Contemporary British and Anglophone Literature (Post-1960)
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ENGL 6115 Syllabus SSII 2020
English 6115 21st Century Global Anglophone Literature Virtual sessions on Google Meet, Wednesdays from 5:30-8:00 Instructor: Matt Franks Virtual Office Hours on Google Meet, Thursdays from 4-5 & by appt. Email: [email protected] Course Description: This class will focus on British, South Asian, African, and Caribbean literature from the past 20 years. We will engage in these texts through a transnational feminist framework focused on the afterlives of slavery and colonialism in the 21st century and ongoing resistance to gender, racial, and class domination. We will attempt to describe the current state of global literatures written in English, asking some of the following questions: how do contemporary writers and theorists respond to late 20th century global frameworks like postcolonialism, subaltern studies, and the black Atlantic? How has advanced globalization impacted formerly colonized sites as well as literary production itself? What problems does the term “Global Anglophone” itself elucidate and conceal? Required Texts: Zadie Smith, NW; Mohsin Hamid, Exit West; Aravind Adiga, The White Tiger; Chimamanda Ngozi Adichie, Half of a Yellow Sun; Bernardine Evaristo, Girl, Woman, Other; M. NourbeSe Philip, Zong!; Dionne Brand, A Map to the Door of No Return; Marlon James, Black Leopard, Red Wolf Learning Outcomes: Students will learn to… ® Demonstrate advanced mastery of content within the field of contemporary Global Anglophone literary studies by answering comprehensive discussion questions about specific writers, genres, texts, and theories within this period in class discussions. ® Demonstrate refined skills in scholarly writing by completing an extended research-based project. ® Demonstrate a facility in relating the facts and ideas of the discipline of English studies to the field of Global Anglophone literature and theory within the context of Western intellectual history. -
Limits of Orality and Textuality in Ciaran Carson's Poetry
Grzegorz Czemiel Instytut Anglistyki Wydział Neofilologii Uniwersytet Warszawski Limits of orality and textuality in Ciaran Carson’s poetry praca doktorska napisana pod kierunkiem prof. dr. hab. Jerzego Jarniewicza Warszawa, 2012 Table of contents Introduction .............................................................................................................................. 4 Chapter One – The dialectics of orality and textuality ....................................................... 18 I Aspects of orality in The Irish For No ............................................................................ 18 The turn ........................................................................................................................... 18 The revival of the oral tradition .................................................................................... 19 The dialectic .................................................................................................................... 21 The Irish For No ............................................................................................................. 23 The ends of discourse ..................................................................................................... 28 Locality and the reservoir .............................................................................................. 32 The image of speech ....................................................................................................... 34 Ying-yang, I-Ching and politics ................................................................................... -
Myth and Intertexuality in Nadine Gordimer's the Conservationist
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Myth and Intertexuality in Nadine Gordimer’s The Conservationist *Dr. R. Janatha Kumari, Assistant Professor of English, Sree Ayyappa College for Women, Chunkankadai, Affiliated to Manonmaniam Sundaranar University, Tirunelveli. *Dr Sheeba S. Nair, Assistant Professor of English, Sree Ayyappa College for Women, Chunkankadai, Affiliated to Manonmaniam Sundaranar University, Tirunelveli Abstract South African Literature occupies a significant place among the new literatures of the commonwealth for its vigour, vitality and freshness. One of the most outstanding features of South African Culture is that it is not one single culture, but rather of different cultures representing every level of a stratified community. The relationship between myth and literature has taken varying forms in literature. Gordimer has employed the natural structure of the novel to express the true culture of South Africa through the use of myths and rituals. Gordimer encapsulates the South African culture and they are unshakable testimony to cultural discourses of the racially divided South Africa. Her masterpiece, The Conservationist is mapped by inter textual and mythical spaces. Historical, Biblical and Zulu myths are aptly used in The Conservationist. Gordimer makes use of myths and fables to portray man’s life and illuminates the seamy side of life with a profusion of fantasy and absurdities. Key Words: Culture, Myth, Intertexuality, Religion, Farm, Whites, Blacks Volume XII, Issue V, 2020 Page No: 3107 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 South Africa, the ‘rainbow nation’ with its fifty million people is known for its diversity in languages and religious beliefs. -
The Inauthentic Portrayal of India in Aravind Adiga's the White Tiger
THE INAUTHENTIC PORTRAYAL OF INDIA IN ARAVIND ADIGA’S THE WHITE TIGER DR. S. MURUGARAJAN Lt. S. NITHYA SGT, PUPS, Assistant Professor, Perumalkovil Pudur, Erode 638151 Karpagam Academy of Higher Education, (TN) INDIA Coimbatore. (TN) INDIA The White Tiger is the reflection of the mind of an Indian born outsider Aravind Adiga. It had won the Booker Prize for Literature in 2008 for its presentation of his ‘Real India’. But truly it is not. It is a cynical anthropology from an outsider. Adiga may be born in India but his novel exposes himself as an outsider. The Indian critics have commended him as an outsider because of his ideas and thoughts, which represented in his novel through the mouth of the protagonist Balram Halwai. Adiga’s The White Tiger is published in 2008 and the same year it had won the man of booker prize. That makes everyone to look at him. It is an attempt to reveal the inauthentic presentation of India by Aravind Adiga. INTRODUCTION The White Tiger is a debut novel, which describes India in a different point of view. Adiga gives a picture or tale of two India’s, the India of Darkness and Light, the India of Poverty. And this novel comes across an inauthentic portrait by real India, it is the comment given by the critics of India. Most of the foreign critics and others are praised Adiga for his presentation of India in a different angle. But the Indian Critics did not accept the views and presentation of such ideas. DR. S. MURUGARAJAN Lt. -
ADKINS-DOCUMENT-2016.Pdf
Copyright Alexander Adkins 2016 ABSTRACT Postcolonial Satire in Cynical Times by Alexander Adkins Following post-1945 decolonization, many anticolonial figures became disenchanted, for they witnessed not the birth of social revolution, but the mere transfer of power from corrupt white elites to corrupt native elites. Soon after, many postcolonial writers jettisoned the political sincerity of social realism for satire—a less naïve, more pessimistic literary genre and approach to social critique. Satires about the postcolonial condition employ a cynical idiom even as they often take political cynicism as their chief object of derision. This dissertation is among the first literary studies to discuss the use of satire in postcolonial writing, exploring how and why some major Anglophone global writers from decolonization onward use the genre to critique political cynicisms affecting the developing world. It does so by weaving together seemingly disparate novels from the 1960s until today, including Chinua Achebe’s sendup of failed idealism in Africa, Salman Rushdie’s and Hanif Kureishi’s caricatures of Margaret Thatcher’s enterprise culture, and Aravind Adiga’s and Mohsin Hamid’s parodies of self-help narratives in South Asia. Satire is an effective form of social critique for these authors because it is equal opportunity, avoiding simplistic approaches to power and oppression in the postcolonial era. Satire often blames everyone—including itself—by insisting on irony, hypocrisy, and interdependence as existential conditions. Postcolonial satires ridicule victims and victimizers alike, exchanging the politics of blame for messiness, association, and implication. The satires examined here emphasize that we are all, to different degrees, mutually implicated subjects, especially in the era of global capitalism. -
Iwas Lucky to Be in London in May and Catch
The Scream REBECCA NEMSER I was lucky to be in London in May and catch Fram , Tony Harrison’s latest play,* in its short but spectacu - lar run at the Olivier Theatre at London’s National Theatre. The play, all in rhyming verse, begins in Westminster Abbey, with moonlight shining through the stained glass of the great Rose Window, casting a reflection of Aeschylus on the cold stone floor. In walks the ghost of Gilbert Murray (Jeff Rawle), rising up from his grave and carrying a tragic mask. Murray, the early-twentieth-century Oxford professor and classicist, was also a humanitarian, deeply involved in the League of Nations and the United Nations and co-founder of Oxfam. But since his death fifty years ago, his once-admired verse translations of Aeschylus and Euripides have been scorned, and the world he tried to save has been ravaged by even more unimaginable horrors. So instead of decomposing in his urn, he has spent his afterlife composing this play. He calls up the spirit of Sybil Thorndike (Sian Thomas, as splendid as the character she plays), the actress who tri - umphed on the London stage as Clytemnestra, Hecuba, and Medea in Murray’s once wildly popular versions, and whisks her off to the Olivier stalls of the National Theatre—for Fram is not just a play within a play, but a theater within a theater. Most of all, it is a poem about poetry. The hero of the play is Fridtjof Nansen (Jasper Britton), Murray’s long-ago friend (and admirer of his translations)— the dashing Norwegian scientist, artist, and Arctic explorer *Tony Harrison, Fram . -
Metamodernism, Or Exploring the Afterlife of Postmodernism
“We’re Lost Without Connection”: Metamodernism, or Exploring the Afterlife of Postmodernism MA Thesis Faculty of Humanities Media Studies MA Comparative Literature and Literary Theory Giada Camerra S2103540 Media Studies: Comparative Literature and Literary Theory Leiden, 14-06-2020 Supervisor: Dr. M.J.A. Kasten Second reader: Dr.Y. Horsman Master thesis submitted in accordance with the regulations of Leiden University 2 Table of Contents Acknowledgments ................................................................................................................................. 3 Introduction ........................................................................................................................................... 4 CHAPTER 1: Discussing postmodernism ........................................................................................ 10 1.1 Postmodernism: theories, receptions and the crisis of representation ......................................... 10 1.2 Postmodernism: introduction to the crisis of representation ....................................................... 12 1.3 Postmodern aesthetics ................................................................................................................. 14 1.3.1 Sociocultural and economical premise ................................................................................. 14 1.3.2 Time, space and meaning ..................................................................................................... 15 1.3.3 Pastiche, parody and nostalgia ............................................................................................ -
Metamodernism and Vaporwave: a Study of Web 2.0 Aesthetic Culture
Nota Bene: Canadian Undergraduate Journal of Musicology Volume 14 | Issue 1 Article 3 Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture Nicholas Morrissey University of Wisconsin-Oshkosh Recommended Citation Morrissey, Nicholas. “Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture.” Nota Bene: Canadian Undergraduate Journal of Musicology 14, no. 1 (2021): 64-82. https://doi.org/10.5206/notabene.v14i1.13361. Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture Abstract With the advent of Web 2.0, new forms of cultural and aesthetic texts, including memes and user generated content (UGC), have become increasingly popular worldwide as streaming and social media services have become more ubiquitous. In order to acknowledge the relevance and importance of these texts in academia and art, this paper conducts a three-part analysis of Vaporwave—a unique multimedia style that originated within Web 2.0—through the lens of a new cultural philosophy known as metamodernism. Relying upon a breadth of cultural theory and first-hand observations, this paper questions the extent to which Vaporwave is interested in metamodernist constructs and asks whether or not the genre can be classed as a metamodernist text, noting the dichotomy and extrapolation of nostalgia promoted by the genre and the unique instrumentality it offers to its consumers both visually and sonically. This paper ultimately theorizes that online culture will continue to play an important role in cultural production, aesthetic mediation, and even -
Transmodern Reconfigurations of Territoriality
societies Article Transmodern Reconfigurations of Territoriality, Defense, and Cultural Awareness in Ken MacLeod’s Cosmonaut Keep Jessica Aliaga-Lavrijsen Centro Universitario de la Defensa Zaragoza, Zaragoza 50090, Spain; [email protected] Received: 5 September 2018; Accepted: 17 October 2018; Published: 19 October 2018 Abstract: This paper focuses on the science fiction (SF) novel Cosmonaut Keep (2000)—first in the trilogy Engines of Light, which also includes Dark Light (2001) and Engines of Light (2002)—by the Scottish writer Ken MacLeod, and analyzes from a transmodern perspective some future warfare aspects related to forthcoming technological development, possible reconfigurations of territoriality in an expanding cluster of civilizations travelling and trading across distant solar systems, expanded cultural awareness, and space ecoconsciousness. It is my argument that MacLeod’s novel brings Transmodernism, which is characterized by a “planetary vision” in which human beings sense that we are interdependent, vulnerable, and responsible, into the future. Hereby, MacLeod’s work expands the original conceptualization of the term “Transmodernism” as defined by Rodríguez Magda, and explores possible future outcomes, showing a unique awareness of the fact that technological processes are always linked to political and power-related uses. Keywords: cultural awareness; future warfare; globalization; Fifth-Generation War; intergalactic territoriality; planetary civilizations; SF; space ecoconsciousness; speculative fiction; technological development; transmodernism “Where there is no vision, the people perish.” —Proverbs 29:18 “If these are the early days of a better nation there must be hope, and a hope of peace is as good as any, and far better than a hollow hoarding greed or the dry lies of an aweless god.” —Graydon Saunders 1. -
Shuggie Bain : Shortlisted for the Booker Prize 2020 Download Free
SHUGGIE BAIN : SHORTLISTED FOR THE BOOKER PRIZE 2020 Author: Douglas Stuart Number of Pages: 448 pages Published Date: 15 Apr 2021 Publisher: Pan MacMillan Publication Country: London, United Kingdom Language: English ISBN: 9781529064414 DOWNLOAD: SHUGGIE BAIN : SHORTLISTED FOR THE BOOKER PRIZE 2020 Shuggie Bain : Shortlisted for the Booker Prize 2020 PDF Book One page led to another and soon we realised we had created over 100 recipes and written 100 pages of nutrition advice. Have you already achieved professional and personal success but secretly fear that you have accomplished everything that you ever will. Translated from the French by Sir Homer Gordon, Bart. Bubbles in the SkyHave fun and learn to read and write English words the fun way. 56 street maps focussed on town centres showing places of interest, car park locations and one-way streets. These approaches only go so far. Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. Margaret Jane Radin examines attempts to justify the use of boilerplate provisions by claiming either that recipients freely consent to them or that economic efficiency demands them, and she finds these justifications wanting. " -The New York Times Book Review "Empire of Liberty will rightly take its place among the authoritative volumes in this important and influential series. ) Of critical importance to the approach found in these pages is the systematic arranging of characters in an order best suited to memorization. Shuggie Bain : Shortlisted for the Booker Prize 2020 Writer About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. -
BAM Announces the Complete Cast of Beckett's Endgame, Featuring John Turturro and Directed by Andrei Belgrader Running April
BAM announces the complete cast of Beckett’s Endgame, featuring John Turturro and directed by Andrei Belgrader running April 25–May 18 Max Casella, Elaine Stritch, and Alvin Epstein to join cast BAM 2008 Spring Season is sponsored by Bloomberg Endgame Written by Samuel Beckett Directed by Andrei Belgrader Produced by BAM BAM Harvey Theater (651 Fulton St.) April 25 & 26 at 7:30 Apr 29—May 3, May 6—10, May 13—17 at 7:30pm (note: Apr 30 is the press opening) May 3, 10 & 17 at 2pm April 27, May 4, 11 & 18 at 3pm Tickets: $25, 45, 65, 75 BAM.org or 718.636.4100 Brooklyn, NY/March 11, 2008—BAM announces the complete cast of its upcoming production of Samuel Beckett’s Endgame. Joining John Turturro (Hamm) will be acclaimed TV, stage, and screen actor Max Casella (“The Sopranos,” The Lion King) as Clov. Veteran classical actor Alvin Epstein (Waiting for Godot, The Three Penny Opera, Tuesdays with Morrie) will play Nagg and the legendary Broadway actress Elaine Stritch will play Nell. The one-act play, originally published in 1957, is considered to be one of Beckett’s most important works. Endgame will be directed by Andrei Belgrader (American Repertory Theatre’s Ubu Rock, Yale Repertory Theatre’s Scapin). Twenty-four performances of Endgame will take place in the BAM Harvey Theater (651 Fulton St.) from April 25 through May 18 (press opening: April 30). Tickets, priced at $25, 45, 65, 75, can be purchased by calling BAM Ticket Services at 718.636.4100 or by visiting BAM.org. -
Oscar and Lucinda Free
FREE OSCAR AND LUCINDA PDF Peter Carey | 544 pages | 02 Mar 2011 | FABER & FABER | 9780571270163 | English | London, United Kingdom OSCAR AND LUCINDA | Peter Carey Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Man Booker Prize. NOOK Book. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in Oscar and Lucinda narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback. He is the author of a collection of stories Oscar and Lucinda five novels. Date of Birth:. These bishops were, for the most part, bishops of Grafton. Once there was a bishop of Wollongong, travelling through. There was also a canon, and various other visiting or relieving reverends. My mother crooked her finger as she Oscar and Lucinda up her teacup. She would not tell the bishops that my great-grandfather's dog-collar was an act of rebellion. Oscar and Lucinda would look at a Victorian clergyman. They would see the ramrod back, the tight lips, the pinched nose, the long stretched neck and never once, Oscar and Lucinda can bet, guess that this was caused by Oscar Hopkins holding his breath, trying to stay still for two minutes when normally—what a fidgeter—he could not manage a tenth of a second without scratching his ankle or crossing his leg.