Education Department Is Changing with the Times
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Diamond Journal
DIAMOND JOURNAL Spring 2004 DIAMOND JOURNAL Published by The Board of Student Publications University of Hawai 'i- Kapi 'olani Community College Spring 2004 Acknowledgements A very special word of appreciation goes out to those members of the Kapi 'olani Community College family who have helped in the production of this issue, particularly the faculty who continually encourage their students to submit their writing, including: Francisco Acoba, Jane Calfee, Kathy Chang, Leigh Dooley, Tom Gullikson, Mavis Hara, Gail Harada, Krista Hiser, Raffaella Negretti-Holland, Susan Inouye, Lisa Kanae, Dennis Kawaharada, Davin Kubota, Gunnell Lamb-Tamura, Judith Kirkpatrick, Kristen Kelly Lau, Mark Lawhorn, Phoenix Lundstrom, Jill Makagon, Debbie N auyokas, Dawn Oshiro, Catherine Primavera, William Reisner, James Robinson, James Shimabukuro, Carolyn Skinner, Kristine Korey Smith, and Lee Tonouchi. We extend our gratitude to the talented David Behlke for providing watercolors from his "1 00 views of Diamond Head" series to grace the covers of this issue. The Editor's Choice Award is presented to Trisha J.C. Chaves for her memoir Not the Brightest Color In the Crayon Box, But I Love Her Anyway. Ms. Chaves will receive a $50.00 award in recognition of her literary achievement. To all the writers who submitted their work for consideration, we admire and appreciate your talent and courage. This publication's purpose is to promote your work and showcase your creativity, and it would not be possible without your contribution. Editors Cheri Scott Jessica Novak Advisor Mark Lawhorn The Scope of the Diamond Journal Diamond Journal specializes in publishing works of non-fiction that take the form of per sonal narrative. -
New to College Teaching Starter
need to know to be successful. to be to know need Everything new instructors Starter Kit Teaching College New to THE CHRONICLE OF HIGHER EDUCATION STARTER KIT NEW TO COLLEGE TEACHING CHRONICLE.COM Starter Kit New to College Teaching For those new to college teaching, entering the classroom for the first time can be intimidating. Whether you are fresh from a Ph.D. program or transitioning into a new ca- reer as an university instructor, teaching presents a variety of challenges: How to connect with your students? How to make a big lecture feel personal? How can technology help — or hurt — in the classroom? Chronicle editors searched our archive for the best articles and opinion essays to answer those questions. This collection includes analysis of teaching trends and tips from experi- enced professors, both those who love to teach and some who don’t. For those just stepping into the role of college instructor, we hope this is an invaluable guide. The Personal The 4 Properties of The Messages to 4 Lecture 9 Powerful Teachers 11 Send on the First Day of Class The Absolute Worst Small Changes in All the Classroom’s 12 Way to Start the 14 Teaching: The First 17 a Stage Semester Five Minutes of Class Rethinking Could Grades Be A New Generation of 19 the Exam 21 Counterproductive? 23 Digital Distraction Playing With Knowing When to Teaching the Art 26 Technology 28 Teach Current Events 30 of the Difficult Conversation I Don’t Like What Professors Can 32 Teaching. 34 Learn About Teaching There, I Said It. -
Fairfield University
FAIRFIELD UNIVERSITY ATHLETICS ANNUAL REPORT 2008-09 5 ATHLETICS ANNUAL REPORT 2008-09 1 Message from the Director of Athletics ver the last year or so, I have been doing some major renovations to my home. During that time, I have become quite Oadept at measuring things to make sure all the dimensions are accurate so that all the pieces fit properly in place. Because of this, I can wield a ruler, a yard stick, and a tape measure with great dexterity these days, which has helped to make things move along on schedule. While the daily changes are most times not noticeable, the “before and after” photos are dramatic. And, there are those interim stages where change becomes apparent. Like home improvement projects, college athletics can also be measured when it comes to success. Some years, the measurements of improvement are not noticeable because injuries, inexperience, or coaching changes can mask a team’s growth. But that “before and after” view can be dramatic because talent and experience come Director of Athletics Gene Doris presents Ahna together to create a championship season. Johnson ’09 with her MAAC Tournament MVP award. This year, I took that “after” photo which showed that Fairfield’s athletic success was boundless. Four teams won their respective Metro Atlantic Athletic Conference (MAAC) championship and advanced to the NCAA tournament in 2008-09, while several other teams garnered success by winning a regular- season conference championship. All these championships led Fairfield University to the coveted MAAC overall Commissioner’s Cup championship, which is given to the conference school with the best overall athletic success in a given year. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing… -
Kant on the Transcendental Deduction of Space and Time: an Essay on the Philosophical Resources of the Transcendental Aesthetic
Kantian 14-2 pages:Master Testpages KR 4/1/10 12:54 Page 1 Kant on the Transcendental Deduction of Space and Time: an Essay on the Philosophical Resources of the Transcendental Aesthetic MELISSA McBAY MERRITT University of New South Wales 1. Commentary on Kant’s Critique of Pure Reason has focused intensively on the transcendental deduction of the categories – the pivotal chapter of the book that governs our understanding of much that precedes it and just about all that follows it. One simple way to understand the systematic function of the Transcendental Deduction is to appreciate that it provides an account of how the ‘two stems of human knowledge’ (A15/B29) – sensibility and understanding – must relate to one another in the production of knowledge.1 On Kant’s view, these capacities are distinguished by their radically different modes of representation: intuition and concept. Although sensibility and understanding are fundamentally distinct – they ‘cannot exchange their functions’ – they must nevertheless cooperate in the production of knowledge: ‘Only through their unification can cognition arise’ (A51/B75–6). The task of the Deduction is to show how the categories – concepts that stem from the ‘nature of the understanding’ alone – apply necessarily to objects that can only be given in experience, and represented as given through sensible intuition.2 Yet my concern in this paper lies not with the details of the tran- scendental deduction of the categories, but rather with Kant’s remarks about a transcendental deduction of ‘the concepts -
"Catch the Wind"
DESCENDANTS IRISH THE OF BEST THE GOOD SO FAR SO fall the in nationally Touring Wind" The "Catch single/video the including songs, .19 Contains , " ". ! '"'. 08141 No. Registration Mail Publication GST) .20 plus ($2.80 $3.00 1999 6, September - 20 No. 69 Volume 3 paae See - GiElesValtquetie.., and re Mo Socan'slinda from plaques 01 iecehies -SARAHCLACHL1 a. 100 HIT TRACKS New Bowie release a David Bowie, one of music's most innc will take the recording industry anothe & where to find them in September, when his new album, h( available for download via the interne Record Distributor Codes: Canada's Only National 100 Hit Tracks Survey BMG - N EMI - F Universal - J Virgin Records America announce Polygram - Q Sony - H Warner - P indicates biggest mover in conjunction with fifty leading music album will be available on the 'net S TW LW WOSEPTEMBER 6, 1999 Bruce Barker name 1 1 13 IF YOU HAD MY LOVE 35 39 6 SMILE 68 67 40 BABY ONE MORE TIME Jennifer Lopez - On The 6 Vitamin C - Self Titled Britney Spears - Baby One More Time Work 69351 (pro single) - P Elektra 62406 (comp 405) - P Jive 41651 (pro single) -N Bruce "The Barkman" Barker has been 1M 7 13 GENIE IN A BOTTLE 36 25 21 SOMETIMES 69 64 26 ANYTHING BUT DOWN director of Toronto's CFRB. He succee Christina Aguilera - Self Titled Britney Spears - ... Baby One More Time Sheryl Crow - The Globe Sessions RCA (CD Track) - N Jive 41651 (CD Track) - N ARM 540959 (CD Track) - J Bill Stephenson, a sports broadcast let 3 2 14 ALL STAR 37 29 20 CLOUD #9 70 63 20 UNTIL YOU LOVED ME covered forty years of sports, most ofi Smash Mouth - Astro Lounge Bryan Adams - On A Day Like Today eA The Moffatts - Never Been Kissed O.S.T. -
Aimee Mann's Idea of Eccentric Covers the Waterfront
Sunday, June 15, 2008 N N H 3 ArtScene From Carnegie to ‘Candide’ Light Opera role tempts Brian Cheney back to a Tulsa stage BY JAMES D. WATTS JR. World Scene Writer Candide For Brian Cheney, having the title role WHEN: in Light Opera Oklahoma’s production of 8 p.m. Saturday “Candide” is a slightly bittersweet experi- ence. WHERE: It’s a role that Cheney has always wanted Williams Theater, Tulsa Performing Arts Center, Second to do, and the main reason why the tenor Street and Cincinnati Avenue. has returned for his second season with LOOK. TICKETS: “I have a wife and two daughters, ages $25-$29, 596-7111 or www.tulsaworld.com/mytix 7 and 5, and working with this company means I’m going to be away from them for two months,” Cheney said. “And it’s always LOOK will be using the version created tough to be away for so long a time, so in 1973, the so-called “Chelsea” version, there’s got to be a good reason to do it. named for the theater where it debuted. “And that’s what ‘Candide’ is for me,” he The book is by Wheeler, who streamlined said. “Eric (Gibson, LOOK artistic director) the show into a single act that more closely and I started talking about this show before follows Voltaire’s original story. we finished last season’s productions. When “One of the great things about this ver- Eric said he was serious about doing ‘Can- sion is that it gives the audience a clearer dide,’ I said I was in, and I’d do whatever focus,” Cheney said. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Katy Perry's Pinup Perfect
Culture MONDAY, AUGUST 9, 2010 an you read sheet music?” asks Katy a rocket and you’re hanging on for dear life and Perry as we climb the stairs of a photo you’re like, ‘Gooooooo!’ The second record I’m studio on Broadway. more buckled in because, God, how many times do “A little,” I say. you see people slump on their sophomore record? She stops and holds out the edges Katy Perry’s Nine out of 10. But I’m still working, like, 13-hour “Cof her dress, patterned with a series of ascending days, five, six days a week and singing on top of it. quavers and semiquavers. “Then what song am I?” she And knowing that there’s someone right behind me, asks, twirling. ready to go, ready to push me down the stairs, just “Three Blind Mice?” like in Showgirls.” “The Girl From Ipanema,” she says, before The middle child of three, her parents were breaking into song. “I feel like I’m squeezed into a pinup both born-again Pentecostal ministers in southern giant condom in this dress,” she adds. California — Christian camp, Christian friends, no Retro pop reference, modern twist, smutty MTV, no radio — but press stories of a parental punchline: I’m with the right Katy Perry, then. It’s a rift over Perry’s lyrics ignore the “born again” bit. sweltering day in Manhattan — temperatures are in Before they came to their faith, her parents were the 30s — but Perry, who arrived from Los Angeles perfect 60s scenesters, her mother briefly dating Jimi a few days ago, isn’t complaining. -
Radio Starz Karaoke Song Book
Radio Starz Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID Aerosmith Barenaked Ladies Angel RSZ613-12 What A Good Boy RSZ604-11 Baby, Please Don't Go RSZ613-01 When I Fall RSZ604-09 Back In The Saddle RSZ613-16 Beatles, The Big Ten Inch Record RSZ613-13 All You Need Is Love RSZ623-08 Cryin' RSZ613-17 And I Love Her RSZ623-06 Dream On RSZ613-04 And Your Bird Can Sing RSZ622-17 Dude (Looks Like A Lady) RSZ613-06 Another Girl RSZ621-16 I Don't Want To Miss A Thing RSZ613-10 Back In The USSR RSZ622-02 Jaded RSZ613-07 Birthday RSZ622-05 Janie's Got A Gun RSZ613-14 Can't Buy Me Love RSZ622-09 Last Child RSZ613-03 Come Together RSZ621-14 Love In An Elevator RSZ613-09 Day Tripper RSZ621-07 Mama Kin RSZ613-11 Do You Want To Know A Secret RSZ623-11 Same Old Song And Dance RSZ613-15 Don't Let Me Down RSZ623-09 Sweet Emotion RSZ613-05 Eight Days A Week RSZ623-05 Train Kept A Rollin' RSZ613-18 Eleanor Rigby RSZ622-13 Walk This Way RSZ613-08 From Me To You RSZ623-15 What It Takes RSZ613-02 Get Back RSZ622-04 Alanis Morissette Golden Slumbers, Carry That Weight, The End RSZ621-20 All I Really Want RSZ626-13 Good Day Sunshine RSZ621-06 Everything RSZ626-11 Hard Days Night, A RSZ623-03 Forgiven RSZ626-12 Hello Goodbye RSZ622-06 Hand In My Pocket RSZ626-05 Help! RSZ621-04 Hands Clean RSZ626-08 Helter Skelter RSZ622-08 Hands Clean RSZ626-08A Here, There & Everywhere RSZ623-18 Hands Clean RSZ626-08B Hey Jude RSZ622-01 Head Over Feet RSZ626-07 I Feel Fine RSZ622-10 Ironic RSZ626-02 I Saw Her Standing There RSZ621-01 Precious Illusions -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BOBBY HUTCHERSON NEA Jazz Master (2010) Interviewee: Bobby Hutcherson (January 27, 1941 – August 15, 2016) with his wife Rosemary Hutcherson Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 8-9, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 60 pp. Brown: Today is December 8th, 2010. Bobby Hutcherson: Oooo, December 8th. Brown: This is the Smithsonian NEA Jazz Oral History interview with Bobby Hutcherson in his home in Montero, California. Good afternoon, Bobby. Hutcherson: Good afternoon. Brown: It’s indeed a pleasure to be here, be in your home and be able to talk to you, one of my heroes for so many years, a fellow Californian. If we could just start by you stating your full name at birth and your birth place and birth date, please. Hutcherson: Robert Howard Hutcherson. I was born January 27, 1941, in Los Angeles, but I grew up in Pasadena, California. Brown: But you say you were born in Los Angeles. Hutcherson: Um-hmm. Brown: Is that where your parents were living at the time of your birth? For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Hutcherson: No. It was – they were living in Pasadena, but a lot of my relatives were living in Los Angeles, Watts and stuff like that. So it worked out, because they could be there. My mom had me very late in her life, in those days, and so it was better for my father to take my mother to the Los Angeles hospital, because he was – his work, he was a bricklayer.