Volume 8 Issue 12 the Behind the Scenes Magic Of
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Tour Link Conference
JANUARY 2016 // ISSUE 1 Tour Link Magazine 1 officer, Eric Stuart, as he explained the mathematics involved in determining crowd size, and why num- Event Safety Alliance Event Safety bers alone are insufficient to predicting and prevent- Summit 2015 Recap ing potential issues. We applauded Professor Emma Story by Shelby Cude, Photos by Nicholas Karlin Parkinson of Bucks New University in the UK, as she explained near-miss and accident reporting in the This past December, industry professionals from all development of an effective safety culture, challeng- over the globe gathered in Lititz, Pennsylvania for ing the industry’s taboo that “the show must go on.” Closing out the Summit, Jim Digby left the group the 2nd Annual Event Safety Summit, hosted by The with a single, powerful statement – that true leaders Event Safety Alliance. Checking their competitive empower others to do the right thing. For those that agendas at the door, nearly 200 attendees repre- presented and participated in the 2015 Event Safety senting every inch of the event industry sat under the Summit, Tour Link thanks you for taking the initiative massive roof of rehearsal venue Rock Lititz to en- to actively promote life safety first. gage in three days of discussion on issues related to safety at live events. From crowd management tac- University Meteorologist, Kevin Kloesel, of the Okla- tics, to safe pyrotechnics practices, to severe weather homa University Office of Emergency Prepared- plans, to current and future technical standards, an ness demonstrated how little we understand when elite group of presenters took the stage to share their it comes to “predicting” the weather and strategies expertise, and issued a call to action to improve the for evacuating outdoor events in case of emergency. -
Pleidooi Voor Een Integraal, Inclusief Muziekbeleid, Is Een Uitgave Van De Raad Voor Cultuur
De balans, de behoefte Pleidooi voor een integraal, inclusief muziekbeleid Voorwoord 4 Muziek in dialoog 6 Hoofdaanbevelingen 7 1. Naar een integrale, inclusieve visie op muziek 8 Sectoradvisering 8 Een integrale blik 8 De rol van de overheid 11 Muziek in relatie tot andere domeinen 12 2. Het muzikale ecosysteem 14 Inleiding 14 Kunstenaars en producerende instellingen 15 Presentatieplekken: podia en festivals 28 Digitale distributie 30 Talentontwikkeling 31 Kunstvakonderwijs 32 Ondersteunende instellingen 35 Tot slot 37 3. De muzieksector vanuit artistiek perspectief 41 Artistieke ontwikkelingen in productie en presentatie 41 Talentontwikkeling 48 De creatie van nieuwe muziek 50 Documentatie en ontsluiting 50 Aanbevelingen 54 4. De muzieksector vanuit maatschappelijk perspectief 58 Iedereen is een luisteraar 58 Publieksmarkt en toegankelijkheid 59 Muziekeducatie en -participatie 61 Aanbevelingen 66 5. De muzieksector vanuit economisch perspectief 70 Financieringsstromen vanuit de overheid 70 Private financieringsstromen 79 6. Hoofdaanbevelingen 91 Ontwikkel een integraal, inclusief muziekbeleid 91 Besteed meer aandacht aan essentiële functies 92 Erken de kenmerken en kracht van een regionaal muziekklimaat 93 Herbezie de samenstelling van de culturele basisinfrastructuur 94 Besteed expliciet aandacht aan diversiteit 95 Besteed expliciet aandacht aan de arbeidsmarkt voor muziekprofessionals 96 Tot slot 97 Bijlagen 99 Adviesaanvraag 100 Lijst van gesprekspartners 111 Literatuur 116 Colofon 122 Sectoradviezen / Muziek / Inleiding / Voorwoord Voorwoord Muziek in Nederland, waar hebben we het dan over? De muzieksector is groot en Nederlandse artiesten en ensembles brengen samen een lange, gevarieerde speellijst in praktijk. Op een willekeurige dag tijdens het opstellen van dit advies klinken tegelijkertijd Janáčeks ‘Ave Maria’ door Cappella Amsterdam en ‘Nobody’s Wife’ van Anouk over de radio (respectievelijk op NPO Radio 4 en 2). -
Download Mp3 Roar Katy Perry Free
Download mp3 roar katy perry free CLICK TO DOWNLOAD Download MP3 and Video For: Katy Perry - Roar (Official). Katy Perry - Roar (Official) Song Download - Listen Katy Perry - Roar (Official) MP3 songs online free. Play Shape of You album song MP3 by Katy Perry - Roar (Official). Aug 12, · Roar MP3 Song by Katy Perry from the album Roar. Download Roar song on renuzap.podarokideal.ru and listen Roar Roar song offline. Read about Roar mp3 (Free Download) by Katy Perry and see the artwork, lyrics and similar artists. Read about Katy Perry Roar mp3 Free Download-[Mp3 Download] by and see the artwork, lyrics and similar artists. Katy Perry - California Gurls ft. Snoop renuzap.podarokideal.ru3 download M Katy Perry - Chained To The Rhythm ft. Skip renuzap.podarokideal.ru3 download. Tags: Free Download Katy Perry - Roar mp3 Song, Listen Online Katy Perry - Roar Mp3 Track, Download Roar - Katy Perry Mp3 Song, Roar Full Audio Song Download, Katy Perry - Roar Mp3 Music Download, Katy Perry - Roar iTune Rip Song. Posted by Unknown at Email This BlogThis! Roar, Katy Perry I used to bite my tongue and hold my breath Scared to rock the boat and make | Tải download nhạc chờ Roar,Katy Perry. Zing MP3 vô cùng xin lỗi bạn vì sự cố đăng nhập xảy ra cách đây vài ngày đã ảnh hưởng đến trải nghiệm nghe nhạc của bạn trên website Zing MP3. Waptrick Katy Perry Mp3 Music. Download Free Katy Perry Mp3 Songs @ renuzap.podarokideal.ru Katy Perry Songs: Waptrick Katy Perry - Roar, free Katy Perry feat Migos - Bon Appetit, download Katy Perry - Firework, listen Katy Perry Ft Juicy J - Dark Horse, mp3 Katy Perry - Unconditionally, music mp3 Katy Perry - Love Me, mp3 download Katy Perry - By The Grace Of God, song Katy Perry - Never . -
Wednesday Primetime B Grid
SUNDAY MORNING GRID 5/17/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA: Spotlight PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Cycling Tour of California, Stage 8. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Indianapolis 500, Qualifying Day 2. NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Enough ›› (2002) 13 MyNet Paid Program Surf’s Up ››› (2007) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Dynamic Europe: Amsterdam Orphans of the Genocide 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Client ››› (1994) 34 KMEX Paid Program Al Punto (N) Hotel Todo Incluido La Madrecita (1973, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Charlotte’s Web ››› (2006) Julia Roberts. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
MARINA TOYBINA Costume Designer/ Fashion Designer/ Stylist
MARINA TOYBINA Costume Designer/ Fashion Designer/ Stylist AWARDS Emmy Award 2015 – Outstanding Costume Design for a Variety Program or Special (Super Bowl XLIX Halftime Show) Emmy Award 2014 – Outstanding Costume Design for a Variety Program or Special (So You Think You Can Dance) Emmy Award 2013 – Outstanding Costume Design for a Variety Program or Special (Taylor Swift/ Grammy’s) Emmy Award 2012 – Outstanding Costume Design for a Variety Program or Special (X-Factor) LIVE PERFORMANCE / TELEVISION Katy Perry – XLIX Super Bowl Halftime Show Costume Designer NBC (Dancers/additional players) Carrie Underwood – CMT Awards Costume Designer/Stylist CMT Carrie Underwood – Stagecoach 2016 Costume Designer/Stylist Carrie Underwood – ACC Awards 2016 Costume Designer/Stylist FOX Carrie Underwood – ACM’s 2016 Costume Designer/Stylist CBS Carrie Underwood – 2016 Grammy Awards Costume Designer/Stylist CBS Carrie Underwood – New Year Rockin’ Eve Costume Designer/Stylist ABC DancePalooza – The Ellen Show Costume Designer NBC Fifth Harmony – Billboard Women in Music Costume Designer/Stylist Carrie Underwood – American Music Awards 2015 Costume Designer/Stylist ABC Fifth Harmony – European Music Awards 2015 Costume Designer/Stylist MTV Carrie Underwood – Country Music Awards 2015 Costume Designer/Stylist ABC Fifth Harmony – Jimmy Kimmel 2015 Costume Designer/Stylist ABC Fifth Harmony – Dancing with the Stars 2015 Costume Designer/Stylist ABC Katy Perry – 2014 Grammy Awards Costume Designer CBS Carrie Underwood – ACC Awards Costume Designer/Stylist FOX -
Music Genre and Music Festival Locations
Music genre and music festival locations The implementation of music genre in outdoor music festival policy Author: Koen Theodoor Segers Number: 11415509 Supervisor: R.C. Kloosterman Master Thesis Human Geography Track: Economic Geography Date: 11-6-2018 Word count: 22.856 MUSIC GENRE AND MUSIC FESTIVAL LOCATIONS ABSTRACT Literature shows that music festivals have become very popular amongst a wide range of people, causing festivals to be organized to a large extent. Besides bringing producers and consumers together and acting as an intermediary between different actors, festivals also affect the local environment in which the festival resides. Furthermore, the location of festivals is important to their economic impact. However, local planners and policy makers often ignore the use of festivals as a tool of development. The aim of this research is to study the relationship between music genre and the locations of outdoor music festivals in Amsterdam, Rotterdam, The Hague, and Utrecht (the G4). Also, the extent to which outdoor music festivals are taken into account in local development is discussed. The results of this research show that policy regarding outdoor music festivals differs between the cities of the G4. These policies are location and context-specific. Furthermore, experts in the field of event policy say that it is difficult to take into account different music genres in event policy. However, there are similarities in outdoor music festival locations displaying certain music genres in the cities of the G4. What can be concluded from this research is that there is an obvious pattern of dance festivals being organized away from the inner-city limits. -
Quantifying the Evolution of Success with Network and Data Science Tools
Quantifying the Evolution of Success with Network and Data Science Tools Mil´anJanosov Department of Network and Data Science Central European University Principal supervisor: Prof. Federico Battiston External supervisor: Prof. Roberta Sinatra Associate supervisor: Prof. Gerardo Iniguez˜ A Dissertation Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy in Network Science CEU eTD Collection 2020 Milan´ Janosov: Quantifying the Evolution of Success with Network and Data Science CEU eTD Collection Tools, c 2020 All rights reserved. I Milan´ Janosov certify that I am the author of the work Quantifying the Evo- lution of Success with Network and Data Science Tools. I certify that this is solely my original work, other than where I have clearly indicated, in this declaration and in the thesis, the contributions of others. The thesis contains no materials accepted for any other degree in any other institution. The copyright of this work rests with its author. Quotation from it is permitted, provided that full acknowledgment is made. This work may not be reproduced without my prior written consent. Statement of inclusion of joint work I confirm that Chapter 3 is based on a paper, titled ”Success and luck in creative careers”, accepted for publication by the time of my thesis defense in EPJ Data Science, which was written in collaboration with Federico Battiston and Roberta Sinatra. On the one hand, the idea of using her previously published impact decomposition method to quantify the effect was conceived by Roberta Sinatra, where I relied on the methods developed by her. On the other hand, I proposed the idea of relating the temporal network properties to the evolution. -
Elites, Communities and the Limited Benefits of Mentorship in Electronic
Elites, communities and the limited benefits of mentorship in electronic music Milan´ Janosov1, Federico Musciotto1, Federico Battiston1, and Gerardo Iniguez˜ 1, 2, 3,* 1Department of Network and Data Science, Central European University, Budapest, 1051, Hungary 2Department of Computer Science, Aalto University School of Science, Aalto, 00076, Finland 3IIMAS, Universidad Nacional Autonoma´ de Mexico,´ Ciudad de Mexico,´ 01000, Mexico *[email protected] Abstract While the emergence of success in creative professions, such as music, has been studied extensively, the link between individual success and collaboration is not yet fully uncovered. Here we aim to fill this gap by analyzing longitudinal data on the co-releasing and mentoring patterns of popular electronic music artists appearing in the annual Top 100 ranking of DJ Magazine. We find that while this ranking list of popularity publishes 100 names, only the top 20 is stable over time, showcasing a lock-in effect on the electronic music elite. Based on the temporal co-release network of top musicians, we extract a diverse community structure characterizing the electronic music industry. These groups of artists are temporally segregated, sequentially formed around leading musicians, and represent changes in arXiv:1908.10968v2 [physics.soc-ph] 31 Oct 2019 musical genres. We show that a major driving force behind the formation of music communities is mentorship: around half of musicians entering the top 100 have been mentored by current leading figures before they entered the list. We also find that mentees are unlikely to break into the top 20, yet have much higher expected best ranks than those who were not mentored. -
Dannic Real Name: Daan Romers Location: Breda, Netherlands Style: Energetic, Groovy Big-Room House
Dannic Fact Sheet Artist name: Dannic Real Name: Daan Romers Location: Breda, Netherlands Style: Energetic, groovy big-room house Official links // www.djdannic.com www.facebook.com/djdannic www.twitter.com/dannic www.instagram.com/dannic www.youtube.com/user/djdannic www.soundcloud.com/dannic Quotes // - “Dannic is such a technically gifted DJ, his mixing and selection skills are second to none. When I see one of his new tracks land in my inbox I can barely contain my excitement, he is one of the best up and coming producers in the scene.” Hardwell “Big big fan, been supporting his music since day one” Danny Howard, BBC Radio 1 • Dannic is an internationally-recognised artist who burst onto the scene in 2013, successfully placing within the rankings of the DJ MaG Top 100 DJs poll for consecutive 5 years (first debuting in 2013). • His DJ career started age of 17 years old playing in a bar in his hometown Breda – also famous for being the hometown of Tiësto and Hardwell. • His music is supported by artists that include Martin Garrix, David Guetta, Axwell & InGrosso, Tiësto, Laidback Luke, Fedde Le Grand, Hardwell and many more. • Dannic joined Hardwell and Dyro on the Revealed RecordinGs Canadian and North American Bus Tours in Summer 2013 and April 2014. • Has headlined shows at clubs such as Ministry of Sound in London, Light Las Vegas, Avalon in Los Angeles, Bootshaus in Köln, Queen Club in Paris, Zouk SinGapore, Hakkasan in Las Vegas , Guaba in Cyprus, Mansion in Miami, New City Gas in Montreal, Chroma in South Korea and New York’s iconic Webster Hall. -
Shawn Mendes EUROVISION 2019
OCTOBER 2019 LIVE #15 THE DIGITAL LIGHTING EXPERIENCE BOSTON BALLET Shawn Mendes EUROVISION 2019 © Ralph Larmann The Tour BILLIE ELLISH Perseo the shape of water 500 W750 IP65 W PROFILE LUMINAIRE INFINITEXXXXXX COLOUR MIX 27,00042,000 LUMENS LUMENS (PERSEO-S) (BORA-S) FULL178MM FIELD SPHERICAL FRAMING LENS NATIVE HIGH8:1 CRI ZOOM > 90 (BORA-TC)- 7° TO 56° UNIFORMFULL FIELD FLAT BARNDOOR BEAM 148 8:1MM ZOOM FRONTAL - 8° TO LENS 64° HIGHLYSLEEK INDUSTRIAL COMPACT DESIGN www.ayrton.eu Summary SHOW REPORT 4 Ghibli shines again for Las Palmas Carnival spectacular 6 Louis Oliver picks Khamsin, Bora and Mistral for Shawn Mendes: The Tour 14 WildSun K25-TC premieres with Boston Ballet in North America and Paris 16 Ayrton plays major role at Eurovision Song Contest 2019 22 MagicDot-R is a dream for Shawn Mendes: the tour P.6 Billie Eilish World Tour 26 Mistral and Diablo-S fixtures enjoy broadway and Off-Broadway runs with lighting designer, Ken Posner Perseo 28 Lighting designer Alexis David, 18, on tour with French balladeer the shape Daniel Guichard 34 Ghibli enters a state of trance of water with The Art of Light for ASOT 900 36 Dreampanel-Twin increases video LAS PALMAS CARNIVAL P.4 BOSTON BALLET P.14 surface area at the Amnesia Eurovision 2019 P.16 beetlejuice P.26 daniel guichard P.28 State of trance P.36 500 W750 IP65 W PROFILE LUMINAIRE INFINITEXXXXXX COLOUR MIX 27,00042,000 LUMENS LUMENS (PERSEO-S) (BORA-S) FULL178MM FIELD SPHERICAL FRAMING LENS NATIVE HIGH8:1 CRI ZOOM > 90 (BORA-TC)- 7° TO 56° UNIFORMFULL FIELD FLAT BARNDOOR BEAM CONTACT -
Ridi”: Per Segnare La Rinascita Stage and Lighting Design Video Mapping / Pixel Mapping Visual Identity for Artists and Festival
n° 7/2018 free - gratis OTTOBRE 2018 THE NIGHTLIFE MAGAZINE FESTIVALS Ade Sónar Ultra REVIEWS Armin van Buuren David Guetta Jean Michel Jarre CLUBBING Amnesia Milano Matis Bologna Warehouse Manchester Hat: Stetson Shirt: IRO Ring and sheriff’s star: VERSACE Jacket: Alexander Wang PAOLA IEZZI Photographer: Paolo Santambrogio “Ridi”: per segnare la rinascita Stage and Lighting Design Video Mapping / Pixel Mapping Visual Identity for Artists and Festival www.expectnothing.net [email protected] 3D Graphics / Graphics and Motion Design L’EDITORIALE SOMMARIO CHE COSA C’È DIETRO L’ANGOLO? [3] L’EDITORIALE / SOMMARIO [04] BREAKING NEWS: Danceland inizia una nuova stagione, con la consapevolezza che i prossimi mesi saranno decisivi per il futuro del clubbing italiano. Il mondo va sempre LE NOTIZIE DAL MONDO DELLA DANCE più alla velocità della luce, e in Italia – a parte alcune eccellenze – l’intero movimento arranca o comunque fatica a comprendere le dinamiche che [06-07] COVER STORY: PAOLA IEZZI governano un settore che ormai ha abbattuto ogni confine, sia musicale [08-09] NEWS che strettamente territoriale. I motivi? Non sono inediti per chi ci segue anche da pochi numeri: L’incapacità di fare [11] FACE TO FACE: JOSEPH sistema, l’approccio poco imprenditoriale e improvvisato di troppi addetti [12] Pitch Up ai lavori o pseudo-tali, l’utilizzo scolastico per non dire infantile di strumenti come i social network, che sono autentiche armi a doppio taglio. [13] THE LABELS: release in progress Gestione, marketing e comunicazione sono fattori troppo importanti per essere maneggiati da persone improvvisate o che si sono trovati per sbaglio [16] MALE DJ: NRD1 e per fortuna nel posto sbagliato.