DOCSLIB.ORG

Every Woman Artist Exhibited at the Jewish Museum, 1947–2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Every Woman Artist Exhibited at the Jewish Museum, 1947–2020 Every Woman Artist Exhibited at the Jewish Museum, 1947–2020 In honor of International Women’s Day, explore our master list of every woman artist exhibited at the Jewish Museum since 1947. The Jewish Museum Mar 8, 2020 Today is International Women’s Day, celebrated around the world as a day to recognize the social, economic, cultural, and artistic achievement of women. In 2010, the Jewish Museum presented Shifting the Gaze: Painting and Feminism, an exhibition that explored the origins and impact of feminism on contemporary painting from the 1960s to the early 2000s, featuring key figures in feminist art such as Eva Hesse, Joan Semmel, Deborah Kass, and Miriam Schapiro, whose work pushed feminist ideologies to take place not only in the realm of ideas and politics, but also in style and form. The artwork on view in Shifting the Gaze offered a counterpoint to an art world dominated by men to one that encompasses women’s history, experience, and material culture. In conjunction with the exhibition, the Jewish Museum published a comprehensive record of all women artists in exhibitions at the Museum since 1947, when the Museum moved to its current location inside the Warburg Mansion on 1109 Fifth Avenue. The project considered the pervasive underrepresentation of women artists in American museums during the twentieth century and documents the Jewish Museum’s history of integrating work by women into its collections and exhibitions. On International Women’s Day, we revisited the original list of 550 women artists and expanded it into the year 2020 — now including 714. Also in honor of International Women’s Day, today from 1–5:30 pm, join us at the Jewish Museum for our third annual Wikipedia Edit-a- Thon, co-presented with Art+Feminism, dedicated to improving coverage of cis and transgender women online. Can’t make it to the Museum? Participate remotely from anywhere in the world. Women Artists Exhibited at the Jewish Museum, 1947–2020 Berenice Abbott Ayisha Abraham Talila Abraham Danielle Abrams Carla Accardi Myril Adler Sylvia Agron Kelly Akashi Chantal Akerman Nevin Aladağ Martha Alber Anni Albers Edith Altman ruby onyinyechi amanze Olga de Amaral Cheselyn Amato Emmy Andriesse Rifka Angel Margit Anna Eleanor Antin Evelyn Applebaum Ida Applebroog Diane Arbus Mor Arkadir Gertrud Arndt Elise Asher Oreet Ashery Lucy Ashjian Marta Astfalck-Vietz Martha Atienza Alice Attie Aliza Auerbach Ellen Auerbach Sarah Auslander Austė Alice Austen Lynne Avadenka Bruria Avidan Dana Awartani Irene Awret Alice Aycock Helene Aylon Grete Back Tina Barney Hannelore Baron Yael Bartana Math Bass Mandolina Bassan Hester Bateman Mary Bauermeister Erica Baum Anna Baumgart Irene Bayer Jessie Tarbox Beals Hana Bechar-Paneth Martha Beers Lotte Beese Cara Benedetto Anca Benera Francisca Benitez Meriem Bennani Marie-Guillelmine Benoi Ella Bergmann-Michel Harriete Estel Berman Leola Bermanzohn Sarah Bernhardt Theresa Bernstein Linda Berris Bek Berta Mariette Bevington Aenne Biermann Ilse Bing Dara Birnbaum Dana Bishop-Root Naomi Bitter Kara Blake Bette Blank Tina Blau Alina Bliumis Gay Block Barbara Bloom Irena Bluhova Yuli Blumberg Dorothy Boles Milena Bonilla Maria Bonomi Lee Bontecou Dineo Seshee Bopape Christine Borland Gloria Bornstein Paloma Bosquê Irina Botea Katt Both Margaret Bourke-White Andrea Bowers Kitty Brandfield Stephanie Brandl Marianne Brandt Karolina Breguła Candice Breitz Marianne Breslauer Johanna Bresnick Beverly Brodsky Jessica Bronson Romaine Brooks Judith Brown Trude Bruck Fatma Bucak Nancy Bulkeley Angela Bulloch Charlotte Buresova Suse Byk Sophie Calle Hannah Senigallia Camerina Tania Candiani Alexis Canter Janet Cardiff Sylvia Carew Rina Castelnuovo Laura Kronenberg [Cavastani] Michal Chelbin Zoya Cherkassky Vivian Cherry Judy Chicago Iris Buchholz Chocolate Chunghi Choo Minna Wright Citron Lygia Clark Maxi Cohen Miriam [Cohen] Sarah Cohen Leonora Colorni Mariana Cook Ann Cooper Lucille Corcos Violette Cornelius Sarah Crowner Daily Tous Les Jours Karin Daan Sharon Samish Dagan Matta Damisch Dina Dar Janet Dash Nurit David Tacita Dean Janet de Coux Elaine de Kooning Niki de Saint Phalle Dorothy Dehner Sonia Delaunay Agnes Denes Brigitte Denninghof-Meier Wijnanda Deroo Irma Diaz Friedl Dicker-Brandeis Rineke Dijkstra Michele Oka Doner Angela Donhauser Eliza Douglas Lucy Douglas Cobie Douma Rosalyn Drexler Lu Duble Minya Duhrkoop Mary Dujardin Lucy Durand-Sikes Mabel Dwight Anna Edelman Maria Eichhorn Nicole Eisenman Marie-Louise Ekman Lillian Elliott Julia Emmerich Haris Epaminonda Eshrat Erfanian Elizabeth Erlanger Lotte Erre Noemí Escandell Marisol [Escobar] Noa Eshkol Betty Esman Emmy Falck Ettlinger Tamar Ettun Tirtza Even Brenda Fajardo Shirley Faktor Joan Farrar Sarah Feifelowitz Rachel Feinstein Teresita Fernandez Julia Feyrer Belle Judith [Finzi] Laura [Finzi] Louise Fishman Audrey Flack Elle Flanders Ruth Florsheim Honorata [Foa] Jean Follett Hanna Fonk Claire Fontaine Christina Forrer Barbro Forslund Mary Frank Elsa Franke Helen Frankenthaler Dana Frankfort Andrea Fraser Jill Freedman Gisele Freund Alona Friedberg Liebe Gross Friedman Roberta Friedman Salomea Fuchs [Rakower] Meta Vaux Warrick Fuller Wanda Gág Elaine Galen Audrey Hemenway Garfinkel Hana Geber Esther Gentle Helen Gerardia Rimma Gerlovina Valeska Gert Ruth Gikow Pesi Girsch Sharon Glazberg Judy Glickman Lauder Lyn Godley Judy Goldhill Nan Goldin Gego [Gertrude Goldschmidt] Lotte Goldstern-Fuchs Hadassa Goldvicht Gabrielle Goliath Ina Golub Natalia Goncharova Yanelvis González Dominique Gonzalez-Foerster Arlene Gottfried Deborah Grant Rachel Gratz [Etting] Marlene Graucher-Peters Nancy Graves Gertrude Greene Lauren Greenfield Marion Greenstone Hazel Greenwald Mila Tanya Griebel Lori Grinker Laura Grisi Debbie Grossman Silvia Gruner Judith Guetta Tamar Guimarães Galia Gur-Zeev Lena Gurr Alice Gutmann Rosalie Gwathmey Sara Haid Alice Halicka Lida K. Hall Esther Hammerman Carol Hamoy Phyllis Handler Minna Harkavy Margaret Harrison Grace Hartigan Kirsten Hassenfeld Barbara Rose Haum Elisabeth Heddenhausen Michal Heiman Florence Henri Anna Ruth Henriques Carry Hess Nini Hess Eva Hesse June Hildebrand Susan Hiller Tali Hinkis Hannah Hoch Candida Höfer Malvina Hoffman Helene Hourmat Bernece Hunter Victoria Hutson Huntley Nadira Husain Alice Hutchins Dafna Ichilov Elizaveta Ignatovich Olga Ignatovich Caroline Innis Sheila Isham Sheri su Izumi Lotte Jacobi Ruth Jacoby Edith Jaffe May Janko Voluspa Jarpa Ruth Jeffrey Koo Jeong A Hao Jingban Chantal Joffe Elizabeth Judah Grethe Jurgens Karen Kaeja Anna Kagan Frida Kahlo Luise Kaish Gritt Kallin Dora Kallmus [Madame d’Ora] Maira Kalman Consuelo Kanaga Yael Kanarek Rachel Kanter Razel Kapustin Gülsün Karamustafa Mariska Karasz Ruth Karkovius Deborah Kass Hilda Katz Lila Katzen Louise Kayser Mary Reid Kelley Janis Kent Tali Keren Ekaterina Ketsbaia Liliane Klapisch Amy Klein Reichert Vera Klement Clara Klinghoffer Alison Knowles Nora Kochav Rachel Kohn Broncia Koller-Pinell Kathe Kollwitz Vivienne Koorland Beryl Korot Tamara Kostianovsky Joyce Kozloff Helen Kroll Kramer Lee Krasner Annelise Kretschmer Hadas Kruk Germaine Krull Elke Krystufek Shigeko Kubota Salomé Lamas Luisa Lambri Sigalit Landau Dorothea Lange Leora Laor Sarah Jane Lapp Else Lasker-Schuler Betsy B. Lathrop Gillian Laub Marie Laurencin Ann Leaf Sarah Lebedeva Nikki S. Lee Lynn Hershman Leeson Anne Lehman Lynn Leland Erna Lendvai-Dircksen Gerda Leo Rebecca Lepkoff Ora Lerman Heleen Levano Merilu Levin Helen Levitt Eva LeWitt Alice Lex-Nerlinger Miriam Lieber Rhonda Lieberman Sharone Lifschitz Lea Lilienblum Hila Lulu Lin Beth Lipman Bathia Lishansky Sophie Lissitzky-Küppers Ariane Littman-Cohen Sharon Lockhart Eleanore Lockspeiser Jane Logemann Sharon Louden Kathe Lowenthal Lee Lozano Esther Lurie Elaine Lustig Cohen Hannah [Luzzatto] Alice Mackler Antonietta Raphael Mafai Jeanne Mammen Frances Manacher Elli Marcus Aviva Margalit Mary Ellen Mark Angelika Markul Agnes Martin Adriana Martinez Maria Martinez-Canas Phyllis Dearborn Massar Tina Matkovic Tal Matzliah Fanny Mazel Anja Medved Birgit Megerle Else Meidner Marit Meisler Dina Melicow Shari Rothfarb Mekonen Mildred Mermin Simha [Meshullami] Angelica Mesiti Melissa Meyer Sonia Handelman Meyer Alix Mikesell Beatriz Milhazes Sue Miller Joan Mitchell Etel Mittag-Fodor Ann Mittleman Aiko Miyawaki Elisabeth Model Lisette Model Rahel Modigliani Susan Mogul Lucia Moholy Paola Levi Montalcini Diana Montero Ruth Morley Aenne Mosbacher Rachel Moses Sheila Moss Mrinalini Mukherjee Gabriele Munter Brigitte NaHoN Beverly Naidus Lisette Nathan Gertrud Natzler Adi Nes Rivane Neuenschwander Louise Nevelson Nurit Newman Ruth Nickerson Lea Nikel Catherine Noren Susan Norrie Lorie Novak Barbara Nuddle Leticia Obeid Wura-Natasha Ogunji Georgia O’Keeffe Halina Olomucki Yoko Ono Mary Oppen Kristin Oppenheim Limor Orenstein Elsie Orfuss Ruth Orkin Chana Orloff Li Osborne Ella Ostrowsky Eliana Otta Leah [Ottolenghi] Marion Palfi Lygia Pape Mary Parke Vilma Parlaghy Regina Parra Helen Pashgian Zoë Paul Julia Pearl Zeyno Pekünlü Beverly Pepper Sondra Perry Gilda Pervin Liz Phillips Amalia Pica Adriana Pincherle Adrian Piper Sylvia Plachy Ariela Plotkin Rikah Polacco Rona Pondick Liliana Porter Vanessa Portieles Ilene Potashnick Esther Puccinelli Lucy Puls Belle Quitman Raquel Rabinovich Orit Raff Clare Ramano Christina Ramberg Sandra Ramos Dina Recanati Rayah Redlich Elaine Reichek Elfriede Reichelt Nono Reinhold Katie Friedman Reiter Margret Rey Betti Richard Chava Wolpert Richard Ursula Richter Hanna Riess Lydia Riezouw Bridget
Load more

Recommended publications
  • THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
    ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art.
    [Show full text]
  • Mt. Lebanon High School Evening and Technical Theatre Companies Present
    Mt. Lebanon High School Evening and Technical Theatre Companies present: The Curious Savage is presented by special arrangement with Dramatists Play Service, Inc., New York. Synopsis The Curious Savage is the story of an elderly widow named Mrs. Savage, whose husband has left her $10 million dollars. She intends to give the entire fortune away to people who wish to pursue their “foolish dreams,” but her stepchildren strongly object. To prevent her from doing away with their family’s wealth and ruining their legacy, they have her committed to a sanatorium called The Cloisters, and it is among the gentle residents there that she finds her true family. The Curious Savage is a warm comedy that compares the kindness and loyalty of psychiatric patients with the greed and hostility of so-called “normal people.” Place and Time The year is 1950 and all scenes take place in the Living Room of “The Cloisters” in a Massachusetts town. Scenes Act 1, Scene 1: Night Act 1, Scene 2: The next morning. Act 2, Scene 1: That night, after dinner Fifteen Minute Intermission Act 2, Scene 2: A few nights later. Act 3: A few minutes later. The videotaping or other video or audio recording of this production is strictly prohibited. Cast Blue Cast: November 4 & 6 Sloan Criner as Braden Carroll as Josie Cosentino as Florence Hannibal Mrs. Paddy Jacob Hornicak as Jeffrey Claire Connell as Olivia Salib as Fairy May Ethel Savage (Part 1) Grace Kearns as Maddie McGuffey as Ethel Savage Melanie Rayl as (Part 2) Miss Wilhelmina Dr.
    [Show full text]
  • Bulletin Describes the Operations of the Artmobile, Presents Some
    DOCUMENT RESUME' ED 027 356 UD 007 709 Artmobile Exhibit # I: A Manual on, Operations and Instructions. Los Angeles City Schools, Calif. Div. of Secondary Education. Report No- LACS -ESEA-T -A-127-67 Pub Date 30 Jun 67 . Note-60p. EDRS Price MF-$0.50 HC-$3.10 Descriptors-Art Activities, *Art Education, Artists, *Art Materials, Educational Objectives, Instructional Materials, Learning Activities, *Mobile Educational services, *Secondary Schools Identifiers-Californik Los Angeles . An Artmobile exhibit was developed for Los Angeles secondary schools underan ESEA specially funded program. The exhibit involves two trailers and packaged instructional materials for a display of the work of 33 local artists. An instructional bulletin describes the operations of the Artmobile, presents some relevant art concepts, outlines several art education objectives, and offers some suggested learning activities for art classrooms. The document includes information about the 33 artists 'and their work (NH) r SPECIALLY FUNDED PROGRAMS" FOR CLASSROOM TRIAL ONLY ESEA NO. T - -61., SUMMER, 1967 ....... : . ,.. ARTMOBILE Exhibit #1 ii . .:: .... ... A AAANIJAL A*. :?.....,.... On Oporations ..::::::...,.. .(44,E.... .... .. :......,...:.::, AndInstructions ,.-....:E.:::::.....,. : " U.3. UtVAKIMUll Ut MAW!, CUULAIIUM Ca WELIMIL OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION MHITMNORPOLMt LoSANGELES CITY SCHOOL DISTRICTS Divi9ion of Secondary Education Beverly Boulevard Center Specially-PundedPrograms DATE: June 30, 1967 ............-______...............CLASSROOM TRIAL APPROVAL PROJECT: FINE ARTS --ART (ARTmOBILE) ARTMOBILE EXHIBIT # I TITLE OF PUBLICATION: A Manual on Operations and Instruction The material isaccepted and approvedfor classroom trial. c../ onsultant in Charge , Project Coordinator .../ .
    [Show full text]
  • Dlkj;Fdslk ;Lkfdj
    MoMA PRESENTS SCREENINGS OF VIDEO ART AND INTERVIEWS WITH WOMEN ARTISTS FROM THE ARCHIVE OF THE VIDEO DATA BANK Video Art Works by Laurie Anderson, Miranda July, and Yvonne Rainer and Interviews With Artists Such As Louise Bourgeois and Lee Krasner Are Presented FEEDBACK: THE VIDEO DATA BANK, VIDEO ART, AND ARTIST INTERVIEWS January 25–31, 2007 The Roy and Niuta Titus Theaters NEW YORK, January 9, 2007— The Museum of Modern Art presents Feedback: The Video Data Bank, Video Art, and Artist Interviews, an exhibition of video art and interviews with female visual and moving-image artists drawn from the Chicago-based Video Data Bank (VDB). The exhibition is presented January 25–31, 2007, in The Roy and Niuta Titus Theaters, on the occasion of the publication of Feedback, The Video Data Bank Catalog of Video Art and Artist Interviews and the presentation of MoMA’s The Feminist Future symposium (January 26 and 27, 2007). Eleven programs of short and longer-form works are included, including interviews with artists such as Lee Krasner and Louise Bourgeois, as well as with critics, academics, and other commentators. The exhibition is organized by Sally Berger, Assistant Curator, Department of Film, The Museum of Modern Art, with Blithe Riley, Editor and Project Coordinator, On Art and Artists collection, Video Data Bank. The Video Data Bank was established in 1976 at the School of the Art Institute of Chicago as a collection of student productions and interviews with visiting artists. During the same period in the mid-1970s, VDB codirectors Lyn Blumenthal and Kate Horsfield began conducting their own interviews with women artists who they felt were underrepresented critically in the art world.
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Heretics Proposal.Pdf
    A New Feature Film Directed by Joan Braderman Produced by Crescent Diamond OVERVIEW ry in the first person because, in 1975, when we started meeting, I was one of 21 women who THE HERETICS is a feature-length experimental founded it. We did worldwide outreach through documentary film about the Women’s Art Move- the developing channels of the Women’s Move- ment of the 70’s in the USA, specifically, at the ment, commissioning new art and writing by center of the art world at that time, New York women from Chile to Australia. City. We began production in August of 2006 and expect to finish shooting by the end of June One of the three youngest women in the earliest 2007. The finish date is projected for June incarnation of the HERESIES collective, I remem- 2008. ber the tremendous admiration I had for these accomplished women who gathered every week The Women’s Movement is one of the largest in each others’ lofts and apartments. While the political movement in US history. Why then, founding collective oversaw the journal’s mis- are there still so few strong independent films sion and sustained it financially, a series of rela- about the many specific ways it worked? Why tively autonomous collectives of women created are there so few movies of what the world felt every aspect of each individual themed issue. As like to feminists when the Movement was going a result, hundreds of women were part of the strong? In order to represent both that history HERESIES project. We all learned how to do lay- and that charged emotional experience, we out, paste-ups and mechanicals, assembling the are making a film that will focus on one group magazines on the floors and walls of members’ in one segment of the larger living spaces.
    [Show full text]
  • Newsletter 2009
    NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists.
    [Show full text]
  • Dara Birnbaum
    DARA BIRNBAUM 8 NOVEMBER 201 8 – 12 JANUARY, 2019 OPENING RECEPTION: THURSDAY 8 NOVEMBER 2018 , 6– 8pm “Her use of video and found footage, her editing and image processing are groundbreaking…. This is our visual language.” -Eva Respini, Barbara Lee Chief Curator, ICA, Boston Marian Goodman Gallery London is delighted to present an exhibition of works by Dara Birnbaum, with special focus on her large-scale video installations from the 1990s. The exhibition will open on 8 November 2018, running until 12 January 2019. Birnbaum’s practice has long been concerned with the lexicon of broadcasting and communication and the way ‘truths’ are delivered to the viewer. An early proponent of video art, Birnbaum began by isolating imagery from television, recontextualising it in an attempt to understand its true meaning. For the first time since her major 2009/2010 travelling retrospective, The Dark Matter of Media Light, the three works Tiananmen Square: Break-In Transmission, 1990, Transmission Tower: Sentinel, 1992 and Hostage, 1994, will be shown Transmission Tower: Sentinel, 1992. Installation view, together. All three pieces were made in response to major political events in the latter part of Documenta IX commission, Kassel, Germany, 1992. the 20th century, as a way to uncover the complex relationship between the media, the events covered and the way in which those events are presented to the public. On view in the side galleries will be a selection of two-dimensional works focusing on the anonymous street posters from the May 68 protests in France, as well as the series Lesson Plans (To Keep the Revolution Alive), 1977, which formed the basis of the artist’s first exhibition, at Artists Space in New York in 1977.
    [Show full text]
  • Annual Report 2013-2014
    The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I.
    [Show full text]
  • The Art Show 2018 Press
    DOWNLOAD HI-RES IMAGES AT: HTTP://BIT.LY/2EVIOWJ THE ART SHOW 2018 HIGHLIGHTS 303 GALLERY D8 ALTMAN SIEGEL D20 Mary Heilmann Liam Everett 303 Gallery presents a solo exhibition of Altman Siegel presents a solo booth of new works by Mary Heilmann, whose highly work by Liam Everett. Building on investiga- inventive approach to abstraction has tions explored in his 2017 solo exhibition at made her one of the foremost painters SFMOMA, Everett will present a suite of new of her generation. Recent paintings, glazed paintings that unfold interrelated systems and ceramics and an arrangement of furniture made interpretations of support. Everett’s installation by the artist appear alongside several examples will continue along these investigative threads: in these mediums from previous decades. By jux- the physical act of supporting a painting and taposing new works with historic ones, the exhibition the routine practice an artist undertakes daily, becomes a storyboard, charting the evolution of her as well as pedagogical rituals shaped through practice while allowing visitors to draw parallels across rehearsal. Focused on what he calls “systems time periods. Brightly colored chairs transform the booth of support,” Everett’s framed paintings—like into a social space akin to a living room or the artist’s studio, previous bodies of work—will implicate the floor, inviting viewers to relax and spend time in Heilmann’s world. wall and body, exposing the animate qualities of 1 3 the artworks and affirming his interest in investi- Mary Heilmann. Shadow Cup 2, 1985. Glazed ceramic, 21 ⁄4 × 24 × 1 ⁄4 in. © Mary Heilmann.
    [Show full text]
  • E the New American Filmmakers Series
    • ,r:·~· ,.~· ).r !'J1useu.m of 1\merican Art 14 e The NewAmerican Filmmakers Series EXHIBITIONS OF INDEPENDENT FILM AND VIDEO Dara Birnbaum February 4-March 4, 1984 PM Magazine, 1982. Video installation Gallery Talk, Thursday, February 9, at 2:00 On view continuously 12:00-6:00, Tuesdays until8:00 Dara Birnbaum will be present C redits: Video post-production: C MX editors- Mark Bement, Stev·m Rob­ inson, California Institute of the Arts; Matt Danowski, Electronic Arts Intermix; Joseph Leonardi, the Annex, Long Beach Museum of Art. Music collaboration: Dara Birnbaum, Simeon Soffer. Post­ production sound editor/mixer: Simeon Soffer. Musical assistance: vocals-Shauna D'Larson; drums/rhythm-James Dougherty, Jon Norton (L.A. Woman); guitar- David Dowse (L. A. Woman) , Mark Norris; synthesizer -Simeon Soffer. Design consultation and ex­ ecution: Dan HilL John Salmen .. The artist wishes to thank Nancy Hoyt, who made the original in­ stallation of PM Magazine possible at The Hudson River Museum, Yonkers, New York, and Coosje Van Bruggen, who made the instal­ lation possible at "Documenta 7," Kassel, West Germany. The art of Dara Birnbaum has established an aesthetic dis­ course predicated on both a formal and ideological inves­ tigation of commercial broadcast television. In her video­ tapes she refashions television's popular images through a PM Magazine, 1982. Video installation at The Hudson River Museum, Yonkers, New York. Photograph by Dara Birnbaum. variety of editing and image-processing strategies that ex­ pose the hidden meanings within narrative and commercial women and the sexual roles of the office worker and con­ programs. sumer by replaying them on monitors that are placed with­ In a series of short videotapes Birnbaum began to exam­ in three enlarged photographic panels.
    [Show full text]
  • Ceramics Monthly Jun90 Cei069
    William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad­ dress to: Ceramics Monthly, Circulation Of­ fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra­ tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de­ scribing standards and procedures for the preparation and submission of a manu­ script is available upon request. Mail sub­ missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor­ mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com­ puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452.
    [Show full text]