VOLUME 1 The Nahl Family

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California Art Research

Edited by Gene Hailey

Originally published by the Works Progress Administration , California 1936-1937

A MICROFICHE EDITION

fssay a/M? ^iMiograp/uca/ iwprov^w^^ts Ellen Schwartz

MICROFICHE CARDS 1-12

Laurence McGilvery La Jolla, California 1987 0002 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION uzz'r^ a?? ^z'sfon'ca/ Msay awtf ^zMognip^zca/ ZTMprov^zM^Mfs Ellen Schwartz

MICROFICHE CARD 1: CONTENTS

Handbook 0003-0038 Volume 1 0039-0168 Table of contents 0041-0044 Prefatory note 0046 Introduction 0047-0058 The Nahl Family 0060-0066 Charles Christian Heinrich Nahl 0066-0104 "Rape of the Sabines" 0045 "Rape of the Sabines" 0059 "Rape of the Sabines" 0092 Hugo Wilhelm Arthur Nahl 0105-0122 Virgil Theodore Nahl 0123-0125 Perham Wilhelm Nahl 0126-0131 Arthur Charles Nahl 0132 Margery Nahl 0133-0140 Tabulated information on the Nahl Family 0141-0151 Newly added material on the Nahl Family 0152-0166 Note on personnel 0167-0168 Volume 2 0169-0318 Table of contents 0171-0172 William Keith 0173-0245 "Autumn oaks and sycamores" 0173 Newly added material 0240-0245 Thomas Hill 0246-0281 "Driving the last spike" 0246 Newly added material 0278-0281 Albert Bierstadt 0282-0318 "Mt. Corcoran" 0282 Newly added material 0315-0318

Newly added material copyright @ 1987 by EHen Haiteman Schwartz ISBN 0-910938-88-1 0003

California Art Research

Edited by Gene Hailey

Originally published by the Works Progress Administration San Francisco, California 1936-1937

A MICROFICHE EDITION

wzt/? a?? Ellen Schwartz

HANDBOOK

Laurence McGilvery La Jolla, California 1987 0004

Newly added material copyright @ 1987 by Ellen Halteman Schwartz

Laurence McGilvery Post Office Box 852 La Jolla, California 92038

ISBN 0-910938-88-1

Microfiche cards by Western Micrographics, Inc., , California MANUFACTURED IN THE UNITED STATES OF AMERICA 000b

CONTENTS

Publisher's Note iv Acknowledgments v Art An Historical Essay vi-viii Notes viii-ix Key to Bibliographies x Guide to the Supplements xi-xii Identification of Original Sources xi-xii Supplementary Bibliographies xii Frequently Cited Sources, with Abbreviations xiii-xviii Contents Pages of Microfiche Cards 1-12 xix-xxxi The Hundred Artists of Cg/t/orHM Art R?spgrc/7 xxxii-xxxiii Key to Abbreviations xxxiv-xxxv 00 OB

PUBLISHER'S NOTE

It must have been about 1970 on a visit to the iate Mel tenth microfiche cards (vols. 9-10,13-14, and 19-20ptl), Royer, art book dealer, that I bought a adjustments have been made to accommodate two full thin monograph on a Northern California artist named volumes per card. The new tables of contents at the be­ George Booth Post. It had been issued in 1937 by the ginning of each card are best used in tandem with the , San Francisco, and it consisted of original, detailed ones that open each volume. The reader only eight mimeographed pages stapled to a cover with may need to refer both to the original page numbers (at an original photograph of a harbor scene mounted on it. upper right) and the new, continuous ones. In all vol­ In March, 1972, I catalogued it at $5.00 and sold it to an umes the sequence of original page numbers is interrupted East Coast dealer in my normal course of business as an by the new bibliographical features at the end of each antiquarian bookseller. Along the way, I was introduced biography. Citations to this edition should refer to to the massive work in twenty-one volumes of which it both sets of page numbers, where applicable. was only a tiny part, Ca/i/orwM Art Rfsparc/?. The eleven text cards are reproduced at a reduction It was a fascinating and eccentric document. The of 42x. The original photographs that accompanied page layout still is a source of amusement and wonder. most of the monographs appear in their proper places, The justified right margins of the typewritten text but they are all duplicated more faithfully on the required either typing each page at least twice or count­ twelfth card at a lesser reduction of 24x. Cross- ing each line before it was typed and inserting spaces to references to both locations have been added. adjust the length. That is not an efficient procedure, but, The names of Eugenie Candau and Eleanor Hartman then, efficiency was not the goal. The sheer mass of the appear in Ellen Schwartz's Acknowledgments, but they work and its immediacy—the brief and extraordinary both deserve my heartfelt thanks, as well, for their surge of activity that produced it—recommended the encouragement. William B. Walker, now Librarian of future worth of Ca/i/orma Arf as source the Metropolitan Museum of Art, made a real difference material. With a total edition of one hundred copies, it at the very beginning of this project with his support was undeniably scarce. Then, there was the matter of and intelligent advice. Mary Fuller of Petaluma and the mimeograph paper on which it was printed. Sets in fellow booksellers Michael Good and Joyce B. Muns libraries all over California were already entering the supplied answers to some early questions. terminal throes of disintegration. AH these elements Special thanks must go to the San Diego Public appealed to the antiquarian and preservationist in me. Library and its staff, particularly: the indispensable Late in 1972 I began to think about a reprint. Rhoda Kruse, former librarian in charge of the Cali­ Various alternatives were considered. Each proved fornia Room; William W. Sannwald, Library Director, impractical or overly expensive. A straight, full-size and his predecessor, Marco Thorne; Mary Allely, reprint would have had a selling price of hundreds of Special Collections Librarian; and Eileen Boyle of dollars, thus limiting its market to perhaps two or three the Wangenheim Room. dozen buyers. To have completely reset the book on my Then there is Ellen Schwartz. How shall I thank her own equipment would have reduced the size—and the for her part in this enterprise? Praise that might sound printing costs—by two-thirds, but the prospect of type­ extravagant to a stranger will appear scant, even stingy, setting a thousand pages was a daunting one. Other to those privileged to know her. She is a paragon among printed solutions only compounded the difficulties. researchers, a devoted mother and catlover, and a better In 1980 the project came to life again when Ellen friend than her wayward publisher deserves. Schwartz generously accepted my invitation to update Ca/z/brwM Art could have been reproduced the bibliographies and the basic biographical data for complete and without comment, revision, or addition. each artist. This microfiche edition is the result. It would have had its uses, and it certainly would have The San Diego Public Library kindly let me use its been finished more rapidly. Once the decision was complete set of Art to make a made to bring the original bibliographies up to some­ master copy. The photocopying process increased the thing approaching modern standards without obliter­ contrast of the text, and the type was strengthened by ating the original references as first published, the hand in areas where there seemed a real risk of illegibil­ closet door was opened. Elsewhere in this handbook ity. Ellen Schwartz's contributions were added, and Ellen describes the procedures she used and the limits this handbook was prepared as a guide to the set. she placed on her additions and revisions. Without her Continuous pagination and running heads have been passion for excellence, her energy, her seemingly incorporated into this edition to simplify its use and to boundless good spirits, and her patience, I doubt that allow the addition of about three hundred fifty pages this project would ever have been completed. I am, of new material. The new page numbers appear at the and remain, in her debt. upper left of each frame. On the fifth, seventh, and Laurence McGilvery 0007

ACKNOWLEDGMENTS

My special thanks and appreciation go to the publisher, Laurence McGilvery, for asking me to edit this microfiche edition of C

the [ate Thomas Albright, San Francisco C&ronic/f Andrew Hoyem Mildred Aibronda Dr. Bruce Johnson, California Historical Society Library Dr. Joseph Armstrong Baird, Jr. James Kantor staff of The Bancroft Library Dr. Paul J. Karlstrom, Archives of American Art, Nancy C. Bavor, Stanford University Museum of Art San Francisco Anne-Marie Bouche, Mills College Library Dr. Chauncey Anthony Kirk Barbara Bowman, Oakland Museum Liza Kirwin, Archives of American Art, Washington, D.C. Beverly Bubar Don Kunitz, Department of Special Collections, University staff of the California Historical Society Library Library, University of California, Davis staff of the California Section, California State Library Dr. Katherine Mather Littell Eugenie Candau, Louise Sloss Ackerman Fine Arts Library, Tim Mason San Francisco Paul C. Mills Cynthia Charters staff of the Monterey Peninsula Museum of Art Sharon Chickanzeff Nancy Moure Susan Craig, Murphy Library of Art History, University Dr. Walter A. Nelson-Rees of Kansas Emanuel Popolizio Lawrence Dinnean, The Bancroft Library Ruth N. Post Inge Dortmund, Oregon Historical Society Dr. Don Price, Department of History, University of Duke University Museum of Art California, Davis Lewis Ferbrache Suzanne Reiss, Regional Oral History Office, Peter Flagg The Bancroft Library Richard Geiger, Saw Jose Mere ary News Millie Robbins Steven M. Gelber, Department of History, University of Janette B. Rozene Santa Clara Jimmie Rush, National Archives and Records Service the late Elsa Gidlow Terry St. John, Oakland Museum Marcia Goerbe, Library Association of Portland staff of the Louise Sloss Ackerman Fine Arts Library, Dr. Robert D. Harlan, School of Library and Information San Francisco Museum of Modern Art Studies, University of California, Berkeley Jessica Schwartz, San Francisco Art Institute Ann Harlow, Mills College Art Gallery Wilda Shock Eleanor C. Hartman, Los Angeles County Museum of Alfred Sperisen Art Library Irene Stickel, Archives of American Art, San Francisco Mirella Alterocca Hemp, Consolato Generate d'ltalia, staff of the Department of Special Collections, University San Francisco Library, University of California, Davis

Ellen Schwartz Davis, California December, 1986 OOOR

CALIFORNIA ART RESEARCH: An Historical Essay

Ellen Schwartz

CaAybrwM Art Research is an interesting episode in the Junius S. Cravens, the first editorial supervisor of development of California art bibliography. Itself a Ca/i/orTna Art Research, is an intriguing figure whose product of federal support in the 1930s, Ca/i/orMia multi-faceted career in the arts deserves further investi­ Art Research is often cited in studies of New Deal art gation.^ Born in Indiana, Cravens studied art in his programs in California, but its publishing history has home state and at the Art Students League in New never been examined.* From the few surviving project York City. He subsequently worked in New York as an records and from secondary sources, the story emerges illustrator and writer and then became an art editor for of a thoughtful and industrious effort to document Fam'ty Fair, Fogae, and Butterick publications. the state's most significant artists. ^ Following service in France during World War I, Initially Ca/i/br7Ha Art Research was a project of Cravens returned to to design sets and the State Emergency Relief Administration (SERA) costumes for Broadway productions such as the Zieg- under the joint direction of Dr. James B. Sharp (1901- feld Follies (1918-1922) and also for motion pictures. 1941), State Coordinator of Statistical Projects for He came to California in 1925, on his way to join the Works Progress Administration (WPA), and Maude Adams in India to do a film of Rudyard Kip­ Joseph A. Danysh (1906-1982), Western Regional ling's Kwr Cravens may have visited Hollywood, but Director of the Federal Art Project for the WPA. Two when the plans for the film were abandoned, he per cent of the work had been completed in July of chose to settle in San Francisco. 1935, when an application for financial support was Active in the Bay Area art world, Cravens contin­ made to the WPA. The goals of the California Art ued his career as a writer. The many quotations from Research Project were ambitious: "To compile the his reviews which are to be found throughout Caii/orwia history and development, public and private, of art Art Research, especially in the later volumes, attest to collections in San Francisco; to make a study of the his diligence. He was a critic with the Argcwaat for economic development of major California artists; to seven years and on the staff of the Argas for one year. compile a series of biographical sketches covering the At the time of his death, Cravens had been providing major artists of California." A final published report reviews for the Saw Francisco Acres for over two years. would be written by an editorial staff from information He also published articles in such national periodicals collected by researchers. Biographical and critical as Prints and Art Digest. His continued interest in the details were to be gathered for major California artists theater was evidenced by his involvement with local for the period 1769 to 1935. The history of art schools dramatic groups and several Bohemian Club Grove and commercial galleries would also be documented, Play productions. and various aspects of the state's history would be Junius Cravens did not live to see Ca/i/ornia Art examined, such as arts legislation, California primitives, Research to its completion. On the evening of July 3, Oriental influences on California art, and the relation­ 1936, his body was found at Mussel Rock, near ship of California art to American art/ Thornton Beach, in San Mateo County. Whether his The Project was approved in January of 1936, death at age forty-two was accidental or a suicide was after one rejection. Both Dr. Sharp and Joseph Danysh never determined. A letter of resignation from the continued their involvement with the Project, Danysh Project dated June 30, citing doctor's orders for his on a volunteer basis; however, two new supervisors decision, was found among his possessions. Newspaper were appointed. Junius S. Cravens, a local art critic, accounts of his death hint at severe depression due was to direct the historical research, and Fred S. both to recent disagreements with his peers and a McFarland, who had been involved under SERA with failure to receive an unspecified position of prestige in the development of the Project's information-gathering the field of art criticism. Grant Wallace, one of the guidelines, was transferred from the Federal Writers' editors of Caii/orwia Art Research, did not feel that Project to head the statistical unit. In line with Federal his friend was suicidal, relating that the talented critic Art Project policy, the California Art Research Project was intensely devoted to his many creative pursuits. also had a local sponsor, Dr. Walter Heil (1890-1973), The death of Junius Cravens was widely reported in then director of the M.H. de Young Memorial Museum the California press and nationally in the Mete Yorh and the California Palace of the . The Fiwes and Art Digest. Since he died but a few months Washington Grammar School located at 901 Potrero, before the first volumes of Ca/i/braia Art Research a building also used as studio and work space for other were published, it is unfortunate that he is never linked WPA arts projects, housed the California Art Research bibliographically with the series. Gene Hailey, his suc­ offices. The staff began work on February 14, 1936. cessor is always given the credit as the chief editor/ ooon mSTORICAL ESSAY vii Genevieve Hailey was born in Pendleton, Oregon, Gt/z/orMM Art Research was scheduled to take 13.2 the daughter of Maud L. Beach Hailey and Thomas G. months to complete. Concern that the work was not Hailey. Her father, a prominent Portland attorney and proceeding satisfactorily apparently prompted the Oregon Supreme Court justice, died in 1908. Her first reorganization of the Project. In a memorandum to visit to San Francisco probably occurred in 1915, when the district director dated August 1, 1936, Dr. Sharp she accompanied her widowed mother to the Panama- outlined a new work plan and reinforced the Project's Pacific International Exposition, where Mrs. Hailey was primary objectives: 1) to produce a flow of good a hostess in the Oregon Building. Evidently enthralled monographs relating to California artists; and 2) to by the city, Miss Hailey returned to pursue art studies help in every possible way to secure a better product in 1917. By 1918 she had taken up residence. Her by retraining the workers. Five editors were assigned marriage to attorney Ernest Clewe was celebrated to Gene Hailey. Two would continue work on the December 15, 1923, in San Francisco's Swedenborgian essays covering the well-known artists; another was to Church. For most of their married lives the Clewes work on the monographs discussing the younger artists; lived in San Mateo. and two would assist with general editorial duties. A Gene Hailey was listed as an artist with the Over­ research director was responsible for the material land Publishing Company in the 1924 Saw Frawcisco collected by the researchers and interviewers, and the City Directory, however, her contribution to Bay Area business manager, Fred S. McFarland, handled all art activities seems to have been primarily literary. She statistical data. A librarian supervised the clerical staff wrote reviews of local art exhibitions for the Saw Fraw- in the typing and filing of the supporting documentation. cisco C^rowic/^ (1926-1927) and the Argws (1927-1928). Whether this organization differed significantly Notice of her resignation from the C^rowic/c position from that under Junius Cravens cannot be determined; appeared in the December 1927 issue of the Atgzzs and however, the tone of the memo suggests that difficulties mentioned her plans to write for several Eastern art had been caused both by methods of collecting infor­ periodicals. Only one article has been located: a review mation and by a lack of discrimination in selecting of current decorative trends in California pertinent data. AH researchers were to desist from appeared in the Nerr 71wcs on August 4, 1929. copying articles "in toto"; they were to be assigned Between then and 1936, when she was appointed chief specific tasks, and they were to follow a simple outline editor of the California Art Research Project, her to help procure only the essential information. Project professional activities are unknown. During the early workers were instructed to be as objective as possible 1930s she was no doubt involved with the raising of and to pass neither moral judgement upon the lives of her son, Thomas Hailey Clewe. Soon after the publica­ the artists nor aesthetic judgement upon then* work. tion of Ca/z/brwM Art R ^arc^, the Clewes moved to All critical reviews used in the monographs would be Oroville, California, where Genevieve Hailey Clewe selected by the research director. Gene Hailey, who died on November 8, 1939, at age forty-six. had been supervising editor for only a few weeks, was Specific details about the publishing history of expected to develop "a definite production program Gt/z/orwM Art R^sMrc/? are even more elusive than very soon." With the above organization Dr. Sharp biographical information about its chief editors. The felt that "a flow of monographs will be produced for staff, which eventually numbered forty, included general distribution." The staff apparently adjusted researchers, interviewers, writers, editors, typists, successfully to this new arrangement, for the first stenographers, proofreaders, photographers, and a volumes began to appear in a few months. librarian. Although the title CgJz/brwM Art R

offered in August of 1937 to supply additional funds of Volume 20, Part 2, were all museum, public and to complete the volumes, but the final accounting of university libraries. A second printing of the "First the Project's costs (to May 31, 1938: $46,402.90) Series" of Ca/z/brMM Art Research, as the twenty shows no record of any outside contributions. volumes were identified, was considered, along with In its final form Ca/t/orMM Art was pub­ a "Second Series" of additional biographies, but lished in twenty volumes with Volume 20 in two parts, neither was ever carried out7 The proposed volumes to total nearly 3,000 pages. Each volume is bound covering the history of art collecting in San Francisco in green paper and bears the words "California Art and economic conditions pertaining to Bay Area artists Research" and other identifying information stencilled also were never published, although data compiled for on the front cover. A similar green sheet with the the latter study was in manuscript form in 1937. artist's name and dates and a photograph of a Nevertheless, the publication of twenty volumes representative work serves as a cover to each biography. devoted to California art history was a considerable Variant cover designs have been noted: some have an accomplishment, a fact noted in the laudatory reviews outlined figure of an artist painting the title across the of the work appearing in the local press.^ Today, top; others show no evidence that a photograph was despite varying degrees of quality among the essays that ever pasted to the green paper covers. make up Ca/t/brnia Art R^artrb, it still stands as a Other than copies retained for the Project files monumental and largely successful effort to explore and those used for publicity, only sixty-six complete the history of Northern California art through the sets were distributed. The recipients, listed at the end biographies of its significant artists.^ 1. The definitive study of California's contributions to WPA her book Coir Tower, San Francisco. /ts History ami Art (San arts programs is the catalogue New Dea/ Art Ca/i/brwia, pre­ Francisco: Volcano Press, 1983). Biographies of several Ca/i/or­ pared by Lydia Modi Vitale for the exhibition at the de Saisset nia Art Research artists are included in an appendix. Art Gallery and Museum, University of Santa Clara, Santa 2. Only one other federally sponsored art historical research Clara, from January 17 to June 15, 1976. project of this period is known to the editor: New Or/eans Steven M. Gelber's essay, "The New Deal and Public Art in Artists, compiled by the Delgado Art Museum Project of the WPA. California," is essential reading for those researching this period. 3. Details about the California Art Research Project are from Essays by Francis V. O'Connor, Charles Shere and Paul Hoffman the following sources: 1) interviews over the telephone and by survey the works produced for New Deal arts programs. letter with artists and others who recalled the Project's history; Information about nearly all of the Ca/i/ornia Art Research 2) Ca/i/ornia Art Research, "Prefatory Note" and "Introduction," artists who worked on WPA projects will be found in this publi­ by Gene Hailey (Volume 1, pp. 1-12); "Note on Personnel," by cation. Dr. Gelber compiled two useful guides to New Deal art Gene Hailey (Volume 1, pp. 104-5); "Acknowledgment" and in California: the "Community Guide" lists the artists and "Distribution Agencies" (last three pages of Volume 20, Part 2); number of produced in 122 California cities, and the 3) records of Official Project 65-03-3632, Work Project 2874, "Artist Guide" notes works produced by nearly 300 individuals examined on approximately ninety frames of microfilm from working on WPA projects. For each piece, the "Artist Guide" the National Archives and Records Service, General Services gives the medium (covers painting, , murals, mosaic, Administration, Washington, D.C. and stained glass), title, location, sponsoring federal agency, Francis V. O'Connor's "A Guide to New Deal Art Project date executed, and current status (extant or destroyed). Documentation" (in Federa/ Rapport /or the Visaa/ Arts. The This 172-page catalogue includes a bibliography, checklist New Dea/ and Now. A Report on the New Dea/ Art Projects in (288 exhibits), and numerous black-and-white illustrations. New Vorh City and State with Recommendations /or Present- Videotape documentation of New Deal art in California, Day Federa/ Rapport /or the Visaai Arts to the Nationai Endow­ including photographs of sites, works of art, and interviews with ment/or the Arts, Washington, D C., October, 196#, Greenwich, WPA artists, is available for scholarly reference at the de Saisset Connecticut, New York Graphic Society, 1969, pp. 128-73) Art Gallery and Museum. should be examined for its careful description of the holdings A later article by Steven M. Gelber, "Working to Prosperity: of the National Archives. Records for California projects are California's New Deal Murals" (Ca/i/ornia Histoiy, Vol. 58, no. 2, noted under the "Inventory of the Records of the WPA Federal Summer, 1979, pp. 98-127) is an illustrated and extensively Art Project by State" (pp. 144-5). documented survey focusing on the projects. A more recent publication, Richaxe and Pencil Re/erences Work relief programs administered by California's Division /or the Rtady o / the WPA, compiled by Marguerite D. Bloxom of Beaches and Parks are discussed in W.R.A. Artwork in the (Washington, D.C.: Library of Congress, 1982), is an annotated Ca/i/omia Rtate Rarh System, prepared by the Interpretive bibliography covering all the WPA arts projects. Of particular Services Section, Interpretive Collections Management Group, interest are references to the whereabouts of WPA records and California State Department of Parks and Recreation (1979). to post-1943 studies of regional arts projects. Although none of the artists profiled in Ca/i/ornia Art Research 4. Information about Junius Cravens is from the following were employed on these projects, this document is nevertheless sources: Art Digest. Vol. 10, No. 19 (August 1, 1936), p. 7; an interesting study of a specific WPA program with useful in­ Eos Angeles Ratarday Night. Vol. 43, No. 44 (July 25, 1936), formation on procedures and personnel. Biographies and bibli­ p. 2; New Yorh Times. July 6, 1936, p. ll;R an Francisco ographies are included for participating artists. Chronicle- August 6, 1927, p. 7 (photograph); October 16, The "Bicentennial Souvenir Edition" of City o/Saw Fran­ 1929, p. 10; January 14, 1932, p. 8; July 4, 1936, p. 11; July 5, cisco, "When Art Was Fun & Fabulous" (Vol. 10, no. 30, 1936, pp. 1+ (photograph); July 6, 1936, pp. 1+; July 7, 1936, February 4, 1976), features essays on WPA arts projects in San p. 3; July 8, 1936, p. 3; July 9, 1936, p. 3; July 10, 1936, p. 3; Francisco with several splendid color reproductions of signifi­ Ran Francisco News. July 6, 1936, pp. 1+ (photograph); July 7, cant art works. 1936, pp. 6, 14; July 8, 1936, p. 5; July 9, 1936, p. 3; July 10, Masha Zakheim Jewett, daughter of Bernard Baruch Zakheim, 1936, pp. 5, 20. discusses a prominent San Francisco landmark of the 1930s in 5. Information about Genevieve Hailey Clewe is from the o o u HISTORICAL ESSAY ix foHowing sources: New Ycr& FZw:es. August 4, 1929, Section 8, 88 pp.; b&w ills. Catalogue for an exhibition held at the Crocker p. 7; Saw Francisco CErowZc/e. April 1, 1917, p. 15 (photograph); Art Museum, September 5 to October 11, 1981. Essays by December 23, 1917, p. S2 (photograph); December 16, 1923, students in a graduate seminar on American art, Department of p. S6; November 10, 1939, p. 18; Saw Francisco Fxawiwer. Art, University of California, Davis, refer to many of the Ca/i- October 24, 1915, p. 21 (photograph); May 6, 1928, p. SI /orwia Arf Research artists. Covers such topics as patronage, (photograph). Surrealism, Bay Area art schools, WPA murals, and the Panama- 6. Continued by Work Project No. 6343-7346. Pacific and Golden Gate International Expositions. Includes 7. In his memo of August, 1936, outlining the Project's reorga­ bibliographies and checklist (70 exhibits). nization, Dr. Sharp mentions research on John Gutzon Borglum. Joseph Armstrong Baird, Jr., and Ellen Schwartz. NorfEerw Gene Hailey in her "Introduction" makes note of work on the Ca/Z/orwZa Art. Aw /wfcrprefive BZE/ZograpEy fo Z9Z5. Davis: Moran family. Library Associates, University of California, University Library, 8. On August 22, 1937 (p. D4), Alfred Frankenstein reported 1977. 42 pp. References to 424 monographs, periodical articles, the publication of the first nine volumes in his regular column and exhibition and collection catalogues that focus on California for the Saw Frawcisco C6rowic/c and lamented, as we do today, art. Cites sources for American, Western and Northern California the anonymity of the biographical essays. The writers and re­ art, California history, collectors and collections, exhibitions, and write editors noted in the "Acknowledgment" at the end of art dealers. Volume 20, Part 2, are: Doris Adams, Dean Beshlich, Norman Edan Milton Hughes. ArfZsfs Zw Ca/Z/orwZa, / 7<56-/940. San Bode, Florence Bradley, Gretchen Clark. Dorothy Ellis, Matthew Francisco: Hughes Publishing Company, 1986. 53 3 pp. All but Gately, Charles Hooker, Isabelle John, Lucille Larme, Marjorie two (John Galen Howard and Arthur Charles Nahl) of the Lee, Diane O'Connell, John Ruiz, Eddie Shimano, and Grant Ca/i/orw/a Arf R^searcB artists are included in this recently Wallace (died 1954). Only a few of these individuals can be published biographical dictionary. linked to specific biographies. Ruth Cravath recalls that Isabelle FaZwfZwg awd Scw/pfwre Zw Ca/Z/orwZa. FBf Mod^rw Era. San John interviewed her; Robert Boardman Howard may have been Francisco: San Francisco Museum of Modern Art, 1977. 272 pp.; interviewed by John Ruiz. The biographies of Theodore Wores b&w and color ills. Catalogue for an exhibition held at the San and were written by Grant Wallace. Francisco Museum of Modern Art, September 3 to November 21, Other reviews of Ca/i/orwia Art Research appeared in the 1976, and at the National Collection of Fine Arts, Smithsonian Saw Frawcisco CErowZc/e on March 14, 1937 (p. D6) and in Institution, Washington, D.C., May 20 to September 11, 1977. Harry Noyes Pratt's column in the Sacrawtcwfo Fee on June 12, A comprehensive survey of painting and sculpture in California 1937 (p. 13). from the 1890s to the 1970s. Many of the Ca/i/orwia Arf 9. For general histories of California art, researchers will benefit Research artists are discussed in sections on the development from the informative interpretations and additional references of modern art in the Bay Area, California's art institutions and contained in the following publications: schools, and collectors. Concise biographies and an extensive Thomas Albright. Art iw f6e Saw Frawcisco Bay Area, 1945- annotated bibliography provide further documentation. /9#0. Aw ///wsfrafed F/isfoiy. Berkeley: University of California Press, 1985. 349 pp.; b&w and color ills. The first chapter, "Before the Storm: The Modernist Foundation," mentions many of the Ca/i/orwia Arf Research artists and is an excellent discussion of pre-World War II art developments in the Bay Area. Nearly 700 concise biographies of Northern California artists active in the twentieth century form a useful appendix. Fhc Art o / Ca/i/orwia. Selected H'orFs /row: tBe Coi/ectiow o / FBe Oa^/awd AfMsewwi. Edited and with an introduction by Chris­ tina Orr-Cahall. Oakland: The Oakland Museum Art Department and Chronicle Books, San Francisco, 1984. 199 pp.; b&w and color ills. Representative works by significant California artists in the collection are illustrated in approximate chronological order. Brief biographical information and selected references are given for each artist. Introductory essays covering the history of California painting, sculpture, printmaking, photography, and drawing, as well as an extensive bibliography of basic California art reference sources, supplement the biographical entries and are a useful introduction to the topic. Joseph Armstrong Baird Jr., editor. FBe Deve/opiwewf o/ Afodorw Art iw NorfE^rw Ca/i/orwZa, Fart F FFcodor? Wores awd tBe BfgZwwZwgs o//wferwafZowa/Zsw: iw NorfEerw Ca/i/orwZa FaZwfZwg, /B74-/9/5. Davis: Library Associates, University of California, University Library, 1978. 42 pp.; color ill. Information about many of the Ca/i/orwZa Art Research artists is provided in essays by graduate students in a seminar on American art, Department of Art, University of California, Davis. Covers such topics as , Pictorialism and Art Nouveau in California, Native American subjects in California art, the Panama-Pacific International Exposition and the Armory Show of 1913, and California artists who studied and worked abroad and in New York City. Includes bibliographies. Joseph Armstrong Baird, Jr., editor. FEe Deve/opwfewf o / Afod^rw Arf iw NorfBerw Ca/i/orwia, Fart /F Froiw ExposZfZow to Fxposifiow: Progressive awd Cowservative NorfBerw Ca/i/orwia Paiwfiwg, 19/5-/939. Sacramento: Crocker Art Museum, 1981. 0012

KEY TO BIBLIOGRAPHIES

The following examples are drawn from the bibliography for William Keith in microfiche card 1, volume 2 (frames 0237, 0240, 0244, and 0245).

First Ewtn^s/row Ongwa/ (p. 64, frame 0237)

incomplete periodical title Overland, March 1924

incomplete book citation American Arts

untraceable citation John Zeile Collection

First Fi?r

2Jackman, Rilla Evelyn. AMERICAN ARTS. Chicago: Rand, McNally, 1928. Karpel F43 3 [Private collection of John Zeile] 1. Correct periodical title with source (see Handi?oo^, "Identification of Original Sources!" p. xiii) 2. Full book citation with source (see Hawdi?oo^, "Frequently Cited Sources," p. xvi, item 40) 3. Untraceable citation shown in brackets

SawpA? Entries /row SUPPLEMENTARY BIBLIOGRAPHY (frames 0244, 0245) (Includes older works not cited in original bibliographies and those published after 1937) 1 WILLIAM KEITH

b. November 21, 1838 Old Meldrum, Aberdeenshire, Scotland d. April 13, 1911 Berkeley, California

^Arkelian, M. THE KAHN COLLECTION. 111.: KINGS RIVER CANYON, 1878 (color) 3 Cornelius, Brother Fidelis. KEITH: OLD MASTER OF CALIFORNIA. Vol. 1. New York: G. P. Putnam, 1942. Vol. 2. Fresno, California: Academy Library Guild, 1956, cl957. 4AAA 1909-1910; 1911, obituary

1. Full name and dates with places (verified to extent possible) 2. Abbreviated entry for general work described in full in "Frequently Cited Sources" (see F%27?d(7oo%, p. xii, item 2) 3. Complete entry for monograph on the artist 4. Highly abbreviated entry (see "Key to Abbreviations") for work described in full in "Frequently Cited Sources" (see p. xiv, item 21) o o i , - ;

GUIDE TO THE SUPPLEMENTS

In this microfiche edition two separate features have been added to clarify and update the bibliographies prepared for the 1936/37 edition of Ca/z/braza Art P^s?arcZz. The examples shown on the facing page and the explanation that follows will help the reader make the fullest use of the new material. 1. Following each original bibliography is a section headed IDENTIFICATION OF ORIGINAL SOURCES. A concise citation (standardized where possible) has been supplied for all sources in the original bibliographies that could be identified. 2. The SUPPLEMENTARY BIBLIOGRAPHY which completes each monograph includes verified birth and death dates, items published since 1936/37, and prior works not cited by the WPA writers. Although not intended to be the definitive bibliographies for these artists, it is hoped that researchers will find them useful both in identifying the more elusive references from the original publication and in suggesting the types of sources one should consult for further information.

IDENTIFICATION OF ORIGINAL SOURCES Although the great number of citations prevented their individual verification and transcription, nearly all of the original sources have been identified. Identified sources are listed in the order in which they appear in the original Ca/z/oraza Art P^arc/z bibliography (see example on the facing page). The reader will find a full bibliographic citation for most monographs. For general and art reference works, newspapers, and periodicals, author and title are noted as applicable; for additional bibliographic information, reference is made to at least one of the seven publications listed below. Users should be aware that the precise information consulted by the WPA compiler may be difficult to locate. The methods of bibliographic citation vary in quality and accuracy from volume to volume. Even though the source may in this edition be correctly identified, the page reference or edition statement in the original bibliography may be incorrect or missing. Sometimes the bibliographic information cited at the end of the essay is repeated in the text. A comparison of both citations will often clarify or further identify the reference. Bracketed sources could not be identified for any of several reasons: the original citation is inaccurate or incomplete; the source is archival in nature and now unretrievable; or, quite simply, the reference is a bibliographic mystery awaiting another researcher's solution. The seven publications used to identify selected monographs and reference books, newspapers, and periodicals, and upon which the standardized references are based, will provide a fuller bibliographic description of the work, its scope, and, in some cases, a list of libraries owning copies of the work. Aaz^rzcaa N^wspap^rs, 7 <527-1926. A L/azoa List opFz/os Auaz/ab/o za t/zo Uazt^b States aab Caaaba, edited by Winifred Gregory under the auspices of the Bibliographical Society of America (1937. Reprint edition. New York: Kraus, 1967). Identifies newspapers. Abbreviation: Gregory Arts z'a Aaz^rzca. A Btb/zograp/zy, edited by Bernard Karpel, 4 vols. (Washington, D.C.: Smithsonian Institution Press, 1979). Identifies monographic and periodical sources pertaining specifically to American art. Also cited without entry numbers in "Supplementary Bibliographies" (see "Frequently Cited Sources," no. 40). Abbreviation: Karpel [Entry number] Ca/z/orzzza Lora/ Hzstozy. A Pzb/zograp/zy aazf Uazoa List op Lzbrazy /Vo/z/zags, edited by Margaret Miller Rocq for the California Library Association, Second edition, revised and enlarged (Stanford: Stanford University Press, 1970). Identifies sources pertaining to California history. Abbreviation: Rocq [Entry number] Ca/zporaz'a Loca/ FFzstozy.- A Ozb/zograpby aab Uaz'oa List op Library /Lo/bzags, Sappzbazoat to t/zc Socoab Fbztz'oa Cotwzag Worbs Pa/z/z'sb^b 1967 F/zroagb 1970, edited by Margaret Miller Rocq for the California Library Association (Stanford: Stanford University Press, 1976). Abbreviation: Rocq [S + Entry number] xii GUIDE TO THE SUPPLEMENTS 0014

GzzzZ^ fo Boo^s, compiled by Eugene P. Sheehy with the assistance of Rita G. Keckeissen and Eileen Mcllvaine, Ninth edition (Chicago: American Library Association, 1976). identifies general reference sources. Abbreviation: Sheehy [Entry number] GzzzJ^ to fBo LiforafMro o/Arf Lfzstozy, by Etta Arntzen and Robert Rainwater (Chicago: American Library Association; London: The Art Book Company, 1980). identifies art reference sources, including periodicals. Abbreviation: Arntzen and Rainwater [Entry number] Gzzzozz List o/Soria/s zw Li^rarios o/ tLo UzzzL^z/ Statos aw^ Caytatia, Third edition, edited by Edna Brown Titus, 5 vols. (New York: H.W. Wilson, 1965). Identifies periodicals. Abbreviation: ULS

SUPPLEMENTARY BIBLIOGRAPHIES BzrfB awti DoatL Datos. Whenever possible birth and death dates have been verified using vital statistics records and obituaries. In some cases information has been obtained directly from the artist or the artist's family. In others, the present editor has relied on accurate biographies. When the available information was not sufficiently well documented, or the facts as known were contradictory, a plausible choice appears in brackets, and the variants are noted with sources. A&/ziz'o?za/ Cz'Lzfzows. Works published after 1936/37 and earlier works not cited by the WPA writers are arranged by category. Fifty-seven publications central to California art research listed in "Frequently Cited Sources, with Abbreviations" (immediately following this introduction) have also been checked for references to each of the Ca/z/brwM Art artists. Additional documentation will be found in cited works which themselves are noted as containing bibliographies; their entries have not necessarily been included in this compilation. All citations have been verified and are ordered as follows: Wor&s a?zzf Ora/ Lfzstows. Works written or illustrated by the artist, and oral history interviews. Arranged chronologically. Mo7zogfnpLzc Sozzrcfs. Monographs and pamphlets about the artist, as well as biographical articles and reproductions of works by the artist in monographs, collection catalogues, and pamphlets. Arranged in alphabetical order by author or title, as applicable. Pfrzoz/zM/ Sozzrcps. Articles about the artist and reproductions of works by the artist in newspapers and periodicals. Arranged by title of the publication, and then chronologically. ExLzLztzoMs ExBzPztzow CaLz/ogws. Exhibitions featuring the artist's work, including significant group shows. Arranged by location of the exhibition, and then chronologically. Citation includes the location of the exhibition, title, and dates. If a catalogue was issued, the number of pages, types of illustrations and total number of works exhibited by the artist are given. Notes describe and indicate the presence of biographical and bibliographical sections, and checklists. Bz'ogrzzpLz'ca/ Dzrpcforz^s. Art and general reference works containing biographical and bibliographical information about the artist. Arranged by author or title, as applicable. BzMzograpBy. Karpel, Arts z'zz AzM^r'ca. A BzNzograpBy (item 40 below), cited for individual artists only when it contains references not already included in the other bibliographies in this work. /zz^cx^s. Indexes to periodical articles, monographs, and exhibition catalogues that contain references to the artist or reproductions of his work. Arranged in alphabetical order by author or title, as applicable. If sources noted in the eleven indexes listed in "Frequently Cited Sources, with Abbreviations" have been cited directly, then that index is not listed for the artist. Arc/zzvzz/ Sozzrc^s. Selected Northern California institutions containing archival materials relevant to the artist's life and career. Arranged alphabetically by the name of the institution or archive.

PAGINATION Please see "Publisher's Note" (p. iv) for description of the pagination and other special characteristics of this edition. 0015 FREQUENTLY CITED SOURCES, WITH ABBREVIATIONS

MONOGRAPHIC SOURCES 1. American Prints in the Library o/Congress. A Catalog o/the Collection. Compiled by Karen F. Beall and the staff of the Prints and Photographs Division of the Library of Congress. Introduction by Alan Fern. Foreword by Carl Zigrosser. Baltimore: Johns Hopkins Press, for the Library of Congress, 1970. 568 pp.; b&w ill. Brief biographies and checklists. Abbreviation: American Prints 2. Arkelian, Marjorie. Fbe Kahn Collection o/Mneteenth-Centary hy Artists it! Caii/ornia. Oakland: The Oakland Museum, Art Department, 1975. 63 pp.; b&w and color ills. Biographies and bibliographies (46 artists), selected general bibliography, and checklist. Abbreviation: Arkelian, M. The Kahn Collection 3. Art iw Federal Bniitlings. At! illastratetl Recortl o / the Treasury Department s A'ew Program it! Painting anti BcniptMre. Voinme L Alnrai Desrgns, 19J4-19J6. Text by Edward Bruce and Forbes Watson. Washington, D.C.: Art in Federal Buildings, 1936. 309 pp.; b&w ills. Includes reproductions and schematic drawings of approved mural designs, showing floor plans and wall elevations. Biographies (125 artists). Abbreviation: Art in Federal Buildings 4. Caii/ornia Design 1910. Edited by Timothy J. Andersen, Eudorah M. Moore, and Robert W. Winter. Santa Barbara: Peregrine Smith, 1980. 144 pp.; b&w ills. Reprint of a catalogue for an exhibition held at the Pasadena Center, October 15-December 1, 1974. Discusses the Arts and Crafts Movement in California, covering painting, sculpture, architecture, decorative arts, printing, and literature. Brief biographies. Abbreviation: California Design 1910 5. Crocher Art Alnsenm. hlantibooh o/Paintings. Edited by Richard Vincent West. Sacramento: Crocker Art Museum, 1979. 202 pp.; b&w and color ills. "From an Introduction for a Proposed Handbook," by Alfred Neumeyer. "The Crockers and Their Collection: A Brief History," by Richard V. West. "Judge Crocker's 'Art Gallery'," by Joseph A. Baird, Jr. For major artists includes a concise biography, bibliography, provenance, and exhibition history for works. Checklist of paintings in the Crocker Art Museum. Abbreviation: Crocker Art Museum: Handbook of Paintings 6. Harmsen, Dorothy. Harmsen's Western Americana. A Collection o/One Hantlretl Western Paintings with Biographies o/the Artists. Foreword by Robert Rockwell. Revised edition. Denver: Harmsen Publishing Company, 1978. 213 pp.; color ills. See Number 7 Abbreviation: Harmsen 1 7. Harmsen, Dorothy. American Western Art. A Collection o/ One Nan^lretl Fwenty-Five Western Paintings anti Scaiptare with Biographies o/the Artists. Foreword by Bill Harmsen. Denver: Harmsen Publishing Company, 1977. 256 pp.; color ills. Works by Western artists in the collection of Bill and Dorothy Harmsen. Biographies and reproductions (Harmsen 1: 100 artists; Harmsen 2: 125 artists), and general selected bibl. Abbreviation: Harmsen 2 8. Schnier, Jacques. Bcalptare in Modern America. Berkeley: University of California Press, 1948. 224 pp.; b&w ills. Critical discussion of modern sculpture. Abbreviation: Schnier, J. Sculpture in Modern America 8a. Snipper, Martin. A Bttrpey o/Art Worh in the City anti Coanty o/San Francisco. Additions by Joyce Konigsberg; edited and prepared for publication by Joan Ellison. New edition. San Francisco: Art Commission, City & County of San Francisco, 1975. [122]pp. Description and location of original works of art on public display. Brief biographies (168 artists). Abbreviation: Snipper 9. Thiel, Yvonne Greer. Artists anti People. New York: Philosophical Library, 1959. 327 pp.; b&w ills. Biographies of twenty-eight artists of the . Abbreviation: Thiel, Y.G. Artists and People 10. Van Nostrand, Jeanne. The First Hantlreti Years o/Painting in Caii/ornia, 1 775-1B75, with Biographical in/brmation anti Re/erences Relating to the Artists. Foreword by Alfred Frankenstein. San Francisco: John Howell—Books, 1980. 135 pp.; b&w and color ills. Text surveys one hundred years of California art. Biographies and bibliographies (81 artists). Abbreviation: Van Nostrand, J. The First Hundred Years 11. Van Nostrand, Jeanne. Ban Francisco, IB06-1906, in Contemporary Paintings, Drawings anti Watercoiors. Introduction by Joseph A. Baird, Jr. San Francisco: The Book Club of California, 1975. 22 pp. and 53 pis.; b&w and color ills. Brief review of San Francisco history, 1806-1906. Description of each reproduction. Abbreviation: Van Nostrand, J. San Francisco, 1806-1906 xiv FREQUENTLY CITED SOURCES o o m

EXHIBITION CATALOGUES 12. Berkeley, California; San Francisco, California. Judah L. Magnes Museum; Temple Emanu-El Museum. T/zc Creative Frozztzer. A Jozzzt Fx/zz/zztzozz o/Fz've Ca/z/brzzz'a /euzz's/z Artists, /F50-/92B, zzz Hozzor o/t6e 125t/z Azzzzz'versazy o/Cozzgr^gzrfzoM Fzzzazzzz-F/. January 19-February 25, 1975; January 21-April 4, 1975. 12 pp.; b&w ills. Biographies (5 artists) and checklists. Abbreviation: Berkeley and San Francisco, California. The Creative Frontier 13. Davis, California. University of California, Art Department. Frew Frozztzer to Fzre. Ca/z/orzzza Paizztizzg /row M M to 190(5. May 22-June 2, 1964. 24 pp. Catalogue edited by Joseph A. Baird, Jr. Biographies and bibliographies (21 artists), and checklists. Abbreviation: Davis, California. From Frontier to Fire 14. Davis, California. University of California, Art Department. Fz/teezz azzo! Fz/'ty.- Cg/z/brMM Paizztizzg at t/ze 19M Pazzazzza-Paci/zc /zzterzzatzozza/ Fxposztzozz, Fazz Fwzzczsco, ozz /ts Fz/tiet/z Azzzziversary. May 10- June 1, 1965. 34 pp. Rocq S2448. Catalogue edited by Joseph A. Baird, Jr. Biographies and bibliographies (21 artists), and checklists. Abbreviation: Davis, California. Fifteen and Fifty 15. Davis, California. University of California, Art Department. Franco azz<% Ca/z/orzzia. T/ze /zzzpaet o/ French ArtazzJ Czz/tzzre on Ca/z/ornza /rozzz t/ze Voyages o/'Disco vezy to t/ze Beginning o/ t/ze Tvzezztzet/z Cezztzzzy. May 29-June 12, 1967. 61 pp. Rocq S2449. Catalogue edited by Joseph A. Baird, Jr. Essays on history and culture, architecture, painting, graphic arts, costume, and the decorative arts. Biographies and bibliographies (8 artists), checklists, and brief information on other artists. Abbreviation: Davis, California. France and California 16. Fullerton, California. Muckenthaler Cultural Center. T/ze Wozzzazz Artist izz t/ze Azzzerz'eazz West, M60- 1960. April 2-May 31, 1976. 59 pp.; b&w and color ills. Biographies (56 artists) by Phil Kovinick. Abbreviation: Fullerton, California. The Woman Artist in the American West 17. Laguna Beach, California. Laguna Beach Museum of Art. Bozztlzez'zz Ca/z/btzzza Artists, M90-1940. July 10-August 28, 1979. 216 pp.; b&w and color ills. "History," by Carl S. Dentzel, discusses art in Laguna Beach area. Biographies and bibliographies (100 artists) by Nancy Moure. Abbreviation: Laguna Beach, California. Southern California Artists, 1890-1940 18. Oakland, California. The Oakland Museum. Tropica/; Fropica/ Fcezzes /zy t/ze /Pt/z Cezztzzry Paizzters o/Ca/z/brzzz'a. October 5-November 14, 1971. 50 pp.; b&w and color ills. 40 exhibits. Biographies (19 artists) by Marjorie Arkelian, and checklists. Traveling exhibition. Abbreviation: Oakland, California. Tropical 19. Oakland, California. The Oakland Museum Art Department. /7ZTprcssio7zisr7z, t/zc Ca/z/orzzia Vievz; Faizztizzgs, M90-19J0. September 23-November 8, 1981. 104 pp.; b&w and color ills. 103 exhibits. "Impressionism, The California View," by Harvey L. Jones. "California Impressionism: A Critical Essay," by John Caldwell. "California Impressionism After 1915," by Terry St. John. "Artists' Biographies" and "Selected Bibliography," by Barbara Bowman. Checklist. Traveling exhibition. Abbreviation: Oakland, California. Impressionism, the California View 20. San Francisco, California. M.H. de Young Memorial Museum and The California Palace of the Legion of Honor. T/zc Co/or o/MoozT' Azzzerz'eazz Tozza/z'szzz, M B0-/9/0. January 22-April 2, 1972. 46 pp.; b&w and color ills. 95 exhibits. Essay by Wanda Corn. Biographies and bibliographies (32 artists), and checklist. Abbreviation: San Francisco, California. The Color of Mood

BIOGRAPHICAL DIRECTORIES 21. Azzzcz-zczzzz Art Azzzzzza/. Vols. 1-30. New York: American Federation of Arts, 1898-1933. Biographical directories for American painters and sculptors appeared in the following years: 1898 (Vol. 1) 1913 (Vol. 10) 1925 (Vol. 22) 1900-1901 (Vol. 3) 1915 (Vol. 12) 1927 (Vol. 24) 1903-1904 (Vol. 4) 1917 (Vol. 14) 1928 (Vol. 25: Necrology, 1897-1927) 1905-1906 (Vol. 5) 1919 (Vol. 16) 1929 (Vol. 26) 1907-1908 (Vol. 6) 1921 (Vol. 18) 1931 (Vol. 28) 1909-1910 (Vol. 7) 1923-1924 (Vol. 20) 1933 (Vol. 30) The issue cited is the last year in which an entry appeared for the artist. Users should work backwards 0017 FREQUENTLY CITED SOURCES xv

through the volumes containing the biographical directories, for there are occasionally changes in the artist's entry. Continued by WBo's WBo in American Art (Number 37). The biographical information from editions of the v4fM^nc<27? Art Annaa/ and WBo's WBo in American Art for the years 1898 through 1947 has been cumulated and reprinted in WBo Was WBo in American A rt..., edited by Peter Hastings Falk (Madison, Connecticut: Sound View Press, 1985). Abbreviation: AAA [Year] 22. 77?? Bay o/Ban Francisco, tBe Mctropo/zs o/tBe Pacz/ic Coast am/ Fs BaBarBan Cities. A History. 2 vols. Chicago: Lewis Publishing Company, 1892. Rocq 7957. A history of San Francisco, with biographies. Abbreviation: Bay of San Francisco 23. Benezit, Emmanuel. Dictionnaire critayae et z/ocamentaire Paris: Librairie Griind, 1976. Abbreviation: Benezit 24. Dawdy, Doris Ostrander. Artists o/tBe American West, Vo/ame F- A BiograpBica/ Dictionary. Chicago: Swallow Press, Sage Books, 1974. Abbreviation: Dawdy 1 25. Dawdy, Doris Ostrander. Artists o/tBe American West, Vo/ame // A BiograpBica/ Dictionary. Athens, Ohio: Ohio University Press, Sage/Swallow Press Books, 1981. Abbreviation: Dawdy 2 26. Dictionary o/ American BiograpBy. Under the auspices of the American Council of Learned Studies. Edited by Allen Johnson and Dumas Malone. 20 vols., index, and six supplements to 1960. New York: Charles Scribner's Sons, 1928-1980. Abbreviation: Dictionary of American Biography 27. Fielding, Mantle. Dictionary o/American Painters, Bca/ptors anF Engravers, tvitB an AFFenFam Containing Corrections ana! AFFitiona/ Materia/ on tBe Orzgina/ Entries. Compiled by James F. Carr. New York: James F. Carr, 1965. Abbreviation: Fielding 28. Groce, George Cuthbert, Jr., and Wallace, David H. Fire /Vetv-YorB Historica/ Society's Dictionary o/ Artists in America, f 564-/B60. New Haven: Yale University Press, 1957. Abbreviation: Groce and Wallace 29. Mallett, Daniel Trowbridge. Afa/Zett s /nFex o/Artists.- /nternationai-BiograpBica/, inc/aFing Painters, Bca/ptors, F/astrators, Engravers anF EtcBers o/ tBe Past anF tBe Present. 1935. Reprint edition. New York: Peter Smith, 1948 Abbreviation: Mallett 30. Mallett, Daniel Trowbridge. Bapp/ement to Afa/iett's /nFex of Artists- /nternationaZ-BiograpBica/, /nc/ac/ing Painters, Bca/ptors, F/astrators, Engravers anF Etc/rers o/tBe Past anF tire Present not in tire /PB5 Edition. 1940. Reprint edition. New York: Peter Smith, 1948. Abbreviation: Mallett Supplement 31. Michigan, State Library. BiograpBica/ BBetcBes o/American Artists. Compiled by Helen L. Earle. Fifth edition, revised and enlarged, 1924. Reprint edition. Charleston, South Carolina: Gamier, 1972. Abbreviation: Earle 32. Moure, Nancy Dustin Wall. Dictionary o/Art anF Artists in BoatBern Ca/i/ornia Before 1970. Research assistance by Lyn Wall Smith. Introduction by Carl Schaefer Dentzel. Los Angeles: Privately printed, 1975. Abbreviation: Moure 33. Samuels, Peggy, and Samuels, Harold. EBe F/astrateF BiograpBica/ Encyc/opeFia o/Artists o/tBe American West. Garden City, New York: Doubleday, 1976. Abbreviation: Samuels 34. Smith, Ralph Clifton. A BiograpBica/ /nFex o/American Artists. 1930. Reprint edition. Detroit: Gale Research Company, 1976. Abbreviation: Smith 35. Thieme, Ulrich, and Becker, Felix. A//gemeines EexiBon Fer Bi/FenFen Eanst/er von Fer AntiBe Bis zar Gegenivart. 37 vols. 1907-50. Reprint edition. Leipzig: E.A. Seemann, 1964. Abbreviation: Thieme-Becker 36. Vollmer, Hans. A/igemeines EexiBon Fer Bi/FenFen Xiinst/er Fes XX. /aBrBanFerts. 6 vols. Leipzig: E.A. Seemann, 1953-62. Abbreviation: Vollmer XVI FREQUENTLY CITED SOURCES 0018

57. Wbo's Wbo zzz Azzz^rzcazz Art. A Bzograpbzoa/ Dzroctozy. New York: R.R. Bowker, 1936/57- . issued for the years: 1936-1937, 1938-1939, 1940-1941, 1947, 1953, 1956, 1959, 1962, 1966, 1970, 1973, 1976, 1978, 1980, 1982, 1984. The issue cited is the last year in which an entry appeared for the artist. Users shouid work backwards through the volumes containing the biographical directories, for there are occasionally changes in the artist's entry. Formerly published as part of Azzzorz'cazz Art Azzzzzza/ (Number 21). The biographical information from editions of the Azzzorz'razz Art Azzzzzza/ and Wbo's Wbo zzz Azzzprzcazz Art for the years 1898 through 1947 has been cumulated and reprinted in Wbo Was Wbo zzz A fric a n A rt.. ., edited by Peter Hastings Falk (Madison, Connecticut: Sound View Press, 1985). Abbreviation: WWAA [Year] 38. Wbo's Wbo zzz Ca/z/brzzz'a.- A Bzograpbzca/ Directory, /92B-/929, Bozzzg a Hzstozy o/ Cab/onzM as ///astrat^b zzz tbc Lz'zz^s o/tb^ Baz/bcrs azzb De-/^zzb^rs o/ tbc Btat^, azzb o / tb^ Alozz azzb Wozzzozz Wbo Ar^ Dozzzg tbc Worb azzb Alo/bzzzg tb^ Tboagbt o/tb? Pr^s^zzt Fzzzz^. Edited by Justice B. Detwiler and a staff of selected writers. San Francisco: Who's Who Publishing Company, 1929. Rocq 17236. Abbreviation: WWC 1928-1929 39. Wbo's Wbo zzz Ca/z/oraza. A Bzograpbzca/ Rc/crczzcc Worb o/Notab/c LzFzzzg Alczz azzb Wozzzczz o/ Ca/z/orzzz'a. Vol. 1: Two Years 1942-1943. Edited by Russell Holmes Fletcher. Los Angeles: Who's Who Publications Company, 1941. Rocq 17238 Abbreviation: WWC 1942-1943

BIBLIOGRAPHY 40. Arts zzz Azzzcrz'ca.- A Bzb/zograpby, edited by Bernard Karpel. 4 vols. Washington, D.C.: Smithsonian Institution Press, 1979. Identifies monographic and periodical sources pertaining specifically to American art. Cited as a source for individual artists only when it contains references not already included in the other bibliographies in this work. Karpel's entry numbers are not listed for individual artists because there frequently are many citations. Abbreviation: Karpel [No entry number]

INDEXES 41. Art/wbex. Vol. 1, 1929- . New York: H.W. Wilson, 1930- . Volumes 1 through 33 (January, 1929, through October, 1985) were checked. If references have not been cited directly, then the volumes of Art Zzzbcx containing relevant citations have been noted. Abbreviation: Art Index [Volume number] 42. Art/ozTzw, 1962-/96& A Cazzza/atzzzc /zzbex to tbc First Szx Vo/zzzzzcs. Edited by Laurence McGilvery. La Jolla, California: [Laurence McGilvery], 1970. Abbreviation: Artforum 43. Artuzcob /zzbox, Cazzza/atzw, Vo/zzzzzos 1-7 (1970-1976).- Azz /zzbex o/Artists azzb Sab/octs, trztb ///astratzozzs, Not Zzzc/zzbzzzg /tczzzs zzz tbc Ca/czzbar Soctzczz. Compiled by Marvin Spohn and Jim Kantor. Oakland, California: Artweek, 1978. Abbreviation: Artweek 44. Catalog o/ tbc Lz'brazy o/fbc Afascazzz o/Moborzz Art. 14 vols. Boston: G.K. Hall, 1976. Abbreviation: Museum of Modern Art 45. Clapp, Jane. Sczbptzzrc Zzzbcx. 2 vols. in 3. Metuchen, New Jersey: Scarecrow Press, 1970. Artist and subject index to illustrations of works of sculpture. Abbreviation: Clapp 46. /zzbex to Art Porzobzca/s. Compiled in the Ryerson Library, the Art Institute of Chicago. 11 vols. Boston: G.K. Hall, 1962. Bapp/czzzczzt. Boston: G.K. Hall, 1974. Abbreviation: Chicago Art Institute 47. Monro, Isabel Stevenson, and Monro, Kate M. Zzzbcx to Rcprobzzctzozzs o/Azzzcrzcazz Pazzztzzzgs. A Gzzibo to Pzctzzrcs Oooarrizzg izz Afore tbazz Fzgbt Hzzzzbreb Boobs. New York: H.W. Wilson, 1948. Abbreviation: Monro and Monro 48. Monro, Isabel Stevenson, and Monro, Kate M. Zzzbex to Reprobzzctzozzs o/Azzzorzoazz Pazzztzzzgs, First Szzpp/ezzzezzt. A Gzzzbo to Pzctzzros OccarrzzzgzzzAfore tbazz FoarP/azzbreb Worbs. New York: H.W. Wilson, 1964. Abbreviation: Monro and Monro Supplement 00 in FREQUENTLY CITED SOURCES XVM

49. Park, Esther Ailleen. At Mm/ P%i7zf^m m Aw^mcM, Part /. A P/ogmpMcM/ /wz/^x. Pittsburg, Kansas: Kansas State Teachers College, 1949. Indexes articles and reproductions in books and periodicals. Abbreviation: Park 50. Schwartz, Ellen. MMm^wfP-C^wfMTy S%72 Francisco Art FxP:P:7zon Cata/ogMCs. A Descriptive CPecPizst ant/ 7nt/ex. Davis: Library Associates, University of California, University Library, 1981. Describes and indexes seventy catalogues for exhibitions, auctions, and private collections held in San Francisco before 1900. Abbreviation: Schwartz 51. Smith, Lyn Wall, and Moure, Nancy Dustin Wall, /nt/ex to Reprot/ncfions o/American Paintings Appearing in Mom tPan 400 Poops, Most/y PnP/isPet/ Since I960. Metuchen, New Jersey: Scarecrow Press, 1977. Abbreviation: Smith and Moure

ARCHIVAL SOURCES 52. Archives of American Art. Smithsonian Institution, Washington, D.C. 20560. West Coast Area Center: M.H. , Golden Gate Park, San Francisco, California 94118. Founded in 1954 to preserve and make available research materials to the interested scholar, the Archives contains such items as the personal papers of artists and those affiliated with the arts, as well as the institutional records of museums and art organizations. The central deposit is the Smithsonian Institution in Washington, D.C., with four regional centers across the United States: Boston, Detroit, New York City, and San Francisco. Each has identical microfilm libraries of the original sources, some lent to the Archives, some permanently deposited in Washington. All materials that have been microfilmed are available on interlibrary loan. The following guides to the collections of the Archives of American Art have been published. Those marked with an asterisk have been checked for references to Ca/i/ornia Am ResearcP artists and are cited in the "Supplementary Bibliographies." McCoy, Garnett. ArcPives o/American Am. A Directory o/P^soMm^s. New York: R.R. Bowker, 1972. Brief description of 555 collections. *ArcPives o/American Am, SmitPsonian ZnstitMtion. A CPecP/ist o/tPe Co//^ctio7?. Second edition, revised. Washington, D C.: Smithsonian Institution, 1977. Sapp/ement. 1978. Lists all collections larger than ten items, as well as interviews. In chart format, notes quantity, inclusive dates, types of documents (letters, photographs, slides, diaries, memoirs, scrapbooks, drawings, business records, etc.), status (gift or loan), and the roll number if the collection has been microfilmed. Also includes citations to collections described in greater detail in the quarterly ArcPives o/American Am Jonma/. FPe ArcPives o/American Am. Coi/ection o/FxPiPition Cata/ogs. Boston: G.K. Hall, 1979. Reproduction of the Archives card catalogue of exhibition catalogues, with access by artist's name or exhibiting institution. *77?? Cart/ Cata/og o/ tPe Mannscript Co/iectzons o/ tPe ArcPives o/American Art. 10 vols. Wilmington, Delaware: Scholarly Resources, 1980. Reproduction of the Archives card catalogue housed at each of the regional centers. Over 40,000 cards list such information as the quantity, dates, and types of materials, together with notes on the people, projects, institutions, and events covered by the collection. Abbreviation: Archives of American Art 53. The Bancroft Library. University of California, Berkeley, Berkeley, California 94720. The Bancroft Library has one of the largest collections of books, newspapers, periodicals, and manuscript materials relating to Western American studies, including California art. The cards from the Library's author, title, and subject catalogues were reproduced in 1964 by G.K. Hall in 22 volumes, with three multi-volume supplements of subsequent additions to the collection, the latest dated 1979. An in-house card index to The Bancroft Library's manuscript collections provides a listing of individuals, institutions, and subjects. This Manuscript Catalog will refer the user to registers detailing collections that may contain a single letter from an artist, to more extensive gatherings of correspondence, scrapbooks, photographs, and works of art. C%///bm2M Am PesearcP artists indexed in The Bancroft Library's Manuscript Catalog are cited in the "Supplementary Bibliographies." Abbreviation: Bancroft Library 54. California Historical Society. 2090 Jackson Street, San Francisco, California 94109. Library: 2099 Pacific Avenue. The Northern California headquarters of the California Historical Society is housed in the Whittier mansion, where many examples of California art are on permanent display. The Library's holdings xviii FREQUENTLY CITED SOURCES 00^0 include books, newspapers, periodicals, photographs, and manuscripts. These collections are indexed by in-house card catalogues and registers. Pt^/zzz?tzz%ty Listing o/San Francisco AJzzzzzzxcz-zpf Co/^cfzozzs in FzTzz-zzzy o/C%/t/oz-zzza Hzstonca/ Society, by Diana Lachatanere (San Francisco: California Historical Society, 1980), provides concise, thorough descriptions of 266 manuscript collections, many of which pertain to San Francisco art topics. Significant collections of archival materials in the collections of the California Historical Society relating to Cg/z/bz-zzza AzT Research artists are cited in the "Supplementary Bibliographies." Abbreviation: California Historical Society 55. California State Library, California Section. Library-Courts Building, P.O. Box 2037, Sacramento, California 95809. The California collection of the State Library contains published and archival source materials relating to all periods and aspects of the state's history. In addition to extensive book, periodical, and newspaper holdings, the California Section preserves photographs, works of art, reproductions, maps, ephemera, and manuscript materials. GMtJp to 5ozzz-c?s/bz- G^zz^z/ogy zzz Ca/z/oz-zzM R^cfzozz, Gz/z/oz-zzza Lz^razy describes many of these resources and also the useful in-house indexes compiled by the California Section staff. Of special interest to art researchers are the biographical cards, dating back to the early 1900s, almost always completed by the individual. Biographical cards for Ca/z/brzzza Azt R^sMzr^ artists are cited in the "Supplementary Bibliographies." Abbreviations: California State Library CSL [Date: City] =Artist's biographical card filled out in [Date] at which time the artist was living in [City] 56. Oakland Museum, Archives of California Art. Art Department Library, 1000 Oak Street, Oakland, California 94607. A comprehensive collection of books, periodicals, and exhibition catalogues relating to California painters, sculptors, graphic artists, craftspeople, and photographers is supplemented by individual artist's files containing newspaper and periodical clippings, bibliographic citations, correspondence, research notes, reproductions and photographs, exhibition catalogues and announcements. Materials cover both nineteenth- and twentieth-century artists, with the Index of Contemporary Artists documenting more than 5,000 artists currently at work in California. Almost every Ca/z/brzzM Azt RfSMz-r/z artist is represented by an individual artist's file; however, only collections of unique archival materials have been noted in the "Supple­ mentary Bibliographies." Although researchers may expect to locate cited material in the Archives of Cali­ fornia Art Library, the Museum's collections of California art and the accompanying files are also useful. Abbreviation: Oakland Museum ]n addition to the five institutions hoiding archival material national documentary art and is designed to support the relating to the Cah/brtzM Art Research artists cited in the curriculum of this prestigious art school. Contains books, "Supplementary Bibliographies" (Nos. 52 through 56), the exhibition catalogues, and periodicals, supplemented by an following libraries have reference files for many of the artists, extensive media department with slides, photographs, films, as well as extensive holdings relating to California art in general: and tapes. The archives of the San Francisco Art Institute Baird Archive of California Art. Department of Special preserves material relating to its predecessor, the San Fran­ Collections, University Library, University of California, cisco Art Association, with its teaching division, the California Davis, California 95616. Assembled over many years by School of Design, later named the California School of Fine the noted art historian Dr. Joseph Armstrong Baird, Jr., Arts. The minutes of the Board of Trustees and College the collection contains files covering all aspects of Committees, by-laws, as well as membership, enrollment, nineteenth- and early twentieth-century art in California and financial ledgers, document the history of this institution with an emphasis on the arts (painting, sculpture, graphics, from the 1870s to date. The Archives of American Art has photography, and architecture) in Northern California. filmed a portion of these records. Individual artist and subject Sources include Dr. Baird's research notes and correspon­ files contain correspondence, official reports, exhibition cata­ dence, exhibition catalogues, monographs, newspaper and logues and announcements, newspaper and periodical clippings, journal clippings, photographs, and bibliographic citations. reproductions, photographs, and assorted ephemera concerning The research collection of Dr. Elliott Evans, particularly the San Francisco Art Institute and Bay Area art activities. rich in early exhibition catalogues, bibliographic informa­ San Francisco Museum of Modern Art. Louise Sloss tion, and photographs, has been integrated with the Baird Ackerman Fine Arts Library. McAllister at Van Ness, San materials. The GzzzWe to t/ze Bazrt? Archive o/Gt/z/brwM Francisco, California 94102. Although the special strength of Art (1979) gives a summary of the Archive's organization the library is contemporary art, worldwide, it is a rich source and a list of the individual files found in each of the for California artists, particularly those of the Bay Area during following major sections: Artists; Art Collections and the 1920s and 1930s. Individual artist and subject files contain Art Organizations; Exhibition Catalogues; Architecture; research notes, clippings, bibliographic citations, correspon­ Reference. dence, exhibition catalogues and announcements, reproduc­ San Francisco Art Institute. Anne Bremer Memorial tions, and photographs. A fine book and periodicals collection Library and Archives. 800 Chestnut Street, San Francisco, supplements these archival materials. California 94133. The library collection focuses on inter­ 0021 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION aw Mazy

MICROFICHE CARD 1: CONTENTS

Handbook 0003-0038 Volume 1 0039-0168 Table of contents 0041-0044 Prefatory note 0046 Introduction 0047-0058 The Nahl Family 0060-0066 Charles Christian Heinrich Nahl 0066-0104 "Rape of the Sabines" 0045 "Rape of the Sabines" 0059 "Rape of the Sabines" 0092 Hugo Wilhelm Arthur Nahl 0105-0122 Virgil Theodore Nahl 0123-0125 Perham Wilhelm Nahl 0126-0131 Arthur Charles Nahl 0132 Margery Nahl 0133-0140 Tabulated information on the Nahl Family 0141-0151 Newly added material on the Nahl Family 0152-0166 Note on personnel 0167-0168 Volume 2 0169-0318 Table of contents 0171-0172 William Keith 0173-0245 "Autumn oaks and sycamores" 0173 Newly added material 0240-0245 Thomas Hill 0246-0281 "Driving the last spike" 0246 Newly added material 0278-0281 Albert Bierstadt 0282-0318 "Mt. Corcoran" 0282 Newly added material 0315-0318

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0022 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1937-1937 A MICROFICHE EDITION a?? P rsfc n c a / <272^ 2772p7*ow772^72fs Ellen Schwartz

MICROFICHE CARD 2: CONTENTS

Volume 3 0319-0437 Table of contents 0322-0323 Toby Edward Rosenthal 0324-0351 "The Cardinal" 0324 Newly added material 0348-0351 Domenico Tojetti 0352-0373 "The battle of the centaurs" 0352 Newly added material 0371-0373 Virgil Tojetti 0367 Newly added material 0374 Edward Tojetti 0368 Newly added material 0375 Thaddeus Welch 0376-0410 "Mt. Tamalpais" 0376 Newly added material 0408-0410 Charles Dormon Robinson 0411-0437 "Donner Lake" 0411 Newly added material 0435-0437 Volume 4 0438-0628 Table of contents 0440-0443 Jules Tavernier 0444-0477 "Hostelerie des trois barbeaux" 0444 Newly added material 0474-0477 Soren Emil Carlsen 0478-0519 "Still-life" 0478 Newly added material 0516-0519 Amedee Joullin 0520-0549 "Landscape" 0520 Newly added material 0547-0549 Christian August Jorgensen 0550-0576 "Yosemite Valley" 0550 Newly added material 0574-0576 Julian Walbridge Rix 0577-0604 "Landscape" 0577 Newly added material 0602-0604 Virgil Macey Williams 0605-0628 "Colonel Woodward" 0605 Newly added material 0626-0628

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 002;i California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION

Ellen Schwartz

MICROFICHE CARD 3: CONTENTS

Volume 5 0629-0770 Table of contents 0632-0634 Evelyn Almond Withrow 0635-0653 "Keith Wakeman" 0635 Newly added material 0651-0653 Mary Curtis Richardson 0654-0674 "Stephen Leach" 0654 Newly added material 0671-0674 Joseph M. Raphael 0675-0690 "In the orchard" 0675 Newly added material 0687-0690 Charles Henry Grant 0691-0713 "Off Wilson's Promontory" 0691 Newly added material 0712-0713 Henry Joseph Breuer 0714-0749 "Santa Inez" 0714 Newly added material 0747-0749 William Arthur Atkins 0750-0770 "Basin St. Cloud" 0750 Newly added material 0769-0770 Volume 6 0771-0929 Table of contents 0773-0775 0776-0841 "Puma examining footprints" 0776 Newly added material 0836-0841 Robert Ingersoll Aitken 0842-0883 "Robert Burns" 0842 Newly added material 0878-0883 Douglas Tilden 0884-0906 "Baseball player" 0884 Newly added material 0904-0906 Melvin Earl Cummings 0907-0929 "Neptune's daughter" 0907 Newly added material 0926-0929

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0024 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION aw ^'ston'ca/ ^ssny #7%/ MMograpMca/ bMprovf Ellen Schwartz

MICROFICHE CARD 4: CONTENTS

Volume 7 0930-1078 Table of contents 0933-0935 Arthur Frank Mathews 0936-0970 "Youth" 0936 Newly added material 0967-0970 Gottardo Fidele Ponziano Piazzoni 0971-1033 "Decoration for over the mantel" 0971 Newly added material 1029-1033 Anne Milly Bremer 1034-1078 "The sentinels" 1034 Newly added material 1076-1078 Volume 8 1079-1219 Table of contents 1081 Lafayette Maynard Dixon 1082-1191 "No place to go" 1082 "Earth knower" 1168 Newly added material 1187-1191 Frank Joseph Van Sloun 1192-1219 "War through the ages" 1192 Newly added material 1217-1219

Newly added materia) copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0025 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION

Ellen Schwartz

MICROFICHE CARD 5: CONTENTS

Volume 9 1220-1377 Table of contents 1222-1225 Ray Scepter Boynton 1226-1258 "Flight of Helen" 1226 Newly added material 1255-1258 Ernest Clifford Peixotto 1259-1295 "The long range" 1259 Newly added material 1292-1295 Francis John McComas 1296-1324 "Navajo gateway" 1296 Newly added material 1322-1324 Hermann Wendelborg Hansen 1325-1343 "Stage coach" 1325 Newly added material 1341-1343 Armin Carl Hansen 1344-1377 "Before the wind" 1344 Newly added material 1374-1377 Volume 10 1378-1544 Table of contents 1379-1381 Charles John Dickman 1382-1417 "Cypress Point" 1382 Newly added material 1416-1417 Xavier Martinez 1418-1446 "The road" 1418 Newly added material 1445-1446 Charles Rollo Peters 1447-1481 "Mission San Juan Capistrano" 1447 Newly added material 1478-1481 Theodore Wores 1482-1544 "The light of Asia" 1482 Newly added material 1540-1544

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 002H California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION aw ^isronca/ essay awa* iwprovewewts ^y Ellen Schwartz

MICROFICHE CARD 6: CONTENTS

Volume 11 1545-1707 Table of contents 1548-1550 Giuseppe Leone Cadenasso 1551-1587 "Eucalyptus trees" 1551 Newly added material 1585-1587 Horatio Nelson Poole 1588-1618 "Mural decoration" 1588 Newly added material 1616-1618 1619-1663 "Mural decoration" 1619 Newly added material 1660-1663 Will Sparks 1664-1707 "October day" 1664 Newly added material 1704-1707 Volume 12 1708-1833 Table of contents 1710-1712 Rowena Fischer Meeks Abdy 1713-1735 "The north tower of Mission Santa Barbara" 1713 Newly added material 1732-1735 Geneve Rixford Sargeant 1736-1775 "Portrait of a girl in blue" 1736 Newly added material 1772-1775 Euphemia Charlton Fortune 1776-1802 "Santa Barbara" 1776 Newly added material 1800-1802 Clark Hobart 1803-1833 "Portrait of Piazzoni" 1803 Newly added material 1831-1833

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0027 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION aw essay awJ itHpropeweMts &y Ellen Schwartz

MICROFICHE CARD 7: CONTENTS

Volume 13 1834-1997 Table of contents 1837-1839 Matteo Sandona 1840-1895 "Mrs. Weaver and son Peter" 1840 Newly added material 1891-1895 The Ilyin Family 1896-1952 Peter Alexander Ilyin "Mr. Herbert A. Schmidt" 1928 Newly added material 1941-1942 Gleb Alexander Ilyin "Miss Myra May Hall" 1896 Newly added material 1948-1949 Nadine A. Komov Ilyin "Gardenias" 1904 Newly added material 1951-1952 Jose Moya del Pino 1953-1997 "Mail and travel by stage coach" 1953 Newly added material 1995-1997 Volume 14 1998-2158 Table of contents 2000-2002 Ralph Ward Stackpole 2003-2071 "Man and his inventions" 2003 Newly added material 2066-2071 Joseph Jacinto Mora 2072-2106 "Cervantes" 2072 Newly added material 2102-2106 Beniamino Benvenuto Bufano 2107-2158 "Head of Sun Yat Sen" 2107 Newly added material 2155-2158

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 002a California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION aw ^ssay aw^ ^^/zograpMca/ Ellen Schwartz

MICROFICHE CARD 8: CONTENTS

Volume 15 2159-2302 Table of contents 2162-2164 Lee Fritz Randolph 2165-2198 "Figure" 2165 Newly added material 2196-2198 Gertrude Partington Albright 2199-2225 "Glen Ellen" 2199 Newly added material 2224-2225 Hermann Oliver Albright 2226-2244 "Bay Bridge" 2226 Newly added material 2242-2244 Eric Spencer Macky 2245-2277 "David Starr Jordan" 2245 Newly added material 2275-2277 Constance Lillian Jenkins Macky 2278-2302 "Spanish dancer" 2278 Newly added material 2300-2302 Volume 16 2303-2478 Table of contents 2305-2308 Margaret Bruton 2309-2343 "Portrait of my father" 2309 Newly added material 2341-2343 Ann Esther Bruton 2344-2366 "Fiesta" 2344 Newly added material 2364-2366 Helen Bell Bruton 2367-2389 "Decoration in tile mosaic" 2367 Newly added material 2385-2387 The Bruton Sisters: Supplementary bibliography 2388-2389 Helen Katharine Forbes 2390-2422 "Study for mural" 2390 Newly added material 2418-2422 Edith Anne Hamlin 2423-2446 "Mural decoration" 2423 Newly added material 2444-2446 Ruth Cravath 2447-2478 "Mother and infant" 2447 Newly added material 2476-2478 Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0020 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION

Ellen Schwartz

MICROFICHE CARD 9: CONTENTS

Volume 17 2479-2660 Table of contents 2482-2484 The Howard Family 2485-2488 John Galen Howard 2489-2502 Supplementary bibliography 2501-2502 Robert Boardman Howard 2503-2534 "Mural decoration" 2503 Newly added material 2531-2534 Charles Houghton Howard 2535-2552 "Abstract" 2535 Newly added material 2550-2552 John Langley Howard 2553-2595 "Penitentes" 2553 Newly added material 2593-2595 Adaline Dutton Kent 2596-2617 "Terra cotta head—Jane Berlandina" 2596 Newly added material 2614-2617 Jane Clara Berlandina 2618-2660 "Old bar in Mokelumne" 2618 Newly added material" 2658-2660 Volume 18 2661-2776 Table of contents 2663-2665 Ray Bethers 2666-2689 "Tahitian church" 2666 Newly added material 2687-2689 Julius John Pommer 2690-2711 "Grant Avenue and Washington Street" 2690 Newly added material 2710-2711 William Alexander Gaw 2712-2747 "" 2712 Newly added material 2744-2747 Joseph Marsh Sheridan 2748-2776 "Black and red conde drawing" 2748 Newly added material 2775-2776

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 OOdU California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION wit/? aw iu'stonca/ awt/ iwprov^TM^Mts /?y Ellen Schwartz

MICROFICHE CARD 10: CONTENTS

Volume 19 2777-2908 Jacques Preston Schnier 2956-2982 Table of contents 2779-2780 "Ladies head" 2956 Lucien Adolph Labaudt 2781-2813 Newly added material 2978-2982 "W 2" 2781 Sergey John Scherbakoff 2983-3004 Newly added material 2810-2813 "The Japanese temple" 2983 Otis William Oldfield 2814-2863 Newly added material 3003-3004 "Telegraph Hill" 2814 Dorothy Wagner Puccinelli Cravath Newly added material 2860-2863 & Raymond W. Puccinelli 3005-3018 Matthew Rackham Barnes 2864-2908 "Moraga and the naming of the "Twilight" 2864 Merced River" (Dorothy) 3005 Newly added material 2906-2908 Newly added material 3013-3018 Volume 20, part 1 2909-3101 Yoshida Sekido 3019-3051 Table of contents 2910-2913 "At work" 3019 Introduction to young moderns 2914-2915 Newly added material 3050-3051 George Booth Post 2916-2927 Victor Mikhail Arnautoff 3052-3074 "Oakland estuary" 2916 "Mother and child" 3052 Newly added material 2925-2927 Newly added material 3072-3074 William Jurgen Hesthal 2928-2938 Franz Walther Bergmann 3075-3101 "Holy night" 2928 "The mails" 3075 Newly added material 2936-2938 Newly added material 3099-3101 Dong M. Kingman 2939-2955 "Fisherman's Wharf boathouse" 2939 Newly added material 2954-2955

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0031 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION

Ellen Schwartz

MICROFICHE CARD 11 CONTENTS

Volume 20, part 2 3102-3290 Table of contents 3105-3107 Maxine Albro 3108-3126 "Mosaic" 3108 Newly added material 3124-3126 Chee Chin 3127-3145 "Wharf and bridge" 3127 Newly added material 3144-3145 Bernard Baruch Zakheim 3146-3232 "History of medicine in California" 3146 Newly added material 3229-3232 Andree Rexroth 3233-3240 "Marine view" 3233 Supplementary bibliography 3240 Chiura Z. Obata 3241-3287 "Spring mist" 3241 Newly added material" 3283-3287 Acknowledgment 3288-3289 Distribution agencies 3290

Newly added material copyright @ 1987 by Ellen Halteman Schwartz ISBN 0-910938-88-1 0032 California Art Research

Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION

Ellen Schwartz

ILLUSTRATIONS

The illustrations on this final microfiche have been reproduced at a reduction of 24x from the original photographs mounted in Ca/z/brwM Art R ^arc6. The same pictures appear in their proper locations in the text, but those are repro­ duced from less accurate copy photographs. The original location of each picture is supplied at the top of the frame. The artists' name on the original sheets vary considerably, in some cases, from the more authoritative forms provided in this table of contents and elsewhere in this work.

Rowena Fischer Meeks Abdy 3293 Charles John Dickman 3319 Robert Ingersoll Aitken 3294 Lafayette Maynard Dixon 3320 Gertrude Partington Albright 3295 Lafayette Maynard Dixon 3321 Hermann Oliver Albright 3296 Helen Katharine Forbes 3322 Maxine Albro 3297 Euphemia Charlton Fortune 3323 Victor Mikhail Arnautoff 3298 William Alexander Gaw 3324 William Arthur Atkins 3299 Charles Henry Grant 3325 Matthew Rackham Barnes 3300 Edith Anne Hamlin 3326 Franz WaltherBergmann 3301 Armin Carl Hansen 3327 Jane Clara Berlandina 3302 Hermann Wendelborg Hansen 3328 Ray Bethers 3303 William Jurgen Hesthal 3329 Albert Bierstadt 3304 Thomas Hill 3330 Ray Scepter Boynton 3305 Clark Hobart 3331 Anne Milly Bremer 3306 Charles Houghton Howard 3332 Henry Joseph Breuer 3307 John Langley Howard 3333 Ann Esther Bruton 3308 Robert Boardman Howard 3334 Helen Bell Bruton 3309 Gleb Alexander Ilyin 3335 Margaret Bruton 3310 Nadine A. Komov Ilyin 3336 Beniamino Benvenuto Bufano 3311 Peter Alexander Ilyin 3337 Giuseppe Leone Cadenasso 3312 Christian August Jorgensen 3338 Soren Emil Carlsen 3313 Amedee Joullin 3339 CheeChin 3314 William Keith 3 340 Dorothy Wagner Puccinelli Cravath 3315 Adaline Dutton Kent 3341 RuthCravath 3316 Dong M. Kingman 3342 Melvin Earl Cummings 3317 Lucien Adolph Labaudt 3343 RinaldoCuneo 3318 Francis John McComas 3344

Newly added materia! copyright @ 1987 by EHen Hatteman Schwartz ISBN 0-910938-88-1 003ci CONTENTS: MICROFtCHE 12 xxxt

Constance Lillian Jenkins Macky 3345 Mary Curtis Richardson 3366 Eric Spencer Macky 3346 Julian Walbridge Rix 3 367 Xavier Martinez 3347 Charles Dormon Robinson 3368 Arthur Frank Mathews 3348 Toby Edward Rosenthal 3369 J oseph J acinto Mora 3349 Matteo Sandona 3370 J ose Moya del Pino 3350 Geneve Rixford Sargeant 3371 Charles Christian Heinrich Nahl 3351 Sergey John Scherbakoff 3372 Charles Christian Heinrich Nahl 3352 Jacques Preston Schnier 3373 Charles Christian Heinrich Nahl 335 3 Yoshida Sekido 3374 Chiura Z. Obata 3354 Joseph Marsh Sheridan 3375 Otis William Oldfield 3355 Will Sparks 3376 Ernest Clifford Peixotto 3356 Ralph Ward Stackpole 3377 Charles Rollo Peters 3357 Jules Tavernier 3378 Gottardo Fidele Ponziano Piazzoni 3358 Douglas Tilden 3379 Julius J ohn Pommer 3359 Domenico Tojetti 3380 Horatio Nelson Poole 3360 Frank Joseph Van Sloun 3381 George Booth Post 3361 Thaddeus Welch 3382 Arthur Putnam 3 362 Virgil Macey Williams 3383 Lee Fritz Randolph 3363 Evelyn Almond Withrow 3384 Joseph M. Raphael 3364 Theodore Wores 3385 Andree Rexroth 3365 Bernard Baruch Zakheim 3386 0034

THE HUNDRED ARTISTS of Ca/i/orMM Arf Research

The following list of artists profiled in Ca/zybfMM Art Rcs^arc^ includes birth and death dates obtained from standard references, public records, the artists and their families, and other sources. When the available information was not sufficiently well documented, or the facts as known were contradictory, a plausible choice appears in brackets. The variant dates, with sources, as well as additional biographi­ cal information are noted in the "Supplementary Bibliographies" following each of the biographical essays on the microfiche. A question mark indicates that the artist's current whereabouts or date of death is not known. No final date means that the artist was alive as of 1 January 1987.

microfiche card:voi. frames microfiche card:voi. frames Rowena Fischer Meeks Abdy 6:12 1713-1735 Chee Chin ll:20pt2 3127-3145 Aprii 24, 1887-August 18, 1943 May 4, 1896-? Robert Ingersott Aitken 3:6 0842-0883 Dorothy Wagner Puccineiii Cravath 10:20ptl 3005-3018 May 8, 1878-January 3, 1949 December 19, 1901-May 24, 1974 Gertrude Partington Albright 8:15 2199-2225 Ruth Cravath 8:16 2447-2478 September 11, [1874]-September 3, :1959 January 23, 1902-December 1, 1986 Hermann Oliver Albright 8:15 2226-2244 Meivin Ear] Cummings 3:6 0907-0929 January 29, 1876-September 21, 1944 August 13, 1876-Ju]y 21, 1936 Maxine Aibro ll:20p t2 3108-3126 Rinatdo Cuneo 6:11 1619-1663 [January 20, 1895]-Ju!y 19, 1966 Juty 2, [1876]-December 26, 1939 Victor Mikhail Arnautoff 10:20ptl 3052-3074 Charles John Dickman 5:10 1382-1417 November 11, 1896-March 22, 1979 May 14, 1863-October 24, 1943 William Arthur Atkins 3:5 0750-0770 Lafayette Maynard Dixon 4:8 1082-1191 November 3, [1873]-January 8, 1899 January 24, 1875-November 14, 1946 Matthew Rackham Barnes 10:19 2864-2908 Heten Katharine Forbes 8:16 2390-2422 November 26, [1880]-April 24, 1951 February 3, 1891-May 27, 1945 Franz Walther Bergmann 10:20ptl 3075-3101 Euphemia Chartton Fortune 6:12 1776-1802 August 6, 1898-January 19, 1977 January 15, 1885-May 15, 1969 Jane Clara Berlandina 9:17 2618-2660 Wittiam Aiexander Gaw 9:18 2712-2747 March 15, 1896-September 25, 1970 November 26, 1891-February 2, 1973 Ray Bethers 9:18 2666-2689 Chartes Henry Grant 3:5 0691-0713 April 25, 1902-? February 6, 1866-January 21, 1939 Albert Bierstadt 1:2 0282-0318 Edith Anne Hamtin 8:16 2423-2446 January 7, 1830-February 18, 1902 June 23, 1902 Ray Scepter Boynton 5:9 1226-1258 Armin Cart Hansen 5:9 1344-1377 January 14, 1883-September 25, 195 1 October [23],1886-Apri] 23, 1957 Anne Milly Bremer 4:7 1034-1078 Hermann Wendelborg Hansen 5:9 1325-1343 May 21, [1868]-October 26, 1923 June 22, [1854]-Apri] 2, 1924 Henry Joseph Breuer 3:5 0714-0749 Wittiam Jurgen Hesthat 10:20ptl 2928-2938 August 16, 1860-February 19, 1932 August 24, 1908 Ann Esther Bruton 8:16 2344-2366 Thomas Hitt 1:2 0246-0281 October 18, 1896 September 11, 1829-June 30, 1908 Helen Bell Bruton 8:16 2367-2389 Ctark Hobart 6:12 1803-1833 February 7, 1898 [1870]-February 23, 1948 Margaret Bruton 8:16 2309-2343 Chartes Houghton Howard 9:17 2535-2552 February 20, 1894-August 29, 1983 January 2, 1899-November 11, 1978 Beniamino Benvenuto Bufano 7:14 2107-2158 John Gaten Howard 9:17 2489-2502 October 14, [1890]-August 18, 1970 May 8, 1864-Juty 18, 1931 Giuseppe Leone Cadenasso 6:11 1551-1587 John Langtey Howard 9:17 2553-2595 January 2, [1854]-February 11, 1918 February 5, 1902 Soren Emil Carlsen 2:4 0478-0519 Robert Boardman Howard 9:17 2503-2534 October 19, 1853-January 2, 1932 September 20, 1896-February 18, 1983 0035 INDEX OF ARTISTS xxxiii

microfiche card:vot. frames microfiche card:voi. frames Gieb Alexander Uyin 7:13 1896-1952 George Booth Post 10:20ptl 2916-2927 June [4],1889-October 14, 1968 September 29, 1906 Nadine A. Komov Uyin 7:13 1896-1952 Raymond W. PuccineHi 10:20ptl 3005-3018 October [25, 1894]-January 31, 1977 May 5, 1904 Peter Alexander Ilyin 7:13 1896-1952 Arthur Putnam 3:6 0776-0841 [June] 19, 1887-June 28, 1950 September 6, 1873-May 27, 1930 Christian August Jorgensen 2:4 0550-0576 Lee Fritz Randotph 8:15 2165-2198 October [4, 1860]-June 24, 1935 June 3, 1880-September 3, 1956 Amedee Joullin 2:4 0520-0549 Joseph M. Raphael 3:5 0675-0690 June 13, 1862-February 4, 1917 June 2, 1869-December 11, 1950 William Keith 1:2 0173-0245 Andree Rexroth ll:20pt2 3233-3240 November 21, 1838-April 13, 1911 October 14, 1902-October 17, 1940 Adaline Dutton Kent 9:17 2596-2617 Mary Curtis Richardson 3:5 0654-0674 August 7, 1900-March 24, 1957 April 9, 1848-November 1, 1931 Dong M. Kingman 10:20ptl 2939-2955 Julian Walbridge Rix 2:4 0577-0604 [March 31], 1911 December 30, [1850]-November 24, 1903 Lucien Adolph Labaudt 10:19 2781-2813 Charles Dormon Robinson 2:3 0411-0437 May 14, 1880-December 12, 1943 July 17, [1847]-May 8, 1933 Francis John McComas 5:9 1296-1324 Toby Edward Rosenthal 2:3 0324-0351 October 1, [1874]-December 27, 1938 March 15, 1848-December 23, 1917 Constance Lillian Jenkins Macky 8:15 2278-2302 Matteo Sandona 7:13 1840-1895 June 29, 1883-November 17, 1961 April 15, [1881]-November 7, 1964 Eric Spencer Macky 8:15 2245-2277 Geneve Rixford Sargeant 6:12 1736-1775 November 16, 1880-May 5, 1958 July 14, 1868-August 10, 1957 Xavier Martinez 5:10 1418-1446 Sergey John Scherbakoff 10:20ptl 2983-3004 February 7, 1869-January 13, 1943 July [7], 1894-January 24, 1967 Arthur Frank Mathews 4:7 0936-0970 Jacques Preston Schnier 10:20ptl 2956-2982 October 1, 1860-February 19, 1945 December 25, 1898 Joseph Jacinto Mora 7:14 2072-2106 Yoshida Sekido 10:20ptl 3019-3051 October 22, 1876-October 10, 1947 January 21, 1894-? Jose Moya del Pino 7:13 1953-1977 Joseph Marsh Sheridan 9:18 2748-2776 March 3, 1891-March 7, 1969 March 11, 1897-March 3, 1971 Arthur Charles Nahl 1:1 0132 Will Sparks 6:11 1664-1707 [1878]-November 17, 1938 February 7, [1862]-March 30, 1937 Charles Christian Heinrich Nahl 1:1 0066-0104 Ralph Ward Stackpole 7:14 2003-2071 October 18, 1818-March 1, 1878 May 1, 1885-December 10, 1973 Hugo Wilhelm Arthur Nahl 1:1 0105-0122 Jules Tavernier 2:4 0444-0477 September 1, 1833-April 1, 1889 April, 1844-May 18, 1889 Margery Nahl 1:1 0133-0140 Douglas Tilden 3:6 0884-0906 1908 May 1, 1860-August6, 1935 Perham Wilhelm Nahl 1:1 0126-0131 Domenico Tojetti 2:3 0352-0373 January 11, 1869-April 9, 1935 [1806]-March 28, 1892 Virgil Theodore Nahl 1:1 0123-0125 Edward Tojetti 2:3 0368 August 20, 1876-February 9, 1930 March 15, [1851]-November 27, 1930 Chiura Z. Obata ll:2 0 p t2 3241-3287 Virgil Tojetti 2:3 0367 November 18, [1884]-October 6, 1975 [February 10, 1850]-March 26, 1901 Otis William Oldfield 10:19 2814-2863 Frank Joseph Van Sloun 4:8 1192-1219 July 3, 1890-May 18, 1969 November [6, 1877]-August 27, 1938 Ernest Clifford Peixotto 5:9 1259-1295 Thaddeus Welch 2:3 0376-0410 October 15, 1869-December 6, 1940 July 14, 1844-December 18, 1919 Charles Rollo Peters 5:10 1447-1481 Virgil Macey Williams 2:4 0605-0628 April [10], 1862-March 1, 1928 October [29], 1830-December 18, 1886 Gottardo Fidele Ponziano Piazzoni 4:7 0971-1033 Evelyn Almond Withrow 3:5 0635-065 3 April 14, 1872-August 1, 1945 December 19, [1859]-June 19, 1928 Julius John Pommer 9:18 2690-2711 Theodore Wores 5:10 1482-1544 February 22, 1895-October 14, 1945 August 1, [1861]-September 11, 1939 Horatio Nelson Poole 6:11 1588-1618 Bernard Baruch Zakheim ll:20p t2 3146-3232 January 16, [1884]-July 4, 1949 April 4, 1896-November 28, 1985 0036 KEY TO ABBREVIATIONS

Number refers to entry in "Frequently Cited Sources, with Abbreviations" (see pp. xiii-xviii).

AAA [Year] See No. 21 AMERICAN PRINTS See No. 1 Archives of American Art See No. 52 Arkelian, M. THE KAHN COLLECTION See No. 2 Arntzen and Rainwater [Number]: Entry in Etta Arntzen and Robert Rainwater, GaLfe to tLe Literature o/Art History (Chicago: American Library Association; London: The Art Book Company, 1980) ART IN FEDERAL BUILDINGS So? No. 3 ART INDEX [Volume Number] See No. 41 ARTFORUM So? No. 42 ARTWEEK See No. 43 Bancroft Library See No. 53 BAY OF SAN FRANCISCO Sc? No. 22 Benezit See No. 23 Berkeley and San Francisco, California. THE CREATIVE FRONTIER See No. 12 Biblio.: Bibliographic references Bio. info.: Biographical information CALIFORNIA DESIGN 1910 See No. 4 California Historical Society See No. 54 California State Library See No. 55 CAR: Ca/i/orwia Art Research Checklist: List of works on exhibit Chicago Art Institute See No. 46 CL: Saw Francisco CLrowic/e, Ca/zporwia Lining, magazine feature section appearing in the Sunday edition Clapp See No. 45 Color: Illustration is in color CROCKER ART MUSEUM: HANDBOOK OF PAINTINGS See No. 5 CSL See No. 55 Davis, California. FIFTEEN AND FIFTY See No. 14 Davis, California. FRANCE AND CALIFORNIA See No. 15 Davis, California. FROM FRONTIER TO FIRE See No. 13 Dawdy 1 See No. 24 Dawdy 2 See No. 25 de Young: M.H. de Young Memorial Museum, San Francisco, California DICTIONARY OF AMERICAN BIOGRAPHY See No. 26 Dwg.: Drawing Earle See No. 31 Eng.: Engraving Exh.: Exhibit, exhibition, exhibited Exh. rev.: Exhibition review Fielding See No. 27 Fullerton, California. THE WOMAN ARTIST IN THE AMERICAN WEST See No. 16 GGIE: Golden Gate International Exposition, held in San Francisco, California, in 1939-1940 Gregory: Entry in Awerieaw Newspapers, IS2FI9J6. A Uwzow List op Fi/es Avaz7aL/e iw tLe UwiteJ States aw<7 Cawa^a, edited by Winifred Gregory under the auspices of the Bibliographical Society of America (1937. Reprint edition. New York: Kraus, 1967) Groce and Wallace See No. 28 Harmsen 1 See No. 6 Harmsen 2 See No. 7 111.: Illustration, illustrated [Initials]: Initials of the artist Karpel [Number]: Entry in Arts iw Awterzea. A RzF/iograpLy, edited by Bernard Karpel, 4 vols. (Washington, D.C.: Smithsonian Institution Press, 1979) Seea/so No. 40 0037 XXXV ABBREVIATIONS

Laguna Beach, California. SOUTHERN CALIFORNIA ARTISTS, 1890-1940. Sc? No. 17 Legion: California Palace of the Legion of Honor, San Francisco, California Mallett 5cc No. 29 Mallett SUPPLEMENT 5cc No. 30 MO A: Museum of Art Monro and Monro 5cc No. 47 Monro and Monro SUPPLEMENT 5cc No. 48 Moure 5cc No. 32 Museum of Modern Art Sc? No. 44 Oakland, California. IMPRESSIONISM, THE CALIFORNIA VIEW See No. 19 Oakland, California. TROPICAL See No. 18 Oakland Museum See No. 56 Park See No. 49 Photo.: Photograph of the artist PPIE: Panama-Pacific International Exposition, held in San Francisco, California, 1915 PS: Saw Frzzwczsco CProwzcJc, Pz'ctorz'%/ Section, illustrated supplement appearing in the Sunday edition Ptg.: Painting Rev.: Review, reviewed Rocq [Number]: Entry in Ca/z/bryzM Poca/ F(zsfc?y. A BzNz'ograppy tzzzb Uzzzozz List o/PzPrayy (PoMzwgs, edited by Margaret Miller Rocq for the California Library Association, Second edition, revised and enlarged (Stanford: Stanford University Press, 1970) Rocq [S + Number]: Entry in CgJz/brMM Poca/ (Pzstory. A BzB/z'ograpBy azzzf Uyzzozz Pzst o/Pz'Pmzy Pfo/bmgs, 5zzpp/?wczzr to tP? 5ccoyzb Pbzrzow, Covcrzyzg Wor^sPMp/zsPcb (961 PProMgP (970, edited by Margaret Miller Rocq for the California Library Association (Stanford: Stanford Univ. Press, 1976) RP: Saw Fr%72czsco CProzzzc/c, PofogntvMr? Pzctonb/ 5cctzow, illustrated feature supplement appearing in the Sunday edition Samuels 5cc No. 33 San Francisco, California. THE COLOR OF MOOD Sc? No. 20 Sc.: Sculpture Schnier, J. SCULPTURE IN MODERN AMERICA 5cc No. 8 Schwartz 5cc No. 50 SFAA: San Francisco Art Association SFMOA: San Francisco Museum of Art, now the San Francisco Museum of Modern Art Sheehy [Number]: Entry in Gzzz'bc to Pc/crczzcc Boo&s, compiled and edited by Eugene P. Sheehy, with the assistance of Rita G. Keckeissen and Eileen Mcllvaine, Ninth edition (Chicago: American Library Association, 1976) Smith 5c? No. 34 Smith and Moure 5cc No. 51 Snipper 5cc No. 8a Thiel, Y.G. ARTISTS AND PEOPLE 5cc No. 9 Thieme-Becker 5cc No. 35 TW: 5ttzz FmMczsco CProTzzc/c, FBzs WorM, news and arts magazine appearing in the Sunday edition ULS: Entry in Uwz'oM Pz'sf o/5crza/s z'zz PzPmrzcs o/ tP? Uzzztcb 5fatcs ttzzJ Czzzzaba, Third edition, edited by Edna Brown Titus, 5 vols. (New York: H.W. Wilson, 1965) Van Nostrand, J. THE FIRST HUNDRED YEARS Sc? No. 10 Van Nostrand, J. SAN FRANCISCO, 1806-1906 5cc No. 11 Vollmer 5cc No. 36 VS: California Death Index, issued by the State Registrar of Vital Statistics, Calif. Dept, of Health Services WC: Watercolor WPA: Works Progress Administration WWAA [Year] 5cc No. 37 WWC 1928-1929 5cc No. 38 WWC 1942-1943 5cc No. 39 003K

OTHER WORKS BY ELLEN SCHWARTZ

Gazbe to the Fairzl Archive o/ CaZi/ornia Aft, University library, University o/CaZz/brnia, Davis. Davis: Department of Speciai Collections and Library Associates of the University Library, University of California, 1979.

Nznetee n th- Ce n ta ry San Francisco Art Exhibition GataZognes. A Descriptive CbechZist anti IntZex. Davis: Library Associates, University Library, University of California, 1981

San Francisco Fay Area Art Fxhzhztzon CataZogaes, 1##2-1915. A Descriptive ChechZist o/CataZogaes anb an Inbex. To be published 1987

Saw Francisco Art Association Exhibitions, 1#72-1915. A Descriptive ChechZist o/CataZogaes anb an Inbex. Forthcoming

W)TH DR. JOSEPH ARMSTRONG BA)RD, JR.

Northern CaZi/brnia Art.- An interpretive FibZiograpby to 1915. By Joseph Armstrong Baird, Jr., with additions and bibliographical research by EHed Schwartz. Davis: Library Associates, University Library, University of California, 1977

A Dictionary o/Artists Active in Northern Ca/z/ornza Fe/bre 1915. By Joseph Armstrong Baird, Jr., and Ellen Schwartz. Work in progress