Open Educational Resources (OER) to Create Curriculum Resources
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Open Licensing Toolkit for Staff
Open Licensing Toolkit for Staff The Hewlett Foundation Open Licensing Toolkit for Staff is licensed May 2015 under a Creative Commons Attribution 4.0 International License. Legal Disclaimer: This material is for general informational purposes only and does not represent legal advice as to any particular set of facts; nor does it represent any undertaking to keep recipients advised of any relevant legal developments. Please consult appropriate professional advisors as you deem necessary. The Hewlett Foundation shall not be held responsible for any claims or losses that may arise from any errors or omissions in this document. Hewlett Foundation Open Licensing Toolkit for Staff Table of Contents 1. Hewlett Foundation Commitment to Open Licensing 2. Hewlett Foundation Procedures a. Frequently Asked Questions b. Decision Tree c. Creative Commons License Types d. Guidelines for Marking Openly Licensed Documents 3. Sample Language a. Grantee Communications b. Grant Proposal Template c. Grant Reporting Requirements d. Grant Agreement Letter e. Direct Charitable Activities (DCA) Contract May 2015 Hewlett Foundation Open Licensing Toolkit for Staff Hewlett Foundation Commitment to Open Licensing As part of our commitment to openness and transparency, the Hewlett Foundation has long supported open licensing—an alternative for traditional copyright that allows and encourages sharing of intellectual property. Open licenses, such as those developed by our longtime grantee Creative Commons, protect authors’ rights while giving explicit permission to others to freely use, distribute, and build upon their work. The benefits of open licensing are clear: open licensing increases the chances that good ideas will get a hearing, that others will be able to do something with them, and ultimately that they will have their greatest impact. -
Creative Commons Open Licenses - What Is It All About?
CREATIVE COMMONS OPEN LICENSES - WHAT IS IT ALL ABOUT? Introductory presentation by Paul G. West Creative Commons South African Chapter Lead STATING THE UNNECESSARY This workshop is dedicated to providing a harassment-free experience for everyone regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of participants or facilitators in any form. Sexual language and imagery is not appropriate, including in any online platform that may be used. AND IT IS IMPORTANT TO ADD THAT . • Nothing in this workshop should be construed as legal advice! • We will be talking about an interesting range of topics that touch on copyright, fair use and open licensing. • We will together learn more about copyright, open licensing and open practices in various communities. • Upon completion, you should feel a little more comfortable sharing facts about copyright and open licensing and good open practices. • I am NOT a lawyer – I am a supporter of Open Educational Resources (OER) and Creative Commons (CC) open licenses. THE STORY DOES NOT START IN 2002 UNESCO Forum on the Impact of Open Courseware for Higher Education in Developing Countries https://unesdoc.unesco.org/ark:/48223/pf0000181682 ORIGINS OF OER CREATION OF A MOVEMENT Larry Lessig and others founded the Creative Commons 2001 Charles M. Vest speaks of a meta-university 2007 a transcendent, accessible, empowering, dynamic, communally constructed framework of open materials and platforms -
Introductory Lecture & FLOSS
Introductory Lecture & FLOSS Lecture 1 TU Wien, 193.067 Free and Open Technologies (WS 2019/2020) Christoph Derndorfer and Lukas F. Lang This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Introduction Organization ● Lectures: ○ Weekly lecture to cover course materials (until Christmas) ○ Lectures take place on Tuesdays, 17:00–19:00, Argentinierstraße 8, Seminarraum/Bibliothek 194-05 ○ Attendance is mandatory ● Group project: ○ In groups of 4 students ○ 3 meetings with lecturers during the semester (week 44/2019, week 48/2019, week 2/2020) ○ Final presentations at the end of January (week 4/2020) ● Final paper: ○ In groups of 2 students ○ Final presentations at the end of January (week 5/2020) ○ Deadline: Sunday, February 9, 2020, 23:59 CET (no exceptions!) Organization ● Grading: ○ 50% group project ○ 35% seminar paper ○ 15% participation during lectures ○ All course components need to be passed in order to pass the overall course! ● Course materials: ○ Will be provided at https://free-and-open-technologies.github.io ● For further questions: ○ Email [email protected] and [email protected] Lecture outline 1. FLOSS (Free/Libre and Open Source Software) 2. Open Hardware 3. Open Data 4. Open Content/Open Educational Resources 5. Open Science/Research 6. Open Access 7. Open Spaces/Open Practices: Metalab Vienna 8. Guest Lecture: Stefanie Wuschitz (Mz* Baltazar’s Lab) Group project ● Goal: ○ Extend, contribute to, or create a new open project within scope of lecture topics ● Choose topic from a list (see course website) or (even better) suggest your own: ○ Groups of 4 students ○ Send a 1-page proposal until Friday, October 25, via email to both lecturers ■ Define the idea, goal, (potential) impact, requirements, and estimated effort ■ State deliverables (should be broken down into three milestones to discuss in meetings) ● Requirements: ○ Open and accessible (Git repository, openly licensed) → others can access/use/study/extend ○ Use time sheet to track and compare estimated vs. -
RESEARCH NOTE Remix Culture: an Empirical Analysis of Creative Reuse
RESEARCH NOTE Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities Giorgos Cheliotis (PI) School of Information Systems Singapore Management University 80 Stamford Road Singapore 178902 [email protected] Contributors Clint Mark Lumantao Gono, Ankit Guglani, Mike Linksvayer, Victor Stone, Warren Chik, and Giri Kumar Tayi January 10, 2007 This is a short description of work in progress, to communicate preliminary findings and to propose more research in this direction. Results will likely change as we continue to refine and extend the analysis. Abstract We explore the nature and impact of creative reuse in the production of digital media by ana- lyzing the output of an innovative online music sharing community, ccMixter. The dataset is of great significance because this is one of only a handful of online communities which do not only allow for the sharing of user-generated content, but also track the evolution of content af- ter it has been published online and encourage reuse of the content for the production of new works. All content on ccMixter is legally uploaded, copyrighted, and licensed under Creative Commons. Much has been written about the birth of a new “remix culture” on the Internet and how collaborative Web 2.0 technology has led to an explosion of user-generated content. But very little is known about the process of developing digital media in an open and collaborative fashion, the incentives of participating authors, and the outcomes of their actions. Based on our earlier studies of Creative Commons licensing [1] and the analysis of this unique online community we hope to shed more light on the structure and dynamics of such activities by pro- viding some of the first visualizations ever of large-scale remixing activity and presenting our preliminary findings. -
Translate's Localization Guide
Translate’s Localization Guide Release 0.9.0 Translate Jun 26, 2020 Contents 1 Localisation Guide 1 2 Glossary 191 3 Language Information 195 i ii CHAPTER 1 Localisation Guide The general aim of this document is not to replace other well written works but to draw them together. So for instance the section on projects contains information that should help you get started and point you to the documents that are often hard to find. The section of translation should provide a general enough overview of common mistakes and pitfalls. We have found the localisation community very fragmented and hope that through this document we can bring people together and unify information that is out there but in many many different places. The one section that we feel is unique is the guide to developers – they make assumptions about localisation without fully understanding the implications, we complain but honestly there is not one place that can help give a developer and overview of what is needed from them, we hope that the developer section goes a long way to solving that issue. 1.1 Purpose The purpose of this document is to provide one reference for localisers. You will find lots of information on localising and packaging on the web but not a single resource that can guide you. Most of the information is also domain specific ie it addresses KDE, Mozilla, etc. We hope that this is more general. This document also goes beyond the technical aspects of localisation which seems to be the domain of other lo- calisation documents. -
Distance Education Certification Standards
Distance Education Certification Standards Association of Real Estate License Law Officials 11650 Olio Road, Suite 1000 #360, Fishers, IN 46037 Copyright 2020 Table of Contents PREFACE ................................................................................................................................... 1 Background to the Standards .................................................................................................... 1 The Standards Task Force Founding Members.................................................................................................................. 2 2013 -‐ 2014 Revision Taskforce Members .......................................................................................................................... 2 IDECC and New Industries ........................................................................................................................................................... 3 WHY STANDARDS? ................................................................................................................. 4 What is Distance Learning Education? ............................................................................................................................. 4 Standards, Amid Change .......................................................................................................................................................... 5 Curricula, Courses, and Distance Delivery ...................................................................................................................... -
The Copyleft Movement: Creative Commons Licensing
Centre for the Study of Communication and Culture Volume 26 (2007) No. 3 IN THIS ISSUE The Copyleft Movement: Creative Commons Licensing Sharee L. Broussard, MS APR Spring Hill College AQUARTERLY REVIEW OF COMMUNICATION RESEARCH ISSN: 0144-4646 Communication Research Trends Table of Contents Volume 26 (2007) Number 3 http://cscc.scu.edu The Copyleft Movement:Creative Commons Licensing Published four times a year by the Centre for the Study of Communication and Culture (CSCC), sponsored by the 1. Introduction . 3 California Province of the Society of Jesus. 2. Copyright . 3 Copyright 2007. ISSN 0144-4646 3. Protection Activity . 6 4. DRM . 7 Editor: William E. Biernatzki, S.J. 5. Copyleft . 7 Managing Editor: Paul A. Soukup, S.J. 6. Creative Commons . 8 Editorial assistant: Yocupitzia Oseguera 7. Internet Practices Encouraging Creative Commons . 11 Subscription: 8. Pros and Cons . 12 Annual subscription (Vol. 26) US$50 9. Discussion and Conclusion . 13 Payment by check, MasterCard, Visa or US$ preferred. Editor’s Afterword . 14 For payments by MasterCard or Visa, send full account number, expiration date, name on account, and signature. References . 15 Checks and/or International Money Orders (drawn on Book Reviews . 17 USA banks; for non-USA banks, add $10 for handling) should be made payable to Communication Research Journal Report . 37 Trends and sent to the managing editor Paul A. Soukup, S.J. Communication Department In Memoriam Santa Clara University Michael Traber . 41 500 El Camino Real James Halloran . 43 Santa Clara, CA 95053 USA Transfer by wire: Contact the managing editor. Add $10 for handling. Address all correspondence to the managing editor at the address shown above. -
The University and the Future
Contents PRESENTATION 1 THE UNIVERSITY THE YEAR AT A AND THE FUTURE GLANCE 2 ACADEMIC YEAR 2010-2011 SUMMARY OF THE UOC ANNUAL REPORT THE UOC IN FIGURES 8 THE UOC IN THE WORLD 16 RESEARCH, TRANSFER AND INNOVATION 18 EDUCATION AND QUALITY 20 FINANCIAL REPORT 22 THE UOC ONLINE 24 portada okENG.indd 1 09/02/12 11:04 “OVER THE LAST ACADEMIC YEAR WE HAVE MADE EVERY EFFORT TO ENSURE THAT THE UOC IS EVEN MORE OPEN AND ACCESSIBLE, FLEXIBLE AND ADAPTABLE TO SOCIETY’S NEEDS, AND MOBILE, MULTILINGUAL AND MULTI-FORMAT IN ORDER TO BE ABLE TO RESPOND TO THE LIFESTYLES OF OUR STUDENTS.” Imma Tubella, President of the UOC rectora.uoc.edu THE UNIVERSITY AND THE FUTURE Recently, I have had the opportunity to For this reason, over the last academic present the UOC’s educational and gov- year we have made every effort to ensure ernance model at international university that the UOC is even more open and ac- forums in such diverse corners of the world cessible, fl exible and adaptable to society’s as Washington, Paris, Singapore, Qatar and needs, and mobile, multilingual and multi- Kenya to widely differing audiences from the format in order to be able to respond to the academic, scientifi c, business and govern- lifestyles of our students. ment sectors. On each occasion, I felt great pride on hearing how speakers – both those This commitment means we have to who already knew about us and those who reinvent ourselves constantly and steer our only just had – saw the UOC as a point of organisation so as to bravely navigate the reference for their online universities. -
Fair Dealing? and Films Too?
COPYRIGHT: INTERACTIVE Q&A • This resource is intended to be used interactively, either as a Slide Show in PowerPoint or as a PDF file. If you are viewing this slide in Microsoft PowerPoint, please select ‘Play from Beginning’ now (via the Slide Show menu or shortcut in the bottom right corner). • If you are viewing this slide in your PDF reader, please navigate this resource using the hyperlinks and action buttons embedded in the slides, rather than scrolling through the document to read all information linearly. • The next slide contains a table of questions relating to the use of third party material for teaching purposes. Clicking on a question will link you straight to the answer to that question. When you see the teal coloured ‘Next’ button in the bottom right corner, click this to read additional information on the next slide. Click the red coloured ‘Back’ button to return to the table of questions. © University of Reading 2020 Disclaimer What’s Restricted Due Appropriate Residual Applied what reuse Diligence attribution risks advice Click any cell to start What does ! How long does How can I tell As long as I don’t Copyright copyright protect Depictions of What does ‘CC0’ copyright whether a work is plagiarise, surely protection and what does public domain mean? protection last? protected? I can’t infringe? this restrict? data and art Do I need to Aren’t there Can I rely on ! Where can I find Do I always need Copyright obtain permission already licences Creative Contract terms licensed works to credit the permission and what form -
Extending the Personal Music Collection by Free Music Bachelor’S Thesis
Distributed Computing Extending the Personal Music Collection by Free Music Bachelor's Thesis Dominic Langenegger [email protected] Distributed Computing Group Computer Engineering and Networks Laboratory ETH Z¨urich Supervisors: Samuel Welten Prof. Dr. Roger Wattenhofer June 10, 2012 Acknowledgements My thanks go to my supervisor Samuel Welten who made it possible for me to work on the Android music player jukefox1 and extend it with some work of my own. Many other people helped me during the development and writing process of this thesis with their expert knowledge, support and feedback. I would like to thank all of them. During the development of this extension, I used some libraries of others to simplify my work. I'd specially like to thank the developers of the following openly licensed libraries: (i) Google Gson, a simple and fast JSON serializer and deserializer. 2 (ii) SAX, the Simple API for XML, and its Java version provide an interface for very fast and efficient event based XML parsing. 3 (iii) MySQL Connector/J, an uncomplicated MySQL driver that handles JDBC (Java Database Connectivity) calls to access a MySQL database. 4 1http://www.jukefox.org/ 2http://code.google.com/p/google-gson/ 3http://www.saxproject.org/ 4http://dev.mysql.com/usingmysql/java/ i Abstract Today, people listen to music on their mobile phone or other playback devices. Jukefox is a special music player running on Google's smart phone operating system Android. It's capable of recognizing similarities between multiple songs, albums and artists using data based on a huge music similarity map [1] which classifies songs into a high-dimensional space. -
UM Distance Education Handbook For
Faculty Distance Education Handbook 2020-2022 1 https://www.montevallo.edu/academics/distance-education-um/ Table of Contents UM Distance Education .......................................................................................................................................................... 4 Definitions................................................................................................................................................................ 4 Technical Recommendations ............................................................................................................................................... 5 University Commitment ........................................................................................................................................................ 6 Provision of Faculty Training and Support ................................................................................................ 6 Faculty Commitment ............................................................................................................................................................... 7 Distance Education Policies .............................................................................................................................. 8 Communication of Distance Education Requirements.......................................................................... 9 Best Instructional Practices for Distance Education Courses ......................................................... 10 Student -
OER for Distance Learning: Means to Knowledge Empowerment for Developing Nations
OER for Distance Learning: Means to Knowledge Empowerment For Developing Nations Dr. Sitansu Sekhar Jena, Dean, School of Distance Learning, SVKM’s NMIMS University, Mumbai, India E-mail: [email protected] 1. INTRODUCTION The role of distance education is changing drastically both at micro and macro context. Education has no longer remained either the prerogative of institutions or even knowledge has no longer remained under the sole control of teachers only. Thanks to Information and Communication Technology (ICT) which has not only brought the revolutions in the education system but also changed the strategies for learning amongst the young masses. As one progress in the present century, almost every day new and advanced technologies are added, and thereby the strategies for learning are also getting updated in the educational institutions. The role of teachers in the context of planning learning strategies in the classrooms is getting replaced with the updated inputs as supported by the ICT. Hence, each and every player in the education need to get them selves updated to this changing scenario. This calls for not only self-renewal for teachers on a continuous basis but also the planners, the policy makers and even parents need to adopt themselves to this changing environment. It is in this context, the Open Educational Resources (OER) plays a significant role not only to updates ones own knowledge but also empowers to create a knowledge society amongst the developing world. 2. WHAT ARE OER? The Open Educational Resource (OER) materials are the digitized version of the learning materials that are available freely and openly for learners, teachers and scholars to use and re- use for teaching learning and research activities.