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Zehar 47.Portada Con Lomo.Final Zehar 47&48 2002 REVISTA DE ARTELEKU-KO ALDIZKARIA 47&48 verano2002 uda 01 Metronome 02 MA 06DE Mute OJO 0307 AFTERALLQUADERNS 04 08 ERREAKZIOA-esculpiendo MILAGROS REACCIÓN 0905 n.paradoxaNEURAL 06 10 Mute mark(s) 07 11 Publishing in 3D 12 centrode arteleku QUADERNS 08 ERREAKZIOA arte.comREACCIÓN 13 Ciclo09 n.paradoxa 14 ESETÉ 15 Sublime 16 ESQUERP 17 CART 10 mark(s)Aldizkari foroa 11 Publishing in 3D 18centrodearte.com ACTOForo de 19revistas ROJO 20 13 LACiclo MÁS 14 Editorial Forum BELLA25 cases on 21 editorial PARABÓLICA vision 22 47 & ESETÉ48 15 Sublime 16 ESQUER BRUMARIA17 CARTA 18 23 ACTO Pequeña 19 ROJO teoría 2 LAde MÁSla independencia BELLA 21 PARABÓLIC 24 Spe 25 PARACHUTE 01 MetronomDOSSIER 222002 BRUMARIA 23 Pequeña 02 MAL DE OJO 03 AFTERAL la edición Pensar O Argitaratzailea GIPUZKOAKO FORU ALDUNDIA KULTURA, EUSKARA, GAZTERIA ETA KIROL DEPARTAMENTUA DIPUTACIÓN FORAL DE GIPUZKOA DEPARTAMENTO DE CULTURA, EUSKERA, JUVENTUD Y DEPORTES Edita Diputatu Nagusia ROMAN SUDUPE OLAIZOLA Diputado General Kultura, Euskara, Gazteria eta Kirol Departamentuko Diputatua LUIS BANDRES UNANUE Diputado del Departamento de Cultura, Euskera, Juventud y Deportes Kultura Zuzendari Nagusia MARIA JESUS ARANBURU ORBEGOZO Directora General de Cultura Artelekuko Zuzendaria SANTIAGO ERASO BELOKI Director de Arteleku Publikazioaren Zuzenketa eta Koordinaketa MIREN ERASO ITURRIOZ / K6 KULTUR GESTIOA Dirección y Coordinación de la Publicación Koordinazioaren Laguntzailea GORETTI ARRILLAGA / K6 KULTUR GESTIOA Ayudante de Coordinación Kolaboratzaile berezia CARME ORTIZ MAR VILLAESPESA Colaboradora adjunta Itzulpenak GIPUZKOAKO FORU ALDUNDIA, EUSKARAREN NORMALKUNTZAKO ZUZENDARITZA JOSEBA ERKIZIA TISA ISABEL CANTERO MARGHERITA CARDONA LUIS MARI LARRAÑAGA TIM NICHOLSON JUAN MARI MENDIZABAL ALLAN OWEN Traducciones Testuen orrazketa IDOIA GILLENEA ALAN GRIFFIN JUAN MARI MENDIZABAL Revision de textos Diseinua LAUREN HAMMOND Diseño Inprimaketa LITOGRAFÍA VALVERDE Impresión Aurreinpresioa ZYMA TO RECEIVE ZEHAR FREE Pre-impresión Mail, Fax, Call or Email with the following information: Lege gordailua Name SS.1.104/89 Depósito legal Organization ISSN 1133-844 X Address © Argitalpenarena GIPUZKOAKO FORU ALDUNDIA DIPUTACIÓN FORAL DE GIPUZKOA © de la Edición Country Art Bibliographies Modern-ek indizatua Indizada por Art Bibliographies Modern Tel/Email ARTELEKU Kristobaldegi, 14 FAX: +34.943.46 22 56 Loiola 20014 Donostia TEL: +34.943.45 36 62 Spain EMAIL: [email protected] attn: Subscriptions re: Subscriptions ahal baduzu berziklatu eta erabili berriz no olvides reutilizar y reciclar Zeharek ez du derrigorrez bat egiten kolaboratzaileen iritziekin. (Eskatu ez diren jatorrizko idazlanetaz ez da korrespondentziarik mantenduko). Zehar no comparte necesariamente las opiniones de sus colaboradores. (No se mantendrá correspondencia sobre los originales no solicitados). DENTRO verano 2002 uda English texts . .after page 61 Presentación/Aurkezpena . .4 01 Metronome . .6 02 MAL DE OJO . .8 03 AFTERALL . 10. 04 esculpiendo MILAGROS . .12 05 NEURAL . .14 06 Mute . .16 07 QUADERNS . .18 08 ERREAKZIOA/REACCIÓN . .20 09 n.paradoxa . .22 10 mark(s) . .24 11 Publishing in 3D . .26 12 centrodearte.com . .28 13 Ciclo . .30 14 ESETÉ . .32 15 Sublime . .34 16 ESQUERP . .36 17 CARTA . .38 18 PARABÓLICA . .40 19 ROJO magazine . .42 20 LA MÁS BELLA . .44 21 ACTO . .46 22 BRUMARIA . .48 23 Pequeña teoría de la independencia . .50 24 Spector . .54 25 PARACHUTE . .56 Aldizkari foroa Foro de revistas Editorial Forum www.arteleku.net Visit the website for articles in this and back issues. Ale honetan argitaratzen ditugun testuak Artelekuko Web gunea I espacio orrialdearen Zehar atalean aurkituko dituzu baita ere. ITZIAR OKARIZ Los textos de esta edición también los encontrarás en la Vieites y Pesch . .63 sección Zehar de la página Web de Arteleku. iritzia opinión JORGE RIBALTA Sobre el servicio público en la época del consumo cultural . .68 XABIER MENDIGUREN Jakin egin behar da kutsatzen, originaltasuna lortzeko . .76 CATHERINE DAVID Erresistentzia/Sorkuntza . .80 Resistencia/Creación . .84 JOSÉ A. SÁNCHEZ L’animal a l’esquena . .online ohizkoak información Artelekuko Egutegia Calendario de Actividades . .88 Z-Album . .89 TEL: 943.45 36 62 FAX: 943.46 22 56 EMAIL: [email protected]°ARTELEKU47KRISTOBALDEGI,& 14 LOIOLA48 20014 DONOSTIA ¿Para quién están pensadas las revistas? Cuando nos planteamos dedicar un monográfico a pensar la edición, estábamos recogiendo las reflexiones que, durante los últimos meses, habíamos esbozado. Podríamos resumirlas, de manera sintética, en el interés por analizar las prácticas artísticas en relación a los cambios económicos y sociales que las tecnologías de la información estaban propiciando. En un momento en que la concentración de los medios de comunicación está homogenei- zando y empobreciendo el espacio comunicativo, pensamos que las pequeñas iniciativas editoriales, que están experimentando con nuevos formatos y contenidos, están incidiendo de alguna manera en las relaciones sociales y culturales, y son reflejo del dinamismo social actual. Esta inquietud nos llevó a diseñar un foro de revistas que cuestionara la función del arte y la creación en la actualidad, y tratara sobre los cambios que se están operando en la creación, mediación y distribución de contenidos. Decidimos realizar una convocatoria internacional, y plantear a un grupo de revistas de diferentes procedencias una serie de cuestiones para conocer y difundir las ideas con las que están trabajando: ¿Con qué perspectivas de creación y producción de contenidos habéis creado vuestro proyecto editorial? ¿Para quién está pensada vuestra revista? ¿Cuáles son los circuitos de difusión y promoción que más os interesan? Y para abrir un debate crítico sobre Zehar, os invitamos a que hagáis una valoración de la revista. Agradecemos a todos los participantes su colaboración. Esperamos que esta iniciativa os resulte interesante y sirva para fomentar el debate y la colaboración entre proyectos. I 4 www.arteleku.net47&48zehar Norentzako egiten dira aldizkariak? Edizioa hausnartzeari buruzko monografikoa egitea aztertzen hasi ginenean, azken hilabete- tan modu batera edo bestera egin ditugun hausnarketak bildu baino ez genituen egin. Baina zer zen gogoan aurrera eta atzera erabili genuen asmo hori? Bada, labur esanda honako hau: arte jarduerak aztertu nahi genituen informazioaren teknologiek ekarri dituzten ekonomia eta gizarte alorreko aldaketak abiapuntu izanda. Hedabideen esku gutxitan biltzeak komunikazioa bera txirotzen eta homogeneotzen duen garai honetan iruditzen zaigu argitaletxe txikiek, formatu eta eduki berriekin esperimentatzen ari diren horiek, gizarte eta kultura alorreko harremanetan eragiten dutela nola edo hala, eta egungo gizartearen dinamismoaren irudi direla. Kezka horrek bultzaturik, artearen eta sormen lanaren funtzioa zalantzan jartzen duten eta sormenean, bitartekotzan eta edukien banaketan gertatzen ari diren aldaketak aztergai izango dituen aldizkarien foroa sortzea pentsatu genuen. Deialdia gure mugez gaindi ere zabaldu genuen eta hainbat galdera egin genien jatorri desberdineko zenbait aldizkariri, lantzen dituzten ideiak ezagutu eta zabaltzeko. Besteak beste, honako hauek: Zein xede izan duzue argitalpen hori sortzerakoan sormenaren eta ekoizpenaren aldetik? Norentzako egiten duzue aldizkaria? Banatzeko eta sustatzeko zein bide duzue gogokoen? Horrez gain, gure aldizkariari buruzko balorazioa eskatzen dizuegu eztabaida kritikoa zabaltze aldera. Zuentzako ere ekimen hau interesgarria izatea espero dugu eta eztabaida eta proiektuen arteko lankidetza sustatzeko balioko duelakoan gaude. Eskerrik asko guztioi laguntzeagatik. Hurrengo batean ere izango dugu elkarren berri. I zehar47&48www.arteleku.net 5 PENSAR LA EDICIÓN Imagen publicada en Zehar 45 El público de Metronome era —y lo sigue sien- do— artistas y profesionales, más que un público amplio interesado en temas relativos al arte contemporáneo. Circula mediante los contactos Mona Hatoun Pull 1995 que yo hago, la gente que ha trabajado en ello, y de viva voz. Se vende en muy pocas librerías (p. ej. Artwords, en Londres), y actualmente está conectada a una galería privada de París (Chantal Crousel). Recibo regularmente cartas o mensajes electrónicos de gente interesada en adquirir edi- ciones individuales, o la colección completa, porque han oído que los números son bastante diferentes entre ellos y que transcienden las generaciones y los lugares. No hay un menú de colaboradores potenciales que conduzca a un nuevo número. En su lugar, los contactos gradua- les establecidos durante el periodo de investi- gación son claves a la hora de ser incluidos en la plantilla final. En Metronome recientes se han analizado el habla, el futuro de las academias de arte y los café-teatro, pero fundamentalmente CASE Metronome es una plataforma metodológica. 01 Por medio de Metronome, trato de conseguir Produje el primer Metronome en mayo de 1996 que artistas y escritores se desvíen de su propio en Dakar. Me había dado cuenta de que, como estilo, de sus propias ortodoxias, y que prueben comisaria interesada en el diálogo interescénico, proto-ideas dentro de la publicación. Quiero ahora podía empezar a definir ciertos pará- saber si es posible producir “obra promiscua” metros de trabajo que podrían ser más precisos, aparte de las cosas que muestran, sobre las que estar menos vinculados a la producción de escriben o que publican los artistas en su flujo exposiciones y más preocupados por cómo de actividades normales.
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