Cases of the Century
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The Fatty Arbuckle Case
M60 5O§ A PAPERBACK LIBRARY FIRST EDITION SIIKI !8ITH«j Most famous rape case of the century The Hollywood story no one dared publish THE KING He could have any woman in Hollywood he wanted—except beautiful Virginia Rappe. Already a star, Virginia didn't need Fatty Arbuckle and didn't want him. Surrounded by adulation, yes-men, the semi-royal glitter of Hollywood, glutted with money, fame and success, Fatty Arbuckle couldn't take "no" for an answer. HERE IS THE SHOCKING, SOMETIMES SORDID, AND ALWAYS FASCINATING STORY OF ONE OF THE MOST FAMOUS CRIMINAL TRIALS OF ALL TIME THE FATTY ARBUCKLE CASE THE FATTY ARBUCKLE By LEO GUILD V PAPERBACK LIBRARY, INC New York Copyright © 1962 by Paperback Library, Inc. All Rights Reserved PAPERBACK LIBRARY ORIGINAL First Printing: August 1962 Printed in the United States of America FOREWORD The writing of a book such as this is a monumental re- search job. It entails conversation with people who were on the scene; a search for their friends, relatives, ac- quaintances; study of the court records, the newspaper stories of the trial, magazines which contain much perti- nent material about the case. People only remotely in- volved with the subject or the circumstances must be questioned. One interview always leads to another and another until the list of prospects becomes so long it seems impossible to write or to see all of them. But all must be reached. Then medical experts must be consulted, legal advice must be secured. Books which covered similar cases have to be read to study pattern and summation. -
Mabel's Blunder
Mabel’s Blunder By Brent E. Walker Mabel Normand was the first major female comedy star in American motion pictures. She was also one of the first female directors in Hollywood, and one of the original principals in Mack Sennett’s pioneering Keystone Comedies. “Mabel’s Blunder” (1914), made two years after the formation of the Keystone Film Company, captures Normand’s talents both in front of and behind the camera. Born in Staten Island, New York in 1892, a teenage Normand modeled for “Gibson Girl” creator Charles Dana Gibson before entering motion pictures with Vitagraph in 1910. In the summer of 1911, she moved over to the Biograph company, where D.W. Griffith was making his mark as a pioneering film director. Griffith had already turned actresses such as Florence Lawrence and Mary Pickford into major dramatic stars. Normand, however, was not as- signed to the dramas made by Griffith. Instead, she went to work in Biograph’s comedy unit, directed by an actor-turned-director named Mack Sennett. Normand’s first major film “The Diving Girl” (1911) brought her notice with nickelodeon audiences. A 1914 portrait of Mabel Normand looking Mabel quickly differentiated herself from the other uncharacteristically somber. Courtesy Library of Congress Biograph actresses of the period by her willingness Prints & Photographs Online Collection. to engage in slapstick antics and take pratfalls in the name of comedy. She also began a personal ro- to assign directorial control to each of his stars on mantic relationship with Mack Sennett that would their comedies, including Normand. Mabel directed have its ups and downs, and would eventually in- a number of her own films through the early months spire a Broadway musical titled “Mack and Mabel.” of 1914. -
Sex, Crime, and Jazz-Age Journalism
Sex, Crime, and Jazz-Age Journalism The 1920s were an exciting, shocking decade in America’s cities. Although Prohibition laws outlawed alcohol, people flocked to speakeasies, private clubs where they could drink bootleg liquor and dance to the latest jazz. Gangsters battled in the streets for control of the alcohol trade. Women put on lipstick and rouge, wore short skirts, and smoked in public. Ground-breaking novels and plays focused on the once-taboo subject of sex. People poured into sporting events and movie houses and worshipped new-found celebrities like Babe Ruth and Charlie Chaplin. This raucous decade was known as the jazz age. Newspapers reflected the era, attracting readers with sensational stories. Throughout the decade, many newspapers drew readers by focusing on stories involving sex, crime, and celebrities. This was known as "jazz-age journalism." In 1921, a story broke that involved all three elements—sex, crime, and a celebrity. Roscoe "Fatty" Arbuckle, one of Hollywood’s most famous stars, was accused of sexually assaulting and killing a movie actress. The press pounced on the story, printing detail after lurid detail. The case of "Fatty" Arbuckle raised the question of whether a celebrity could get a fair trial amid enormous national press coverage. The Rise of the Tabloids On June 26, 1919, a new kind of newspaper called a tabloid hit the streets of New York City. Half the size (15 x 11 inches) of other newspapers, the Daily News typically displayed a front page with a screaming headline and large pictures. Inside, short, sensationalized news articles sat alongside photos, illustrations, and feature stories about the lives, loves, and misfortunes of both ordinary and famous people. -
Suppuration of Powers: Abscam, Entrapment and the Politics of Expulsion Henry Biggs
Legislation and Policy Brief Volume 6 | Issue 2 Article 2 2014 Suppuration of Powers: Abscam, Entrapment and the Politics of Expulsion Henry Biggs Follow this and additional works at: http://digitalcommons.wcl.american.edu/lpb Part of the Legislation Commons Recommended Citation Biggs, Henry. "Suppuration of Powers: Abscam, Entrapment and the Politics of Expulsion." Legislation and Policy Brief 6, no. 2 (2014): 249-269. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Legislation and Policy Brief by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Vol. 6.2 Legislation & Policy Brief 249 SUPPURATION OF POWERS: ABSCAM, ENTRAPMENT AND THE POLITICS OF EXPULSION Henry Biggs1 In a government of laws, existence of the government will be imperiled if it fails to observe the law scrupulously . to declare that the Government may commit crimes in order to secure the conviction of a private criminal – would bring terrible retribution. Against that pernicious doctrine this Court should resolutely set its face.2 Introduction .............................................................................................249 I. Abscam .................................................................................................251 A. Origins ����������������������������������������������������������������������������������������251 -
The Last Days of Buster Keaton John C. Tibbetts
Fall 1995 79 The Hole in the Doughnut: The Last Days of Buster Keaton John C. Tibbetts In the Fall of 1995 Eleanor Norris Keaton will come to Kansas to celebrate the 100th birthday of her late husband.1 Part of an extensive itinerary that also takes her to other centenary observances in New York, Muskegon, Michigan, and Los Angeles, the Kansas trip is particularly poignant. Keaton was born on October 4,1895, in the tiny farm community of Piqua, in southeast Kansas, while his parents were performing with a medicine show.2 Although he may have been a Kansan only through sheer accident of circumstances—the baby and his mother remained in Piqua only two weeks before rejoining the troupe on the road—he returned there many times as a child on tour with his parents.3 Later, the classic slapstick comedian paid tribute to his home state in many of the themes and situations of his best films, most notably in the cyclone sequence in Steamboat Bill, Jr. (1928). To my mind, even his trademark "deadly horizontal" hat (as James Agee described it) evokes the stark flatness of the Kansas prairies.4 While the Keaton phenomenon will be fully explored throughout the centenary year, Eleanor herself should not be forgotten. By all accounts, she was an important force in Buster's later years. "She has seen Buster Keaton through a long period of painful adjustment, relapse, and readjustment and a dozen partial comebacks," wrote Rudi Blesh, shortly before Buster's death on February 1,1966. "She has carried him, content and at times happy, across the threshold of his seventies. -
Brazil-United States
Brazil-United States Judicial Dialogue Created in June 2006 as part of the Wilson Center’s Latin American Program, the BRAZIL INSTITUTE strives to foster informed dialogue on key issues important to Brazilians and to the Brazilian-U.S. relationship. We work to promote detailed analysis of Brazil’s public policy and advance Washington’s understanding of contemporary Brazilian developments, mindful of the long history that binds the two most populous democracies in the Americas. The Institute honors this history and attempts to further bilateral coop- eration by promoting informed dialogue between these two diverse and vibrant multiracial societies. Our activities include: convening policy forums to stimulate nonpartisan reflection and debate on critical issues related to Brazil; promoting, sponsoring, and disseminating research; par- ticipating in the broader effort to inform Americans about Brazil through lectures and interviews given by its director; appointing leading Brazilian and Brazilianist academics, journalists, and policy makers as Wilson Center Public Policy Scholars; and maintaining a comprehensive website devoted to news, analysis, research, and reference materials on Brazil. Paulo Sotero, Director Michael Darden, Program Assistant Anna Carolina Cardenas, Program Assistant Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 www.wilsoncenter.org/brazil ISBN: 978-1-938027-38-3 Brazil-United States Judicial Dialogue May 11 – 13, 2011 Brazil-United States Judicial Dialogue Foreword ffirming the Rule of Law in a historically unequal and unjust Asociety has been a central challenge in Brazil since the reinstate- ment of democracy in the mid-1980s. The evolving structure, role and effectiveness of the country’s judicial system have been major factors in that effort. -
History of the U.S. Attorneys
Bicentennial Celebration of the United States Attorneys 1789 - 1989 "The United States Attorney is the representative not of an ordinary party to a controversy, but of a sovereignty whose obligation to govern impartially is as compelling as its obligation to govern at all; and whose interest, therefore, in a criminal prosecution is not that it shall win a case, but that justice shall be done. As such, he is in a peculiar and very definite sense the servant of the law, the twofold aim of which is that guilt shall not escape or innocence suffer. He may prosecute with earnestness and vigor– indeed, he should do so. But, while he may strike hard blows, he is not at liberty to strike foul ones. It is as much his duty to refrain from improper methods calculated to produce a wrongful conviction as it is to use every legitimate means to bring about a just one." QUOTED FROM STATEMENT OF MR. JUSTICE SUTHERLAND, BERGER V. UNITED STATES, 295 U. S. 88 (1935) Note: The information in this document was compiled from historical records maintained by the Offices of the United States Attorneys and by the Department of Justice. Every effort has been made to prepare accurate information. In some instances, this document mentions officials without the “United States Attorney” title, who nevertheless served under federal appointment to enforce the laws of the United States in federal territories prior to statehood and the creation of a federal judicial district. INTRODUCTION In this, the Bicentennial Year of the United States Constitution, the people of America find cause to celebrate the principles formulated at the inception of the nation Alexis de Tocqueville called, “The Great Experiment.” The experiment has worked, and the survival of the Constitution is proof of that. -
Film Essay for The
The Kid By Jeffrey Vance “The Kid” (1921) is one of Charles Chaplin’s finest achievements and remains universally beloved by critics and audiences alike. The film is a perfect blend of comedy and drama and is arguably Chap- lin’s most personal and autobiographical work. Many of the settings and the themes in the film come right out of Chaplin’s own impoverished London child- hood. However, it was the combination of two events, one tragic (the death of his infant son) and one joyful (his chance meeting with Jackie Coogan), that led Chaplin to shape the tale of the abandoned child and the lonely Tramp. The loss of three-day-old Norman Spencer Chaplin undoubtedly had a great effect on Chaplin, and the emotional pain appears to have triggered his creativ- ity, as he began auditioning child actors at the Chap- lin Studios ten days after his son’s death. It was dur- ing this period that Chaplin encountered a four-year- old child performer named Jackie Coogan at Orphe- um Theater in Los Angeles, where his father had just performed an eccentric dance act. Chaplin spent more than an hour talking to Jackie in the lob- by of the Alexandria Hotel, but the idea of using Jackie in a film did not occur to him. After he heard that Roscoe Arbuckle had just signed Coogan, Chaplin agonized over his missed opportunity. Later, Charlie Chaplin as The Tramp sits in a doorway with the he discovered that Arbuckle had signed Jack orphan he has taken under his wing (Jackie Coogan). -
©2015 Kristoffer M. Shields ALL RIGHTS RESERVED
©2015 Kristoffer M. Shields ALL RIGHTS RESERVED CULTURE ON TRIAL: LAW, MORALITY, AND THE PERFORMANCE TRIAL IN THE SHADOW OF WORLD WAR I by KRISTOFFER M. SHIELDS A dissertation submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of T.J. Jackson Lears And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey OCTOBER 2015 ABSTRACT OF THE DISSERTATION Culture on Trial: Law, Morality, and the Performance Trial in the Shadow of World War I By KRISTOFFER M. SHIELDS Dissertation Director: T.J. Jackson Lears This dissertation analyzes three specific American trials, each taking place between 1921 and 1926: the State of Tennessee v. John T. Scopes; the murder trial of Frances Stevens Hall; and the murder trial(s) of silent film star Roscoe “Fatty” Arbuckle. Despite the trials’ disparate facts, each became prominent nationally, covered by a variety of media and heavily attended by live audiences. This was not unprecedented. Throughout American history, trials have often been subjects of public fascination. At times, individual cases have become cultural phenomena, followed and discussed by onlookers across the country, reaching a point of national cultural relevance. I call these types of trials “performance trials” and argue that they are valuable and overlooked resources for historians. The three trials analyzed in this dissertation are especially instructive. The 1920s are a fertile time for performance trials, evidenced in part by this cluster of three such trials taking place within five years of each other. -
Reforming Criminal Justice Vol. 2
Reforming Criminal Justice Volume 2: Policing Erik Luna Editor and Project Director Reforming Criminal Justice Volume 2: Policing Erik Luna Editor and Project Director a report by The Academy for Justice with the support of Copyright © 2017 All Rights Reserved This report and its contents may be used for non-profit educational and training purposes and for legal reform (legislative, judicial, and executive) without written permission but with a citation to the report. The Academy for Justice www.academyforjustice.org Erik Luna, Project Director A project of the Sandra Day O’Connor College of Law Arizona State University Mail Code 9520 111 E. Taylor St. Phoenix, AZ 85004-4467 (480) 965-6181 https://law.asu.edu/ Suggested Citation Bluebook: 2 REFORMING CRIMINAL JUSTICE: POLICING (Erik Luna ed., 2017). APA: Luna, E. (Ed.). (2017). Reforming Criminal Justice: Policing (Vol. 2). Phoenix, AZ: Arizona State University. CMS: Luna, Erik, ed. Reforming Criminal Justice. Vol. 2, Policing. Phoenix: Arizona State University, 2017. Printed in the United States of America Summary of Report Contents Volume 1: Introduction and Criminalization Preface—Erik Luna Criminal Justice Reform: An Introduction—Clint Bolick The Changing Politics of Crime and the Future of Mass Incarceration— David Cole Overcriminalization—Douglas Husak Overfederalization—Stephen F. Smith Misdemeanors—Alexandra Natapoff Drug Prohibition and Violence—Jeffrey A. Miron Marijuana Legalization—Alex Kreit Sexual Offenses—Robert Weisberg Firearms and Violence—Franklin E. Zimring Gangs—Scott H. Decker Criminalizing Immigration—Jennifer M. Chacón Extraterritorial Jurisdiction—Julie Rose O’Sullivan Mental Disorder and Criminal Justice—Stephen J. Morse Juvenile Justice—Barry C. Feld Volume 2: Policing Democratic Accountability and Policing—Maria Ponomarenko and Barry Friedman Legal Remedies for Police Misconduct—Rachel A. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.