DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography Bibliography The first part of this bibliography lists (i) posthumously published books by Joyce; (ii) the five volumes of published letters, all-important for the chronologist and (iii) catalogues of manuscript collections, particularly useful collections of Joyce’s poetry and shorter works, Joyce bibliographies and other books frequently con- sulted in the compilation of this chronology. The other parts of this bibliography are more self-explanatory. A. (i) Stephen Hero, Jonathan Cape, London; New Directions, Norfolk, Conn., 1944. The Critical Writings of James Joyce, edited by Ellsworth Mason and Richard Ellmann, Faber and Faber, London, 1959. (Note: this is out of print. An excellent replacement, however, is: James Joyce Occasional, Critical and Political Writing, edited by Kevin Barry, Oxford University Press, Oxford, 2000.) Epiphanies, edited by O.A. Silverman, University of Buffalo, Buffalo, 1956. Giacomo Joyce, edited by Richard Ellmann, Faber and Faber, London; The Viking Press, New York, 1968. (ii) Letters of James Joyce, Volume I edited by Stuart Gilbert, Faber and Faber, London, 1957; Volumes II and III edited by Richard Ellmann, Faber and Faber, London; The Viking Press, New York, 1966. Selected Letters of James Joyce, edited by Richard Ellmann, Faber and Faber, London; The Viking Press, New York, 1975. (This contains ten letters not previously published and parts of others not previously published.) James Joyce’s Letters to Sylvia Beach 1921–1940, edited by Melissa Banta and Oscar A. Silverman, Indiana University Press, Bloomington and Indianapolis, 1987. (iii) Connolly, Thomas E., James Joyce’s Books, Portraits, Manuscripts, Notebooks, Typescripts, Page Proofs, The Edwin Mellen Press, Lewiston, New York, 1997. Deming, Robert H., A Bibliography of James Joyce Studies, second edition revised and enlarged, G.K. Hall & Co., Boston, Mass., 1977. Deming, Robert H., James Joyce: The Critical Heritage, two volumes, Routledge and Kegan Paul, London, 1970. Ellmann, Richard, Litz, A. Walton and Whittier-Ferguson, John (eds), James Joyce: Poems and Shorter Writings, Faber and Faber, London, 1991. Fahy, Catherine, The James Joyce – Paul Léon Papers in The National Library of Ireland: A Catalogue, National Library of Ireland, Dublin, 1992. Gillespie, Michael Patrick (with Erick Bradford Stocker), James Joyce’s Trieste Library: A Catalogue of Materials, Humanities Research Center/University of Texas, Austin, 1986. 211 212 A James Joyce Chronology Groden, Michael (ed.), The James Joyce Archive, Garland Publishing, New York, 1977–80. Groden, Michael, James Joyce’s Manuscripts: An Index, Garland Publishing, New York, 1980. Lund, Steven, James Joyce: Letters, Manuscripts: and Photographs at Southern Illinois University, Whitston Publishing, Troy, New York, 1983. Mays, J.C.C. (ed.), James Joyce: Poems and Exiles, Penguin Books, London, 1992. Scholes, Robert E., The Cornell Joyce: Collection: a Catalogue, Cornell University Press, Ithaca, New York, 1961. Slocum, John and Cahoon, Herbert, A Bibliography of James Joyce 1882–1941, Rupert Hart-Davis, London, 1953. Spielberg, Peter, James Joyce’s Manuscripts and Letters at the University of Buffalo: A Catalogue, University of Buffalo, Buffalo, 1962. Staley, Thomas (ed.), An Annotated Critical Bibliography of James Joyce, Harvester Wheatsheaf, Hemel Hempstead, 1989. B. Biographies of Joyce and Members of his Family Anderson, Chester G., James Joyce, Thames and Hudson, London, 1967. Beja, Morris, James Joyce: A Literary Life, Ohio State University Press, Columbus, 1992. Berrone, Louis (ed.), James Joyce in Padua, Random House, New York, 1977. Bradley, Bruce, James Joyce’s Schooldays, Gill and Macmillan, Dublin, 1982. Costello, Peter, James Joyce, Gill and Macmillan, Dublin, 1980. Costello, Peter, James Joyce: The Years of Growth 1882–1915, Kyle Cathie, London, 1992. Crivelli, Renzo S., Itinerari Triestini. James Joyce. Triestine Itineraries, translated by John McCourt, Università degli Studi di Trieste/MGS Press, Trieste, 1996. Daly, Leo, James Joyce and the Mullingar Connection, Dolmen Press, Dublin, 1975. Davies, Stan Gébler, James Joyce : A Portrait of the Artist, Davis-Poynter, London, 1975. Edel, Leon, James Joyce: The Last Journey, Gotham Book Mart, New York, 1947. Ellmann, Richard, Four Dubliners, Hamish Hamilton, London, 1987. Ellmann, Richard, James Joyce, revised edition, Oxford University Press, Oxford, 1982. Faerber, Thomas and Luchsinger, Markus, Joyce in Zürich, Unionsverlag, Zürich, 1988. Gorman, Herbert S., James Joyce: A Definitive Biography, John Lane, The Bodley Head, London, 1941. Hartshorn, Peter, James Joyce and Trieste, Greenwood Press, Westport, Conn., 1997. Igoe, Vivien, James Joyce’s Dublin Houses and Nora Barnacle’s Galway, Mandarin, London, 1990. Jackson, John Wyse and Costello, Peter, John Stanislaus Joyce: The Voluminous Life and Genius of James Joyce’s Father, Fourth Estate, London, 1997. Maddox, Brenda, Nora: A Biography of Nora Joyce, Hamish Hamilton, London, 1988. McCourt, John, James Joyce: A Passionate Exile, Orion Media, London, 2000. McCourt, John, The Years of Bloom: James Joyce in Trieste 1904–1920, The Lilliput Press, Dublin, 2000. Melchiori, Giorgio (ed.), Joyce in Rome: The Genesis of Ulysses, Bulzoni, Rome, 1984. O Laoi, Padraic, Nora Barnacle Joyce : A Portrait, Kenny’s Bookshops and Art Galleries, Galway, 1982. Shloss, Carol Loeb, Lucia Joyce: To Dance in the Wake, Farrar, Straus and Giroux, New York, 2003. Sullivan, Kevin, Joyce Among the Jesuits, Columbia University Press, New York, 1958. C. Memoirs, Diaries and Autobiographies by Joyce’s Contemporaries Beach, Sylvia, Shakespeare and Company, 1959; new edition University of Nebraska Press, Lincoln, Nebraska, 1991. Bibliography 213 Blondel, Nathalie (ed.), The Journals of Mary Butts, Yale University Press, New Haven, 2002. Budgen, Frank, James Joyce and the Making of ‘Ulysses’, 1934; with additional material, Oxford University Press, Oxford, 1972. Budgen, Frank, Myselves When Young, Oxford University Press, Oxford, 1970. Byrne, John Francis, Silent Years: An Autobiography, with Memoirs of James Joyce and Our Ireland, Farrar, Strauss and Young, New York, 1953. Colum, Mary, Life and the Dream, Doubleday, New York, 1947. Colum, Mary and Padraic, Our Friend James Joyce, Gollancz, London, 1959. Cousins, James H. and Margaret E., We Two Together, Ganesh, Madras, India, 1950. Crosby, Caresse, The Passionate Years, Alvin Redman, London, 1955. Curran, Constantine, James Joyce Remembered, Oxford University Press, Oxford, 1968. Eglinton, John (i.e. W.K. Magee), Irish Literary Portraits, Macmillan, London, 1935. Freund, Gisèle, Trois jours avec Joyce, Denöel, Paris, 1982. Freund, Gisèle and Carleton, V.B., James Joyce in Paris: His Final Years, Cassell, London, 1966. Giedion-Welcker, C., In Memoriam James Joyce, Fretz & Wasmuth Verlag, Zürich, 1941. Gillet, Louis, Claybook for James Joyce, Abelard-Schuman, London and New York, 1958. Gogarty, Oliver St John, As I Was Going Down Sackville Street, Richard Cowan, London, 1937. Gogarty, Oliver St John, Intimations, Abelard Press, New York, 1950. Gogarty, Oliver St John, It Isn’t This Time of Year at All: An Unpremeditated Autobiography, Doubleday, Garden City, 1954. Gogarty, Oliver St John, Many Lines to Thee, The Dolmen Press, Dublin, 1971. Gogarty, Oliver St John, Mourning Becomes Mrs Spendlove, Creative Age, New York, 1948. Guggenheim, Peggy, Out of This Century: Confessions of An Art Addict, André Deutsch, London, 1980. Hemingway, Ernest, A Moveable Feast, Jonathan Cape, London, 1964. Holloway, Joseph, Joseph Holloway’s Abbey Theatre: A Selection from His Unpublished Journal, Southern Illinois University Press, Carbondale, 1967. Joyce, Stanislaus, The Complete Dublin Diary of Stanislaus Joyce, edited by George H. Healey, Cornell University Press, Ithaca, New York, 1971. Joyce, Stanislaus, My Brother’s Keeper, edited by Richard Ellmann, Faber and Faber, London, 1958. Joyce, Stanislaus, Recollections of James Joyce by his Brother translated from the Italian by Ellsworth Mason, The James Joyce Society, New York, 1950. Kahane, Jack, Memoirs of a Booklegger, Michael Joseph, London, 1939. Lewis, Wyndham, Blasting and Bombardiering, Calder and Boyars, London, 1967. McAlmon, Robert, Being Geniuses Together 1920–1930, revised edition, Doubleday, New York, 1968. Mikhail, E.H. (ed.), James Joyce: Interviews and Recollections, Macmillan (now Palgrave Macmillan), Basingstoke, 1990. Noël, Lucie, James Joyce and Paul Léon : The Story of a Friendship, Gotham Book Mart, New York, 1950. O’Connor, Ulick (ed.), The Joyce We Knew: Memories by Eugene Sheehy, Will G. Fallon, Padraic Colum, Arthur Power, The Mercier Press, Cork, 1967. Potts, Willard (ed.), Portraits of the Artist in Exile: Recollections of James Joyce by Europeans, Wolfhound Press, County Dublin, 1979. 214 A James Joyce Chronology Power, Arthur, Conversations with James Joyce, edited by Clive Hart, Millington Books, London, 1974. Sheehy, Eugene, May It Please the Court, Fallon, Dublin, 1951. Staley, Thomas F. and Lewis, Randolph (eds), Reflections on James Joyce: Stuart Gilbert’s Paris Journal, University of Texas Press, Austin, 1993. Svevo, Livia Veneziani, Memoir of Italo Svevo, translated by Isabel Quigly, Marlboro Press, Marlboro, Vermont, 1990. D. Other Works Consulted Alpers, Antony, The Life of Katherine Mansfield, Jonathan Cape, London, 1980. Anderson, Margaret, My Thirty Years War, Covici-Friede, New York, 1930. Antheil, George, Bad Boy of Music, Doubleday, Doran and Company, New York, 1945. Arnold,
Load more

Recommended publications
  • Love in Joyce
    /RYHLQ-R\FH$3KLORVRSKLFDO$SSUHQWLFHVKLS 5XEHQ%RUJ Joyce Studies Annual, 2014, pp. 42-62 (Article) 3XEOLVKHGE\)RUGKDP8QLYHUVLW\3UHVV DOI: 10.1353/joy.2014.0010 For additional information about this article http://muse.jhu.edu/journals/joy/summary/v2014/2014.borg.html Access provided by Hebrew University of Jerusalem (28 Jan 2015 11:28 GMT) Love in Joyce A Philosophical Apprenticeship RUBEN BORG This essay reads Joyce’s fiction as an apprenticeship in love. With this term, I would like to suggest that love is not only a prominent theme in Joyce, but a dominant concept within a philosophical and artistic trajectory, part and parcel of an artist’s progress as he experiments with the power of images and with modes of representation. My argument turns on three interconnected points: first, that early on in his career Joyce adopts a scholastic framework according to which love is the supreme philosophi- cal emotion and the source from which all other emotions proceed; sec- ond, that he puts this framework to the test by pitting the concept of love against a cluster of related passions, most notably desire, pity, and joy; and finally, that in exploring these passions, he grapples with the problem of reconciling a scholastic interpretation of love with a modernist approach to representation. Joyce originally adheres to the hierarchy of dramatic passions estab- lished by the scholastic tradition; but in the course of his artistic evolution he is led to question the sustainability of that hierarchy. We will see that this shift is best illustrated by a comparison between A Portrait of the Artist and Giacomo Joyce.
    [Show full text]
  • Archives of American Art Journal, Vol. 49 Nos. 1-2: the Anniversary Issue
    From the director This year marks the fiftieth anniversary of theArchives of American Art Journal. What started as a modest pamphlet for announcing new acquisitions and other Archives’ activities soon blossomed into one of the signature publications for the dissemination of new research in the field of American art history. During its history, the Archives has published the work of most of the leading thinkers in the field. The list of contributors is far too long to include, but choose a name and most likely their bibliography will include an essay for the Journal. To celebrate this occasion, we mined the Journal’s archive and reprinted some of the finest and most representative work to have appeared in these pages in the past five decades. Additionally, we invited several leading scholars to prepare short testimonies to the value of the Journal and to the crucial role that the Archives has played in advancing not only their own work, but its larger mission to foster a wider appreciation and deeper understanding of American art and artists. I’m particularly grateful to Neil Harris, Patricia Hills, Gail Levin, Lucy Lippard, and H. Barbara Weinberg for their thoughtful tributes to the Journal. Additionally, I’d like to thank David McCarthy, Gerald Monroe, H. Barbara Weinberg, and Judith Zilczer for their essays. And I would like to make a very special acknowledgement to Garnett McCoy, who served as the Journal’s editor for thirty years. As our current editor Darcy Tell points out, the Journal’s vigor and intellectual rigor owe much to Garnett’s stewardship and keen Endpapers inspired by the Artists' Union logo.
    [Show full text]
  • Deleuze in Children's Literature
    Deleuze in Children’s Literature Plateaus – New Directions in Deleuze Studies ‘It’s not a matter of bringing all sorts of things together under a single concept but rather of relating each concept to variables that explain its mutations.’ Gilles Deleuze, Negotiations Series Editors Ian Buchanan, University of Wollongong Claire Colebrook, Penn State University Editorial Advisory Board Keith Ansell Pearson, Ronald Bogue, Constantin V. Boundas, Rosi Braidotti, Eugene Holland, Gregg Lambert, Dorothea Olkowski, Paul Patton, Daniel Smith, James Williams Titles available in the series Christian Kerslake, Immanence and the Vertigo of Philosophy: From Kant to Deleuze Jean-Clet Martin, Variations: The Philosophy of Gilles Deleuze, translated by Constantin V. Boundas and Susan Dyrkton Simone Bignall, Postcolonial Agency: Critique and Constructivism Miguel de Beistegui, Immanence – Deleuze and Philosophy Jean-Jacques Lecercle, Badiou and Deleuze Read Literature Ronald Bogue, Deleuzian Fabulation and the Scars of History Sean Bowden, The Priority of Events: Deleuze’s Logic of Sense Craig Lundy, History and Becoming: Deleuze’s Philosophy of Creativity Aidan Tynan, Deleuze’s Literary Clinic: Criticism and the Politics of Symptoms Thomas Nail, Returning to Revolution: Deleuze, Guattari and Zapatismo François Zourabichvili, Deleuze: A Philosophy of the Event with The Vocabulary of Deleuze edited by Gregg Lambert and Daniel W. Smith, translated by Kieran Aarons Frida Beckman, Between Desire and Pleasure: A Deleuzian Theory of Sexuality Nadine Boljkovac,
    [Show full text]
  • The Sentence That Makes Stephen Dedalus Smash the Lamp
    Colby Quarterly Volume 22 Issue 2 June Article 3 June 1986 The Sentence That Makes Stephen Dedalus Smash the Lamp Frederick K. Lang Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.2, June 1986, p.88-92 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Lang: The Sentence That Makes Stephen Dedalus Smash the Lamp The Sentence That Makes Stephen Dedalus Smash the Lamp by FREDERICK K. LANG N Earthly Powers, among the finishing touches Anthony Burgess puts I to his caricature of Joyce at middle age, we find a trace of an earlier portrait of the artist. Hearing thunder, Burgess's "Poor fearful Joyce" reverts to prayer: "0 blessed Sacred Heart of Jesus keep us from harm."1 In the "Circe" episode of Ulysses, Stephen Dedalus, "Choking withfright, remorse and horror," confronts his dead mother. 2 "0 Sacred Heart of Jesus, have mercy on him!" moans the apparition: "Save him from hell, o divine Sacred Heart!" (U 582). The prayer recited by Burgess's Joyce in 1923 and that recited to Joyce's Stephen in 1904 both resemble the invocations in "The Litany of the Most Sacred Heart of Jesus,"3 which is contained in numerous prayerbooks and religious manuals, including Devotions to the Sacred Heart ofJesus, published in Dublin. 4 What makes this particular work significant is that, two pages before the Litany of the Sacred Heart, we discover the origin of the sentence which accounts for Stephen's famous assault upon the brothel chandelier, the sentence which leaves him "Translating his spiritual into physical rebellion."5 Preceding the Litany is "An Act of Reparation"- "For the innumerable Irreverences and grievous Offences, by which we and others have insulted the Heart ofJesus" (Dev 304-06).
    [Show full text]
  • YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text.
    [Show full text]
  • Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
    Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake.
    [Show full text]
  • James Joyce and His Influences: William Faulkner and Anthony Burgess
    James Joyce and His Influences: William Faulkner and Anthony Burgess An abstract of a Dissertation by Maxine i!3urke July, Ll.981 Drake University Advisor: Dr. Grace Eckley The problem. James Joyce's Ulysses provides a basis for examining and analyzing the influence of Joyce on selected works of William Faulkner and Anthony Bur­ gess especially in regard to the major ideas and style, and pattern and motif. The works to be used, in addi­ tion to Ulysses, include Faulkner's "The Bear" in Go Down, Moses and Mosquitoes and Burgess' Nothing Like the Sun. For the purpose, then, of determining to what de­ gree Joyce has influenced other writers, the ideas and techniques that explain his influence such as his lingu­ istic innovations, his use of mythology, and his stream­ of-consciousness technique are discussed. Procedure. Research includes a careful study of each of the works to be used and an examination of var­ ious critics and their works for contributions to this influence study. The plan of analysis and presentation includes, then, a prefatory section of the dissertation which provides a general statement stating the thesis of this dissertation, some background material on Joyce and his Ulysses, and a summary of the material discussed in each chapter. Next are three chapters which explain Joyce's influence: an introduction to Joyce and Ulysses; Joyce and Faulkner; and Joyce and Burgess. Thus Chapter One, for the purpose of showing how Joyce influences other writers, discusses the ideas and techniques that explain his influences--such things as his linguistic innovations, his use of mythology, and his stream-of­ consciousness method.
    [Show full text]
  • The Earliest Translations of Joyce's Ulysses
    Papers on Joyce 16 (2010): 81-91 The Earliest Translations of Joyce’s Ulysses CARMELO MEDINA CASADO Abstract The article explores Joyce’s interest and active participation in the earliest translations of Ulysses into German, French, Spanish, Russian, Czech, Polish, Japanese, Danish, Italian, Hungarian and Portuguese, as documented in Sylvia Beach’s business letters, now part of the “James Joyce Collection” in the Poetry Collection at the University of the State of NY at Buffalo, and in the James Joyce-Paul Leon Papers at the National Library of Ireland, Dublin. Keywords: Ulysses, early translations, Sylvia Beach’s letters, James Joyce-Paul Leon Papers. ylvia Beach’s decision to publish Ulysses in her bookshop S“Shakespeare and Company” in 1922 came as a direct 1 consequence of the censorship pressure met by the novel. This pressure and its eventual ban, both in the United States and in 81 THE EARLIEST TRANSLATION OF JOYCE’S ULYSSES United Kingdom, did not quell the interest in the literary world to read Joyce’s Ulysses; furthermore it attracted the attention of people who wanted to read it in languages other than English and consequently of publishers and translators from different countries. The first legal ban of Ulysses took place in the United States in 1921, when it was still being periodically published in The Little Review; the ban was finally lifted by Judge John Woolsey’s resolution in 1933. In the United Kingdom, the ban and prosecution was personally carried out by the Director of Public Prosecution (DPP); here too its distribution and publication was finally allowed in 1936, which was followed by the lifting of the ban in the rest of the English speaking world, where it had also been prohibited, except in 2 Ireland where Ulysses was not banned.
    [Show full text]
  • The Gamut: a Journal of Ideas and Information, No. 26, Spring 1989
    Cleveland State University EngagedScholarship@CSU The Gamut Archives Publications Spring 1989 The Gamut: A Journal of Ideas and Information, No. 26, Spring 1989 Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/gamut_archives Part of the Arts and Humanities Commons, Business Commons, Medicine and Health Sciences Commons, and the Social and Behavioral Sciences Commons How does access to this work benefit ou?y Let us know! Recommended Citation Cleveland State University, "The Gamut: A Journal of Ideas and Information, No. 26, Spring 1989" (1989). The Gamut Archives. 24. https://engagedscholarship.csuohio.edu/gamut_archives/24 This Book is brought to you for free and open access by the Publications at EngagedScholarship@CSU. It has been accepted for inclusion in The Gamut Archives by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. -.­ - - Number 26 Spring 1989 Louis T. Milic 2 Editorial Judging the Contest James Shelley 4 The Kokoon Arts Club, 1911-1940 Cleveland artists enlivened serious aims with exuberant antics. Charlotte Newman 15 Cleveland's First Woman Physician Myra Merrick struggled to bring medical care to the poor. The Gamut Prize in Short Fiction Lee K. Abbott 30 Introduction Elizabeth Richards 32 All of Us John Richardson 42 Hangover Mornings Mariflo Stephens 52 Hazed In Paulette Schmidt 61 The Price of Haircuts Elizabeth McClelland 68 John Quinn, Patron of the Avant-Garde The young man from Tiffin bestrode the art worlds of early twentieth-century Europe and America. Claude Clayton Smith 74 Letter from New Stark, Ohio Drought, roaring trucks, and dwindling population.
    [Show full text]
  • 01-Newsletter-060709.Pdf
    END OF THE WORLD New SL E TT E R July-August 2009 Issue: 03 Editor Dougie Milton Chief Editors Alan Roughley Nuria Belastegui New S FROM TH E HOUS E Dear Honorary Patrons, Trustees, members and anybody with an interest in Burgess visiting this website: This edition of The End of the World Newsletter has been very of Gerry Docherty and the financial acumen of Gaëtan capably put together and edited by that well-known Burgessian, de Chezelles, purchased new premises to house its Burgess Dougie Milton. Sadly, this will be the first edition of the collection. The Engine House of a renovated cotton mill in Newsletter that Liana Burgess will not be reading. Liana passed central Manchester will provide away in December 2007. Mrs Burgess has provided funding space for readings and performances for us to continue the development of the Foundation until we of Burgess’s literary works and become financially self-sufficient. music, as well as offering an excellent performance space If you know of for writers and musicians from anybody who may Manchester and from the wider want to become national and international contexts. a member of the The Engine House at Chorlton Mill, Foundation, please The renovation of the Engine Manchester pass on our details House at Chorlton Mill is being to them. led by architect Aoife Donnelly. Completion date for the refurbishment of the premises will be late 2009 or very early Since the last 2010. We hope that you will all pencil those dates in your diaries, edition of the and come and help us celebrate the opening of the new IABF.
    [Show full text]
  • The Rocky Road to Ulysses
    _t_ THE ROCKY ROAD TO ULYSSES BY HANS WALTER GABLER Series Editors Luca Crispi and Catherine Fahy THE NATIONAL LIBRARY OF IRELAND JOYCE STUDIES 2004 To the memory of Richard Ellmann (1918-1987) and Hugh Kenner (1923-2003) © 2005 Hans Walter Gabler —Ten years, {Mulligan] said, chewing and laughing. He is going to write something in ten years. —Seems a long way off, Haines said, thoughtfully lifting his spoon. Still, I shouldn't wonder if he did after all. (Ulysses 10.1089-92)' May Joyce, James Joyce's sister, remembered in a letter to her brother of 1 September 1916 that Jim would send all the younger brothers and sisters out of the room and, alone with his dying mother, would read to her from the novel he had just begun to write. May remembered because once or twice she managed to get overlooked, hiding under the sofa; and eventually Jim allowed her to stay for chapter after chapter.2 This must have been in the summer of 1903. It cannot have been later, for their mother died that August. Nor is it likely to have been earlier, since that would have been before Joyce left for Paris in early December 1902; nor, presumably, did these readings take place during the two or three weeks from late December 1902 to mid-January 1903 when Joyce, homesick, returned from Paris to spend Christmas in Dublin. We believe we know what James Joyce's first attempts at writing were, in his late teens, before he left Ireland for Paris. They comprised juvenile and early poems, some journalistic efforts, two translations from the German of plays by Gerhart Hauptmann,' and a miscellany made up of brief dramatic and narrative scenes and vividly visual accounts of dreams.
    [Show full text]
  • Giacomo Joyce
    GIACOMO JOYCE BY JAMES JOYCE ..•• ~@~ ••.. With an Introduction and Notes by . RICHARD ELLMANN New York THE VIKING PRESS This first edition of Giacomo Joyce with four full-scale facsimile pages from the manuscript and reduced reproductions of the other pages, published on January 1, 1968, is limited to one printing for world distribution and the text will not be reprinted in this form Copyright © 1959, 1967, 1968 by F. Lionel Monro as Administrator of the Estate of James Joyce Introduction and notes by Richard Ellmann Copyright © 1968 by Richard Ellmann All rights reserved First published in 1968 by The Viking Press, Inc. 625 Madison Avenue, New York, N.Y. 10022 Library of Congress catalog card number : 67-28920 Printed in U.S.A. Fragments of Giacomo Joyce are quoted in Richard Ellmann's James Joyce, Oxford University Press, New York, 1959, and other excerpts in Harper's Magazine for January 1968 Contents INTRODUCTION BY RICHARD ELLMANN pageix THE TEXT OF THE NOTEBOOK page 1 FACSIMILES OF THE NOTEBOOK PAGES following page 16 NOTES page xxiii failed to stand when the "Marcia Reale," anthem of the Kingdom of Italy, was played. Albini, who wrote for the Roman socialist newspaper Avanti! rather than, as Joyce says, for the Turin daily Il Secolo, was expelled on December 17, 1911, at a benefit concert for the Italian Red Cross and the families of soldiers killed or wounded in Libya, where Italy was fighting the Turks. Other references, out of sequence as often as in, indicate that more time has elapsed. A description of Padua at night must derive from joyce's two trips to that city late in April 19HZ, when he went to be examined in the hope of qualifying to teach English at an Italian high school.
    [Show full text]