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Metamodernism, Or Exploring the Afterlife of Postmodernism
“We’re Lost Without Connection”: Metamodernism, or Exploring the Afterlife of Postmodernism MA Thesis Faculty of Humanities Media Studies MA Comparative Literature and Literary Theory Giada Camerra S2103540 Media Studies: Comparative Literature and Literary Theory Leiden, 14-06-2020 Supervisor: Dr. M.J.A. Kasten Second reader: Dr.Y. Horsman Master thesis submitted in accordance with the regulations of Leiden University 2 Table of Contents Acknowledgments ................................................................................................................................. 3 Introduction ........................................................................................................................................... 4 CHAPTER 1: Discussing postmodernism ........................................................................................ 10 1.1 Postmodernism: theories, receptions and the crisis of representation ......................................... 10 1.2 Postmodernism: introduction to the crisis of representation ....................................................... 12 1.3 Postmodern aesthetics ................................................................................................................. 14 1.3.1 Sociocultural and economical premise ................................................................................. 14 1.3.2 Time, space and meaning ..................................................................................................... 15 1.3.3 Pastiche, parody and nostalgia ............................................................................................ -
Essentials Guide Vol
ESSENTIALS GUIDE VOL. 1 CONTENTS 3 A MESSAGE FROM GREG NELSON, VP & GENERAL MANAGER AT HUDL 4 BETA BASICS 101 NATE PATTERSON, Product Manager at Hudl 8 DEVELOPING A DATA-DRIVEN CULTURE KEITH RIGGS, Jenks High School (Okla.) 21 THE ANALYTICS-DRIVEN CALL SHEET DAVID PADILLA, Hart High School (Calif.) 25 DISCOVERING A DEFENSE’S PERSONALITY KEITH FAGAN, NZone Football A Message From GREG NELSON, VP & General Manager Welcome to this first edition of Blitz Essentials. In this series, we’ll be taking the greatest hits from our first-ever virtual football summit and providing them in a format that will allow you to apply these dynamic ideas into your own workflow. In this and subsequent volumes, you won’t just find transcripts and talking points from our best sessions and featured speakers. You’ll also have a plan for putting them into action in the new Hudl Beta experience, including templates you can copy yourself. As a high school football coach myself in my hometown of Lincoln, Nebraska, I know what it’s like to be up late at night breaking down game film, then up at 6 a.m. the next day to share what I’ve learned with my team. So I’m excited that we’re making the coaching and scouting process much more efficient for you. Over the past year and a half, we dialed in with coaches like you on what the next evolution of the core Hudl experience should look like. Through this, we created a new interface that transforms how you analyze film. -
Ciara's Nominations
CIARA’S NOMINATIONS - DRAMA OUTSTANDING DRAMA SERIES Better Call Saul Chilling Adventures of Sabrina Maniac Orange is the New Black Pose Sharp Objects When They See Us OUTSTANDING LEAD ACTOR IN A DRAMA OUTSTANDING LEAD ACTRESS IN A DRAMA • Bob Odenkirk – Better Call Saul • Kiernan Shipka – Chilling Adventures of • Jonah Hill – Maniac Sabrina • Jharrel Jerome – When They See Us • Jodie Comer – Killing Eve • Sandra Oh – Killing Eve • Emma Stone – Maniac • Mj Rodriguez – Pose • Amy Adams – Sharp Objects OUTSTANDING SUPPORTING ACTOR IN A DRAMA OUTSTANDING SUPPORTING ACTRESS IN A DRAMA • Jonathan Banks – Better Call Saul • Rhea Seehorn – Better Call Saul • Evan Peters – Pose • Danielle Brooks – Orange is the New Black • Billy Porter – Pose • Patricia Clarkson – Sharp Objects • Asante Blackk – When They See Us • Eliza Scanlen – Sharp Objects • Freddie Miyares – When They See Us • Felicity Huffman – When They See Us • Michael K. Williams – When They See Us • Niecy Nash – When They See Us OUTSTANDING WRITING IN A DRAMA OUTSTANDING DIRECTING IN A DRAMA • Better Call Saul: “Winner”, written by Peter • Better Call Saul: “Something Stupid”, directed Gould & Thomas Schnauz by Deborah Chow • Chilling Adventures of Sabrina: “Chapter • Maniac: “Furs by Sebastian”, directed by Cary Three: The Trial of Sabrina Spellman”, Joji Fukunaga written by Ross Maxwell • Orange is the New Black: “Who Knows Better • Killing Eve: “Nice and Neat”, written by Than I”, directed by Michael Trim Emerald Fennell • Pose: “Love is the Message”, directed by Janet • Maniac: -
Briarpatch” to Film in New Mexico
Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Todd Christensen Director FOR IMMEDIATE RELEASE: Bruce Krasnow June 17, 2019 (505) 827-0226, cell: (505) 795-0119 [email protected] The New Mexico Film Office Announces USA Network’s “Briarpatch” to film in New Mexico SANTA FE, N.M. The New Mexico State Film Office today announced that the USA Network television series, “Briarpatch” produced by UCP (Universal Content Productions) and Paramount Television will begin principal photography mid-June through the end of September in Albuquerque. Starring Rosario Dawson, who will also serve as a producer, the production will employ approximately 100 New Mexico crew members and 250-350 New Mexico background talent per episode. “Briarpatch” follows Allegra Dill (Dawson), a dogged investigator returning to her border- town Texas home after her sister is murdered. What begins as a search for a killer turns into an all-consuming fight to bring her corrupt hometown to its knees. The season celebrates the beloved genres represented by Thomas’ book -- a stylish blend of crime and pulp fiction -- while updating his sense of fun, danger and place for a new generation. Based on the Ross Thomas novel of the same name, “Briarpatch” is written for television by Andy Greenwald, who will executive produce along with “Mr. Robot” creator Sam Esmail through his production company Esmail Corp and Anonymous Content’s Chad Hamilton. The series also stars Jay R. Ferguson (“Mad Men,” “The Romanoffs”), Brian Geraghty (“Chicago P.D.,” “Ray Donovan”) and Edi Gathegi (“StartUp”). ### Visit the New Mexico Film Office online at nmfilm.com About Universal Content Productions (UCP) UCP is a premium content studio that operates with a highly curated indie sensibility, while simultaneously leveraging the power and scale of NBCUniversal. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Dean's Nominations
DEAN’S NOMINATIONS - DRAMA OUTSTANDING DRAMA SERIES Better Call Saul Maniac Orange is the New Black Pose Queen Sugar Sharp Objects When They See Us OUTSTANDING LEAD ACTOR IN A DRAMA OUTSTANDING LEAD ACTRESS IN A DRAMA • Bob Odenkirk – Better Call Saul • Kiernan Shipka – Chilling Adventures of • JK Simmons – Counterpart Sabrina • Wyatt Russell – Lodge 49 • Olivia Williamas – Counterpart • Jonah Hill – Maniac • Jodie Comer – Killing Eve • Kofi Siriboe – Queen Sugar • Emma Stone – Maniac • Jharrel Jerome – When They See Us • Dawn Lyen-Gardner – Queen Sugar • Amy Adams – Sharp Objects OUTSTANDING SUPPORTING ACTOR IN A DRAMA OUTSTANDING SUPPORTING ACTRESS IN A DRAMA • Jonathan Banks – Better Call Saul • Kathy Bates – American Horror Story • Harry Lloyd – Counterpart • Rhea Seehorn – Better Call Saul • Robin Lord Taylor – Gotham • Nazanin Boniadi – Counterpart • Tomasso Whitney – NXT • Carla Gugino – The Haunting of Hill House • Billy Porter – Pose • Danielle Brooks – Orange is the New Black • Michael K. Williams – When They See Us • Patricia Clarkson – Sharp Objects OUTSTANDING WRITING IN A DRAMA OUTSTANDING DIRECTING IN A DRAMA • Better Call Saul: “Winner”, written by Peter • Better Call Saul: “Something Stupid”, directed Gould & Thomas Schnauz by Deborah Chow • Maniac: “Utangatta”, written by Patrick • The Haunting of Hill House: “Two Storms”, Somerville directed by Mike Flanagan • Queen Sugar: “The Tree and Stone Were • Maniac: “Furs by Sebastian”, directed by Cary One”, written by Anthony Sparks Joji Fukanaga • Pose: “The Fever”, written -
Boris Akunin and the Rise of the Russian Detective Genre
Olga Sobolev Boris Akunin and the Rise of the Russian Detective Genre There are very few people in Russia who have not read at least one of Boris Akunin’s nine Adventures of Erast Fandorin, do not have a cou- ple of them lying on a coffee table or who are unable to discuss ‘Erast’ at social events. Akunin’s detective novels have thousands of admirers all over Russia, and recently Fandorin has reached an even wider audi- ence, with ORT1 producing a television version of the first book in the series, Azazel′ (first published in 1988).2 Not surprisingly, then, critics refer to ‘Erastomania’.3 However, popularity and critical recognition are often mutually exclusive, and the opinion of Russian scholars is far from being unanimous. On the one hand, the virtues of Akunin’s work were acknowledged when his Coronation (published in 1999) won the 2000 Anti-Booker Prize; on the other, this award gave rise to numerous ob- jections, which can be briefly summarized in the question: why should a literary prize be awarded to a bestseller?4 Putting aside the tricky concept of ‘worthy’ literature, which causes much of the controversy surrounding Russian literary prizes,5 one might focus on the notion that awards such as the Anti-Booker (and, arguably, the Booker) attempt to identify the predominant and typical trends in contemporary literary life. Prizes are, therefore, often awarded to works embodying, or providing paradigms, of these trends, and it is against the background of such a generic notion that Akunin’s work can best be discussed. -
News & Alerts by Email!
News & Alerts by Email! lasentinel.net/artworxla-27th-annual-fundraising-gala-celebrates-arts-for-good.html July 11, 2019 artworxLA 27th Annual Fundraising Gala Celebrates Arts For Good Organization Dedicated to Combatting the High School Dropout Rate Honored Kristin Sakoda, Executive Director of the LA County Arts Commission & Academy Award-winning Producer Michael Sugar at Annual Fundraising Gala artworxLA, the L.A.-based educational organization dedicated to combatting the high school dropout rate via engagement of alternative high school students with a long-term program focused on arts education in the classroom and mentorship, celebrated their 27th year with 1/4 its annual “An Evening of Art” fundraising gala at the Taglyan Cultural Center. Founded in 1992 with just one partner school site, artworxLA currently has a weekly presence in 33 alternative education classrooms throughout LA County. artworxLA students may pursue a variety of creative disciplines, from fine arts to filmmaking to the recording industry, with teaching artists and entertainment industry mentors helping students develop the skills and connections that lead to creative careers. Over the past 27 years, artworxLA has worked with 12,000 students at over 50 alternative education sites in eight school districts. Among the cultural institutions who have partnered with the organization are the Getty Museum, LACMA, the Kristin Sakoda, Executive Director of the Los Angeles County Arts Japanese American National Commission, was an honoree at the 2019 artworxLA gala, with artworxLA Executive Director Shelby Williams-Gonzalez. The Museum, the Autry Museum of the organization celebrated its 27th year with its annual “An Evening of American West, the Los Angeles Art” gala on Thursday, May 2, 2018, at the Taglyan Cultural Center, Public Library and the Hammer as well as with a series of public events showcasing the work of its students. -
Appendix II: Landscape History
Appendix II: Landscape History Author: Suzanne Turner Associates (STA) The history of the people and landscapes of the Dix Park site informed the Master Plan proposal. The following section explores the depth of research into the history of the site as a part of the planning process. 288 Dorothea Dix Park Master Plan 289 Di Park aste Plan, scovery hase Decembe 217 Historical Data Report INTRODUCTION Szann Turn Associat S compiled this Historical Data Repo a compon f h Dix ar mast planning cess. STA’s process for hi eport includ two site isits, conducting research usin primary condary u abou th te’ andscap evolution—including isi No Dix Park Master Plan, Discovery Phase Carolin Ste ives conferring in-person y elephone wi o arolin S December 2017 Archaeologi and onducting ound s tilizing S ibrary, hich ontain contemporary boo relevan land ovements histori andscapes such plantations, cemeteries parks, and gardens horticulture th eep South; and th subject atter. Dix Park Master Plan, Discovery Phase: Historical Data Report Within h perimeters o h design team’s Discovery Ph STA’s exploration as focus o creating an understanding f th te’ histori landscap ayers; synthesizing ur nding fo on-historia CONTENTS audien o akeholders ecision akers, and gners; and determining which ayers—in contex o he master anning cess—will b o th reates gnifican to h City Raleigh o the I. INTRODUCTION ………………………………………………………………………………………………… 1 desi team. In h following pages, S offers commendations garding Cultural andscap Report fo i Park, II. MEMOS ……………………………………………………………………………………………………………… 2 atem egarding h significan (bo storical gnifican and gnifican to anning o A Cultural Landscape Report for Dix Park: A Rationale …………………………. -
'Just Like Hitler': Comparisons to Nazism in American Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-2010 'Just Like Hitler': Comparisons To Nazism in American Culture Brian Scott Johnson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the English Language and Literature Commons Recommended Citation Johnson, Brian Scott, "'Just Like Hitler': Comparisons To Nazism in American Culture" (2010). Open Access Dissertations. 233. https://scholarworks.umass.edu/open_access_dissertations/233 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 English Copyright by Brian Johnson 2010 All Rights Reserved ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Approved as to style and content by: ______________________________ Joseph T. Skerrett, Chair ______________________________ James Young, Member ______________________________ Barton Byg, Member ______________________________ Joseph F. Bartolomeo, Department Head