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The Celtic Revival in English Literature, 1760-1800
ZOh. jU\j THE CELTIC REVIVAL IN ENGLISH LITERATURE LONDON : HUMPHREY MILFORD OXFORD UNIVERSITY PRESS The "Bard The Celtic Revival in English Literature 1760 — 1800 BY EDWARD D. SNYDER B.A. (Yale), Ph.D. (Harvard) CAMBRIDGE HARVARD UNIVERSITY PRESS 1923 COPYRIGHT, 1923 BY HARVARD UNIVERSITY PRESS PRINTED AT THE HARVARD UNIVERSITY PRESS CAMBRIDGE, MASS., U. S. A. PREFACE The wholesome tendency of modern scholarship to stop attempting a definition of romanticism and to turn instead to an intimate study of the pre-roman- tic poets, has led me to publish this volume, on which I have been intermittently engaged for several years. In selecting the approximate dates 1760 and 1800 for the limits, I have been more arbitrary in the later than in the earlier. The year 1760 has been selected because it marks, roughly speaking, the beginning of the Celtic Revival; whereas 1800, the end of the century, is little more than a con- venient place for breaking off a history that might have been continued, and may yet be continued, down to the present day. Even as the volume has been going through the press, I have found many new items from various obscure sources, and I am more than ever impressed with the fact that a collection of this sort can never be complete. I have made an effort, nevertheless, to show in detail what has been hastily sketched in countless histories of literature — the nature and extent of the Celtic Revival in the late eighteenth century. Most of the material here presented is now pub- lished for the first time. -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
Early Medieval Dykes (400 to 850 Ad)
EARLY MEDIEVAL DYKES (400 TO 850 AD) A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 Erik Grigg School of Arts, Languages and Cultures Contents Table of figures ................................................................................................ 3 Abstract ........................................................................................................... 6 Declaration ...................................................................................................... 7 Acknowledgments ........................................................................................... 9 1 INTRODUCTION AND METHODOLOGY ................................................. 10 1.1 The history of dyke studies ................................................................. 13 1.2 The methodology used to analyse dykes ............................................ 26 2 THE CHARACTERISTICS OF THE DYKES ............................................. 36 2.1 Identification and classification ........................................................... 37 2.2 Tables ................................................................................................. 39 2.3 Probable early-medieval dykes ........................................................... 42 2.4 Possible early-medieval dykes ........................................................... 48 2.5 Probable rebuilt prehistoric or Roman dykes ...................................... 51 2.6 Probable reused prehistoric -
A Spot Called Crayford the Legend of Hengest
A Spot Called Crayford The Legend of Hengest KS2 Pupil Response PACK By Peter Daniel and Kate Morton Illustrations by Michael Foreman 1 This WorkBook Belongs TO: Write your name and class here: ___________________________ Write your name below in Anglo Saxon Runes: 2 Name: ....................................................... Date: ....................... Below is the Anglo-Saxon alphabet. Write your name above in runes. Can you spell my name out in the ancient Saxon alphabet? Hengest H E N G E S T Don’t leave me out of this. We’re brothers and do every- thing together! Horsa H O R S A 3 A Letter of Apology from Honorius Gildas tells us that after the Romans left Britannia, barbarians invaded Britain and the people appealed for help to a Roman general called Flavius Aetius: The barbarians push us back to the sea, the sea pushes us back to the barbarians; between these two we are either drowned or slaughtered.” the Groans of the Britons’ Gildas Honorius, the Western Roman Emperor (393-423AD) sent The Rescript of Honorius 411AD a letter of apology telling the Britons that they must 'look to their own defences'. Thus ending Rome’s ties with Britain. Imagine you are Emperor Honorius to write a letter of apology to the Britons. Use the map above to • Let the Britons know you know who their enemies are Honorius was Western • Can you explain why the Emperor is in no position to help? Roman Emperor • Use the letter template to draft your letter 4 ‘A Letter of apology from Honorius’ Ravenna Itialy 411AD Dear Britons Tell the Britons that you know who is attacking them. -
In England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530
Victoria Shirley The Galfridian Tradition(s) in England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530 A Thesis Submitted for the Degree of Doctor of Philosophy in English Literature Cardiff University 2017 i Abstract This thesis examines the responses to and rewritings of the Historia regum Britanniae in England, Scotland, and Wales between 1138 and 1530, and argues that the continued production of the text was directly related to the erasure of its author, Geoffrey of Monmouth. In contrast to earlier studies, which focus on single national or linguistic traditions, this thesis analyses different translations and adaptations of the Historia in a comparative methodology that demonstrates the connections, contrasts and continuities between the various national traditions. Chapter One assesses Geoffrey’s reputation and the critical reception of the Historia between the twelfth and sixteenth centuries, arguing that the text came to be regarded as an authoritative account of British history at the same time as its author’s credibility was challenged. Chapter Two analyses how Geoffrey’s genealogical model of British history came to be rewritten as it was resituated within different narratives of English, Scottish, and Welsh history. Chapter Three demonstrates how the Historia’s description of the island Britain was adapted by later writers to construct geographical landscapes that emphasised the disunity of the island and subverted Geoffrey’s vision of insular unity. Chapter Four identifies how the letters between Britain and Rome in the Historia use argumentative rhetoric, myths of descent, and the discourse of freedom to establish the importance of political, national, or geographical independence. Chapter Five analyses how the relationships between the Arthur and his immediate kin group were used to challenge Geoffrey’s narrative of British history and emphasise problems of legitimacy, inheritance, and succession. -
Fifty-Fifth Generation Teuhvant (Telpuil56, Erb (Urbanus)57, Gratus58, Iumetel59, Town Planner
Fifty-fifth Generation Teuhvant (Telpuil56, Erb (Urbanus)57, Gratus58, Iumetel59, town planner. He rebuilt New Troy or Trinovantum as it was 60 61 62 63 64 65 then known, and renamed it KaerLud after him. This Ritigern , Oudicant , Outigern , Eliud , Eudaf , Eudelen , 66 67 68 69 70 became Lud’s Town or London. When he died he was Amalech , Beli , Bran the Blessed , Llyr (Lear) , Caswallon , Beli Mawr71) birth date unknown. buried by the city wall where Ludgate is named after him. There is a story of Lud in the Welsh tale “Lludd and Llefelys” Teuhvant had the following child: wherein Lud consults his brother Llefelys on how to combat three supernatural plagues that are smiting Britain. He 1. Tegfan54 . succeeds in defeating the source of the plagues and rules peacefully thereafter. This tale, like that of Merlin’s, to which it is closely related, may be about a real British prince King Eudaf Octavius (Welsh: Eudaf) was a semi- who ruled later. He became remembered in Welsh legend legendary ruler from Welsh legend to have ruled around the as the Celtic god Llud, also known as Nudd, the Celtic form period 350-80 and possibly beyond. of Nodens. Octavius was brother to Constantine I and ruled over Britain King Lud had the following child: while Constantine was emperor in Rome. Constantine had been crowned king of the Britons upon his father's death in 1. King Tenuantius54 . 306 at York. As Constantine became more powerful, he was forced to leave Britain in the hands of a proconsul while he 56 ruled in Rome. -
Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Download Saints and Sinners for FREE
SAINTS AND SINNERS IN DARK AGE ENGLAND Charles Christian © Copyright Charles Christian 2020 Charles Christian has asserted his right to be identified as the author in accordance with sections 77 & 78 of the Copyright, Designs and Patents Act 1988. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. Jointly published as a downloadablePDFfile only by: Urban Fantasist Heart of Albion Oak Lodge, DarrowGreen Road, 2 Cross Hill Close, Wymeswold Denton, Harleston, Norfolk, England Loughborough, LE126UJ www.urbanfantasist.com www.hoap.co.uk CONTENTS Introduction Putting the Sex back into Wessex 2 A Very Brief History of Time 4 Chapter 1 Sinners: Vortigernand Rowena 7 Chapter 2 Saint: The Strange Death and Afterlife of King Edmund 12 Chapter 3 Saints and Sinner: The Scandalous Lives of Three SaxonQueens 23 Chapter 4 Sinner: EadricStreona, the Worst Man You’veNever Heard of 40 Chapter 5 Sinner: The Violent Life and Times of Roger Bigod 49 Afterword Having the Benefit of God on Your Side 59 About the Author 61 INTRODUCTION : PUTTING THE SEX BACK INTO WESSEX Although I’vealways enjoyed history (even the dull, dry stuff – and some of it can be drier than an Egyptian mummy’swrappings) what really intrigues me are those weird, almost surreal moments that leave you shaking your head in disbelief wondering “Whatever were they thinking?” Such as the time King John of England sent an assassin armed with a poisoned boiled egg to kill an ex-girlfriend. Yes, you read that correctly, the murder weapon was a poisoned boiled egg – you won’tfind that in Cluedo. -
Geoffrey of Monmouth and Medieval Welsh Historical Writing
Chapter 9 The Most Excellent Princes: Geoffrey of Monmouth and Medieval Welsh Historical Writing Owain Wyn Jones A late 14th-century manuscript of Brut y Brenhinedd (“History of the Kings”), the Welsh translation of Geoffrey of Monmouth’s De gestis Britonum, closes with a colophon by the scribe, Hywel Fychan, Hywel Fychan ap Hywel Goch of Buellt wrote this entire manuscript lest word or letter be forgotten, on the request and command of his master, none other than Hopcyn son of Tomos son of Einion … And in their opinion, the least praiseworthy of those princes who ruled above are Gwrtheyrn and Medrawd [Vortigern and Mordred]. Since because of their treachery and deceit and counsel the most excellent princes were ruined, men whose descendants have lamented after them from that day until this. Those who suffer pain and subjection and exile in their native land.1 These words indicate the central role Geoffrey’s narrative had by this point as- sumed not only in vernacular historical writing, but also in the way the Welsh conceived of their past and explained their present. Hywel was writing around the time of the outbreak of Owain Glyn Dŵr’s revolt, and the ethnic and co- lonial grievances which led to that war are here articulated with reference to the coming of the Saxons and the fall of Arthur.2 During the revolt itself, Glyn Dŵr’s supporters justified his cause with reference to the Galfridian past, for 1 Philadelphia, Library Company of Philadelphia, 8680.O, at fol. 68v: “Y llyuyr h6nn a yscri- uenn6ys Howel Vychan uab Howel Goch o Uuellt yn ll6yr onys g6naeth agkof a da6 geir neu lythyren, o arch a gorchymun y vaester, nyt amgen Hopkyn uab Thomas uab Eina6n … Ac o’e barn 6ynt, anuolyannussaf o’r ty6yssogyon uchot y llywyassant, G6rtheyrn a Medra6t. -
The Imagined Cartography of Matthew Paris's Britain
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2013 "Queen of All Islands": The mI agined Cartography of Matthew aP ris's Britain John Wyatt Greenlee East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons, Other History Commons, and the Political History Commons Recommended Citation Greenlee, John Wyatt, ""Queen of All Islands": The mI agined Cartography of Matthew Paris's Britain" (2013). Electronic Theses and Dissertations. Paper 1118. https://dc.etsu.edu/etd/1118 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain _____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History _____________________ by John Wyatt Greenlee May 2013 _____________________ Dr. Brian J. Maxson, Chair Dr. William Douglas Burgess Dr. Thomas Crofts Dr. Daniel Newcomer Keywords: Matthew Paris, Britain, Cartography, Chronica Majora , Claudius Map ABSTRACT "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain by John Wyatt Greenlee In the middle decade of the thirteenth century, the Benedictine monk and historian Matthew Paris drew four regional maps of Britain. -
Pedigrees of Montgomeryshire Families
PUBLIC mm lilS RMPR7. LIBRAR 3 1833 00863m4419 ^ M £#'• •• . ,:.:--A: I ten 1*1 1/ PEDIGREES MONTGOMERYSHIRE FAMILIES. : OF MONTGOMEBYSHIKE FAMILIES. SELECTED ABOUT THE YEAR 1711-12 FROM iLetots Btonn's ©ristnal Visitation, BY THE CELEBRATED WELSH POET AND GRAMMARIAN, JOHN RHYDDERCH, A nd preserved in a MS. Volume formerly belonging to Lord Berwick, at Attingham House, near Shrewsbury, and afterwards in the possession of Sir THOMAS PHILLIPPS, Baronet, AT MIDDLEHILL, WORCESTERSHIRE. PRINTED FOR THE POWYS-LAND CLUB FOR THE USE OF ITS MEMBERS. LONDON WHITING & CO., 30 & 32. SARDINIA STREET, LINCOLN'S INN FIELDS. 1888. JL 222/064 THE MONTGOMERYSHIRE PEDIGREES, THE "VISITATIONS OF WALES", by LEWIS DWNN. The project, commenced in 1884, for printing these pedigrees for the use of the Members of the Powys-land Club is now carried out. The high authority of Lewis Dwnn's Visitations, and the extreme rarity and costliness of the work in which they were first printed by the Welsh Manuscript Society in 1846, rendered it desirable that the Montgomeryshire portion of such Visitations should be placed in the hands of the Members. This has been done, with- out extra cost, as part of the publications of the Club. One hundred extra copies have been printed before the type was distributed, which are intended to be offered to Members of the Club in the first instance. Any not taken by them will be offered for sale to the public. INTRODUCTION. To aid the memory in cherishing and perpetuating the record of what is honourable and of good report in families, has been pro- nounced "the science of fools with long memories." If wisdom were always associated with a short or tarnished one, we might accept such a dictum; but, as this is not so, we may safely refer else- where for a more truthful definition of so well-abused and mis- represented a study as genealogy. -
From the Romans to the Normans on the English Renaissance Stage
From the Romans to the Normans on the English Renaissance Stage Lisa Hopkins EARLY DRAMA, ART, AND MUSIC From the Romans to the Normans on the English Renaissance Stage EARLY DRAMA, ART, AND MUSIC Series Editors David Bevington University of Chicago Robert Clark Kansas State University Jesse Hurlbut Brigham Young University Alexandra Johnston University of Toronto Veronique B. Plesch Colby College ME Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences From the Romans to the Normans on the English Renaissance Stage by Lisa Hopkins Early Drama, Art, and Music MedievaL InsTITUTE PUBLICATIOns Western Michigan University Kalamazoo Copyright © 2017 by the Board of Trustees of Western Michigan University Library of Congress Cataloging-in-Publication Data are available from the Library of Congress. ISBN: 9781580442794 eISBN: 9781580442800 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in, or introduced into a retrieval system, or trans- mitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Conclusion T The OUTseT OF this book, I posed three questions: what did Aearly modern England know about the pre-Conquest past, where does this knowledge surface in literature, and above all, to what extent did ideas about the past shape concepts of contemporary national, cultural and political identities? To combine the first and second questions, early modern English dramatists knew (or thought they knew) a lot about the period between the Romans to the Normans.