NONPROFIT ORr,ANlZATION IJ. ~. PO~TAr,E krob fm PAID : 1406 Harvard SEA TILE. loIN l Seattle Wn 98122 PER lIT 9566

(K~~~~~~ ~®y~ 71 ~[~il~[ ~[[30000~~W ~®71® f"ACT: These people haVf~ read books by foreign NOW IT CAN BE TOLD! writers. FACT: They sometimes speak in foreign tongues. FACT: Some of them have been seen to eat a sub­ Oea r l~ i s equYs : stance called yogurt (an ASIAN "food" manu­ factured from bacteri a I!) It has lately come to our attention that persons This is a small part of the evidence. Daily, representing themselves as "latenight program pro­ hourly the reports pour in: These people are not ducers" are i ntendi ng to engage in the exchange of mere DUPES! They are conscious agents of FOREIGN spurious communiques. These transmittals are, POHERS! And we knQltI who. AND we Who have DARED furthermore, to lie rec i ted for the entertainment TO LOOK know how to stop this creeping menace, and, we would ilfldC)ine, prurient fascination of the though it \~a1k in our very midst. meagre, and ill-bred, audience these "producers" (1) Stock cupboards with canned broccoli, turnips, have engendered. Th e intelligent listener cannot and water, poss ~ bly look but ~i i th ho r ror upon this startling (2) Secure all doors and windows, display of illicit intercourse, the consequences of (.'3) P1 ug ea rs wi th cotton and sea 1i ng wax, which lay outside a law abiding citizen's imagin­ ation. (4) Do not move. . Hhen the threat has passed you wi 11 be noti fied by Is this any ~/ay to behave in this our Bicentennial special de1ivery. Year? Win Exp lorer land on ~4ars in vain? Do these "producers" think they are fooling us? That their silky soft voices, emo t ional enginee.ring These people must be stopped. It is not too late. manneri sms, and seemi ng1y harm1 ess banter can con­ ceal the truth frolf. t hose that DARE TO LOOK? In pursuit, there is no compromise.

WINTER SPORTS AT PELTYVILLE-THE T.lTTLE 'COONS TAKE A SPIN OVER THE CRUST, MA TERlALS NEEDED FOR KRAB PRODUCTION ROOM Due to the unstinting labor and ingenious juryriqgery of used plywood lying around Seattle gathering of our Chief Engineer, KRAR is on the verge of having moisture. I~e I"lant ten of them. a functioning production room. A production room is just like a control I'oom, except that it is not norrrally 3 - sheets good 3/4" x 4' x 8' AD (one side fin­ on the air (although it could be used as a back-up con­ ished, one side rough) interior plY'llood. It , trol room to allow repairs and maintenance on the main costs about $15.00 per sheet. control room at some time other than the middle of the night). It would facilitate mixing any number of dif­ 12 - 8' 2" X 4'''s studs. Cost: about $10 - $15. ferent inputs (e.g.,microphones, tape rrachines, phone lines, records) which could then be either recorded or 2 - 4" x 4" X 8' pieces of fi r. Cost: about $5.00. ai red. A production room is taken for granted at almost all multi-pair shielded cable, or ~ shielded audio radio stations. As things nO\'I stand at KRAll, as sint­ cable ple a proposition as making a tape from a record. to be done well, has to be done after going off the air old junk (but workable or easily repairable) in the mi dille of the ni gilt. Hi th a prod room, program stereo amplifiers, any wattage. eroduction would be infinitely simplified and vastly lmproved. As one can easily see, the total cost of these materials Except for labor. vie need only a few simple materials is only abolJt $150.00. If you can help with acquisi­ to build the production room. Unfortunately. our bud­ tion, or if you want to un de l'Wri te the cost of the get simply cannot cover even these bare necessities; roo'll, or if you \~ould like to use your chann and affa­ we need to find someone to either donate them or who bility to try to get donations from local businesses, knOlvs who will donate them (tax-deductible donations. please call Bob \,Ieppner or Tom Eckels at 325-5110. remember). They are: Or drop in; when you see the current rea'iity and the inherent possibilities, you'll know why we so despe~ 10 - sheets of 3/4" x 4' x 8' plywood, any quality. ately \'/ant and need to put this thing together. new or used. Tnere must be millions of sheets

KRAB STAFF: To defray cost of guide publication, we accept advertising in the guide. Display PHI LANDRUS - Envi ronmenta 1 Educati on Coordinator ad rates are as follows: $85: full page; THOMAS ECKELS - Chief Engineer/Entropy Ranger $40: half page; $25: quarter page; $12: JEFF FOLLETTE - Mus i c Drrector ei ghth page. Extended contracts a t reduced LEILA GORBMAN - Program Director rates. Rates subject to change. Call 325-5110. GREG PALMER - Resident Humanist CHUCK REINSCH - Sta ti on ~1anager TAt1ARA SI~IFT - Produc ti on Ass i stant ROBERT I~EPPNER - Assistant Manager STU WITMER - Early Music. Program Guider, Other

KRAB-FM is licensed to the Jack Straw Memorial Foundation, a non-profit tax-exempt corporation. KRAB is a non-commercial educational radio station devoted to providing programming not available on other stations. It is financially sup oorted by its listeners who normally contribute S25/year, or $15/year if student, retired, in the military, a prisone~, or poor. All contributions Dear Sir: The January lover seems vulgar are tax-deduct ibIs and go toward paying operating for a magazine of your caliber. We are expenses. Each month, program guides are sent to tired of hippies, So, why advertise them subscribers. For more information tall 325-5110 with the American flag?

New York, New York ployn:ent and social services. Speakers \dll nATIONAL HARD-:-I~lES CONFERENCE ,1M!. 30 - FEr.. 1 represent groups inc1ud'i ng the Arreric·ln Indian Durino thi s ~Ieekend U{AR hones to hroadcas t Hoverrent, Prairie Fi t'e, San Francisco Black live seni'Cuts frorl fee sYMnosiul11 in Chica(1o. Te'lchers Caucus, and the Uni ted Black Horkers. rlepression, in'Flation. tre I'/orkers and the As we pri n L thi 5, \ole do not fla ve the conference poor. rocussinfl on communit:1 orl1anizina, em- scherlule . Some Of the proq ralmling listed on these da tes may be pre-empte,1 or shortened, or '3xtended around the 1i ve coveraoe of the conferenc

6:30 EARLY MUSIC. Stu Witmer. 9:00 SUNNYSIDE UP! Zoe, David, their Dad, friend libby and other children Clet to~ether be­ 10:00 FIDDLER KRAB. Frank Ferrel. fore breakfast for stories and sonqs. Set the radio dial the ni~ht before, hide 11:55 PROGRAM NOTES tire TV and sleep late v/hile your kids listen -- or join theM over your eogs: 12:00 OPTIONS: AMERICAN FOREIGN POLICY IN start the day sunnyside up. Produced ASIA. A discussion with menbers of the by Don Finkel and Libby Sinclair. staff of the Brookings -Institute. (NPR) 9: 30 t1Etl0RY LANE, vii th Frank 01 in. 1:00 THE THELONIOUS MONK ORCHESTRA AT TOWN HALL. The 1959 debut performance by 12:00 LEFT EAR. Phat's to ear? tlusics ~lith the Monk orchestra featuring solo work Jay Stickler. by Monk, Donald Byrd, Charlie Rouse, Phi 1 Woods, Eddie Bert and Pepper Adams, 4 :00 fruSIC OF INDIA. wi th the a rranqements by Monk and Hall Overton. The pieces include "Little 6:00 NEH VOCAL t~USIC. MIRIAM GIDEON: QUESTIONS Rootie Tooti'e," "Off Minor," and "Friday ON NATURE. Text from the chapter head­ the Thi rteenth." A1 so heard wi 11 be a ings of a book by Ade1ard of Bath, a 12th 1963 concert with many of the same per­ century Enq1ish philosopher. Jan de Gae­ sonnel recorded at Philharmonic Hall. tani, mezzo-soprano; Philip I'fest, oboe; Samuel Lipman, piano; Barry .Jekofsky, 2:00 CITY COUNCIL MEETING : LIVE from the percussion. TItE CONDEMNED PLAYGROUND. ~ouncil Chambers at the Municipal Build­ Text from Horace, Raude1aire and Gary lng. Spokes ".to sUQgest the impingement of the sinister upon the pleasurable" (Gi­ 4:00 TO BE ANNOUNCED deon). HUGO lfEISGALL: END OF SUt,IMER (1973-74). Three sonqs on texts by Po 5:00 VINTAGE ROCK. Gregg Whitcomb. ChU-i, a ninth century ~Chinese poet, and Georqe Boas, each connected by an instru­ 6:00 JEAN SHEPHERD. From WOR in NYC. mental i nterl ude. The New York Chanber Soloists perform. J.K. RANDALL: "MUDGETT: 6 : 55 PROGRAM NOTES t1ONOLOGUES FOR A M/t<;S MURDERER." May- be or maybe not concerninq one Herman 7:00 ~JHAT'S GOIN' DOI·/N. Discussions of com­ I·febster ~~udqett (aka Dr. H.H.Ho1mes) who munity issues, with Flo Ware and guests. was hanqed in Philadelphia in 1896. Re­ alized in the computer centers of Colum­ 7: 30 COMt~ENTARY: OPEN bia and Princeton Universities. Hith t1elinda Kessler, soprano. 8:00 DOUBLE BISCUIT BLU~S. Tonight, TEXAS BLUES. 20's and 3'fJ's recordings by the 7 :00 WE: HOt1EN EVERYWHERE. HOMEN'S EVOLUTION, Dallas String Band, Little Hat Jones, Part II. A discussion of the develop­ Pinetop ·Burks and the il11'llOrtal Texas Al­ ment of various matriarchies, their or­ exander. With Jack Cook. qanization and structure, tne subsequent patriarchal revolution and the Amazon 9:00 CHINESE RADIO. Produced in Cantonese resistance to that revolution. Produced by Eugene Lai and the Chinese Media Com­ by the ,Lesbian Feminist Radio Collective. mittee. 8:00 THE HAMMER DULCIMER PLAYED BY CHET PARKER. 10:00 BUDDHIST MUSIC AND CHANTS FROM JAPAN AND Rorn in 1891, Parker has lived in the CHINA. The fi rs t pa rt of the program Grand Rapids, Michigan area all his life features Zen, Goeika and ShomYo chants and tauqht himself to play the dulcimer recorded at Kyoto, the ancient center from old violin books. of Japanese Buddhist worship. The second pa~t consists . of m~si c recorded during 8: 30 THE GOON SHm~. RRC crazi es, vi a NPR. Chlnese Buddhlst rltes at Precious Lotus t.lonastery, Lan Tao Island, Hong Kong. 9:00 THE ROROTNOR HOURS. Raymond Serebrin. 11 :00 SPAGHETTINI. Music and talk. Letters '~:OO SYNCOPATED ECSTASY. Roswell; jazz. from the Bronx, with appropriate musical backing. Leila. , ~IC' Stu Witrrer. 6:30~ EARLY MUSIC. Stu Witrrer. 10:00 EARTH MUSIC 10:00 EARTH t~USIC 11:55 PROGRAM NOTES 11:55 PROGRAM NOTES 12:00 OPEN FORUM IV: PUBLIC AND PRIVATE FINAN­ 12:00 BBC SCIENCE MAGAZINE. From NPR. CING OF THE ARTS. A panel discussion moderated by Lyman le~ters. (Resched­ 12:30 SPONTANEO BEGINNINGS. The origin mYth uled from last month.) of the rredicine rite of the Winneba~o tribe, complemented by various musics 1:30 THE RETICENT PARTITA. Rachel-Diane Nor­ of origins. (rescheduled from last month.) ton. 2:30 THE MORALITY OF NUCLEAR POWER. A speech 3:00 "THE FOlLOHERS." A short story by Dylan by Father William Milherd, S.J. Fr. Mil­ Thomas from his collection, Adventures herd is a Jesuit priest with a degree in the ' Skin 'Trade, read by Peggy oeleers, in subatomic physics 'from Johns Hopkins who called last month during "Report to University. He is currently employed the Listener" and volunteered. How about by the Center for Science in the Public you? Interest in Washington, D.C. Following the speech, Fr. Milherd is interviewed 3:25 OlA BELLE. REED. Songs ranging from pri­ by Phil Andrus. (Repeated from last month. ) miti ve Ba pti s t hymns to 01 a Be 11 e' s re­ cent compositions in a style near that 3:30 PIANO . SONATAS OF ALEXANDER SCRIABIN (1872- of country and western, with old-tirre 1915). The 12 sonatas of Scriabin, cov­ fiddle tunes and ballads. erin!:) a period of more than half his life, reveal his developrrent from the spiri­ 4: 00 SHEET AND lOHDOHN. Mus i c from the 20' s tually philosophical to his later mYs~i­ and 30's, with Jan Cole and Pat Tennant. cal belief in the downfall of the world and the consequent rebirth of a new, 5:00 TO BE ANNOUNCED purified human race. Part I: TI~O EARLY SONATAS AND THE SONATAS NOS. 1-3. Ro­ 6:00 TURKISH MUSIC. I ~ith "Onol Bilkur. ' berto Szidon, piano. Part II next week. 6:55 PROGRAM NOTES 5:00 SPEAKING FOR OURSELVES, with Brenda Vas­ ser. For youth to ha ve a say on the 7 :00 NORTHWEST INDIAN NEHS matters which concern them, a way for a group or i ndi vi'dua 1 to convnuni ca te 7:30 OMBUDSMAN REPORTS. Your Seattle/King ideas, ideals and/or problems to others. County ombudsman, Paul t-!eyer, untangles A new weekly program. the municipal maze for you • . 5:30 ON THE FOUL LINE. Basketball and the 8:00 BALTIC'S BOP' STOP. Art Pepper (alto) Sonics with Roger Sale and Norman Arkans. and Carl Perkins (piano), two distinct and styli s tica lly di fferent lOWes t Coas t" 6:00 THE CELESTIAL ART. North Indian classi­ artists, are featured in a variety of cal music and poetry, with Ellen Ziegler. their last (late 50's) record dates be­ fore the difficulties of narcotics ad­ 6:55 PROGRAM NOTES diction severed thei r playing careers. 7:00 EUGENE IONESCO: "VICTIMS OF DUTY." A 10:00 YES;ME! With ' Don Finke). Breadline Theater prodUction originally 11:00 VARIATIONS FOR A DOOR AND A SIGH. Jeff produced and di rected for KRAB by Ray- Follette. mond Jarvi, who says: "The playwright's comments on this work, which dates from 1952, are illuminating. 'I thought I could find a solution that would avoid all possible misunderstandin!:); I would not write a comedy, or a drama, or a tragedy, but simply a lyrical text, some­ thing "lived." I transferred to the staqe mY doubts and mY deepest despairs and turned them into dialogue; gave flesh and blood to mY inner conflicts, wrote with the greatest sincerity and tore at mY entrails: I entitled this "Victims of Duty."'" Ionesco's aim in thi s work has been "to drown the comi c in the tragic ••• to oppose (them) in order to reunite them in a new synthesis." Girl Scouts were active during the year. In Delaware, Choubert wi 11 be played by Raymond Jarvi; Ohio, Junior Troop 415 launched on a program of historical marking. In the photo. they are shown Madeleine, his Wife, by Susan Marshall; placing 8 marker on 8 former private school attended the Detecti ve, by Jarres Mi sh 'a la ni; and by President Rutherford B. Hayes as a boy. Ni co 1as T' 00 by I va rs Mi ke 1s on.

a: 30 ROBERT GARFIAS, ETHNot~USICOLOGIST. 10:00 SCOTTISH VIOLIN MUSIC FROM CAPE BRETON , as a linkage of chronolo!1ical and geo­ ISLAND. Perfermed by Joseph Cormier, graphical themes, traces the continuum violin; Edmund Boudreau, bass; and Ed­ from ~Jes t to North Afri ca, to the Ca­ ward Irwin, piano. Like many Nova Sco­ ribbean, to the Southeastern United States. tians, Cormier migrated to the U.S. in to Harlem ••• Most of the music is based the early 60's and now lives in Waltham~ on indigenous source material, especially Massachusetts. A regular performer at the rhythmic basis and, to some extent, - \~altham's French Club, he also enter­ melodic content as well. Essentially tains reqularly at events throughout the these are instrumental versions of vocal New England states. me 1odi es. • ." Sol oi s ts inc 1ude Thorn­ ton, George Barrovl, Carla Bley, Leo Smith, 10:30 SYMZONIA: Part V. More of the Symzonians; Dewey Redman and ~~arvin Peterson. their war with the Belzubians; the Dread­ ed Ultimate Weapon. 4:30 THE ~JORLD OF CHASSIDUS. Music and sto­ ries of the Chassidic Jews, with Rabbi 11:00 RIGHT TIER. Jay Stickler. Yoseph Samuels. 5:00 REPORT TO THE LISTENER. Report on sta- ti on opera ti ons, fi nanci a 1 status, etc. with stntion' ·manager Chuck Reinsch, and on programming changes and plans with program director Leila Gorbman. Comments? Call them in at 325-5110. 5:30 ENVIRONMENTAL NEHS, with Phil Andrus. 6:00 A NIGHT IN JOST VAN DYKE. The night these recordings were made. Foxie, the mayor and tavern-keeper of this tiny and primitive island in the Virgin Islnads, assembled a band consisting of most of 6:30 EARLY MUSIC. Stu Hitmer. the men on the island. Albert, the school teacher and customs officer, plays gui­ 10:00 EARTH MUSIC. Robert Garfias, from last tar and the res t of the men pl ay vari ous ni ght. rhythm instruments, including gourds, washtub bass and pots and pans. Also, 11:55 PROGRAM NOTES recordings made by marchi'ng and steel bands on the island of St. Thomas at 12:00 THE HOMEN'S SURVIVAL KIT: HOMEN'S EVO­ the height of the ~-lal"di Gras carnival. LUTION, Part II. A discussion of the de­ velopment of various matria.rchies, tlleir 6:30 KIDS' POETRY. Young poets read their orqanization and structure, the subse­ own. Produced by Susan Landgraf. quent patriarchal revolution and the Ama­ zon resistance to that revo1 uti on. Pro­ 6:55 PROGRAM NOTES ' duced by the Lesbian Feminist Radio Co1-' lecti ve. 7:00 LEFT PRESS REVIEW. Frank Krasnowsky. 1 :00 THO LESSER-KNmIN AMERICAN COMPOSERS. 7: 30 COMMENTARY LEO ORNSTEIN (b. 1892). During ~MI and the early 20's Ornste.in was acknowledged 8:00 VINTAGE JAZZ, with Hal Sherlock. as a brilliant pianist and a composer of experimental music. He was compared 9:00 SPECTRUM: THE SPIRIT AND PRESENCE OF with Schoenberg and Stravinsky. Due to DEATH IN ELECTRONIC MUSIC. In thi~ pro­ the demands of public life and desire gram Carlos Hagen presents a brief sur­ to avoid being labeled, he retired from vey' on the ma ny an d often va ri ed ways the concert stage in 1920 although he in Which electronic and avant-garde com­ continues to compose to this day. THREE posers have tried to express the spirit MOODS (1914), performed by Hilliam West­ and presence of dea th in thei r corr:posi .. ney, piano. Also, QUINTETTE FOR PIANO tions. A number of pertinent musical AND STRINGS, OP. 92 (1927), performed illustrations are included, some of them by Daniel Stepner and Michael Strauss, very unusual and experimental. violins; Peter John Sacco, viola; Tho­ mas Mansbacher, cello; William Westney, 10:00 STOCKHAUSEN PERFORMED BY THE NEGATIVE piano. -DAVID VAN VACTOR (b. 1906): QUIN­ BAND. The Negative Rand was formed in TET FOR FLUTE AND STRINGS (1932). The the fall of 1973 in order to realize a Hessian Symphony Orchestra, conducted wish on the part of two of its menf.ers by the composer. to perform Karlheinz Stockhausen" s SHORnlAVE (KURZt-IELLEN). It was finally 2:00 DEBATE ON THE VIRTUES OF THE HOUSE UN­ performed in May of 1974 at the Calif­ AMERICAN ACTIVITIES COMMITTEE. Sponsored ornia Institute of the Arts along with by the University Society of Individual­ a second work, SET SAIL FOR THE SUN. ists, Berkeley, California, on November The performers are Michael Fink, per­ 18, 1963. \~i lliam F. Buckley, Jr. vs. cussion; tar1Howard, alto saxophone; Professor. Joseph Tussman. Denman Maroney, pianQ; David Simmons, percussion; Joseph Paul Taylor, synthe­ 3:00 CLIFFORD THORNTON AND THE JAZZ COMPOSER'S sizer; and Jonathan Hei sberger. 1eca ter ORCHESTRA: "THE GARDENS OF HARLEM." and fi lter, Thornton writes: "This piece, conceived 11:00 USA FOR BEGINNERS. David Johnson. Y!l 8:00~ SATURDAY MORNING MUSIC. Jazz with Jeff 6:30~ EARLY I~USIC. Stu ltitrrer. Follette. 10:00 EARTH r~USIC. Natasha Bushnell. 12:00 EARTH MUSIC. 11:55 PROGRAM NOTES 2:30 DOUBLE BISCUIT BLUES. Hosted by the ner­ 12:00 SPECTRUM, with Carlos Hagen. A repeat vous Karl Kotas. of last ni~ht's proqra~, THE SPIRIT AND 4:00 THE GRAND IMPERIALIST CIRCUS. Using a PRESENCE OF DEATH IN ELECTRONIC I~USIC. circus motif, THE THEATRE GROUP of Seat­ 1 :00 DROHNING •••• slowly I1\Y senses rp.turned: tle enacts the events leading to the a reek of decaying sea li fe; if I was 1973 military coup in Chile. A live per­ face up or down I could not tell, salt formance recorded at E1 Centro de 1a crystals holding my eyelids closed, en­ Raza, in November 1974. Produced by tangled in mY legs the kelp tit:lhtened Lois Thetford. its !1rip. La Mer by Debussy; ' Search the Ocean, f4cTell; and a salty doq. CHR. 5:00 BASICALLY BASS. NETTY SIf10NS: SILVER THAl~. Written for one to eight players, 4:00 THE FOLK SHOW. Original blues and slide using any combination of instruments, guitar. Larry Conklin, LIVE. performed here by Bertram Turetzky wi th string bass on four tracks. NANCY HEN­ 6:00 FLAMENCO Y SUS ESTILLOS Y SUS FLAMENCOS. NINGS AND HENRY WOLF: KHUMBU ICE-FALL Allen Yonge. RAINBOW LIGHT, WHITE LIGHT and FROM THE ROOF OF THE WORLD. Performed entirely 6:55 PROGRAM NOTES on a selection of Tibetan bells. TOO DOCKSTADER: PIECES 5 AND 6 from his 7:00 MA'YONG THEATRICAL MUSIC FROM KELANTAN, F.IGHT ELECTRONIC PIECES. NETTY SmONS: MALAYSIA. The main roles of these sto­ DESIGN GROUPS 1 AND 2. On the fi rst, ries are played entirely by women, men all instrurrents played by Ron Georae. being used as comedians and musicians. The second is perforrred by Nancy and In the courtly period, the actresses were Bertram Tu~tzky. PAULINE OLIVEROS: us ua 11.y teena qers, though the s urvi vi nq OUTLINE. Performed by the Ture'tzkys with practitioners (this recording was made R?n George: "The written material pro­ in 1968) were in that sta!1e of life sorre vldes the lnf1uence for the style of im­ decades ago. A standard cast consists provisation" -- Oliveros. of fifteen: seven women, four male mu­ sicians, and four male comedians. The ' 6:00 FILMS. Dick Jameson and Kathleen Murphy. plays deal with royal figures and va­ rious animals and demons. , 6:30 MUSIC OF THE SPANISH AND PORTUGUESE SYN­ AGOGUE. Recorded at the Bevis Marks 8:00 AN INTERVIHI WITH 'DAVID HVKES. By now Synagogue in the City of London. These many of you may have heard of this once- are a selection from the rich treasury 1oca 1 composer, fi 1mmaker and mus i c ian of beautiful rre10dies which illuminate who appea red back in town from New York its ritua 1. Mos t of these me 1odi es are around Christmas. This is a rebroadcast the sarre as sung in the old Shephardic of an interview with him that was done Synagogue in Amsterd?,m. by Natasha Bushnell. During these two and a half hours he plays the tar (a 7:00 WHQLEPERSON: A CAREER CHANGE FORUM. Persian-Caucasian lute), tells of his Produced by Jack Slee and Jim Hernandez. study with a master Azerbaijani musician in New York, demonstrates a very unusual 7:30 ARABIC MUSIC. Htih Khreis Hussein. type of Mongolian singing which involves producing as many as six pitches at once, 8:30 THE MOULDY FYGGE: JOE VENUTI AND EDDIE and plays a tape of his shimmering com­ LANG. Host Va.1 Golding documents the positidfl "Shadow Frequencies for Solo music, lives and careers of thiS· vio1in­ Piano." guitar duo. 10:30 PARABLES AND PARADOXES OF FRANZ KAFKA. 9:00 KRABGRASS. Dennis Flannigan, back with Read by D. Lauran. the only bluegrass on the radio. 11:00 STRAIGHT, NO CHASER. Jazz till late. 12:00 DEATHWATCH As to rAt mfnd:yifor, fnm{iwn - Caich h{m dUin andsrar£fl4it£, fit !iffrsrf crurhc-t(fers; Irea~-cfocfid, or£r~

-Withjears or wfsfUs J he {yr[nc(.f f?ar.s. - R. JEFFERS MONTANA BOOKS - qL6.N.t5t~ St.~Sia,. 931'3 ~ ® 6:00 THE ~OICES OF HELEN MERRILL AND BETTY ROCHE. A nati ve New Yorker, Helen Mer­ 9:00 SUNNYSIDE UP! It's 9 A~' -- do you know where your children are?!? Are they ~i11 made her recording debut with the hooked on the hard stuff TV pushes? Earl Hines band. In this proqram, she You can sleep easily knC1Ning they are is featured on 1954 recordings with Clif­ imaginatively listening to stories an~ ford Brown and more recent collaborations with such musicians as Dick Katz, Gar.Y songs with the health~ crew on Sun~yslde Up Produced wi th Chll dren for Chll dren Bartz and Richard Davis. Betty Roch~ bY' children at heart -- Don Finkel and is pr.obab ly bes t-knC1Nn for her voca 1 , " version of Ellington's "Take the A Traln. Libby Sinclair. , . But she also made several recordings with 9:30 MEMORY LANE. Old 78's, with Frank Olin. the Earl Hines Septet and an LP under her own name called "Swingin' and Singin. '" This program presents the music of these 11:55 KRAZY KAT. George Herri~an's comic strip, recreated for radlo by Val Gol­ two 1esser-knC1Nn jazz s tyl i s ts. ding. '7:00 WE: HOMEN EVERYlmERE. Feminist news, and commentary. Produced by the Lesbian 12:00 JAZZ FOR A SUNDAY AFTERNOON. 80b Gwynne. FelJ1inist Radio Collective. 4:00 CHUTZpA! Jewish music, humor, literature. produced by Ken Heller. 8:00 LOS CHIRUANOS OF PARAGUAY: GUARANI SONGS AND DANCES. Los Chirig~nos are two men from the tribe of Chirigua, which be­ longs to the language group of the "gua­ rani ," Indians who have lived in Central South America since long before the Span­ iards came in 1527 • . The singer and gui­ tarist is Angel Sanabria and the harpist is Pablo Vicente Morel, who made the harp himself. It has 37 strings and re­ sembles the ancient minstrel harp and . the large Irish harp. This is the harp that wii1 "make evil spirits fly, make the rivers stop flowing, make the cattle forget to eat." 8:30 THE GOON SHOW. BBC crazies, via NPR. 9:00 THE ROBOTNOR HOURS. RaylOOnd Serebrin. 11 :00 SYNCOPATED ECSTASY. Roswell with jazz.

6:30 EARLY MUSIC. Stu Witmer. 10:00 FIDDLER KRAB. Frank Ferrel. 11:55 PROGRAM NOTES 4:30 JOHN GAY: THE BEGGAR'S OPERA. Has it political satire? Perhaps a lampoon,of 12:00 OPTIONS: THE WORLD OF MAGIC AND MAGI~_ full-blown Italian opera? Whatever lt crANS. An excurs i on into the i mposs i ble. , was, the house was packed opening niqht, (NPR) January 29, 1728. Years later the reper­ I cussions of that night could still be 1:00 THE TEDDY ·NILSON ALL-STARS ON BRUNSWICK. felt in the productions of Gilbert and A new release from the middle-30's re· cording sessions conceived by John Ham­ Sull i van as well as the renC1Nned upda te mond •.and featuring small groups led by Brecht and Heill. ,Presented ~e~ with new settings of the Alrs and addltlonal by pianist Teddy Wilson. The personnel music by Frederic Austin as performed read like a Who's Who of the Swing Era: at a most successful (1,463 consecutive Roy Eldridge, Cootie Williams, Harry performances) IOOdern revival. The cast James, Bill Coleman, Buck Clayton, Ben includes: Dennis Noble singing and Nor­ Webster, Johnny Hodges, Hi lton Jefferson, man Shelly speaking the role of Macheath, Chu Berry, Sid Catlett, Cozy Cole, Gene and Carmen Prietto and Molly Lawson as Krupa, Jo Jones, and some of the earliest Polly. The Argo Chanber Ensenble is \ recordings of Billie Holliday. conducted by Richard Austin, 7:30 GOVERNMENT INSPECTED: HEALTH CARE 2:00 CITY COUNCIL ~1EETING. Li ve, from the Beginning with this program, GOVERNMENT 11uni ci pa 1 Buil di ng. INSPECTED becomes a monthly presentation on one topic, featuring a documentary 4:00 TO BE ANNOUNCED look at a public institution or issue, followed by a live panel discussion. 5:00 VINTAGE ROCK. Oldies, with Gregg Whit­ Tonight, on the issue of health care, corrb • in the Northwest and the country, we begin with INSIDE HARBORVIEW, an audio 6:00 JEAN SHEPHERD. From WOR in NYC, the tour through Harborview Medical Center monologuist speaks. in Seattle. Harborview has come a long way since it II/as King County Hospital. 6:55 PROGRAM .NOTES Now managed by the University of Wash­ ington, Harborview is noted for the 7:00 \o/HAT'S GOIN' DO~IN. COl11llunity issues, Regional Burn Center, Sexual Assault with Flo Ware and guests. Center, Emergency Trauma/Care unit, and Medic One. Yet Harborview still fills 7: 30 COr~MENTARY: BARBARA PETERSON many of the functions of the county hos­ pital: if you pass out on the street, 8:00 OLD TIMEY RADIO SHOH. Jerry Mitchell. you wake up at Harborview. In this doc­ umentary, we hear from people at every 9:00 CHINESE RADIO. Produced in Cantonese level of Harborview's operation: admin­ by Euqene Lai and the Chinese Media istrators, doctors, nurses, patients, Committee. social workers and others. Among those producing .the documentary will be Dr. 10:00 TINIG NG PILIPINO. Filipino ethnic hour. Charles Bodemer, Chairman and Professor featuring traditional and contemporary of the Department of Bio-Medical History native music, and news. KuYa Bebeng at the University of Washington; former on the air to responrl to problems in U.W. Political Science instructor Bar­ Tagalog and Carabao English. bara Peterson; G.I. producer Greg Palmer, and Kathy Cain, a free-lance producer. 11:00 SPAGHETTINI. Music of allover, conver­ Beginning at approximately 9:00 p.m., a sations therein. With Leila. live panel discussion will take place in the KRAB studios, with some1of the docu­ mentary participants (both interviewers and interviewees) as well as others in­ volved in improving the quality of health care in this area. IF YOU CARE TO JOIN THE LIVE STUDIO AUDIENCE FOR THE PANEL DISCUSSION, TO ASK YOUR QUESTIONS ABOUT 6:30 EARLY I~USIC. Stu Witrrer. THIS SUBJECT, PLEASE DO. (Phone calls will also be taken during the panel, but 10:00 EARTH MUSIC. the emphasis will be on those who have come to the studio.) More information 11:55 PROGRAM NOTES will be given about the live panel r~ght before broadcast of the documentary. 12:00 KRISHNAMURTI: THE RELIGIOUS MIND. "Man's search for something beyond his own petjy 11:00 DAVID'S FANTASY. Dave Bennett. limitations ••• something beyond his own measure ••• something permanent ••• some­ thing which is not easily destructible." Krishnamurti, recorded in New York by WBAI in 1966. 12:30 EXOTIC DANCES. A Folkways anthology of dances from India, Burma, Japan,.Argen­ tina, Seville, Panama and French Equat­ 6:30 EARLY MUSIC. Stu ~/itrrer. orial Mrica. Compiled by La Meri (School Of Natya, Ethnological Dance Center). 10:00 EARTH MUSIC 1:30 THE RETICENT PARTITA. Rachel-Diane Nor­ 11:55 PROGRAM NOTES ton. 12:00 BBC SCIENCE MAGAZINE. From NPR. 3:00 TURNTABLES. Your chance to "turn the tables" (hyuk, hyuk) on us by calling 12:30 MUSIC OF HANS WERNER HENZE. VIOLIN CON­ in your requests and thus making your CE~TO NO. 2. ~or solo violin, tape, own radio program! Nifty, eh? VOlces and 33 lnstrurrentalists, using the poem "Holmlage i! Gode l" by Hans r~ag­ 4:30 ~1USIC OF YUGOSLAVIA, with Harrison Rykker. ~us Enzensberger. The composer writes: The polyvalency of closed f~rms, alea­ 5:30 RADIO UPTOWN. COl11llunity issues discussed. tory. the overlapping of vocal scenes Hos ted by Bob Shapi roo concert music and theater is intended' to please at first sioht and hearing 6:00 NOCTURNES, PRELUDES AND FUDGE Hl. Music The listener, however: should not st~p' of Debussy, Fields, Beethoven, Chopin, there." London Sinfonietta conducted Ravel. Faure etc. CHR. by Henze with Brenton Langbein, violin. ESSAY ON PIGS (1968). On a poem by Gas­ 6:55 PROGRAM NOTES ton Salvatore. Roy Hart, voice The Philip Jones Brass Enserrb1e. CONCE~TO 7:00 NORTHWEST INDIAN NEWS. Produced by In­ FOR ~ONTRABASS. Gary Karr, contrabass. dians Into.Communication. Eng11sh Charrber Orchestra, conducted by Henze. 1:30 INSIDE HARBORVIEW. A repeat of the doc­ umentary section of Tuesday night's Gov­ ernment Inspected. The panel discussion will be heard tomorrow. 3:00 THE UNBAROOUEN CIRCLE. THE DAMNATION OF FAUST by Hector Berlioz. James Le­ 6:30 EARLY !~USIC. Stu Witmer . vine with the Cincinnati. Festival in May. 1974. With Galen ,)olmson. 10 :00 EARTH .MUSIC. L'!st ni g'1t's Robert Garfias. 5:00 SPEAKING FOR OURSELVES, with Brenda Vas­ 11:55 PROGRAM NOTES ser. High school studei1ts discussing rna tters tha t concern them. Today» CO~1- 12:00 THE HOMEN'S SURVIVAL KIT: LOCAL WRITERS .. petition among students. Local women reading their own works -­ poetry and stories, chants and dreams. 5:20 ON THE FOUL LINE. Basketball like you Produced by the Lesbian Feminist ~adio never heard it before. witn ROCler Sale Collecti ve. and Norman Arkans. " 1:00 MUSIC OF CHARLES WUORINEN. STRING TRIO 6:00 SCANDINAVIAN MUSIC. Carla Wul~sberg. (1967 ~ 68). Members of Speculum Musicae. BEARBEITUNGEN UBER DAS GLOGAUER LIEDER­ 6:55 PROGRAM NOTES BUCH (1962). Based on materi a 1 collected around 147~ by the canon of the Glogau 7 :00 ARGUMENTS IN SUPPORT OF A NUCLEAR MORA-· Cathedral ln Germany. Paul D~Jn k e1. pic­ TORIUI·I. Excerpts of testi mony gi ven colo and flute; Virgil Blackwell, cla­ before t.he Washinaton State House of rinet and bass clarinet: Daniel Reed Repre$entatives subcommittee on Nuclear violin . Fred Sherry, cello. GRAND BAM­ Plants and Public Health. The testimony BOULA FOR STRING ORCHESTRA. (1971). "The is directed towards HB 1154, which would title is from Gottschalk, but no other put a fi ve-year mora tori um on the con­ relation is intended, and I confess that struction of nuclear p()'/er plants in I use it mainly for what the sound OT Washington State. its words evokes." ' 1:30 HEALTH CARE. A repeat of the panel dis w 8:10 STEVE LACY: SOPRANO SAXOPHONE SOLOS. cussion from Tuesday night's Government This recording is a cross-selection from Inspected program. two evenings of unaccompanied soprano saxophone tnus i c. They were (Ii ven in the 3:00 CHRISTOPHER MARLOWE: ED~JARD II. "The di~affected church belonging" t.o the Ch~ne troub lesome rei gn and lamentable death NOlr Theater Group in Avignon. The ini­ of Edward the Set~nd, King ~f England, tial piece is titled "The Breath" and ~iith the tragic:!l fall of proud Mortimer co~s from a cycle of six songs (Tao) and the life and death of Piers Gareston uSlng words by Lao Tse. the Great Earl of Cornwall , and mighty favourite of King Edward." The Prospect 8 : 30 ROBERT GARFIAS. ethnomusicologist. Theater Company production, includin'g le.n McKellen as King Edward; Timothy 10:00 UNA RAMOS: THE ART OF THE QUENA. Con­ West as Y<:'Llng Mortime r , Diane FleBambuco and Clave in the Yucatan and Venezuela, with Bill Noll. 11 :00 THE BISCUIT. Blues and other bumpslllusik. tfWf ~ 6:30 F.ARLY MUSIC. Stu Witrrer. 10:00 EARTH MUSIC. Natasha Bushnell.

11 :55 PROGR~. M NOTES 12:00 SPECTRUM, with Carlos Hagen. A repeat j. of last night's orogram on AMBIENT NOISE. I 1;00 VIVALDI: CONCERTO IN A MINOR OP. 3 NO.6. I I Musici. BACH: CONCERTO FOR ORGAN IN A ~INOR. Lionel.Rogg playing the Mor­ cussen organ at" A:~benraa. Denmark. HAN­ DEL: CONCERTO FOR HARP AND ORCHESTRA. Marie-Claire Jarret, harp; Paul Kuentz Charrber Orches tra. ALFRED CASELLA .: SONATA FOR HARP, OP. 68. Susann McDon~ ald. ha rp. .JOHANN PACHELBEL: HEXACHOR·· DUM APOLLINIS, 1699. Six partitas ded- i cated to Ferdinand Tobias Richter and - Dietrich Buxtehude. Marga Scheurich, harpsichord. 8:55 ROBERTO GERHARD: THE PLAGUE. Selections 2:55 STORIES AND PsALMS. from Camus' novel, translated by Stuart HEINRICH SCHUTZ: PSALM 103 (from the Gilbert and set to music. "They're coming "Psalms of Dav·id. 1619"). ~lest.phalian out, ~ood and proper./ They're cominq Choral Ensemble; Wilhelm Ehmann, con­ out to die./ Have you noticed?/ The ductor. THOMAS GRA'I: ELEGY IN A COUNTRY rats, the rats!" Alec McCowen, narrator; CHURCHYARD. Read by Robert Spea i ght. the .National Symphony Orchestra ar.d Cho­ JULIUS REUBKE: ORGAN SONATA "THE 94TH rus. Washington D.C. Conducted by An- PSALM. " Si mon Pres ton, organ. LUIGI tal Dorati. DALLAPICCOLA: TEMPUS DESTRUENDI/TnlPU~ AEDI FICANDI. The fi rs t pa rt of t.he text 9:40 THE FLIES, by Anthony Vereoe. Again. was written by an Irish monk about 1095 Eric BtI.uersfelrl reads. and refers to the return of the Jews to their homeland during the first cru­ 10:10 PETER I~ARLOCK'S "MERRY-GO-DOWN." An sade. The second nart is a. lamentatipn anthology of poems and music set and ar­ 6n the destruction of the {;lty of Aqull­ ranged by Warlock (aka Ran Noo1as [read eia in the eighth century, BBC Singers it backwards!]) from such luminaries as conducted by John Poole. William Blake, Thomas Dekker, anon., Aristotle and Thomas "The Worst Composer 4:00 FOLK FESTIVAL USA: BRANDYWINE MOUNTA!N of His Tirre" Why thorne. Including "Malt~ MUSIC CONVENTION. Held near Con::.ordvllle, worms," excerpts from "The Kni g'1t of the Pennsylvania, the program features trad­ Burning Pestle" and "Beethoven's Binge" itional musicians from Clay County. West from "Cod-p'ieces." Postcards from the Virginia, along with the Morris Brot.hers, Land of Cockaigne. (Courtesy of Orpheus The Strange Creek Singers (Mike Seeger. Records Alice Gerrard. Hazel Dickens, Tracy .J Schwarz). Ola Belle Reed t and the High~ 1":00 BUMBLING WITH BALTIC. Jazz and other woods String Band. (NPRI eccentri cities. 6:00 FLAMENCO Y SUS ESTILLOS Y SUS FLAMENCOS. Allen Yonge. 6:55 PROGRAM NOTES OUR FRIDAY THE THIRTEENTH: AND NOH. AN EVENING OF EXTRANATURALIA. FEAR AND SUPERSTITION! ! ! !

7:00 TAPE RECORDED VOICE PHENOMENON. Michael Lamareaux and his tape recorder visit 8 :00 SATURDAY MORNING MUSIC. Jazz wi th Jeff Montayloo, Pilonocentric. Altareenah a~d pOints west, Voices from the beyond Follette. (speak softly to your recorder, it knows more than you think), Rescheduled from 12:00 EARTH MUSIC. With Jim Paradis. last month. 2:30 BAD BISCUIT BLUES. Karl is no longer 8:15 ALL HALLOHS, by Walter de la Mare. In­ nervous. This show's theme is "Getting . spired by fear, and read by Eric Bauers­ Drunk." Listener ;Jarticipation invited. fe 1d of KPFA. 4:00 ECOTOPf. Part I. Ecotope is an organ­ ization which design!; and builds alter­ native energy systems: methane gener­ ators. sorar panels, windmills, etc. This discussion focusses upon those tech­ . - ' 11~.. ·:"'7'/eijJ>~_ __ ,· nologies currently available, both in 1l 1 L.-~ ' ~oa~~ finished and in do,·it-yourself form. j '\""-.... --.- - .. ' . Part II next week. ~~ , . .. . .

4:45 OPEN TI~'E

5:00 VISIONS FROH PIERS PLO\~MAN. Re~di~gs from the . 14th-century poem by W,ll1am l.angland~ translated by Nellill Coghill. Included are: The Vision of the Field of Fal k and The Vi s i on of the Ho ly Church. Also featured is music of t.he period, performed by La Camarata, The Early Mu­ sic Quartet and others . 6:00 FILMS. Dick .Jal1'eson and Kathleen Murphy. 9:00 SUNNYSIDE UP! Instead of just telling 6:30 fNGLISH CONSORT MUSIC OF THE 16TH AND your kids how superior radio is to TV -­ 17TH CENTURIES. Including pieces by here is e.n oPP0rtunity for them to ex­ William Byrd. John Dowland and Anthony perience weekend morning radio for chil­ Holborne. Performed by the Lind-Consort dren. Let them open their ears and wake with Konrad Ragossnig, lute. - up to stories and songs by the Sunnyside Up coterie: Libby, Don, Zoe, David and 7:00 WHOLEPERSON: A CAREER CHANGE FORUM, their friends. Produced by Don Finkel Hosted by Jack Slee and Jim Hernandez. and Libby Sinclair. 7:30 ARABIC MUSIC. / 9:30 MEMORY LANE, with Frank Olin. 8:30 THE MOULDY FYGGE: LU WATTERS. More 11 :55 KRAZY KAT. George Herrirran's comic strip unr.e leased tapes of the famous Bodega recreated 70r radio by Val Golding. Bay revi va 1 concert, presented by Va 1 Golding. 12:00 LEFT EAR. What's an ear? Musing with Jay Stickler. 9 :00 K.RABGRASS. wi th Denni s Flanni gan. Seat­ tle's only bluegrass program. 4:00 MUSIC OF INDIA 12:00 DEATH\~ATCH. Valentine's Day Archive 6:00 ALASKAN ESKIMO SONGS AND STORIES. Com- Resurrection: Notes from the Underground; pi led and recorded by Lorraine Donoghue Tom Robbins talks. reads and picks the Koranda. A delightful and fascinating music. After whistling through the aether collection publishp.d for the Alaska Fes .. for 9 years this program (originally tival of Music by the University of Hash­ broadcast 7 July 1967) was recorded in ir!gton Press. "I wonder Whol!; I'll eat/ a silent room on a broken tape recorder. I'think I'll eat a bi g le'g/ I'll never oet ntV fill/ 1 wonder what I'll eat/ I'll eat a bi 0 goose breast! I'll never aet IT\Y fi 11 / I wonder what I'll eat/ I think I'll eat a big goose head/ I'll never get IT\Y fi 11. " (Courtesy of Orpheus Records. ) 7:00 WF.: WOMEN EVERYHHERE. Local, national and international feminist news and com­ mentary. Prcduced by the Lesbian Femin­ ist Radio Collective. 8:00 CHINESE DRUMS AND GONGS. Since 720 A.D., the modern Chinese theater has relied hedvil y on the usc of drums and gongs for its musical effects. Ihe la~gest gong5 {Lo} are generally to be 'found in the '.:' rchestras of thp. (;hinese open, . t::,gether wi th ,I wi dE! asse,rtmen't of <:,ynr bal£ li'a), dn1ms, tilribl1ul"ines, ,3nd the la-pan (castinets). Performances here are by the Sung Tso-Liang Orchestra of Hong Kong. 8:30 THE GOON SHOW. The originals of British humor. (NPR) 9:00 THE ROBOTNOR HOURS. Raymond Serebrin. 11:00 SYNCOPATED ECSTASY. Roswell, jazz. 11 :00 SPAGHETTINI. "Actually, it was ~ idea ~ to schedule the Bukowski before Spag. 6:30 EARLY MUSIC. Stu Hitrrer. Rea lly.. " --Leila Gorbman, program di rector. 10:00 FIDDLER KRAB. Frank Ferrel.

11 : 55 PROGRAr~ NOTES 12:00 OPTIONS. Part I: An interview with Ros i·na Ha rri son, who was lady's mai d to Lady Astor for 35 years. Part II: Haynes Johnson, author of The workin~ White 6:30 EARLY MUSIC. Stu ~Jitemr. House, talks about WKat the Wite House itseIf actua lly does. 10:00 EARTH MUSIC. 1 :00 SONGS OF FREEDOM. The poetry of Lorca 11:55 PROGRAM NOTES and the music of Theodorakis. CHR. 12:00 OPTIONS. All about trains. (NPR) 2:00 CITY COUNCIL MEETING. Live, from the Municipal Building. 1:00 NICCOLO PAGANINI: CONCERTO NO.1 IN D OP. 6. From a contemporary description 4:00 TO BE ANNOUNCED of Paganini: "The extraordinary expres­ sion of his face, his livid paleness, 5:00 VINTAGE ROCK. Gregg Whitcomb. his dark and penetrating eyes, together with the sardonic smile which occasionally 6:00 JEAN SHEPHERD played upon his lips, appeared to the vulgar and certain diseased minds unmis­ 6:55 PROGRAM NOTES takable evidences of satanic ori gin ••• " Michael Rabin, violin; The Philharmonia 7:00 WHAT'S GOIN' DavIN. Flo Ware and guests Orchestra, conducted by Sir Eugene Goos­ discuss community issues. sens. 7:30 COMMENTARY: GOVERNMENT VS. RESPONSIBI­ 1:30 THE RETICENT PARTITA. Rachel-Diane Nor­ LITY. Members of the John Birch Society. ton.

8:00 DOUBLE BISCUIT BLUES: A TRIBUTE TO HOWL­ 3:00 AN INTERVIE\~ WITH LAWRENCE DURRELL. The IN' WOLF. Recordings by the late Chester wri ter of The Alexandri a Qua rtet reads Burnett; his influences and disciples. from Bitter Lemons, a more recent work, Wi th Jack Cook. and talks phllosophically. 9:00 CHINESE RADIO. Produced in Cantonese 4:00 SWEET AND LOWDOWN. The 20's and 30's, by Eugene Lai and the Chinese Media Com­ with Jan Cole and Pat Tennant. mittee. 5:00 OPEN TIME 6:00 TURKISH MUSIC. With Onol Bilkur.

6:55 PROGRAr~ NOTES 7:00 NORTHWEST INDIAN NEHS. Produced by In­ dians Into Communication. 7:30 LONESOME ROAD BLUES: 15 YEARS IN THE MISSISSIPPI DELTA, 1926-1941. A kaleid­ oscopic Yazoo anthology of country blues, presenting the music of Big Joe l~illiams, , Robert Petway, Freddie Spruell, Sonny Boy Nelson, Skip James and the Mississ- i ppi Moane r. f 8:00 BALTIC'S BOP STOP: R 'N B-BOP! features such artists as Coleman Hawkins, Gene Ammons, Dizzy Gillespie and Howard McGhee in rhythm and blues based recordings. 9:30 THE STRANGE RIDER. A play by Michael de Ghelderode adapted for radio and dir­ 10:00 FACTOTUM: EXCERPTS FROM THE NEW BOOK ected by Virginia Maynard. Technical BY CHARLES BUKOWSKI (Black Sparrow Press) production by Ernest Lowe. with critical comrrentary. To be followed by porti ons of "Poems and Ins ults," Bu­ 10:00 THE GREATEST SONGS OF HOODY GUTHRIE, sung kowski reading at the City Lights Poets' by Cisco Houston, Jack Elliott, Joan Theater, 9/14/73. (This pr09ram contains Baez, Country Joe McDonald, The Weavers, material sorre people might find objec­ Jim Kweskin, Odetta and Hoody Guthrie. tionable to hear on the radio. ~!e rec­ With Don Finkel. orrmend tha t those of you so inc 1i ned tune to another station for the duration.) 11:00 VARIATIONS FOR A DOOR AND A SIGH. Jeff Follette. 4:00 ISLAMIC MYSTICAL BROTHERHOOD: MOROCCAN SUFI MUSIC. Islamic mYstics (Sufis) have ~ ~ always found music to be an important 6:30 EARLY MUSIC. Stu Witmer. aid in attaining a mYstic union with God. Faqi rs and dervi shes -- as Sufi s 10:00 EARTH MUSIC are most often known in the West -- rely on music to produce and maintain a re­ 11:55 PROGRAM NOTES ligious ecstasy to carry them through thei r rites. 12:00 BBC SCIENCE t-1AGAZINE. From NPR. ,4:40 SPEAKING FOR OURSELVES, with Brenda Vas­ 12:30 KOREAN MELODIES PLAYED ON PIRI, TANSO AND ser. A forum for high school opinion. TAEGUM. Tanso and taegum are medium and large-sized barrboo flutes while the piri 5:30 ON THE FOUL LINE. Basketball, with is a much smaller double-reed instrument. Roger Sa le and Norman Arkans. Many of the Korean instruments were in­ troduced there from China where they had 6:00 THE CELESTIAL ART. North Indian clas­ developed thousands of years earlier. sical music, with Ellen Ziegler. 1:00 REFLECTIONS ON THE DEATH OF MISHIMA. 6:55 PROGRAM NOTES The speculative essay originally published in the Tokyo Weekly Post shortly after 7:00 GORE VIDAL: "THE NOVEL IN THE AGE OF Japanese novelist, militant and samurai SCIENCE." A delightful talk given at revivalist Yukio IHshima cOll1l1itted sui­ Merritt College, Oakland" in the fall cide. By Henry Miller. Produced by chr. of 1966.

2:00 t4USIC I~ITHOUT ••• LUKAS FOSS: GEOD FOR 8:15 THE LIFE AND TIMES OF PHIL BANNON. Ups, ORCHESTRA (1969). Foss writes: Geod downs, in-betweens! Don't miss it! is "a music without beginning or end, without development, without rhetoric, 8:30 ROBERT GARFIAS, ethnomusicologist. without 'events. "' The Buffalo Philhar­ monic Or~hestra, conducted by the compo­ 10:00 NAY: THE SUGARCANE FLUTE. When the ser. t4USICA ELETTRONICA VIVA: SPACE­ Arabs conquered Persia in the middle of CRAFT. M. E. V. cons is ts, on thi s recor­ the seventh century, they found a cul­ ding, of Alan Bryant, Alvin Curran, John ' ture more highly developed than their Phetteplace and Frederic Rzewski. Rzew­ own. This was true of the musical cul­ ski writes: "M.E.V. is a group of com­ ture as well, so they adopted the Per­ poser-performers making live electronic sian forms and instruments too, most no­ music: composed, improvised, individual, tably the lute, the santur (kenun), and collective. The music is a search for the nay, an open-end cane flute. Ever a new harmony: a process where speaker since that time, these instruments have and li s tener agree to cOll1l1uni ca teo Elec­ been essential to Arabic musical and tronics are a means, making space itself daily life. On this Arion recording we a living circuit." hear Moroccan flutist Hmaoui Abd El Ha­ mid playing traditional pieces with en­ 3:00 LAlLA KHALED. Colin Edwards interviews serrble. improvisational solos. Moroccan Laila Khaled, the Palestinian with two wedding music and a muezzin's call to hijack attempts to her credit. She led prayer transposed to flute. a conmando team in taking over a TrIA jet between Rome and Athens and had it flown 10:30 SYMZONIA: Part VII. The return to Sea­ to Eamascus where she blew up the cock­ born's Land; the discovery of A1bicore's pit. Thi s tape was recorded a fter she Islands; sailing for China. surfaced in Beirut after 44 days of de­ tention in Syria. 11:00 RIGHT HERE. P.M. ears with Jay Stickler and mus ics va rious.

GBIPHICS? IF YOU'VE GOT THEM (OLD BOOKS, MAGAZINES, ORIGINAL DRAWINGS, PRINTS, ETC.) WE CAN USE THEM IN THE KRAB GUIDE. CALL STU WITMER AT KRAB: 325-5110 9:00 SPECTRUM: WORDCRAFT, MUSICRAFT AND LIS­ TENING. Or so one could perhaps best describe the nature of this unusual pro- 9ram where Carlos Hagen explores the many areas open to our senses when we pay close attention to the sound of words music, and especially the varied rang~ of the human voice. 6:30 EARLY MUSIC. Stu Witmer. 10:00 EARTH MUSIC. Robert Garfias, from last night. 11:55 PROGRAM NOTES 12:00 THE IIOMEN'S SURVIVAL KIT: LOCAL MUSIC­ IANS. Local women singing their own songs, performing favorites in their own voices and and in their own way. Vocal and instrumental sets. Produced by the Lesbian Feminist Radio Collective. 1 :00 FOLK MUSIC AND BERNSTEIN: SI'IEDEN IS MY HOME. SWedish-born, San Diego-based folksinger Anne-Charlotte Harvey returns as Maury's guest. For the first time the subject is not Scandinavian Ameri­ cans, but the folksong traditions of her native SWeden. (NPR) . 2:00 THE MERCHANT OF VENICE. An on-stage recording at the Oregon Shakespearian Festival in Ashland, Oregon. 10:15 THE NIGHT OF THE COOKERS. The scorching 4:05 SIR ERNEST MACMILLtAN: STRING QUARTET trumpets of Freddie Hubbard and Lee Hor­ IN C MINOR. MacMillian, in Germany at gan in a 1965 live date at Club La Mar­ the outbreak of WWII was, as he Writes. chal in Brooklyn with alto and flutist "taken to the camp for civilian prisoners James Spaulding, pianist Harold Mabern, at Ruhleben where I spent the remaining Jr •• bassist Larry Riddly, drummer Pete years of the war ••• 1 occupied some LaRoca, and Big Black on congas. The time in composition and completed the two pieces are "Pensativa" and "Walkin'." first three movements of the quartet. The Finale was finished after mY return 11:00 USA FOR BEGINNERS, with David Johnson. to Tor-onto." The Amadeus Quartet per­ R & B, jazz. forms.

4:30 THE ~IORLD OF CHASSIDUS. Music and sto­ ries of the Chassidic Jews, with Rabbi Yoseph Samue 1s. 5:00 REPORT TO THE LISTENER. On station op­ erations and programming plans. With Leila Gorbman, program director, and Chuck Reinsch, station manager.

5:30 ENVIRONMENTAL NEWS. ~Jith Phil Andrus. 6:00 ALHAJI BAI KONTE: KORA MELODIES FROM THE REPUBLIC OF GAMBIA, I·JEST AFRICA. Konte is a virtuoso player of the kora, a 21-string harp, playing a music filled with flowing chords, shifting rhythmic patterns, colorful tonal combinations. and spirited runs. This recording was released in conjunction with his 1973 American tour which included performances at the Philadelphia Fo1k1ife Festival. the Smithsonian Institute's Folklife Festival. and the Newport Jazz Festival. 6:55 PROGRAM NOTES 7:00 LEFT PRESS REVIEW. Frank Krasnowsky. 7:30 COMMENTARY: Seattle Black Panther Party 8:00 VINTAGE JAZZ. Hal Sherlock. ~ •8:00 SATURDAY MORNING MUSIC. Jazz with Jeff 6~MUSIC' Stu Witrrer. Follette. 10:00 EARTH MUSIC. Natasha Bushnell. 12:00 EARTH MUSIC 11:55 PROGRAM NOTES 2:30 A BETTER BISCUIT. Memphis in the 50's. Wolf, et al, with Karl Kotas. 12:00 SPECTRUM, with Carlos Hagen. ' A repeat of last night's program on HORDCRAFT, 4:00 ECOTOPE, Part II. A discussion of Eco­ MUSICRAFT AND LISTENING. tope's project at the '~onroe Correcti ons 1: 15 RICHARD DAVIS: EPISTROPHY and , NOW'S , Center Honor Farm -- constructing equip­ THE TIME. Two classic be-bop composi­ ment to convert Cr:HI manure to methane tions by Thelonious Monk and Charlie gas and fertilizer. If you want to Parker recorded live at New York's Jazz learn more about Ecotope, Y9u should City in 1972, by a group led by bassist have heard Ecotope, Part I, aired a week Richard Davis, with Clifford Jordan, ago. tenor. Marvin Peterson, trumpet; Joe Bonner, piano; and Freddie waits, drums. 4:30 THE SIEGE OF SANTA MARIA DE IQUIQUE: A People's Cantata of the Chilean Nitrate 2:00 HANNIBAL MARVIN PETERSON AND THE SUNRISE Miners. Composed by Luis Aduis; per­ ORCHESTRA PERFORMING "CHILDREN OF THE formed by Quilapayun. In Deceni>er, 1907, FIRE" (1974). A piece in five movements workers in the Chilean mines struck, de­ Peterson dedicated to the Children of manding humane working conditions and Viet Nam. I) Forest Sunrise: II) Bom­ higher wages. 18,000 workers, together bing: III) Prayer; IV) Aftermath: with wives and children, marched to the V) Fi na le. Meni>ers of the orches tra i n­ port of Santa Maria de IqUique seeking clude Richard Davis, Lawrence Killian, support. Encamped in a schoolyard, the Billy Hart, Waheeda Massey, Alpha John­ mi ners were fi red upon by the a rIllY. Two son, John Blake, Hannibal and many others. thousand men, women and children Were killed. I~hile the president of Chile, 2:40 Readings from "THE PROFIT," by Kehlog Pedro Moutt, offered banquets for the Albran. Serial readings from the works mine-owners, even plant life refused to of the IIlYstic Albran (1933-1927) inter­ grr:HI in the blood-soaked soil of the spersed with musical comment. Of his school-yard. Quilapayun, a Chilean rad­ opus, cri tic Cl i ve Rodney Fa rk says: ical folk music group, was touring out "His power carre from some great reservoir of their country when the Popu'lar Unity of distilled water, else it could not government of Salvador Allende was over­ have been so transparent yet liquid, thrr:HIn on September 11. 1973. The group so apparently lacking sophistication while uses a variety of Andean Indian musical at the same time actually lacking sophis­ instruments including the "quena," a tication. So ,tasteless, yet wet." A long bani>oo flute, the "sampone," which reverential reading by Robert Weppner. resemble panpipes, the "charango," a tiny high-pitched guitar, maracas and 4:00 THE FOLK SHOW. Flat-picker extraordinaire bongos. Their music is banned in Chile DUDLEY HILL: fiddle tunes, folk tunes today. Translations read by Joe Kurland and other stuff. Live and direct. ' in English. 6:00 FLAMENCO Y SUS ESTILLOS Y SUS FLAMENCOS. 6:00 FILMS. Dick Jarreson and' Kathleen Murphy. Allen Yonge. 6:30 D.L. MENARD'S LOUISIANA ACES. The music 6:55 PROGRAM NOTES is a blend of the traditional and the Texas honkY-,tonk style, picked up when 7:00 AT THE FIDDLE SHOP HITH JOE PANCERZEWSKI. the Cajuns went west to work in the oil Frank Ferrel ihterviel'ls Joe about his fields and when Louisiana 0;1 brought early days in music, playing with pit a number of Texans east. One of the orchestras, dance bands, etc. before distinctive features of the Aces is pro­ they move on to more serious subjects vided by steel guitarist Arconge (Coon) such as railroading and pool shooting: Touchet, who plays his instrument into And whenever two fiddlers sit and talk a bass amp and produces unusual sliding there's always gOing to be music. ' bass lines. Selections include "La Pompe du Puits (The Water Pump)," "Ton Voile 8:00 A,PEN TO CHANGE AMERICA. A speech de­ et Ta Couronne (Your Veil and Your Crown)~ l~vered by Lipton Sin":air' "in 1964 at and "La Valse de Grand Pin (Big Pine !ns alma mater, City College of New York. Waltz) ." He was 'chen 3S years old, the author of 77 books including that classic of muck­ 7:00 WHOLEPERSON: A CAREER CHANGE FORUM. raking, The Jungle. Jack Slee and Jim Hernandez and guests discuss economical, emotional and social 8:45 THE GOOD, THE BAD AND THE UGLY. Part factors in changing careers. two in a series discussing the pli9ht of jazz musicians (and jazz itself) in 7:30 ARABIC MUSIC, with Khreis Hussein. the recording world, how they are con­ trolled and marketed by producers, and 8:30 THE MOULDY FYGGE: JABBO SMITH REVISITED. some of the unfortunate results. Tonight: Val Golding presents unreleased tapes Dizzy Gillespie, Eddie Harris, Les Mccann made by Jabbo in the late fifties. and John Klemmer. 9:00 KRABGRASS. The onliest bluegrass show on the ray-dee-oh, with Dennis Flannigan. 11:00 STRAIGHT, NO CHASER. Jazz until late. 12:00 DEATHWATCH 9:00 SUNNY SIDE UP[ Stories told by parents 6:30 EARLY MUSIC. Stu Witmer. and children with a side order of songs and conments.. Zoe, David, Don and Libby 10:00 FIDDLER KRAB. Frank Ferrel. invite your children and you to brunch with them. Produced by Libby Sinclair 11:55 PROGRAM NOTES and Don Finkel. 12:00 "AND NCM IT'S TIME FOR 'MEET THE BUREAU­ 9:30 MEMORY LANE. l~ith Frank Olin. CRAT' [" Interviews with the following ERDA personnel (Energy Research and De­ 11 :55 KRAZY KAT. George Herriman's comic velopment Administration): Ro~er LeGas­ strip recreated for radio, by Val Gol­ sie (ASSistant Administrator for Plan­ ding. ning and Analysis); Tom Nemzek (Direc­ tor of Reactor Resea rch) ; James Kane 12:00 JAZZ FOR A SUNDAY AFTERNOON. Bob Gwynne. (Deputy Assistant Administrator for Con­ servation); and Donald Beattie (Deputy 4:00 CHUTZPA [ Jewish music, humor, commentary. Assistant Administrator for Solar, Geo­ With Ken Heller. thenna 1 and Advanced Concepts). The topic: ERDA's "Blueprint for Energy 4:30 THREE CHAMBER WORKS BY JEAN RIVIER. The Research. " Orchestre de Chanilre de l'O.R. T.F. di­ rected by Andre Girard performs Rivier's 1:30 GUITAR WIZARDS 1926-1935. A collection CONCERTO POUR TROMPETTE ET SAXOPHONE of primarily East Coast bluesmen inclu­ ALTO, -with Roger De1motte, trumpet, and ding Carl Martin, Billy Bird, Blind Blake, Daniel Deffayet, saxophone. Also MU- . Tampa Red and Sam Butler. SIQUES POUR PIANO and CONCERTO BRtVE POUR PIANO ET ORCHESTRE, with Andre Motard, 2 : 00 CI TV COUNC I L MEETI NG. Li ve, from the piano. Seattle City Council Chambers. 5:15 NEW BOOKS. "Almost before I had taken 4:00 TO BE ANNOUNCED full notice of it, I realized it was coming straight at me and instinctively 5:00 VINTAGE ROCK. Gregg 11hitcomb. jumped into the ditch. The car passed in a cloud of leaflets and from the 6:00 JEAN SHEPHERD, from WaR in NYC. ditch I glimpsed its occupants, six or seven youths screaming and shaking their 6:40 VALIHA MUSIC FRm~ MADAGASCAR. The Va1- fists. They were Nazis, and it was elec­ iha is a tubular, stringed bamboo instru­ tion day." From the recently re-released ment, created by raising the bamboo fi­ novel by Thomas Merton, ~ Argument With bers from the body of the instrument and the Gestapo. Read by CH • plucking them. 5:30 FREDERIC CHOPIN: PIANO CONCERTO NO. 2 6:55 PROGRAM NOTES IN F MINOR, OP. 21. Written six years before Chopin met George Sand, while he 7:00 WHAT'S GOIN' DCMN. COl1lllunity issues, Was still under 21. Tamas Vasary, piano; with Flo Ware and guests. Berlin Philharmonic, directed by Janos Kulka. 7:30 COMMENTARY: GREG PALMER reviews public television in the area. 6:00 NEW CHINA. Produced by the US-China Friendship Association. 8:00 THE OLD TIt~EY RADIO SHOI~. Jerry Mitchell. 7:00 WE: WOMEN EVERYHHERE. Local, national 9:00 CHINESE RADIO. Produced in Cantonese and international feminist news and com­ by Eugene Lai and the Chinese Media Com­ mentary. Produced by the Lesbian Femin­ mittee. ist Radio Collective. 10:00 TINIG NG PILIPINO. In Tagalog, by and 8:00 HULA BLUES. This recordin~ is devoted for the Filipino COl1lllunity. to steel guitar mUSic recorded between 1900 and the World War II era. Before 11 :00 SPAGHETTINI. - Leila Gorbman, mus i c and 1920 every Chinese restaurant, beer gar­ words. den and hote) featured a Hawaiian band with its steel guitars. Hawaiian bands toured the country, and black bluesmen and white country singers alike quickly adapted the sound and the instrument to their music. The artists heard here include Sol Hoopii, Jim and Bob the Ge­ nial Hawaiians, Frank Ferera, and Pat THE Paterson and hi s Champi on Rep Ri ders. FIDDLE SHOP 8:30 THE GOON SHOW. BBC crazies, via NPR. 9:00 THE ROBOTNOR HOURS. Rock, R &A, jazz, 304 Lakeside Ave South with Raymond Serebrin. Seattle at Leschi Park 11:00 SYNCOPATED ECSTASY. Roswell, with jazz liZ-liDO until late. 6:30 EARLY MUSIC. Stu Witmer. 10:00- EARTH MUSIC 11:55 PROGRAM NOTES 12:00 THREE PEOPLE CONCERNED ABOUT TRIDENT: THE PACIFIST PERSPECTIVE. Talks by: 6:30 EARLY MUSIC. Stu Witmer. Bob Aldridge (former weapons desiqner 11:55 PROGRAM NOTES for the Lockheed Co rpora ti on); Ma rk Kaufman (an attorney for the prosecution 12:00 BBC SCIENCE MAGAZINE at the Nuremberg trials); and Jim Doug­ lass. (Cathol ic theologian and author of lZ:30 HENRY PURCELL: THE VIRTUOUS WIFE. The Non-Violent Cross and Resistance and Rhenish Chamber Orchestra, conducted by Contemplation). Recorded at the Trident Gupter Kehr. ADRIANO BANCHIERI: THE Day of Concern, sponsored by the Seattle FOOLISH OLD MAN. Sestetto Italiano Lu- Religious Peace Action Coalition and ca Marenzio. GIACCHINO ROSSINI: PIANO held at th~ Plymouth Congregational Church. WORKS FROM "SINS OF MY OLD AGE." Luci ana Sgrizzi, piano. Domestic Sit-coms from 1:00 THE RETICENT PARTITA. Classically, the masters. An Alternative to the Soaps. Rachel-Diane Norton. 1 :30 THE VIRTUOUS WIFE, II. Leila Gorbman. 3:00 TURNTABLES. Your chance to be OJ and program director all at once! Call up 3:00 THE UNBAROQUEN CIRCLE. Film music by with your requests at 325-5110. Kornqold, Steiner, Newman, Herrman. Hith 4:30 r4U$IC OF YUGOSLAVIA Ga 1en Johnson. 5:30 RADIO UPTOWN. Community issues and prob­ 5:00 SPEAKING FOR OUKSELVES, with Brenda Vas­ lems. Hosted by Bob Shapiro. ser. High school students talk about thei r concerns. 6:00 NOC1URNES, PRELUDES AND FUDGE #2. Fea­ turing the music of Charles-Valentin 5:30 ON THE FOUL LINE. Basketball, with Ro~ Alkan (Marcia funebre sulla morte d'un ger Sale and Norman Arkans. pappagaJ.lo), Ravel's Pavane Pour une in­ fante defunte and Debussy's Chansons de 6:00 SCANDINAVIAN MUSIC. Carla Hulfsberg. Bil iti s. CHR. 6:55 PROGRAM NOTES 6:55 PROGRAM NOTES 7:00 A SPEECH BY JOHN BIGGS, DIRECTOR OF THE 7:00 NORTHWEST INDIAN NEWS. Produced by In­ WASHINGTON STAlE DEPARTMENT OF ECOLOGY. dians Into Communication. This speech ·was delivered by John Biggs to the Western Environmental Trades As­ 7:30 CAN THE OLYMPIC PENINSULA BE RE-INTRODUCED sociatio'l, ~il orz·,niza.tion described by TO ~IOLVES? Last summer, several students Biggs as an "environmental counter-force." from The Evergreen State College studied Biggs addresses many of industry's ob- . the possibility of re-introducing wolves jections to air and water pollution con­ to the Olympic National Park, an eco­ trol requlations, especia r1y those of system in which once they were a part. the pulp and paper companies. A candid The study concluded that wolves could speech to a rather hos ti le audi ence. indeed survive in the park, if human beings . would tolerate thei r presence. Here 7:35 IVa MALEC: 3L. Three compositions writ­ Cinqy Swanberg and Brenda Johnson, two ten in 1968-69: LUMINETUDES, LUMINA and participants in the study, discuss their LIED. Malec composes for orchestra, concl usions. strinq ensemble and magnetic tape, quo­ ting the man he calls his only real teach­ 8:05 THE BLUE SKY BOYS. "As far as we are er, Pierre Schaeffer: "The day is com­ concerned, true fOlk music is a thing ing when sound will let light throuqh." of the past. The simplicity that made folk music great is no longer there; 8:30 ROBERT GARFIAS, ethnomusicologist. the distinctive styles of singing and instrumentation are a lost art. Indiv­ 10:00 T1BETAN BUDDHIST RITES FROM THE MONAS­ idualism has been replaced by conformity." TERIES OF BHUTAN. Rituals of the Drukpa So wrote Bill and Earl Bolick, The Blue Order from Thimphu and Punakha. In ad- . Sky Boys, in 1947, when most of these dition to the deep, almost monotone fal­ recordings were made, incl uding "Sweet setto chanting which has become associ­ Allallee," "In the Hills of Roane County" ated with Tibetan Buddhist music, there and "Pictures from Life~s Other Side." ' are also extracts from a rite performed 8:30 LIVE FOLKS, with David Hannon. by nuns. There are also examples of the 10nq trumpets tbat are played hi gh up 10:00 KENTUCKY IS ONLY A DREAM. An anthology 1n the mountains I monasteries on special of bluegrass music recorded mostly in occas ions and the bea uti ful processi ona 1 the 1950's by such musicians as The Lilly music played on shawms and percussion Brothers, Hobo Jack and his Kentucky Pals, instruments. Red Belcher and the Kentucky Ridgerunners, 10: 30 SYMZON IA, Pa rt VII 1. A hurri cane; the The Kelleys, and Dave Woolum and his Ken­ return to America and the subsequent pov­ tucky Mountain Boys, featuring Noah Crase •. erty of the Author. 11:00 DAVID'S FANTASY. Dave Bennett. 11:00 RIGHT EAR, with Jay Stickler. 6:00 OPEN CHANNELS with Terry Kincaid. Elec­ tronic music. Produced at KB Studios in Ann Arbor.

6:30 EARLY MUSIC. Stu Witrrer. 5:30 ENVIRONt4ENTAL NEWS. Hith Phil Andrus. 10:00 EARTH HUSIC. Robert Garfias. frornlast 6:55 PROGRAM NOTES ni~ht. 7:00 HOW TO AVOID THAT SCREHED FEELING. Auto mechanics with Sern Haft, Clint Chapin 11 : 55 PROGRA~1 NOTES and Ron Campbell. 12:00 THE HOt·IEN'S SURVIVAL KIT: CUl.SSICAL MUSIC. Selections from the vlorks worren 7:30 COMMENTARY: WAR RESISTERS' LEAGUE NORTH­ IfEST. hilve created in the field Of class'ical mus i c as composers, conductors and per­ formi no a rti s ts. Produced by tnt! Les­ 8:00 CLASSIC JAZZ. Mike Duffy. bian Feminist Radio Collect.i Ve!. 9:00 SPECTRUM: EARLY ELECTRONICS. Carlos Hagen makes a brief survey of some of the techniques used by the early elec­ tronic composers, mainly composing their works ' in the 1930's, 40's and 50's. He can see tha t despite the paucity of means and the great technical limitations, some outstanding compos'itions were produced in those "pre-Moog" days. 10:00 MUSICA LATINA. This proqram examines folk music of Puerto Rico: seis, agui­ naldo, bolero and others. IJith Bill Noll. 11:00 THE BISCUIT. "Love to eat them mousies/ Mousies what I love to eat./ Bite they little heads off/ Nibble on they tiny feet." Tom Eckels and Bob Heppner.

1:00 PIANO SONATAS OF ALEXANDER SCRIARIN. Part II: NOS. 4-10. Roberto Szidon, piano. (Courtesy of Orpheus Records.) 2:30 WATERING THE CORPORATE FIEl.DS .•• WATER- , ING THE PEOPLES' FIELDS. A discussion on the use of public water to irrigate enormous quasi-legal corporate farms. wi th t-1arc Lasher and t-1ark t1usick, of the Sna 11 Farmers Legislati ve Group. This discussion was recorded less than a week after Governor Dan Evans announced his aqreement with U & I Sugar to allow U & I to use water from the Columbia River for irrigatfng 20,000 acres of land in the Horse Heaven Hills. (Repeated from last month. ) BNoo~~ 4:10 THE TRIUMPHS OF- ORIANA. Enjoy an after­ noon in 1593. Music and poetry composed for the "bi rthday" of ,El i zabeth' s rei gn. Includinq pieces by Thomas .t40rley, Georqe &~~£!b6~ Marson, Thomas Weelkes and others. Per­ forrred by the Purce 11 Conso rt of Voi ces , the London Cornet and Sackbut Ensemble and the Elizabethan Consort of Viols f€V·0 -ffir 1:l~ directed by Grayston Burgess. 5:00 REPORT TO THE LISTENER. Chuck Reinsch ar1E~tf1~ 12i11t<¢C\. and Leila Gorbman, station manaqer and program director, answer your questions, read your letters, report on KRAB prog­ ress and plans. Call us up: 325-5110. 10:00 IHLLIAM SYDEI-1AN: CONCERTO FOR PIANO, FOUR HANDS AND CHAMBER ORCHESTRA. Says the author: "... the pi ece sort of floats away at the end." Contemporary Music Ensemble, Arthur Heisberg, conduc­ tor. DONALD HARRIS: FANTASY FOR VIO­ LIN AND PIANO. Paul Zukofsky, violin; Gilbert Kalish, piano. ALBERT ROUSSEL: SERENADE. The Melos Ensemble. HALLING­ FORD RIEGGER: STRING QUARTET NO.2. The New ~lusic Quartet. LEON KIRCHNER: SONATA CONCERTANTE. Jame Laredo, violin; 6:30 EARLY MUSIC. Stu I~itmer. Ruth Laredo, piano. ~/".A. MOZART: SO­ NATA NO. 15 IN C. Walter Gieseking, 10:00 EARTH MUSIC. Natasha Bushnell. piano. 11:55 PROGRAM NOTES 11:00 BUMBLING WITH BALTIC. Jazz and other eccentri ci ti es. 12:00 SPECTRUM, with Carlos Hagen. A repeat of last night's program on EARLY ELEC­ TRONIC COMPOSERS. 1:00 Readinqs from PIONEER REMINISCENCES OF PUGET SOUND. "An account of the coming of the first Americans and the establish­ ment of their institutions; their en­ counters with the native race; the first treaties with the Indians and the ~Iar that follOl·led; seven years of the li fe of Isaac I. Stevens in Washington Ter­ ritory; cruise of the author on Puqet Sound fifty years ago; Nisqually House 8:00 SATURDAY MORNING I~USIC. Jazz with Jeff and the Hudson Bay Company." \~ri tten Follette. by Ezra l-leeker, published in Seattle by Lowman and Hanford Stationery and Print­ 12:00 EARTH MUSIC ing Company in 1906. 2:30 REX BEGONIA BLUES. Karl Kotas with 2:30 CHARLIE CHRISTIAN and LESTER YOUNG: house plant and insect pests blues. TOGETHER 1940. An excitinq group of re­ cordinqs made in New York with Benny 4:00 LEROY JENKINS AND THE JAZZ COMPOSER'S Goodman, ·Cootie ~Iilliams, Count Basie, ORCHESTRA: FOR PLAYERS ONLY. "The or­ Artie Bernstein and Joe Jones. (Cour­ chestra was divided into four sections-­ tesy of Orpheus Records.) reeds, brass, strings, percussion/rhythm-­ wi th each secti on placed on the floor 3: 30 REALLY THE BLUES: THE t'1EZZRo\~-BECHET in one of the four corners of Hollman QUINTET. A wonderful group of recordings Auditorium. Jenkins, as conductor and made for the King Jazz ·label between 1945 vi 01 i n i s t, stood i n the c en te r, a 1on g and 1947. Mezzrow and Bechet play with with Franceschini's synthesizer. The - such artists as Pops Foster, Hot Lips audience sat in concentric circles around Page, Danny Barker, Samll\Y Price, Baby Jenkins. An elaborate sound system ena­ Dodds, Kai ser Marshall and vocal i s t Coot bled each corner to hear both itself and Grant. its somewhat distant colleagues. The piece itself consists of a series of 4:00 FOLK FESTIVAL USA: THE NATIONAL HOMEN'S 'hea ds' or orches tra 1 pa rts, each fo 1- t~USIC FESTIVAL. The festival was held lowed by an improvisatory part for one in Champaign, Illinois, in the spring or more mus i ci ans or secti ons • " of 1975 and was dedicated to bringing forth the music of women in workshops, 4:40 AN INTERVIEW I'IITH BOB ALDRIDGE, EX-LOCK­ concerts, discussions and jam sessions HEED EMPLOYEE. Repeated from last month. of all kinds of music. This program of A former weapons designer recants. highlights from that event, produced by Ceil Mull e r, wi 11 feature the ta len ts 5:00 THREE EARLY 20TH CENTURY AMERICAN COIt­ of Terri Garthwaite, Holly Tannen, Gin­ POSERS. JOHN ALDEN CARPENTER: SKYSCRA­ ni Clem:nens, Barbara Dane, and others. PERS. Concerning the "violent alterations (NPR) of work and play" in American life. Vienna Symphony Orchestra, M. von Za1- 6:00 FLAMENCO Y SUS ESTILLOS Y SUS FLAllENCOS. linger, conductor. GEORGE ANTHEIL: Allen Yonge. BALLET MECANIQUE (1924). The big one by the bad boy of American music. The 6:55 PROGRM NOTES New York Percussion Group, conducted by Carlos Surinach. FREDERICK SHEPHERD 7:00 AN INTERVIEI~ HITH LILLIAN GISH • . Film CONVERSE: THE MYSTIC TRUMPETER (1903- and stage star Lillian Gish interviewed 04). An orches tra 1 fantasy on a poem by P.J. Doyle. The program consists of by Walt \~hitman. Vienna Symphony Or­ a readinq from Miss Gish's book The Mo­ chestra, Max Schoenherr conducting. vies, Mr. Griffith and Me, fo 11 OWedl)y an lnterview recorded at KRAB in 1970. 6:00 FILMS. Dick Jameson and Kathleen Murphy. " , , 6:30 MESSE DE DESHERITES, Recorded in Bamako, 4:00 MUSIC OF INDIA Mali. From the description on the liner notes, this could sound like another one 6:00 ANDREW CYRILLE: CELEBRATION. "Her of those masses arranged from the musi ca 1 mother's womb had a window, so she knew lore of the, converts who sing it. But exactly What she was coming into." Com­ try listening in to hear the differenc.e. positions by Cyrille include "Haitian This time a small group of griots and Heritage," "Fate," "GOSSip," and "Non­ griottes (traditional musicians) sing Expectation Celebration." Featured are and play on the kora, balafon ()(ylophone), vocalist Jeanne Lee and poet Elouise and drums, traditional pieces Of this Lofton, along with Alphonse Cimber, Da­ North African country arranged by Jose vid S. l.Jare, Ted Daniel, Donald Smith, Bourgois. Stafford James, Romulus Franceschini, and Cyri 11e. 7:00 WHOLEPERSON: A CAREER CHANGE FORUM. Dis­ cussions of the problems and process of 7:00 WE: I~OMEN EVERYHHERE. Local, national career change. Hosted by Jack Slee and and international feminist news and com­ Ji m Hernandez. mentary. Produced by the Lesbian Fem­ inist Radio Collective. 7:30 ARABIC 14USIC 8:00 BARRELHOUSE BLUES 1927-1936. Including 8:30 THE MOULDY FYGGE: IT SOUNDS LIKE BIX, Bob Call's "Thirty-One Blues," Barrel­ Part I. Val Golding presents a group house Welsh's "Dying Pickpocket Blues," of recordings by musicians said to play Lonnie Johnson's "Sam, You're Just a in the style of Bix Beiderbecke. First Rat," Little Brother Montgomery's "Vicks­ in a series. burg Blues No.2," and Cow Cow Davenport's "State Street Ji ve. " 9:00 KRABGRASS, with Dennis Flannigan. 8:30 THE GOON SHOW. BBC crazies, via NPR. 12:00 DEATHI~ATCH 9:00 THE ROBOTNOR HOURS. Raymond Serebrin. 11:00 SYNCOPATED ECSTASY: Roswell with jazz.

9:00 SUNNYSIDE UP! For kids. 9:30 MEMORY LANE, with Frank Olin. 11 : 55 KRAZY KAT. Li fe in Cocon.i no County, according to George Herriman. The comic strip recreated for radio by Val Golding. 12:00 LEFT HEAR RIGHT HERE. Eariness, music with Jay Stickler. VOuJtJTOO~Les

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THE KflAB C0I1MUNITY SPONSOR PROGRAM CAMERA AND SOUND HUT, 1419 3rd Ave. -- 10% off list price of Compact Cassette brand tape. t~ORNING DEW, A Journal of Men Against Sexism - 811 - NEPTUNE THEATER, 1303 NE 45th -- Admittance at stu­ 33rd Ave. E. - 10% off on subscription rates dent rates. THE SOUP AND SALAD RESTAURANT, in the Pike Place Mar­ ket -- one free cup of soup or stew, on Wednesdays. GRAPHICS Et.1PORIUM, 210 Broadway E. 98102: 5% off pur­ chases of $2.00 or more. MOTHER MORGAN'S GUMBO FACTORY, 431 15th E. -- 50% off cost of souP, bread and salad on Sundays. YA AZIM SILVER AND TURQUOISE, in the Pike Place Mar­ ket -- 1/3 off on all merchandise. THE OLD BOATHOUSE, 2770-C Westlake N. -- 10%off cost of rental of classic rowing and sailing boats. week­ CAESAR SHEPHERD GALLERY, 7218 Greenwood Ave. N. -- days, April - October. 10% off on sales, cleaning and restoration of orien­ ta 1 rugs. BEGGAR'S BANQUET RESTAURANT, 4741 12th NE -- 50% off cost of desserts purchased with dinner. ROSEBUD THEATER, 202 3rd S. -- Admittance at student rates. RED AND BLACK BOOKS, 4736 University Way NE -- 10% off cost of books. EDGEMONT THEATER, Main St., Edmonds -- Admittance for $1.50 any night except Thursday, when it is two HORIZON BOOKS, 425 15th E. -- 10% off cost of used for the price of one. books and records. \ ·THE FIDDLE SHOP, 304 Lakeside Ave. S. -- 25% off cost HORIZON BOOKS AND HODGE PODGE, 720 Pike Street -- of fiddles, parts, books and records. 10% off cost of used books and records. THE FOLKSTORE, 5236 UniverSity Way NE -- 10% ~ff cost MATZOH MOMMA DELI, 509 15th E. -- 10% off cost of of most merchandise except records, books, and con­ carry-out items, between 2:30 - 5:30 PM signed used merchandise. THE INDOOR SUN SHOPPE, 911 NE 45th -- 10 %off all rrerchandi se. A11 of thi s can be yours by becoming Ii KRAB merrber. Your BANKAMERIKRAB is good for one year, though some BUTTERFLY BOB'13 SALAD BAR, 214 Spring St. -- one free offers may be limited in duration. If you have any basic green salad or bowl of soup, 11 AM - 3 PM on questions, or IF YOU ARE INTERESTED IN BECOMING A Saturdays. KRAB COt+lUNITY SPONSOR, please call 325-5110~ A-l Piano Sales, iJ'Rental if J u J Plano Mov(ng Servtce

Jim Floberc, OWNe~

SIGN ME UP AS A SUPPORTER OF

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$25/year. Regular ($28 in Canada) $15/year, Student, Retired, military, Pris­ oner, or' Poor ($18 in Canada) $100 All at once makes you a PATRON and a 1i fer. NAME ______ADDRESS ______

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