AQ/Jaern Errata (2009-09-20) (Based on the 7/29/2006 Version of the AQ/Jaern Manual
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Şarkiyat Mecmuasi
o ŞARKIYAT MECMUASI İSTANBUL ÜNİVERSİTESİ EDEBİYAT FAKÜLTESi ŞARKİYAT ARAŞTIRMA MERKEZİ TARAFINDAN ÇIK.ARll.,lR vm ÇANTAY KİTABEVİ İSTANBUL 1998 A BRIEF STUDY ON SWORDS MEHMET FAHRl FURA T What is a swordl? Physically considered, the sword is a metal blade intended for cutting, thrusting, or cut and thrust. It is usually but not always composed of two parts. The first and principal is the blade proper(taban, namlu). It's cutting surface called the edge(yalım), and it's thrusting end is the point (yalman). The second part which adapts the weapon for readier use, is the hilt(kabza), whose several sections form a complicated and a enormously varied whole. The grip is the outer case of the tang, the thin spike which projects from the shoulders or thickening of the blade, at the end opposed to the point. Sametimes there are two short teeth or projections from the an- , gles of the shoulders. These are called the "ears". The tang which is of many shapes,-long and short, straight-lined or curvilinear, plain of pierced for attachınent-ends in the pommel or little ap pleı. Into which it shouldbemade fast by rivets or screws. The object of this oval of metal is to counterpoise the weight of the blade and to allow of artistic ornamentation. The grip of wood, bone, horn, ivory, metal, valuable stones and other materials covered with skin, cloth and various substances whipped round with cord or wire is projected at the end abutting upon the guard proper by the hilt piece which also greatly varies. -
COLD ARMS Zoran Markov Dragutin Petrović
COLD ARMS Zoran Markov Dragutin Petrović MUZEUL BANATULUI TIMIŞOARA 2012 PREFACE Authors of the catalog and exhibition: Zoran Markov, Curator, Banat Museum of Timisoara Dragutin Petrović, Museum - Consultant, The City Museum of Vršac Associates at the exhibition: Vesna Stankov, Etnologist, Senior Curator Dragana Lepir, Historian Reviewer: “Regional Centre for the Heritage of Banat — Concordia” is set adopted a draft strategy for long-term research, protection and pro- Eng. Branko Bogdanović up with funds provided by the EU and the Municipality of Vršac, motion of the cultural heritage of Banat, where Banat means a ge- Catalog design: as a cross-border cooperation project between the City Museum ographical region, which politically belongs to Romania, Hungary Javor Rašajski of Vršac (CMV) and Banat Museum in Timisoara (MBT). In im- and Serbia. Photos: plementation of this project, the reconstruction of the building of All the parts of the Banat region have been inextricably linked Milan Šepecan Concordia has a fundamental role. It will house the Regional Centre by cultural relations since the earliest prehistoric times. Owing to Ivan Kalnak and also be a place for the permanent museum exhibition. its specific geographical position, distinctive features and the criss- Technical editor: The main objective of establishing the Regional Centre in crossing rivers Tisza, Tamis and Karas, as the ways used for spread- Ivan Kalnak Concordia is cross-border cooperation between all institutions of ing influence by a number of different cultures, identified in archae- COLD ARMS culture and science in the task of production of a strategic plan ological research, the area of Banat represents today an inexhaust- and creation of best conditions for the preservation and presenta- ible source of information about cultural and historic ties. -
THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES FFOULKES, B.Litt.Oxon
GQ>0<J> 1911 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Ubrary NK6606 .F43 1912 The armourer and his craft from the xith C Date iSIORAGE 3 1924 030 681 278 Overs olin a^(Mr;= :3fff=iqfPfr.g^h- r^ n .^ I aAri.^ ^ Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030681278 THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley < 'A w <1-1 K 2; < > o 2 o 2; H ffi Q 2; < w K o w u > w o o w K H H P W THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES FFOULKES, B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & CO. LTD. 36 ESSEX STREET W.G. LONDON Kc tf , First Published in igi2 TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- ment of defensive armour, for this has been more or less fully I discussed in v^orks which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft. -
The Scottish Highland Regiments in the French and Indian
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1968 The cottS ish Highland Regiments in the French and Indian War Nelson Orion Westphal Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Westphal, Nelson Orion, "The cS ottish Highland Regiments in the French and Indian War" (1968). Masters Theses. 4157. https://thekeep.eiu.edu/theses/4157 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
PDF Download Sword and Scimitar Pdf Free Download
SWORD AND SCIMITAR PDF, EPUB, EBOOK Simon Scarrow | 592 pages | 25 Apr 2013 | Headline Publishing Group | 9781472201904 | English | London, United Kingdom Sword and Scimitar PDF Book In Chicago, based on what I hear in sermons, my impression is that Cardinal Cupich has mandated this line of speech. Hwandudaedo Seven- Branched Sword. Thank you for signing up! To view it, click here. Type of Sword. Thank you. Loading Related Books. Reproduction of the original sword from Topkapi Museum, Istanbul. Thus, the Crusaders took the fight across the Mediterranean, a thousand miles away, and mostly prevailed over the Muslim occupiers of territory that Christianity had originally gained by conversion. Richard F. Aug 07, Laura rated it liked it. The Shamshir or sometimes referred to as the Mameluke Sword belongs to the collection of swords of the Seljuk empire, and later on adopted the name Shamshir when the weapon was taken to Persia in the twelfth century. Skip to main content. The stories are told through the eyes of two centurions, Macro and Cato. All of that said it is certainly correct that white slaves were the most prized and again as sex-slaves in the hareems of wealthy Mussalmen; but in terms of sheer numbers the Muslim black slave trade was about an order of magnitude greater than the white one. For other uses, see Scimitar disambiguation. It's against this backdrop that Sir Thomas Barrett, an English knight who had left the Order due to a scandal, finds himself called back into service. Edition Description A sweeping history of the often-violent conflict between Islam and the West, shedding a revealing light on current hostilities The West and Islam--the sword and scimitar--have clashed since the mid-seventh century, when, according to Muslim tradition, the Roman emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. -
AQ/Jaern Errata (Based on the 7/29/2006 Version of the AQ/Jaern Manual
AQ/Jaern Errata (based on the 7/29/2006 version of the AQ/Jaern manual. That is the version officially adopted by the Fantasy Club) Chapter 1 1.2 – Adventurer Statistics (Was 'Physical Statistics' but that term confuses some issues) 1.12 – Patron Gods 10 – Rudri – Dweller of the Dark – M/F 11 – Scrogg – Master of Fornication – M 12 – Zepheryn 13 – Vormaxia 14 – Almar 1.14 – Languages INT based restrictions on the number of languages an adventurer can have are removed. An adventurer can know as many languages as they are willing to spend experience points on. Initial starting numbers remain unchanged; however adventurers are not required to have either Paroli or a race language as their 1st language. They should choose whatever language(s) are appropriate to their background story. 1.15.1 – Effective Rating Often times the amount of experience you receive in an adventure is significantly above or below average. It is often useful to calculate all of your experience points gained so far (as well as any free skills or abilities bestowed upon your adventurer) and divide that amount by the average adventure experience (recommended is around 2500) to determine your Effective Rating. 1.23.1 – Exceptional and Inferior Stats By and large exceptional and inferior stats for adventurers are treated the same as the 'Exceptional STAT' and 'Inferior STAT' creature skills. 1.26.2 – Stat Limitation A spell caster cannot overload or finesse a spell to use more units than their PWR stat. This means that the post spell units that can be used on a spell is limited by PWR. -
Viewings by Appointment Only 6
+44 (0)7866 424 803 [email protected] runjeetsingh.com CONTENTS Daggers 6 Swords 36 Polearms 62 Firearms 74 Archery 84 Objects 88 Shields 98 Helmets 104 Written by Runjeet Singh Winter 2015 All prices on request Viewings by appointment only 6 1 JAAM-DHAR An important 17th century Indian A third and fourth example are (DEMONS TOOTH) katar (punch dagger) from the published by Elgood 2004, p.162 KATAR Deccan plateau, possibly Golkonda (no.15.39) and Egerton (no.388), (‘shepherd’s hill’), a fort of Southern from Deccan and Lucknow India and capital of the medieval respectively. Both are late 17th DECCAN (SOUTH INDIA) sultanate of the Qutb Shahi dynasty or early 18th century and again 17TH CENTURY (c.1518–1687). follow the design of the katar in this exhibition. OVERALL 460 MM This rare form of Indian katar is the BLADE 280 MM earliest example known from a small The heavy iron hilt has intricate group, examples of which are found piercing and thick silver sheet is in a number of notable collections. applied overall. These piercing, These include no.133 in Islamic suggestive of flower patterns, softens Arms & Armour from Danish private the austerity of the design which Collections, dated to the early 18th can be related to architecture, for century. Probably Deccani in origin, example the flared side bars have the arabesques on the blade have tri-lobed ends. The architectural Shi’ite calligraphy. The features of this theme continues into the lower bar fine katar are closely related to the which connects to the blade; this has katar published here. -
Dungeons & Dragons 3.5 Edition Index
Dungeons & Dragons 3.5 Edition Index – Equipment http://www.crystalkeep.com/d20 Collected by Chet Erez ([email protected]) Report Suggestions or Errors at http://www.crystalkeep.com/forum/index.php April 14, 2006 Table of Contents Armors & Shields.....................................................................2 Weapons Errata......................................................................20 Light Armor ........................................................................2 Weapon Features...............................................................20 Medium Armor....................................................................3 Resizing Weapons.............................................................21 Heavy Armor.......................................................................4 Weapon Equivalencies......................................................21 Shields.................................................................................5 Superior Equipment ...............................................................22 Options................................................................................6 Alchemy Items ..................................................................22 Melee Weapons........................................................................7 Superior Materials.............................................................26 Unarmed Melee Weapons ...................................................7 Other Items........................................................................26 -
A Brief Study on Swords Mehmet Fahri
A BRIEF STUDY ON SWORDS MEHMET FAHRİ FURAT What is a sword* ? Physically considered, the sword is a metal blade intended for cutting, thrusting, or cut and thrust. It is usually but not always composed of two parts. The first and principal is the blade proper(taban, namlu). It's cutting surface called the edge(yalım), and it's thrusting end is the point (yalman). The second part which adapts the weapon for readier use, is the fiilt(kabza), whose several sections form a complicated and a enormously varied whole. The grip is the outer case of the tang, the thin spike which projects from the shoulders or thickening of the blade, at the end opposed to the point. Sometimes there are two short teeth or projections from the an- , gles of the shoulders. These are called the "ears". The tang which is of many shapes,-long and short, straight-lined or curvilinear, plain of pierced for attachment-ends in the pommel or little ap- pleInto which it should be made fast by rivets or screws. The object of this oval of metal is to counterpoise the weight of the blade and to allow of artistic ornamentation. The grip of wood, bone, horn, ivory, metal, valuable stones and other materials covered with skin, cloth and various substances whipped round with cord or wire is projected at the end abutting upon the guard proper by the hilt piece which also greatly varies. It may, however, be reduced to two chief types- the guard against the thrust, and the guard against the cut. -
Sample File Gladius: Double-Edged Sword of Roman Design Between 65 and 70 Cm Long
he sword has been an iconic weapon in role-playing games from the earliest days. Who Thasn’t played a game where at least one player played a character wielding a mighty sword — be it a simple longsword, heavy bastard sword, versatile short sword, massive two-handed sword, or dextrous rapier? Swords, in their many flavors and varieties have filled the pages of role-playing games, fantasy books, and other writings for generations. But when you play your games, whether set in far off fantasy lands or in Norman England, do your swords all look alike? What sets one longsword apart from another? Sure, they all do the same amount of damage, but what makes them special? Swords have been around in human history since the Bronze Age, or maybe even earlier. They reached their height of variety and versatility in the European Middle Ages and have found a place among the armies of the world, stretching across Europe, Africa, and Asia. In basic terms, a sword is a bladed (edged) weapon used for cutting and thrusting. The exact definition, style, and name depends on which age of history you are examining and the culture that created the weapon. From saifs, daos, khopesh, katanas, spatha, talwar, and Viking swords to Norman Longswords, Zweihanders, scimitars, rapiers, epee, and cavalry sabers, swords have found a place in our history. These weapons were all designed to meet a specific need for the wielder - whether functional or emotional or both. From purely utilitarian functionality to great works of art, swords run the gamut of form and function, which is probably why they are so important in role-playing games. -
THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES 'FFOULKES; B.Litt.Oxon
Digitized by the Internet Archive in 2015 https://archive.org/details/armourerhiscraftOOffouuoft THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley 2; > u 5 Q Z H K z C ^ < . U a X 3 O E P u a Q Z 5 THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES 'FFOULKES; B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON First Published in igi2 ^nt^ov. PrwtUd in OrccU TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- I ment of defensive armour, for this has been more or less fully discussed in works which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft. At the same time it is impossible to discuss this branch of the subject without overlapping in some details the existing works on Arms and Armour, but such repetition has only been included because it bears directly on the making, selling, or wearing of armour. I have intentionally omitted all reference to the sword and other weapons of offence, for this would have unduly increased the size of the present work, and the subject is of such importance that it deserves a full consideration in a separate volume. -
Reinventing the Sword
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.