An Anonymous Short English Metrical Romance
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THE KINGS and QUEENS of BRITAIN, PART I (From Geoffrey of Monmouth’S Historia Regum Britanniae, Tr
THE KINGS AND QUEENS OF BRITAIN, PART I (from Geoffrey of Monmouth’s Historia Regum Britanniae, tr. Lewis Thorpe) See also Bill Cooper’s extended version (incorporating details given by Nennius’s history and old Welsh texts, and adding hypothesised dates for each monarch, as explained here). See also the various parallel versions of the Arthurian section. Aeneas │ Ascanius │ Silvius = Lavinia’s niece │ Corineus (in Cornwall) Brutus = Ignoge, dtr of Pandrasus │ ┌─────────────┴─┬───────────────┐ Gwendolen = Locrinus Kamber (in Wales) Albanactus (in Scotland) │ └Habren, by Estrildis Maddan ┌──┴──┐ Mempricius Malin │ Ebraucus │ 30 dtrs and 20 sons incl. Brutus Greenshield └Leil └Rud Hud Hudibras └Bladud │ Leir ┌────────────────┴┬──────────────┐ Goneril Regan Cordelia = Maglaurus of Albany = Henwinus of Cornwall = Aganippus of the Franks │ │ Marganus Cunedagius │ Rivallo ┌──┴──┐ Gurgustius (anon) │ │ Sisillius Jago │ Kimarcus │ Gorboduc = Judon ┌──┴──┐ Ferrex Porrex Cloten of Cornwall┐ Dunvallo Molmutius = Tonuuenna ┌──┴──┐ Belinus Brennius = dtr of Elsingius of Norway Gurguit Barbtruc┘ = dtr of Segnius of the Allobroges └Guithelin = Marcia Sisillius┘ ┌┴────┐ Kinarius Danius = Tanguesteaia Morvidus┘ ┌──────┬────┴─┬──────┬──────┐ Gorbonianus Archgallo Elidurus Ingenius Peredurus │ ┌──┴──┐ │ │ │ (anon) Marganus Enniaunus │ Idvallo Runo Gerennus Catellus┘ Millus┘ Porrex┘ Cherin┘ ┌─────┴─┬───────┐ Fulgenius Edadus Andragius Eliud┘ Cledaucus┘ Clotenus┘ Gurgintius┘ Merianus┘ Bledudo┘ Cap┘ Oenus┘ Sisillius┘ ┌──┴──┐ Bledgabred Archmail └Redon └Redechius -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
Cordelia''s Portrait in the Context of King Lear''s
Paula M. Rodríguez Gómez Cordelias Portrait in the Context of King Lears... 181 CORDELIAS PORTRAIT IN THE CONTEXT OF KING LEARS INDIVIDUATION* Paula M. Rodríguez Gómez** Abstract: This analysis attempts to show the relations between the individual psyche and the contents of the collective unconscious. Following Von Franzs analytical technique, the tragic action in King Lear will be read as an individuation process that will rescue archetypal contents and solve existential paradoxes that cause an imbalance between the ego and the self, leading to self-destruction. Once communication is eased and balance is restored, the transformation-seeking process that engaged the design of the play itself becomes resolved, and events can be led to a conventional tragic resolution. Jungian analysis will therefore provide a critical framework to unveil the subconscious contents that tear the character of the king between annihilation and survival, the anima complex that affects the king, responding thus for the action of the play and its centuries-old success. Keywords: collective unconscious, myth, individuation, archetype, tragedy, anima. Resumen: Este análisis pretende sacar a la luz las relaciones entre la psyche individual y los contenidos del inconsciente colectivo. Siguiendo la técnica analítica de Von Franz, la acción trágica de King Lear será entendida a través del proceso de individuación que revierte sobre los contenidos arquetípicos y resuelve las paradojas existenciales que cau- san el desequilibrio entre ego y self. Una vez que la comunicación es facilitada y el equilibrio psíquico recuperado, el proceso transformativo que afecta la génesis de la trama se resuelve y el argumento alcanza una resolución convencional. -
Early Medieval Dykes (400 to 850 Ad)
EARLY MEDIEVAL DYKES (400 TO 850 AD) A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 Erik Grigg School of Arts, Languages and Cultures Contents Table of figures ................................................................................................ 3 Abstract ........................................................................................................... 6 Declaration ...................................................................................................... 7 Acknowledgments ........................................................................................... 9 1 INTRODUCTION AND METHODOLOGY ................................................. 10 1.1 The history of dyke studies ................................................................. 13 1.2 The methodology used to analyse dykes ............................................ 26 2 THE CHARACTERISTICS OF THE DYKES ............................................. 36 2.1 Identification and classification ........................................................... 37 2.2 Tables ................................................................................................. 39 2.3 Probable early-medieval dykes ........................................................... 42 2.4 Possible early-medieval dykes ........................................................... 48 2.5 Probable rebuilt prehistoric or Roman dykes ...................................... 51 2.6 Probable reused prehistoric -
Fifty-Fifth Generation Teuhvant (Telpuil56, Erb (Urbanus)57, Gratus58, Iumetel59, Town Planner
Fifty-fifth Generation Teuhvant (Telpuil56, Erb (Urbanus)57, Gratus58, Iumetel59, town planner. He rebuilt New Troy or Trinovantum as it was 60 61 62 63 64 65 then known, and renamed it KaerLud after him. This Ritigern , Oudicant , Outigern , Eliud , Eudaf , Eudelen , 66 67 68 69 70 became Lud’s Town or London. When he died he was Amalech , Beli , Bran the Blessed , Llyr (Lear) , Caswallon , Beli Mawr71) birth date unknown. buried by the city wall where Ludgate is named after him. There is a story of Lud in the Welsh tale “Lludd and Llefelys” Teuhvant had the following child: wherein Lud consults his brother Llefelys on how to combat three supernatural plagues that are smiting Britain. He 1. Tegfan54 . succeeds in defeating the source of the plagues and rules peacefully thereafter. This tale, like that of Merlin’s, to which it is closely related, may be about a real British prince King Eudaf Octavius (Welsh: Eudaf) was a semi- who ruled later. He became remembered in Welsh legend legendary ruler from Welsh legend to have ruled around the as the Celtic god Llud, also known as Nudd, the Celtic form period 350-80 and possibly beyond. of Nodens. Octavius was brother to Constantine I and ruled over Britain King Lud had the following child: while Constantine was emperor in Rome. Constantine had been crowned king of the Britons upon his father's death in 1. King Tenuantius54 . 306 at York. As Constantine became more powerful, he was forced to leave Britain in the hands of a proconsul while he 56 ruled in Rome. -
Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Heroesofoldbritain 10759131.Pdf
ALL TI M E’ HEROES OF OL D BRI TAI N He roe s o f Old Br itain Re told tron! GEOFFRE! OF MONMOUTH DAV W. TES I D GA mu ta ted by STEPHEN REI D L O NDO N ! GEO RG E G . HARRAP 0 C O MPAN! 9 9W¢ 8h uia nm wc ¢ y Old Br itain Re to ld fro m GEOFFRE! OF MONM OUTH B y A D VI D W. ES OAT mu ta ted b y S TEP HEN REI D L O NDO N ! G EO RG E G . HARRAP 8? C O MPAN! s mo u th t in s W 9 Po rt S . K g w ay C Preface OYS and girls of all nations delight to B read the beautiful and exciting stories of the early dawn of history . The tales of the heroes of Greece and Rome have long B been familiar to ritish children , but the early heroes of their own race are only of late coming into their own . Indeed , there is no such super abundance of hero - stories of the British race that apology is needed for the appearance of this small collection . The history of the far - distant past is enveloped in clouds of mystery, through which we can penetrate only by means of the legends and stories which have been handed down to us . It may be objected that these are pure romances and not true history ! but it is certain that many of these legendary stories were vii 2000181 viii Preface c oc u re and inspired by events which a tually c r d , therefore have a substratumof historic tru th . -
Religion and the Church in Geoffrey of Monmouth
Chapter 14 Religion and the Church in Geoffrey of Monmouth Barry Lewis Few authors inspire as many conflicting interpretations as Geoffrey of Monmouth. On one proposition, however, something close to a consen- sus reigns: Geoffrey of Monmouth wrote history in a manner that shows re- markable indifference toward religion and the institutional church. Antonia Gransden, in her fundamental survey of medieval English historical writing, says that “the tone of his work is predominantly secular” and even that he “abandoned the Christian intention of historical writing” and “had no moral, edificatory purpose”, while J.S.P. Tatlock, author of what is still the fullest study of Geoffrey, speaks of a “highly intelligent, rational and worldly personality” who shows “almost no interest in monachism … nor in miracles”, nor indeed in “religion, theology, saints, popes, even ecclesiastics in general”.1 Yet, even if these claims reflect a widely shared view, it is nonetheless startling that they should be made about a writer who lived in the first half of the 12th century. Some commentators find Geoffrey’s work so divergent from the norms of ear- lier medieval historiography that they are reluctant to treat him as a historian at all. Gransden flatly describes him as “a romance writer masquerading as an historian”.2 More cautiously, Matilda Bruckner names Geoffrey among those Latin historians who paved the way for romance by writing a secular-minded form of history “tending to pull away from the religious model (derived from Augustine and Orosius) that had viewed human history largely within the scheme of salvation”.3 This Christian tradition of historiography, against which Geoffrey of Monmouth is said to have rebelled, had its origins in late antiquity in the works of Eusebius, Augustine, and Orosius. -
Geoffrey of Monmouth, Historia Regum Britanniae, a Variant Version. Edited
THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION No. 57 GEOFFREY OF MONMOUTH VARIANT VERSION OF HIS HISTORIA REGUM BRITANNIAE GEOFFREY OF MONMOUTH HISTORIA REGUM BRITANNIAE A VARIANT VERSION EDITED FROM MANUSCRIPTS BY JACOB HAMMER HUNTER COLLEGE THE MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE 38, MASSACHUSETTS 1951 The publication of this book was made possible by grants of funds to the Academy from the John Simon Guggenheim Foundation, the Institute for Advanced Study, and an Anonymous Donor COPYRIGHT BY THE MEDIAEVAL ACADEMY OF AMERICA 1951 Printed in U.S.A. TO E. A. LOWE AND THE MEMORY OF ERNST RIESS PREFACE In 1927 Professor Chambers wrote: Critical work on the manuscripts (of Geoffrey of Monmouth) is still in its infancy, and in these circumstances speculation as to the original form of the Historia and any revision which it may have undergone can only be tentative.1 Two years later, in 1929, two editions of Geoffrey appeared,2 which constitute a real advance over the older, uncritical editions. The present edition which offers the first critical text of a Variant Version of the Historia, based on manuscripts that hitherto passed under the name of Geoffrey, is only another step in this advance. It represents the first fruits of an investigation undertaken many years ago and is preliminary to a critical edition of the Historia, based on all manuscripts known to scholars, the larger portion of which (135 in actual numbers) has already been col- lated. A task of this scope could not have been undertaken without outside assistance. It was thanks to the generous grants (and publication sub- vention) from the John Simon Guggenheim Foundation and the American Council of Learned Societies that it was possible to visit the various libraries of Europe and collect the material necessary for the project. -
Introduction 1
NOTES Introduction 1 . Siân Echard, Arthurian Narrative in the Latin Tradition , Cambridge Studies in Medieval Literature 36 (Cambridge: Cambridge University Press, 1998 ), p. 14; Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004 ), pp. 26–27; Anne F. Sutton and Livia Visser-Fuchs, “The Dark Dragon of the Normans: A Creation of Geoffrey of Monmouth, Stephen of Rouen, and Merlin Silvester,” Quondam et Futurus: A Journal of Arthurian Interpretations 2.2 ( 1992 ): 2 [1–19]. 2 . Julia Briggs discusses the Vortiger and Uther Pendragon plays per- formed by Philip Henslowe’s company as well as William Rowley’s The Birth of Merlin and Thomas Middleton’s Hengist , “New Times and Old Stories: Middleton’s Hengist ,” Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century , ed. Donald Scragg and Carole Weinberg, Cambridge Studies in Anglo-Saxon England 29 (Cambridge: Cambridge University Press, 2000 ), pp. 108–9 [107–21]. 3 . For evidence supporting a late 1138 date for Geoffrey’s HRB , see Wright, introduction to HRB Bern , p. xvi [ix-lix] and John Gillingham, “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain ,” Anglo-Norman Studies 13 (1991 ): 100 n5 [99–118]. 4 . Clarke, introduction to VM , p. vii [vii-50]; Echard, Arthurian Narrative , p. 218. 5 . Lee Patterson, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, WI: The University of Wisconsin Press, 1987 ), pp. 160, 201, 170, and 187; Virgil, Aeneid in Eclogues, Georgics, Aeneid I-VI , trans. -
A Previously Unrecorded Fragment of the Middle English Short Metrical Chronicle in Bibliotheca Philosophica Hermetica M199.” English Studies 87(3): 277–293
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. A Previously Unrecorded Fragment of the Middle English Short Metrical Chronicle in Bibliotheca Philosophica Hermetica M199 by Peter Grund 2006 This is the author’s accepted manuscript, post peer-review. The original published version can be found at the link below. Peter Grund. 2006. “A Previously Unrecorded Fragment of the Middle English Short Metrical Chronicle in Bibliotheca Philosophica Hermetica M199.” English Studies 87(3): 277–293. (accepted manuscript version, postpeer review) Published version: http://dx.doi.org/10.1080/00138380600757778 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Peter Grund. 2006. “A Previously Unrecorded Fragment of the Middle English Short Metrical Chronicle in Bibliotheca Philosophica Hermetica M199.” English Studies 87(3): 277–293. (accepted manuscript version, post- peer review) A PREVIOUSLY UNRECORDED FRAGMENT OF THE MIDDLE ENGLISH SHORT METRICAL CHRONICLE IN BIBLIOTHECA PHILOSOPHICA HERMETICA M1991 This article presents an edition of a fragment of the Middle English Short Metrical Chronicle2 found in Bibliotheca Philosophica Hermetica, Amsterdam, MS M199 (henceforth BPH M199).3 BPH M199 is an alchemical miscellany probably compiled in the late 16th and early 17th centuries. It mainly contains alchemical prose and verse tracts in English and Latin, but it also includes treatises on magic, a condensed and reworked version of the verse dialogue Sidrak and Bokkus and the fragment of the Short Metrical Chronicle (henceforth Chronicle). To my knowledge, this is a previously unrecorded fragment of the Chronicle. -
The Historia Regum Brittanniae of Geoffrey of Monmouth and Roman
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Translating Arthur : the Historia regum Brittanniae of Geoffrey of Monmouth and Roman de Brut of Wace George Gregory Molchan Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Molchan, George Gregory, "Translating Arthur : the Historia regum Brittanniae of Geoffrey of Monmouth and Roman de Brut of Wace" (2013). LSU Doctoral Dissertations. 1975. https://digitalcommons.lsu.edu/gradschool_dissertations/1975 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANSLATING ARTHUR: THE HISTORIA REGUM BRITANNIAE OF GEOFFREY OF MONMOUTH AND ROMAN DE BRUT OF WACE A Dissertation Submitted to the Graduate Faculty of the of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by George Gregory Molchan B.A., Indiana University of Pennsylvania, 1995 M.A., Louisiana State University and Agricultural and Mechanical College, 2005 December, 2013 DEDICATION For everyone who made this dissertation possible. ii ACKNOWLEDGEMENTS Writing this dissertation has been anything but a traditional process for me. I could not have seen this journey I have been on through to the end without the guidance, emotional support, strength, and love of everyone who helped me along the way.