asher – Norman Wisdom *The Treasure of St Trinians - 29 Sept 65 The Deadly Bees - 17 Nov 65 – Freddie Francis Daleks Invade Earth – 24 Jan 1966 - Gordon Flemyng – Peter Cushing, Bernie Cribbens. Marat Sade - 22 Apr 1966 – Peter Brooks – Patrick Mcgee, Glenda Jackson The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade *Day of the Champion 26 May 66 Sumuru – Fu Man Chu - 2 Jul 66 – Jeremy Saunders – Christopher Lee, Douglas Wilmer Five Golden Dragons – 13 Jan 1967- J Saunders – Bob Cummings, Rupert Davies, Brian Donleavy, Dan Duryea, George Raft – A Peter Snell film Attack on the Iron Coast - 17 Mar 67 – Paul Wendkoss – Lloyd Bridges, Sue Lloyd Submarine X1 - William Graham – James Caan * Decline & Fall - 26 Oct Where Eagles Dare 8 Dec 67 – Yakima Canutt – Richard Burton, Clint Eastwood, Mary Ure Mosquito Squadron - 6 May 1968 – Boris Sagal – David Mc Callum Hell Boats -25 Jul 68 – Paul Wendkoss – James Franciscus The Wrong Mountain 28 Dec 68 The Last Grenade - 14 Mar1969 – Gordon Flemyng – Stanley Baker, Richard Attenborough, Honor Blackman. -
2019 Todd-AO Festival Flyer
16.30 Uhr 20.00 Uhr Marienstraße 16 ROMA APOCALYPSE TODD-AO 76137 Karlsruhe Originaltitel: Roma / MEX/USA 2018 / Aufgenom- 70mm-Filmfestival T. 0721 3500018 men in Arriraw (6,5K) (Digital) / Präsentiert in 70mm NOW 15. (1:2.20) / 6-Kanal Datasat® Digitalton (5.1 Layout) / Originaltitel: Apocalypse Now / USA 1979 / www.schauburg.de spanische Originalfassung mit englischen Aufgenommen in 35mm TechnoVision® Anamorphic 4.–6.10.2019 Untertiteln / 135 Minuten / Erstaufführungskopie von und Todd-AO® 35 Anamorphic (1:2.39) und 16mm / 2018 / Welturaufführung: 30.08.2018 / Deutsche Präsentiert in 70mm (1:2.20) / 6-Kanal Dolby® (A) 15. Erstaufführung: 30.09.2018 / Produktion: Gabriela Stereo Magnetton mit Split Surround / Deutsche Rodríguez, Alfonso Cuarón, Nicolás Celis / Regie: Fassung / 140 Minuten / Erstaufführungskopie von Das 15. „Todd-AO 70mm Filmfestival“ in Karlsruhe Alfonso Cuarón / Buch: Alfonso Cuarón / Vorlage: 1979 / Welturaufführung: 19.05.1979 / Deutsche bietet Filmemachern und Filmfreunden vom TODD-AO Ernest Cline (Roman) / Kamera: Alfonso Cuarón / Erstaufführung: Oktober 1979 / Produktion: Francis PREISE Schnitt: Alfonso Cuarón, Adam Gough / Darsteller: Ford Coppola, Gray Frederickson, Fred Roos, Tom 4. – 6. Oktober eine Gelegenheit, alte und neue 70mm-Filmfestival Yalitza Aparicio (Cleo), Marina de Tavira (Sra. Sternberg / Regie: Francis Ford Coppola / Buch: Filme in den originalen analogen 70mm Bild- EINZELTICKET PRO FILM ...................................................................... 12,00 € Sofía), Marco Graf (Pepe), Daniela Demesa (Sofi), John Milius, Francis Ford Coppola / Vorlage: Carlos Peralta (Paco), Nancy García (Adela), Diego Joseph Conrad / Kamera: Vittorio Storaro / Musik: und Tonformaten zu erleben. EINZELTICKET PRO FILM STUDENT ...................................................... 9,00 € Cortina Autrey (Toño), Verónica García (Sra. Carmine Coppola, Francis Ford Coppola / Schnitt: EINZELTICKET KIND (bis 14 Jahre) ...................................................... -
Belonging to The
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time. -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
David Lynch: Elephant Man (1980, 124 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
October 30, 2018 (XXXVII:10) David Lynch: Elephant Man (1980, 124 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY David Lynch WRITING screenplay by Christopher De Vore, Eric Bergren, and David Lynch; Frederick Treves (book) (as Sir Frederick Treves), Ashley Montagu (in part on the book "The Elephant Man: A Study in Human Dignity") PRODUCED BY Stuart Cornfeld (executive producer), Jonathan Sanger (producer), and Mel Brooks (executive producer, uncredited) MUSIC John Morris CINEMATOGRAPHY Freddie Francis (director of photography) FILM EDITING Anne V. Coates PRODUCTION DESIGN Stuart Craig ART DIRECTION Robert Cartwright SET DECORATION Hugh Scaife COSTUME DESIGN Patricia Norris MAKEUP DEPARTMENT hairdressers: Paula Gillespie and Stephanie Kaye; makeup artists: Beryl Lerman and Michael Morris; makeup application: 'Elephant Man' / makeup supervisor: Wally Schneiderman; makeup creator: 'Elephant Man' / makeup designer: 'Elephant Man': Christopher Tucker The film received eight nominations at the 1981Academy Awards: Best Picture: Jonathan Sanger; Best Actor in a Leading Role: John Hurt; Best Director: David Lynch; Best Writing, Screenplay Based on Material from Another Medium: Christopher De Vore, Eric Bergren, David Lynch; Best Art Direction-Set Decoration: Stuart Craig, Robert Cartwright, Hugh Scaife; Best Costume Design: Patricia Norris; Best Film Editing: Anne V. Coates; Best Music, Original Score: John Morris. CAST Anthony Hopkins...Frederick Treves John Hurt...John Merrick Alfie Curtis...Milkman Anne Bancroft...Mrs. Kendal Bernadette Milnes...1st Fighting Woman John Gielgud...Carr Gomm Brenda Kempner...2nd Fighting Woman Wendy Hiller...Mothershead Carol Harrison ...Tart (as Carole Harrison) Freddie Jones ...Bytes Hugh Manning...Broadneck Michael Elphick...Night Porter Dennis Burgess...1st Committee Man Hannah Gordon...Mrs.