The Song of Names
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In Plain Sight: Aspects of Developmental Process in Sally Beamish’S Seafarer Trilogy
In Plain Sight: Aspects of Developmental Process in Sally Beamish’s Seafarer Trilogy Richard E. McGregor University of Cumbria For a composer who has been described as being ‘at the top of her game and the pinnacle of her profession’, there is currently a complete lack of critical anal- ysis of Sally Beamish’s compositional style and technique.1 Interviews and re- views content themselves with a more or less descriptive approach, while prais- ing her ear for orchestral colour, particularly her affinity with string instruments or with voices. The former is usually explained by reference to her years as an ensemble player with, for example, Lontano and the Raphael Ensemble, while the latter is related back to the fact that her father was an amateur singer, and an aunt had a number of professional singing engagements. There are only so many times that a biography can be repeated, and Beamish is in good company with other well-respected composers such as James MacMillan who suffered for many years from the curse of the biography without analytical content. Interviewed by the author on two occasions, Beamish gave some tentative clues as to the origins of her compositional technique. In 2000 she responded to a question about pre-planning of composition with a hint of late-Stravinskian procedure: I do use [motifs] in a serial type of way with a series of transpositions so that I do make a note square with a 5 note motif and I transpose it and put them all on top of each other and then I have harmonies as well going down.2 Interviewed again during the 2012 Musica Scotica conference in Glasgow, she was somewhat more forthcoming as to the origin and nature of this working method: [Oliver Knussen] showed me a way of manipulating notes. -
1Guitar PDF Songs Index
Material on Guitar Website Reference Beginning Guitar Music Guitar Cover Beginning Chords Fingerpicking Bass Runs for Guitar Guitar Christmas Song List Guitar Care Guitar PDF Song Index 1/4/2017 Good Reader Web Downloads to Goodreader How to Use Goodreader Downloading Files to the iPad from iTunes Saving Your Internet Passwords Corrected Guitar and PDF 509 Songs 1/4/2017 A Bushel and a Peck Bad Moon Rising A White Sport Coat Ballad of Davy Crockett All I Ask of You Ballad of Green Berets All My Ex’s Live in Texas Battle Hymn of Aging All My Lovin’ Be Our Guest All My Trials Beautiful Brown Eyes Always On My Mind Because of You Am I That Easy to Forget Beep Beep Amanda - bass runs Beer for My Horses + tab Amazing Grace - D Begin the Beguine A America the Beautiful Besame Mucho American Pie Beyond the Reef Amor Big Rock Candy Mountain And I Love Her Blame It On Bossa Nova And I Love You So Blowin’ in the Wind Annie’s Song Blue Bayou April Love Blue Eyes Crying in the Rain - D, C Aquarius Blue Blue Skies Are You Lonesome Tonight Blueberry Hill Around the World in 80 Days Born to Lose As Tears Go By Both Sides Now Ashokan Farewell Breaking Up Is Hard to Do Autumn Leaves Bridge Over Troubled Water Bring Me Sunshine Moon Baby Blue D, A Bright Lights Big City Back Home Again Bus Stop Bad, Bad Leroy Brown By the Time I Get to Phoenix Bye Bye Love Dream A Little Dream of Me Edelweiss Cab Driver Eight Days A Week Can’t Help Falling El Condor Pasa + tab Can’t Smile Without You Elvira D, C, A Careless Love Enjoy Yourself Charade Eres Tu Chinese Happy -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards. -
April 5, 2021
APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
Education Department Is Changing with the Times
MUShare The Carbon Campus Newspaper Collection 9-13-1999 The Carbon (September 13, 1999) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/crbn Recommended Citation Marian University - Indianapolis, "The Carbon (September 13, 1999)" (1999). The Carbon. 116. https://mushare.marian.edu/crbn/116 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Carbon by an authorized administrator of MUShare. For more information, please contact [email protected]. VOLUME 4 ISSUE 2 A MARIAN COLLEGE STUDENT PUBLICATION SEPTEMBER 13, 1999 Education Department Is We're Changing with the Times s By Kate Rave by Wendy Nine New faces, they are abso In light of the new state pleted prior to student teaching. will notify students if this option lutely everywhere. Maybe you guide lines for licensing in edu- Students will also notice a will continue in the future. are a freshman and every face cation, Marian's Education De change in the curriculum. There The department is offering but your roommate is strange. partment has made some is a new protocol for reflective service learning opportunites Maybe you're a senior, and there changes to their handbook. journaling being used in Edu throughtout the year. are just some faces you don't All students must be Project Enhance needs recognize. Maybe you are a staff formally admitted to the de students to work with member, and there are unfamil partment before they can middle school children iar faces at your staff meeting. -
Stream Weavers: the Musicians' Dilemma in Spotify's Pay-To- Play Plan
Close Academic rigour, journalistic flair Shutterstock Stream weavers: the musicians’ dilemma in Spotify’s pay-to- play plan January 5, 2021 6.11am AEDT Spotify offered the promise that, in the age of digital downloads, all artists would get Authors paid for their music, and some would get paid a lot. Lorde and Billie Eilish showed what was possible. Lorde was just 16 when, in 2012, she uploaded her debut EP to SoundCloud. A few John Hawkins John Hawkins is a Friend of months later, Sean Parker (of Napster and Facebook fame) put her first single — The Conversation. “Royals” — on his popular Spotify Hipster International playlist. The song has sold Senior Lecturer, Canberra School of more than 10 million copies. Politics, Economics and Society, University of Canberra Eilish’s rags-to-riches story is a little murkier. But the approved narrative begins in 2015, when the 13-year-old uploaded “Ocean Eyes” (a song written by her older brother) to SoundCloud. She was “discovered”. Spotify enthusiastically promoted “Ocean Eyes” on its Today’s Top Hits playlist. She is now the youngest artist with a Ben Freyens Associate Professor, University of billion streams to her name, and Spotify’s most-streamed female artist for the past Canberra two years Michael James Walsh Associate Professor, University of Canberra Billie Eilish attends the Academy Awards ceremony at the Dolby Theatre in Los Angeles, February 9 2020. Jordan Strauss/Invision/AP The new hit squad Streaming now accounts for more than half of recorded music revenue. Spotify has about a third of the subscribers paying for music streaming. -
Noel Carroll Source: the Journal of Aesthetics and Art Criticism, Vol
The Nature of Horror Author(s): Noel Carroll Source: The Journal of Aesthetics and Art Criticism, Vol. 46, No. 1 (Autumn, 1987), pp. 51-59 Published by: Blackwell Publishing on behalf of The American Society for Aesthetics Stable URL: http://www.jstor.org/stable/431308 Accessed: 12/05/2010 10:32 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and The American Society for Aesthetics are collaborating with JSTOR to digitize, preserve and extend access to The Journal of Aesthetics and Art Criticism. http://www.jstor.org NOEL CARROLL The Nature of Horror FOR NEARLY A DECADE and a half, perhaps espe- Romero's Night of the Living Dead or Scott's cially in America, horror has flourished as a Alien. -
Out with the Grungy, Socialism-Preaching City Park
volume 12 - issue 4 - tuesday, september 24, 2012 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by rebeccalaurion Quick confession before we begin: I’m not a huge gamer. However, 90 percent of my friends are, and my earliest memory of my father is watching him play Final Fan- tasy. So even though I wasn’t one of the people who spent my weekend download- ing Borderlands 2 or Torchlight 2, I can still deeply appreciate what game culture has done for me. I’ve met some of my best friends through Meta-Gaming Club, and, even though I consider myself a huge geek, just in diff erent ways, gaming wasn’t exact- ly on my radar until college. As such, I’ve learned quite a bit about the world of gaming, whether I have enjoyed it or not. For one thing, a ‘gamer’ doesn’t necessarily mean an acne-ridden virgin draped in wizard robes in their mother’s basement. Th ough, that’s not to say that never happens anymore. A gamer can be anyone from someone religiously playing Angry Birds on their phone or any devoted fan waiting outside Game Stop during all hours of the night for the newest consoles ben berrick or Halo installments. by phoebefooks and patrickmurphy As a whole, I think we can all agree that stereotypes are stupid as hell. And with Vermont, and Burlington specifi cally, the primary target of the Dobrá Tea protes- es-too long-menu is a so-called “waste of gamers, there are plenty of them: they’re is known for its politically active and of- tors. -
Don Banks David Morgan Peter Racine Fricker Violin Concertos
SRCD.276 STEREO ADD Don Banks PETER RACINE FRICKER (1920-1990) David Morgan Concerto for Violin and small Orchestra Op. 11 (1950) (23’25”) 1 1st Movement: Con moto (9’42”) 2 2nd Movement: Andante (5’27”) Peter Racine Fricker 3 3rd Movement: Allegro vivo (8’16”) DAVID MORGAN (1933-1988) Violin Concerto (1966) * (26’02”) 4 1st Movement: Lento – Moderato cantabile – Alla Marcia (11’55”) 5 2nd Movement: Presto energico ma leggieramente (5’07”) Violin Concertos 6 3rd Movement: Lento – Allegro deciso – Con fuoco (9’00”) DON BANKS (1923-1980) Concerto for Violin and Orchestra (1968) (26’55”) 7 1st Movement: Lento – Allegro (9’42”) 8 2nd Movement: Andante cantabile (9’36”) 9 3rd Movement: Risoluto (7’37”) (76’26”) Yfrah Neaman, violin * Erich Gruenberg, violin Royal Philharmonic Orchestra conducted by Norman Del Mar * Vernon Handley The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. Erich Gruenberg • Yfrah Neaman ൿ 1974 * ൿ 1978 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England. This compilation and the digital remastering ൿ 2008 Lyrita Recorded Edition, England. Royal Philharmonic Orchestra © 2008 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the UK LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita Vernon Handley • Norman Del Mar by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK PETER RACINE FRICKER was born in Ealing on 5 September 1920. His middle name came from his great-grandmother, a direct descendant of the French dramatist. -
Ebb Tide, Vol. 22 No. 2 (Nov 1967)
Salve Regina University Digital Commons @ Salve Regina Student Newspapers Archives and Special Collections 11-1-1967 Ebb Tide, Vol. 22 No. 2 (Nov 1967) Salve Regina College Follow this and additional works at: https://digitalcommons.salve.edu/student-newspapers Recommended Citation Salve Regina College, "Ebb Tide, Vol. 22 No. 2 (Nov 1967)" (1967). Student Newspapers. 32. https://digitalcommons.salve.edu/student-newspapers/32 This Book is brought to you for free and open access by the Archives and Special Collections at Digital Commons @ Salve Regina. It has been accepted for inclusion in Student Newspapers by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. EBB TIDE Vol. 22 - No. 2 SALVE REGINA COLLEGE - NEWPORT, RHODE ISLAND November 1967 Health Fair Planned For Fine. Arts Committee Presents February Pulitzer Prize Winning Poet The first. formal meeting of the Student Nurses' Organiza Through his poetry, W. D. Snodgrass has shown .the public tion was held on October 14. The newly elected president, Mary that poetry is not the formulized reiteration of the past years, but Lou Ross, presided over the is abounding in life and freedom. Appearing on November 30 meeting. Plans for a Health Fair through the Fine Arts Committee, W. D. Snodgrass will delight to be held three days in Febru his audience with a personal reading of his poetry accompanied ary were discussed. During these days there will be displays, films, by commentaries. William DeWitt Snodgrass, Prize for Poetry for his collection and booths set up concerning American poet, critic and teach- of Poems entitled "Heart's various medical topics.