Extending the Personal Music Collection by Free Music Bachelor’S Thesis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Adding Support for Jamendo and Magnatune to Rhythmbox on Linux
Walking in Light with Christ - Faith, Computing, Diary Articles & tips and tricks on GNU/Linux, FreeBSD, Windows, mobile phone articles, religious related texts http://www.pc-freak.net/blog Adding support for Jamendo and Magnatune to Rhythmbox on Linux Author : admin I'm using rhythmbox to play music on my Debian Linux. Rhythmbox is a good substitute for both audacious and xmms. XMMS is already very obsolete and it often crashes because of some of it's plugins. On the other hand audacious is sometimes having problems on my notebook working with it's alsa plugin or pulseaudio especially if I play something in youtube. With audacious my songs sometimes got stucked for some weird reason. With rhythmbox I have never experienced this kind of issues. Considering the fact that I'm a GNOME user rhythmbox is even more attractive for me. During about 2 years ago I've heard about the Jamendo - community of free, legal and unlimited music published under the Creative Commons licenses. Just about 10 months ago I've also discovered magnatune which is also a radio which allows free listening online of it's whole online catalogue. That's why it was really interesting for me to have this two nice music streaming services directly into my rhythmbox. I was very happy to discover that already a plugin that embeds the Jamendo and Magnatune Support to the Rhytmbox program. To enable Rhythmbox to support Magnatune and Jamendo type in your root terminal: debian:~# apt-get install gmpc-plugins gmpc-plugins-dbg debian:~# apt-get rhythmbox-plugins It's very likely that the rhythmbox-plugins might be already installed on your Linux, anyways I put the command above just in case if for some reason it's not installed. -
Free C Ulture Forum
Free C ulture Free C ulture Forum March 23, 2006 11:30 am - 2:30 pm 450 Dodge Hall, Northeastern University PROGRAM Welcome Dani Capalbo NU Student, Class of 2010 Edward A. Warro Dean of Libraries Introduction of Panelists Marcus Breen Communication Studies Panelists Lawrence Lessig Derek Slater Nelson Pavlosky Will Wakeling Bios Additional Resources Lawrence Lawrence Lessig is a Professor of Law at Stanford Law School and founder of the school's The World Wide Web holds many examples of projects whose intent is to facilitate Center for Internet and Society. Prior to joining the Stanford faculty, he was the Berkman the sharing of ideas, scholarly research and creative works. Professor of Law at Harvard Law School and a Professor at the University of Chicago. He clerked for Judge Richard Posner on the 7th Circuit Court of Appeals and Justice Antonin Scalia on the United States Supreme Court. Professor Lessig represented web site operator Creative Commons (http://creativecommons.org/) is a nonprofit organization that Eric Eldred in the ground-breaking case Eldred v. Ashcroft, a challenge to the 1998 Sonny offers flexible copyright licenses for original works; creators may choose from a range Bono Copyright Term Extension Act. He has won numerous awards, including the Free of protections and freedoms. Software Foundation's Freedom Award, and was named one of Scientific American's Top 50 Visionaries, for arguing "against interpretations of copyright that could stifle innovation and Creative Commons Education (http://creativecommons.org/education/) helps with online discourse online." Professor Lessig is the author of Free Culture (2004), The Future of Ideas publishing of educational materials. -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
Copyright Infringement Policy
COPYRIGHT INFRINGEMENT POLICY I. Introduction The copyright policy of American Career College and West Coast University affirms our commitment to comply with the United States law pertaining to copyright; to respect faithfully the property rights of authors and their assignees; to educate members of the campus communities about copyright law; and to exercise vigorously the rights and responsibilities granted under this law. We are committed to fostering an environment of respect for and responsible use of the intellectual property of others. ACC/WCU are committed to helping members of the community comply with copyright laws by providing resources to help individuals make informed, careful, and situation- sensitive decisions about the lawful and fair use of work created by others. When considering the copying of any original work, determine whether: 1. the work is protected by copyright, 2. the work is available under a license agreement, or 3. whether the intended use qualifies as a fair use, as defined in 17 USC §107. If the intended use is not a fair use, then seek permission from the copyright owner. II. Application This policy applies to all associates, faculty, and students of ACC/WCU. A. Compliance with Copyright Laws ACC/WCU expects all associates, faculty, and students to make a reasonable effort in good faith to comply with copyright laws in their use of copyrighted materials. B. Fair Use of Copyrighted Works ACC/WCU encourage associates, faculty, and students to assess whether the “fair use” exception to the exclusive rights of copyright owners may apply. Before relying on the fair use exception, associates, faculty, and students should educate themselves regarding the limits of fair use and should, in each instance, perform a careful, good faith fair use analysis based on the four factors identified in Section 107 of the federal Copyright Act. -
Internet Peer-To-Peer File Sharing Policy Effective Date 8T20t2010
Title: Internet Peer-to-Peer File Sharing Policy Policy Number 2010-002 TopicalArea: Security Document Type Program Policy Pages: 3 Effective Date 8t20t2010 POC for Changes Director, Office of Computing and Information Services (OCIS) Synopsis Establishes a Dalton State College-wide policy regarding copyright infringement. Overview The popularity of Internet peer-to-peer file sharing is often the source of network resource allocation problems and copyright infringement. Purpose This policy will define Internet peer-to-peer file sharing and state the policy of Dalton State College (DSC) on this issue. Scope The scope of this policy includes all DSC computing resources. Policy Internet peer-to-peer file sharing applications are frequently used to distribute copyrighted materials such as music, motion pictures, and computer software. Such exchanges are illegal and are not permifted on Dalton State Gollege computers or network. See the standards outlined in the Appropriate Use Policy. DSG Procedures and Sanctions Failure to comply with the appropriate use of these resources threatens the atmosphere for the sharing of information, the free exchange of ideas, and the secure environment for creating and maintaining information property, and subjects one to discipline. Any user of any DSC system found using lT resources for unethical and/or inappropriate practices has violated this policy and is subject to disciplinary proceedings including suspension of DSC privileges, expulsion from school, termination of employment and/or legal action as may be appropriate. Although all users of DSC's lT resources have an expectation of privacy, their right to privacy may be superseded by DSC's requirement to protect the integrity of its lT resources, the rights of all users and the property of DSC and the State. -
RESEARCH NOTE Remix Culture: an Empirical Analysis of Creative Reuse
RESEARCH NOTE Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities Giorgos Cheliotis (PI) School of Information Systems Singapore Management University 80 Stamford Road Singapore 178902 [email protected] Contributors Clint Mark Lumantao Gono, Ankit Guglani, Mike Linksvayer, Victor Stone, Warren Chik, and Giri Kumar Tayi January 10, 2007 This is a short description of work in progress, to communicate preliminary findings and to propose more research in this direction. Results will likely change as we continue to refine and extend the analysis. Abstract We explore the nature and impact of creative reuse in the production of digital media by ana- lyzing the output of an innovative online music sharing community, ccMixter. The dataset is of great significance because this is one of only a handful of online communities which do not only allow for the sharing of user-generated content, but also track the evolution of content af- ter it has been published online and encourage reuse of the content for the production of new works. All content on ccMixter is legally uploaded, copyrighted, and licensed under Creative Commons. Much has been written about the birth of a new “remix culture” on the Internet and how collaborative Web 2.0 technology has led to an explosion of user-generated content. But very little is known about the process of developing digital media in an open and collaborative fashion, the incentives of participating authors, and the outcomes of their actions. Based on our earlier studies of Creative Commons licensing [1] and the analysis of this unique online community we hope to shed more light on the structure and dynamics of such activities by pro- viding some of the first visualizations ever of large-scale remixing activity and presenting our preliminary findings. -
Android App for Free Music Downloads Top 10 Free Music Download Apps for Android to Download Free Music
android app for free music downloads Top 10 Free Music Download Apps for Android to Download Free Music. Along with the rapid development of internet and Smartphone, you can handily enjoy your favorite music on mobile devices at any time, rather than listen to music with your old CD or MP3 player. Just a music app on your phone, can totally replace all your music devices. However, nowadays, you may easily find out that lots of free music download apps for Android no longer enable you to download songs free. No matter how deep you love music, you won't pay money for every song you like and downloaded. Because you like all kinds of music types, you fancy too many singers. So many times, free music download apps for Android can be the biggest saviors for you. In this article, we will show you 10 great Android apps for you to free stream and download mp3 songs. Let's look at the top free music apps for Android to download free music. 1. Gaana Music - One-stop solution music download app for Android. Gaana is an excellent free music downloading app on Android for you to download music for free. It provides you with free and unlimited access to all your favorite songs, no matter where you are. Based on the India's largest online music broadcasting service, Gaana can be the one-stop solution for all your music needs. Gaana carries huge collection of Bollywood movie songs. So if you like listening to Hindi music, it can be your best choice to free download MP3 songs. -
How to Create Music with GNU/Linux
How to create music with GNU/Linux Emmanuel Saracco [email protected] How to create music with GNU/Linux by Emmanuel Saracco Copyright © 2005-2009 Emmanuel Saracco How to create music with GNU/Linux Warning WORK IN PROGRESS Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is available on the World Wide Web at http://www.gnu.org/licenses/fdl.html. Revision History Revision 0.0 2009-01-30 Revised by: es Not yet versioned: It is still a work in progress. Dedication This howto is dedicated to all GNU/Linux users that refuse to use proprietary software to work with audio. Many thanks to all Free developers and Free composers that help us day-by-day to make this possible. Table of Contents Forword................................................................................................................................................... vii 1. System settings and tuning....................................................................................................................1 1.1. My Studio....................................................................................................................................1 1.2. File system..................................................................................................................................1 1.3. Linux Kernel...............................................................................................................................2 -
Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing Price (25 May 2020): €4.06 Market Capitalisation: €43M EV: €50M Free Float: C
AudioValley BELGIUM Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing price (25 May 2020): €4.06 Market capitalisation: €43m EV: €50m Free float: c. 33% Digital audio software, ad tech and monetisation engine, all-in-one Share price performance vs. peers (€, rebased) Unique European listed technology play on digital audio disruption… 6 AudioValley is a Belgian technology company active in the field of digital audio disruption covering most of the industry’s value chain: from music licencing to software enabling the 5 creation, streaming and hosting of digital audio content over the internet for a range of 4 publishers including online radio channels, podcasts, connected hardware, etc. The digital audio 3 market is growing fast, catching up (Europe) or taking over (North America) analogue audio in terms of audience. We expect digital audio ad spend to grow at 21% CAGR 2019-23e. 2 … and ad tech engine for digital audio publishers 1 AudioValley’s main USP, and growth driver, is its global digital ad selling business, Targetspot, a 0 technology platform allowing digital audio publishers to monetise their audience through Jul-18 Jan-19 Jul-19 Jan-20 targeted advertising. The B2B platform consists of an ad tech software providing AudioValley Peers audience/listener data management with real-time analytics allowing for targeted advertising over streaming audio, the sweet-spot for any global or local advertisers (looking for efficiency) and publishers (looking to monetise their audience with higher CPMs). AudioValley operates globally, with over 1.1bn monthly impressions moving through its ad server (70% in N. -
Orphan Works Comment 0229
schumaker-ward-20050308160004 To: Jule L. Sigall Associate Register for Policy & International Affairs Date: 03/08/2005 From: ward schumaker Comment: FROM THE ILLUSTRATORS' PARTNERSHIP DEMANDING FREE CULTURE Two weeks ago we notified you that the U.S. Copyright Office is conducting a study of "orphaned works" to determine if copyright protection should be removed from creative work because others wishing to exploit it find the authors "difficult" to locate. In Kahle v. Ashcroft, two commercial archives have asked the U.S. District Court for the Northern District of California to declare unconstitutional statutes that guarantee the term of copyright protection. The plaintiffs argue that four copyright laws, including the 1976 Copyright Act, are collectively keeping people from gaining access to these orphaned works. The case was dismissed on November 19, 2004, but attorney Lawrence Lessig says the decision will be appealed. He says they had always planned to fight the decisive battle in the appellate courts. Lawrence Lessig is the Founder of Creative Commons and a leading spokesman for the "Free Culture" movement. The stated mission of Creative Commons is to roll back copyright law to allow "open access to the information commons." It's allied to another group called PK (for Public Knowledge), which appears to be the financial support behind Kahle v Ashcroft. PK receives funding from the MacArthur Foundation, Ford Foundation, Rockefeller Foundation, and Andy Warhol Foundation, among others. http://www.publicknowledge.org Kahle v Ashcroft is one of a series of lawsuits designed to force protected creative work into the public domain. The suits are being planned and executed as "phases" by the Stanford Law School Center for Internet and Society. -
Potential Sources of Copyright-Free Or Licensed Media: Below Are a Number of Resources Available Which Can Be Used in Teaching and Learning
Potential Sources of Copyright-free or licensed media: Below are a number of resources available which can be used in teaching and learning. Remember to check that resources labeled as 'copyright free' are from a trustworthy source! If you use any of the information on these sites, you should quote the site name and copyright owner. Media Lawful use Potential sources – for recording / online use, including in Blackboard Potential sources – off-line use only type Use images : The British Museum online - the British Museum collection database online. CERN: Images Search over two million objects from the entire Museum collection • where their copyright has expired http://copyright.web.cern.ch/ Flickr - Creative Commons advanced search - use Flickr's advanced search page • use images subject to a Creative Commons (CC) Notes: licence, attribute the licence owner and honour to include only photos (or short video clips) that have a Creative Commons • CERN provides images free of charge any restrictions licence. for educational and informational use. • use Open Educational Resources that allow the Flickr - The Commons - a number of publicly-held photographic collections • Images may not be used in a misleading, use of images in this way from around the world that have 'no known copyright restrictions' inappropriate or offensive manner, in a • where you obtain permission to use them from FreeFoto.com - free for commercial or non-commercial on-line use; free military context, in advertising or the copyright holder for non-commercial off-line use promotion, or in a manner that suggests • Create your own images ImageAfter – free high resolution images of objects, places, animals, any kind of endorsement by CERN or its mechanics, insects, signs, circuits and plants etc personnel. -
Made with Creative Commons MADE with CREATIVE COMMONS
ii Made With Creative Commons MADE WITH CREATIVE COMMONS PAUL STACEY AND SARAH HINCHLIFF PEARSON Made With Creative Commons iii Made With Creative Commons by Paul Stacey & Sarah Hinchliff Pearson © 2017, by Creative Commons. Published under a Creative Commons Attribution-ShareAlike license (CC BY-SA), version 4.0. ISBN 978-87-998733-3-3 Cover and interior design by Klaus Nielsen, vinterstille.dk Content editing by Grace Yaginuma Illustrations by Bryan Mathers, bryanmathers.com Downloadable e-book available at madewith.cc Publisher: Ctrl+Alt+Delete Books Husumgade 10, 5. 2200 Copenhagen N Denmark www.cadb.dk [email protected] Printer: Drukarnia POZKAL Spółka z o.o. Spółka komandytowa 88-100 Inowrocław, ul. Cegielna 10/12, Poland This book is published under a CC BY-SA license, which means that you can copy, redistribute, remix, transform, and build upon the content for any purpose, even commercially, as long as you give appropriate credit, provide a link to the license, and indicate if changes were made. If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. License details: creativecommons.org/licenses/by-sa/4.0/ Made With Creative Commons is published with the kind support of Creative Commons and backers of our crowdfunding-campaign on the Kickstarter.com platform. iv Made With Creative Commons “I don’t know a whole lot about non- fiction journalism. The way that I think about these things, and in terms of what I can do is. essays like this are occasions to watch somebody reason- ably bright but also reasonably average pay far closer attention and think at far more length about all sorts of different stuff than most of us have a chance to in our daily lives.” - DAVID FOSTER WALLACE Made With Creative Commons v vi Made With Creative Commons CONTENTS Foreword xi Introduction xv PART 1: THE BIG PICTURE 1 The New World of Digital Commons by Paul Stacey 3 The Commons, the Market, and the State .