New Forms of Collaborative Innovation and Production on the Internet: an Interdisciplinary Perspective
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The Culture of Wikipedia
Good Faith Collaboration: The Culture of Wikipedia Good Faith Collaboration The Culture of Wikipedia Joseph Michael Reagle Jr. Foreword by Lawrence Lessig The MIT Press, Cambridge, MA. Web edition, Copyright © 2011 by Joseph Michael Reagle Jr. CC-NC-SA 3.0 Purchase at Amazon.com | Barnes and Noble | IndieBound | MIT Press Wikipedia's style of collaborative production has been lauded, lambasted, and satirized. Despite unease over its implications for the character (and quality) of knowledge, Wikipedia has brought us closer than ever to a realization of the centuries-old Author Bio & Research Blog pursuit of a universal encyclopedia. Good Faith Collaboration: The Culture of Wikipedia is a rich ethnographic portrayal of Wikipedia's historical roots, collaborative culture, and much debated legacy. Foreword Preface to the Web Edition Praise for Good Faith Collaboration Preface Extended Table of Contents "Reagle offers a compelling case that Wikipedia's most fascinating and unprecedented aspect isn't the encyclopedia itself — rather, it's the collaborative culture that underpins it: brawling, self-reflexive, funny, serious, and full-tilt committed to the 1. Nazis and Norms project, even if it means setting aside personal differences. Reagle's position as a scholar and a member of the community 2. The Pursuit of the Universal makes him uniquely situated to describe this culture." —Cory Doctorow , Boing Boing Encyclopedia "Reagle provides ample data regarding the everyday practices and cultural norms of the community which collaborates to 3. Good Faith Collaboration produce Wikipedia. His rich research and nuanced appreciation of the complexities of cultural digital media research are 4. The Puzzle of Openness well presented. -
© All About Planners 1
PEN COMPARISON PILOT SAKURA STAEDTLER ZEBRA PAPERMATE Fineliner Pilot Frixion Fineliner Pen Sakura Pigma Micron Pen Triplus Fineliner 0.3mm Zebra Zensations Sarasa Flair UF (Ultra Fine) Pilot Drawing Pen 0.8mm Fineliner Pen 0.8mm Flair M (Medium) Zebra Mackee Care Refillable Double-Sided Marker Extra Fine/Fine Gel Pen Pop’Lol 0.7mm Gelly Roll Maxum Gel Ink Pens 0.4, Sarasa Clip 0.5mm Inkjoy Gel 0.7 Juice Up 0.4mm Ballsign 0.5mm 0.5mm G2 Gel Pen 0.7mm Ballpoint Pen Acroball 0.5mm, S20 ballpoint Grasso Ball Ballpoint 0.7mm Concrete Ballpoint Pen - Retractable - 0.7mm Inkjoy 100 Ball 1.0M 0.7mm medium point 1mm Mini Ballpoint pen - 0.7mm Kilometrico Emulsion Ink - 0.7mm InkJoy 300RT Ballpoint Dual Tip Pen Futayaku Double-sided Brush No Twin-tip handwriting pens 3mm Mildliner Double-Sided No Pen Fine/Medium & 0.8mm Highlighter Brush Needle Tip Hi-Tec C Maica 0.4mm Sakura Pigma Micron No Liquid Rollerball Needle Pen - No 0.5mm Marker Pen Pilot Lettering Pen Sakura Pigma Calligrapher Pen Triplus Broadliner 0.8mm Sarasa Fineliner No Erasable Frixion Erasable 0.3, 0.35, 0.4, No No No Replay Erasable Gel Pen (but I 0.5, 0.7 & 0.9mm don’t recommend) Refillable Frixion Erasable No No No No Colors available Does it have a white Pop’Lol 0.7mm Gelly Roll No Yes No pen? Bright Pop’Lol 0.7mm Gelly Roll Moonlight Bright Triplus 0.3mm Fineliners Yes Yes Fluorescent Pastel Pop’Lol 0.7mm Gelly Roll Souffle Triplus 0.3mm Fineliners Yes Yes Neon Pop’Lol 0.7mm Gelly Roll Triplus 0.3mm Fineliners Yes No Metallic G2 Gel Pen 0.7mm Gelly Roll Metallic, Stardust Metallic Markers Yes PM300 Gel Performance Prone to ghosting or No Light ghosting Light ghosting No No bleed through? (Based on majority of pens from this brand) How long does the ink Depends how often you use Have had for 3+ years and ink Have had for 3+ years and ink Have had for 3+ years and ink Have had gel & ballpoint pens last? them. -
New Summary Report - 26 June 2015
New Summary Report - 26 June 2015 1. How did you find out about this survey? Other 17% Email from Renaissance Art 83.1% Email from Renaissance Art 83.1% 539 Other 17.0% 110 Total 649 1 2. Where are you from? Australia/New Zealand 3.2% Asia 3.7% Europe 7.9% North America 85.2% North America 85.2% 553 Europe 7.9% 51 Asia 3.7% 24 Australia/New Zealand 3.2% 21 Total 649 2 3. What is your age range? old fart like me 15.4% 21-30 22% 51-60 23.3% 31-40 16.8% 41-50 22.5% Statistics 21-30 22.0% 143 Sum 20,069.0 31-40 16.8% 109 Average 36.6 41-50 22.5% 146 StdDev 11.5 51-60 23.3% 151 Max 51.0 old fart like me 15.4% 100 Total 649 3 4. How many fountain pens are in your collection? 1-5 23.3% over 20 35.8% 6-10 23.9% 11-20 17.1% Statistics 1-5 23.3% 151 Sum 2,302.0 6-10 23.9% 155 Average 5.5 11-20 17.1% 111 StdDev 3.9 over 20 35.8% 232 Max 11.0 Total 649 4 5. How many pens do you usually keep inked? over 10 10.3% 7-10 12.6% 1-3 40.7% 4-6 36.4% Statistics 1-3 40.7% 264 Sum 1,782.0 4-6 36.4% 236 Average 3.1 7-10 12.6% 82 StdDev 2.1 over 10 10.3% 67 Max 7.0 Total 649 5 6. -
Initiativen Roger Cloes Infobrief
Wissenschaftliche Dienste Deutscher Bundestag Infobrief Entwicklung und Bedeutung der im Internet ehrenamtlich eingestell- ten Wissensangebote insbesondere im Hinblick auf die Wiki- Initiativen Roger Cloes WD 10 - 3010 - 074/11 Wissenschaftliche Dienste Infobrief Seite 2 WD 10 - 3010 - 074/11 Entwicklung und Bedeutung der ehrenamtlich im Internet eingestellten Wissensangebote insbe- sondere im Hinblick auf die Wiki-Initiativen Verfasser: Dr. Roger Cloes / Tim Moritz Hector (Praktikant) Aktenzeichen: WD 10 - 3010 - 074/11 Abschluss der Arbeit: 1. Juli 2011 Fachbereich: WD 10: Kultur, Medien und Sport Ausarbeitungen und andere Informationsangebote der Wissenschaftlichen Dienste geben nicht die Auffassung des Deutschen Bundestages, eines seiner Organe oder der Bundestagsverwaltung wieder. Vielmehr liegen sie in der fachlichen Verantwortung der Verfasserinnen und Verfasser sowie der Fachbereichsleitung. Der Deutsche Bundestag behält sich die Rechte der Veröffentlichung und Verbreitung vor. Beides bedarf der Zustimmung der Leitung der Abteilung W, Platz der Republik 1, 11011 Berlin. Wissenschaftliche Dienste Infobrief Seite 3 WD 10 - 3010 - 074/11 Zusammenfassung Ehrenamtlich ins Internet eingestelltes Wissen spielt in Zeiten des sogenannten „Mitmachweb“ eine zunehmend herausgehobene Rolle. Vor allem Wikis und insbesondere Wikipedia sind ein nicht mehr wegzudenkendes Element des Internets. Keine anderen vergleichbaren Wissensange- bote im Internet, auch wenn sie zum freien Abruf eingestellt sind und mit Steuern, Gebühren, Werbeeinnahmen finanziert oder als Gratisproben im Rahmen von Geschäftsmodellen verschenkt werden, erreichen die Zugriffszahlen von Wikipedia. Das ist ein Phänomen, das in seiner Dimension vor dem Hintergrund der urheberrechtlichen Dis- kussion und der Begründung von staatlichem Schutz als Voraussetzung für die Schaffung von geistigen Gütern kaum Beachtung findet. Relativ niedrige Verbreitungskosten im Internet und geringe oder keine Erfordernisse an Kapitalinvestitionen begünstigen diese Entwicklung. -
Boy Meets Girl PARIS — Masculine-Feminine Tailoring Returned to the Runways for Fall
The Inside: Pg. 14 NIKE PROFIT DROPS/3 LAMONICA TO EXIT KORS/3 Women ofWWD Leisure WWDWomen’s Wear Daily • The Retailers’THURSDAY Daily Newspaper • March 20, 2003 Vol. 185, No. 57 $2.00 List Sportswear Boy Meets Girl PARIS — Masculine-feminine tailoring returned to the runways for fall. And some of the best of it came from Viktor Horsting and Rolf Snoeren, whose terrific Viktor & Rolf collection was full of skillful riffs on their favorite men’s styles, among them cool pantsuits, big-collared jackets and jeans. The presentation was also inventive, with the designers’ muse, Tilda Swinton, appearing on the catwalk and the other models done up to resemble her. Here, a Tilda lookalike wears a bold-collared blouse and pants. For more on the haberdashery trend, see pages 6 and 7. From Red Carpet Roll-up To Economic Anxieties, Industry Braces for War olding its breath. As the nation Hrolled toward war in Iraq, fashion and retail executives were waiting on Wednesday to see the impact of a conflict everyone hopes will be a short one. The situation already has shaken one of the fashion industry’s biggest events: the Oscars. As reported, the Academy of Motion Pictures Arts and Sciences has canceled the traditional red-carpet parade of stars — which some consider the world’s most-watched fashion show — in favor of a low-key event focused on the awards rather than the dresses and diamonds. Party organizers, including See Industry, Page16 PHOTO BY PHOTO GIOVANNI BY GIANNONI 2 WWDTHURSDAY Sportswear GENERAL FASHION: The notion of using men’s haberdasherylooks for women resurfaces 6 every few years, as it did for fall. -
BBB-Summer-2018-Large.Pdf
‘Modern’ calligraphy has been making the rounds lately and if you're here — that's probably what you want to learn! But before we get all into the details, here's one thing you need to remember: calligraphy is not cursive. Cursive is joined up writing; you ideally write without li�ting your pen so you can write faster. While calligraphy can look similar, the key is to go slow and to break down each and every letter into its supporting strokes. THE BASIC STROKES ASCENDER LINE WAIST LINE BASE LINE DESCENDER LINE Or as some people call them, the drills! As dull as it sounds, brush lettering is made up of 9 common strokes illustrated above. With these strokes alone, you can form 21 out of the 26 letters in the lowercase alphabet — and some of the capital letters too! HOW THIS WORKS In Brush Basics, we'll be building your foundation right by covering all 9 strokes over the course of 2 weeks! Here's the schedule: On Day 1, you'll learn how to use your brush pen to form thin upstrokes and thick downstrokes. This is an easy lesson, so you have just one day to tackle it! Lesson 2 (delivered on Day 2) will cover underturn and overturn strokes. Lessons 3 and 4 (delivered on Days 4 and 6, respectively) will see you taking on the two di�ferent compound curves. You'll learn all about ovals in Lesson 5 (delivered on Day 8) — and because this is a hard one, you'll have not two but three days to practice it. -
Reliability of Wikipedia 1 Reliability of Wikipedia
Reliability of Wikipedia 1 Reliability of Wikipedia The reliability of Wikipedia (primarily of the English language version), compared to other encyclopedias and more specialized sources, is assessed in many ways, including statistically, through comparative review, analysis of the historical patterns, and strengths and weaknesses inherent in the editing process unique to Wikipedia. [1] Because Wikipedia is open to anonymous and collaborative editing, assessments of its Vandalism of a Wikipedia article reliability usually include examinations of how quickly false or misleading information is removed. An early study conducted by IBM researchers in 2003—two years following Wikipedia's establishment—found that "vandalism is usually repaired extremely quickly — so quickly that most users will never see its effects"[2] and concluded that Wikipedia had "surprisingly effective self-healing capabilities".[3] A 2007 peer-reviewed study stated that "42% of damage is repaired almost immediately... Nonetheless, there are still hundreds of millions of damaged views."[4] Several studies have been done to assess the reliability of Wikipedia. A notable early study in the journal Nature suggested that in 2005, Wikipedia scientific articles came close to the level of accuracy in Encyclopædia Britannica and had a similar rate of "serious errors".[5] This study was disputed by Encyclopædia Britannica.[6] By 2010 reviewers in medical and scientific fields such as toxicology, cancer research and drug information reviewing Wikipedia against professional and peer-reviewed sources found that Wikipedia's depth and coverage were of a very high standard, often comparable in coverage to physician databases and considerably better than well known reputable national media outlets. -
LIGHTNING TALKS “How We Can Support Indigenous Communities That Want a Wikipedia in Their Native Languages”
LIGHTNING TALKS “How we can support indigenous communities that want a Wikipedia in their native languages” Name: Eddie Avila, Global Voices Username: Barrioflores Challenge: Building and sustaining Wikipedias in indigenous languages is challenging, but there are steps that the Wikimedia movement can take to help native speakers share knowledge in their native languages. “Women and Wikmedia Projects in Spain. Gender gap through the the free knowledge movement.” Name: Virginia Diez Username: Gini10 Challenge: Though we are engaging an increasing number of women to contribute in the Wikimedia Projects, it's difficult to get them to feel empowered in order to take responsibility or actively participate in decision-making processes. “Recruiting women as editors which will lead to writing articles about women.” Name: Hana Yariv Username: Hanay Challenge: Using the personal approach in addressing the female gap. Alison Jackson’s work Alison Jackson’s work Pictures from the spokesperson unit of the President “A concern that some women had when I interviewed them regarding the Wikipedia gender gap.” Name: Sabine Ronsen Username: sabinitus Challenge: How can we prevent wikipedia from falling victim to the same conservatism and exclusive thinking that has characterized traditional encyclopedias? “Recruiting underrepresented groups and experiences gained at Wikipedia Camps.” Name: Sofie Jansson Username: Sofie Sigrinn Challenge: In our quest for getting more people identifying as women into Wikipedia/Wikimedia can separatism be the solution, a tool or a dead end? “WikiWomen Prize as a model of gender gap” Name: Walaa AbdelManaem ﻻ روﺳﺎ :Username Challenge: This prize promotes the quality, quantity and credibility of contents on the web in regards to female related content within the scope of Wikimedia Foundation projects. -
Printmgr File
LISTING CIRCULAR NOT FOR GENERAL CIRCULATION IN THE UNITED STATES New Look Secured Issuer plc New Look Senior Issuer plc £1,201,200,000 (equivalent) £700,000,000 6.5% Senior Secured Notes due 2022 €415,000,000 Floating Rate Senior Secured Notes due 2022 £200,000,000 8.0% Senior Notes due 2023 New Look Secured Issuer plc (the “Senior Secured Notes Issuer”) issued £700,000,000 aggregate principal amount of its 6.5% Sterling Fixed Rate Senior Secured Notes due 2022 (the “Sterling Fixed Rate Senior Secured Notes” or the “Fixed Rate Senior Secured Notes”) and €415,000,000 aggregate principal amount of its Floating Rate Senior Secured Notes due 2022 (the “Floating Rate Senior Secured Notes” and, together with the Fixed Rate Senior Secured Notes, the “Senior Secured Notes”). New Look Senior Issuer plc (the “Senior Notes Issuer” and, together with the Senior Secured Notes Issuer, the “Issuers”) issued £200,000,000 aggregate principal amount of its 8.0% Senior Notes due 2023 (the “Senior Notes” and, together with the Senior Secured Notes, the “Notes”). The Senior Secured Notes Issuer will pay interest on the Fixed Rate Senior Secured Notes semi-annually in arrears on each May 15 and November 15, commencing on November 15, 2015. Prior to June 24, 2018, the Senior Secured Notes Issuer may redeem at its option all or a portion of each series of the Fixed Rate Senior Secured Notes by paying a “make-whole” premium. At any time on or after June 24, 2018, the Senior Secured Notes Issuer may redeem at its option all or part of the Fixed Rate Senior Secured Notes by paying a specified redemption price. -
Tokyo Pocket Guide Ginza Map Shopping Tokyo Pocket Guide Ginza Map Shopping
TOKYO POCKET GUIDE GINZA MAP SHOPPING Dr Regal UGG Martens MARUNOUCHI Setouchi Mizuho MAP A B C J. Ferry D Vera Eikokuya E Hiroshima Bank F G Kokusai Wang Harry Imperial International Winston Forum TOKYO STATION Diamond 1 Theater Lucie MAP J. Ferry Jacadi Yogibo Quil Shirashi Conv Hills Intimissimi Caran’d Ginza Global Ache Fai Bon Ralph Lauren 1 B3 4 Ave Okura Pelle Puzzle Melsa Minx M0851 4º Bridal Morbida 5 Ginza G-Star Raw Albore Ishikawa Iqos Facade Toraya B2 Gloss Miu Miu Agete The Estanation Gold Double Eagle Ermernegildo Tokyo Tiffany Kotsu Inz 2 Loft Bridge BIC ABC Kashiyama Adolfo Il Bisonte Dunhill & Co Daichi Kaikan Mart Dominguez Camera Fugetsudo Semei Marronnier Repetto 2 Bldg Chopard Nanan Aoyama 2 New Tokyu Itoya Marrioner Banana Itoya 2 Yurakucho Hands Rep Burberry V88 Okura Bldg Gate 2 Miki Moncler Bldg House Cartier Tourist Moto Bvlgaria Imperial Info Palace Forum Max COS Marrioner Gate 2 Mara Chanel Exit Graff CHUO-dori ave Louis Ishii Spajiro Vuitton B1 Uniqlo Nitori Sports Muji Akio Mori Oioi Moon Star Tag Heuer Inz 1 MUJI Coco (Marui) Queen’s Hotel Moku Meganeya Meister Way Neko Neko Lazare Diamond Sanshin Toei Pelie Kaikan Cinema Ecco Morbida Van Cleef & Arpels A13 JS Luxe 9.999 Plaza 3 Police RT Tabasa Chaumet 3 Sotobori-dori Ave Gregory Dakota Akris Matsuya Ginza Atmos Ships Rangetsu Univ Trading LaYamano Loro Tiana Ginza Exit Diesel Lacoste Post Yurakucho Language Hublot Cole Beauty Azuma St. Bldg Ginza Shiseido Base A12 Taisho Itocia Glasse Astalift 45R Apm Haan Apple Seimei SB’s Genten Hibiya MCM Furla BK Church -
Towards Content-Driven Reputation for Collaborative Code Repositories
University of Pennsylvania ScholarlyCommons Departmental Papers (CIS) Department of Computer & Information Science 8-28-2012 Towards Content-Driven Reputation for Collaborative Code Repositories Andrew G. West University of Pennsylvania, [email protected] Insup Lee University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/cis_papers Part of the Databases and Information Systems Commons, Graphics and Human Computer Interfaces Commons, and the Software Engineering Commons Recommended Citation Andrew G. West and Insup Lee, "Towards Content-Driven Reputation for Collaborative Code Repositories", 8th International Symposium on Wikis and Open Collaboration (WikiSym '12) , 13.1-13.4. August 2012. http://dx.doi.org/10.1145/2462932.2462950 Eighth International Symposium on Wikis and Open Collaboration, Linz, Austria, August 2012. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cis_papers/750 For more information, please contact [email protected]. Towards Content-Driven Reputation for Collaborative Code Repositories Abstract As evidenced by SourceForge and GitHub, code repositories now integrate Web 2.0 functionality that enables global participation with minimal barriers-to-entry. To prevent detrimental contributions enabled by crowdsourcing, reputation is one proposed solution. Fortunately this is an issue that has been addressed in analogous version control systems such as the *wiki* for natural language content. The WikiTrust algorithm ("content-driven reputation"), while developed and evaluated in wiki environments operates under a possibly shared collaborative assumption: actions that "survive" subsequent edits are reflective of good authorship. In this paper we examine WikiTrust's ability to measure author quality in collaborative code development. We first define a mapping omfr repositories to wiki environments and use it to evaluate a production SVN repository with 92,000 updates. -
Checkuser and Editing Patterns
CheckUser and Editing Patterns Balancing privacy and accountability on Wikimedia projects Wikimania 2008, Alexandria, July 18, 2008 HaeB [[de:Benutzer:HaeB]], [[en:User:HaeB]] Please don't take photos during this talk. What are sockpuppets? ● Wikipedia and sister projects rely on being open: Anyone can edit, anyone can get an account. ● No ID control when registering (not even email address required) ● Many legitimate uses for multiple accounts ● “Sockpuppet” often implies deceptive intention, think ventriloquist What is the problem with sockpuppets? ● Ballot stuffing (some decision processes rely on voting, such as request for adminships and WMF board elections) ● “Dr Jekyll/Mr Hyde”: Carry out evil or controversial actions with a sockpuppet, such that the main account remains in good standing. E.g. trolling (actions intended to provoke adversive reactions and disrupt the community), or strawman accounts (putting the adversarial position in bad light) ● Artificial majorities in content disputes (useful if the wiki's culture values majority consensus over references and arguments), especially circumventing “three-revert-rule” ● Ban evasion What is the problem with sockpuppets? (cont'd) ● Newbies get bitten as a result of the possibility of ban evasion: ● Friedman and Resnick (The Social Cost of Cheap Pseudonyms, Journal of Economics and Management Strategy 2001): Proved in a game-theoretic model that the possibility of creating sockpuppets leads to distrust and discrimination against newcomers (if the community is otherwise successfully