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Home , Cindy Nemser, Clark Art Institute, Edna Andrade, Lila Katzen, Mercedes Matter, Roger Mandle

I WEDNESDAY PM 2:OO-5:OO Art Libraries Versailles Terrace Chairman: Elizabeth R. Usher / Metropolitan Museum of Art Bibliographical Reports: ART bibliographies / Roger Bilboul 1European Bibliographical Center Planning for the Center for Advanced Studies in the Visual Arts I.I. M. Edelstein 1 Centro di Documentation / Alessandra Marchi / Centro di Documentation, RiLA / Michael Rinehart / Sterling and Francine / Judy Ann Goldman and AntoinettePeterson Panel Discussion: The Art Library-Today and in the Future Moderator: Gerd Muehsarn / Queens College Panel: The Viewpoint of the Professor / Scholar User / Hanna Deinhard / Queens College The Viewpoint of the University Art Librarian / Jean L. Finch 1 Stanford University Libraries The Viewpoint of the Small Art Museum Librarian / Barbara Lipton I

The Viewpoint of the Artist/Scholar User / Alvin Smith / Queens College The Viewpoint of the Large Art Museum Librarian 1 Frank Sommer I Winterthur Museum The Viewpoint of the Curator/Specialist/Scholar User I Louise A. Svendsen / Guggenheim Museum The Viewooint of the Curator/Scholar User / Georoe Szabo /The Lehman

Open house at studios and galleries Information available at Social Events Desk

3:OO-6:00 Reception The Century Association Limited to300 persons 1 Invitations available at Social Events Desk 7 West 43rd Street An opportunity to view the Century Club's collection of , New York 19th century American WEDNESDAY PM 6:OO-9:OO Convocation The Metropolitan Grace Rainev, Rooers- Auditorium Museum of Art Ceremonies begin at 6:00 p.m. / Seating limited to 750 Fifth Avenue at 82nd Street New York, New York Welcome / Anne Coffin Hanson I President, College Art Association of America Theodore Rousseau / Vice-Director and Curator-in-Chief, The Metropolitan Museum of Art Guest Speaker / Lawrence Alloway Presentation of Awards Reception Cocktails may be purchased The restaurant will be open for dinner

THURSDAY AM

9:30-12:OO Great Lakes Colleges Association Arts Program in New York Malmaison Suite (A Progress Report on Off-Campus Arts Education) Moderator: Dick Wangenroth / GLCA Panelist: Justin Kronewetter / Ohio Wesleyan University

9:30-12:OO Puerto Rican Studies Departments and Ethnic Art Chambord Suite Moderator: Ralph Ortiz / Livingston College, Rutgers University Panel: Puerto Rican Studies Faculty

9:30-12:OO Direction and Diversity: A Discussion of the Teaching of Royal Ballroom Panel: Wolf Kahn / School of Art and Architecture Richard Stankiewicz / State University of New York at Buffalo Alan Kaprow 1 Institute of the Arts Mercedes Matter INew York Studio School of Draw~ngPainting and Sculpture THURSDAY AM

9:30-12:OO Art in Latin America Victorian Room Chairman: Stanton L. Catlin / Hunter College Abbey Victoria Hotel The St. Jerome Master from Cuzco / John F. Scott I Corneli University Seventh Avenue at 51sl Street The Orozco Heritage in Mexico I Jacqueline Barnitz / State University of New York, New York, New York Stony Brook lconography of the Polyforum Cultural Siqueiros / Joyce W. Bailey / Mount Holyoke College Andean Cultural Unity in the Early Intermediate Period, as Revealed at Pashash I Terence Grieder / University of Texas, Austin On the Meaning of Retablo i A Guilded and Polychromed Footnote 1 Margaret Collier / University of Connecticut Diego Rivera's Italian Notebook 1921 /Jean Charlot I University of Hawaii

9:30-12:OO General Session I: Late Antique and Medieval Art Imperial Ballroom B Chairman: William C. Loerke / Center for Byzant~neStudies, Dumbarton Oaks The Date of the Tempietto del Clrtunno / Judson J. Emerick / University of

Carolyn M. Malone / University of California, Berkeley The Facade of Saint Gilles do Gard: /is Antique Sources / Carra Ferguson / University of Pittsburgh Truth and Convention in Byzantine Descriptions of Works of Art I Henry Maguire / University of , Amherst The Stained Glass of the Sainte-Chapelle in Bourges / Stephen K. Scher I

9:30-12:OO The lconography of Modern Art Imperial Ballroom A Chairman: Robert Goldwater / Institute of Fine Arts, The Use and Meaning of Aviation Imagery in the Cubist School, 1908-15 1 Donald B. Kuspit / University of North Carolina, Chapel Hill Beckmann's "Four Men Around a Table": A Study In Philosophical Content I Margot Clark IIndiana University The lconography of Franz Marc's "Fate of the Animals" I Frederick S. Levine I Washington University Klee's "Death andFireV / Maurice L. Shapiro / Tulane Unversity Picasso's "Guernica": Sources in War, Love and the Bullfight. I Herschel B. Chipp / University of California, Berkeley American Social Realism and the lconograpy. .~ of Disaffection / Bradley Nickles I University of South Florida Discussant: Henry P. Raleigh / State University College of New York, New Paltz THURSDAY AM

9:30-12:OO Japonisme: The Japanese Influence on Western Art Georgian Ballroom B of the 19th and Early 20th Centuries Moderator: Gabriel P. Weisberg / University of Cincinnati Panel: Early Japonisme in France:Art Criticism and the Decorative Arts / Gabriel P. Weisberg / Unversity of Cincinnati Japonaiserie and Ja~onismein French Art of the 1'890's / Mark Roskill I University of Massachusetts, Amhersr Japon~smand Western Decorative Arts. 1854-1910 1 Martin Eideiberg / Rutgers university Japonisme: Possible Fields of Investigation I Henri Dorra / University of California, Santa Barbara

9:30-12:OO American Committee on South Asian Art and Archaeology Chelsea Suite A Business meeting

12:OO-2:OO Annual Meeting of the International Center of Medieval Art Georgian Ballroom B Speaker: Whitney Stoddard / Psalmodi, Third Summer

12:OO-2:OO Alumni Reunion Versailles Ballroom , Department of Arl History and Archaeology

2:OO-4:OO Meeting of the CAA Committee on Film Buckingham Suite B

2:OO-4:30 Graduate Studio Programs In Art Malmaison Suite Moderator: Jerome Hausman / New York University, Division of Creative Arts Panel: David W. Ecker / New York University / Division of Creative Arts Edmund Feldman / University of Georgia Lucian Krukowski / Washington University 11 THURSDAY PM

2:OO-4:30 On Printmaking Moderators: Allen Barber / Brooklyn Museum Eastern Parkway Jo Miller / Brooklyn Museum Brooklyn, New York Panel: / Queens College Steven Cortright / University of California, Santa Barbara Fritz Scholder

2:OO-4:30 The and University as New Patron of the Artist: Implications Regency Foyer Moderator: Christopher Horton / Hartford Art School Panel: Clinton Adams / University of New Mexico Edna Andrade / Temple University James Byars / Artist, Arthur Hoener / Hampshire College Larry Rosing / School of the ~ayt6nArt Institute Miriam Shapiro / California lnsriture of the Arts Edward W~lsonI State Jniversity of New York, B~nghamton

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2:OO-4:SO What is Black Art? Biarritz Suite Moderator: / Wagner College and the Bank Street College of Education Panel: Nigei Jackson /Acts of Art Gallery Art Coppedge / ACA Gallery Kay Brown / Medger Evers College Valerie Maynard /Studio Museum

2:OO-4:30 The Interpretation of Symbolism in Primitive Art Versailles Terrace Chairman: Mino Badner / Rice University Body Arts of the Masai Tribe in Tanzania, East Africa / Ronald M. Bernier / University of Colorado Imagery in Psycho-Sensory Cults of Highland Southeast Asia / Monni Adams / Columbia University The Symbolic Content of Bakwele Masks / Leon Siroto / University of Delaware On the Persistence of Symbols in the Arts of West Africa / Arnold Rubin / University of California, Los Angeles Meaning and Symbolism in the Ethnography of Tribal Art / William Davenport I University of Pennsylvania Male and Female Svmbolism in Olokun Mud Art / Paula Ben-Amos I I Temple ~niversii~ THURSDAY PM

2:OO-4:30 Cross-Fertilization: Art, Technology and Economics in the Imperial Ballroom A Middle Ages and the Renaissance Chairman: H. W. Janson 1 New York University Raphael's Mechanized Seashell: Notes on a Myth, Technology and Iconographic

Tradition IMillard Meiss I The institute~~ for~ Advanced~ ~ ~~~--~ Studv A Collaboration 01 Talents: The Construction of a European ~$tronomicalClock I Bruce Chand er I New York University I Clare Vincent I Metropol:tan Museum nf-. .Art ... Inflation, Price Freezes, and the Decline of Ottoman Court Art I Walter B. Denny 1 University of Massachusetts, Amherst Medieval Architecture in the Lowlands and Jan Van Eyck's "Architectural Portraiture" IThomas W. Lyman / Emory University Engraved Playing Cards and the Mid-Fifteenth Century Book Industry I Anne H. van Buren 1Princeton,

2:OO-4:30 New York City Architecture and Design Between the World Wars Imperial Ballroom B Chairman: Richard Pommer IVassar College

The Background of Rockefeller Center 1Carol Herselle Krinsky I New York University The Past Exhumed: The Real World of American lndustrlal Design of the Thirties I David Gebhard / University of Caifornia, Santa Barbara The and Architecture in the 1930's IRussell Lynes Grand Central City: Beleaguered Futurist Masterpiece in City Beautiful Garb I Douglas Haskell Regional Planning Association of America and New Deal Housing: lntellectual Origins and Pragmatic Policies I Susan Cole INational Endowment for the Humanities

2:OO-4:30 General Session II: Renaissance and Baroque inthe North: Roval Ballroom Artistic Intention and the Patron's Demands Chairman: Egbert Haverkamp-Begemann IYale University The Chevrot Altarpiece: An Ecclesiological Program 1Susan Koslow / Barnard College The First Tomb of Henry VII: The Will of a King and a New Iconography I Barbara Hochstetler 1 Mary Washington College Serlio's Conflicts with his Patrons / Myra Nan Rosenfeld 1 McGill University, Universite de Montreal Jan van Score1 and the Dutch Aristocracy IMolly A. Faries / Goucher College THURSDAY PM

2:OO-4:30 American Committee on South Asian Art and Archaeology Chelsea Suite A Symposium: The Year 500 Moderator: Frederick M. Asher / University of Minnesota Panel: Dona d Stadtner 1 Universry of California, Berkeley Stella Kramrisch 1 Institute of Fine Arts, New York University Deborah Levine 1 University of Michigan Joanna Williams / University of ~aif&nia,Berkeley

2:OO-5:OO Slides and Photographs Georgian Ballroom B Chairman: Margaret P. Nolan / Metropolitan Museum of Art Reports: Status Report on the Manuscript: Guidelines for Slide Libraries in Academic Institutions and Museums / Betty Jo lrvine / Indiana University Individualized instructional Approach to the Teaching of Art History / Peter Helff and Louis Di Cocco / Bergen Community College Business Meeting Panel Discussion: The Color Slide--Semblance and Quality Moderator: Stanley T. Lewis 1 Queens College

Panel: Harry Bober / New York University Helen Chillman / Lucy Close / National Gallery, London Mary Anne Dutt Justice / Museum of Art Ivan Karo / 0. K. Harris Works of Art Barbara'Fiose / Hunter College Nancy Schuller / University of Texas, Austin Richard A. Taylor 1New York City John Walsh, Jr. / Metropolitan Museum of Art and Columbia University

4:30-5:30 Annual Members' Meeting Versailles Ballroom Reports of Officers / Reports from CAA Committees / Ratification and approval of all acts and oroceedinos of the Board of Directors taken since the last Annual ~eetinbI ~lectionof Officers and the Board of Directors / New Business

5:30-7:30 Reception The Museum of the Limited to 1,000 persons / Invitations available at Social Events Desk City of New York Exhibitions: CITYRAMA Fifth Avenue at 103rd Street Dancino in the Dark 1the career of Howard Dietz New York, New York From ~IorselessCarriage to Jeep Ian exhibition of toys Stone Faces of Manhattan / a ~hotoaraDhicexhibition Alexander Hamilton Ia new pkrmanent'exhibition 17 THURSDAY PM

530-7:30 Reception Hotel Berkshire Alumni of Wellesley College Madison Avenue at 52nd Street New York, New York

The Whitney Museum Limited to 1,500 persons / Invitations available at Social Events Desk 1 of American Art CocMails may be purchased 945 Madison Avenue, at 75th Street Exhibition: Whitney Biennial / Contemporary American Painting andSculpture New York, NewYork

8:30-1l:OO Politics and Current Art 1 Forum Royal Ballroom Moderator: l~ingSandler 1New York University Open forum I Invited statements

8:30-11:OO General Session Ill: Renaissance and Baroque in the South: Imperial Ballroom A The Work of Art in its Original Context Chairman: John Rupert Martin IPrinceton University Verrocchio's Christ and St. Thomas IDario A. Covi IDuke University Four Altarpieces by G~ovanniBellini Viewed in their Original Settings / Julia Keydel 1 ~"ntercollege Neoplalonism or Eroticism? The Sala d, Psiche in the Palazzo del Te / ~bonVerheyen IJohns Hopkins University Tintoretto's in San Giorgio Maggiore IMaurice E. Cope I University of Delaware Poussin on the Context of his own Art: Sa Fin est la Delectation I Charles Dernpsey IBryn Mawr College Canalelto and a Commission from Consul Smith I W:ll'am Barcham 1 Intercollegiate Center for Classical Stuaies, THURSDAY PM

8:30-11 :OO Artists as Authors: The Role of Poem, Play, Diary, Treatise and Imperial Ballroom B Manifesto in Modern Art Chairman: Alessandra Comini 1Columbia University

Kandinskv's "The Yellow Sound": Its Hidden lmaoerv-, I Donald E. Gordon 1 university of Pittsburgh August Strindberg as Painter and Art Critic 1Greta Berman I State University of New York, Stony Brook Word and Image in the Work of Lovis Corinth: Reactions of a Warrior-Painter 1 Horst Uhr IColumbia University The Car, Ship and Plane in Manifestoes: Vehicles of Nationalism I Phyllis Freeman INew York City An Inquiry into Picasso's Poetic Imagery IJose L. Barrio-Garay I University of Wisconsin, Milwaukee Matisse's Jazz: Sources and Symbolism IJack D. Flam 1Paris, France

8:30-11 :OO XIX Century Sculpture Versailles Ballroom Chairman: Ruth Butler IUniversity of Massachusetts, Boston

James BT~olderbaumI Smith College Levels of Reference in Bavre's "Lion Crushing- a Ser~ent"/ Glenn F. Benqe. / Temple University The Influence of Robert Browning on the Art of William Wetmore Story I Frank R. DiFederico and Julia Markus / University of Maryland The Indian, The Frontiersman and the Captive in American Neoclassic Sculpture 1 William H. Gerdts 1 Funerary Sculpture in Nineteenth Century Italy / Fred Licht I FloridaState University Study Center in Florence Mummies, Herms, and Co1ossi:A Nineteenth Century View on the Origin of Sculpture 1 Barbara Stafford 1Loyola University, Chicago

8:30-11 :OO Museum Problems: The Role of Curators and Educators Versailles Terrace Chairman: Frederick J. Cummings 1Detroit Institute of Arts A Curator for the Future 1Joshua C. Taylor I National Collection of Fine Arts What Does the Museum Public Want from the Art Historian? IMarvin Sadik I National Portrait Gallery An Emerging Methodology of Museum Education 1Richard Mijhlberger 1 Detroit lnstitute of Arts A Curator's View: New Solutions to Old Problems IAllen Wardweil I The Art Historian as Educator I 1Minneapolis lnstitute of Art DAY AM

9:30-12:OO How the Art World Evaluates Georgian Ballroom B Moderator: / Art Critic and co-editor of " Journal" Panel: Adelyn Breeskin / National Collection of Fine Arts Howardena Pindel / Museum of Modern Art Natalie Kampen / Brown University Jillen Lowe / Paley and Lowe Gallery Irene Moss / "Feminist Art Journal" MarciaTucker / Whitney Museum Miriam Brumer / New York lnstitute of Technology / Maryland lnstitute College of Art

9:30-12:OO From Campus to Main Street Royal Ballroom Moderator: Vivienne Wechter / Fordham University Panel: Dore Ashton / Cooper Union School of Art and Architecture Alfeo Marzi / Fordham University Leo McLaughlin, S.J. / Johnson C. Smith University Harold Taylor 1Author and educator

9:30-12:OO Islamic Illustrated Manuscripts of the XIV-XVI Centuries Metropolitan Museum of Art Chairman: Priscilla P. Soucek / University of Michigan Fifth Avenue at B2nd Street Sultanate Painting in Persian Style, Primarily from the First Half of the XV New York, New York Century:A Preliminary Study / Irma L. Fraad / Brooklyn Museum A PreliminarvStudv of Some lllostrations of the Khamseh of Amir Khosrow I Marie L. ~hietochowskI Merropolitan Museum of Arl Leaends of Proohets in XVI Century Persian Painting 1 Ulku U. Bates 1 hunter college Painting and Patronage in Late XVI Century Iran: Sadiqi Bek / Anthony Welch 1 university of victoria, Canada

9:30-12:OO General Session IV: 1760-1860: Romanticism to Realism Imperial Ballroom A Chairman: Lorenz Eitner / Stanford University Enalish Sources of the Neo-Classical Stvie at Rome: Nathaniel Dance's Eeath of Virginla 1 David Goodreau 1 Car eton Lnivers ty, Canada Rococo or Romantic? Erotic and Amorous Representations from Fragonard To Fuseii / Frederick J. Cummings / ~etroilnstitute of Arts Casoar David Friedrich and Novalis / John Kieft 1Washington University stable's Stonehenge I Louis Hawes I Indiana Univers:ty Daumier and his "Metier": The Significance of Popular Printmaking in the Art of Daumier / Devin Burnell i University of Illinois Physiognomy, Psychotherapy and Caricatures of the July Monarchy I Aaron Sheon I University of Pittsburgh DAY AM

9:30-12:OO Film History As Art History Imperial Ballroom B Chairman: Bernard Hanson I Hartford Art School Film Art as Visual Art: A Primer I Sally A. Chappeii I De Paul University The Iconography and lconology in "Citizen Kane" I Norman Gambill I University of Illinois at Urbana-Champaign Hogarth as a Source for "Tom, Tom, the Piper's Son" I Bernard Hanson I Hartford Art School Anarnorphosis, Bazin's Ontology, and the First Movies 1Timothy K. Kitao / Swarthmore College Chaplin and Keaton: Two Ways of Playing I George Wead I University of Illinois, Chicago Circle

DAY PM 12:oo-2:oo Meeting of The National Committee For The Biarritz Room

12:OO-2:00 Reunion Loire Suite The Alumni Association of the Institute of Fine Arts

12:OO-2:OO Open Meeting of The Women's Caucus of the College Art Association Versailles Ballroom

2:OO-4:30 Artists' Club: The Makers' Forum Revisited Imperial Ballroom B Moderator: Raymond Hendler 1 University of Minnesota Panel: I Adolph Gottlieb 1Robert Motherwell I Philip Pavia 1Steve Wheeler 2:OO-4:30 Women in Art and Art History: Past, Present, Future Royal Ballroom Chairman: Paula Hays Harper / Stanford University Women in Art: Insights / Jeff Rodo ano si~dentsI Siephens College Social Order and the Del~nitionof Beauty: The Case of the Woman in Early Chinese Painting / Esther Leong / university of Oregon "it's Okay to be a Woman": Some Surprising Aspects of the Status of Women Painters in the Sixteenth Century / Eleanor Tufts / Southern Connecticut State College images of Women in Seicento Italy / Ann Sutheriand Harris / Hunter College Manet: New Scenarios and a Radicalized Female Imagery / Eunice Lipton / Hunter College Susan MacDowelf Eakins: The Career She Never Gave Up / Susan P. Casteras 1 Yale University The Male Artist as Stereotypical Female: Predicting the Art Scene of 1976 / / artist

2:OO-4:30 General Session V: 1860-1945

Imperial Ballroom A Chairman: Theodore Reff / Columbia University and Journalistic Illustration / Joel lsaacson / University of Michigan Jan Toorop andNeo-Impressionism 1888-1891 / Robert Siebelhoff / University of Toronto Motives of Love, Death and Rebirth: The Severed Head in Gauguin's Symbolism / William M. Kane / Adeiphi University Henry Van de Velde's Project for a Nietzsche Monument at Weimar, Germany, 1910-1914 / Gunther Stamm / University of South Carolina The Ballet Parade or Cubism and / Marianne W. Martin / New York University

2:OO-430 The Individual Artist in India Georgian Ballroom B Chairman: Joanna Williams / University of California, Berkeley The Problem of Artistic Individuality in the Rajput Paintings of Rajasthan / Milo C. Beach / Early Western Chalukya Artists / Gary Tarr IUniversity of Massachusetts Hoysala Sculptors' "Hands" / Robert J. Del Bonta / University of Michigan DAY PM

2:OO-4:30 Renaissance Decorative Arts Metropolitan Museum of Art Chairman: Olga Raggio / Metropolitan Museum of Art Fifth Avenue at 82nd Street Renaissance Jewellery: Tradition and Innovation / Yvonne Hackenbroch / New York, New York Metropolitan Museum of Art Italian Marriaoe Furniture of the Earlv Renaissance / Paul F. Watson / -university ifPennsylvania A Venetian Glass Double Cup / George Szabo / Robert Lehman Collection La Vengeance de Nostre Seigneur Jesu Chr1st:A Unique Tapestry Example/ Alice Zrebiek / New York University - 4:OO-6:00 Reunion Malmaison Suite Harvard University Alumni Association

4:30-6:30 Open Meeting For Graduate Students in Art History Versailles Ballroom Moderators: Wanda Corn / Mills College /Alison Hilton / (Columbia University) A panel discussion with the Committee on Graduate Education in Art History will include the following topics: Graduate Students on the CAA Board of D~rectors/ Projects of the Committee in the New York area and the West Coast /

Pubiicationbf a Census of Departments offering the Ph.D. in Art History / Listing of Dissertation Titles Brief presentatons wi, be followed by an open oiscussion of orher functions of this Comm;tree and regional organizations of Grad~ateStudents. A social hour follows the meeting. All Graduate Students and Faculty are welcome.

5:30-7:30 Reception The Solomon R. Guggenheim Limited to 1,500 persons / lnvitations available at Social Events Desk / Museum Cocktails may be purchased 1071 Fifth Avenue Exhibitions: Ferdinand Hodler Retrospective New York, New York Memorial Exhibition Redecorated Thannhauser Wing

5:30-9:OO Reception Followed by a Monastic Feast The Cloisters Limited to members of the International Center of Medieval Art Fort Tryon Park New York, New York

6:OO-8:OO Reception The Frick Collection Limited to 400 persons / Invitations available at Social Events Desk 1 East 70th Street Exhibition: The Frickpermanent collection New York, New York DAY PM

6:15-8:30 Reception The Museum of Modern Art Limited to 1,500 persons / Invitations available at Social Events Desk / 11 West 53rd Street Cocktails may be purchased New York, New York Exhibition: African Textiles and Decorative Arts For the duration of the meeting, persons showing their badges will pay 51.00 admission to the museum instead of the usual $1.75 fee.

8:30-11:OO Women Artists in Action Royal Ballroom Moderators: Cindy Nemser / Art Critic and co-editor of "Feminist Art Journal" Patricia Sloane / New York City Community College Panel: Muriel Castanis / Women Artists In Revolution Jacqueline Skiles / Women's Inter-Art Center Blythe Bohen /Ad Hoc Women's Committee Ann King / Women in the Arts / Corcoran School of Art Kasha Linville / Artists in Residence Jerrolyn Crooks / "" SATURDAY AM 9:OO Reception New York Studio School Members of the Union of Independent Colleges of Art 8 West 81h Street New York, ~ei~ork

9:30-12:OO Women Artists Speak Out Imperial Ballroom B Moderator: Patricia Sloane / New York City Community College Panel: , Sculptor / Painter Patricia Mainardi / Painter, "Feminist Art Journal" Martha Edelheit / Painter / Patricia Gloster / Cinque Gallery Beverly Buchanan / Painter Fern Stanford / Painter SATURDAY AM 9:30-12:OO Art Education and Urban Visual Standards 1 Problems, Potentials and Royal Ballroom A Proposals, Visual Presentation and Panel Discussion Moderator: James Wines / SITE, Inc. Panel: Cynthia Eardley / Nancy Goldring /Alison Sky / Emilio Sousa

9:30-12:OO General Session Vl: 1900-1973: Imperial Ballroom A Chairman: Robert P. Welsh / University of Toronto Delaunay's Rationale for Peinture Pure, 1909-15 /Donald B. Kuspit / University of North Carolina, Chapel Hill Malevich's Black Souare: The icon Unmasked / William Sherwin Simmons / Johns Hopkins university Kandinskv's Color Theorv Durina his Period / Clark V. Poling. / coope; Union for the Advancement of Science and Art Paul Klee: Abstract Art and Visual Perception / Marianne L. Teuber / Cambridge, Massachusetts Formalism in , and the New Art / John Loftus / Hobart and William Smith Colleges A Parisian in America-Helion in the Thirties / Merle Schipper / Los Angeles

Metropolitan Museum of Art Chairman: Christopher White / National Gallery of Art Fifth Avenue at 82nd Street Albrecht Durer: Master bv Theorv and Practice / Charles Taibot / Yale Universitv New York, New York Raphael and his Pupils 1 ~onraa'oberh~ber/ National Gallery of Art Draw~nqsof Mathew and Paul Br~il Davia Burnett / Carleton Universitv ~aleriokastelloand Bartolommeo Biscalno / Mary Newcorne / State university of New York, Binghamton Francois Duquesnoy (1594-1643) and Orfeo Borseili (c. 1600-1667) / Sheila Rinehart / Sterling and Francine Clark Art Institute Rembrandt and Rubens and their Pupils / Christopher White / National Gallery of Art

9:30-12:OO Narrative in East Asian Art: Approaches to Narrative Illustration Asia House in China, Korea and Japan 112 East 64th Street Chairman: Penelope Mason Scull / New York University New York, New York The Narrative Aspects of the Screen of Virtuous Women from the Ta-t'ung Tomb DatedA.D. 484 / Alexander C. Soper / New York University Wen-chi kuei Han t'u: An Album in the Palace Museum, Taiwan / Robert A. Rorex / University of Iowa Once More the Problem of Yln T'o-lo's Fragments / Yoshiaki Sh'imizu / Princeton University The illustrated Tale of the Later Three Year's War / Penelope Mason Scull / New York University Cheng wo t'u: An Examination of the "Picture of the Campaign against the Japanese" / Gari Ledyard / Columbia University SATURDAY AM

9:30-12:OO Ivories Metropolitan Museum of Art Chairman: Thomas Hovine / MetroDolitan Museum of Art Fifth Avenue at 82nd Street The Adoration of the K4agi A crusader's Ex Voto? / William S. A. Dale / New York, New York Universitv. ~ , of.. Western~~~~ - Ontario- ~~~~~- The Liuthard Ivories and the Court School of Charles the Bald IAmy Vandersall New Evidence Concerning the "Tournai" Group and the Late Carolingian "Metz" School / Warren Sanderson IFlorida State University A School of Romanesque Ivory Carving in Amalli / Robert P. Bergman / Princeton University

SATURDAY PM

1:OO-6:OO Open House The New York Cultural Center Admission to all persons showing meeting badges ICocktails may be purchased 2 Columbus Circle Exhibition: Women Choose Women New York, New York

5:OO-7:30 Reception The Brooklyn Museum Limited to 1,5m persons IInvitations available at Social Events Desk / and Art School Cocktails mav be DUrChaSed Eastern Parkway Exhibition: The Print Annual Brooklyn, New York