Metamodernism, Or Exploring the Afterlife of Postmodernism
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The Primitivist Critique of Modernity: Carl Einstein and Walter Benjamin1
The Primitivist Critique of Modernity: Carl Einstein and Walter Benjamin1 David Pan In the “Sirens” episode in Homer’s Odyssey, Odysseus, relying on nothing more than the wax in his sailors’ ears and the rope binding him to the mast of his ship, was able to hear the sirens’ song without being drawn to his death like all the sailors before him.2 Franz Kafka, finally giving the sirens their due, points out that their song could certainly pierce wax and would lead a man to burst all bonds. Instead of attributing Odysseus’ sur- vival to his cunning use of technical means, which he calls “childish mea- sures,”3 Kafka attributes it to the sirens’ use of an even more horrible weapon than their song: their silence. Believing his trick had worked, Odysseus did not hear their silence, but imagined he heard the sound of their singing, for no one could resist “the feeling of having triumphed over them by one’s own strength, and the consequent exaltation that bears down everything before it.”4 The sirens disappeared from Odysseus’per- ceptions, which were focused entirely on himself. Kafka concludes: “If the sirens had possessed consciousness, they would have been annihilated at that moment. But they remained as they had been; all that had hap- pened was that Odysseus had escaped them.”5 Max Horkheimer and Theodor Adorno have argued that this ancient 1. From Primitive Renaissance: Rethinking German Expressionism by David Pan. Copyright 2001 by the University of Nebraska Press. 2. Homer, Odyssey, Book 12, pp.166-200. 3. -
Metamodern Writing in the Novel by Thomas Pynchon
INTERLITT ERA RIA 2019, 24/2: 495–508 495 Bleeding Edge of Postmodernism Bleeding Edge of Postmoder nism: Metamodern Writing in the Novel by Thomas Pynchon SIMON RADCHENKO Abstract. Many different models of co ntemporary novel’s description arose from the search for methods and approaches of post-postmodern texts analysis. One of them is the concept of metamodernism, proposed by Timotheus Vermeulen and Robin van den Akker and based on the culture and philosophy changes at the turn of this century. This article argues that the ideas of metamodernism and its main trends can be successfully used for the study of contemporary literature. The basic trends of metamodernism were determined and observed through the prism of literature studies. They were implemented in the analysis of Thomas Pynchon’s latest novel, Bleeding Edge (2013). Despite Pynchon being usually considered as postmodern writer, the use of metamodern categories for describing his narrative strategies confirms the idea of the novel’s post-postmodern orientation. The article makes an endeavor to use metamodern categories as a tool for post-postmodern text studies, in order to analyze and interpret Bleeding Edge through those categories. Keywords: meta-modernism; postmodernism; Thomas Pynchon; oscillation; new sincerity How can we study something that has not been completely described yet? Although discussions of a paradigm shift have been around long enough, when talking about contemporary literary phenomena we are still using the categories of feeling rather than specific instruments. Perception of contemporary lit era- ture as post-postmodern seems dated today. However, Joseph Tabbi has questioned the novelty of post-postmodernism as something new, different from postmodernism and proposes to consider the abolition of irony and post- modernism (Tabbi 2017). -
122520182414.Pdf
Archive of SID University of Tabriz-Iran Journal of Philosophical Investigations ISSN (print): 2251-7960/ (online): 2423-4419 Vol. 12/ No. 24/ fall 2018 Postmodernism, Philosophy and Literature* Hossein Sabouri** Associate Professor, University of Tabriz, Iran Abstract No special definite definition does exist for postmodernism however it has had an inordinate effect on art, architecture, music, film, literature, philosophy, sociology, communications, fashion, and technology. The main body of this work can be seen as an admiration and reverence for the values and ideals associated with postmodern philosophy as well as postmodern literature. , I have argued that postmodern has mainly influenced philosophy and literature and they are recognized and praised for their multiplicity. Postmodernism might seem exclusive in its work, its emphasis on multiplicity and the decentered subject makes very uncomfortable reading for traditional theorists or philosophers. It rejects western values and beliefs as only small part of the human experience and it rejects such ideas, beliefs, culture and norms of the western. Integrity is fragmented apart into unharmonious narratives which lead to a shattering of identity and an overall breakdown of any idea of the self. Relativism and Self- reflexivity have replaced self-confidence due to the postmodern belief that all representation distorts reality. I have also referred that in a sense; postmodernism is a part of modernism we find the instantaneous coexistence of these two methods of expression and thinking, especially in visual arts and literature. Key words: Postmodernism, modernism, Philosophy, Literature, self, relativism, * Received date: 2018/07/15 Accepted date: 2018/09/26 ** E-mail: [email protected] www.SID.ir Archive of SID272/ Philosophical Investigations, Vol. -
Chapter 12. the Avant-Garde in the Late 20Th Century 1
Chapter 12. The Avant-Garde in the Late 20th Century 1 The Avant-Garde in the Late 20th Century: Modernism becomes Postmodernism A college student walks across campus in 1960. She has just left her room in the sorority house and is on her way to the art building. She is dressed for class, in carefully coordinated clothes that were all purchased from the same company: a crisp white shirt embroidered with her initials, a cardigan sweater in Kelly green wool, and a pleated skirt, also Kelly green, that reaches right to her knees. On her feet, she wears brown loafers and white socks. She carries a neatly packed bag, filled with freshly washed clothes: pants and a big work shirt for her painting class this morning; and shorts, a T-shirt and tennis shoes for her gym class later in the day. She’s walking rather rapidly, because she’s dying for a cigarette and knows that proper sorority girls don’t ever smoke unless they have a roof over their heads. She can’t wait to get into her painting class and light up. Following all the rules of the sorority is sometimes a drag, but it’s a lot better than living in the dormitory, where girls have ten o’clock curfews on weekdays and have to be in by midnight on weekends. (Of course, the guys don’t have curfews, but that’s just the way it is.) Anyway, it’s well known that most of the girls in her sorority marry well, and she can’t imagine anything she’d rather do after college. -
Action Yes, 1(7): 1-17
http://www.diva-portal.org This is the published version of a paper published in . Citation for the original published paper (version of record): Bäckström, P. (2008) One Earth, Four or Five Words: The Notion of ”Avant-Garde” Problematized Action Yes, 1(7): 1-17 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-89603 ACTION YES http://www.actionyes.org/issue7/backstrom/backstrom-printfriendl... s One Earth, Four or Five Words The Notion of 'Avant-Garde' Problematized by Per Bäckström L’art, expression de la Société, exprime, dans son essor le plus élevé, les tendances sociales les plus avancées; il est précurseur et révélateur. Or, pour savoir si l’art remplit dignement son rôle d’initiateur, si l’artiste est bien à l’avant-garde, il est nécessaire de savoir où va l’Humanité, quelle est la destinée de l’Espèce. [---] à côté de l’hymne au bonheur, le chant douloureux et désespéré. […] Étalez d’un pinceau brutal toutes les laideurs, toutes les tortures qui sont au fond de notre société. [1] Gabriel-Désiré Laverdant, 1845 Metaphors grow old, turn into dead metaphors, and finally become clichés. This succession seems to be inevitable – but on the other hand, poets have the power to return old clichés into words with a precise meaning. Accordingly, academic writers, too, need to carry out a similar operation with notions that are worn out by frequent use in everyday language. -
Metamodernism and Vaporwave: a Study of Web 2.0 Aesthetic Culture
Nota Bene: Canadian Undergraduate Journal of Musicology Volume 14 | Issue 1 Article 3 Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture Nicholas Morrissey University of Wisconsin-Oshkosh Recommended Citation Morrissey, Nicholas. “Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture.” Nota Bene: Canadian Undergraduate Journal of Musicology 14, no. 1 (2021): 64-82. https://doi.org/10.5206/notabene.v14i1.13361. Metamodernism and Vaporwave: A Study of Web 2.0 Aesthetic Culture Abstract With the advent of Web 2.0, new forms of cultural and aesthetic texts, including memes and user generated content (UGC), have become increasingly popular worldwide as streaming and social media services have become more ubiquitous. In order to acknowledge the relevance and importance of these texts in academia and art, this paper conducts a three-part analysis of Vaporwave—a unique multimedia style that originated within Web 2.0—through the lens of a new cultural philosophy known as metamodernism. Relying upon a breadth of cultural theory and first-hand observations, this paper questions the extent to which Vaporwave is interested in metamodernist constructs and asks whether or not the genre can be classed as a metamodernist text, noting the dichotomy and extrapolation of nostalgia promoted by the genre and the unique instrumentality it offers to its consumers both visually and sonically. This paper ultimately theorizes that online culture will continue to play an important role in cultural production, aesthetic mediation, and even -
Transmodern Reconfigurations of Territoriality
societies Article Transmodern Reconfigurations of Territoriality, Defense, and Cultural Awareness in Ken MacLeod’s Cosmonaut Keep Jessica Aliaga-Lavrijsen Centro Universitario de la Defensa Zaragoza, Zaragoza 50090, Spain; [email protected] Received: 5 September 2018; Accepted: 17 October 2018; Published: 19 October 2018 Abstract: This paper focuses on the science fiction (SF) novel Cosmonaut Keep (2000)—first in the trilogy Engines of Light, which also includes Dark Light (2001) and Engines of Light (2002)—by the Scottish writer Ken MacLeod, and analyzes from a transmodern perspective some future warfare aspects related to forthcoming technological development, possible reconfigurations of territoriality in an expanding cluster of civilizations travelling and trading across distant solar systems, expanded cultural awareness, and space ecoconsciousness. It is my argument that MacLeod’s novel brings Transmodernism, which is characterized by a “planetary vision” in which human beings sense that we are interdependent, vulnerable, and responsible, into the future. Hereby, MacLeod’s work expands the original conceptualization of the term “Transmodernism” as defined by Rodríguez Magda, and explores possible future outcomes, showing a unique awareness of the fact that technological processes are always linked to political and power-related uses. Keywords: cultural awareness; future warfare; globalization; Fifth-Generation War; intergalactic territoriality; planetary civilizations; SF; space ecoconsciousness; speculative fiction; technological development; transmodernism “Where there is no vision, the people perish.” —Proverbs 29:18 “If these are the early days of a better nation there must be hope, and a hope of peace is as good as any, and far better than a hollow hoarding greed or the dry lies of an aweless god.” —Graydon Saunders 1. -
ASIB 110 Winter 2014 LETTER
M E R I C A T U D I E S R I T A I N NO. 110 WINTER 2014 ISSN 1465-9956 N ASINB BAAS.AC.UK 6 0 Special Anniversary Issue EDITOR’S ASIB 110 Winter 2014 LETTER ‘Neurolysis’ and Wilka Hudson ext year is the 60th anniversary of BAAS. To mark the address as Chair of the Association is reprinted from occasion, this special issue of ASIB pays homage to page 4. (Sue reviewed many of the recent activities Nsome of the beautiful architecture of next year’s and achievements across the community at the 59th conference host city, Newcastle-upon-Tyne. The BAAS conference in Birmingham organised by Sara image above is a wide-angle shot of the Newcastle Wood.) This issue of ASIB also includes a piece by Quayside. The cover shows the Sage Gateshead and Hannah Murray (p. 11) on the transatlantic legacy of Tyne Bridge at dusk. More details about the the civil rights activist and author Frederick Douglass. conference, including the website and Twitter handle Finally, postgraduate students in the community are supplied by Northumbria University, can be found on encouraged to get in touch with the BAAS PG the next page. A preliminary programme is expected representative, Rachael Alexander (p. 12). in March on baas.ac.uk. I hope you enjoy this issue of ASIB. As ever, this issue of ASIB is brimming with report writing by the Association’s travel/research Warm regards, award recipients. There is certainly enough to ignite any Americanist’s wanderlust, with articles (starting p. -
Thaw Is Maniac
formation of the sediment does not harm. cyclopaedia explains that some families only necessary to stir it up W‘t_h English nobility as it is of the held their land the marking brush. When necessary wa- DOCTOR DECLARES on a tenure which forbade them to cut ink is ter may be added. Another ob- these being reserved #s the in down trees. by dissolving gum property of the Royal pavy. But any tained some damar ef- down oil of turpentine, which is quickly ~ _— ‘ree \ IS which fell without human as- by the application of a THAW MANIAC WIS, cistance they might keep, so that a hurri- fected ht?e,he:x_t.1s \ e EAGLE RIVER, In this weak varnish a black color ———————ee cane causing a great ‘“windfall” was ; —————eeeeee be very | _——— e | welcome. seems probable, stirred, which must finely fa’m““d- AT heartily It oil of rurpentine 1S vola- SUPERINTENDENT MATTEAWAN WILL APPCINT ONLY however, that the expression was simp- TROOPS ON MARCH HAVE ORDERS After use the - SPEARKER gum to ~ HE 1S DANGEROUS ©O. E. BOWEN, Publisher. ap tilized and the thet(‘“]“r BELIEVES T 0 ler in origin. Even apple that fell to TO REPRESS MERCILESSLY markingsecures ink “REGULARS” MEMBERS OF IM- the ground without the trouble of pick- the wood. This sHould willbe | HAVE AT LARGE. ————— often kept in well closed bottles, and it P PORTANT COMMITTEES. ing it, and which a passerby might ANY RESISTANCE. 1f the color annex without feeling that he was a then remain good for years. ; ee e e it can OF CONG RESS : thief, would be a lucky *“windfall.”— e has become too thick be reduced WORK it of turpentine. -
Modernity, Modernism, and Fascism. a "Mazeway Resynthesis"
0RGHUQLW\PRGHUQLVPDQGIDVFLVP$PD]HZD\UHV\QWKHVLV 5RJHU*ULIILQ Modernism/modernity, Volume 15, Number 1, January 2008, pp. 9-24 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/mod.2008.0011 For additional information about this article http://muse.jhu.edu/journals/mod/summary/v015/15.1griffin.html Access provided by Universitätsbibliothek Bern (1 Mar 2015 12:52 GMT) GRIFFIN / modernity, modernism, and fascism 9 Modernity, modernism, and fascism. A “mazeway resynthesis”1 Roger Griffin MODERNISM / modernity VOLUME FIFTEEN, NUMBER Fascism and modernism: finding the “big picture” ONE, PP 9–24. Researchers combing through back numbers of this journal © 2008 THE JOHNS HOPKINS in search of authoritative guidance to the relationship between UNIVERSITY PRESS modernity, modernism, and fascism could be forgiven for occa- sionally losing their bearings. In one of the earliest issues they will alight upon Emilio Gentile’s article tracing the paternity of early Fascism to the campaign for a “modernist national- ism” which was launched in the 1900s by Italian avant-garde artists and intellectuals fanatical about providing the catalyst to a national program of radical modernization.2 They will also come across the eloquent case made by Peter Fritzsche for the thesis that there was a distinctive “Nazi modern,” that the Third Roger Griffin is Reich embodied an extreme, uncompromising form of politi- Professor in Modern History at Oxford cal modernism, a ruthless bid to realize an alternative vision of Brookes University modernity whatever the human cost.3 But closer to the present (UK), and author of they will encounter Lutz Koepnik’s sustained argument that over 70 publications on the aesthetics of fascism reflected its aspiration “to subsume generic fascism, notably everything under the logic of a modern culture industry, hop- The Nature of Fascism ing to crush the emancipatory substance of modern life through (Pinter, 1991). -
Pushkin and the Futurists
1 A Stowaway on the Steamship of Modernity: Pushkin and the Futurists James Rann UCL Submitted for the Degree of Doctor of Philosophy 2 Declaration I, James Rann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Acknowledgements I owe a great debt of gratitude to my supervisor, Robin Aizlewood, who has been an inspirational discussion partner and an assiduous reader. Any errors in interpretation, argumentation or presentation are, however, my own. Many thanks must also go to numerous people who have read parts of this thesis, in various incarnations, and offered generous and insightful commentary. They include: Julian Graffy, Pamela Davidson, Seth Graham, Andreas Schönle, Alexandra Smith and Mark D. Steinberg. I am grateful to Chris Tapp for his willingness to lead me through certain aspects of Biblical exegesis, and to Robert Chandler and Robin Milner-Gulland for sharing their insights into Khlebnikov’s ‘Odinokii litsedei’ with me. I would also like to thank Julia, for her inspiration, kindness and support, and my parents, for everything. 4 Note on Conventions I have used the Library of Congress system of transliteration throughout, with the exception of the names of tsars and the cities Moscow and St Petersburg. References have been cited in accordance with the latest guidelines of the Modern Humanities Research Association. In the relevant chapters specific works have been referenced within the body of the text. They are as follows: Chapter One—Vladimir Markov, ed., Manifesty i programmy russkikh futuristov; Chapter Two—Velimir Khlebnikov, Sobranie sochinenii v shesti tomakh, ed. -
Essentials Guide Vol
ESSENTIALS GUIDE VOL. 1 CONTENTS 3 A MESSAGE FROM GREG NELSON, VP & GENERAL MANAGER AT HUDL 4 BETA BASICS 101 NATE PATTERSON, Product Manager at Hudl 8 DEVELOPING A DATA-DRIVEN CULTURE KEITH RIGGS, Jenks High School (Okla.) 21 THE ANALYTICS-DRIVEN CALL SHEET DAVID PADILLA, Hart High School (Calif.) 25 DISCOVERING A DEFENSE’S PERSONALITY KEITH FAGAN, NZone Football A Message From GREG NELSON, VP & General Manager Welcome to this first edition of Blitz Essentials. In this series, we’ll be taking the greatest hits from our first-ever virtual football summit and providing them in a format that will allow you to apply these dynamic ideas into your own workflow. In this and subsequent volumes, you won’t just find transcripts and talking points from our best sessions and featured speakers. You’ll also have a plan for putting them into action in the new Hudl Beta experience, including templates you can copy yourself. As a high school football coach myself in my hometown of Lincoln, Nebraska, I know what it’s like to be up late at night breaking down game film, then up at 6 a.m. the next day to share what I’ve learned with my team. So I’m excited that we’re making the coaching and scouting process much more efficient for you. Over the past year and a half, we dialed in with coaches like you on what the next evolution of the core Hudl experience should look like. Through this, we created a new interface that transforms how you analyze film.