Architecture of Estonia – Old Architecture and New Together • I
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The Future of Estonia As a Flag State
FUTURE OF ESTONIA AS A FLAG STATE THE FUTURE OF ESTONIA AS A FLAG STATE DEVELOPMENT SCENARIOS UP TO 2040 riigikogu.ee/arenguseire Arenguseire Keskus 2020 THE FUTURE OF ESTONIA AS A FLAG STATE Development Scenarios up to 2040 Summary Author: Estonian Centre for Applied Research CentAR Client: Foresight Centre Compilers: Sten Anspal, Janno Järve, Tõnis Hunt, Epp Kallaste, Laura Kivi Language editor: Robin Hazlehurst Design: Eastwood Advertising, Eerik Vilk This publication is a summary of the study Competitiveness of a Flag State. Foresight on International Shipping and the Maritime Economy (Lipuriigi konkurentsivõime. Rahvusvahelise laevanduse ja meremajanduse arenguseire, 2020), which was completed as part of the Foresight Centre research into international shipping and the maritime economy. Please credit the source when using the information in this study: Estonian Centre for Applied Research CentAR, 2020. The Future of Estonia as a Flag State. Development Scenarios up to 2040. Summary. Tallinn: Foresight Centre. ISBN 978-9916-9533-1-0 (PDF) The analyses covering the field and the final report can be found on the Foresight Centre website: www.riigikogu.ee/en/foresight/laevandus-ja-meremajandus/. 2020 Acknowledgements Members of the expert committee: Tõnis Hunt (Estonian Maritime Academy of Tallinn University of Technology), Jaak Kaabel (TS Laevad), Eero Naaber (Maritime Administration), Ahti Kuningas (Ministry of Economic Affairs and Communications), Ants Ratas (Hansa Shipping), Marek Rauk (Maritime Administra- tion). We would also like to thank all the experts who contributed their expertise without being part of the expert committee: Patrick Verhoeven (ECSA), Jaanus Rahumägi (ESC Global Security), Illar Toomaru (Vanden Insurance Brokers), Indrek Nuut (MALSCO Law Office OÜ), Indrek Niklus (Law Office NOVE), Dan Heering (Estonian Maritime Academy of Tallinn University of Technology), Allan Noor (Amisco), Jaan Banatovski (Amisco), Valdo Kalm (Port of Tallinn), Erik Terk (Tallinn University). -
History Education: the Case of Estonia
Mare Oja History Education: The Case of Estonia https://doi.org/10.22364/bahp-pes.1990-2004.09 History Education: The Case of Estonia Mare Oja Abstract. This paper presents an overview of changes in history teaching/learning in the general education system during the transition period from Soviet dictatorship to democracy in the renewed state of Estonia. The main dimensions revealed in this study are conception and content of Estonian history education, curriculum and syllabi development, new understanding of teaching and learning processes, and methods and assessment. Research is based on review of documents and media, content analysis of textbooks and other teaching aids as well as interviews with teachers and experts. The change in the curriculum and methodology of history education had some critical points due to a gap in the content of Soviet era textbooks and new programmes as well as due to a gap between teacher attitudes and levels of knowledge between Russian and Estonian schools. The central task of history education was to formulate the focus and objectives of teaching the subject and balance the historical knowledge, skills, values, and attitudes in the learning process. New values and methodical requirements were included in the general curriculum as well as in the syllabus of history education and in teacher professional development. Keywords: history education, history curriculum, methodology Introduction Changes in history teaching began with the Teachers’ Congress in 1987 when Estonia was still under Soviet rule. The movement towards democratic education emphasised national culture and Estonian ethnicity and increased freedom of choice for schools. In history studies, curriculum with alternative content and a special course of Estonian history was developed. -
Tallinn City Guidebook
www.infinitewalks.com Click icon to follow 11 top things to do in Tallinn, Estonia Published Date : August 24, 2020 Categories : Estonia Estonia, a small country in Northern Europe borders the Baltic Sea, Russia, and Latvia. Estonia’s capital Tallinn is quite famous for it’s well preserved medieval old town and it’s cathedrals. There are many things to do in Tallinn and the city is similar to any other European city. Tallinn was in my itinerary as a part of four country cruise trip (Stockholm — Tallinn — St. Petersburg — Helsinki — Stockholm). Pm2am were the organizers and it was their inaugural cruise trip too. 11 things to do in Tallinn 1. Free walking tour To know any European city, take a walking tour, especially in the old town. The tour guide gives a brief overview of the history, architecture, how the city was affected during war times, and many more insights. They show you places that even google maps can’t locate. Tallinn offers many free walking tours like the one from traveller, freetour. You just need to be on time at the meeting point and they take care of the rest. I also did a free walking tour in Warsaw and Belgrade. www.infinitewalks.com Click icon to follow The tour typically lasts 2 – 2.5 hours depending on your group size. Don’t forget to tip the guide at the end. Travel Tip: Do the tour on your first day and ask the guide for the best local food, things to do in the city, nightlife. It allows you to plan the vacation more efficiently. -
Mass-Tourism Caused by Cruise Ships in Tallinn: Reaching for a Sustainable Way of Cruise Ship Tourism in Tallinn on a Social and Economic Level
Mass-tourism caused by cruise ships in Tallinn: Reaching for a sustainable way of cruise ship tourism in Tallinn on a social and economic level Tijn Verschuren S4382862 Master thesis Cultural Geography and Tourism Radboud University This page is intentionally left blank Mass-tourism caused by cruise ships in Tallinn: Reaching for a sustainable way of cruise ship tourism in Tallinn on a social and economic level Student: Tijn Verschuren Student number: s4382862 Course: Master thesis Cultural Geography and Tourism Faculty: School of Management University: Radboud University Supervisor: Prof. Dr. Huib Ernste Internship: Estonian Holidays Internship tutor: Maila Saar Place and date: 13-07-2020 Word count: 27,001 Preface In front of you lays my master thesis which was the final objective of my study of Cultural Geography and Tourism at the Radboud University. After years of studying, I can proudly say that I finished eve- rything and that I am graduated. My studying career was a quite a long one and not always that easy, but it has been a wonderful time where I have learned many things and developed myself. The pro- cess of the master thesis, from the beginning till the end, reflects these previous years perfectly. Alt- hough I am the one who will receive the degree, I could not have done this without the support and help of many during the years of studying in general and during the writing of this thesis in particular. Therefore I would like to thank the ones who helped and supported me. I want to start by thanking my colleagues at Estonian Holidays and especially Maila Saar, Lars Saar and Mari-Liis Makke. -
The Soviet Woman in Estonian Art Jürgen Habermas
1 2010 1 Let’s refuse to be what we are (supposed to be)! Let’s Refuse to Be What We Are (Supposed to Be)! Airi Triisberg 5 Eva gives birth to earth Airi Triisberg Johannes Saar 7 Around the Golden Soldier Agne Narusyte 10 An artist and his double Anu Allas Based on the title Let’s Talk About Nationalism!, of identity is almost exclusively addressed as an it would be tempting to look at this exhibition* instrument for engendering normativity rather 13 Work-based solidarity is killed Interview with Eiki Nestor in relation to theories of public space, as it than a potential tool of empowerment that I is precisely the medium of talk that consti- find problematic in this context. At the same 16 Forum Marge Monko tutes a core notion in the liberal concept of time, it should also be noted that even the the public sphere, most notably elaborated by Habermasian definition of the public sphere 18 Art and Identity: The Soviet Woman in Estonian Art Jürgen Habermas. The curatorial statement by appears to be quite operative, insofar as it Michael Schwab Rael Artel seems to support the parallel with allows a conceptual distinction from the state 21 The queue as a social statement Habermas, insofar as it stresses the importance which has effectively been put to use in the Maria-Kristiina Soomre of contemporary art as a site for holding public framework of Let’s Talk About Nationalism! in 24 Five pictures of Flo Kasearu discussions. Nevertheless, the curator’s preoc- order to criticize the ideological and institu- Kaido Ole cupation with conflict actually indicates a dif- tional manifestations of the state. -
Art Museum of Estonia Kumu Art Museum Press Release 2 December 2019
Art Museum of Estonia Kumu Art Museum Press release 2 December 2019 The largest exhibition of works by Estonian female artists will open at the Kumu Art Museum. On Thursday, 5 December at 5 pm, Emancipating Woman in Estonian and Finnish Art will open at the Kumu Art Museum. This is the largest exposition of artworks by Estonian female artists. It sheds light on a great deal of little-known material and establishes a dialogue with the works of Finnish female artists. The exhibition is the result of collaboration with the Ateneum Art Museum. During the Art Museum of Estonia’s 100th year of operation, Kumu has focused on female artists. This exhibition focuses on the changes in the self-awareness and social positions of women that started in the 19th century and are echoed in the activities of female artists, as well as in the way women are depicted. Works by Julie Hagen Schwarz, Sally von Kügelgen, Karin Luts, Natalie Mei, Lydia Mei, Aino Bach, Olga Terri, Maria Wiik, Helene Schjerfbeck, Sigrid Schauman, Elga Sesemann, Ellen Thesleff, Tove Jansson, Tuulikki Pietilä and others will be on display. Starting in the second half of the 20th century, more attention started to be paid to the works of female artists throughout the world. Prior to that, for various historical and social reasons, the works of female artists had often been viewed as secondary. Therefore, far fewer works by female artists than by men were included in art collections or exhibitions. And yet, the biographies and creative paths of many female artists confirm that women have not necessarily been the passive victims of social conditions, but have created opportunities for self- development. -
City Break 100 Free Offers & Discounts for Exploring Tallinn!
City Break 100 free offers & discounts for exploring Tallinn! Tallinn Card is your all-in-one ticket to the very best the city has to offer. Accepted in 100 locations, the card presents a simple, cost-effective way to explore Tallinn on your own, choosing the sights that interest you most. Tips to save money with Tallinn Card Sample visits with Normal 48 h 48 h Tallinn Card Adult Tallinn Price Card 48-hour Tallinn Card - €32 FREE 1st Day • Admission to 40 top city attractions, including: Sightseeing tour € 20 € 0 – Museums Seaplane Harbour (Lennusadam) € 10 € 0 – Churches, towers and town wall – Tallinn Zoo and Tallinn Botanic Garden Kiek in de Kök and Bastion Tunnels € 8,30 € 0 – Tallinn TV Tower and Seaplane Harbour National Opera Estonia -15% € 18 € 15,30 (Lennusadam) • Unlimited use of public transport 2nd Day • One city sightseeing tour of your choice Tallinn TV Tower € 7 € 0 • Ice skating in Old Town • Bicycle and boat rental Estonian Open Air Museum with free audioguide € 15,59 € 0 • Bowling or billiards Tallinn Zoo € 5,80 € 0 • Entrance to one of Tallinn’s most popular Public transport (Day card) € 3 € 0 nightclubs • All-inclusive guidebook with city maps Bowling € 18 € 0 Total cost € 105,69 € 47,30 DISCOUNTS ON *Additional discounts in restaurants, cafés and shops plus 130-page Tallinn Card guidebook • Sightseeing tours in Tallinn and on Tallinn Bay • Day trips to Lahemaa National Park, The Tallinn Card is sold at: the Tallinn Tourist Information Centre Naissaare and Prangli islands (Niguliste 2), hotels, the airport, the railway station, on Tallinn-Moscow • Food and drink in restaurants, bars and cafés and Tallinn-St. -
Estonian Art 1/2013 (32)
Estonian 1/2013Art 1 Evident in Advance: the maze of translations Merilin Talumaa, Marie Vellevoog 4 Evident in Advance, or lost (and gained) in translation(s)? Daniele Monticelli 7 Neeme Külm in abstract autarchic ambience Johannes Saar 9 Encyclopaedia of Erki Kasemets Andreas Trossek 12 Portrait of a woman in the post-socialist era (and some thoughts about nationalism) Jaana Kokko 15 An aristocrat’s desires are always pretty Eero Epner 18 Collecting that reassesses value at the 6th Tallinn Applied Art Triennial Ketli Tiitsar 20 Comments on The Art of Collecting Katarina Meister, Lylian Meister, Tiina Sarapu, Marit Ilison, Kaido Ole, Krista Leesi, Jaanus Samma 24 “Anu, you have Estonian eyes”: textile artist Anu Raud and the art of generalisation Elo-Hanna Seljamaa Insert: An Education Veronika Valk 27 Authentic deceleration – smart textiles at an exhibition Thomas Hollstein 29 Fear of architecture Karli Luik 31 When the EU grants are distributed, the muses are silent Piret Lindpere 34 Great expectations Eero Epner’s interview with Mart Laidmets 35 Thoughts on a road about roads Margit Mutso 39 The meaning of crossroads in Estonian folk belief Ülo Valk 42 Between the cult of speed and scenery Katrin Koov 44 The seer meets the maker Giuseppe Provenzano, Arne Maasik 47 The art of living Jan Kaus 49 Endel Kõks against the background of art-historical anti-fantasies Kädi Talvoja 52 Exhibitions Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Dénes Farkas. -
3.2 Saatejuht Vs Toimetaja
Tartu Ülikool Sotsiaal- ja haridusteaduskond Ajakirjanduse ja kommunikatsiooni instituut Eesti Televisiooni kultuurisaade "OP!" ja sõnateatri kajastamine "OP!"-is aastatel 1999-2011 Magistritöö (30 EAP) Maarja Aeltermann Juhendaja: Aune Unt MA Tartu 2011 Sisukord SISUKORD .............................................................................................................................................................. 2 SISSEJUHATUS ....................................................................................................................................................... 4 1. TÖÖ TEOREETILISED JA EMPIIRILISED LÄHTEKOHAD .......................................................................................... 6 1.1 TEOORIA ......................................................................................................................................................... 6 1.1.1. Kultuur ................................................................................................................................................ 6 1.1.2. Kultuuriajakirjandus ja konsumerism .................................................................................................... 8 1.1.3. Kultuur televisioonis ........................................................................................................................... 11 1.1.3.1. Kultuuriteemade valiku põhimõtted .............................................................................................................13 1.1.3.2. Saate formaat. .............................................................................................................................................14 -
100 Treasures of Estonia, Latvia and Lithuania
100 Treasures of Estonia, Latvia and Lithuania Estonia, of Treasures 100 100 Treasures of Estonia, Latvia and Lithuania 1 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. Authors of texts: Aistė Bimbirytė-Mackevičienė, Janis Zilgalvis, Siim Raie, Triin Reidla Translation: Kristjan Teder, Madli Kullaste, SIA SERRES, Visuomenės specialaus mokymo ir konsultavimo centras Editing: Carolin Pihlap, Janis Zilgalvis, Nijolė Bitinienė, Reelika Niit, Rita Mikelionytė, Triin Reidla Designer: Tuuli Aule Printed by: Tallinna Raamatutrükikoja OÜ, Laki 26, Tallinn, 12915 ISBN 978-9949-7293-0-2 (printed) ISBN 978-9949-7293-1-9 (pdf) Tallinn, 2018 100 Treasures of Estonia, Latvia and Lithuania 2 3 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. -
On Estonian Folk Culture: Pro Et Contra
doi:10.7592/FEJF2014.58.ounapuu ON ESTONIAN FOLK CULTURE: PRO ET CONTRA Piret Õunapuu Abstract: The year 2013 was designated the year of heritage in Estonia, with any kind of intangible and tangible heritage enjoying pride of place. Heritage was written and spoken about and revived in all kinds of ways and manners. The motto of the year was: There is no heritage without heir. Cultural heritage is a comprehensive concept. This article focuses, above all, on indigenous cultural heritage and, more precisely, its tangible (so-called object) part. Was the Estonian peasant, 120 years back, with his gradually increasing self-confidence, proud or ashamed of his archaic household items? Rustic folk culture was highly viable at that time. In many places people still wore folk costumes – if not daily, then at least the older generation used to wear them to church. A great part of Estonians still lived as if in a museum. Actually, this reminded of the old times that people tried to put behind them, and sons were sent to school in town for a better and more civilised future. In the context of this article, the most important agency is peasants’ attitude towards tangible heritage – folk culture in the widest sense of the word. The appendix, Pro et contra, at the end of the article exemplifies this on the basis of different sources. Keywords: creation of national identity, cultural heritage, Estonian National Museum, Estonian Students’ Society, folk costumes, folk culture, Learned Es- tonian Society, material heritage, modernisation, nationalism, social changes HISTORICAL BACKGROUND By the end of the 19th century, the Russification period, several cultural spaces had evolved in the Baltic countries: indigenous, German and Russian. -
EUROPEAN ARCHITECTURAL HISTORY NETWORK Fifth
CONTENTS PROGRAMME AND ABSTRACTS 2 Committees 3 Preface EUROPEAN 4 Practical Information and Maps ARCHITECTURAL 8 Programme HISTORY NETWORK ABSTRACTS WEDNESDAY 30 Interest Group Meetings Fifth 34 Opening Keynote International THURSDAY 38 First Paper Session Meeting 66 Second Paper Session FRIDAY 96 Third Paper Session 13–16 June 2018 122 Keynote 124 Fourth Paper Session Tallinn SATURDAY 152 Fifth Paper Session 181 Closing Keynote 184 Lunch Tours 192 Post-Conference Tours 195 Satellite and Lunch Events 198 Conference Venues 207 Index of Speakers Contact and Credits 1 EAHN 2018 PREFACE International Scientific Committee Welcome to the fifth international meeting of witness to the recent turbulent history of the European Architectural History Network in the country. Designed by architect Raine Howayda Al-Harithy, American University of Tallinn! After biennial meetings in Guimarães, Karp in the late Soviet period (1984), it Beirut Brussels, Turin, and Dublin, this will be the first was completed in 1992 when Estonia had Ljiljana Blagojević, Independent Scholar, EAHN conference in northeastern Europe, already regained independence. Receptions Belgrade demonstrating the organization’s continuing for EAHN conference participants will Mark Crinson, University of London aspiration to enlarge its geographical reach introduce other significant public buildings Hilde Heynen, Catholic University Leuven and critically address the centre-periphery in Tallinn, including the KUMU Art Museum, Stephan Hoppe, Ludwig-Maximilians- relations inside Europe. built after a winning entry in an international Universität München Founded in 2005, EAHN operates across architecture competition in 1994 (architect Merlijn Hurx, Utrecht University national boundaries and is open to scholars Pekka Vapaavuori; the building was completed Kathleen James-Chakraborty, University from all countries.