New Forms of Collaborative Innovation and Production on the Internet: an Interdisciplinary Perspective

Total Page:16

File Type:pdf, Size:1020Kb

New Forms of Collaborative Innovation and Production on the Internet: an Interdisciplinary Perspective A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Wittke, Volker (Ed.); Hanekop, Heidemarie (Ed.) Book — Published Version New forms of collaborative innovation and production on the internet: An interdisciplinary perspective Provided in Cooperation with: Universitätsverlag Göttingen Suggested Citation: Wittke, Volker (Ed.); Hanekop, Heidemarie (Ed.) (2011) : New forms of collaborative innovation and production on the internet: An interdisciplinary perspective, ISBN 978-3-86395-020-0, Universitätsverlag Göttingen, Göttingen, http://nbn-resolving.de/urn:nbn:de:gbv:7-isbn-978-3-86395-020-0-9 This Version is available at: http://hdl.handle.net/10419/181992 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by-nd/3.0/de www.econstor.eu Volker Wittke and he Internet has enabled new forms of large-scale collaboration. Voluntary contribu- tions by large numbers of users and co-producers lead to new forms of production Heidemarie Hanekop Tand innovation, as seen in Wikipedia, open source software development, in social (Eds.) networks or on user-generated content platforms as well as in many firm-driven Web 2.0 services. Large-scale collaboration on the Internet is an intriguing phenomenon for scholarly debate because it challenges well established insights into the gover- New Forms of nance of economic action, the sources of innovation, the possibilities of collective action and the social, legal and technical preconditions for successful collaboration. Collaborative Although contributions to the debate from various disciplines and fine-grained empirical studies already exist, there still is a lack of an interdisciplinary approach. Innovation This book provides interdisciplinary contributions addressing questions on new innova- tion and production processes on the Internet, their preconditions and further prospects. and Production It brings together the sociological perspective on the governance of collaborative on the Internet production and innovation, the perspective of innovation management on open inno- vation, customer co-creation and open intermediary arenas, the legal perspective on social production and the perspective of computer sciences on trust and reputation An Interdisciplinary management systems for Wikipedia and other online communities. It includes a social Perspective network analysis of the cooperation in Wikipedia, as well as empirical studies on the “working consumers in Web 2.0” and on motivation and coordination of “prosumers” in different firm-driven scenarios. Wittke WitWittke / Hanekop (Eds.) New Forms of Collaborative Innovation and Production on the Internet Forms Wittke WitWittke / Hanekop (Eds.) New ISBN: 978-3-86395-020-0 Universitätsverlag Göttingen Universitätsverlag Göttingen Volker Wittke, Heidemarie Hanekop (Eds.) New Forms of Collaborative Innovation and Production on the Internet This work is licensed under the Creative Commons License 3.0 “by-nd”, allowing you to download, distribute and print the document in a few copies for private or educational use, given that the document stays unchanged and the creator is mentioned. You are not allowed to sell printed copies of the free version. erschienen im Universitätsverlag Göttingen 2011 Volker Wittke and Heidemarie Hanekop (Eds.) New Forms of Collaborative Innovation and Production on the Internet An Interdisciplinary Perspective Universitätsverlag Göttingen 2011 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über <http://dnb.ddb.de> abrufbar. Address of the Editors Soziologisches Forschungsinstitut an der Universität Göttingen Friedländer Weg 31 D-37085 Göttingen [email protected] [email protected] This work is protected by German Intellectual Property Right Law. It is also available as an Open Access version through the publisher’s homepage and the Online Catalogue of the State and University Library of Goettingen (http://www.sub.uni-goettingen.de). Users of the free online version are invited to read, download and distribute it. Users may also print a small number for educational or private use. However they may not sell print versions of the online book. Satz und Layout: Jan Mielenhausen Umschlaggestaltung: Margo Bargheer © 2011 Universitätsverlag Göttingen http://univerlag.uni-goettingen.de ISBN: 978-3-86395-020-0 Acknowledgements The origin of this book was a workshop on “New Forms of Collaborative Produc- tion and Innovation: Economic, Social, Legal and Technical Characteristics and Conditions” that was held in May 2010 at the Lichtenberg-Kolleg Institute for Advanced Studies at the University of Göttingen. The goal of the workshop was to provide an interdisciplinary perspective on the new innovation and production processes on the Internet, which are characterized by voluntary collaboration among numerous users and co-producers. The workshop was prepared and orga- nized by a group of researchers at the University of Göttingen from the disciplines of multimedia law, sociology, economic policy, political science, computer science, microeconomics, e-business studies and international economic law. We are greatly indebted to Gerald Spindler, Kilian Bizer, Andreas Busch, Dieter Hogrefe, Claudia Keser, Matthias Schumann, and Peter-Tobias Stoll, who were deeply involved in the fruitful interdisciplinary cooperation and who helped to organize and contri- buted to the workshop without which the book would not have been written. We also appreciate the contributions of the speakers, many of whom are authors in this volume. The lively and inspiring discussion at the workshop has been very helpful, and the book chapters benefited from this input. We want to thank the Lichtenberg Kolleg for financing and hosting the workshop. We are most grateful to the director, Dagmar Coester-Waltjen for generous support and to Dominik Hünniger for professionell and friendly assistance in organizing the workshop. Thanks also go to Elizabeth Crawford for translation and revision and to Jan Mie- lenhausen for technical and organisational support. Contents Introduction 1 New Forms of Collaborative Innovation and Production on the Internet 9 Volker Wittke and Heidemarie Hanekop Interdisciplinary Perspectives on Collaborative Innovation and Production: Conceptual Debates 2 Customer Co-Creation: Open Innovation with Customers 31 Frank Piller, Christoph Ihl and Alexander Vossen 3 Governing Social Production 63 Niva Elkin-Koren 4 Trust Management in Online Communities 75 Audun Jøsang 5 Building a Reputation System for Wikipedia 89 Christian Damsgaard Jensen 6 Cooperation in Wikipedia from a Network Perspective 113 Christian Stegbauer Firm Driven Collaborative Innovation and Production: Case Studies 7 Managing a New Consumer Culture: “Working Consumers” in Web 2.0 as a Source of Corporate Feedback 131 Sabine Hornung, Frank Kleemann and G. Günter Voß 8 Prosuming, or when Customers Turn Collaborators: Coordination and Motivation of Customer Contribution 153 Birgit Blättel-Mink, Raphael Menez, Dirk Dalichau, Daniel Kahnert 9 Role Confusion in Open Innovation Intermediary Arenas 177 Tobias Fredberg, Maria Elmquist, Susanne Ollila, Anna Yström List of Contributors 193 1 New Forms of Collaborative Innovation and Production on the Internet Volker Wittke and Heidemarie Hanekop Large-Scale Collaboration on the Internet: The Intriguing Phenomenon Enabled by Internet and Web 2.0 technologies, a growing number of products and services are being developed with large numbers of autonomous actors participat- ing in the production process. The participating actors, many of whom are them- selves users of the products they co-produce, make their contributions voluntarily, without contract or salary, and are free to decide which tasks to undertake. The organization of co-production is highly decentralized and collaboration is underta- ken on a large scale. Although the contributors are autonomous and their activities are decentralized, they produce complex, sophisticated and competitive products and services, employing an elaborate division of labor in a highly efficient process. Many scholars take these phenomena as evidence for the emergence of new forms of production and innovation (Chesbrough, Vanhaverbeke and West 2006, von Hippel 2005, Tapscott 2006, Benkler
Recommended publications
  • The Culture of Wikipedia
    Good Faith Collaboration: The Culture of Wikipedia Good Faith Collaboration The Culture of Wikipedia Joseph Michael Reagle Jr. Foreword by Lawrence Lessig The MIT Press, Cambridge, MA. Web edition, Copyright © 2011 by Joseph Michael Reagle Jr. CC-NC-SA 3.0 Purchase at Amazon.com | Barnes and Noble | IndieBound | MIT Press Wikipedia's style of collaborative production has been lauded, lambasted, and satirized. Despite unease over its implications for the character (and quality) of knowledge, Wikipedia has brought us closer than ever to a realization of the centuries-old Author Bio & Research Blog pursuit of a universal encyclopedia. Good Faith Collaboration: The Culture of Wikipedia is a rich ethnographic portrayal of Wikipedia's historical roots, collaborative culture, and much debated legacy. Foreword Preface to the Web Edition Praise for Good Faith Collaboration Preface Extended Table of Contents "Reagle offers a compelling case that Wikipedia's most fascinating and unprecedented aspect isn't the encyclopedia itself — rather, it's the collaborative culture that underpins it: brawling, self-reflexive, funny, serious, and full-tilt committed to the 1. Nazis and Norms project, even if it means setting aside personal differences. Reagle's position as a scholar and a member of the community 2. The Pursuit of the Universal makes him uniquely situated to describe this culture." —Cory Doctorow , Boing Boing Encyclopedia "Reagle provides ample data regarding the everyday practices and cultural norms of the community which collaborates to 3. Good Faith Collaboration produce Wikipedia. His rich research and nuanced appreciation of the complexities of cultural digital media research are 4. The Puzzle of Openness well presented.
    [Show full text]
  • © All About Planners 1
    PEN COMPARISON PILOT SAKURA STAEDTLER ZEBRA PAPERMATE Fineliner Pilot Frixion Fineliner Pen Sakura Pigma Micron Pen Triplus Fineliner 0.3mm Zebra Zensations Sarasa Flair UF (Ultra Fine) Pilot Drawing Pen 0.8mm Fineliner Pen 0.8mm Flair M (Medium) Zebra Mackee Care Refillable Double-Sided Marker Extra Fine/Fine Gel Pen Pop’Lol 0.7mm Gelly Roll Maxum Gel Ink Pens 0.4, Sarasa Clip 0.5mm Inkjoy Gel 0.7 Juice Up 0.4mm Ballsign 0.5mm 0.5mm G2 Gel Pen 0.7mm Ballpoint Pen Acroball 0.5mm, S20 ballpoint Grasso Ball Ballpoint 0.7mm Concrete Ballpoint Pen - Retractable - 0.7mm Inkjoy 100 Ball 1.0M 0.7mm medium point 1mm Mini Ballpoint pen - 0.7mm Kilometrico Emulsion Ink - 0.7mm InkJoy 300RT Ballpoint Dual Tip Pen Futayaku Double-sided Brush No Twin-tip handwriting pens 3mm Mildliner Double-Sided No Pen Fine/Medium & 0.8mm Highlighter Brush Needle Tip Hi-Tec C Maica 0.4mm Sakura Pigma Micron No Liquid Rollerball Needle Pen - No 0.5mm Marker Pen Pilot Lettering Pen Sakura Pigma Calligrapher Pen Triplus Broadliner 0.8mm Sarasa Fineliner No Erasable Frixion Erasable 0.3, 0.35, 0.4, No No No Replay Erasable Gel Pen (but I 0.5, 0.7 & 0.9mm don’t recommend) Refillable Frixion Erasable No No No No Colors available Does it have a white Pop’Lol 0.7mm Gelly Roll No Yes No pen? Bright Pop’Lol 0.7mm Gelly Roll Moonlight Bright Triplus 0.3mm Fineliners Yes Yes Fluorescent Pastel Pop’Lol 0.7mm Gelly Roll Souffle Triplus 0.3mm Fineliners Yes Yes Neon Pop’Lol 0.7mm Gelly Roll Triplus 0.3mm Fineliners Yes No Metallic G2 Gel Pen 0.7mm Gelly Roll Metallic, Stardust Metallic Markers Yes PM300 Gel Performance Prone to ghosting or No Light ghosting Light ghosting No No bleed through? (Based on majority of pens from this brand) How long does the ink Depends how often you use Have had for 3+ years and ink Have had for 3+ years and ink Have had for 3+ years and ink Have had gel & ballpoint pens last? them.
    [Show full text]
  • New Summary Report - 26 June 2015
    New Summary Report - 26 June 2015 1. How did you find out about this survey? Other 17% Email from Renaissance Art 83.1% Email from Renaissance Art 83.1% 539 Other 17.0% 110 Total 649 1 2. Where are you from? Australia/New Zealand 3.2% Asia 3.7% Europe 7.9% North America 85.2% North America 85.2% 553 Europe 7.9% 51 Asia 3.7% 24 Australia/New Zealand 3.2% 21 Total 649 2 3. What is your age range? old fart like me 15.4% 21-30 22% 51-60 23.3% 31-40 16.8% 41-50 22.5% Statistics 21-30 22.0% 143 Sum 20,069.0 31-40 16.8% 109 Average 36.6 41-50 22.5% 146 StdDev 11.5 51-60 23.3% 151 Max 51.0 old fart like me 15.4% 100 Total 649 3 4. How many fountain pens are in your collection? 1-5 23.3% over 20 35.8% 6-10 23.9% 11-20 17.1% Statistics 1-5 23.3% 151 Sum 2,302.0 6-10 23.9% 155 Average 5.5 11-20 17.1% 111 StdDev 3.9 over 20 35.8% 232 Max 11.0 Total 649 4 5. How many pens do you usually keep inked? over 10 10.3% 7-10 12.6% 1-3 40.7% 4-6 36.4% Statistics 1-3 40.7% 264 Sum 1,782.0 4-6 36.4% 236 Average 3.1 7-10 12.6% 82 StdDev 2.1 over 10 10.3% 67 Max 7.0 Total 649 5 6.
    [Show full text]
  • Initiativen Roger Cloes Infobrief
    Wissenschaftliche Dienste Deutscher Bundestag Infobrief Entwicklung und Bedeutung der im Internet ehrenamtlich eingestell- ten Wissensangebote insbesondere im Hinblick auf die Wiki- Initiativen Roger Cloes WD 10 - 3010 - 074/11 Wissenschaftliche Dienste Infobrief Seite 2 WD 10 - 3010 - 074/11 Entwicklung und Bedeutung der ehrenamtlich im Internet eingestellten Wissensangebote insbe- sondere im Hinblick auf die Wiki-Initiativen Verfasser: Dr. Roger Cloes / Tim Moritz Hector (Praktikant) Aktenzeichen: WD 10 - 3010 - 074/11 Abschluss der Arbeit: 1. Juli 2011 Fachbereich: WD 10: Kultur, Medien und Sport Ausarbeitungen und andere Informationsangebote der Wissenschaftlichen Dienste geben nicht die Auffassung des Deutschen Bundestages, eines seiner Organe oder der Bundestagsverwaltung wieder. Vielmehr liegen sie in der fachlichen Verantwortung der Verfasserinnen und Verfasser sowie der Fachbereichsleitung. Der Deutsche Bundestag behält sich die Rechte der Veröffentlichung und Verbreitung vor. Beides bedarf der Zustimmung der Leitung der Abteilung W, Platz der Republik 1, 11011 Berlin. Wissenschaftliche Dienste Infobrief Seite 3 WD 10 - 3010 - 074/11 Zusammenfassung Ehrenamtlich ins Internet eingestelltes Wissen spielt in Zeiten des sogenannten „Mitmachweb“ eine zunehmend herausgehobene Rolle. Vor allem Wikis und insbesondere Wikipedia sind ein nicht mehr wegzudenkendes Element des Internets. Keine anderen vergleichbaren Wissensange- bote im Internet, auch wenn sie zum freien Abruf eingestellt sind und mit Steuern, Gebühren, Werbeeinnahmen finanziert oder als Gratisproben im Rahmen von Geschäftsmodellen verschenkt werden, erreichen die Zugriffszahlen von Wikipedia. Das ist ein Phänomen, das in seiner Dimension vor dem Hintergrund der urheberrechtlichen Dis- kussion und der Begründung von staatlichem Schutz als Voraussetzung für die Schaffung von geistigen Gütern kaum Beachtung findet. Relativ niedrige Verbreitungskosten im Internet und geringe oder keine Erfordernisse an Kapitalinvestitionen begünstigen diese Entwicklung.
    [Show full text]
  • Boy Meets Girl PARIS — Masculine-Feminine Tailoring Returned to the Runways for Fall
    The Inside: Pg. 14 NIKE PROFIT DROPS/3 LAMONICA TO EXIT KORS/3 Women ofWWD Leisure WWDWomen’s Wear Daily • The Retailers’THURSDAY Daily Newspaper • March 20, 2003 Vol. 185, No. 57 $2.00 List Sportswear Boy Meets Girl PARIS — Masculine-feminine tailoring returned to the runways for fall. And some of the best of it came from Viktor Horsting and Rolf Snoeren, whose terrific Viktor & Rolf collection was full of skillful riffs on their favorite men’s styles, among them cool pantsuits, big-collared jackets and jeans. The presentation was also inventive, with the designers’ muse, Tilda Swinton, appearing on the catwalk and the other models done up to resemble her. Here, a Tilda lookalike wears a bold-collared blouse and pants. For more on the haberdashery trend, see pages 6 and 7. From Red Carpet Roll-up To Economic Anxieties, Industry Braces for War olding its breath. As the nation Hrolled toward war in Iraq, fashion and retail executives were waiting on Wednesday to see the impact of a conflict everyone hopes will be a short one. The situation already has shaken one of the fashion industry’s biggest events: the Oscars. As reported, the Academy of Motion Pictures Arts and Sciences has canceled the traditional red-carpet parade of stars — which some consider the world’s most-watched fashion show — in favor of a low-key event focused on the awards rather than the dresses and diamonds. Party organizers, including See Industry, Page16 PHOTO BY PHOTO GIOVANNI BY GIANNONI 2 WWDTHURSDAY Sportswear GENERAL FASHION: The notion of using men’s haberdasherylooks for women resurfaces 6 every few years, as it did for fall.
    [Show full text]
  • BBB-Summer-2018-Large.Pdf
    ‘Modern’ calligraphy has been making the rounds lately and if you're here — that's probably what you want to learn! But before we get all into the details, here's one thing you need to remember: calligraphy is not cursive. Cursive is joined up writing; you ideally write without li�ting your pen so you can write faster. While calligraphy can look similar, the key is to go slow and to break down each and every letter into its supporting strokes. THE BASIC STROKES ASCENDER LINE WAIST LINE BASE LINE DESCENDER LINE Or as some people call them, the drills! As dull as it sounds, brush lettering is made up of 9 common strokes illustrated above. With these strokes alone, you can form 21 out of the 26 letters in the lowercase alphabet — and some of the capital letters too! HOW THIS WORKS In Brush Basics, we'll be building your foundation right by covering all 9 strokes over the course of 2 weeks! Here's the schedule: On Day 1, you'll learn how to use your brush pen to form thin upstrokes and thick downstrokes. This is an easy lesson, so you have just one day to tackle it! Lesson 2 (delivered on Day 2) will cover underturn and overturn strokes. Lessons 3 and 4 (delivered on Days 4 and 6, respectively) will see you taking on the two di�ferent compound curves. You'll learn all about ovals in Lesson 5 (delivered on Day 8) — and because this is a hard one, you'll have not two but three days to practice it.
    [Show full text]
  • Reliability of Wikipedia 1 Reliability of Wikipedia
    Reliability of Wikipedia 1 Reliability of Wikipedia The reliability of Wikipedia (primarily of the English language version), compared to other encyclopedias and more specialized sources, is assessed in many ways, including statistically, through comparative review, analysis of the historical patterns, and strengths and weaknesses inherent in the editing process unique to Wikipedia. [1] Because Wikipedia is open to anonymous and collaborative editing, assessments of its Vandalism of a Wikipedia article reliability usually include examinations of how quickly false or misleading information is removed. An early study conducted by IBM researchers in 2003—two years following Wikipedia's establishment—found that "vandalism is usually repaired extremely quickly — so quickly that most users will never see its effects"[2] and concluded that Wikipedia had "surprisingly effective self-healing capabilities".[3] A 2007 peer-reviewed study stated that "42% of damage is repaired almost immediately... Nonetheless, there are still hundreds of millions of damaged views."[4] Several studies have been done to assess the reliability of Wikipedia. A notable early study in the journal Nature suggested that in 2005, Wikipedia scientific articles came close to the level of accuracy in Encyclopædia Britannica and had a similar rate of "serious errors".[5] This study was disputed by Encyclopædia Britannica.[6] By 2010 reviewers in medical and scientific fields such as toxicology, cancer research and drug information reviewing Wikipedia against professional and peer-reviewed sources found that Wikipedia's depth and coverage were of a very high standard, often comparable in coverage to physician databases and considerably better than well known reputable national media outlets.
    [Show full text]
  • LIGHTNING TALKS “How We Can Support Indigenous Communities That Want a Wikipedia in Their Native Languages”
    LIGHTNING TALKS “How we can support indigenous communities that want a Wikipedia in their native languages” Name: Eddie Avila, Global Voices Username: Barrioflores Challenge: Building and sustaining Wikipedias in indigenous languages is challenging, but there are steps that the Wikimedia movement can take to help native speakers share knowledge in their native languages. “Women and Wikmedia Projects in Spain. Gender gap through the the free knowledge movement.” Name: Virginia Diez Username: Gini10 Challenge: Though we are engaging an increasing number of women to contribute in the Wikimedia Projects, it's difficult to get them to feel empowered in order to take responsibility or actively participate in decision-making processes. “Recruiting women as editors which will lead to writing articles about women.” Name: Hana Yariv Username: Hanay Challenge: Using the personal approach in addressing the female gap. Alison Jackson’s work Alison Jackson’s work Pictures from the spokesperson unit of the President “A concern that some women had when I interviewed them regarding the Wikipedia gender gap.” Name: Sabine Ronsen Username: sabinitus Challenge: How can we prevent wikipedia from falling victim to the same conservatism and exclusive thinking that has characterized traditional encyclopedias? “Recruiting underrepresented groups and experiences gained at Wikipedia Camps.” Name: Sofie Jansson Username: Sofie Sigrinn Challenge: In our quest for getting more people identifying as women into Wikipedia/Wikimedia can separatism be the solution, a tool or a dead end? “WikiWomen Prize as a model of gender gap” Name: Walaa AbdelManaem ﻻ روﺳﺎ :Username Challenge: This prize promotes the quality, quantity and credibility of contents on the web in regards to female related content within the scope of Wikimedia Foundation projects.
    [Show full text]
  • Printmgr File
    LISTING CIRCULAR NOT FOR GENERAL CIRCULATION IN THE UNITED STATES New Look Secured Issuer plc New Look Senior Issuer plc £1,201,200,000 (equivalent) £700,000,000 6.5% Senior Secured Notes due 2022 €415,000,000 Floating Rate Senior Secured Notes due 2022 £200,000,000 8.0% Senior Notes due 2023 New Look Secured Issuer plc (the “Senior Secured Notes Issuer”) issued £700,000,000 aggregate principal amount of its 6.5% Sterling Fixed Rate Senior Secured Notes due 2022 (the “Sterling Fixed Rate Senior Secured Notes” or the “Fixed Rate Senior Secured Notes”) and €415,000,000 aggregate principal amount of its Floating Rate Senior Secured Notes due 2022 (the “Floating Rate Senior Secured Notes” and, together with the Fixed Rate Senior Secured Notes, the “Senior Secured Notes”). New Look Senior Issuer plc (the “Senior Notes Issuer” and, together with the Senior Secured Notes Issuer, the “Issuers”) issued £200,000,000 aggregate principal amount of its 8.0% Senior Notes due 2023 (the “Senior Notes” and, together with the Senior Secured Notes, the “Notes”). The Senior Secured Notes Issuer will pay interest on the Fixed Rate Senior Secured Notes semi-annually in arrears on each May 15 and November 15, commencing on November 15, 2015. Prior to June 24, 2018, the Senior Secured Notes Issuer may redeem at its option all or a portion of each series of the Fixed Rate Senior Secured Notes by paying a “make-whole” premium. At any time on or after June 24, 2018, the Senior Secured Notes Issuer may redeem at its option all or part of the Fixed Rate Senior Secured Notes by paying a specified redemption price.
    [Show full text]
  • Tokyo Pocket Guide Ginza Map Shopping Tokyo Pocket Guide Ginza Map Shopping
    TOKYO POCKET GUIDE GINZA MAP SHOPPING Dr Regal UGG Martens MARUNOUCHI Setouchi Mizuho MAP A B C J. Ferry D Vera Eikokuya E Hiroshima Bank F G Kokusai Wang Harry Imperial International Winston Forum TOKYO STATION Diamond 1 Theater Lucie MAP J. Ferry Jacadi Yogibo Quil Shirashi Conv Hills Intimissimi Caran’d Ginza Global Ache Fai Bon Ralph Lauren 1 B3 4 Ave Okura Pelle Puzzle Melsa Minx M0851 4º Bridal Morbida 5 Ginza G-Star Raw Albore Ishikawa Iqos Facade Toraya B2 Gloss Miu Miu Agete The Estanation Gold Double Eagle Ermernegildo Tokyo Tiffany Kotsu Inz 2 Loft Bridge BIC ABC Kashiyama Adolfo Il Bisonte Dunhill & Co Daichi Kaikan Mart Dominguez Camera Fugetsudo Semei Marronnier Repetto 2 Bldg Chopard Nanan Aoyama 2 New Tokyu Itoya Marrioner Banana Itoya 2 Yurakucho Hands Rep Burberry V88 Okura Bldg Gate 2 Miki Moncler Bldg House Cartier Tourist Moto Bvlgaria Imperial Info Palace Forum Max COS Marrioner Gate 2 Mara Chanel Exit Graff CHUO-dori ave Louis Ishii Spajiro Vuitton B1 Uniqlo Nitori Sports Muji Akio Mori Oioi Moon Star Tag Heuer Inz 1 MUJI Coco (Marui) Queen’s Hotel Moku Meganeya Meister Way Neko Neko Lazare Diamond Sanshin Toei Pelie Kaikan Cinema Ecco Morbida Van Cleef & Arpels A13 JS Luxe 9.999 Plaza 3 Police RT Tabasa Chaumet 3 Sotobori-dori Ave Gregory Dakota Akris Matsuya Ginza Atmos Ships Rangetsu Univ Trading LaYamano Loro Tiana Ginza Exit Diesel Lacoste Post Yurakucho Language Hublot Cole Beauty Azuma St. Bldg Ginza Shiseido Base A12 Taisho Itocia Glasse Astalift 45R Apm Haan Apple Seimei SB’s Genten Hibiya MCM Furla BK Church
    [Show full text]
  • Towards Content-Driven Reputation for Collaborative Code Repositories
    University of Pennsylvania ScholarlyCommons Departmental Papers (CIS) Department of Computer & Information Science 8-28-2012 Towards Content-Driven Reputation for Collaborative Code Repositories Andrew G. West University of Pennsylvania, [email protected] Insup Lee University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/cis_papers Part of the Databases and Information Systems Commons, Graphics and Human Computer Interfaces Commons, and the Software Engineering Commons Recommended Citation Andrew G. West and Insup Lee, "Towards Content-Driven Reputation for Collaborative Code Repositories", 8th International Symposium on Wikis and Open Collaboration (WikiSym '12) , 13.1-13.4. August 2012. http://dx.doi.org/10.1145/2462932.2462950 Eighth International Symposium on Wikis and Open Collaboration, Linz, Austria, August 2012. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cis_papers/750 For more information, please contact [email protected]. Towards Content-Driven Reputation for Collaborative Code Repositories Abstract As evidenced by SourceForge and GitHub, code repositories now integrate Web 2.0 functionality that enables global participation with minimal barriers-to-entry. To prevent detrimental contributions enabled by crowdsourcing, reputation is one proposed solution. Fortunately this is an issue that has been addressed in analogous version control systems such as the *wiki* for natural language content. The WikiTrust algorithm ("content-driven reputation"), while developed and evaluated in wiki environments operates under a possibly shared collaborative assumption: actions that "survive" subsequent edits are reflective of good authorship. In this paper we examine WikiTrust's ability to measure author quality in collaborative code development. We first define a mapping omfr repositories to wiki environments and use it to evaluate a production SVN repository with 92,000 updates.
    [Show full text]
  • Checkuser and Editing Patterns
    CheckUser and Editing Patterns Balancing privacy and accountability on Wikimedia projects Wikimania 2008, Alexandria, July 18, 2008 HaeB [[de:Benutzer:HaeB]], [[en:User:HaeB]] Please don't take photos during this talk. What are sockpuppets? ● Wikipedia and sister projects rely on being open: Anyone can edit, anyone can get an account. ● No ID control when registering (not even email address required) ● Many legitimate uses for multiple accounts ● “Sockpuppet” often implies deceptive intention, think ventriloquist What is the problem with sockpuppets? ● Ballot stuffing (some decision processes rely on voting, such as request for adminships and WMF board elections) ● “Dr Jekyll/Mr Hyde”: Carry out evil or controversial actions with a sockpuppet, such that the main account remains in good standing. E.g. trolling (actions intended to provoke adversive reactions and disrupt the community), or strawman accounts (putting the adversarial position in bad light) ● Artificial majorities in content disputes (useful if the wiki's culture values majority consensus over references and arguments), especially circumventing “three-revert-rule” ● Ban evasion What is the problem with sockpuppets? (cont'd) ● Newbies get bitten as a result of the possibility of ban evasion: ● Friedman and Resnick (The Social Cost of Cheap Pseudonyms, Journal of Economics and Management Strategy 2001): Proved in a game-theoretic model that the possibility of creating sockpuppets leads to distrust and discrimination against newcomers (if the community is otherwise successfully
    [Show full text]