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REMBRANDT PAINTINGS Stichting Foundation Rembrandt Research Project A CORPUS OF REMBRANDT PAINTINGS Stichting Foundation Rembrandt Research Project A CORPUS OF REMBRANDT PAINTINGS MCMLXXXIX MARTINUS NIJHOFF PUBLISHERS Dordrecht • Boston • London Stichting Foundation Rembrandt Research Project A CORPUS OF REMBRANDT PAINTINGS J. BRUYN • B. HAAK • S.H. LEVIE P.J.J. VAN THIEL· E. VAN DE WETERING with the collaboration if L. PEESE BINKHORST-HOFFSCHOL TE • J. VIS translated by D. COOK-RADMORE MCMLXXXIX MARTINUS NIJHOFF PUBLISHERS Dordrecht • Boston • London Frontispiece: Detail of no. A 106, John the Baptist preaching, Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemaldegalerie Of this edition 125 copies have been specially bound and numbered 1-120 and I-V. Subscribers to the complete special bound set will receive subsequent volumes with an identical number. The copies with roman numbers are solely for publishers' use. This is copy number Stichting Foundation Rembrandt Research Project Distributor for the United States and Canada: A CORPUS OF REMBRANDT PAINTINGS III Kluwer Academic Publishers 101 Philip Drive © 1989, Stichting Foundation Rembrandt Research Project Norwell MA 02061 MCMLXXXIX, Martinus Nijhoff Publishers USA Dordrecht . Boston' London Softcover reprint of the hardcover 1st edition 1989 Distributor for all other countries: Kluwer Academic Publishers Group P.O.Box 322 3300 AH Dordrecht The Netherlands ISBN-13: 978-94-010-6852-9 e-ISBN-13: 978-94-009-0811-6 All rights reserved. No part of this publication may be DOl: 10.1007/978-94-009-0811-6 reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers: Martinus Nijhoff Publishers P.O. Box 163 3300 AD Dordrecht The Netherlands Manufactured in the Netherlands: Library of Congress Catalogue Card Number 82-18790 Typesetting and textprocessing - Euroset, Amsterdam Lithography - Nauta en Haagen, Amsterdam The publication of this work has been made possible by the Printing - Boom-Ruygrok Offset, H<t<trlem fmancial support of the Netherlands Organization for Scientific Paper - Lutkie & Smit Papier, Culemborg Research (NWO) and the Prins Bernhard Fonds. Binding and materials - Koninklijke Wohrmann, Zutphen VI Contents PREFACE IX A 121 The angel Raphael leaving Tobit and his family, [1637]. PHOTO ACKNOWLEDGMENTS XI Paris, Musee du Louvre 232 X-RAY ACKNOWLEDGMENTS Xlii A 122 Half-length figure of a man in 'Polish' costume, 1637. BIBLIOGRAPHICAL AND OTHER ABBREVIATIONS XIV Washington, D.C., The National Gallery of Art 242 A 123 The wedding of Samson, 1638. Dresden, Staatliche Kunstsammlungen Dresden, Gemaldegalerie Alte Meister 248 A 124 The risen Christ appearing to Mary Magdalene, 1638. Introduction London, Buckingham Palace, H.M. Queen Elizabeth II 258 Chapter I A 125 Landscape with the Good Samaritan, 1638. STYLISTIC FEATURES OF THE 1630S: THE HISTORY PAINTINGS 3 Krakow, Muzeum Narodowe 265 (j. B. , E.V. D.W.) A 126 The Entombment, [c. 1635/16391. Munich, Bayerische Staatsgemaldesammlungen, Alte Chapter II Pinakothek 271 STUDIO PRACTICE AND STUDIO PRODUCTION (j.B.) 12 A 127 The Resurrection, [c. 1635/1639]. Munich, Bayerische Staatsgemaldesammlungen, Alte Chapter III Pinakothek 280 A SELECTION OF SIGNATURES, 1635-1642 (j.B.) 51 A 128 Man in oriental costume (King Uzziah stricken with leprosy?), [c. 16391. BIOGRAPHICAL INFORMATION 1635-1642 57 Chatsworth, The Duke of Devonshire and Trustees of the Chatsworth Settlement 289 A 129 Portrait of a man, standing (Comelis Witsen?), [16391. Kassel, Staatliche Kunstsammlungen Kassel, Schloss Wilhelmshohe 297 Catalogue A 130 Portrait of a man holding a hat, [C.1639]. Los Angeles, Cal., The Armand Hammer NOTES ON THE CATALOGUE 62 Collection 305 A 131 Portrait of a young woman, probably Maria Trip, [1639]. Paintings by Rembrandt Amsterdam, Rijksmuseum (on loan from the Familie A 105 The Entombment, [1633/16351. van Weede Stichting) 312 Glasgow, Hunterian Art Gallery, University of A 132 Portrait of Aletta Adriaensdr., [16391. Glasgow 65 Rotterdam, Museum Boymans-van Beuningen, Willem A 106 John the Baptist preaching, [1634/16351. van der Vorm Foundation 321 Berlin (West), Staatliche Museen Preussischer A 133 A dead bittern held high by a hunter, [1639]. Kulturbesitz, Gemaldegalerie 70 Dresden, Staatliche Kunstsammlungen Dresden, A 107 The Lamentation, [1634/35]. Gemaldegalerie Alte Meister 328 London, The National Gallery 89 A 134 Dead peacocks and a girl, [c. 16391. A 108 Abraham's sacrifice, 1635. Amsterdam, Rijksmuseum 334 Leningrad, The Hermitage Museum 101 A 135 The Concord of the State, [later 163os]. A 109 Samson threatening his father-in-law, [16351. Rotterdam, Museum Boymans-van Beuningen 341 Berlin (West), Staatliche Museen Preussischer A 136 Landscape with a stone bridge, [late 1630S]. Kulturbesitz, Gemaldegalerie 114 Amsterdam, Rijksmuseum 357 A llO Belshazzar's feast, [c. 1635]. A 137 Mountain landscape with a thunderstorm, [c. 1640]. London, The National Gallery 124 Braunschweig, Herzog Anton Ulrich-Museum 362 A III The prodigal son in the tavern, [c. 1635]. A 138 The Visitation, 1640. Dresden, Staatliche Kunstsammlungen Dresden, Detroit, Mich., The Detroit Institute of Arts 367 Gemaldegalerie Alte Meister 134 A 139 Self-portrait, 1640. A ll2 Flora, [1635]. London, The National Gallery 375 London, The National Gallery 148 A 140 Portrait of Herman Doomer, 1640. A ll3 The rape of Ganymede, 1635. New York, N.Y., The Metropolitan Museum of Dresden, Staatliche Kunstsammlungen Dresden, Art 382 Gemaldegalerie Alte Meister 161 A 141 Portrait of Baertje Martens, [1640] . A 114 Minerva, 1635. Leningrad, The Hermitage Museum 390 Tokyo, Japan private collection (Deposit Bridgestone A 142 Saskia as Flora, 1641. Museum of Art, Tokyo) 168 Dresden, Staatliche Kunstsammlungen Dresden, A 115 Portrait of Philips Lucasz., 1635. Gemaldegalerie Alte Meister 395 London, The National Gallery 175 A 143 Portrait of the Mennonite preacher Camelis Claesz. A 116 The blinding of Samson, [1636]. Anslo and his wife Aeltje Gerritsdr. Schouten, 1641. Frankfurt-am-Main, Stadelsches Kunstinstitut 183 Berlin (West), Staatliche Museen Preussischer A ll7 Susanna at the bath, 1636. Kulturbesitz, Gemaldegalerie 403 The Hague, Koninklijk Kabinet van Schilderijen, A 144 Portrait of Nicolaes van Bambeeck, [16411. Mauritshuis 196 Brussels, Musee Royal des Beaux-Arts 416 A ll8 The Ascension, 1636. A 145 Portrait of Agatha Bas, 1641. Munich, Bayerische Staatsgemaldesammlungen, Alte London, Buckingham Palace, H.M. Queen Pinakothek 202 Elizabeth II 424 A ll9 Danae, [1636-1643]. A 146 The company of captain Frans Banning Cock and Leningrad, The Hermitage Museum 209 lieutenant Willem van Ruytenburgh, A 120 The standard-bearer, 1636. called The Night watch, 1642. Paris, private collection 224 Amsterdam, Rijksmuseum 430 VII CONTENTS Paintings Rembrandt's authorship of which cannot be positively either accepted or rejected C 107 Portrait of a woman. B 9 Ahasuerus condemning Haman, who begs mercy of England, Coil. Duke of Westminster 674 Esther. C 108 Portrait ot Antonie Coo pal. Bucharest, Muzeul de Arta al Republicii socialiste Boston, Mass., Museum of Fine Arts, on anonymous Romania 487 loan 679 B 10 Bust of Rembrandt with an architectural background. C 109 Portrait of an old man in tabbard. Paris, Musee du Louvre 498 Mertoun, Berwickshire, The Duke of Sutherland 685 B 11 Half-length figure of a youth in a cap and gorget. C 110 Portrait of a man in a doorway. Florence, Galleria degli Uffizi 506 Private collection 691 B 1.2 River landscape with a windmill. C III Portrait of Petronella Buys. Kassel, Staatliche Kunstsammlungen Kassel, Schloss Formerly New York, Coil. Mr Andre Meyer 695 Wilhelmshohe 514 C 112 Portrait of a 70-year-old woman. New York, N.Y., The Metropolitan Museum of Paintings Rembrandt's authorship of which cannot be accepted Art 699 C 83 Manoah's sacrifice. C 113 Portrait of Anna Wijmer. Dresden, Staatliche Kunstsammlungen Dresden, Amsterdam, Six Collection 705 Gemaldegalerie Alte Meister 523 C 114 Portrait of a seated woman with a handkerchief. C 84 David's parting from Jonathan. Toronto, Art Gallery of Ontario 716 Leningrad, The Hermitage Museum 533 C 115 Bust of a woman with a book, in fanciful dress. C 85 The departure of the Shunammite woman. Los Angeles, Cal., Wight Art Gallery, University of London, Victoria & Albert Museum 542 California 723 C 86 Tobias healing his blind father. C 116 Landscape with the baptism of the Eunuch. Stuttgart, Staatsgalerie 551 Hanover, Niedersachsische Landesgalerie, on loan from C 87 The Holy Family with S. Anne. Pelikan AG Hannover 729 Paris, Musee du Louvre 557 C 117 Landscape with obelisk. C 88 The parable of the labourers in the vineyard. Boston, Mass., Isabella Stewart Gardner Museum 737 Leningrad, The Hermitage Museum 568 C 118 Landscape with a seven-arched bridge. C 89 Half-length figure of an old woman, presumably the Berlin (West), Staatliche Museen Preussischer prophetess Anna. Kulturbesitz, Gemaldegalerie 743 Vienna, Kunsthistorisches Museum 576 C 119 Landscape with a moated castle. C 90 S. Francis at prayer. London, The Wallace Collection 749 Columbus, Ohio, The Columbus Museum of Art 583 C 120 Landscape with a walled town. C 91 Scholar at a table with books and a candlestick. Madrid, Coil. Duke of Berwick and Alba 756 Budapest, Szepmiiveszeti Muzeum 587 C 121 Wooded landscape with a castle. C 92 Half-length figure of Rembrandt. Whereabouts unknown 760 England, private collection 592 C 122 A slaughtered ox. C 93 Half-length figure of Rembrandt. Glasgow, Art Gallery and Museum 764 Woburn Abbey, Beds., The Duke of Bedford 597 C 94 Half-length figure of Rembrandt. Ottawa, The National Gallery of Canada 603 Corrigenda et Addenda 773 C 95 Half-length figure of a young woman in fanciful costume. Private collection 608 C 96 Bust of Rembrandt in a black cap. Tables and Indexes London, The Wallace Collection 612 C 97 Bust of Rembrandt. TABLE OF TECHNICAL REFERENCE MATERIAL 779 Pasadena, Cal., Norton Simon Museum of Art 619 TABLE OF DENDROCHRONOLOGICAL DATA, including revisions C 98 Bust of a man with a plumed cap.
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