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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Fall 2018 Catalog.Indd
fall PROGRAM OFFERINGS 2018 SEPTEMBER THROUGH DECEMBER Around the World in Fewer than 80 Days! Special Events Lecturer: David Jones Around the World in Fewer than Artifactscontents at the Georgia Capitol . 16 Monday, October 1 80 Days! . i Auguste Rodin: Refl ecting Humanity . 4 5:00pm reception; 5:30pm program; Art Gallery Opening: Fran Th omas . 22 Charles Lamar and the Slave-Trader’s 6:15pm reception continues Discovering Daufuskie Island . i Letter-Book . 4 Skidaway Island Presbyterian Church From Monet to Matisse . 16 Deadliest Catch . 20 50 Diamond Causeway Holiday Sing-Along . 23 Everyday Racism in America . 18 $15 for members; Introducing: Healthwise Fallen Empires of World War I . 5 free for visitors invited by members Movement and Stillness . 24 Fort King George . 15 Open House $25 TLC credit for members whose guests Sex and the Senior . 24 Gilded Age and Its Mansions . 2 become members on October 1 Travel Wellness . 25 Giorgio Vasari . 14 Yoga Studio . 25 Ivan Bailey This is the amazing story of Nellie Bly and Elizabeth Bisland and their & His Savannah Ironwork . 21 race against each other and Jules Verne’s fictional traveler, Phileas Fogg, to Travel King David . 14 circumnavigate the globe in fewer than 80 days in 1889-1890. Accomplished Jekyll Island: Enclave of Millionaires . 3 Managing and Curating journalists and fierce competitors, theirs is a compelling story of amazing Louisisana Sojourn . 11 a Savannah Art Gallery . 23 adventures and misadventures in the days when traveling was unpredictable, Paris to Normandy . 9 Mary Shelley and Frankenstein . 15 dangerous, and all the more challenging for single young women. -
Dossier De Presse
ARP Sélection présente un film de John Cameron Mitchell Durée : 1h42 Distribution Presse ARP Sélection Moonfleet - Matthieu Rey 13, rue Jean Mermoz 6, rue d’Aumale 75009 Paris 75008 Paris Tel : 01 53 20 01 20 Tel : 01 56 69 26 00 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis 1977 : trois jeunes anglais croisent dans une soirée des créatures aussi sublimes qu’étranges. En pleine émergence punk, ils découvriront l’amour, cette planète inconnue et tenteront de résoudre ce mystère : comment parler aux filles en soirée… La production Adapté de la nouvelle de Neil Gaiman, célèbre écrivain et auteur de romans graphiques, l’atmosphère, l’esprit du film et l’époque s’accordent parfaitement avec la passion jubilatoire de Mitchell pour la musique alternative. Mitchell déclare : « En général, j’aime créer mon univers moi-même mais dans ce projet, il y avait quelque chose de spécial. Le film s’inspire de la jeunesse punk de Neil Gaiman à Croydon et, par certains côtés, on a peut-être davantage besoin d’esprit punk maintenant que dans les années 70, à cause de cette impression de noirceur, de dureté, d’accablement qui règne en chacun d’entre nous à l’heure actuelle. » Ce n’est pas uniquement l’esprit punk de l’histoire qui a incité le cinéaste à situer pour la première fois son film à Londres. « C’est aussi une vraie histoire d’amour entre un punk et une extraterrestre, c’est un mélange de cultures et de sous-cultures. Les extraterrestres et les punks sont deux tribus en marge, dans le monde gris et normal du Croydon des années 70. -
People for Profit: North Korean Forced Labour on a Global Scale Edited by Remco E
PEOPLE FOR PROFIT People for Profit North Korean Forced Labour on a Global Scale Edited by Remco E. Breuker & Imke B.L.H. van Gardingen Contributors Jan Blinka Britt C.H. Blom Marte C.H. Boonen Klara Boonstra Rosa Brandse Remco E. Breuker Imke B.L.H. van Gardingen Larissa van den Herik Tycho A. van der Hoog Marieke P. Meurs Cedric Ryngaert Shannon R. Stewart Anoma P. van der Veere This is an open source publication by LeidenAsiaCentre. Copyright © 2018 (authors). People for Profit: North Korean Forced Labour on a Global Scale Edited by Remco E. Breuker and Imke B.L.H. van Gardingen ISBN 978-90-826167-1-2 (hardback) ISBN 978-90-826167-3-6 (e-book) LeidenAsiaCentre is an independent research centre affiliated with Leiden University and made possible by a grant from the Vaes Elias Fund. The centre focuses on academic research with direct application to society. All research projects are conducted in close cooperation with a wide variety of partners from Dutch society. More information can be found on our website: www.leidenasiacentre.nl For contact or orders: [email protected] M. de Vrieshof 3, 2311 BZ Leiden, The Netherlands Book design: A.P. van der Veere Contents Contributors IX Acknowledgements XII Introduction Remco E. Breuker and Imke B.L.H. van Gardingen 1 Chapter I Setting the Background: Labour Conditions in the DPRK Remco E. Breuker 6 Chapter II Accountability for DPRK Workers in the Value Chain: The Case of Partner Shipyard, a Polish Shipbuilder and its Dutch Partners Imke B.L.H. -
So Long, Hollywood
24 Saturday 23 July 2016 The Daily Telegraph The Daily Telegraph Saturday 23 July 2016 25 BOOKS Eloquent, euphonic, wise Is it just and funny, her speech stands for all the complexities of the So long, novel. Different strata of the past are folded into her patois. hair? “Autoclaps”, her favourite word, is dense with layers of etymology. It is something one Hollywood brings upon oneself (auto- collapse); it is also heavenly force majeure (“afterclap” is thunder); and it is prophetic Tim Smith-Laing on a poet’s (the “unveiling” of apocalypse, with Ma Taffy as its blind novel about Rastafarianism seer). English, Middle English and ancient Greek all at once, “autoclaps” is unmistakably and AUGUSTOWN ‘There entirely Jamaican. Dave Eggers’s new novel, about an alcoholic dentist driving by Kei Miller shall no Miller relies heavily on theme and variation. Flight, for through Alaska, is defiantly unfilmable, saysDuncan White 256PP, W&N, £12.99, razor instance, comes up again and EBOOK £6.99 again, ambivalently: the ethereal and anonymous online critics. come narrator, Bedward’s walk, Rastas HEROES OF THE Her hippie Ohio town is being upon his floating on clouds of ganja, the FRONTIER gentrified; the new residents are struggle for liberation, a suicide ÌÌÌÌÌ by Dave Eggers entitled and angry, the organic head… dangling from a tree. Each is a market a pit of aggression. A Lycra- iterally panoramic, Kei different story and part of the 400PP, HAMISH clad cyclist beats an innocent driver Miller’s latest novel is he shall same story: the dream of “Flying £18.99 L HAMILTON, , almost to death with his pump. -
The Joan and Lester Avnet Collection in the Museum of Modern Art : Exhibited, Apr
A Treasury of modern drawing : the Joan and Lester Avnet Collection in the Museum of Modern Art : exhibited, Apr. 27-July 4, 1978 William S. Lieberman Date 1978 Publisher The Museum of Modern Art ISBN 08707060980 Exhibition URL www.moma.org/calendar/exhibitions/2355 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art A TREASURY OF MODERN I DRAWING THE JOANAND LESTER AVNET COLLECTION Archive MoMA 1210 ft TREASURY OF MODERN DRAWING A TREASURY OF MODERN DRAWING THE JOANAND LESTER AVNET COLLECTION IN THE MUSEUMOF MODERNART WILLIAMS.LIEBERMAN THE MUSEUM OFMODERN ART, NEW YORK 4«-CH'«C lAOrf/) 12-10 MUSEUM OF MODERNART LIBRARY Copyright © 1978 by The Museum of Modern Art All rights reserved The Museum of Modern Art 11 West 53 Street New York, N.Y. 10019 Library of Congress Catalog Card Number: 78-50658 ISBN: 0-87070-609-8 Designed by Steven Schoenfelder Printed by Meriden Gravure Co., Meriden, Conn. Bound by Sendor Bindery, Inc., New York, N.Y. Printed in the United States of America cover Matisse: The Necklace. 1950. Brush and ink, ioVz x i6Vi" frontispiece Feininger: The Town ofLegefeld. 1916. Pen and ink, charcoal, 9 Vi x 12V2" INTRODUCTION 7 ILLUSTRATIONS 35 CA TALOG OF THE COLLECTION 108 Lester Avnet was a devoted son, brother, husband, and father. His life was dedicated to his family; indeed he thought more often of them, always with pride, than he did of himself. -
A Statement from David France, Director and Producer of the Death and Life of Marsha P
A statement from David France, director and producer of The Death and Life of Marsha P. Johnson In 1992, the year that activist Marsha P. Johnson was killed, I was writing for the Village Voice covering AIDS and the general LGBTQ beat in New York City. Marsha had been a friend of mine, and her story fell to me to report. I started investigating right away, but with no active leads and the exploding AIDS crisis in New York, I let the story slip away. For years, my decision has haunted me. When making my first feature, How To Survive A Plague, I kept a “Projects Board” of other stories I wanted to explore in future work. Marsha’s story was always the most prominent, because I felt a duty to investigate her death the way I had not been able to in 1992. Reina Gossett has suggested that I’ve stolen both the concept and footage for The Death and Life of Marsha P Johnson from her work, the experimental short narrative Happy Birthday, Marsha. I owe a debt to those who have kept Marsha’s story alive over the years. My creative work builds on theirs. But it is it’s own scholarship. My research team and I spoke with every friend and associate of Marsha and Sylvia Rivera’s that we could reach, and poured through a vast archive to arrive at our film, aided immeasurably by the Anti Violence Project, whose story is at the center of my film. We sourced, digitized, and licensed the archival footage. -
Resisting Diaspora and Transnational Definitions in Monique Truong's the Book of Salt, Peter Bacho's Cebu, and Other Fiction
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-5-2012 Resisting Diaspora and Transnational Definitions in Monique Truong's the Book of Salt, Peter Bacho's Cebu, and Other Fiction Debora Stefani Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Stefani, Debora, "Resisting Diaspora and Transnational Definitions in Monique ruong'T s the Book of Salt, Peter Bacho's Cebu, and Other Fiction." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/81 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RESISTING DIASPORA AND TRANSNATIONAL DEFINITIONS IN MONIQUE TRUONG’S THE BOOK OF SALT, PETER BACHO’S CEBU, AND OTHER FICTION by DEBORA STEFANI Under the Direction of Ian Almond and Pearl McHaney ABSTRACT Even if their presence is only temporary, diasporic individuals are bound to disrupt the existing order of the pre-structured communities they enter. Plenty of scholars have written on how identity is constructed; I investigate the power relations that form when components such as ethnicity, gender, sexuality, religion, class, and language intersect in diasporic and transnational movements. How does sexuality operate on ethnicity so as to cause an existential crisis? How does religion function both to reinforce and to hide one’s ethnic identity? Diasporic subjects participate in the resignification of their identity not only because they encounter (semi)-alien, socio-economic and cultural environments but also because components of their identity mentioned above realign along different trajectories, and this realignment undoubtedly affects the way they interact in the new environment. -
Twitch and Professional Gaming: Playing Video Games As a Career?
Twitch and professional gaming: Playing video games as a career? Teo Ottelin Bachelor’s Thesis May 2015 Degree Programme in Music and Media Management Business and Services Management Description Author(s) Type of publication Date Ottelin, Teo Joonas Bachelor´s Thesis 08052015 Pages Language 41 English Permission for web publication ( X ) Title Twitch and professional gaming: Playing video games as a career? Degree Programme Degree Programme in Music and Media Management Tutor(s) Hyvärinen, Aimo Assigned by Suomen Elektronisen Urheilun Liitto, SEUL Abstract Streaming is a new trend in the world of video gaming that can make the dream of many video gamer become reality: making money by playing games. Streaming makes it possible to broadcast gameplay in real-time for everyone to see and comment on. Twitch.tv is the largest video game streaming service in the world and the service has over 20 million monthly visitors. In 2011, Twitch launched Twitch Partner Program that gives the popular streamers a chance to earn salary from the service. This research described the world and history of video game streaming and what it takes to become part of Twitch Partner Program. All the steps from creating, maintaining and evolving a Twitch channel were carefully explored in the two-month-long practical research process. For this practical research, a Twitch channel was created from the beginning and the author recorded all the results. A case study approach was chosen to demonstrate all the challenges that the new streamers would face and how much work must be done before applying for Twitch Partner Program becomes a possibility. -
Nellie Bly Vs. Elizabeth Bisland: the Race Around the World,” P
Vol. VI, No. 2, 2020 Surprise!! The famous Nellie Bly had a now-forgotten travel competitor. See “Nellie Bly vs. Elizabeth Bisland: The Race Around the World,” p. 2. © Corbis and © Getty Images. To be added to the Blackwell’s Almanac mailing list, email request to: [email protected] RIHS needs your support. Become a member—visit rihs.us/?page_id=4 "1 Vol. VI, No. 2, 2020 Nellie Bly vs. Elizabeth Bisland: The Race Around the World You probably know that Nellie Bly was the intrepid woman journalist Contents who went undercover into the notorious Blackwell’s Island Lunatic Asylum and later traveled around the world in a record- P 2. Nellie Bly vs. making 72 days. (See Blackwell’s Almanac, Vol. II, No. 3, 2016, at Elizabeth Bisland: The rihs.us.) What you almost certainly do not know is that Race Around the World another young lady departed the very same day in competition with her. P. 7 From the RIHS Author Matthew Goodman recounted this exciting story at February’s Archives: NY Times Ad, 1976 Roosevelt Island Historical Society library lecture. Based on his incredibly well-researched book, Eighty Days: P. 9. RI Inspires the Nellie Bly and Elizabeth Bisland’s History-Making Race Around the Visual Arts: Tom World, Goodman painted an intimate portrait of the Otterness’s “The two women who vied to outrun the 80-day ’round-the-world journey Marriage of Money and imagined by Jules Verne. Real Estate” P. 10. A Letter from the By 1889, when Bly embarked on her circumnavigation of the globe, RIHS President she had already demonstrated her utter fearlessness. -
UNIVERSITY of CALIFORNIA RIVERSIDE Recalling Vietnam
UNIVERSITY OF CALIFORNIA RIVERSIDE Recalling Vietnam: Queering Temporality and Imperial Intimacies in Contemporary U.S. and Franco-Vietnamese Cultural Productions A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Southeast Asian Studies by Justin Quang Nguyên Phan December 2018 Thesis Committee: Dr. Mariam Beevi Lam, Chairperson Dr. Jodi Kim Dr. Sarita See Copyright by Justin Quang Nguyên Phan 2018 The Thesis of Justin Quang Nguyên Phan is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS My deepest gratitude to Mariam Beevi Lam who continues to challenge me to embrace interdisciplinarity and for graciously and patiently meeting with me time and time again to navigate the wonders of the university; to Jodi Kim, for providing sustained and incisive comments on my ideas and for always reminding me to not put the ‘cart before the horse’; and to Sarita See for creating shelters for critical engagement wherever we go since our meeting in her Race, Culture, Labor seminar years ago. Many thanks as well to Crystal Mun-Hye Baik, David Biggs, Evyn Lê Espiritu, Dylan Rodríguez, and Christina Schwenkel for commenting on earlier iterations of my work. While this was indeed a product of many conversations with mentors, friends, and family, any shortcomings in the pages to come are respectfully mine. To the administrative staff—Trina Elerts, Crystal Meza, Iselda Salgado as well as Ryan Mariano, Diana Marroquin, and Kristine Specht—for working with me throughout the transitions to ensure that I fulfill everything necessary for this degree. To Amina Mama, Wendy Ho, and Naomi Ambriz who continue to inspire me to examine the intersections of colonialism, race, class, gender, and sexuality within a transnational perspective. -
Weigel Colostate 0053N 16148.Pdf (853.6Kb)
THESIS ONLINE SPACES: TECHNOLOGICAL, INSTITUTIONAL, AND SOCIAL PRACTICES THAT FOSTER CONNECTIONS THROUGH INSTAGRAM AND TWITCH Submitted by Taylor Weigel Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2020 Master’s Committee: Advisor: Evan Elkins Greg Dickinson Rosa Martey Copyright by Taylor Laureen Weigel All Rights Reserved ABSTRACT ONLINE SPACES: TECHNOLOGICAL, INSTITUTIONAL, AND SOCIAL PRACTICES THAT FOSTER CONNECTIONS THROUGH INSTAGRAM AND TWITCH We are living in an increasingly digital world.1 In the past, critical scholars have focused on the inequality of access and unequal relationships between the elite, who controlled the media, and the masses, whose limited agency only allowed for alternate meanings of dominant discourse and media.2 With the rise of social networking services (SNSs) and user-generated content (UGC), critical work has shifted from relationships between the elite and the masses to questions of infrastructure, online governance, technological affordances, and cultural values and practices instilled in computer mediated communication (CMC).3 This thesis focuses specifically on technological and institutional practices of Instagram and Twitch and the social practices of users in these online spaces, using two case studies to explore the production of connection- oriented spaces through Instagram Stories and Twitch streams, which I argue are phenomenologically live media texts. In the following chapters, I answer two research questions. First, I explore the question, “Are Instagram Stories and Twitch streams fostering connections between users through institutional and technological practices of phenomenologically live texts?” and second, “If they 1 “We” in this case refers to privileged individuals from successful post-industrial societies.