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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
P.O.V. a Danish Journal of Film Studies
Institut for Informations og Medievidenskab Aarhus Universitet p.o.v. A Danish Journal of Film Studies Editor: Richard Raskin Number 8 December 1999 Department of Information and Media Studies University of Aarhus 2 p.o.v. number 8 December 1999 Udgiver: Institut for Informations- og Medievidenskab, Aarhus Universitet Niels Juelsgade 84 DK-8200 Aarhus N Oplag: 750 eksemplarer Trykkested: Trykkeriet i Hovedbygningen (Annette Hoffbeck) Aarhus Universitet ISSN-nr.: 1396-1160 Omslag & lay-out Richard Raskin Articles and interviews © the authors. Frame-grabs from Wings of Desire were made with the kind permission of Wim Wenders. The publication of p.o.v. is made possible by a grant from the Aarhus University Research Foundation. All correspondence should be addressed to: Richard Raskin Institut for Informations- og Medievidenskab Niels Juelsgade 84 8200 Aarhus N e-mail: [email protected] fax: (45) 89 42 1952 telefon: (45) 89 42 1973 This, as well as all previous issues of p.o.v. can be found on the Internet at: http://www.imv.aau.dk/publikationer/pov/POV.html This journal is included in the Film Literature Index. STATEMENT OF PURPOSE The principal purpose of p.o.v. is to provide a framework for collaborative publication for those of us who study and teach film at the Department of Information and Media Science at Aarhus University. We will also invite contributions from colleagues at other departments and at other universities. Our emphasis is on collaborative projects, enabling us to combine our efforts, each bringing his or her own point of view to bear on a given film or genre or theoretical problem. -
AGOSTINIANI 2010 Cinema Sotto Le Stelle
AGOSTINIANI 2010 Cinema sotto le stelle QUADERNI DELLA CINETECA 37 La manifestazione “Agostiniani: cinema sotto le stelle” è organizzata dalla Cineteca del Comune di Rimini in collaborazione con Notorius Rimini Cineclub AGOSTINIANI 2010: CINEMA SOTTO LE STELLE Responsabile della Cineteca Gianfranco Miro Gori Programmazione Alessandra Fontemaggi, Marco Leonetti, Paolo Pagliarani Segreteria Paolo Pagliarani, Stefano Tonini Redazione quaderno Paolo Pagliarani Impaginazione e grafica Andrea Achilli Amministrazione Cesare Novara, Andrea Cesari, Anna Morri Allestimenti Maurizio Fantini, Nevio Semprini Responsabile dello spazio Paolo Pagliarani Responsabile di cassa Ernesta Ricciotti Hanno collaborato Raffaele e Gigi Felici, Stefano Tonini, Anna Semprini, Ilaria Spada, Luca Benassi, Nicola Guerra Cartoon Club Programmazione a cura di Paolo Pagliarani e Sabrina Zanetti Ufficio Stampa Emilio Salvatori Cineteca del Comune di Rimini Via Gambalunga, 27 – 47921 Rimini Tel. 0541 704302 Fax 0541 704306 www.comune.rimini.it e-mail [email protected] Notorius Rimini Cineclub c/o UNASP ACLI via Circonvallazione Occidentale, 58 Tel. 0541 784193 Fax 0541 780534 www.cinematiberio.it/notorius e-mail [email protected] INDICE Lunedì 5 Luglio La prima cosa bella p. 5 Martedì 6 Luglio A Single Man p. 6 Mercoledì 7 Luglio La regina dei castelli di carta p. 7 Giovedì 8 Luglio Tra le nuvole p. 8 Venerdì 9 Luglio Basta che funzioni p. 9 Sabato 10 Luglio Donne senza uomini p. 10 Domenica 11 Luglio Copia conforme p. 11 Lunedì 12 Luglio Bright Star p. 12 Mercoledì 14 Luglio Il concerto p. 13 Giovedì 15 Luglio Departures p. 14 Venerdì 16 Luglio La nostra vita p. 15 Sabato 17 Luglio Il piccolo Nicolas e i suoi genitori p. -
72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP. -
(2019), the Vardar River As a Border of Semiosphere – Paradox Of
Geographia Polonica 2019, Volume 92, Issue 1, pp. 83-102 https://doi.org/10.7163/GPol.0138 INSTITUTE OF GEOGRAPHY AND SPATIAL ORGANIZATION POLISH ACADEMY OF SCIENCES www.igipz.pan.pl www.geographiapolonica.pl THE VARDAR RIVER AS A BORDER OF SEMIOSPHERE – PARADOX OF SKOPJE REGENERATION Armina Kapusta Urban Regeneration Laboratory Institute of Urban Geography and Tourism Studies Faculty of Geographical Sciences University of Łódź Kopcińskiego 31, 90-142 Łódź: Poland e-mail: [email protected] Abstract As suggested by its etymology, regeneration usually carries positive connotations while its negative aspects tend to be belittled. However, any renewal results in major morphological, physiognomic, functional or social changes, which imply changes in the meanings encoded in space. These transformations are not always welcome and they may lead to public discussions and conflicts. Skopje 2014 is a project within which such controversial transformations have been taking place. The area surrounding the Vardar River and its banks plays a major role here. On the river banks monumental buildings were erected, bridges over the river were modernised and new ones, decorated with monuments, were built for pedestrians. Bridges can be considered a valuable component of any urban infrastructure as they link different parts of a settlement unit (in the case of Skopje – left (northern) bank and the right (southern) bank; Albanian and Macedonian), improve transport, facilitate trade and cultural exchange. In this context, referring to Lotman’s semiosphere theory, they may become borders of semiotic space, which acts as a filter that facilitates the penetration of codes and cultural texts. Yet, in multicultural Skopje meanings attached to bridges seem to lead to social inequalities as they glorify what is Macedonian and degrade the Albanian element. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Monitoring Methodology and Protocols for 20 Habitats, 20 Species and 20 Birds
1 Finnish Environment Institute SYKE, Finland Monitoring methodology and protocols for 20 habitats, 20 species and 20 birds Twinning Project MK 13 IPA EN 02 17 Strengthening the capacities for effective implementation of the acquis in the field of nature protection Report D 3.1. - 1. 7.11.2019 Funded by the European Union The Ministry of Environment and Physical Planning, Department of Nature, Republic of North Macedonia Metsähallitus (Parks and Wildlife Finland), Finland The State Service for Protected Areas (SSPA), Lithuania 2 This project is funded by the European Union This document has been produced with the financial support of the European Union. Its contents are the sole responsibility of the Twinning Project MK 13 IPA EN 02 17 and and do not necessarily reflect the views of the European Union 3 Table of Contents 1. Introduction .......................................................................................................................................................... 6 Summary 6 Overview 8 Establishment of Natura 2000 network and the process of site selection .............................................................. 9 Preparation of reference lists for the species and habitats ..................................................................................... 9 Needs for data .......................................................................................................................................................... 9 Protocols for the monitoring of birds .................................................................................................................... -
The Aromanians in Macedonia
Macedonian Historical Review 3 (2012) Македонска историска ревија 3 (2012) EDITORIAL BOARD: Boban PETROVSKI, University of Ss. Cyril and Methodius, Macedonia (editor-in-chief) Nikola ŽEŽOV, University of Ss. Cyril and Methodius, Macedonia Dalibor JOVANOVSKI, University of Ss. Cyril and Methodius, Macedonia Toni FILIPOSKI, University of Ss. Cyril and Methodius, Macedonia Charles INGRAO, Purdue University, USA Bojan BALKOVEC, University of Ljubljana,Slovenia Aleksander NIKOLOV, University of Sofia, Bulgaria Đorđe BUBALO, University of Belgrade, Serbia Ivan BALTA, University of Osijek, Croatia Adrian PAPAIANI, University of Elbasan, Albania Oliver SCHMITT, University of Vienna, Austria Nikola MINOV, University of Ss. Cyril and Methodius, Macedonia (editorial board secretary) ISSN: 1857-7032 © 2012 Faculty of Philosophy, University of Ss. Cyril and Methodius, Skopje, Macedonia University of Ss. Cyril and Methodius - Skopje Faculty of Philosophy Macedonian Historical Review vol. 3 2012 Please send all articles, notes, documents and enquiries to: Macedonian Historical Review Department of History Faculty of Philosophy Bul. Krste Misirkov bb 1000 Skopje Republic of Macedonia http://mhr.fzf.ukim.edu.mk/ [email protected] TABLE OF CONTENTS 7 Nathalie DEL SOCORRO Archaic Funerary Rites in Ancient Macedonia: contribution of old excavations to present-day researches 15 Wouter VANACKER Indigenous Insurgence in the Central Balkan during the Principate 41 Valerie C. COOPER Archeological Evidence of Religious Syncretism in Thasos, Greece during the Early Christian Period 65 Diego PEIRANO Some Observations about the Form and Settings of the Basilica of Bargala 85 Denitsa PETROVA La conquête ottomane dans les Balkans, reflétée dans quelques chroniques courtes 95 Elica MANEVA Archaeology, Ethnology, or History? Vodoča Necropolis, Graves 427a and 427, the First Half of the 19th c. -
Ruth E. Kolarik
Ni{ i Vizantija X 105 Ruth E. Kolarik SEASONAL ANIMALS IN THE NARTHEX MOSAIC OF THE LARGE BASILICA, HERACLEA LYNCESTIS The extraordinary floor mosaic in the narthex of the Large Basilica at Heraclea Lyncestis, near Bitola in Macedonia is unique not only for its artistic quality, but also for its subtle imagery (Fig. 1, 2).1 The mosaic was discovered and extensively published by Gordana Tomašević who saw the mosaic as a literal depiction of the cosmos as described by the sixth-century geographer Cosmas Indiceupleustes. She divided the elements of the mosaic into zones: ocean, earth, paradise and highest heaven.2 The mosaic does indeed depict ele- ments of terrestrial creation, earth framed by ocean. The line of trees and ani- mals represents the earth, while the figures in the frame depict sea creatures.3 Its depiction of the earth is unique and specific, however, including trees,4 plants, birds and animals that reference the changing times of the year. This paper con- cerns the seasonal animals.5 The Heraclea mosaic dates to the first half of the sixth century, prob- ably to the 520s or 530s.6 Its frieze-like composition of trees and animals is quite typical of its time. A near-contemporary mosaic from Nikopolis in Epirus, for example, has fauna, mostly birds combined with a line of trees in multiple frames, one of which contains water creatures. Its inscription explains the sub- 1 I would like to thank the organizers of the 2011 Niš and Byzantium Symposium, especially Miša Rakocija for inviting me to submit this article, even though I was unable to attend the conference. -
Modus Operandi Films and High Point Media Group Present
Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten.