Bad Language in Reality
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Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Pirate and Hacking Speak Because Your Communicating with the World, Tell Them What You Think
Pirate and Hacking Speak Because your communicating with the world, tell them what you think.... ----------------------------------------------------------------------- Afrikaans Poes / Doos - Pussy Fok jou - Fuck you Jy pis my af - You're pissing me off Hoer - Whore Slet - Slut Kak - Shit Poephol - Asshole Dom Doos - Dump Pussy Gaan fok jouself - Go fuck yourself ------------------------------------------------------------------------ Arabic Koos - cunt. nikomak - fuck your mother sharmuta - whore zarba - shit kis - vagina zib - penis Elif air ab tizak! - a thousand "dicks" in your ass! kisich - pussy Elif air ab dinich - A thousand dicks in your religion Mos zibby! - Suck my dick! Waj ab zibik! - An infection to your dick! kelbeh - bitch (lit a female dog) Muti - jackass Kanith - Fucker Kwanii - Faggot Bouse Tizi - Kiss my ass Armenian Aboosh - Stupid Dmbo, Khmbo - Idiot Myruht kooneh - Fuck your mother Peranuht shoonuh kukneh - The dog should shit in your mouth Esh - Donkey Buhlo (BUL-lo) - Dick Kuk oudelic shoon - Shit eating dog Juge / jugik - penis Vorig / vor - ass Eem juges bacheek doer - Kiss my penis Eem voriga bacheek doer - Kiss my ass Toon vor es - You are an ass Toon esh es - You are a jackass Metz Dzi-zik - Big Breasts Metz Jugik - Big penis ------------------------------------------------------------------------ Bengali baing chood - sister fucker chood - fuck/fucker choodmarani - mother fucker haramjada - bastard dhon - dick gud - pussy khanki/maggi - whore laewra aga - dickhead tor bapre choodi - fuck your dad ------------------------------------------------------------------------ -
Alternative Spelling and Censorship: the Treatment of Profanities in Virtual Communities Laura-Gabrielle Goudet
Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet To cite this version: Laura-Gabrielle Goudet. Alternative spelling and censorship: the treatment of profanities in virtual communities. Aspects of Linguistic Impoliteness, 2013. hal-02119772 HAL Id: hal-02119772 https://hal.archives-ouvertes.fr/hal-02119772 Submitted on 4 May 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet Université Paris 13, Sorbonne Paris Cité [email protected] [Author’s version of a paper published in Aspects of Linguistic Impoliteness (2013), Cambridge Scholars Publishing] Introduction Discourse on the internet is characterized by the paradoxical ability of users to write and communicate in alternative ways, with minimal supervision or external regularization—in most, not all communities—while new norms arise and are replaced according to users of virtual communities. On most websites, there is no regulating organ, except the Terms of Service that every registered user has to abide by. The standard version (used on websites like Facebook) includes a clause stipulating that the user should not: “use the Services […] to : upload, post, transmit, share, […] any User content [deemed] harmful, threatening, unlawful, defamatory, infringing, abusive, inflammatory, harassing, vulgar, obscene, […] hateful, or racially, ethnically or otherwise objectionable”. -
2020-05-25 Prohibited Words List
Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 Words Code 2g1c 1 4r5e 1 1 Not Allowed a2m 1 a54 1 a55 1 acrotomophilia 1 anal 1 analprobe 1 anilingus 1 ass-fucker 1 ass-hat 1 ass-jabber 1 ass-pirate 1 assbag 1 assbandit 1 assbang 1 assbanged 1 assbanger 1 assbangs 1 assbite 1 asscock 1 asscracker 1 assface 1 assfaces 1 assfuck 1 assfucker 1 assfukka 1 assgoblin 1 asshat 1 asshead 1 asshopper 1 assjacker 1 asslick 1 asslicker 1 assmaster 1 assmonkey 1 assmucus 1 assmunch 1 assmuncher 1 assnigger 1 asspirate 1 assshit 1 asssucker 1 asswad 1 asswipe 1 asswipes 1 autoerotic 1 axwound 1 b17ch 1 b1tch 1 babeland 1 1 Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 ballbag 1 ballsack 1 bampot 1 bangbros 1 bawdy 1 bbw 1 bdsm 1 beaner 1 beaners 1 beardedclam 1 bellend 1 beotch 1 bescumber 1 birdlock 1 blowjob 1 blowjobs 1 blumpkin 1 boiolas 1 bollock 1 bollocks 1 bollok 1 bollox 1 boner 1 boners 1 boong 1 booobs 1 boooobs 1 booooobs 1 booooooobs 1 brotherfucker 1 buceta 1 bugger 1 bukkake 1 bulldyke 1 bumblefuck 1 buncombe 1 butt-pirate 1 buttfuck 1 buttfucka 1 buttfucker 1 butthole 1 buttmuch 1 buttmunch 1 buttplug 1 c-0-c-k 1 c-o-c-k 1 c-u-n-t 1 c.0.c.k 1 c.o.c.k. -
The Subtitling of Sexual Taboo from English to Chinese
TRANSLATION STUDIES UNIT THE SUBTITLING OF SEXUAL TABOO FROM ENGLISH TO CHINESE A thesis submitted for the degree of Doctor of Philosophy at the Imperial College London Long Yuan 2016 Supervisor: Professor Jorge Díaz Cintas CANDIDATE’S STATEMENT OF ORIGINALITY The work presented in the thesis is, to the best of the candidate’s knowledge and belief, original and the candidate’s own work, except as acknowledged in the text, and the material has not been submitted, either in whole or in part, for a degree at this or any other university. Long Yuan 1 COPYRIGHT DECLARATION The copyright of this thesis rests with the author and is made available under a Creative Commons Attribution Non-Commercial No Derivatives licence. Researchers are free to copy, distribute or transmit the thesis on the condition that they attribute it, that they do not use it for commercial purposes and that they do not alter, transform or build upon it. For any reuse or redistribution, researchers must make clear to others the licence terms of this work. 2 Abstract This research project sets out to analyse the subtitling of sexual taboo from English to Chinese with particular reference to the TV series Sex and the City, created by Darren Star and broadcast between 1998 and 2004. It commences with an introduction in which the theoretical and methodological scaffolding of the whole project is outlined, with a discussion taking place in the second chapter concerning one of the key concepts in this research, namely sexually taboo words and expressions. After approaching this concept as a subcategory within the wider subject of taboo and taboo language, a taxonomy of various sexually charged taboo categories is then put forward and used later on in the analysis of the case study of this research. -
The Use of Slang in Misfits and Help the Understanding of the Pragmatic Use of Slang
ENGLISH REPRESENTATION OF BRITISH TEENAGE SLANG IN THE TV-SERIES MISFITS A communicative approach to teenage slang EMILIA ZOTEVSKA BA Thesis Supervisor: Spring 2013 Joe Trotta Examiner: Monika Mondor 1 TITLE Representation of British Teenage Slang in the TV-series Misfits: a communicative approach to teenage slang AUTHOR Emilia Zotevska SUPERVISOR Joe Trotta ABSTRACT The aim of this essay is to examine the functions of British teenage slang vocabulary from a communicative perspective and to analyse it in the social situations that occur in the TV-series Misfits. The language in Misfits can be considered a representation of the slang usage of British teenagers in general. The aim is based on the assumption that slang is used as an instrument of communication in order to accommodate to the addressee and thus create a bond of solidarity. The material of main importance is the DVD collection of the first two seasons of Misfits and close-caption transcripts. The method is corpus- based and an empiric and explorative case study with an inductive conclusion that is based on the theories of Sociolinguistics in general, and Communication Accommodation Theory in particular. The main results are that slang is used a tool of accommodation by the teenagers in Misfits in order to create and develop their own identity and group solidarity. KEYWORDS Slang, teenagers, adolescence, Misfits, divergence, convergence, communication, goal, accommodation, sociolinguistics, communication accommodation theory, identity, group togetherness, solidarity, scripted speech, fictional speech, in-group, out-group 2 TABLE OF CONTENS 1. INTRODUCTION 4 1.1. AIM 4 1.2 HYPOTHESIS 5 2. MATERIAL 5 2.1 BACKROUND OF THE MATERIAL 6 3. -
Swearing a Cross-Cultural Study in Asian and European Languages
Swearing A cross-cultural study in Asian and European Languages Thesis Submitted to Radboud University Nijmegen For the degree of Master of Arts (M.A) Name: Syahrul Rahman / s4703944 Email: [email protected] Supervisor 1: Dr. Ad Foolen Supervisor 2: Professor Helen de Hoop Master Linguistics Radboud University Nijmegen 2016/2017 0 Acknowledgment In the name of Allah, the beneficent and merciful. All praises be to Allah for His mercy and blessing. He has given me health and strength to complete this master thesis as particular instance of this research. Then, may His peace and blessing be upon to His final prophet and messenger, Muhammad SAW, His family and His best friends. In writing and finishing this thesis, there are many people who have provided their suggestion, motivation, advice and remark that all have helped me to finish this paper. Therefore, I would like to express my big appreciation to all of them. For the first, the greatest thanks to my beloved parents Abd. Rahman and Nuriati and my family who have patiently given their love, moral values, motivation, and even pray for me, in every single prayer just to wish me to be happy, safe and successful, I cannot thank you enough for that. Secondly, I would like to dedicate my special gratitude to my supervisor, Dr. Ad Foolen, thanking him for his guidance, assistance, support, friendly talks, and brilliant ideas that all aided in finishing my master thesis. I also wish to dedicate my big thanks to Helen de Hoop, for her kind willingness to be the second reviewer of my thesis. -
British 'Bollocks'
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Birkbeck Institutional Research Online British ‘Bollocks’ versus American ‘Jerk’: Do native British English speakers swear more –or differently- compared to American English speakers?1 Jean-Marc Dewaele Birkbeck, University of London Abstract The present study investigates the differences between 414 L1 speakers of British and 556 L1 speakers of American English in self-reported frequency of swearing and in the understanding of the meaning, the perceived offensiveness and the frequency of use of 30 negative emotion-laden words extracted from the British National Corpus. Words ranged from mild to highly offensive, insulting and taboo. Statistical analysies revealed no significant differences between the groups in self reported frequency of swearing. The British English L1 participants reported a significantly better understanding of nearly half the chosen words from the corpus. They gave significantly higher offensiveness scores to four words (including “bollocks”) while the American English L1 participants rated a third of words as significantly more offensive (including “jerk”). British English L1 participants reported significantly more frequent use of a third of words (including “bollocks”) while the American English L1 participants reported more frequent use of half of the words (including “jerk”). This is interpreted as evidence of differences in semantic and conceptual representations of these emotion-laden words in both variants of English. Keywords: British English, American English, swearwords, offensiveness, emotion concepts 1. Introduction Swearing and the use of offensive language is a linguistic topic that is frequently and passionately discussed in public fora. In fact, it seems more journalists and laypeople have talked and written about swearing than linguists. -
“Every Kid Goes Through Phrases”
Antti Iivari “Every Kid Goes Through Phrases” Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys School of Marketing and Communication Master’s Thesis in English Studies Language expertise in a specialised society Vaasa 2020 2 UNIVERSITY OF VAASA School of Marketing and Communication Author: Antti Iivari Master’s Thesis: “Every Kid Goes Through Phrases” : Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys Degree: Master of Arts Programme: Language expertise in a specialized society Supervisor: Helen Mäntymäki Date: 2020 Sivumäärä: 58 ABSTRACT: Tekstitykset ovat yksi luetuimmista käännösteksteistä. Näin esillä oleva tekstityyppi on jatkuvan arvostelun kohteena. Tekstiä on helppo arvostella, jos se ”ei kuulosta oikealta”, mutta tarkkaa syytä tähän voi olla hankala arvioida. Huumori ja sanaleikit ovat olleet hankalia käännettäviä tekstityypistä riippumatta. Suora vastine ei välttämättä sisällä kaikkia lähdetekstin merkityksiä ja voi myös olla, ettei sitä voida edes käyttää tekstityksessä esimerkiksi merkkimäärän rajoituk- sien takia. Tämä tutkielma on ammentanut inspiraatiota tästä nopeasti ohitettavasta arvostelusta. Ensin- näkin tutkielmassa oltiin kiinnostuneita, kuinka Trailer Park Boys -sarjan Netflix-tekstitykset suo- riutuivat. Sarja sisältää paljon Ricky -nimiseen hahmoon perustuvia humoristisia sanaleikkejä, joita sarjan seuraajat kutsuvat ”Rickyismeiksi”. Tutkimuksessa kysyttiin lähtökohtaisesti, ovatko näiden sanaleikkien käännökset tarkoituksenmukaisia -
An Assessment of Emotional-Force and Cultural Sensitivity the Usage of English Swearwords by L1 German Speakers
Graduate Theses, Dissertations, and Problem Reports 2019 An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the German Linguistics Commons Recommended Citation Cooper, Sarah Dawn, "An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers" (2019). Graduate Theses, Dissertations, and Problem Reports. 3848. https://researchrepository.wvu.edu/etd/3848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in World Languages, Literatures, and Linguistics Cynthia Chalupa, Ph.D., Chair Jonah Katz, Ph.D. -
The Seven Dirty Words You Should Be Allowed to Say on Television
Washington University Law Review Volume 92 Issue 5 2015 The Seven Dirty Words You Should Be Allowed to Say on Television Ellen Alexandra Eichner Washington University School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the First Amendment Commons Recommended Citation Ellen Alexandra Eichner, The Seven Dirty Words You Should Be Allowed to Say on Television, 92 WASH. U. L. REV. 1353 (2015). Available at: https://openscholarship.wustl.edu/law_lawreview/vol92/iss5/9 This Note is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE SEVEN DIRTY WORDS YOU SHOULD BE ALLOWED TO SAY ON TELEVISION I. INTRODUCTION Shit, piss, fuck, cunt, cocksucker, motherfucker, and tits.1 For any American who has turned on his or her television since 1978 and tuned into one of the traditional broadcast networks—ABC, NBC, CBS, or Fox—these seven words have been conspicuously absent from broadcasting. Confusingly, with a flip of the remote over to a premium cable television station, these seven words may all occur in quick succession on one television show.2 When one of them does happen to make it to air on a broadcast network, it often becomes the source of an astronomical fine from the Federal Communications Commission (“FCC”) and years of litigation between the network and the federal government.3 A recent case resulted in a huge victory for broadcasters. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity.