Sale 423 Thursday, March 4, 2010 11:00 AM

Literature - Children’s & Illustrated Oz – Fine Books in All Fields

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NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Dan Sweetnam, Shipping Clerk

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Garland, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Winter - Spring Auctions, 2010

March 4, 2010 – Literature - Illustrated - Children’s - Oz - Fine Books in All Fields

March 18, 2010 – Fine Americana with Travel & Exploration

April 1, 2010 – Americana with Travel & Exploration

April 15, 2010 – Fine Books in All Fields with the Winky King Collection of the Wizard of Oz

April 29, 2010 – Sporting – Angling – Natural History

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2010 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot 199 Back Cover: Clockwise from upper left: Lots 324, 198, 115, 267 Bond # 14425383

Section I: Fine Literature, Lots 1-195

Section II: Children’s & Illustrated Books, Lots 196-313

Section III: Oz, Lots 314-383

Section IV: Fine Books in All Fields, Lots 384-573

Section I: Fine Literature

1. Algren, Nelson. The Man With the Golden Arm. Cloth, dust jacket. First Edition. New York: Doubleday, 1949 Jacket worn at edges, larger chip to rear panel; volume with light wear; very good in a good jacket. (100/150)

2. Algren, Nelson. A Walk on the Wild Side. Yellow and blue boards; jacket with photograph by Arthur Shay. First Edition. New York: Farrar, Straus & Cudahy, [1956] Jacket with just a bit of light wear; lower corner of rear board bumped; near fine in a like jacket. (150/250)

3. Amat, Carlos Oquendo de. Five Meters of Poems. Woodcuts by Antonio Frasconi. Cloth-backed tan boards. One of 300 copies on handmade paper. Isla Vista, CA: Turkey Press, 1986 Signed by Frasconi at the colophon. Fine. (200/300)

A SMALL GATHERING OF BEAT LITERATURE 4. (Beat Literature) Twelve volumes of Beat Literature by various authors. Includes: Blue, Janice. In Good Old No-Man’s Land. Wrappers. Inscribed on front flyleaf. [1978]. * Di Prima, Diane. This Kind of Bird Flies Backward. Wrappers. Signed on first leaf. [1963]. * Di Prima, Diane. The Calculus of Variation. Wrappers. 1972. * Di Prima, Diane. Freddie Poems. Wrappers. 1974. * Doyle, Kirby. The Collected Poems. Cloth. 1983. * Doyle, Kirby. The Questlock: Gymnopaean of A. Dianaei O’Tamal. Wrappers. 1987. * Doyle, Kirby. After Olson. Wrappers. Inscribed on front flyleaf. 1/100 copies. [1984]. * Lamantia, Philip. Selected Poems, 1943-1966. Wrappers. Inscribed on title page. 2nd printing. [1969]. * Norse, Harold. The Dancing Beasts. Wrappers. Signed in title page. 1962. * Peters, Nancy Joyce. It’s In The Wind. Wrappers. Inscribed inside front wrapper. [1977]. Whalen, Philip. Scenes of Life at the Capital. Wrappers. Signed in front flyleaf. 1971. * Whalen, Philip. Every Day. Wrappers. Signed on half title. 1965. Together 9 volumes, most signed by the author. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some general wear; overall very good. (250/350)

Page 1 5. Biggers, Earl Derr. Charlie Chan Carries On. Yellow cloth, dust jacket. First Edition, Second Printing. Indianapolis: Bobbs-Merrill, [1930] Without ‘First Edition’ statement on copyright page. Some small chips and short tears to jacket edges, paper tape repair on verso; volume fine, jacket very good. (150/250)

6. Blackmore, Richard Doddridge. Fringilla or Tales in Verse. (199) pp. (8vo) 9x6, parchment backed boards, paper spine label, pages unopened. No. 10 of 25 copies. Cleveland: Burrows Brothers, 1895 Published to secure the American copyright which enabled the Burrows Brothers to publish Will Bradley’s magnificent masterpiece of Art Nouveau book design later the same year. Spine darkened, some light wear; very good. (150/250)

7. Borowski, Tadeusz. Imiona Nurtu [Names of the Current]. 36, [1] pp. 8¼x5¾, original boards. One of 3000 numbered copies. First Edition. Munich: Oficyna Warszawska, 1945 Borowski’s second work, published in Munich following his release from Dachau. Borowski, a journalist in his native Poland, was a survivor of the Nazi attrocities at Auschwitz and Dachau. He committed suicide at the age of 28 in 1951. Despite the relatively large limitation of 3000 copies this work seldom appears on the market. Extremities rubbed; very good. (700/1000)

8. Bowles, Paul. The Sheltering Sky. Tan-beige cloth, jacket. First American Edition. [New York]: New Directions, [1949] Bowles’ first and most famous novel. Jacket a bit browned and with some small chips and short tears at edges; volume with a slight lean; near fine in a very good jacket. (200/300)

9. Bowles, Paul. Three works by Paul Bowles - All First Editions. Includes: The Delicate Prey and Other Stories. [1950]. * Let It Come Down. [1952]. * The Spider’s House. [1955]. Together 3 clothbound volumes in dust jackets. First American Editions. New York: Random House, Various dates All jackets with some edge wear and light chipping; slight lean to spines, second title with previous owner’s embossed stamp on free endpaper; very good or better in like jackets. (250/350)

10. Bradbury, Ray. The Martian Chronicles. Introduction by Martin Gardner. Illustrated from lithographs and intaglio illustrations by Joseph Mugnaini. 10½x7½, silk-screened black buckram, edges speckled, glassine, slipcase. No. 893 of 2000 hand-numbered copies. Avon, CT: Limited Editions Club, 1974 Signed by Bradbury and Mugnaini in the colophon. Fine. (200/300)

11. Bradbury, Ray. The Stories of Ray Bradbury. Cloth, dust jacket. First Edition. New York: Knopf, 1980 Signed by Bradbury on front free endpaper and dated 4/8/81. Fine in a like jacket. (150/250)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 2 12. Browning, Robert. Christmas-Eve and Easter-Day. [iv], 142, [1] pp. 32 pp publisher’s catalog dated August, 1849 bound in at rear. (8vo), original blindstamped brown cloth, spine lettered in gilt. First Edition. London: Chapman & Hall, 1850 Spine ends frayed, some light edge wear, spine cocked, rear hinge cracked; very good. (150/250)

WITH BROWNING’S AUTOGRAPH AND CALLING CARD 13. Browning, Robert. The Poems of Robert Browning - With his signature and calling card. viii, 696 pp. Portrait frontispiece. (8vo) 7½x5, finely bound by Riviere & Son in full speckled dark red calf with inlaid bright red calf paneling with gilt borders, rules and corner devices, spine gilt, red morocco spine label, gilt dentelles, all edges gilt. London: Oxford University, 1926 Mounted to front flyleaf are a clipped signature of Robert Browning dated Nov. 17, ‘69 and Browning printed calling card with his Upper Westbourne Terrace address. The card bears the pencilled names of a Mr. & Mrs Marsh. A touch of wear to edges; fine. (700/1000)

FIRST EDITION OF TARZAN 14. Burroughs, Edgar Rice. Tarzan of the Apes. Title-page illustration by Fred J. Arting. Red cloth lettered in gilt on front cover & spine. Facsimile jacket provided. First Edition, First Printing. Chicago: A.C. McClurg & Co., 1914 Burroughs’ first book, and the first volume in his signature series, in which Tarzan, the son of an English nobleman, is raised in the jungle by a she- ape, falls in love with Jane Porter, and journeys to America to find her. This is the first binding, with A.C. McClurg set in one line in spine imprint, no acorn device, and the first printing (or state), with “W.F. Hall Printing Co./ Chicago” on copyright page set in two lines of Old English type. Heins gives the binding with the acorn device on the spine priority, but investigations since he wrote his bibliography reveal that not to be the case. Heins TA-2; Zeuschner 696. Recased with endpapers renewed, spine leaning; very good. (1000/1500)

15. Burroughs, William S. Two works by William S. Burroughs. Includes: Nova Express. First American Edition. [1964]. * The Ticket That Exploded. First Revised Edition. [1967]. Two cloth bound volumes, dust Lot 14 jackets. New York: Grove Press, Various dates A touch of wear and soiling to jackets; fine in near fine jackets. (150/250)

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Page 3 16. Burroughs, William S. Four titles by William S. Burroughs - One signed. Includes: The Exterminator. [With Brion Gysin]. Wrappers. Inscribed by Burroughs on half title. Wrappers with wear. 1967. * Die Vier Apokalyp Tischen Reiter. (The Four Horsemen of the Apocalypse.) Wrappers. First German Edition. [1984]. * The Retreat Diaries. Wrappers. [1976]. * White Subway. Wrappers. Third Printing. [1973]. Together 4 volumes, 1 signed. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. First title a bit worn, other near fine or better. (200/300)

17. Cabell, James Branch. Nine volumes by James Branch Cabell, and one about. Includes: The Line of Love. Illustrated by Howard Pyle. Green cloth. 1905. * Jurgen. Illustrations by Ray F. Coyle. Black cloth. 1924. * [Another copy]. * The Music from Behind the Moon. Wood engravings by Leon Underwood. Black cloth. 1 of 3000 copies. 1926. * The Cream of the Jest. Illustrated by Frank C. Pape. Black cloth. 1927. * Ballades from the Hidden Way. Boards. 1 of 831 copies, signed by Cabell at the preface. 1928. * The White Robe. Calf-backed boards. 1 of 3250 copies. [1928]. * The Silver Stallion. Illustrated by Frank C. Pape. Black cloth. [1928]. * The Way of Ecben. Decorations by Frank C. Pape. Parchment-backed boards. 1 of 850 copies signed by Cabell. 1929. * McNeill, Warren A. Cabellian Harmonics. Introductory note by James Branch Cabell. Brown cloth. 1 of 1500 copies, signed by the author. 1928. Together 10 volumes, including 1 duplicate. Various places: Various dates Some general light wear; overall very good. (300/500)

THE POSTMAN IN UNRESTORED JACKET 18. Cain, James M. The Postman Always Rings Twice. Orange cloth, dust jacket. First Edition. New York: Knopf, 1934 Cain’s first and most enduring novel and the basis for David Mamet’s 1981 screen version starring Jack Nicholson and Jessica Lange. Jacket unrestored and with some light chipping to edges, a bit of wear at folds; volume fine, jacket very good. (800/1200)

19. Cain, James M. The Postman Always Rings Twice. (8vo), modern red half morocco. First English Edition. London: Cape, [1934] Fine. (300/500)

Lot 18

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Page 4 INSCRIBED BY NOBEL PRIZE WINNER ELIAS CANETTI 20. Canetti, Elias. Crowds and Power. 495 pp. 8½x5¼, cloth, dust jacket. First Edition. London: Victor Gollancz, 1962 Inscribed copy of the first edition in English of one of the Nobel prize-winning author’s most celebrated books. Inscribed on the front free endpaper; “To Margaret D. Waterhouse, in very old friendship and affection from Elias Canetti.” Born to Jewish parents in Bulgaria, Canetti spent his formative years living and studying in Vienna. This volumes is one of the most important studies on the human condition of crowd psychology and its role and effects throughout history. A few very small closed tears at jacket edges and one tiny hole in spine, touch smudged; touch of shelf wear; small ink mark on front pastedown; else a near fine volume in a very good plus jacket. Lot 20 (2500/3500)

21. Carver, Raymond. If It Please You. Cloth-backed patterned boards, gilt-lettered spine. One of 200 copies. Northridge, CA: Lord John Press, 1984 Signed by Raymond Carver on preliminary page under his name. Out of series, the binder, Bela Blau’s copy. Fine. (200/300)

SIX LOTS OF WILLA CATHER LIMITED EDITIONS 22. Cather, Willa. A Lost Lady. Cloth backed boards, blue paper spine label, modern custom slipcase. One of 200 copies on Borzoi all rag paper. New York: Knopf, 1923 Signed by the author at limitation. A bit of wear to extremities; very good. (250/350)

23. Cather, Willa. Lucy Gayheart. [vii], 231, [1 blank], [2] pp. (8vo) later blue full morocco, spine lettered in gilt, top edge gilt, later custom slipcase. One of 749 copies printed on Croxley Rag Paper. First Edition. New York: Knopf, 1935 Signed by the author at limitation. Spine a touch faded; fine. (250/350)

24. Cather, Willa. My Mortal Enemy. Cloth-backed boards, paper spine label (additional paper label tipped to inside of front cover, modern custom slipcase. No. 155 of 220 copies. First Edition. New York: Knopf, 1926 Signed by the author at the colophon. Spine darkened, some light edge wear, bookplate removed from front pastedown, previous owner’s information obscured; else very good. (200/300)

25. Cather, Willa. Not Under Forty. Blue cloth, dust jacket, modern custom slipcase. One of 333 copies printed on Nihon Japan Vellum. First Edition. New York: Knopf, 1936 Signed by the author at limitation. Jacket well worn and with multiple paper tape repairs; volume fine. (250/350) Page 5 26. Cather, Willa. Sapphira and the Slave Girl. Green cloth-backed boards, dust jacket, original slipcase. One of 520 copies printed on Rives Liampre All-Rag Paper. New York: Knopf, 1940 Signed by the author at limitation. Light wear to slipcase; jacket spine darkened; else fine. (400/600)

27. Cather, Willa. Shadows on the Rock. [vii], 280 pp. (8vo) Original full gilt-stamped orange vellum, top edge gilt, later custom slipcase. No. 16 of 199 copies printed on Shidzuoka Japan Vellum. First Edition. New York: Knopf, 1931 Signed by the author at limitation. Spine faded, some light wear and spotting to vellum; very good. (300/500)

28. Chandler, Raymond. Two finely bound first editions by Raymond Chandler. Includes: The Big Sleep. Modern black half morocco and red cloth, spine lettered in gilt, top edge gilt. First English Edition. [1939]. * The Long Good-Bye. Modern red half morocco and cloth, spine lettered in gilt, top edge gilt. First English Edition. [1953]. Bindings by Bayntun-Riviere. London: Hamish Hamilton, Various dates Two of Chandler’s classic Philip Marlowe novels. First title with some foxing; else fine. (300/500)

THE SAINT FINELY BOUND 29. Charteris, Leslie. Eighteen volumes of ‘The Saint’ stories by Charteris, finely bound. Includes: The Last Hero. [1930]. * Featuring the Saint. [1931]. * Alias the Saint. [1931]. * The Brighter Buccaneer. [1933]. * The Misfortunes of Mr. Teal. [1934]. * The Saint Goes On. [1934]. * The Saint in New York. NY, [1935]. * Saint Overboard. [1936]. * Thieves’ Picnic. [1937]. * The Ace of Knaves. [1937]. * Prelude for War. [1938] * Follow the Saint. [1939]. * The Happy Highwayman. [1939]. * The Saint in Miami. [1941]. * The Saint Steps In. [1944]. * The Saint on Guard. [1945]. * The First Saint Omnibus. [1950]. * The Second Saint Omnibus. [1952]. Together 18 volumes. All First English Editions save for The Saint in New York which is the First American Edition and for The First Saint Omnibus which is a fourth impression. The first title bound in blue half morocco, all others bound in red half morocco of various shades and quality. London (Mostly): Various dates Fine. (1000/1500)

30. Cherkovski, Neeli. Love Proof - One of 26 lettered copies. Poems and drawings by Cherkovski. Original watercolor drawing at front. Wrappers. Copy ‘U’ of 26 lettered copies from an edition of 243 copies. North Beach (San Francisco): Greenlight Press, 1980 Signed by Cherkovski and by the printer, Kaye McDonough. Also included are Cherkovski’s Juggler Within (1983) & Clear Wind (1984). Both inscribed to Nathan May. Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. A touch of wear; near fine. (300/500)

A FEW AGATHA CHRISTIE MYSTERIES 31. Christie, Agatha. Death on the Nile. 284, [4] ad pp. (8vo) recent full orange morocco, spine ruled and lettered in gilt, all edges gilt. Bound by Bayntun-Riviere. First Edition. London: Crime Club, [1937] Fine. (700/1000)

Page 6 32. Christie, Agatha. Murder on the Orient Express. 254, [2] ad pp. (8vo) modern full brown morocco, spine ruled and lettered in gilt, all edges gilt. Bound by Bayntun-Riviere. First Edition. London: Crime Club Ltd., [1934] Perhaps the best known case of Hercule Poirot and one of the most desirable of Christie’s novels. Fine. (700/1000)

33. Christie, Agatha. Eleven finely bound first editions by Agatha Christie. Includes: The Murder of Roger Ackroyd. [1926]. * Peril at End House. [1932]. * Murder in Mesopotamia. [1936]. * The ABC Murders. [1936]. * Cards on the Table. [1936]. * Hercule Poirot’s Christmas. [1939]. * The Labours of Hercules. [1947]. * After the Funeral. [1953]. * Hickory Dickory Dock. [1955]. * Cat Among the Pigeons. [1959]. * Poirot’s Early Cases. 1974. Together 11 volumes, all First Edition. All bound in modern half morocco by Bayntun-Riviere (The ABC Murders in green morocco, all others in various brown moroccos). London: Various dates Fine. (1000/1500)

34. Conrad, Joseph. Almayer’s Folly: A Story of an Eastern River. Green cloth, top edge gilt. First Edition, First Issue. London: T. Fisher Unwin, 1895 Lacking “e” in the word generosity on p.110 Spine leaning a touch, tips a bit frayed; hinges tender; light marginal foxing; very good. (200/300)

35. Conrad, Joseph. Lord Jim, A Tale. [vi], 451 pp. (8vo) modern green half morocco, spine gilt, all edges gilt, original spine and front cover cloth bound in at rear. First Edition. Edinburgh and London: William Blackwood and Sons, 1900 Some foxing; fine modern binding. (250/350)

ONE OF ONLY 20 COPIES SIGNED AND SPECIALLY BOUND 36. Conroy, Pat. The Prince of Tides - Uncorrected Proofs. Uncorrected proofs bound in simulated red leather, wrappers bound in. One of 20 copies thus bound, this being copy 10. Boston: Houghton Mifflin, 1986 Signed by Conroy on the limitation leaf. Specially bound by Conroy’s friend Norman S. Berg for presentation by Conroy. Fine. (700/1000)

37. [Cooper, James Fenimore]. The Pathfinder; or, The Inland Sea. 3 volumes. (iii)-viii, 320; [2], 348; [2], 339, [1] pp. Half titles not present. (12mo) 7¼x4½, contemporary black half morocco and cloth, spines lettered in gilt. First Edition. London: Bentley, 1840 Precedes the American edition. BAL 8391. Light wear to edges; foxing to leaves at front and rear of volumes; very good. (300/500) Lot 36

Page 7 A FEW VOLUMES SIGNED BY GREGORY CORSO 38. Corso, Gregory. Five volumes by Gregory Corso - All signed or inscribed. Includes: Elegiac Feelings American. Wrappers. Inscribed and with a sketch on half title. Fourth Printing. [1970]. * Herald of the Autochthonic Spirit. Cloth, dust jacket. Signed on half title, noted as copy No. 3, with corrections. [1981]. * Poesie. Wrappers. Signed on flyleaf. Reprint. [Milan, 1976] * Poesie. Wrappers. Signed on first leaf. [Milan, 1978]. * Writings from Unmuzzled Ox Magazine. Signed on title page. [1981]. Together 5 volumes, all signed or inscribed by Corso. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear; overall very good. (300/500)

39. [De Quincy, Thomas]. Confessions of an English Opium-Eater. [iii]-vi, 206 pp. (12mo) 6½x3¾, later half calf and boards, gilt-lettered morocco spine label. First Edition. London: Printed for Taylor and Hessey, 1822 Bound by Sotheran, Sackville of London, and without the half title and terminal ad page. First edition of De Quincey’s account of his addiction to opium, and his eventual conquest of it. Spine heel detached at front joint and from text block, light shelf wear; scattered light foxing; very good. (1200/1800)

40. Derleth, August. Eight volumes by August Derleth. Includes: “In Re: Sherlock Holmes” The Adventures of Solar Pons. Jacket price clipped. 1945. * The Memoirs of Solar Pons. 1951. * Three Problems for Solar Pons. 1952. * The Return of Solar Pons. 1958. * The Reminiscences of Solar Pons. 1961. * The Adventure of the Orient Express. Wrappers. New York: Candlelight Press, 1965. * The Case Book of Solar Pons. 1965. * The Chronicles of Solar Pons. 1973. Together seven volumes, six in original black cloth with dust jackets, the seventh (Orient Express) in original wrappers. First Editions. Sauk City[most]: Mycroft & Moran[most], Various dates Some general light wear; overall very good or better in like jackets. (400/600)

41. Derleth, August. Thirteen volumes by August Derleth. Includes: A Boy’s Way. Small piece of tape on front jacket panel. Sauk City: Stanton & Lee, 1947. * “In Re: Sherlock Holmes” The Adventures of Solar Pons. Jacket price clipped, bookplate. 1945. * The Memoirs of Solar Pons. Jacket price clipped. 1951. * Three Problems for Solar Pons. 1952. * The Return of Solar Pons. 1958. * The Reminiscences of Solar Pons. 1961. * The Adventure of the Orient Express. Wrappers. New York: Candlelight Press, 1965. * Praed Street Papers. Wrappers. Wear to wrappers, ink checks on list of titles. New York: Candlelight Press, 1965. * The Case Book of Solar Pons. 1965. * Mr. Fairlie’s Final Journey. 1968. * A Praed Street Dossier. Jacket flaps irregularly trimmed. 1968. * The Adventure of the Unique Dickensians. Wrappers. 1968. * The Chronicles of Solar Pons. 1973. Together thirteen volumes, ten in original cloth with dust jackets, the remaining three in original wrappers. First Editions. Sauk City[most]: Mycroft & Moran[most], Various dates Some general light wear; overall very good or better. (600/900)

42. Dickens, Charles. A Christmas Carol. [xii], 148 pp. Illustrations by Philip Reed. (8vo) full red morocco, inlaid morocco design of a dancing gentleman in multiple colors on front, spine gilt, top edge gilt. Chicago: Monastery Hill Press for Holiday House, [1940] Spine a touch darkened, light wear to extremities; near fine. (150/250)

Page 8 NICHOLAS NICKLEBY IN THE ORIGINAL PARTS 43. Dickens, Charles. The Life and Adventures of Nicholas Nickleby. 20 parts in 19. Illustrated with 40 plates, 39 of them designed and etched on steel by Hablot K. Browne (Phiz), the 40th being a portrait of Dickens engraved by Finden from the painting by Maclise. 8¾x5½, original green wrappers with woodcut design by Browne, housed in 2 custom cloth chemises, and calf-backed slipcases. First Edition. London: Chapman & Hall, 1838-1839 This set has the first issue points in Parts I-II, IV-VI, IX-XI, XV-XVII. The following are the plate and advertisement variants for each issue which do not collate in accordance with Hatton and Cleaver: Part III: lacks front ad pages 15-16; lacks rear ad for Joseph Amesbury’s Patent Supports (large folding sheet in 8 pp.). Part VII: ads at rear are bound in the reverse order. Part VIII: lacks first page of rear ads “This day is published... / No. 1; / ... / Heads of the People,”; the Mechi catalogue wrappers are printed in blue and black, not yellow and black; the plates are bound in reverse order. Part XII: lacks second rear ad, “New and Popular Works published by R. Tyas. 4 pp. Part XIV: lacks front ad pages 13, 14. Part XVIII: lacks rear ads. Part XIX/XX: the specimen illustration plate from Valentine Vox is bound as final leaf; the “Hill’s Seal Wafers” contains 4 (of 5) original specimen wafers. Else complete and matching first issue points. Slipcases calf peeled and rubbed, shelf wear; some wrapper wear, two parts with neat rebacking to spines; only a little aging to the contents; very good. A sound set. (2000/3000)

22 LOTS OF WORKS BY ARTHUR CONAN DOYLE 44. Doyle, A[rthur] Conan. The Adventures of Sherlock Holmes [and] The Memoirs of Sherlock Holmes. 2 volumes. Illustrated by Sidney Paget. Both finely bound in full dark blue morocco, spines ruled and lettered in gilt, all edges gilt, original cover and spine cloth bound in at rear of each volume. Bindings by Bayntun-Riviere. First Editions in Book Form. London: George Newnes, 1892; 1894 A matching set in fine full morocco. These classic Sherlock Holmes stories all appeared first in The Strand Magazine. “The Adventures...” with the first issue point of the name “Violent” on line 23 on p. 317, which was later corrected to “Violet.” “The Memoirs...” appeared in Strand magazine from December 1892 to December 1893. Gibson & Greene A10a and A14a. Fine. (1500/2500)

45. Doyle, A[rthur] Conan. The Adventures of Sherlock Holmes. Illustrations throughout. (8vo) modern blue half morocco and cloth. Spine gilt, top edge gilt. Second Edition. London: George Newnes, 1893 First published in book form the prior year after earlier serialization in Strand Magazine. Fine. (250/350)

THE DEBUT OF SHERLOCK HOLMES IN THE STRAND MAGAZINE 46. (Doyle, Arthur Conan) Newnes, George, ed. The Adventures of Sherlock Holmes - Complete in The Strand Magazine Vol. II - Vol. VI, Plus The Strand Magazine Vol. 1. 6 volumes. 9¼x6, publisher’s pale blue pictorial cloth with title and decoration in gilt and black, floral patterned endpapers, all edges gilt. First Appearance of “The Adventures of Sherlock Holmes.” London: Newnes, 1891-1893 Bound volumes, each containing 6 months of “The Strand” with Sherlock Holmes making his first Strand appearance in Vol. II, with 6 of the tales; 6 more in Vol. III; another in Vol. IV; 6 in Vol. V; and 5 in Vol. 6. The stories are illustrated by Sidney Paget. Volume I contains Doyle’s first contribution to The Strand, ‘The Voice of Science’. Considerable other interesting content. Light wear and soiling to cloth, hinges cracked in most volumes; overall very good. (800/1200)

Page 9 47. Doyle, Arthur Conan. The Case-Book of Sherlock Holmes. 320 pp. (8vo) modern blue half morocco, spine gilt, top edge gilt. First Edition. London: John Murray, [1927] The final collection of Sherlock Holmes tales. Fine. (250/350)

48. Doyle, Arthur Conan. The Case for Spirit Photography. 132 pp. Illustrations from photographs. (8vo) tan cloth, photo illustrations mounted on front cover. First American Edition. New York: Doran, [1923] Doyle’s defense of the practice of psychic photography and in particular his response to charges of fraud against William Hope. Light wear and soiling to cloth, hinges repaired, previous owner’s marks; very good. (150/250)

49. Doyle, Arthur Conan. His Last Bow: Some Reminiscences of Sherlock Holmes. [viii], 305, [1], +[6] ad pp. (8vo) original gilt lettered red cloth. First Edition. London: John Murray, 1917 Green & Gibson A40a. Spine faded, minor edge wear, previous owner’s name on front pastedown, endpapers foxed; very good. (250/350)

50. Doyle, Arthur Conan. His Last Bow: Some Reminiscences of Sherlock Holmes. [viii], 305, [1], +[6] ad pp. (8vo) modern full blue morocco, spine ruled and lettered in gilt, raised bands, all edges gilt. Finely bound by Bayntun-Riviere. First Edition. London: John Murray, 1917 Fine. (250/350)

51. Doyle, Arthur Conan. The Hound of the Baskervilles. 16 plates by Sidney Paget. (8vo) original red cloth decorated in gilt and black. First Edition. London: George Newnes, 1902 First issue with ‘you’ for ‘your’ line 3 page 13. First issued in parts in The Strand magazine. The most famous of the Sherlock Holmes tales, based on an English fable told to Doyle by a journalist friend, Fletcher Robinson, while on holiday. Some wear and soiling to cloth, endpapers replaced; light foxing; very good. (500/800)

52. Doyle, Arthur Conan. The Hound of the Baskervilles. 16 plates by Sidney Paget. (8vo) rebound in full blue morocco, spine ruled and lettered in gilt, raised bands, all edges gilt. First Edition. London: George Newnes, 1902 First issue with ‘you’ for ‘your’ line 3 page 13. First issued in parts in The Strand magazine. Fine (500/800)

53. (Doyle, Arthur Conan) Newnes, George, ed. The Hound of the Baskervilles - Complete in The Strand Magazine Vol. XXII & XXIII. 6 volumes. 9¼x6, publisher’s pale blue pictorial cloth with title and decoration in gilt and black, floral patterned endpapers, all edges gilt. First Appearance of “The Hound of the Baskervilles.” London: Newnes, 1901-1902 Cloth with wear and soiling, hinges cracked; page edges uneven, a few leaves detached and some of these re-inserted; fair to good only. (200/300)

Page 10 54. Doyle, Arthur Conan. The Last Galley, Impressions and Tales - First English and American Editions. English edition in gilt-stamped red cloth, 14 ad pages at rear. American edition in pictorial red cloth. Both with frontispiece by N.C. Wyeth. First English and First American Editions. London / New York: Smith, Elder & Co. / Doubleday, 1911 A collection of tales of the supernatural. Some light wear and soiling to cloth; very good. (200/300)

55. Doyle, A[rthur] Conan. The Memoirs of Sherlock Holmes. [iv], 279 pp. Illustrated from wood engravings throughout by Sidney Paget. 9¼x6¼, original dark blue decorative cloth with bevelled edges, cover lettered in gilt, spine stamped and lettered in gilt and black, all edges gilt. First Edition. London: George Newnes, 1894 Green & Gibson A14a. Some light loss to spine gilding, spine leaning, light wear at edges; some wrinkling at head of frontispiece and erasure on rear; light foxing; very good. (700/1000)

56. Doyle, Arthur Conan. The New Revelation [&] The Vital Message. 2 volumes. (8vo) green cloth, dust jacket. First American Editions. New York: George H. Doran, [1918 & 1919] Two of Doyle’s early works on spiritualism. First Lot 55 Issue of second title with text ending on page 160. Some wear and chipping to jacket edges; light wear to cloth; very good. (300/500)

57. Doyle, Arthur Conan. Our American Adventure [&] Our Second American Adventure. 2 volumes. Both in the original cloth. First American Editions. New York / Boston: Doran / Little, Brown, [1923] & 1924 Accounts of Doyle’s two American tours investigating and speaking on matters of Spiritualism. Some light wear; very good. (200/300)

58. (Doyle, Arthur Conan) Newnes, George, ed. The Return of Sherlock Holmes - Complete in The Strand Magazine Vol. XXVI - Vol. XXVIII. 3 volumes. 9¼x6, publisher’s pale blue pictorial cloth with title and decoration in gilt and black, floral patterned endpapers, all edges gilt. First Appearance of “The Return of Sherlock Holmes.” London: Newnes, 1903-1904 Thirteen new tales featuring a resurrected Sherlock Holmes. Illustrated by Sidney Paget. Considerable other interesting content. A bit of light wear to cloth; very good. (300/500)

59. Doyle, Arthur Conan. Three of Them: A Reminiscence. viii, 99, [4] ad pp. Cloth backed boards, dust jacket. First Edition. London: John Murray, 1923 Doyle’s account of his children’s childhood. Laid in is an 8 page advertisement booklet for Doyle’s works titled Conan Doyle, Teller of Tales. Just a touch of wear to jacket; else fine. (150/250)

Page 11

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder. 60. Doyle, Arthur Conan. The Wanderings of a Spiritualist. 317, [2] ad pp. Illustrations from photographs. (8vo) original blue cloth, spine lettered in gilt. First Edition. London: Hodder and Stoughton, [1921] Doyle’s account of his tour of Australia while lecturing on spiritualism. Green & Gibson B28a. Light wear and soiling to cloth, bookplate and booksellers label on front endpapers; very good. (150/250)

A FEW SMALL GROUPS OF WORKS BY A.C. DOYLE 61. Doyle, Arthur Conan. Five First Editions by Arthur Conan Doyle. Includes: Micah Clarke. Original blue cloth. Lacking front free endpaper. 1889. * Round the Red Lamp. Original red cloth. Dampstaining to covers. 1894. * The Exploits of Brigadier Gerard. Original red cloth. 1896. * The Green Flag and Other Stories of War and Sport. Original red cloth. Front hinge cracked, rear hinge repaired. 1900. * Round the Fire Stories. Original red cloth. 1908. Together 5 volumes, all First English Editions. Various places: Various dates Some general wear; overall good to very good. (400/600)

62. Doyle, Arthur Conan. Six First Editions by Arthur Conan Doyle. Includes: The Firm of Girdlestone. Original brown cloth. Hinges cracked, well worn. 1890. * The Great Shadow and Beyond the City. Original orange cloth. First combined edition. [1893]. * The Stark Munro Letters. Original green cloth. 1895. * Rodney Stone. Original black cloth. Hinges cracked. 1896. * Uncle Bernac: A Memory of the Empire. Original red cloth. Hinges cracked. 1897. * Through the Magic Door. Original red cloth. 1907. Together 6 volumes, all First English Editions. Various places: Various dates General wear; overall good to very good. (400/600)

63. Doyle, Arthur Conan. Six volumes by Arthur Conan Doyle. Includes: A Study in Scarlet. Red and tan cloth. London: Ward, Lock & Bowden, [1896]. * A Study in Scarlet. (12mo) original green cloth. New York: Caldwell, [no date, 1890s]. * Memoirs of Sherlock Holmes. (8vo) original blue cloth. New York: Harper & Brothers, 1894. * [Another copy]. Frontispiece detached. No date on title page. [1894]. * The Return of Sherlock Holmes. Original blue cloth. Garden City: Doubleday, 1905. * Round the Fire Stories. Original red cloth. New York: McClure, 1908. Together 6 volumes. Various places: Various dates Some general wear; overall good to very good. (200/300)

64. Doyle, Arthur Conan. Seven titles by Doyle. Includes: The Great Shadow. Original tan cloth. Ex- library, later printing without date on title page. [1892]. * Uncle Bernac, A Memory of the Empire. Original red cloth. 1897. * A Duet, With an Occasional Chorus. Original red cloth. 1899. * The Green Flag and Other Stories of War and Sport. Original green cloth. 1900. * The Adventures of Gerard. Original green cloth. 1903. * Sir Nigel. Original green cloth. First Canadian Edition. 1906. * Through the Magic Door. Original blue cloth. 1907. Together 7 volumes, including 5 First American Editions, 1 First Canadian Edition and 1 later printing. Various places: Various dates Some general wear; overall good to very good. (400/600)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 12 10 VOLUMES OF THE STRAND WITH CONTRIBUTIONS BY DOYLE 65. (Doyle, Arthur Conan) Newnes, George, ed. Ten volumes of The Strand Magazine - All with contributions by Arthur Conan Doyle. 10 volumes comprising Volumes XIII-XX, XXIV, & XXV. Two different contemporary half leather bindings (the first 5 volumes matching and the second 5 volumes matching). London: Newnes, 1897-1903 Each volume containing one or more contributions by Arthur Conan Doyle. Contributions include: Life on a Greenland Whaler, The Tragedy of the Korosko, Round the Fire, The Croxley Master, A Glimpse of the Army, The Adventures of Etienne Gerard, etc. These volumes also include contributions by H.G. Wells and other popular English authors of the day. Some wear to extremities; overall very good. (500/800)

SIX LOTS OF POETRY BY PAUL LAURENCE DUNBAR 66. Dunbar, Paul Laurence. Howdy Honey Howdy. Unpaginated. Illustrated with photographs by Leigh Richmond Miner. Decorations by Will Jenkins. (8vo) decorated brown cloth. First Edition Thus. New York: Dodd, Mead, 1905 A new collection of previously published works. BAL 4955. Light wear; very good. (100/150)

67. Dunbar, Paul Laurence. Li’l’ Gal. 123, [1] pp. Illustrated with photographs by Leigh Richard Miner of the Hampton Institute Camera Club. Decorations by Margaret Armstrong. (8vo) decorated green cloth. First Edition. New York: Dodd, Mead, 1904 Largely a compilation of previously published material with a few additions. BAL 4951. Some light wear and soiling to cloth; very good. (100/150)

68. Dunbar, Paul Laurence. Lyrics of the Hearthside. x, 227 pp. Frontispiece portrait. (8vo) original green cloth stamped in gilt. First Edition. New York: Dodd, Mead, 1899 BAL 4925. Light wear to cloth, front hinge cracked; dampstain in fore edge of pages; very good. (100/150)

69. Dunbar, Paul Laurence. Poems of Cabin and Field. 125 pp. Illustrated with photographs by the Hampton Institute Camera Club. Decorations by Alice Morse. (8vo) decorated brown cloth. First Edition Thus. New York: Dodd, Mead, 1899 BAL 4927. Light wear; very good. (100/150)

70. Dunbar, Paul Laurence. When Malindy Sings. 144 pp. Illustrated with photographs by the Hampton Institute Camera Club. Decorations by Margaret Armstrong. (8vo) decorated brown cloth. First Edition Thus. New York: Dodd, Mead, 1903 Largely a collection of previously published material with a few additions. BAL 4948. Light wear at edges; very good. (100/150)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 13 71. Dunbar, Paul Laurence. Five volumes by Paul Laurence Dunbar. Includes: Poems of Cabin and Field. 1900. * The Uncalled. 1901. * Lyrics of Lowly Life. 1906. * Lyrics of the Lowly. 1912. * Lyrics of Lowly Life. 1914. Together 5 volumes. Various places: Various dates Some wear, hinges cracking, etc.; overall very good. (100/150)

INSCRIBED TO ONE OF EVERSON’S PUBLISHERS 72. Everson, William. Blame it on the Jet Stream!. Woodcut by Dennis Marks. 8x10, half morocco & cloth. No. 63 of 150 copies printed at the Lime Kiln Press on Hayle paper. First Edition. [UC Santa Cruz]: Lime Kiln Press, 1978 Signed by Everson in the colophon; also inscribed and signed by him on the half-title, “For Hortensia & Peter Bartlett signed on the 4th of July 1981, Bill Everson.” Peter Barlett was the proprietor of Cayucos Books and publisher of several works by Everson. Prospectus, sample pages, and announcement laid in. Still in original styrofoam shipping box. Fine. (150/250)

73. (Everson, William) West to the Water - Six Poets: A Santa Cruz Portfolio. Six broadside poems by William Everson, George Hitchcock, Mary Norbert Korte, Peter Veblen, Naomi Clark & John Skinner. Hand-colored calligraphic initials by Everson. 20½x15½, loose broadsides, printed paper folio. No. 160 of 200 copies printed in Goudy Oldstyle on Tovil paper at the Library of U.C. Santa Cruz. Santa Cruz: Lime Kiln Press, 1972 Each broadside is signed by the poet. The first project of the Lime Kiln Press. Fine. (150/250)

74. Faulkner, William. The Town. Red cloth, lettered in gilt, jacket. First Trade Edition, First Issue. New York: Random House, [1957] First issue book and jacket with red cloth, top edge stained grey, the end papers gray-patterned, page 327 lines 8 and 10 repeat; jacket with $3.95 price printed and “5/57” at bottom. The second installment in Faulkner’s three-part chronicle of the Snopes family. Petersen A34a. Jacket spine a touch sunned, minor wear to jacket edges; fine in a near fine jacket. (150/250)

75. (Fine Press) Four fine press editions of literary works. Includes: Percy, Walker. Diagnosing the Modern Malaise. Morocco-backed boards. 1 of 250 copies. Faust Publishing, 1985. * Salmans, D.L. Personal Thoughts: A Small Collection of Poems. Cloth. N.p., N.d. * Barth, John. Don’t Count on It: A Note on the Number of The 1001 Nights. Cloth. 1 of 150 copies. Lord John Press, 1984. * Hall, Frances. A Winter Traveler. Cloth. Printed by Richard J. Hoffman. 1984. Together 4 volumes. Various places: Various dates Fine. (150/250)

THE THIRD JAMES BOND ADVENTURE 76. Fleming, Ian. Moonraker. 256 pp. Modern black half morocco and cloth. First Edition. London: Jonathan Cape, [1955] The third of Fleming’s James Bond novels. Fine (400/600)

Page 14 77. Forster, E.M. A Passage to India. 325, [3] ad pp. (8vo) modern full red morocco, spine ruled and lettered in gilt, all edges gilt, original cloth covers and spine bound in at rear. Binding by Bayntun- Riviere. First Edition. London: Edward Arnold, 1924 Kirkpatrick A10. Fine (500/800)

78. Frazier, Charles. Cold Mountain. Blue cloth, gilt and black decoration on front cover, lettered in gilt, map endpapers, top edge gilt, ribbon bookmark, blue cloth slipcase. No. 329 of 500 copies. First Edition. New York: Atlantic Monthly Press, [1997] Signed by the author on the limitation page. Winner of the 1997 National Book Award and basis for the 2003 film. Faint sunning to spine, near fine in like slipcase. (500/800)

79. Gardner, John. Vlemk The Box-Painter. Illustrated by Catherine Kanner. Cloth, dust jacket. First Edition. Northridge: Lord John Press, 1979 Signed on the title page by both Gardner and Kanner. Also included: Howell, John M. John Gardner: A Bibliographical Profile. Cloth dust jacket. Signed by Gardner. Southern Illinois University Press, [1980]. Light wear to jackets; else fine. (200/300)

80. Ginsberg, Allen. Five volumes by Allen Ginsberg - All signed. Includes: Bixby Canyon, Ocean Pat, Word Breeze. Wrappers. First Edition. Signed on title page. 1972. * Howl and Other Poems. Wrappers. 32nd printing. Signed on title page. [1983]. * Indian Journals, March 1962 - May 1963. Cloth, dust jacket. First Edition. Signed on title page. [1970]. * Iron Horse. Wrappers. First City Lights Edition. Signed on title page. [1974]. * T.V. Baby Poems. Yellow cloth, dust jacket. Second Impression. Signed on title page. [1967]. Together 5 volumes, all signed. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear; overall very good or better. (250/350)

81. Gray, [Thomas]. The Poems of Mr. Gray. To Which are Prefixed Memoirs of His Life and Writings by W. Mason, M.A. [ii], 416, 111, [1], [1] errata pp, Half-title lacking. Engraved portrait frontispiece. (4to) 10x8¼, full period tree calf with old rebacking. First Edition. York: Printed by A. Ward; Sold by J. Dodsley and J. Todd, 1775 One of three editions published in 1775. Northup 13. Joints and hinges cracked, edges and corners rubbed; light foxing; else very good. (150/250)

82. Greene, Graham. Seven works by Graham Greene - First American Editions. Includes: The End of the Affair. [1951]. * Our Man in Havana. Bookplate. [1958]. * A Burnt-Out Case. Bookplate. [1960]. * The Comedians. [1966]. * May We Borrow Your Husband? Bookplate. [1967]. * Travels With My Aunt. Some rippling to dust jacket coating, bookplate. [1969]. * Yours etc.: Letters to the Press. [1989]. Together 7 volumes, all with dust jackets. First American Editions. New York: Viking (most), Various dates Fine in like jackets. (300/500)

Page 15 83. Gregory, Lady [Isabella Augusta]. My First Play. [iv], 28 pp. (8vo) 7¾x5, patterned boards, paper label on front, matching dust jacket (also with label). One of 530 copies. First Edition. London: Elkin Mathews & Marrot, 1930 Signed by Lady Gregory on the title page. Pages unopened. Lady Gregory, along with W.B. Yeats and others, founded the Irish Literary Theatre and the Abbey Theatre. Jacket with some edge wear, tape repairs and other restorations on rear, endpapers browned; near fine in a good jacket. (200/300)

SEVERAL LOTS OF ZANE GREY MANUSCRIPTS AND LETTERS 84. Grey, Zane. Autograph Letter from Zane Grey to his son Romer. 3 page ALs on a single folded sheet. Aboard the R.M.S. Makura: Dec. 26, (no year given) Dated Dec. 26 thanking Romer for Christmas gift, passing on family news and offering words of encouragement to his son: “I don’t care what you set yourself to do. You could do it. That’s to say you have the stuff...” Signed ‘Dad’. Fine. (500/800)

85. Grey, Zane. Four page typed description of Tahiti with holograph corrections. 4 typed pages, with holograph corrections throughout and a personal note at conclusion. No date Grey recounts his impressions of Tahiti and his many fishing trips to the island. “From 1926 to 1938 I missed only two years fishing in Tahiti. In view of the fact that I could not resist the fascinating allure of other countries, and that Tahiti is the hardest place to fish probably in the whole world, I regard this as my most notable achievement. The driving passion, of course, was the pursuit of great game fish. Sword fish grow to unbelievable dimensions in this tropic South Sea.” Some edge wear, creasing, tear to final leaf; very good. (500/800)

86. Grey, Zane. Four page typed description of fishing in New Zealand. 4 typed pages (number 13-16) with numerous holograph corrections, signed on final leaf. No date Grey’s response to an article in Outdoor Life magazine on fishing in New Zealand by Mr. T.G.E. Adams. Grey offers his criticism of the differing aims of American and New Zealand fisherman. “I do not wish criticise any angler’s peculiar way of being happy. And it is none but New Zealand’s business, unless, as I have mentioned twice above, they claim world records. A New Zealand record is obviously an entirely different matter. With them, and most all foreigners, the object is the kill and not a matter of one man’s skill and endurance.” Edges worn, some creasing and staining, a few short tears; very good. (400/700)

ZANE GREY DESCRIBES A VISIT TO CRATER LAKE 87. Grey, Zane. Manuscript description of a visit to Crater Lake, Oregon. 7 pages on three sheets (each sheet folded to make 4 pages but this format not always adhered to as it was written). Unfolded sheets measure 8x10”. June 28, 1919 A compelling description of Grey’s visit to Crater Lake in his typical flowing prose. “The lake has caught in its mysterious depths all the blues of creation, from the palest blue of the zenith at noon, to the deepest blue of the midnight sky. Not only sky blues, but mountain blues, sea blues, flower blues, jewel blues...” A later note on the final page relates that this trip was related in his ‘Tales of Fresh Water Fishing’. Creasing to all pages, some light wear at edges; very good. (500/800)

Page 16 88. Grey, Zane. Nine pages of typed manuscript from ‘Amber’s Mirage’, with holograph corrections. 9 typed pages, with holograph corrections in pencil and purple ink. c. 1929 A portion of the manuscript for Grey’s ‘Amber’s Mirage’. Published in Ladies Home Journal, May, 1929. Fine. (400/600)

89. Grey, Zane. Signed photograph of Zane Grey and his daughter Betty. Black & white photograph, approximately 7½x5½ on 10x8 sheet. Altadena, CA: c. 1927 Photo of Zane and his daughter Betty. Signed in purple ink at bottom. Ink notes on rear; fine. (300/500)

TWO ZANE GREY FISHING PAMPHLETS 90. (Grey, Zane) Ashaway Fishing Lines. Sea Anglers Find More Sport, Set More Records. Single sheet, approx. 17x15, folded to 8½x3¾ brochure. Illustrations from photographs. Ashaway, RI: Ashaway Line & Twine Mfg. Co., [c. 1936] Photo on front of Zane Grey with his World Record 1036 lb. Tiger Shark. Other record catches of the 1935-36 season also pictured. Advertising for Ashaway and Zane Grey fishing lines. Touch of edge wear; near fine. (300/500)

91. Grey, Zane. Fly Fishing. 32 pp. (including covers). Illustrated from photos and figure drawings. 6x3¼, staple-bound pictorial wrappers with Zane Grey fishing scene on front cover. Utica, NY: Horrocks-Ibbotson Co., 1936 Rubberstamp of “The Stockman” tackle shop on rear. Some light wear; near fine. (300/500)

THIRTY-ONE PAGE LETTER TO ZANE GREY FROM HIS WIFE 92. (Grey, Zane) Grey, Dolly. Thirty-one page letter from Dolly Grey to Zane Grey. 31 page autograph letter on 29 sheets (2 sheets written on both sides). Envelope present. Altadena, CA: November, 1928 A long and personal letter from Dolly to her husband Zane mailed to him in San Francisco before he set sail on the S.S. Makura, November 28, 1928. Dolly discusses their children, Zane’s involvement with Mildred Smith, etc. A very personal letter offering a wealth of insight into the couple’s relationship. Creased, some edge wear; very good. (600/900)

93. (Grey, Zane) Grey, Dolly. Typed letter, signed from Dolly Grey to Romer Grey regarding Zane Grey suffering a stroke. 2 page typed letter on both sides of a single sheet of Zane Grey’s embossed letterhead. Aug. 14, 1937 Dolly Grey’s response to having heard the news from Romer that Zane Grey had suffered a stroke: “I just can’t get this through my head. Dad has been up to snuff all this time, hasn’t he? There is no family history to account for a stroke of any kind, that I know of. Has he gotten excited about anything around there? Eaten unwisely?...Well there’s not much use in speculating about it. I am so distressed I feel as if I could drop dead myself. It just can’t be true. It’s some little thing he’ll get over. I always figured Dad would be fishing when he was ninety AND HE WILL.” Signed ‘Mother’. About fine. (300/500)

Page 17 94. (Grey, Zane) Hoynes, Henry. Typed letter from publisher Harper & Brothers to Zane Grey. 2 page typed letter from publisher Harper & Brothers to Zane Grey. Signed by Henry Hoynes. New York: July 18, 1918 Letter relates the reprinting and distribution of Grey’s novels by Grosset & Dunlap. Fine. (200/300)

95. Guedalla, Philip. Conquistador: American Fantasia. Cloth-backed boards, paper spine label, dust jacket, custom morocco backed cloth drop-back box, spine lettered and decorated in gilt. First Edition. London: Ernest Benn, [1927] Inscribed to Sir Edmund Grosse and signed by the author, dated 1927 on the front free endpaper. There are notations in ink on verso of the rear jacket flap, which appear to be a seating arrangement for a dinner party or something to that extent perhaps written by the recipient of the book. Slipcase spine sunned; jacket expertly backed at spine tips and joints, light smudging all over, spine faintly yellowed; a near fine volume in very good jacket and slipcase. (300/500)

A FEW ADVENTURES BY H. RIDER HAGGARD 96. Haggard, H. Rider. Allan Quatermain: Being and Account of his Further Adventures and Discoveries... [viii], 278, [2] pp. Illustrations by C.H.M. Kerr. (8vo) full red morocco, spine ruled and lettered in gilt, all edges gilt. Bound by Bayntun-Riviere. First Edition. London: Longmans, Green, and Co., 1887 A sequel to King Solomon’s Mines. Fine. (200/300)

97. Haggard, H. Rider. King Solomon’s Mines. [4], 320 pp. Folding chromolithograph frontispiece. (8vo) full red morocco, spine ruled and lettered in gilt, all edges gilt, original cover and spine cloth bound in at rear. Bound by Bayntun-Riviere. First Edition. London: Cassell & Company, 1885 Later state with printing errors corrected. Fine. (400/600)

98. Haggard, H. Rider. She. [viii], 317, [2] ad pp. Two chromolithograph frontispiece plates. (8vo) Full red morocco, spine ruled and lettered in gilt, all edges gilt, original cover and spine cloth bound in at rear. Bound by Bayntun-Riviere. First Edition. London: Longmans, Green, and Co., 1887 First issue with errors on pages 59, 126, 258, & 269. Fine. (250/350)

99. Haggard, H. Rider. Two novels by H. Rider Haggard. Includes: The Yellow God: An Idol of Africa. Green cloth. Embossed stamp on title page “Presentation Copy”. London: Cassell, 1909. * The Holy Flower. Blue cloth. London: Ward, Lock & Co., 1915. First Editions. Various places: Various dates Light edge wear, spine leaning a bit on 2nd title; very good. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 18 100. Hart, Howard. Four volumes by Howard Hart - All inscribed. Includes: The Apple Bites Back. Wrappers. Inscribed on title page. [1974]. * Django. Wrappers. Inscribed on front flyleaf. [1989]. * Selected Poems, Six Sets, 1951 to 1983. Wrappers. Long inscription on title page. [1984]. * The Sky of Orange Whispers. Wrappers. Long inscription on front flyleaf. [1964]. Together 4 volumes, all inscribed to Nathan May. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light soiling to wrappers; very good. (150/250)

A LARGE COLLECTION OF LAFCADIO HEARN 101. Hearn, Lafcadio. Large collection of works by Lafcadio Hearn. Includes: Stray Leaves from Strange Literature. Blue cloth. Reprint. [1884]. * Chita. Decorated brown cloth. 1889. * Youma. Decorated cloth. 1890. * Two Years in the French West Indies. Decorated green cloth. 1890. * [Another copy]. Red cloth. Later printing. * Glimpses of Unfamiliar Japan. 2 volumes. Decorated cloth. Hinges repaired. 1894. Out of the East. (3 copies). One in yellow cloth, two in green cloth. 1895. * Kokoro. Green cloth. Early reprint. [1896]. * Gleanings in Budha-Fields. (2 copies, 1 ex-library). Blue cloth. 1897. * In Ghostly Japan. Decorated blue cloth. 1899. * Exotics and Retrospectives. Decorated green cloth. 1899. * [Another copy]. Blue cloth. Later printing. 1910. * Shadowings. Decorated blue cloth. 1900. * Kotto. (2 copies, 1 with title page border printed upside down). Decorated cloth. 1902. * Japan. An Interpretation. (3 copies). Decorated cloth. Early reprints. 1904. * Kwaidan. Decorated green cloth. 1904. * The Romance of the Milky Way. Rebound in full red morocco. 1905. * Some Chinese Ghosts. Blue-green cloth. Reprint. 1906. * Letters from the Raven. (3 copies). Cloth-backed boards. 1907. * Appreciation of Poetry. Red cloth. Front endpaper lacking, cloth soiled. 1920. * Books and Habits from the Lectures of Lafcadio Hearn. Red cloth, dj. 1921. * Essays in European and Oriental Literature. Red cloth. 1923. * An American Miscellany. 2 volumes. Red cloth, boxed. 1924. * Occidental Gleanings. 2 volumes. Blue cloth. 1925. * Editorials. Cloth-backed boards, glassine, slipcase. 1 of 250 copies. 1926. * Editorials. Cloth, dust jacket. Trade Edition. 1926. * Insects and Greek Poetry. (2 copies). Boards. 1/550 copies. 1926. Various places: Various dates Also includes: Flaubert, Gustave. The Temptation of St. Anthony. Translated by Lafcadio Hearn. Grey cloth. 1910. * Gautier, Theophile. One of Cleopata’s Nights. Translated by Lafcadio Hearn. Green cloth. 1900. * Koizumi, Setsuko (Mrs. Hearn). Reminiscences of Lafcadio Hearn. Blue cloth. 1918. Together 39 titles, including several duplicates. All with some wear; overall good to very good. Should be examined. (700/1000)

102. Hemingway, Ernest. Death in the Afternoon. Illustrated with numerous bullfighting scenes from photographs; color frontispiece from painting by Juan Gris, with printed tissue-guard. Tall 8vo. Black cloth, lettered in gilt, color pictorial dust jacket with illustration by Roberto Domingo. First Edition. New York: Scribner’s, 1932 With ‘A’ on copyright page. Hemingway’s famous treatise on bullfighting, accentuated with eighty-one stills of bullfighters at all stages of the event. Hanneman A10.A. Jacket browned and with some chipping and wear to edges and folds, larger chip at top spine edge of front panel with loss of the letter ‘E’ from the author’s name; light wear to cloth, bookplate; very good. (1200/1800)

103. Hemingway, Ernest. A Farewell to Arms. 350 pp. (8vo) modern red half morocco and cloth, spine ruled and lettered in gilt, top edge gilt. First English Edition. London: Jonathan Cape, [1929] Fine. (200/300)

Page 19 104. Hergesheimer, Joseph. Java Head. Cloth with paper spine label, custom cloth chemise and morocco-backed cloth slipcase, spine lettered in gilt. One of 100 copies. Large Paper Edition. New York: Knopf, 1919 Signed by the author at the limitation statement. Including an extra paper spine label in fine condition, laid in. Engraved bookplate of Frederick W. Skiff of Portland on front pastedown. Vincent Starrett’s copy of the book, his name written on title page. Very faint wear to slipcase; very lightly sunned spine, spine label a touch worn, extremities rubbed a bit; a very good plus volume in a near fine slipcase. (200/300)

105. Hirschman, Jack. Seventeen volumes by, or translated by, Jack Hirschman - Many signed or inscribed. Includes: The Arcanes of Le Comte de St. Germain. Wrappers. Inscribed on flyleaf. [1977]. * Black Alephs, Poems 1960-1968. Wrappers. Inscribed of front flyleaf. 1969. * Cantillations. Wrappers. Inscribed on flyleaf. 1974. * The Cool Boyetz Cycle/And. Wrappers. Inscribed on title page. [1975]. * The David Arcane. Wrappers. Inscribed on front flyleaf. [1982]. * The Donmeh Arcane. Wrappers. 1982. * Kashtania Segodnia (in Cyrillic). Wrappers. Inscribed on title page. [1975]. * K.S. Wrappers. 1972. * The Proletarian Arcane. Wrappers. Inscribed on title page. 1980. The above 9 titles all by Hirschman. Various places: Various dates Also includes the following translations by Hirschman: Jabixshak, Poems and Songs of Socialist Albania. Wrappers. Inscribed by Hirschman. [1982]. * Kirsch, Sarah. Poems. American versions by Jack Hirschman. Wrappers. Inscribed by Hirschman on front flyleaf. 1983. * Depestre, Rene. Vegetations of Splendor. Wrappers. Inscribed by Hirschman on half title. [1980]. Kohav, Alexander. Emigroarium, A Roaratory! Wrappers. Inscribed by Hirschman on front flyleaf. [1977]. * Neruda, Pablo. Elegy. Wrappers. Inscribed by Hirschman on inside of front wrappers. [1983]. * Gjakova, Agim. Communist. Wrappers. Inscribed on inside of front wrapper. 1984. * Mallarme, Stephane. Igitur. Wrappers. Signed by Hirschman on title page. 1974. * [Another copy, not signed]. Together 17 volumes, most signed or inscribed. Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear; overall very good. (300/500)

AN IMPORTANT LANGSTON HUGHES INSCRIPTION 106. Hughes, Langston. One-Way Ticket. Cloth-backed boards, original dust jacket. First Edition. New York: Knopf, 1949 Inscribed copy on front free endpaper from the author; “Especially for Moe Asch - and our record - Sincerely, Langston. New York, August 15, 1955.” Moe Asch was the founder of Folkways Records in 1948 and through his work with people like Woody Guthrie, Leadbelly, and Pete Seeger, brought folk music to the forefront of American music. Asch recorded an album of Langston Hughes reading his own work, to which this inscription refers. An important presentation copy. Tiny chips at jacket spine tips, a few other tiny rubbed spots along jacket edges; edges of volume’s boards bumped a few times; else a fine volume in a very good plus jacket. (1500/2500)

Lot 106

Page 20 107. Ibara, Saikaku. Quaint Stories of Samurais. 111 pp. Translated from the old original by Ken Sato. 7½x5½, tan wrappers printed in black with red rule, custom blue cloth drop-back box with gilt- lettered morocco spine label. One of 500 copies. First Edition. Paris: [Printed for Private Distribution], [1928] Originally to be published in two volumes, the translation of Ibara’s writings plus Sato’s own stories, but the final product was simply one volume of Ibara’s gay erotic stories. Ibara was a 17th century Japanese poet and novelist, very popular in his own lifetime for his satirical and erotic portrayals of daily life in Japan. A scarce title. Spine tips with very short tears, small spots of soiling on front cover, a few very faint marks, plus a red pen mark on rear cover and on front blank fly leaf; else very good. (500/800)

108. Ibsen Henrik. En Folkefiende. Skuespil i fem akter. [4], 219 pp. 6¾x4¼, period half calf & cloth, spine gilt. First Edition. Copenhagen: Gyldendalske Boghandels Forlag, 1882 First edition of “The Enemy of the People.” Spine and corners well rubbed, some light foxing within, title-page a bit darkened, very good. (300/500)

109. Innes, Hammond. The Conquistadors. Illustrated with color plates, etc. (4to) 10x7 finely bound in full tan morocco with circular black and turquoise morocco front cover design, gilt-lettered spine, raised bands, gilt dentelles, all edges gilt; slipcase. No. 177 of 265 copies. First Edition. London: Arcadia Press, 1970 Signed by Innes at the limitation statement. Beautifully bound by Zaehnsdorf. Fine (300/500)

110. Irving, Washington. Three illustrated works by Washington Irving, all in original cloth dust jackets. Includes: Chronicle of the Conquest of Grenada. 2 volumes. Decorated white cloth, blue cloth dust jackets. The Agapida Edition. 1893. * The Alhambra. 2 volumes. Decorated white cloth, blue cloth dust jackets. The Darro Edition. 1894. * Bracebridge Hall. 2 volumes. Decorated blue cloth, white cloth dust jackets (soiled). Front hinge of Volume 2 cracked. The Surrey Edition. 1896. Together 3 titles in 6 volumes. New York: Putnam’s, Various dates Fabulous publisher’s trade bindings, well protected by the original cloth jackets. Light edge wear, book plates; very good or better. (200/300)

HOLOGRAPH NOTE BY JAMES JOYCE 111. Joyce, James. Autograph note, initialled, by James Joyce regarding Herbert Gorman’s biography of Joyce. 7 line autograph note in green ink to an unidentified recipient, initialled J.J. at bottom. Approximately 7x7½” No place: [c. 1924] Note in Joyce’s hand regarding Herbert Gorman’s biography of him. In full: “Pp 16-20 in this first chapter of my biography by Herbert Gorman may interest you. Please leave it with your [illegible word]. Don’t mind my pencil marks in the left margins. J.J.” Gorman’s biography ‘James Joyce: His First Forty Years’ was published by Huebsch in 1924. Irregularly trimmed at bottom edge, vertical and horizontal creases, a previous owner has identified Joyce as the writer in ink at the bottom edge; very good. (2000/3000)

112. Joyce, James. Chamber Music. (4to) 10¾x8, printed boards. One of 100 copies printed on Japanese Hosho handmade paper. Santa Cruz: Cowell Press, 1975 Prospectus laid in. Fine. (150/250) Page 21 113. (Joyce, James) Roth, Samuel, editor. Ulysses [In Two Worlds Monthly, Vol. 1, No. 1 - Vol. 3, No. 1]. 9 issues (of eventually 11). 9½x6½, original wrappers. New York: Two Worlds Publishing, 1926-27 Containing the first 9 installments of Roth’s bowdlerized version of Joyce’s masterpiece. Wrappers worn, first issue with subscription coupon clipped from title page; good. (300/500)

114. Kaufman, Bob. Five volume by Bob Kaufman - All signed. Includes: The Ancient Rain: Poems 1956- 1978. (2 copies). Cloth, dust jackets. Each signed on the title page. [1981]. Golden Sardine. (2 copies). Wrappers. Each signed on title page. [1967]. * Solitudes Crowded with Loneliness. Wrappers. Signed on title page. [1965]. Together 5 volumes, all signed. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear; very good. (150/250)

INSCRIBED BY JACK KEROUAC TO GREGORY CORSO 115. Kerouac, Jack. The Subterraneans - Inscribed by Kerouac to Gregory Corso. 126 pp. Preface by Henry Miller. Original pictorial wrappers. First paperback edition. Avon T-302. New York: Avon, [1959] Inscribed by Kerouac on the title page to his friend Gregory Corso: “Ciao Mio Gregorio, Jack”, also signed by Corso on the title page. A unique record of the friendship between these two influential authors. Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear to wrappers, paper with the inevitable browning, first few leaves detached; else very good. (3000/5000)

116. Killens, John O. Youngblood. 566 pp. 8x5½, cloth-backed boards, dust jacket. First Edition. New York: The Dial Press, 1954 Inscribed copy of the author’s first book. Inscribed from the author on the front free endpaper; “To Ronald & Joseph. With sincere regards- John Killens 2-25-55.” Killens was a prominent writer and figure in the Black Arts Movement in the 1960s, and was a close friend to Dr. Martin Luther King, Jr. He founded the Harlem Writers Guild in 1950. Very lightly chipped jacket edges with a few tiny closed tears; volume with a bit of light shelf wear; near Lot 115 fine volume in very good jacket. (300/500)

117. King, Stephen. Firestarter. Cloth-backed boards, dust jacket. First Trade Edition. New York: Viking Press, [1980] Inscribed on front free endpaper “For John Mathews - With best, Stephen King, 8/19/80”. King’s seventh book; and basis for the 1984 film starring Drew Barrymore. A bit of light wear and soiling to jacket; binding a touch shaken; very good in a like jacket. (400/600)

118. Kipling, Rudyard. Barrack-Room Ballads and Other Verses. xx, 208, 16 ad pp. (12mo) full brown morocco, spine ruled and lettered in gilt, all edges gilt. Bound by Bayntun-Riviere. First Trade Edition. London: Methuen, 1892 Fine. Page 22 (200/300) WITH A LETTER FROM RUDYARD KIPLING 119. Kipling, Rudyard. Puck of Pook’s Hill - With Typed Letter, signed. x, 306, [4] ad pp. (8vo) red cloth. Housed in a custom red morocco and marbled board drop-back box. First English Edition. London: Macmillan and Co., 1906 Laid in is a typed letter, signed by Kipling to Francis Howard, Esq., declining a request for recommendation. Spine faded, some light wear to cloth; letter creased; box fine. (400/600)

120. L’Engle, Madeleine. A Wrinkle in Time. Cloth-backed boards, gilt spine, dust jacket. Fifth Printing. New York: Ariel Book / Farrar, Straus, [1963] In the bright and beautiful later printing jacket with the Newberry Seal on front panel, price of $3.25 on front flap. Lightly yellowed or foxed at jacket margins, lightly rubbed at spots along edges; touch of shelf wear to volume; ownership rubberstamp on front free endpaper; else a near fine volume in a very good plus jacket. (200/300)

121. Lamming, George. The Emigrants. Cloth, dust jacket. First Edition. London: Michael Joseph, [1954] Inscribed copy of the author’s second book. Inscribed from the author on the half title page; “For Ronald Sega, Much respect, George Lamming, Feb 1991.” Ronald Segal was an anti- apartheid activist and founder of the Penguin African library series. Reinforced on verso of jacket spine head with cloth tape, scattered foxing or other yellowing; near fine volume in very good jacket. (300/500)

122. Lamming, George. In the Castle of My Skin. Cloth, dust jacket. First Edition. London: Michael Joseph, [1953] Inscribed copy of the author’s first book. On the half title page, the author writes; “Especially for Ronald Segal, Best Wishes, George Lamming, Feb 1991.” Ronald Segal was an author, critic and anti-apartheid activist. Jacket spine tips chipped, some marginal yellowing, a few very tiny spots of soiling; touch of shelf wear to volume extremities; near fine volume in a very good jacket. (400/600)

123. Lang, Andrew. Pickle the Spy or The Incognito of Prince Charles [and] The Companions of Pickle: Being a Sequel to ‘Pickle the Spy’. 2 titles in 2 volumes. Each with a photogravures of art, including frontispieces. Both uniformly bound in blue half morocco with boards, gilt-lettered spines, top edge gilt. First Edition. London: Longmans, Green, 1897-1898 Spine are sunned and rubbed, other extremities rubbed; very good. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 23 A CORNERSTONE OF SUPERNATURAL LITERATURE 124. Le Fanu, J[ames] Sheridan. In a Glass Darkly. 3 volumes. [iv], 299; [iv], 285; [ii], 270 pp. (8vo) 6½x4½, period blue half calf and marbled boards, morocco spine labels, spines gilt, all edges marbled. First Edition. London: R. Bentley & Sons, 1872 Rare first edition of Le Fanu’s collection of supernatural tales, including the classic ghost story ‘Green Tea’ and the vampire tale ‘Carmilla’. Each volume with the bookplate of the famous bibliophile Horace “Horatio Noble” Pym. Pym’s penciled note on the verso of the front free endpaper in Volume 1 relates that this copy belonged to the novelist James Payne, Payne’s ownership signature appears on the dedication leaf in this volume. Sadleir 1380; Wolff 4017. Minor wear to bindings; some staining, smudging and foxing, a few leaves with old folds to corners, a few marginal paper repairs; very good. (2000/3000)

125. London, Jack. The Call of the Wild. Introduction by Pierre Berton. Illustrations by Henry Varnum Poor. 10½x8½, thick tartan cloth, leather spine label; matching Lot 124 slipcase. No. 253 of 1500 copies, signed by the artist. Los Angeles: Limited Editions Club, 1960 Printed for the club by Ward Ritchie. Fine. (150/250)

126. (Lord John Press) Six literary works, signed by the author most published by the Lord John Press. Includes: Mailer, Norman. Of a Small and Modest Malignancy, Wicked and Bristling with Dots. Cloth-backed boards. Signed at colophon. 1 of 300 copies. 1980. * Apparitions: Poems by John Ashbery, Galway Kinnell, M.S. Merwin, L.M. Rosenberg, Dave Smith. Cloth-backed boards. Signed by each poet at the opening page of their poem. 1 of 300 copies. 1981. * Thomas, Ross. Spies, Thumbsuckers, etc. Cloth- backed boards. Signed on half title.1 of 300 copies. [1989]. * Crews, Harry. Madonna at Ringside. Cloth. Signed on half title. 1 of 275 copies, marked Presentation Copy. 1991. * Cunningham, J.V. Dickinson: Lyric and Legend. Cloth. Signed at colophon. 1 of 330 copies. Sylvester & Orphanos, 1980. * Gilchrist, Ellen. Riding Out the Tropical Depression: Selected Poems, 1975-1985. Cloth. Signed on half tile. 1 of 300 copies. Faust Publishing, 1986. Together 6 signed volumes bound by Marianna Blau, all but two published by Lord John Press. Northridge, CA: Lord John Press, Various dates Fine. (300/500)

127. Macdonald, Ross. The Chill. Cloth-backed boards, dust jacket. First Edition. New York: Knopf, 1964 The eleventh of Macdonald’s Lew Archer mysteries. Light edge wear to jacket; fine in a near fine jacket. (100/150)

128. Matthiessen, Peter. At Play in the Fields of the Lord. Cream and black cloth, dust jacket. First Edition. New York: Random House, [1965] A finalist for the National Book Award. A haunting novel of missionaries in the Amazon jungle. Also, basis for the 1991 film. Jacket spine sunned and with minor edge wear; fine in a near fine jacket. (200/300) Page 24 129. Maugham, W. Somerset. Ashenden, Or the British Agent. Blue cloth, dust jacket. First American Edition. New York: Doubleday, 1928 Jacket browned and with some heavy chipping; volume with some light wear; very good in a good jacket. (300/500)

130. May, Nathan, editor. Beatitude #32 - Five copies. 5 copies. Illustrated wrappers. San Francisco: Nathan May, 1982 Each copy signed by the editor and including an original small poster by Jack Hirschman (each different). Also includes contributions by Neeli Cherkovski, Gregory Corso, Kirby Doyle, Howard Hart, Jack Micheline, Gerry Nicosia, and many others. Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. A bit of light wear; near fine. (200/300)

131. McClure, Michael. Nine volumes by Michael McClure - Five of them inscribed. Includes: The Adept. Cloth-backed boards, jacket. First Printing. Inscribed on title page. [1971]. * Ghost Tantras. Wrappers. Inscribed on title page. 1969. * Hail Those Who Play. Wrappers (worn). Inscribed on flyleaf. 1974 * Meat Science Essays. Wrappers. Inscribed on title page. [1963]. * Poisoned Wheat. Wrappers. Inscribed on title page. 1965. The above 5 titles all inscribed by McClure to Nathan May. Various places: Various dates Also includes the following, not signed or inscribed: Jaguar Skies. Wrappers. [1975]. * The Beard. Wrappers. 1967. * The Mammals. Wrappers. 1972. * Star. Wrappers. [1970]. Together 9 volumes. Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some general wear; overall very good. (300/500)

WITH THE SCARCE DUST JACKET 132. McKay, Claude. Banjo: A Story Without a Plot. 326 pp. 7½x5, cloth-backed boards, original dust jacket. First Edition. New York and London: Harper & Brothers, 1929 Jamaican born Claude McKay was a leading voice in the Harlem Renaissance. This is his second book, a fierce criticism of how the French treated black colonists. Just a touch of wear to dust jacket; volume a touch rubbed at extremities; near fine volume in a near fine dust jacket. (600/900)

133. McNeile, H.C. “Sapper”. Bull-Dog Drummond. 320 pp. (8vo) red half morocco, spine gilt, top edge gilt. Bound by Bayntun-Riviere. First Edition. London: Hodder and Stoughton, [1920] Fine. (150/250)

134. Meltzer, David. Three volumes by David Meltzer - All inscribed or signed. Includes: Ragas. Wrappers. Inscribed on front flyleaf. [1959]. * Journal of the Birth. Wrappers. Signed on title page. [1967]. * Hero/Lil. Wrappers. Inscribed and with a small sketch on front flyleaf. 1973. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. A bit of soiling to wrappers; very good. (150/250)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 25 135. Merton, Thomas. The Alaskan Journal of Thomas Merton. Edited with an Introduction by Robert E. Daggy. Preface by David D. Cooper. Frontispiece facsimile manuscript leaf. 8vo. Black cloth with white cloth spine, spine lettered in black, pictorial slipcase from a photo taken by Merton in Alaska. No. 58 of 140 hand-numbered copies printed by Sandra Reese at the Turkey Press. First Deluxe Edition. Isla Vista, CA: Turkey Press, [1988] Signed by the printer, Sandra Reese, in the colophon. Fine with a fine slipcase. (300/500)

136. Mezzrow, Milton “Mezz” and Bernard Wolfe. Really the Blues. 388 pp. 8¼x5½, cloth, dust jacket. First Edition, First Printing. New York: Random House, [1946] Inscribed by both Mezzrow and Wolfe on the front free endpaper; “For Jayne Hill, Eddie’s friend from California. Here’s hopin’ you dig this issue, above the half hipped squares. Milton “Mezz” Mezzrow,” and “For Jayne Hill-If you’re a friend of Eddie’s-you’re solid. Bernie Wolfe.” Very scarce inscribed copy of this influential and notorious jazz autobiography. Light rubbing to jacket edges, a few tiny scuff marks; touch of edge wear to volume; near fine volume in a near fine jacket. (500/800)

137. Micheline, Jack. Three volumes by Jack Micheline - All signed. Includes: Last House in America. Wrappers. Signed on title page. [1976]. North of Manhattan: Collected Poems, Ballads and Songs, 1954-1975. (2 copies). Wrappers. Each copy signed on title page. [1976]. Three volumes, including 1 duplicate. Various places: Various dates Provenance: From the collection of Nathan May, editor of Beatitude Magazine, #32. Some light wear; very good. (100/150)

138. (Moore, Marianne) La Fontaine, Jean de. The Fables of La Fontaine. Translated by Marianne Moore. 9½x6¼, cloth, slipcase. No. 48 of 400 copies. First Moore Edition. New York: Viking, 1954 Signed by Moore on the limitation page. A bit of wear to slipcase, corners cracking; volume fine. (200/300)

REVIEW COPY OF TONI MORRISON’S FIRST NOVEL 139. Morrison, Toni. The Bluest Eye. Blue cloth-backed boards, original dust jacket. First Edition. New York: Holt, Rinehart and Winston, [1970] Including a bookplate signed by Morrison laid in. Also includes from the publisher: a glossy photograph, typed letter, and a review slip laid in. Fine copy of the first edition of the Nobel prize-winning author’s rare first novel. The Bluest Eye has been banned from public circulation in some states. A keystone of African American literature, and one of the most difficult books of the 1970’s in any genre to find in nice condition. Some light creasing at jacket extremities and a touch rubbed at spine tips; ownership rubber stamp on front free endpaper; near fine volume in a near fine jacket. (2000/3000)

Lot 139

Page 26

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder. 140. Naipaul, V.S. A Bend in the River. 296 pp. 9½x5½, cloth, dust jacket. First Edition. [London]: Andre Deutsch, [1979] Inscribed on the title page from the author to composer and lyricist Laurence O’Keefe, and with O’Keefe’s ownership ink inscription dated 1979 on front free endpaper. Inscription reads, “V.S. Naipaul for Laurence and Suzanne at Prague 9 May 1990.” Jacket is price-clipped and very lightly creased at extremities; near fine volume in a near fine jacket. (700/1000)

141. O’Hara, John. Ten North Frederick. Blue cloth, dust jacket. First Edition. New York: Random House, [1955] Basis for the 1958 film of the same name starring Gary Cooper and Diane Varsi. Jacket spine faded, light edge wear; spine leaning; very good in a like jacket. (100/150)

142. O’Neill, Eugene. The Hairy Ape. 114 pp. Illustrated with 9 color plates by Alexander King. 10x7½, original black cloth-backed blue and orange batik paper boards, spine lettered in gilt, jacket with color pictorial cover label. No. 537 of 775 copies (of which 750 were for sale). First Alexander King Illustrated Edition. New York: Horace Liveright, 1929 Signed by Eugene O’Neill on the limitation page. Originally published in 1922 and later made into the 1944 film starring Susan Hayward. Atkinson A20-V-i.a. Near fine with slight shelf wear, contents largely unopened. (200/300)

143. O’Neill, Eugene. The Plays of Eugene O’Neill. 12 volumes. (8vo) gilt stamped and lettered red cloth. No. 370 of 770 sets. Wilderness Edition. New York: Scribners, [1934-35] Signed by O’Neill at the limitation statement in Volume 1. Lacking slipcases, some light wear to cloth; very good. (700/1000)

144. [Percy, Thomas]. Reliques of Ancient English Poetry... 3 volumes. [xxviii], 344, [4]; [4], [iv], 384; [2], xxiv, 346 pp. Half title present in second volume. Frontispiece in Volume 1; engraved music plate at rear of Volume 2; engraved vignettes. (8vo), modern blue morocco-backed marbled boards, spines lettered in gilt. First Edition. London: J. Dodsley, 1765 Some light foxing; very good in fine modern bindings. (400/600)

145. Pinter, Harold. Poems. [viii], 24, [3] pp. Errata slip laid in. (8vo) 7½x6, red morocco-backed black cloth, spine lettered in gilt. No. 182 of 200 copies. [London]: Enitharmon Press, 1968 Signed by Pinter at the colophon. Fine (200/300)

146. Rand, Ayn. Atlas Shrugged. Green cloth, pictorial jacket. First Edition, First Printing. New York: Random House, [1957] Highspot in 20th century literature. Author’s classic novel based on her principles of Objectivist philosophy. Jacket with some light edge wear, a few scratches to jacket spine; fine in a very good or better jacket. (700/1000)

Page 27 147. Riley, James Whitcomb. Poems and Prose Sketches. 16 volumes. (8vo) contemporary half vellum, top edges gilt, other edges uncut, with paper spine labels, most with cardboards slipcases. Limited “Homestead Edition.” No. 190 out of 204 sets, printed on Japan paper. New York: Scribner’s, 1897-1898 Shelf wear to slipcases; minor soiling to spines, spine labels missing or missing a portion on 3 volumes, all but 2 volumes with slipcases as issued, from those a 1 slipcase is missing its spine panel, a few with detaching spine panels; very good. (300/500)

148. Rossetti, Dante Gabriel. The Poems of Dante Gabriel Rossetti - Cheyne Walk Edition. 2 volumes. Frontispiece portrait in Volume 1. (8vo), period brown ¾ morocco and marbled boards, spines gilt, top edges gilt. No. 329 of 500 copies. Troy, New York: Pafraets Book Company, [1903] Bound by McDevitt-Wilson. Light wear to extremities; very good. (200/300)

A QUEEN’S QUORUM TITLE 149. [Russell, William] “Waters”. Recollections of a Detective Police-Officer. 309, [1] pp. Frontispiece. (12mo) period half calf and marbled boards, spine stamped in blind, morocco label. First English Edition. London: J. & C. Brown, 1856 A cornerstone work of detective fiction. Queen’s Quorum 2. Light wear to extremities; light foxing; very good. (300/500)

150. Saroyan, William. Places Where I’ve Done Time. Cloth, jacket. First Edition. New York: Praeger, [1972] A unique copy, signed eight times by William Saroyan, including a full-page signed inscription on the half-title, “...to Miss Margo Gilden, I really wish I could sign all of the Saroyan books you have & maybe someday I will - in the meantime I’ll put my name all over this book...” He has also signed on the front cover, the back cover, the verso of the half-title, the “Other Books” page, the title-page, the dedication-page, and the last text page. Fine condition. (200/300)

RARE FIRST EDITION OF A WESTERN CLASSIC 151. Schaefer, Jack. Shane. 7½x5, tan cloth, lettered in brown, pictorial jacket. First Edition. Boston: Houghton Mifflin, 1949 Story of a weary gunfighter who tries to settle down with a homestead family, but suddenly becomes involved with conflict between settlers and ranchers. Basis for the 1953 film directed by George Stevens and starring Alan Ladd. Jacket spine faded, rubbed edges, repaired on verso with paper along spine and all edges of front and rear panels, rubbed; cover of paperback edition pasted to front pastedown; name in ink on verso of front free endpaper; foxed; else a very good volume in a good jacket. (1500/2000)

Lot 151

Page 28 A FEW LIMITED EDITIONS FROM THE SCORPION PRESS 152. (Scorpion Press) Davis, Lindsey. A Dying Light in Corduba. (8vo), blue morocco backed marbled boards, raised bands, spine lettered in gilt, acetate jacket. One of 15 lettered “de luxe copies” from a total edition of 114 copies, this being copy ‘K’. Blakeney: Scorpion Press, [1996] Signed by both Davis and by Peter Lovesey who wrote the appreciation. Fine. (200/300)

153. (Scorpion Press) Gash, Jonathan. The Lies of Fair Ladies. (8vo), tan morocco backed marbled boards, raised bands, spine lettered in gilt, acetate jacket. One of 20 lettered copies from a total edition of 119 copies, this being copy ‘K’. Bristol: Scorpion Press, [1991] Signed by both Gash and by H.R.F. Keating who wrote the appreciation. Fine. (300/500)

154. (Scorpion Press) Hartland, Michael. The Year of the Scorpion. (8vo), maroon morocco backed marbled boards, raised bands, spine lettered in gilt, acetate jacket. One of 15 lettered “de luxe copies” from a total edition of 90 copies, this being copy ‘K’. Bristol: Scorpion Press, [1991] Signed by Hartland as well as Ted Allbeury & Eric Homberger who wrote the appreciation. Fine. (300/500)

155. (Scorpion Press) O’Connell, Carol. Flight of the Stone Angel. (8vo), red morocco backed marbled boards, raised bands, spine lettered in gilt, acetate jacket. One of 15 lettered “de luxe copies” from a total edition of 114 copies, this being copy ‘K’. Blakeney: Scorpion Press, [1997] Signed by both O’Connell and Val McDermid who wrote the appreciation. Fine (300/500)

156. (Scorpion Press) O’Connell, Carol. Killing Critics. (8vo), red morocco backed marbled boards, raised bands, spine lettered in gilt, acetate jacket. One of 15 lettered “de luxe copies” from a total edition of 100 copies, this being copy ‘K’. Blakeney: Scorpion Press, [1995] Signed by both O’Connell and Barry Maitland who wrote the appreciation. Fine. (300/500)

157. (Scorpion Press) The Man Who...Stories by Detection Club Authors. White leather-backed marbled boards. One of 125 copies. Briston: Scorpion Press, [1992] Signed by all 13 contributors including: Catherine Aird, Eric Ambler, Simon Brett, Len Deighton, Antonia Fraser, Michael Gilbert, Reginald Hill, P.D. James, H.R.F. Keating, Peter Lovesey, Ruth Rendell, George Sims, and Michael Underwood. Fine. (200/300)

158. Scott, Walter. Rokeby; A Poem. [x], 413 pp. (8vo) 8½x5¼, later full tree calf, spine gilt. Fourth Edition. Edinburgh: John Ballantyne, 1813 Initialed inscription on the front fly leaf to Caroline Frances Walpole from her husband Robert Walpole (R.W.), grandson of Horace Walpole. Spine faded, some light wear; occasional foxing; very good. (100/150)

Page 29 159. Scott, Walter. Three works by Sir Walter Scott. Includes: The Monastery. Second Edition. 1820. * The Fortunes of Nigel. Second Edition. 1822. * The Pirate. Third Edition. 1822. Together 3 titles in 9 volumes. (8vo) 6¾x4¼, uniformly bound in full straight-grained calf, spines gilt, black leather labels. Edinburgh: Various publishers, Various dates Some general wear and fading, joint repaired on one volume; foxing; overall good or better. (250/350)

A PLAY FROM THE FOURTH FOLIO SHAKESPEARE 160. [Shakespeare, William]. The Life and Death of King John - Extracted from the Fourth Folio. Pages 1 through 20. (Folio) 14x8¾. Disbound. [London]: [H. Herringman, et al], [1685] The complete text of ‘The Life and Death of King John’ from the fourth and final 17th century folio edition of Shakespeare’s Works. A bit rough along previously bound edge, browning to edges, light foxing; very good. (400/600)

161. Shepperd, Eli. Plantation Songs for My Lady’s Banjo and Other Negro Lyrics & Monologues. 150 pp. Illustrated with photographs by J.W. Otts. (8vo) original decorated tan cloth. First Edition. New York: R.H. Russell, 1901 Scarce volume of dialect poetry. Some soiling to cloth; very good. (150/250)

162. Smith, Lee. Something in the Wind. Cloth-backed boards, dust jacket. First Edition. New York: Harper & Row, [1971] Inscribed by Smith on the title page: “I tried to pretend that this was any vacation and I was just going home. Lee Smith 5/12/94”. Minor wear at jacket edges; small nick to top edge of front board; small spot of correcting fluid(?) on title page; near fine in a like jacket. (200/300)

163. Steinbeck, John. Cannery Row. Canary-yellow cloth, dust jacket. First Edition, second state binding. New York: Viking, 1945 Originally issued in a buff-colored cloth; there was not enough of the buff cloth to complete the run, so canary-yellow cloth was selected to bind the remainder, as this copy. Goldstone- Payne A22.b. Jacket a bit browned and with some light wear at edges; a bit of browning to cloth at edges; very good in a like jacket. (200/300)

164. Steinbeck, John. The Collected Poems of Amnesia Glasscock by John Steinbeck. With a Response by Robert Peters. 30 unnumbered pp. 9¼x6, saddle-sewn blue paper wrappers with embossed vignette, original white transparent paper jacket. No. 26 of 250 copies printed by Clive Matson and Peter Lewis at Neon Sun. South San Francisco: ManRoot, 1976 According to Peters, these poems were written by Steinbeck for the Monterey Beacon at age 32 under the feminine pseudonym Amnesia Glasscock. Other sources, however, state these poems were actually written by Steinbeck’s first wife, Carol. Glassine with some soiling and edge wear; volume fine. (150/250)

165. Steinbeck, John. The Grapes of Wrath. (8vo) modern blue full morocco, spine ruled and lettered in gilt, all edges gilt. Bound by Bayntun-Riviere. First English Edition. London: William Heinemann, [1939] Golstone-Payne A12.b. A beautifully-bound copy. Fine. (250/350) Page 30 ADVANCE PROOF OF STEINBECK’S SEA OF CORTEZ 166. Steinbeck, John and Edward F. Ricketts. Sea of Cortez: A Leisurely Journal of Travel and Research... x, 277 pp. 9¼x6, original brown paper wrappers, printed yellow paper cover label on front cover. First Edition, Advance Proof Copy. New York: Viking, 1941 The scarce proof copy of Steinbeck’s only significant collaboration. Precedes the first hardcover edition; the advance “proof ” copy, which only printed the first half of the text, completely omitted the scientific matter and illustrations and the appendix. Reads partly as a traveler’s log and as a novel documenting a specimen-collecting voyage, for which Steinbeck intended the text to work on multiple levels, including the conveyance of the radically subjective nature of reality. Goldstone- Payne A15.a. Wrappers browned with some wear, spine a bit stained, head chipped, wear along joints, faint inkstamp “Robert Cameron” to front wrapper, label with glue stains, corner torn off and reglued; good to very good. Lot 166 (2000/3000)

167. Steinbeck, John. Of Mice and Men. Introduction by John T. Winterich. Color illustrations by Fletcher Martin. 12x8¾, half leather & denim, spine lettered in blind, denim & boards slipcase. No. 1117 of 1500 copies from the Press of A. Colish. New York: Limited Editions Club, 1970 Signed by Fletcher Martin at the colophon. Spine a bit faded and with some light wear; near fine. (200/300)

168. Stevenson, Robert Louis. The Black Arrow: A Tale of the Two Roses. viii, 324, [16] ad pp. (8vo) original red cloth stamped in black, spine lettered in gilt. Housed in a custom red full morocco solander case. First Edition. London: Cassell & Company, 1888 Beinecke 481. Light soiling to cloth, hinges cracked; very good. (200/300)

169. Tarkington, Booth. Monsieur Beaucaire. Illustrated plates by C.D. Williams. Red cloth, custom cloth chemise, and morocco-backed slipcase, spine lettered and decorated in gilt. First Edition, First Issue. New York: McClure, Phillips & Co., 1900 Inscribed by Booth Tarkington in 1940 on verso of the frontispiece. With the ½” Gilliss seal on page after last page of text. Very light shelf wear to slipcase; volume spine tips and corners rubbed a bit; hinges cracked, very faint marks to endpapers; very good volume in same slipcase. (200/300)

170. Tarkington, Booth. The Two Vanrevels. Illustrated plates by Henry Hutt. Red cloth, custom morocco-backed boards slipcase, gilt-lettered spine. First Trade Edition. New York: McClure, Phillips & Co., 1902 With, “Published, October, 1902, R” after copyright notice. The first trade edition of Tarkington’s third book, and it was published prior to the limited edition. With a gilt-embossed armorial bookplate that reads, “Tout en Bonne Meure Beach.” Rubbed extremities, a touch of fraying at corners; touch of offsetting to front free endpaper from bookplate; very good, in a fine and lovely custom slipcase. Page 31 (200/300) 171. Thomson, James. The Works of James Thomson. 4 volumes. Several engraved plates. (12mo) 6¾x4, period full calf, red morocco labels. London: W. Boyer, et al, 1773 With an account of the life of the author. Some wear to bindings, repair to spine on Volume 2; light foxing; very good. (200/300)

FIRST EDITION IN ENGLISH OF B. TRAVEN’S BEST KNOWN WORK 172. Traven, B. The Treasure of the Sierra Madre. [vi], 295, [1] pp. (8vo) modern full red morocco, spine ruled and lettered in gilt, all edges gilt. First English Edition. London: Chatto & Windus, 1934 Precedes the American edition by 1 year. Translated from the German by Basil Creighton. Fine. (200/300)

173. Twain, Mark. The Prince and the Pauper. A Tale for Young People of All Ages. 411 pp. 192 illustrations in black and white. (8vo) 8¼x6¼, original green cloth lettered and decorated in black and gilt. First American Edition. Boston: James R. Osgood & Co., 1882 BAL’s first state binding with central rosette on spine 1/8” below fillet. BAL 3402. Light wear to cloth; very good. (250/350)

174. Updike, John. Two published by Lord John Press - one signed by Updike. 2 volumes including: The Beloved. Morocco-backed cloth. One of 100 copies specially bound (out of a total of 400 copies). Signed by the author at the colophon. 1982. * Getting the Words Out. Morocco-backed boards. One of 250 copies. 1988. Together 2 octavo volumes, each out of series. Northridge, CA: Lord John Press, 1982-1988 Each a touch rubbed at spine tips; else fine. (200/300)

175. Van Dine, S.S. [psued. Willard Huntington Wright]. Four Philo Vance stories by S.S. Van Dine. Includes: The Green Murder Case. 1928. * The Scarab Murder Case. 1930. * The Kennel Murder Case. 1933. * The Casino Murder Case. 1934. Together 4 volumes, original black cloth, dust jackets. First Editions. New York: Scribners, Various dates Jackets edge worn; some wear to cloth; overall very good. (300/500)

TWO LOTS OF JULES VERNE 176. Verne, Jules. A Journey to the Centre of the Earth. viii, 413 + [6] ad pp. With 55 wood-engraved plates, included in the pagination. 7¾x5, original brick-red cloth pictorially stamped in gilt & black. Second American Edition. New York: Scribner, Armstrong & Co., [1874-5] Myers 35. Light wear and soiling to cloth; page edges uneven; very good. (250/350)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 32 177. Verne, Jules. Twenty Thousand Leagues Under the Seas. viii, 303 pp. Engravings throughout. (8vo) modern blue half morocco and cloth, spine ruled and lettered in gilt, top edge gilt. First English Edition. London: Sampson Low, Marston, Low, & Searle, 1873 Publisher’s ads not retained when rebound. Foxing and soiling to a few pages at front and rear; else fine. (500/800)

178. Walcott, Derek. In a Green Night: Poems 1948-1960. 79 pp. 8x4¾, cloth-backed boards, dust jacket. First Edition. London: Jonathan Cape, [1962] First edition of the Nobel prize-winning author’s first major collection of poetry. In the original green dust jacket designed by Germano Facetti. Jacket a touch rubbed at spine tips; a touch of wear at volume spine tips; near fine volume in near fine jacket. (500/800)

179. Walcott, Derek. Selected Poems. 85 pp. 8½x5½, cloth-backed boards, dust jacket. First Edition. New York: Farrar, Straus, [1964] Inscribed by the author to his literary agent, on the front free endpaper; “To Audrey Wood, from Derek Walcott. Gratefully July 1969.” With Audrey Wood’s rubber stamp on front free endpaper. A few very short closed tears on jacket edges; light rubbing on front board; else a fine volume in a near fine jacket. (300/500)

180. [Walpole, Horace]. The Castle of Otranto; A Gothic Story. [2], xliii, [1], xii, [2], 152 pp. Engraved title page vignette. (4to) 10½x8½, later half calf and marbled boards, morocco spine label, all edges marbled. Edinburgh: John Ballantyne, et al, 1811 First published in 1765. A handsome reprint of Walpole’s masterpiece, generally considered to be the first Gothic novel in English. Light wear to binding; near fine. (300/500)

IN THE FIRST ISSUE DUST JACKET 181. Warren, Robert Penn. All the King’s Men. Maroon cloth, spine lettered in gilt, color pictorial jacket. First Edition. New York: Harcourt Brace, [1946] First edition in a first issue jacket with the Sinclair Lewis blurb on the back panel rather than the flap. Classic American novel, winner of the Pulitzer Prize, and basis for the 1949 film of the same name. Robert Penn Warren worked on the film screenplay himself; the film won the Best Picture Oscar for 1949. Grimshaw A7.a1. Jacket worn and with several tears and creases; a touch of wear to edges; near fine in a good jacket. (1200/1800)

Lot 181

Page 33 182. Warren, Robert Penn. Meet Me in the Garden. Linen, dust jacket. First Edition. New York: Random House, [1971] Inscribed by the Pulitzer Prize winning author on the front free endpaper. Circular red ‘H’ remainder ink stamp also on this leaf. Jacket price-clipped and with some light edge wear; volume fine. (200/300)

183. Wells, H.G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While it Lasted. [viii], 389, [1], [2] ad pp. 16 plates after illustrations by A.C. Michael. (8vo) full recent blue morocco, spine ruled and lettered in gilt, all edges gilt. Original front cover blue cloth (later state with mounted illustration) bound in at rear. Bound by Bayntun-Riviere. First Edition. London: George Bell and Sons, 1908 Fine. (250/350)

A FEW FROM EUDORA WELTY 184. Welty, Eudora. The Bride of the Innisfallen and Other Stories. Cloth-backed boards, dust jacket. First Edition, First Issue. New York: Harcourt, Brace, [1955] Author’s important seventh book, which was a finalist for the National Book Award. First issue with only a single date on copyright page. Jacket with several closed tears; volume with some light edge wear, rear endpapers browned; very good in a like jacket. (200/300)

185. Welty, Eudora. Delta Wedding. Tan cloth, dust jacket. First Edition. New York: Harcourt, Brace, [1946] Signed by the author on the title page. Jacket edge worn; small dent to front panel of jacket and to front cover; very good in a like jacket. (200/300)

186. Welty, Eudora. Losing Battles. Green cloth, dust jacket. First Edition. New York: Random House, [1970] Inscribed by the author on front free endpaper. Inscription dated 1984. Light wear to jacket edges; lettering from front jacket panel has bled through to front cover cloth; very good in a like jacket. (200/300)

187. Welty, Eudora. The Wide Net. Blue cloth, dust jacket. First Edition. New York: Harcourt, Brace, [1943] Inscribed by Welty on the front free endpaper, dated 1988. The author’s scarce third book with only 2500 copies in this first printing. Jacket spine lettering faded (as usual); small bump to lower corners; near fine in a like jacket. (500/800)

188. (Welty, Eudora) McHaney, Pearl Amelia, editor. Eudora Welty: Writers’ Reflections upon First Reading Welty. [14], iv, 118 pp. Edited with a Preface by Pearl Amelia McHaney. 8vo. Green silk cloth, lettered in gilt, marbled endpapers, publisher’s cloth slipcase. No. 184 of 200 hand-numbered copies. First Edition. Lot 187 Athens, Georgia: Hill Street Press, [1999]

Page 34 Signed by the editor and each of the 22 contributors on 6 specially inserted leaves in the back (before the colophon), including authors Ellen Gilchrist, Alice Munro, Reynolds Price, Richard Wilbur, Elizabeth Spencer, etc. Published on the occasion of Welty’s 90th birthday. Spine a touch sunned; else fine (200/300)

189. White, Edgar. Underground: Four Plays. 245 pp. 8x5½, cloth, dust jacket. First Edition. New York: William Morrow, 1970 Inscribed by the author to Ethel de Keyser, the South-African born lifelong campaigner for African American liberation. On front free endpaper; “For Ethel with Love Edgar, Babylon ‘78.” Also includes folding program from the October 26, 1978 production of the play “Masada” directed by Rufus Collins. Very lightly rubbed jacket extremities, lightly toned with age; volume is faintly yellowed at bottom edge of cloth; else near fine all along. (300/500)

T.H. WHITE’S ARTHURIAN TRILOGY 190. White, T[erence] H[anbury]. The Ill-Made Knight. Blue cloth, dust jacket. First American Edition. New York: G.P. Putnam’s Sons, 1940 The third novel in White’s Arthurian trilogy, precedes the English edition. Jacket price clipped and lightly edge worn; volume with just a touch of wear; fine in a very good jacket. (200/300)

191. White, T[erence] H[anbury]. The Once and Future King. Blue cloth, dust jacket. First Edition. London: Collins, 1958 First single volume edition of White’s Arthurian trilogy, revised and with additional material. Jacket with some staining and light edge wear; endpapers foxed, previous owner’s name and address on front pastedown; very good. (150/250)

192. White, T[erence] H[anbury]. The Sword in the Stone. 339 pp. Illustrated with line drawings within the text. 7¾x5¼, original black cloth, spine lettered in white, black and white pictorial jacket. First Edition. London: Collins, 1938 First edition of the first and most desirable title in White’s Arthurian legend trilogy. Also, the basis for the 1962 Walt Disney film. Scarce original illustrative jacket with various crest motifs on the covers and spine. Jacket price clipped, some light chipping at edges, tape repair on verso at head of spine, small hole along rear spine fold; slight lean to spine, light wear to spine ends, previous owner’s name on front free endpaper, foxing to edges of page block; very good in a like jacket. (1500/2000) Lot 192

193. White, T[erence] H[anbury]. The Witch in the Wood. Grey cloth, dust jacket. First English Edition. London: Collins, [1940] The second title in White’s Arthurian trilogy. Jacket with some chipping and short tears at edges; volume with a touch of wear; very good in a like jacket. (300/500)

Page 35 194. White, T[erence] H[anbury]. The Witch in the Wood. Blue cloth, dust jacket. First American Edition. New York: Putnam, 1939 The second title in White’s Arthurian trilogy. Some light wear and soiling to jacket; volume with a touch of wear; very good in a like jacket. (200/300)

195. Yeats, William Butler. Eight volumes by William Butler Yeats. Includes: Ideas of Good and Evil. Cloth-backed boards. London, 1903. * The Land of Heart’s Desire. Boards. Eighth Mosher Edition. 1909. * The Cutting of an Agate. Boards. NY, 1912. * [Another copy]. * Plays for an Irish Theatre. Second Impression. London, 1913. * Wheels and Butterflies. Cloth. NY, 1935. * The Herne’s Egg and Other Plays. Cloth. NY, 1938. * Last Poems & Plays. Cloth, dust jacket. Jacket worn, chipped and clipped. NY, 1940. Together 8 volumes. First or First American Editions except where noted. Various places: Various dates Some general wear; overall very good. (200/300) Section II: Children’s and Illustrated Books

196. (Artzybasheff, Borris) Dorey, Jacques. Three and the Moon. xi, 103 pp. (Folio) 13x9¾, original patterned boards backed in maroon cloth lettered in silver. No. 133 of 260 copies printed on Normandy vellum. First Edition. New York: Knopf, 1929 Signed by Artzybasheff on limitation page. Corners rubbed; fine. (150/250)

197. (Attwell, Mabel Lucie) Barrie, J.M. Peter Pan and Wendy. 12 color plates by Mabel Lucie Attwell, numerous in text illustrations. (8vo) red cloth stamped in gilt, top edge gilt. London: Hodder and Stoughton, [1921] Spine a touch faded, light edge wear; very good. (100/150)

198. (Bakst, Léon) The Designs of Léon Bakst for the Sleeping Princess. A Ballet in Five Acts after Perrault. Music by Tchaikovsky. [4], 18. [2] pp. Preface by André Levinson. Full-page lithograph of Bakst by Pablo Picasso; 54 mounted color plates with printed tissue guards; 2 smaller mounted color plates (on the title page and the page with the list of illustrations). 15¼x11¼, quarter vellum & cloth, spine lettered in gilt, top edge gilt, others untrimmed. No. 358 of 1000 copies, of which 500 were reserved for the United States. London: Benn Brothers Limited, 1923 Striking series of costume designs, with the notable addition of the lithograph by Picasso. Vellum discolored, some rubbing/fading to cloth; front hinge tender, mild darkening to plate mounts, else very good. (2000/3000)

Lot 198

Page 36 A COLLECTION OF ART DECO PRINTS BY GEORGE BARBIER 199. Barbier, George. Le Bonheur Du Jour ou les Graces a la Mode. Title leaf, text leaf, colophon leaf, contents leaf and 12 (of 16) pochoir plates. Plates approximately 12x16”, including margins. Paris: Chez Meynial, [1920] Barbier’s fabulous Art Deco plates of Paris fashion and society. Also included are 3 smaller plates in a similar style (1 by Barbier), each approximately 9½x7¼. A bit browned at edges from prior matting, title leaf with a few short tears; else near fine. (1500/2500)

Lot 199

200. Baskin, Leonard. Ars Antomica: A Medical Fantasia. [7] text pages. 13 prints after Baskin’s pen and ink drawings. (Folio) 22¼x15½, loose in portfolio, as issued, slipcase. No. 586 of 2500 copies. New York: Medicina Rara, [1972] Signed by Baskin at the limitation statement. Some light wear to slipcase; prints fine. (150/250)

201. Benson, A.C., Lawrence Weaver, & E.V. Lucas, editors. The Book of the Queen’s Dolls’ House [&] The Book of the Queen’s Dolls’ House Library. 2 volumes. Numerous full page plates, many in color. (4to) 10x7¾, original linen-backed blue boards, paper labels on spines. Each one of 1500 copies. London: Methuen, [1924] The first volume describes the doll’s house, made as a gift for Queen Mary. The second volume is devoted to the doll’s house library. Some wear at edges, hinges cracked; very good. (250/350)

TWO LOTS WITH WOODCUTS BY THOMAS BEWICK 202. Bewick, Thomas. A General History of Quadrupeds. x, 483, pp. Illustrated throughout with wood engravings by Thomas Bewick. 9x5¾, period marbled boards with modern calf rebacking. Third Edition. Newcastle Upon Tyne: S. Hodgon, et al, 1792 First published in 1790, Bewick’s influential work arose from a desire “to instruct his readers in an agreeable way... Bewick faithfully depicted each quadruped in proper sequence. Exotic animals like the lion and the hippopotamus, which he took from books, may be unconvincing, but he never fails with the dogs, sheep, and cats, which he drew from life....” (Ray, Illustrator...in England, 49). Some wear to boards, endpapers replaced, tear on title page with repair on verso, some foxing; very good. (300/500)

Page 37 203. Bewick, Thomas. A History of British Birds. 2 vols. xliv, 382; xxii, 432 pp. Illustrated with numerous wood engravings of land & water birds by Bewick. (8vo) 8½x5½, modern brown half calf and cloth, morocco labels. Sixth Edition. Newcastle: T. Bewick, 1826 Important works on birds, with Bewick’s detailed illustrations. Spines faded; light foxing; near fine. (200/300)

204. Boutet de Monvel, Louis-Maurice. Vieilles Chansons Pour les Petits Enfants avec accompagnements de Ch. M. Widor. Illustrated in color by Boutet de Monvel. 8¾x10½, patterned silk stamped in gilt, lettered in black, ribbon ties. Paris: Plon-Nourrit et Cie., c.1900 A few soiled/darkened patches to the coves, ribbon ties are frayed; very good. (100/150)

205. Bradley, Will. Peter Poodle, Toy Maker to the King. [10], 166 pp. Illustrated in color by the author, including frontispiece; map endpapers (free endpapers supplied in photocopy facsimile). 11x8¾, original color pictorial boards backed with cloth. First Edition. New York: Dodd, Mead, 1906 Boards worn at edges, crease to front cover; page edges uneven; good. (150/250)

206. Calder, Alexander. Calder’s Circus. 16 prints reproducing line drawings, on thin card stock. Sizes vary, largest is 17x13”. Also included is a 4-page introduction, with text by Joan Miro and Cleve Gary. Red and blue cloth portfolio. First Edition [New York]: [Art in America with Perls Galleries], [1964] Portfolio with some light wear, lacking plastic clips at bottom and fore edges; prints fine. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 38 ONE OF ONLY 25 COPIES 207. Carroll, Lewis. Alice in Wonderland - Illustrated collector’s edition limited to twenty-five copies. [1-10] 11-176, [177-185] pp. Consists of unbound signatures, printed story and accompanying illustrations paginated continuously. 10 double page intaglio etchings in color, plus the illustrated double page title; 10 smaller hand-colored prints (image is 4x3) on the lower right corner preceding each etching, such as Tweedle Dee (or Dum) and the Queen; inlaid inside front and rear cover of the box is a color print of the frog, as a “welcome” and a “bye-bye”; paper jacket covers designed, hand-drawn, and hand- painted in watercolor by Facundo Alí. 12¾x10, unbound folio signatures in paper jacket, housed in red cloth drop-back box, cork board cover and spine, with publisher’s original paper packaging. Number 19 out of 25 copies printed by Artesanías Graficas, designed and directed by Samuel Cesar Palui, Ernesto Lowenstein, and Ruben Lapolla. [Buenos Aires]: Ediciones Dos Amigos, 2006 Richly illustrated, featuring 11 original etchings by the late Argentinean artist, Alicia Scavino. Embellishments, hand-coloring, and the wrapper illustration by another leading Argentinean artist Facundo Alí. The book was a project which took three years to complete, and unfortunately was not finished before Alicia Scavino’s death, leaving the last two chapters without illustrations, and they remain that way, as issued. The type is hand set by Mariano Romero in 14-point Aster type and printed letterpress by master pressman, Ruben Lapolla in two colors: black and the initial letter of each chapter in red. The famous “Mouse’s Tale / Tail” on page 48, starts in 14-point Aster type and descends to 6-point. A stunning publication and another amazing example of the contemporary Latin American art inspired by Alice in Wonderland. For more information on the process and Artesanías Graficas, please visit http:// www.jbocc.com/JBOCC_Studio/AliceHome.html. A unique opportunity to acquire this masterpiece the day before the movie directed by Tim Burton is released on March 5, 2010. Fine. (15000/25000)

Lot 207

208. Carroll, Lewis. Alice’s Adventures in Wonderland. [xii], 192, [2] pp. Illustrations by John Tenniel. (8vo) 7¼x5, original gilt stamped red cloth, all edges gilt. “Forty-First Thousand.” London: Macmillan, 1874 First published in 1865. Light wear to cloth, front hinge starting; previous owner’s notes on endpapers and half title; very good. (250/350)

Page 39 209. Carroll, Lewis. Alice’s Adventures in Wonderland [bound with] Through the Looking-Glass and What Alice Found There. 2 volumes bound in 1. Illustrations by John Tenniel. (8vo) 7¼x4¾, finely bound in full red morocco, gilt devices of characters from the tales on covers and in spine compartments, raised bands, all edges gilt. Bound by Hatchards. London: Macmillan, 1959 & 1962 Fine. (200/300)

TWO LOTS WITH ILLUSTRATIONS BY HARRY CLARKE 210. (Clarke, Harry) Poe, Edgar Allan. Tales of Mystery and Imagination. 412, [1] pp. With 32 tipped-in color plates by Harry Clarke; plus many black and white illustrations. (4to) 10½x7¾, original black cloth, dust jacket. First American Clarke Edition. New York: Brentano’s, [c. 1923] A stunning edition of Poe’s masterwork with gorgeous illustrations by Harry Clarke. Clarke’s reputation as a master illustrator results largely from his work in this volume, which has been widely reproduced in innumerable editions of mostly inferior print quality. Jacket well worn, split at spine folds and lacking several large pieces; volume with just a touch of wear; near fine in a poor jacket. (250/350)

211. (Clarke, Harry) Walters, L.d’O., comp. The Year’s at the Spring. Illustrated by Harry Clarke, including 24 plates, 12 of which are in color. Introduction by Harold Monro. (4to) 10¼x8, green cloth. First Clarke Edition. London: Harrap, 1920 An uncommon Clarke title. Light wear to extremities; very good. (100/150)

212. Clavé, Antonio. Candide: People at Window - Lithograph. Lithograph. 10x7½ image on 12¾x10 paper. From an edition of 240. No place: [1947] Antonio Clavé (1913-2005) was a Spanish painter and lithographer. Taped with two pieces of tape to matt board, with matt; penciled note at bottom edge; near fine. (200/300)

213. Covarrubias, Miguel. Pageant of the Pacific. 6 color maps, each illustrating a different aspect of the Pacific. 4 are approximately 53.5x85 cm. (21x33½”), 2 are approximately 35x56 cm. (13¾x22”), plus margins. Loosely draped around wooden dowel in the original portfolio, text booklet present. First Edition. San Francisco: Pacific House, 1940 Striking color representations of the Pacific, the Americas, Australia and part of Asia, covering Peoples of the Pacific; Fauna and Flora of the Pacific; Art Forms of the Pacific Area; Economy of the Pacific, etc. These are reproductions of the six murals by Covarrubias in Pacific House, Theme Building of the Golden Gate International Exposition on Treasure Island. A bit of wear to edges of portfolio; near fine. (400/600)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 40 214. Cruikshank, George. The Comic Almanack, an Ephermeris in Jest and Earnest, Containing Merry Tales, Humorous Poetry, Quips, and Oddities. 2 volumes, first and second series. 388, 32 ads; 428, 36 ad pp. Numerous illustrations and plates from etchings and engravings by Cruikshank and others, some folding. (8vo) 7½x5, rebound in half calf and boards, gilt-lettered spines. London: Chatto and Windus, [c.1881] Bound set of the 19 yearly volumes produced from 1835 to 1853, containing prose by Thackeray, Albert Smith, Gilbert A’Beckett and the Brothers Mayhew, along with Cruikshank’s inimitable caricatures. Volume 1 half title missing top half, rebacked with paper, some faint dampstaining or smudging, and a tiny hole in page [1] of Volume 1; externally near fine; else very good. (200/300)

215. (Currier & Ives) Salvator [and] Potomac and Masher - two framed hand-colored lithographs. Two large- format hand-colored lithographs, including: The Racing King Salvator, Mile Record 1:35½. By J. Cameron. 20x27. * Mr. August Belmont’s Potomac (Hamilton Up) and Masher (Bergen Up). By St. Blaise, dam Susquehanna by Lexington. By the Ill Used, dam Magnetism by Kingfisher. The Celebrated horses which ran first and second for the Great Futurity Stakes at Sheepshead Bay, N.Y. Aug. 30th, 1890. By Chas. L. Zelinsky. 19¼x27¼. Each lithograph’s title has been trimmed from lower margin (presumably margins have been trimmed almost completely) and mounted on lower matting below the image to create a seamless display. New York: Currier & Ives, 1891 The second lithograph is notable in that one of the two seated jockeys is African American. Each is matted and framed in a lovely gold floral decorative frame that measures 3½” thick. Ready to hang on your walls. Conningham 5048 and 4249. Each frame with lightly chipped lower corners; lithographs appear fine; not examined outside of frame. Additional shipping charges may apply. (1000/1500)

216. (Dean, Mallette) Carmody, Francis J., translator. Physiologus: The Very Ancient Book of Beasts, Plants and Stones. Translated by Francis J. Carmody. Illustrated with hand-colored lino-cuts by Mallette Dean. 11x7¾, decorated vellum, spine lettered in orange. One of 325 copies printed by Vivien & Mallette Dean. San Francisco: Book Club of California, 1953 Spine darkened, some usual discoloration to boards, book plate; near fine. (150/250)

217. (Detmold, E.J.) Fabre, [Jean Henri]. Fabre’s Book of Insects. Retold by Mrs. Rodolph Stawell. Twelve tipped in color plates by E.J. Detmold. Gilt stamped green cloth, dust jacket, publisher’s two- part box. “New Edition”. New York: Tudor, 1935 Reprint of the 1921 edition. Scarce with the original box. Box with some wear, tape repair at corners; light wear to jacket; volume fine. (150/250)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 41 DISNEY’S ORPHAN KITTENS 218. Disney Studios. The Three Orphan Kittens. Story and Illustrations by the Staff of the Walt Disney Studios. Unpaginated. Full-page plates in color and black and white. 8½x9½, color pictorial boards, matching jacket. First Edition. Racine, WI: Whitman Publishing Co., [1935] Aptly described on the front flap of the scarce jacket: “Very gay and venturesome were the three orphan kittens, and very mischievous too. They spilled the milk, they ate the pie, they got into all sorts of trouble and would have been turned out in real earnest into the snow - except that they were darling little kittens, too, and cute enough to win even the heart of Mammy Twoshoes.” Jacket with some edge wear, lacking two pieces from bottom of rear panel, a few tears; board edges rubbed, contents a little darkened, lower page edges with a small worn patch; very good in like jacket. (200/300)

219. Dodge, M[ary] E[lizabeth] [Mapes]. Hans Brinker. Or, The Silver Skates. A Story of Life in Holland. [2], 347, [2] ad pp. Frontispiece by F.O.C. Darley; 3 plates by Thomas Nast. (8vo) modern full red calf. First Edition. New York: James O’Kane, 1866 The author’s second and best known work. 1 leaf of ads at rear (State ‘A’). BAL 4753. Dampstaining within to approximately the first 25 pages, early owner’s signature on front flyleaf, foxing; good in a fine modern binding. (150/250)

220. (Doré, Gustave) Cervantes Saavedra, Miguel de. L’Ingenieux Hidalgo Don Quichotte de la Manche. 2 volumes. [4], xxiv, 586; [4], 636 pp. Illustrations throughout by Gustave Doré. (Folio) 14½x10¾, original red cloth stamped in gilt and blind, all edges gilt. Paris: Hachette et Cie., 1869 Early French edition of Don Quixote with the Doré illustrations. Some wear and soiling to cloth, joints starting; foxing; very good (250/350)

221. Doyle, Richard. Manners and Customs of ye English Drawn from ye Quick by Richard Doyle. To which be added some extracts from Mr Pips hys Diary Contributed by Percival Leigh. Unpaginated. With plates from drawings by Doyle. 8½x11, original quarter red morocco & boards. First Edition. London: Bradbury & Evans, [1849 Some of Doyle’s best work, showing crowds of the English at the Derby, the Royal Academy, the House of Commons, Smithfield Cattle Market, etc. Boards well rubbed, some staining, corners and joints rubbed as well; several hinges cracked within, good condition. (200/300)

A FEW LOTS WITH EDMUND DULAC ILLUSTRATIONS 222. Dulac, Edmund. Edmund Dulac’s Picture-Book for the French Red Cross. Illustrated with 20 tipped- in color plates. 4to. Original decorative yellow cloth stamped in green, decorative jacket with color cover label. London: For the Daily Telegraph by Hodder & Stoughton, [c.1915] Jacket worn at edges and folds, soiled, large chip from foot of jacket spine; light soiling to cloth, endpapers foxed; very good in a good jacket. (200/300)

223. Dulac, Edmund. Edmund Dulac’s Picture-Book for the French Red Cross - Four copies in variant bindings. Four copies. Each Illustrated with 20 tipped-in color plates. 4to. Original decorative yellow, green, tan and grey cloth bindings. London: For the Daily Telegraph by Hodder & Stoughton, [c.1915] An assortment of the colors available from the publisher. Some light wear, foxing, etc.; very good. Page 42 (200/300) 224. (Dulac, Edmund) Stories from the Arabian Nights. 319, [1] pp. 20 tipped-in color plates by Edmund Dulac. (4to) 9¾x7½, original brown cloth stamped in gilt and brown, dust jacket with mounted color illustration. [London]: [Hodder & Stoughton for Boots Pure Drug Co.], [c. 1930] Special edition published by Hodder & Stoughton for the Boots Pure Drug Co. Scarce in jacket. Jacket soiled, edge worn and with tape repairs on rear; minor wear to cloth, endpapers foxed; near fine in a good jacket. (300/500)

225. (Dulac, Edmund) Stories from the Arabian Nights. 319, [1] pp. 20 tipped-in color plates by Edmund Dulac. (4to) 9¾x7½, original brown cloth stamped in gilt and brown. [London]: [Hodder & Stoughton for Boots Pure Drug Co.], [c. 1930] Special edition published by Hodder & Stoughton for the Boots Pure Drug Co. Scarce in jacket. Some wear to cloth; foxing; very good. (150/250)

226. (Dürer, Albrecht) Zwöltf Landschafts Aquarelle. introduction by Kurt Kusenberg. [8] pp. in two unbound signatures. 12 loose color reproductions of Dürer paintings. 13¼x13, housed within folder (boards) with paper dust jacket. Baden-Baden: Woldemar Klein, [1954] No. 90 of an edition of 500. Twelve of Dürer’s watercolor landscapes. Very light edge wear and a few marks to jacket; else near fine. (100/150)

227. (Erotica) De Musset, Alfred. Gamiani. [iv], 59 pp. Lithograph title page; 11 colored heliogravure plates. (Folio) 15¾x12, original full black morocco stamped in gilt on front cover and in blind on rear. One of 300 copies. Leipzig: 1911 Suite of erotic illustrations reprinted from the 1833 original. Edges rubbed, front hinge cracked; some finger soiling in the margins; very good. (500/800)

228. (Fairy Tales) Two volumes of Fairy Tales, Finely Bound. Includes: Andersen, Hans Christian. Fairy Tales and Sketches. Illustrated. Modern brown half calf and cloth, red morocco label. ‘New Edition.’ London: George Bell & Sons, 1875. * Bain, R. Nisbet, ed. Cossack Fairy Tales and Folk-Tales. Illustrated. Modern red half morocco, spine gilt. First Edition. London: Lawrence and Bullen, 1894. Together 2 volumes. Various places: Various dates Some minor wear; near fine. (150/250)

229. Finden, Edward. Finden’s Illustrations of the Life and Works of Lord Byron. 3 volumes. Commentary by W. Brockedon. Illustrated throughout with engravings by Finden from works of various artists; tissue guards. 9x6¼, period full blindstamped brown morocco, spines lettered in gilt, all edges gilt. First Edition. London: John Murray, 1833-34 Light wear to extremities, hinges starting; occasional foxing; very good. (200/300)

Page 43 230. (Fraser, Claude Lovat) Gay, [John]. The Beggar’s Opera. xiv, 93 pp. 8 tipped in color illustrations of costume designs by Claude Lovat Fraser. Original gilt decorated and lettered brown cloth, top edge gilt. One of 430 copies. London: William Heinemann, 1921 Cloth rubbed, spine tips detaching from text block; hinges tender; pp. 3 a bit wrinkled with tiny chip at bottom corner; else near fine internally. (200/300)

WRITTEN AND ILLUSTRATED BY CHARLES DANA GIBSON 231. Gibson, Charles Dana. Sketches in Egypt. Written and illustrated by Gibson. (4to) 10x7, pictorial cloth. First Edition. New York: Doubleday & McClure, 1899 Account of Gibson’s visit to Egypt in 1897 & 1898. Some light wear and soiling to cloth; very good. (100/150)

232. (Goble, Warwick) Basile, Giambattista. Stories from the Pentamerone. 32 color plates by Warwick Goble. (8vo) 9½x7, red half morocco and marbled boards, spine gilt, top edge gilt. First Edition with Goble illustrations. London: Macmillan and Co., 1911 A touch of soiling to binding; near fine. (200/300)

233. (Goble, Warwick) James, Grace. Green Willow and Other Japanese Fairy Tales. Illustrated by Warwick Goble with 40 tipped-in color plates on brown paper, captioned guards. (4to) 11¼x8¾, original full vellum gilt, rebacked with cloth, original spine strip laid on, new endpapers and ribbon ties, top edge gilt, others untrimmed. Limited Edition, one of 500 copies. London: Macmillan, 1910 Some normal discoloration to vellum; 2 plates with slight corner creased, else very good, internally clean and near fine. (400/700)

A FEW FOR THE KATE GREENAWAY FANS 234. Greenaway, Kate. Two volumes written & illustrated by Kate Greenaway. Includes: Marigold Garden. * Under the Window. Together, 2 volumes. Illustrated by Kate Greenaway, engraved & printed in colors by Edmund Evans. 9½x7¼, original cloth-backed color pictorial boards, color pictorial endpapers, glassine dust wrappers. London: Frederick Warne, No dates Later printings, but in very nice condition. Glassines with some chipping and tears to extremities; volume corners rubbed, near fine to fine in very good glassine. (100/150)

235. (Greenaway, Kate) Cundall, H.M. Kate Greenaway Pictures. From Originals presented by her to John Ruskin and other Personal Friends (hitherto unpublished). Illustrated with 20 mounted color plates and a photogravure portrait frontispiece, printed tissue guards. 12x9½, gilt-lettered buckram; printed jacket. First Edition. London: Frederick Warne, 1921 Jacket with some edge wear, tears, soiling; light wear to volume edges; foxing to endpapers; very good. (250/350)

Page 44 236. (Greenaway, Kate) Spielmann, M[abel] H[enrietta] and G. S. Layard. Kate Greenaway. xx, 301 pp. With original pencil drawing by Kate Greenaway in paper mat at front, as issued; numerous plates from drawings and paintings by Greenaway, some color; printed tissue guards. 10½x7¾, cream cloth lettered in gilt, top edge gilt, pictorial endpapers, custom drop-back box. No. 34 of 500 copies of the Edition Deluxe. First Edition. London: Adam & Charles Black, 1905 The original pencil sketch by Kate Greenaway is a study for an illustration in Every Girls Annual showing two seated women, one with a young girl on her lap reading a book, the other with a parasol. Signed by John Greenaway on the mat, and also on the limitation-page. Some light wear and soiling to cloth, hinges repaired; very good (600/900)

IN THE ORIGINAL BOXES 237. Gruelle, Johnny. Three volumes by Johnny Gruelle - In original boxes. Includes: Eddie Elephant. Pictorial boards. Twelfth Edition. Bottom half of box with a chip from one of the side panels. [1921]. * My Very Own Fairy Stories. Cloth-backed boards. [1928]. * Raggedy Andy Stories. Pictorial boards. [1920]. Together 3 volumes, all in the original publisher’s two-part boxes, presumed First Edition of the final title with no statement edition on copyright page. Chicago: Volland, Various dates Some light wear to boxes; volumes fine. (400/600)

238. Hawthorne, Nathaniel. A Wonder Book [&] Tanglewood Tales - Finely Bound. 2 volumes. Illustrated by S. Van Abbe. (8vo) matching red and blue full polished calf, morocco lettering pieces, spines gilt, all edges gilt. Bound by Bayntun-Riviere. London: J.M. Dent, [1957-58] Hawthorne’s tales for children, handsomely bound. Fine. (200/300)

ROCKWELL KENT BOOKS & ILLUSTRATIONS FROM A PRIVATE COLLECTION 239. Kent, Rockwell. After Long Years. 21 pp. Illustrated with woodcuts by Rockwell Kent. 8x5¾, marbled paper boards over brown cloth spine, spine lettered in gilt, original glassine. No. 163 of 250 copies printed on hand-made paper by the Press of A. Colish, Mount Vernon. Ausable Forks, NY: Asgaard Press, 1968 Signed by Rockwell Kent in the colophon. Light chipping to glassine; else fine. (200/300)

KENT’S ILLUSTRATIONS FOR SHAKESPEARE 240. Kent, Rockwell. Forty Drawings done by Rockwell Kent to Illustrate the Works of William Shakespeare. 40 matted prints, one signed by Kent. Images approximately 9½x7” on 11½x8½” sheets, overall dimensions including matting 18x15”. Original two-part publisher’s box. Lacking text booklet. [Garden City]: [Doubleday], [1937] No. 217 of an edition of 1000 sets. Box well worn; matting of first print of the stack (the signed print) browned, a few other with smudges, overall matting and plates clean; very good. (800/1200)

Page 45 ONE OF 100 COPIES FOR PRESENTATION 241.  Kent, Rockwell. N by E. xii, 281, [1] pp. Illustrations throughout by Kent. (8vo) 8½x6¼, full black morocco stamped in gilt, raised bands, top edge gilt other edge untrimmed. One of 100 copies with a printed presentation leaf bound in at front with an illustration not included in the regular edition. New York: Brewer & Warren, 1930 This special edition was, according to the inserted leaf, issued “untrimmed and linen bound”. The present copy was finely bound in full morocco by the Lakeside Press, who also printed the book, and is perhaps either one of a few copies thus prepared or a unique example. Previous owner’s name, ‘C. Dawes, Ausable Forks, 1935’, in front fly leaf. Ausable Forks, New York was the site of Kent’s studio. A touch of wear to extremities, hinges starting; near fine. (1200/1800)

Lot 241

242. Kent, Rockwell. Rockwell Kent’s Greenland Journal. x, 302 pp. Illustrated by Rockwell Kent. With a portfolio of 6 original lithographs by Kent, one of which is hand-signed. (8vo) white coarse cloth, gilt-lettered spine, slipcase with slot for extra suite of prints. No. 729 of 1000 copies. New York: Ivan Obolensky, [1962] Fine. (200/300)

243. Kent, Rockwell. The Bookplates & Marks of Rockwell Kent [with] Later Bookplates & Marks of Rockwell Kent (2 copies). Earlier volume in original blue cloth. One of 1250 copies. Spine faded. * 2 copies of the later volume, rose cloth, dust jackets. Each one of 1250 copies, both copies with prospectus laid in. One jacket chipped at head of spine. New York: Pynson Printers, 1929 & 1937 Each volume signed by Kent at the colophon. Very good. (250/350)

244. Kent, Rockwell. This is My Own. Illustrations by the author. Decorated tan cloth, dust jacket. First Edition. New York: Duell, Sloan and Pearce, [1940] Signed by Kent on the front free endpaper. Jacket with chipping, creasing and tears; light edge wear to volume; near fine in a fair jacket. (100/150)

245. Kent, Rockwell and Carl Zigrosser. Rockwellkentiana. Few Words and Many Pictures. Bibliography and list of prints by Carl Zigrosser. With 90 plates, including a color frontispiece, and many other illustrations. 10½x7¾, pictorial blue cloth. First Edition. New York: Harcourt, Brace and Company, 1933 Some edge wear, foxing to cloth; very good. (200/300)

Page 46 246. Kent, Rockwell and Carl Zigrosser. Rockwellkentiana. Few Words and Many Pictures. Bibliography and list of prints by Carl Zigrosser. With 90 plates, including a color frontispiece, and many other illustrations. 10½x7¾, pictorial blue cloth, dust jacket. First Edition. New York: Harcourt, Brace and Company, 1933 Signed by Kent on the front free endpaper. Some creasing and chipping to jacket; a touch of edge wear to volume; near fine in a very good jacket. (250/350)

INSCRIBED BY KENT WITH A PROMISE TO NEVER READ 247. (Kent, Rockwell) Armitage, Merle. Rockwell Kent. Illustrations by Rockwell Kent. Cloth-backed boards. One of 550 numbered copies. First Edition. New York: Knopf, 1932 Inscribed to Harry Douglas by Merle Armitage at colophon. Inscribed by Kent on half title “To Arno Converse, this book which I haven’t and wont - read. Rockwell Kent”. Pencil signed at the colophon by Robert Cota. Boards worn, front hinge shaken with separation in gutter between half title and dedication leaf; good. (200/300)

248. (Kent, Rockwell) Beowulf. Translated by William Ellery Leonard. Illustrated with 8 lithographs by Rockwell Kent. 13¼x10½, grey linen. No. 821 of 950 copies printed at the shop of the Pynson Printers. New York: Random House, 1932 With Kent’s “signature” thumbprint on the colophon. Set by hand in hammer uncial, the book is also lovely typographically with printed rubricated initials, some red text, and observing proper verse meter. Prospectus laid in. A bit of wear to spine ends and corners, spine sunned; very good. (250/350)

249. (Kent, Rockwell) Boccaccio, Giovanni. The Decameron of Giovanni Boccaccio. 2 volumes. Translated by Richard Aldington. Illustrated by Rockwell Kent, including color plates. Maroon heavy buckram, gilt-lettered spine, slipcase with pictorial label. No. 135 of 1500 copies. New York: Garden City, 1949 Signed by Kent at the limitation. Some wear and soiling to slipcase, corners cracking; spines a touch faded; volumes near fine in a very good slipcase. (200/300)

250. (Kent, Rockwell) [Burke, John (pseudonym of Ralph Pulitzer)]. Dreams & Derisions. Illustrated throughout by Rockwell Kent. (4to) brown half morocco and marbled boards, slipcase. No. 78 of 200 copies. [New York]: [Pynson Printers], 1927 Signed by Kent at the colophon. Light wear to slipcase; spine faded and with some light wear at ends; very good. (250/350)

251. (Kent, Rockwell) Butler, Samuel. Erewhon. Illustrated with 2-color plates by Rockwell Kent, plus chapter head-pieces by him. 9½x7, printed silk over boards, slipcase. No. 177 of 1500 copies printed by the Pynson printers. New York: Limited Editions Club, 1934 Signed by Kent in the colophon. Slipcase worn, soiled and with splitting at corners; volume spine faded; very good. (200/300)

Page 47 252. (Kent, Rockwell) Chaucer, Geoffrey. The Canterbury Tales of Geoffrey Chaucer, Together with a Version in Modern English Verse. 2 volumes. Illustrated with woodcuts by Rockwell Kent. (Folio) 15x10, tan linen, spines and front covers lettered in gilt, top edges gilt. No. 407 of 923 copies designed and printed by Samuel Aiwaz Jacobs at the Stratford Press. New York: Covici Friede, 1930 Signed by Rockwell Kent in colophon. Some light wear and soiling to linen; very good. (300/500)

INSCRIBED BY KENT AND PETER FREUCHEN 253. (Kent, Rockwell) Freuchen, Peter. Eskimo. viii, 504 pp. Frontispiece by Rockwell Kent. (8vo) blue cloth. New York: Horace Liveright, [1931] Inscribed on rear of frontispiece: “Captain James T. Scott with my admiration for your patience and several other compliments. Truely, Peter Freuchen, July 22, 31”. Inscribed beneath frontispiece image: To Capt. Scott, Greeting! Rockwell Kent, 1934.” Spine faded, spotting to cloth, wear to edges, front hinge cracked; good. (200/300)

254. (Kent, Rockwell) Melville, Herman. Moby Dick, Or The Whale. xxxii, 822, [5] pp. 7x5¼, modern three-quarter blue morocco and cloth, spine lettered and decorated in gilt. First English Edition with Rockwell Kent illustrations. London: Cassell, [1930] Printed at the Lakeside Press. Fine (200/300)

255. (Kent, Rockwell) Robinson, Selma. City Child. 64, [1] pp. Illustrations by Rockwell Kent. (8vo) cloth-backed boards, paper spine label, slipcase. One of 300 copies. New York: The Colophon Ltd., 1931 Signed by the author and with Kent’s heart-shape fingerprint at the colophon. Prospectus laid in. Slipcase and spine a touch sunned; else fine. (200/300)

256. (Kent, Rockwell) Shakespeare, William. Venus and Adonis. Illustrated by Rockwell Kent. (4to) original calf-backed tan cloth, spine lettered in gilt. No. 313 of 1250 copies. Rochester: Printing House of Leo Hart, 1931 Signed by Kent at the colophon. Light wear to slipcase; spine faded and with some rubbing at heel; internally fine. (200/300)

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Page 48 ONE OF ONLY 95 COLORED COPIES 257. (Kent, Rockwell) Voltaire, Jen Francois Marie Arouet de. Candide. 111, [1] pp. Illustrated throughout by Rockwell Kent, hand-colored in the studio of the artist. 11x7½, original ¼ morocco and decorative cloth, spine lettered in gilt, publisher’s cloth slipcase. No. 28 of 95 colored copies, from a run of 1470 total copies printed on all rag French paper by the Pynson Printers. New York: Random House, 1928 Signed by Kent in the colophon. Nearly every page has an illustration, initial, frame or other element designed by Rockwell Kent. The paragraph marks after human figures are also designed by Kent. The colored copies of this work are highly prized. Laid in is a typed note, signed, from Kent on his Ausable Forks, New York letterhead, to a Miss Stutz dated July 25, 1961 and a black & white photographs of Kent, inscribed by him to a Mrs Barbara Kurtz on rear. Light wear to slipcase, joints rubbed, hinges cracked; internally fine. (1200/1800)

Lot 257

258. (Kent, Rockwell) Wilder, Thornton. The Bridge of San Luis Rey. 123 pp. With 5 color plates & 3 decorations in blue after lithographs by Rockwell Kent. 4to. Original colored pictorial cloth designed by Rockwell Kent, gilt-lettered morocco spine label, in plain board slipcase. No. 203 of a total edition of 1,100 copies. First Illustrated Edition. New York: Albert & Charles Boni, 1929 Signed by Thornton Wilder and Rockwell Kent, as issued. Slipcase worn and split at corners; volume with a bit of soiling to cloth, spine faded, else near fine. (200/300)

ORIGINAL DRAWINGS BY ROCKWELL KENT 259. Kent, Rockwell. Three original pen and ink drawings by Rockwell Kent. Three pen and ink drawings, two for initial letters from an unidentified book (each approximately 2x2”), the third a monogram design, presumably for a bookplate (approximately 2x2¼”). The three matted together. Two with Kent’s studio stamp. No date Fine. (500/800)

260. (Kent, Rockwell) Bookplates designed by Rockwell Kent. 170 bookplates in 5 different designs by Rockwell Kent (4 in packs of 30 each and one in pack of 50). All in original packaging. No date A nice selection of the commercially produced Kent bookplates. Wear to packaging, plates fine. (150/250)

Page 49 261. (Kent, Rockwell) Eight proofs of illustrations by Rockwell Kent. Eight proofs of woodcut illustrations by Rockwell Kent from an undetermined publication. Each image approximately 7½x5¼ plus margins. No date Fine. (200/300)

262. (Kent, Rockwell) Full sheet of Easter Seal stamps, designed by Rockwell Kent. Full sheet of 100 Easter Seal stamps, 96 of which bear and illustration by Rockwell Kent (the remaining 4 with text). Overall dimensions approximately 10½x8¼”. 1939 Some wear to perforations at bottom edge, separation along several of the perforations; very good. (200/300)

263. Laffan, William M. Engravings on Wood by Members of the Society of American Wood-Engravers. An introduction and descriptive text by William M. Laffan. 25 wood-engraved plates chiefly after works by American artists including George Inness, R. A. Blakelock, R. Swain Gifford, Eastman Johnson, John LaFarge, A. P. Ryder, etc. (Folio) 18¼x14¼, green and olive cloth, gilt-lettered front cover tooled in gilt and with decoration. First Edition. New York: Harper and Brothers, 1887 Wood engravings contributed by the Members of the Society of American Wood-Engravers include: Victor Bernstrom, W. B. Closson, Timothy Cole, John P. Davis, Frank French, F. S. King, Elbridge Kingsley, John Tinkey, Henry Wolf, F. H. Wellington, S. G. Putnam and others. Wear and soiling to covers; dampstain in top margin throughout, some foxing; good. (150/250)

264. Lang, Andrew. The True Story Book [with] The Red True Story Book. The True Story Book. Original blue cloth, stamped in blind on front and in gilt on spine. Seventh Impression. 1910 * The Red True Story Book. Original gilt decorated red cloth. ‘ New Impression’. 1909. Together 2 volumes. London: Longmans, Green, and Co., 1910 & 1909 Some minor wear; foxing to endpapers; near fine. (100/150)

C.S. LEWIS’S CHRONICLES OF NARNIA 265. Lewis, C.S. The Chronicles of Narnia - All seven titles, six are First American Editions. Includes: The Lion, the Witch and the Wardrobe. Fourth Printing. Several large chips to jacket. 1957. * Prince Caspian. Lacking dust jacket. First Printing. 1951. * The Voyage of the Dawn Treader. Jacket heavily chipped and with several long tears, tape on verso. First Printing. 1952. * The Silver Chair. Jacket with large piece lacking from rear panel. First Printing. [1953]. * The Horse and His Boy. Jacket chipped. First Printing. [1954]. * The Magician’s Nephew. Jacket clipped. First Printing. [1955]. * The Last Battle. First Printing. [1956]. Together seven volumes. Various cloths, all but one in the original pictorial dust jackets. First American Editions except the first title. New York: Macmillan, 1950s Lewis’s classic series for young readers, the first two titles of which have recently been blockbuster film productions. Jackets all with wear (described above); volumes very good. (1000/1500)

266. Lewis, C.S. The Chronicles of Narnia - Finely Bound. Seven volumes bound in three. (8vo), modern three-quarter red morocco and cloth, spines ruled and lettered in gilt, top edges gilt, slipcase. London: Folio Society, 1996 A handsomely presented modern reprint edition. Fine. (300/500)

Page 50 THE CHRISTOPHER ROBIN BOOKS FINELY BOUND 267.  Milne, A.A. Complete set of the four Christopher Robin books, finely bound. 4 volumes comprising: When We Were Very Young * Winnie the Pooh * Now We Are Six * The House at Pooh Corner. (8vo) Finely bound by Bayntun-Riviere in full polished calf (blue, green red, and pink respectively) with titles and characters from the stories in gilt on front covers, spines with titles and Pooh device in gilt, all edges gilt. Custom cloth slipcase. Later Printings. London: Metheun, [1966-67] Fine. (1200/1800)

Lot 267

268. Milne, A[lan] A[lexander]. Now We Are Six. x, [2], 103, [1] pp. Illustrated by E.H. Shepard. 7½x4¾, original burgundy cloth with gilt pictorial covers and gilt-lettered spine, top edges gilt, pink pictorial endpapers, dust jacket. First Edition. London: Methuen, [1927] Third in the Winnie-the-Pooh series. Jacket a bit soiled and with some restorations on verso to small chips and tears; volume with a touch of edge wear; near fine in a very good jacket. (800/1200)

269. Milne, A.A. Now We Are Six - First English & American Editions. 2 volumes. Illustrated by E.H. Shepard. Original cloth. First English and American Editions. London / New York: Methuen / Dutton, 1927 The third title in Milne’s stories of Christopher Robin and Winnie the Pooh. Light wear at edges; very good. (200/300)

270. Milne, A[lan] A[lexander]. The House at Pooh Corner. xi, [1], 178, [2] pp. Illustrated by Ernest H. Shepard. 7½x4¾, original rose cloth stamped in gilt, top edge gilt. First Edition. London: Methuen, [1928] Spine faded, some light wear; very good. (300/500)

271. Milne, A[lan] A[lexander]. Winnie-the-Pooh. [iii]-x, [6], 158, [2]. Illustrated by E.H. Shepard. 7½x4¾, original green cloth with gilt pictorial covers and gilt-lettered on spine, top edge gilt, pictorial endpapers with Christopher Robin’s map. First Edition. London: Methuen, [1926] A touch of edge wear, corners bumped; near fine. (500/800)

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Page 51 TWO WITH ILLUSTRATIONS BY BARRY MOSER 272. (Moser, Barry) Carroll, Lewis. Lewis Carroll’s Alice’s Adventures In Wonderland. Illustrated throughout by Barry Moser. Folio. Red cloth, with signed print in cloth folder, housed together in publisher’s cloth slipcase. First University of California Edition from the Pennyroyal Edition. Berkeley: University of California Press, 1982 Print of the Mad Hatter signed in pencil by Barry Moser. Spines a touch sunned; fine (200/300)

273. (Moser, Barry) The Holy Bible. Illustrated with over 230 woodcuts by Barry Moser. 11¾x8¼, cloth, spine lettered in gilt, jacket. First Trade Edition of the Pennyroyal Caxton Bible. New York: Viking, [1999] Signed by Barry Moser at the end of text. This is the only complete King James Bible illustrated by a single artist in the 20th century. 2 copies of the prospectus and other related ephemera included. Fine in a like jacket (150/250)

274. Muse, Clarence and David Arlen. Way Down South. 146, [1] pp. Wood cut illustrations by Blanding Sloan. (4to) 10½x8, pictorial boards, string bound. No. 999 of 1000 copies. First Edition. Hollywood, CA: David Graham Fischer, [1932] Several reviews reprinted from various newspapers laid in. Inscribed at the limitation: “Sept. 1st, 1932. To Clotille, Artist with a human touch beyond my capacity to express in words, I cheerfully, joyfully offer this humble treatise as a gesture of my sincere appreciation of your consummate artistry. Hope it relaxes and sooths your reminiscences. I salute you, Clarence Muse.” Edges worn, small loss of paper on front cover; some pages browned at edges; very good. (400/600)

SEVERAL EDITIONS OF EAST OF THE SUN AND WEST OF THE MOON 275. (Nielsen, Kay) East of the Sun and West of the Moon. With 25 tipped-in color plates by Kay Nielsen, including frontispiece; plus other black and white illustrations. 9¾x7¼, rebound in full red morocco, gilt rules and corner devices, spine gilt. First American Edition. New York: Doran, [c. 1914] Scarce in this larger format. Fine. (1000/1500)

Lot 275

Page 52 IN THE ORIGINAL BOX AND DUST JACKET 276. (Nielsen, Kay) East of the Sun and West of the Moon. 204 pp. Illustrated with 25 tipped-in colored plates, including frontispiece, by Kay Nielsen; plus numerous black and white illustrations and decorations throughout. 8¾x6¼, coarse mustard-colored cloth, lettered in orange, pictorial jacket, publisher’s two-part box. New York: Doran, [1920s] One of Nielsen’s most important works with the famously spectacular color artwork. Especially scarce in both the box and dust jacket. Light wear to box; small clip to lower corner of rear jacket flap; gift inscription on rear of frontispiece dated 1928; else volume fine in a fine jacket and a very good or better box. (700/1000)

277. (Nielsen, Kay) East of the Sun and West of the Moon. 204 pp. Illustrated with 25 tipped-in colored plates, including frontispiece, by Kay Nielsen; plus numerous black and white illustrations and decorations throughout. 8¾x6¼, coarse mustard-colored cloth, lettered in orange, pictorial jacket. New York: Doran, [1920s] With the very scarce dust jacket. Light edge wear to jacket; a few small spots of soiling to cloth; very good in a like jacket. (400/600) Lot 276

278. (Nielsen, Kay) East of the Sun and West of the Moon. 204 pp. Illustrated with 25 tipped-in colored plates, including frontispiece, by Kay Nielsen; plus numerous black and white illustrations and decorations throughout. 8¾x6¼, coarse mustard-colored cloth. New York: Doran, [1920s] A bit of soiling to cloth; gift inscription on front pastedown endpaper; very good. (300/500)

279. (Nielsen, Kay) East of the Sun and West of the Moon - 2 copies. 204 pp. 8 color plates by Kay Nielsen. (8vo) black cloth, mounted illustration by Victor G. Candell on front cover, dust jacket also with Candell illustration. Garden City: Garden City Publishing, [c. 1930] A reprint of the earlier Doran edition but with the number of plates reduced from 25 to 8. Two copies in variant dust jackets. Some light wear to jackets; volumes near fine. (200/300)

280. (Nielsen, Kay) Quiller-Couch, Arthur. The Twelve Dancing Princesses and Other Fairy Tales. 244 pp. 16 tipped-in color plates by Nielsen. 9¼x6¼, original gilt-pictorial blue cloth. New York: Doran, [c. 1923] Light wear to cloth; very good. (150/250)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 53 MAXFIELD PARRISH AT HIS BEST 281. (Parrish, Maxfield) Saunders, Louise. The Knave of Hearts. Illustrated throughout in color by Maxfield Parrish, including ownership page, title-page, character page, 11 full-page plates and 9 large color illustrations in text. (Folio) 14x11¼, original cloth with color pictorial cover label, color pictorial endpapers, custom slipcase. First Parrish Edition. New York: Charles Scribner’s Sons, 1925 Perhaps the most desirable book with illustrations by Maxfield Parrish. Light wear and soiling to cloth, some light scratching to surface of front cover illustrations; previous owner’s name in ink on “This is the Book of ” plate; very good. (1500/2000)

Lot 281

282. (Photographically Illustrated) Shakespeare, William. The Works. Edited by Charles & Mary Cowden Clarke. Portrait and 21 mounted Woodburytype photographic plates. (8vo) 9¼x6½, period brown full morocco stamped in gilt, all edges gilt. The Leicester Square Edition. London: Bickers & Son, 1885 Some fading and light wear to leather; very good. (100/150)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 54 WITH LITHOGRAPHS BY PICASSO 283. (Picasso, Pablo) Balzac, Honore de. Le Chef-D’Oeuvre Inconnu. 84, [4] pp. 13 lithographs by Picasso, including the frontispiece. 9x8, brown cloth, spine and cover lettered in gilt, with small blindstamped vignette on front cover, in publisher’s board slipcase. No. 1054 out of 3000 copies, with an additional 50 copies printed for employees of the collection. [France]: Les Peintres du Livre / [Editions L.C.L.], [1966] A rare edition of the work illustrated with beautiful lithographs on ivory paper, it is a later edition of the 1931 publication produced by Ambroise Vollard. The frontispiece contains the sketches of the 12 later illustrations. The title page consists of a tipped in paper label, signed in stone lithography by Picasso. Ownership rubber stamp on bottom panel of slipcase and with light shelf wear; a light scuff on volume spine; slight erasure on front free endpaper; else volume is fine. (1500/2000)

Lot 283

284. Pollak, Max. Etching [Untitled]. Etching. 5x10¼ image on 10½x15 paper. Framed. Signed. [c.1925] Born in Austria, Max Pollak (1886-1970) settled in San Francisco in the 1930’s, and produced many prints of the city. This etching is of a 19th century town square, with covered wagons parked by a statue, and what appears to be a market in the background. Some tape residue to top margin, taped to matt board in two places; very good. (150/250)

TEN LOTS WITH ILLUSTRATIONS BY ARTHUR RACKHAM 285. (Rackham, Arthur) Aesop. Two editions of Aesop’s Fables with illustrations by Arthur Rackham - Finely Bound. Illustrations by Arthur Rackham. 2 editions, each finely bound in different shades of full blue polished calf, spines gilt, morocco lettering pieces, all edges gilt. London: Heinemann, [1956 & 1967] Some light wear; very good or better. (200/300)

Page 55 286. (Rackham, Arthur) Barrie, J.M. Peter Pan in Kensington Gardens. xii, 126 pp. Illustrated by Arthur Rackham with 50 tipped-in color plates on brown paper mounts; printed tissue guards. 9¾x7¼, modern brown full calf, illustration mounted on front cover, spine lettered in gilt, original front cover cloth, trimmed and mounted to a stiff card, laid in. First Rackham Trade Edition. London: Hodder & Stoughton, 1906 Latimore & Haskell p.27. Foxing to text pages; very good in a fine modern binding. (250/350)

287. (Rackham, Arthur) Dickens, Charles. A Christmas Carol. [xii], 147, [1] pp. 12 color plates by Arthur Rackham. (8vo) 7¾x5¾, modern full red morocco, spine gilt, all edges gilt. First American Trade Edition. Philadelphia: Lippincott, [1915] Fine. (250/350)

ONE OF 575 COPIES SIGNED BY THE ILLUSTRATOR 288. (Rackham, Arthur) Goldsmith, Oliver. The Vicar of Wakefield. Illustrated by Arthur Rackham, including 12 color plates. 10¼x7¾, original vellum gilt-lettered, top edge gilt, other edges uncut. Custom slipcase. No. 46 of 575 copies. First Rackham Edition. London: George G. Harrap, [1929] Signed by Rackham at the limitations statement. Latimore & Haskell, p. 65. Light soiling to vellum; a few leaves with foxing; near fine. (800/1200)

289. (Rackham, Arthur) Griffiths, Arthur. Mysteries of Police and Crime. 3 volumes. Illustrated throughout after drawings by Arthur Rackham and others. (8vo) 9x6½, original brown cloth, spines lettered in gilt. First Edition with Rackham Illustrations. London: Cassell, [1901] First appeared in 1898 in two volume without illustrations. Volume 1 has 9 Lot 288 illustrations by Rackham, Volume 2 has 4 and Volume 3 has 1. Spines leaning, some light wear; very good. (250/350)

290. (Rackham, Arthur) Grimm Brothers. Little Brother & Little Sister and Other Tales. Illustrated by Arthur Rackham including 12 tipped-in color plates on gray paper. 10x7½, modern green half morocco, original gilt decorated cover cloth mounted to new boards, spine gilt. First Rackham Trade Edition. London: Constable & Co, [1917] Latimore & Haskell, p.46. Mild soiling to cloth; a few plates with small creases at corners; light foxing; very good. (300/500)

Page 56 291. (Rackham, Arthur) Ruskin, John. The King of the Golden River. Illustrated by Arthur Rackham, including 4 color plates. 9x6, original vellum gilt-lettered, pictorial endpapers, top edge gilt, other edges uncut. Housed in a custom chemise and green morocco backed slipcase, spine lettered in gilt. No. 196 of 550 copies. First Rackham Edition. London: George G. Harrap, [1932] Signed by Rackham at limitation statement. Latimore & Haskell p. 67. Rippling to vellum and endpapers as usual, small tape stains to endpapers, slipcase not present, near fine. (500/800)

292. (Rackham, Arthur) Stephens, James. Irish Fairy Tales. With 16 color plates by Arthur Rackham; printed tissue guards; drawings in the text. 8x5¾, green cloth stamped in gilt. First American Rackham Edition New York: Macmillan, 1920 With the bookplate of Frederick A. Kilmer on front pastedown. A touch frayed at spine tips; hinges cracked; very faint foxing; very good. (200/300)

293. (Rackham, Arthur) Swift, Jonathan. Gulliver’s Travels Into Several Remote Nations of the World. xv, 291 pp. 12 color plates by Arthur Rackham. 9x6¼, original red cloth pictorially stamped in gilt. First American Edition with 12 color plates. New York: E.P. Dutton, 1909 A reprint of the 1900 edition but with additional color plates. Latimore and Haskell, p. 32. Fine. (150/250)

294. (Rackham, Arthur) Four volumes with illustrations by Arthur Rackham. Includes: Goldsmith, Oliver. Goldsmith, Oliver. The Vicar of Wakefield. 12 color plates. Philadelphia: McKay, [1929]. * [Another Copy]. * Morley, Christopher. Where the Blue Begins. 4 color plates. Blue cloth. NY: Doubleday, [1922]. * Wagner, Richard. The Ring of the Niblung. 26 color plates. Cloth-backed gilt-stamped boards. Spine lettering faded. NY: Doubleday, [c. 1939]. Together 4 volumes, First American Trade Editions. Various places: Various dartes Some general light wear; overall very good. (300/500)

295. (Robinson, T.H.) Wyss, Johann David. The Swiss Family Robinson. xii, 431 pp. 20 color plates by T.H. Robinson. 8¾x6¼, modern three-quarter dark blue morocco and cloth, spine gilt, top edge gilt, original front cover and spine cloth bound in at rear. London: Oxford University Press, [c. 1930] Fine (200/300)

296. Russell, Charles M. Rawhide Rollins Stories [&] More Rawhides. 2 volumes. Illustrated by the author. 10½x7½, original wrappers. First Editions. Great Falls, Montana: Montana Newspaper Association, 1921 & 1925 Stories of the American West written and illustrated by Russell. Some wear and soiling to wrappers, first title rebacked with brown paper and with tape-repaired tears on title leaf; very good. (200/300)

Page 57 FIRST ENGLISH EDITION 297. Salten, Felix. Bambi: A Life in the Woods. [viii], 209 pp. (8vo) modern green half calf and cloth, spine gilt, top edge gilt. First English Edition. London: Jonathan Cape, [1928] Fine. (200/300)

298. (Schoonover, Frank) Schoonover, John R. and Louise Schoonover Smith with LeeAnn Dean. Frank E. Schoonover: Catalogue Raisonné. 2 volumes. Profusely illustrated. (4to) red cloth, dust jackets, slipcase. First Edition. New Castle, Delaware: Oak Knoll Press, 2009 “Frank E. Schoonover (1877-1972) is recognized as one of the foremost illustrators of his time. His prolific contribution to American illustration spanned more than 40 years and included more than 2200 illustrations. His work appeared in most of the popular periodicals in the first half of the twentieth century, including Harpers, Scribner’s, Saturday Evening Post, American Boy, Country Gentleman, and Colliers, as well as in over 150 books, particularly children’s classics and contemporary fiction by such authors as Jack London, Edgar Rice Burroughs, Clarence Mulford, Lucy Foster Madison, James Willard Schultz, and Zane Grey.” (from dust jacket) Fine (150/250)

299. Schreyvogel, Charles. My Bunkie and Others: Pictures of Western Frontier Life. [8] pp. 36 plates by Schreyvogel. (Oblong folio) 12x16½, cloth backed pictorial boards, custom slipcase. First Edition. New York: Moffat, Yard & Company, 1909 Signed by Schreyvogel on title page. Striking scenes of Indian and cavalry life. Howes S199; Dykes, Schreyvogel 93. Some wear at edges, hinges repaired; dampstain to lower edge throughout (not affecting images); good. (600/900)

300. (Schreyvogel, Charles) Horan, James D. The Life and Art of Charles Schreyvogel: Painter-Historian of the Indian-Fighting Army of the American West. Profusely illustrated with plates after paintings by Schreyvogel, most in color. 12x15¾, half naugahyde and cloth, slipcase. No. 167 of 249 copies of the autographed deluxe edition. First Edition. New York: Crown, [1969] Signed by Horan and Ruth Schreyvogel Carothers (Charles Schreyvogel’s daughter) on limitation page. This limited edition contains four color plates not in the regular edition. A bit of wear to binding; very good. (150/250)

301. Spargo, John. Socialist Readings for Children. 132 pp. Illustrated plates, and drawings within text. 9x7, green cloth decorated in pink, blue and black. New York: Woman’s National Progressive League, [1909] Inscribed from the author to his son on the front free endpaper, in the year of publication. At the end of each story are questions for the reader. Spine tips and corners frayed, some rubbing and faint soiling; hinges cracked; faint marginal smudging; else very good. (200/300)

302. Thompson, Kay. Eloise in Paris [&] Eloise at Christmastime. 2 volumes. Illustrated by Hilary Knight. 11x7¾, the first in blue decorated boards, the second in red pictorial boards, both with jackets. First Editions. New York: Simon & Schuster [&] Random House, 1957 [&] [1958] Jackets with prices clipped; near fine to fine. (300/500)

Page 58 303. (Thomson, Hugh) Goldsmith, Oliver. She Stoops to Conquer, or The Mistakes of a Night. Illustrated by Hugh Thomson, including 25 tipped-in color plates on paper with decorative borders and captions printed in green. (4to) 12x10, original vellum elaborately gilt, ribbon ties, top edge gilt, other edges uncut. No. 104 of 350 copies. London: Hodder & Stoughton, [1912] Signed by Thomson at the limitation. Advertisement for the sale of the original water-color drawings by Thomson laid in. Fine. (300/500)

304. (Thomson, Hugh) Tristam, W. Outram. Coaching Days and Coaching Ways. [xvi], 367 pp. Illustrations by Herbert Railton Hugh Thomson. (4to) 11¼x8, three-quarter green morocco and cloth, spine gilt, top edge gilt, original front cover and spine cloth bound in at rear. First Edition. London: Macmillan and Co., 1888 Spine sunned; near fine. (250/350)

305. Trudeau, Garry. Rap Master Ronnie. Illustrated with Doonesbury cartoons by Garry Trudeau, some printed in color. 10½x12, blue cloth-backed illustrated boards, spine lettered in gilt. One of 250 copies designed by Robert Schneider & printed by Carl Bennitt. First Edition. Northridge, CA: Lord John Press, 1986 Signed by Gary Trudeau on the half title page. One tiny scuff on cloth; else fine. (100/150)

306. (Vertès) Flanner, Janet. The Stronger Sex as Seen by Vertès. Text by Jannet Flanner. Illustrated throughout with tipped-in colored and tinted plates from paintings by Vertès. 18x14, pictorial cloth. No. 1398 of 1750 copies. First Edition. New York: Hyperion Press, [1941] Covers with wear and soiling, a few short tears to joints; internally very good. (200/300)

A FEW LOTS WITH ILLUSTRATIONS BY N.C. WYETH 307. (Wyeth, N.C.) Allen, Douglas & Douglas, Jr. N.C. Wyeth: The Collected Paintings, Illustrations and Murals. 335 pp. Illustrations throughout in color and black & white. (4to) blue morocco-backed cloth, slipcase. One of 249 copies of the deluxe edition. New York: Crown, [1972] Signed by both authors at limitation. An indispensable reference on the paintings and illustrations of N.C. Wyeth. Fine. (300/500)

308. (Wyeth, N.C.) Creswick, Paul. Robin Hood. 362 pp. 9 color plates after paintings by N.C. Wyeth. (8vo) green cloth, pictorial label on front, illustrated endpapers. First Wyeth Edition. Philadelphia: David McKay, 1917 Light wear and soiling to cloth, hinges a touch shaken; very good. (150/250)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 59 309. (Wyeth, N.C.) Fox, John, Jr. The Little Shepherd of Kingdom Come. With 16 tipped-in color plates by N.C. Wyeth, including the frontispiece & added pictorial title; tissue guards. 11x8¼, quarter vellum & cloth, spine lettered in gilt, top edges gilt, others untrimmed, custom slipcase. No. 263 of 512 copies, of which 500 were for sale. First Wyeth Edition. New York: Charles Scribner’s Sons, 1931 Signed by Wyeth on the limitation-page. Vellum soiled; very good. (700/1000)

310. (Wyeth, N.C.) Stevenson, Robert Louis. The Black Arrow. 16 color plates by N.C. Wyeth (including illustrated title page). Black cloth, illustrated label on front cover, illustrated endpapers, dust jacket. First Wyeth Edition. New York: Charles Scribner’s Sons, 1916 Allen & Allen, p. 219. Jacket worn at edges and with several large chips, tape on rear; light wear to cloth, separation in gutter before title page, previous Lot 309 owner’s gift inscription on front pastedown; very good in a fair jacket. (150/250)

311. (Wyeth, N.C.) Stevenson, Robert Louis. The Black Arrow. 16 color plates by N.C. Wyeth (including illustrated title page). Black cloth, illustrated label on front cover, illustrated endpapers, dust jacket. New York: Charles Scribner’s Sons, 1926 Reprint of the 1916 first Wyeth edition. Minor wear to jacket edges; previous owner’s name and bookplate on front free endpaper; near fine in a like jacket. (150/250)

312. (Wyeth, N.C.) Stevenson, Robert Louis. Two works by Robert Louis Stevenson with Illustrations by N.C. Wyeth. Includes: Treasure Island. 1911. * Kidnapped. 1913. Each with color plates by N.C. Wyeth. (Large 8vo) black cloth, pictorial labels on front covers, top edges gilt. First Wyeth Editions. New York: Scribners, Various dates Light wear to edges; near fine. (200/300)

313. (Wyeth, N.C.) Two works with illustrations by N.C. Wyeth. Includes: Porter, Jane. The Scottish Chiefs. 1921. * Verne, Jules. The Mysterious Island. 1918. Each with color plates by N.C. Wyeth. (Large 8vo) black cloth, pictorial labels on front covers. First Wyeth Editions. New York: Scribners, Various dates Some light wear; very good. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 60 Section III: Oz

SECOND EDITION, FIRST STATE OF THE WIZARD OF OZ 314. Baum, L. Frank. The New Wizard of Oz. 259, [2] pp. Illustrated in color by W.W. Denslow, including 16 color plates. 9x6¾, pictorial cloth, pictorial endpapers in green and orange. Second Edition, First State. Indianapolis: The Bobbs-Merrill Company, [1903] The first state of the second edition of the book that started it all, with the title on the cover stamped “The New Wizard of Oz” and with a period following the author’s name on spine. The copyright is in state “A” (no priority), with a single three line entry at top of page. One of the most difficult of all the Oz editions to find. Bienvenue & Schmidt p. 6. Spine leaning, some light wear and soiling to cloth, hinges with glue repair; tear to inner margin of plate facing page 34; still very good. Lot 314 (1000/1500)

315. Baum, L. Frank. The New Wizard of Oz. 261 pp. Illustrated in color by W.W. Denslow, including 16 color plates. 9x6¾, pictorial cloth. Second Edition, Second State. Indianapolis: The Bobbs-Merrill Company, [c.1903 or a bit later, before 1913] The second state of the second edition with the title on the cover stamped “The Wizard of Oz” (dropping the “New”); binding variant ‘C’ with ‘The’ at head of spine in serified type and no period following ‘Baum’ on spine; three entries in the copyright notice; plates in variant order ‘A’. Bienvenue & Schmidt p. 7. A touch of wear at edges, Christmas inscription dated 1912 on front flyleaf; otherwise a near fine copy. (600/900)

316. Baum, L. Frank. The New Wizard of Oz. 261 pp. Illustrated in color by W.W. Denslow, including 16 color plates. 9x6¾, pictorial cloth. Second Edition, Second State. Indianapolis: The Bobbs-Merrill Company, [c.1903 or a bit later, before 1913] The second state of the second edition with the title on the cover stamped “The Wizard of Oz” (dropping the “New”); binding variant ‘C’ with ‘The’ at head of spine in serified type and no period following ‘Baum’ on spine; three entries in the copyright notice; plates in variant order ‘A’. Bienvenue & Schmidt p. 7. Binding lightly worn at edges, some soiling to cloth, hinges a bit shaken, previous owner’s information on front endpapers and flyleaf; repaired tear to plate facing page 66; very good. (300/500)

317. Baum, L. Frank. The New Wizard of Oz. [viii], 208 pp. Illustrated in color by W.W. Denslow, including 8 color plates. 9x6¾, green cloth, pictorial label on front. Fifth Edition, Second Printing. Indianapolis: The Bobbs-Merrill Company, [1920s] Binding variant ‘A’ with figures in blue ink (later changed to yellow), number of color plates reduced to 8. Bienvenue & Schmidt p. 10. Light spotting to cloth, slight lean to spine, rear endpapers browned; very good. (200/300)

Page 61 318. Baum, L. Frank. The Marvelous Land of Oz. 287 pp. Illustrated with 16 color plates & numerous black & white drawings by John R. Neill. 9x6½, red cloth stamped in navy blue, silver & green; pictorial endpapers in dark green on light-green (faded to tan) stock. First Edition, Second Printing. Chicago: Reilly & Britton, 1904 Binding B with letters in “Marvelous Land of Oz” on front cover embellished with silver outlines. Second printing with the line “Published, July, 1904” added below the copyright notice on verso of title page; illustration on page [4] has been considerably reduced: the box is 5-3/8” tall. Caption to illustration facing page 23 corrected to “Old Mombi...”. Bienvenue & Schmidt p. 23. Covers worn and soiled, recased and rebacked with original spine cloth laid down; restoration to edges of endpapers, title page, most plates and several text leaves; good. (400/600)

319. Baum, L. Frank. The Marvelous Land of Oz. 287 pp. Illustrated with 16 color plates & numerous black & white drawings by John R. Neill. 9x6½, red cloth stamped in navy blue, silver & green; pictorial endpapers in dark green on light-green (faded to tan) stock. First Edition, Second Printing. Chicago: Reilly & Britton, 1904 Binding D with cover title shortened to “The Land of Oz”. Second printing with the line “Published, July, 1904” added below the copyright notice on verso of title page; illustration on page [4] has been considerably reduced: the box is 5-3/8” tall. Caption to illustration facing page 23 corrected to “Old Mombi...”. This copy with the endpapers applied in reversed orientation (i.e. Scarecrow and Tin Man in Wagon on the pastedown endpapers). Volume bulks to only 1-1/4” including covers versus 1-3/8”+ of later printings. Bienvenue & Schmidt p. 23. Light wear at edges, rear hinge cracked, early owner’s inscription on rear of frontispiece; very good. (400/600)

SECOND PRINTING OF THE THIRD OZ TITLE 320. Baum, L. Frank. Ozma of Oz. 270, [blank], + [1] ad pp. Illustrated by John R. Neill with full-page and text illustrations in color and black and white. 9x6¾, tan cloth pictorially stamped in black, blue, red and yellow; pictorial endpapers. First Edition, Second Printing. Chicago: Reilly & Britton, [1907, but c. 1911] Second printing of the third Oz title; advertisements on last page listing titles through “The Emerald City of Oz” (1910). Illustration on p. [221] in black and white; pictorial endpapers; “O” in “Ozma” on line five of the Author’s Note on p.11, is absent. In ‘B’ binding, with “Reilly & Britton Co.” at foot of spine. Bienvenue & Schmidt p. 30. Light wear and soiling to cloth; very good. (500/800)

321. Baum, L. Frank. Ozma of Oz. 270 pp. Color plates by John R. Neill, other illustrations in text. Grey cloth, pictorial color label. Later printing. Chicago: Reilly & Lee, [c. 1923] With titles to “The Cowardly Lion of Oz” on verso of half title. Some light wear to cloth, front hinge cracking; some neat coloring to text illustrations; very good. (150/250)

322. Baum, L. Frank. Dorothy and the Wizard in Oz. 256 pp. Illustrated with 16 color plates & numerous black & white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label with yellow background, spine lettered in black with a picture of the Tin Woodman in black; pictorial endpapers in black, dust jacket. First Edition, Third Printing. Chicago: Reilly & Britton Co., [1908, but c. 1916] Third printing, or state, with half-title deleted. Binding ‘F’ with Reilly & Lee imprint of spine (but retaining Reilly & Britton on title page). Plates without captions. Bienvenue & Schmidt, p. 35. Jacket heavily worn with several large chips; some light wear and soiling to cloth; still very good in a poor jacket. (200/300)

Page 62 FIRST PRINTING IN BINDING VARIANT ‘A’ 323. Baum, L. Frank. The Road to Oz. 261, [1] + [2] ad pp. Illus. throughout with black & white drawings by John R. Neill. 9x6½, light green linen-like cloth stamped in dark green, red & black; pictorial endpapers. First Edition, First Printing. Chicago: Reilly and Britton, [1909] First printing in binding variant ‘A’ with spine imprint in upper and lower case letters; an early copy with perfect type on pages 34, 121, & 129. Bienvenue & Schmidt p. 41. Minor wear and soiling to covers, short crack to front hinge, an otherwise bright and fine copy. (700/1000)

324. Baum, L. Frank. The Emerald City of Oz. 295, [1] pp. Illustrated with 16 color plates embellished with metallic green ink & numerous black & white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label embellished with metallic silver & green ink; pictorial endpapers in black & orange. First Edition, First Printing. Chicago: The Reilly & Britton Co., [1910] First printing, in the primary binding featuring the elaborate cover label showing a number of characters traveling through the city, spine lettered in black with picture of a rabbit in black and silver. The striking use of metallic ink on the illustrations and cover label can only be found in this state. Bienvenue & Schmidt, p. 47. Light wear and soiling to cloth, spine decorations a bit dulled; small stain on p. 69, illustration at p. 240 with creasing in the lower margin; about near fine. (1200/1800)

325.  Baum, L. Frank. Tik-Tok of Oz. 272 pp. Illustrations by John R. Neill. Red cloth, pictorial label on front, dust jacket. Later Printing. Chicago: Reilly & Lee, [1914, but c. 1940] Later printing without color plates. Dust jacket with some light wear at edges and a few short tears; volume fine in a very good jacket. Lot 324 (100/150)

WITH ORIGINAL DUST JACKET 326. Baum, L. Frank. The Scarecrow of Oz. 288 pp. 12 color plates by John R. Neill. Dark green cloth, pictorial label, dust jacket. Early reprint. Chicago: Reilly & Lee, [1915, but c. 1920] Early reprint with list of titles to Glinda of Oz. Bienvenue & Schmidt, p. 63. Jacket with some light chipping and short tears at edges; volume fine, jacket very good or better. (250/350)

327. Baum, L. Frank. The Scarecrow of Oz. 288 pp. 12 color plates by John R. Neill. Bright green cloth, pictorial label. Color photocopy of dust jacket provided. Reprint. Chicago: Reilly & Lee, [1915, but mid-1920s] Reprint edition without list of titles on half title verso. Bienvenue & Schmidt, p. 64. Spine faded, some wear and soiling to cloth and front label, glue repair to rear hinge; very good. (100/150)

Page 63 328. Baum. L. Frank. Rinkitink in Oz. 314 pp. 10 (of 12) color plates by John R. Neill. Light green cloth, pictorial label. First Edition, First Printing. Chicago: Reilly & Britton, [1916] First printing with no advertisements on verso of ownership page. Bienvenue & Schmidt, p. 68. Binding worn, front hinge cracked; lacking two illustrations, others with some wear; good only. (150/250)

329. Baum, L. Frank. Rinkitink in Oz. 314 pp. 12 color plates by John R. Neill. Dark red cloth, pictorial label on front. Reprint. Chicago: Reilly & Lee, [1916, but mid 1920s] Later reprint, without list of titles on verso of ownership leaf. Light wear to cloth and cover illustration, hinges cracked; very good. (150/250)

330. Baum, L. Frank. Rinkitink in Oz. 314 pp. 12 color plates by John R. Neill. Dark red cloth, pictorial label on front. Early Reprint. Chicago: Reilly & Lee, [1916, but c. 1920] Reprint, with list of titles through Glinda of Oz on verso of ownership leaf. Bienvenue & Schmidt, p. 68. Some light wear and soiling to cloth, bookplate of verso of front free endpaper; very good. (150/250)

331. Baum, L. Frank. The Lost Princess of Oz. 312 pp. With 12 color plates and numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label; black and white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1917] First printing with the advertisement on verso of ownership page listing 10 titles through The Lost Princess of Oz, double-rules at top and bottom of spine. Bienvenue & Schmidt, p. 71. Some light wear to cloth and cover illustration, hinges with glue repair; good. (300/500)

332. Baum, L. Frank. The Lost Princess of Oz. 312 pp. With 12 color plates and numerous black and white drawings by John R. Neill. 9x6½, dark blue cloth, pictorial cover label; black and white pictorial endpapers. Color photocopy of dust jacket provided. Reprint. Chicago: Reilly & Lee, [1917, but c. 1920] Color plates with printed captions, titles to Glinda of Oz on verso of ownership leaf. Bienvenue & Schmidt, p. 72. Soiling to front cover illustration; some foxing to plates; very good. (150/250)

THE ONLY REILLY & BRITTON EDITION 333. Baum, L. Frank. The Tin Woodman of Oz. 287, [1] pp. With 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Britton, [1918] The only printing with the Reilly & Britton imprint, all later printings by Reilly & Lee. Bienvenue & Schmidt, p. 75. Spine leaning, some wear to cloth and cover illustration, bookplate; very good. (400/600)

Page 64 334. Baum, L. Frank. The Tin Woodman of Oz. 287, [1] pp. With 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, blue cloth, color pictorial cover label; black & white pictorial endpapers. Color photocopy of dustjacket provided. Early Reprint. Chicago: Reilly & Lee, [1918, but c. 1920] Early reprint with list of titles to Glinda in Oz in verso of ownership leaf. Bienvenue & Schmidt, p. 75. Light wear; bookplate on rear of frontispiece; pages a bit browned; very good. (150/250)

335. Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illus. with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, Third Printing. Chicago: Reilly & Lee, [1919, but c. 1920] Third printing with advertisement on verso of ownership page listing titles through Glinda of Oz. Bienvenue & Schmidt, p. 80. Light wear to cloth and cover illustration; small nick to top margin of a few leaves; very good. (150/250)

336. Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illus. with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, Third Printing. Chicago: Reilly & Lee, [1919, but c. 1920] Third printing with advertisement on verso of ownership page listing titles through Glinda of Oz. Bienvenue & Schmidt, p. 80. Some wear to cloth and cover illustration, hinges cracking and a bit shaken; very good. (100/150)

337. Baum, L. Frank. Glinda of Oz. 279, [1] pp. 12 color plates by John R. Neill. Red cloth, pictorial label. Reprint. Chicago: Reilly & Lee, [1920, but late 1920s] Late 1920s reprint with no list of titles on verso of ownership leaf. Bienvenue & Schmidt, p. 82. Spine faded, some light wear, hinges cracked; very good. (100/150)

OZ BOOKS BY RUTH PLUMLY THOMPSON 338. Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. 9x6½, blue-green cloth, pictorial cover label, black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1922] First printing with Princess Dorothy illustration on page [299] and publisher’s standard ampersand in spine imprint. Bienvenue & Schmidt, p. 102. Minor wear to binding; neat coloring to many of the black & white illustrations by a previous owner; very good. (200/300)

339. Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label, black & white pictorial endpapers, original dust jacket. Reprint. Chicago: Reilly & Lee, [1922, but c. 1931] Illustration on p. [299] shows Kabumpo the elephant. Rear jacket flap with list of titles to Pirates In Oz (1931). Bienvenue & Schmidt, p. 104. Light soiling and chipping to jacket edges; light wear to cloth and cover illustration; a few pages with neat coloring by a previous owner; very good in a like jacket. (200/300)

Page 65 340. Thompson, Ruth Plumly. The Cowardly Lion of Oz. 291 pp. Illustrations by John R. Neill. Orange cloth, pictorial endpapers, dust jacket. Reprint. Chicago: Reilly & Lee, [1923, but c. 1933] Reprint circa 1933 without color plates and with list of titles to Ojo in Oz on rear jacket flap. Bienvenue & Schmidt, p. 105. Light wear and chipping to jacket edges; short crack (1”) at foot of front hinge; else near fine in a like jacket. (150/250)

341. Thompson, Ruth Plumly. Grampa In Oz. 271 + [7] ad (i.e. 4 leaves printed on rectos only) pp. 12 color plates (no color frontis., as issued). 9x6½, light brick-red cloth, pictorial cover label, black & white endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1924] First printing with perfect type in numeral on p.171. Bienvenue & Schmidt p.105. Light wear to cloth, front hinge with glue repair; very good. (250/350)

342. Thompson, Ruth Plumly. The Lost King of Oz. 280 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. Reprint. Chicago: Reilly & Lee, [1925, but c. 1927-28] Reprint edition, with bold imprint on spine but with plates coated on both sides. Bienvenue & Schmidt, p. 107. Light wear to binding; a few leaves with short marginal tears; near fine. (150/250)

343. Thompson, Ruth Plumly. The Lost King of Oz. 280 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. Reprint. Chicago: Reilly & Lee, [1925, but c. 1934] Reprint edition, with semi-script imprint on spine, plates coated on both sides. Bienvenue & Schmidt, p. 107. Just a touch of wear, foxing to endpapers; fine. (150/250)

WITH THE ORIGINAL DUST JACKET 344. Thompson, Ruth Plumly. The Lost King of Oz. Illustrations by John R. Neill. Blue cloth, dust jacket. Reprint. Chicago: Reilly & Lee, [1925, but c. 1936] Later reprint without color plates. Rear jacket flap with list of titles through Captain Salt in Oz (1936). Bienvenue & Schmidt, p. 107. Some light chipping and short tears to jacket edges; a touch of wear to binding; fine in a very good or better jacket. (100/150)

345. Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1926] First printing with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt p.108. A touch of wear to binding; fine. (250/350)

Page 66 346. Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First State. Chicago: Reilly & Lee, [1926] First state with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt p.108. Some wear to cloth and cover illustration, front hinge a bit shaken, glue repair to rear hinge; very good. (150/250)

347. Thompson, Ruth Plumly. The Gnome King of Oz. 282 pp. Illustrated with 12 color plates by John R. Neill. 8¾x6½, bright emerald cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1927] There was another issue in light jade cloth. Bienvenue & Schmidt, p. 109. A touch of wear to binding, short repaired tear to margin of page 91; near fine. (300/500)

348. Thompson, Ruth Plumly. The Gnome King of Oz. 282 pp. Illustrated with 12 color plates by John R. Neill. 8¾x6½, bright emerald cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1927] There was another issue in light jade cloth. Bienvenue & Schmidt, p. 109. Light wear and soiling to cloth, bookplate removed from front endpaper, rear hinge cracked; very good. (200/300)

FIRST EDITION, FIRST PRINTING WITH THE ‘ONIBERON’ MISPRINT 349. Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1928] First state with misprint “Oniberon” for “Quiberon” in frontispiece caption; “r” in “morning” (p.116, line 1) imperfect making this not one of the earliest copies of the first printing. Bienvenue & Schmidt, p. 110. Light wear to cloth and cover illustration; very good. (250/350)

350. Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1928] First state with misprint “Oniberon” for “Quiberon” in frontispiece caption; “r” in “morning” (p.116, line 1) in undamaged type making this one of the earliest copies of the first printing. Bienvenue & Schmidt, p. 110. Wear and soiling to cloth, hinges with glue repair; very good. (200/300)

351. Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label; black & white pictorial endpapers. Early Reprint. Chicago: Reilly & Lee, [1928, but later, before 1933] Reprint with misprint “Oniberon” corrected to “Quiberon” in frontispiece caption; plates coated on both sides; pages numbered 126 & 127 reversed. Bienvenue & Schmidt, p. 110. Some light wear; very good. (100/150)

Page 67 352. Thompson, Ruth Plumly. The Yellow Knight of Oz. 275 pp; Illustrated with 12 color plates by John R. Neill. 9x6½, red cloth, pictorial cover label. First Edition, First Binding. Chicago: Reilly & Lee, [1930] First binding, with spine imprint in boldface. Bienvenue & Schmidt, p. 112. A touch of wear to binding; fine. (200/300)

FIRST EDITION WITH THE FIRST STATE DUST JACKET 353. Thompson, Ruth Plumly. Pirates in Oz. 280 pp. With 12 color plates by John R. Neill. 9x6½, medium-green textured cloth, pictorial cover label; black & white pictorial endpapers, jacket. First Edition, First Printing, First State Jacket. Chicago: Reilly & Lee, [1931] First state binding with spine imprint in boldface; jacket rear flap lists 24 titles through Pirates in Oz. Scarce in jacket. Bienvenue & Schmidt, p. 113. Jacket with some chipping and short tears at edges; a touch of wear binding; fine in a very good or better jacket. (500/800)

354. Thompson, Ruth Plumly. Pirates in Oz. 280 pp. With 12 color plates by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1931] First state binding with spine imprint in boldface. Bienvenue & Schmidt, p. 113. Minor wear to binding; fine. (250/350)

355. Thompson, Ruth Plumly. Pirates in Oz. 280 pp. With 12 color plates by John R. Neill. 9x6½, medium green cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1931] First state binding with spine imprint in boldface. Bienvenue & Schmidt, p. 113. Light wear to binding, a bit of soiling to cover illustration; very good. (200/300)

356. Thompson, Ruth Plumly. The Purple Prince of Oz. 281 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, dark purple cloth, pictorial cover label, pictorial endpapers. First Edition, Later Dust Jacket. Chicago: Reilly & Lee, [1932] First binding with spine imprint in boldface type. Bienvenue & Schmidt, p. 114. Jacket chipped at edges and with a few tape repairs on verso, crease to front and rear panels; light wear to cloth; very good in a like jacket. (300/500)

357. Thompson, Ruth Plumly. The Purple Prince of Oz. 281 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, dark purple cloth, pictorial cover label, pictorial endpapers, portion of original jacket present. First Edition. Chicago: Reilly & Lee, [1932, but c. 1934] Binding ‘B’ with spine imprint in semiscript type. Bienvenue & Schmidt, p. 114. Jacket lacking rear panel and flap; a touch of wear to binding; near fine in an incomplete jacket. (250/350)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 68 THE ONLY EDITION WITH COLOR PLATES 358. Thompson, Ruth Plumly. Ojo in Oz. Illustrated with 12 color plates by John R. Neill. 9x6½, light brown cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, First State. Chicago: Reilly & Lee, [1933] First state binding, with spine imprint in boldface. All later printings were issued without color plates. The jacket has the spine imprint in semi-script “fancy” letters and lists only 26 titles, through Ojo in Oz. Bienvenue & Schmidt, p. 115. Jacket with some chipping and tears; light wear to binding; near fine in a very good or better jacket. (500/800)

359. Thompson, Ruth Plumly. Speedy in Oz. 298 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1934] First state with Reilly & Lee imprint on spine in semi-script type. All later printings were issued without color plates. Bienvenue & Schmidt, p. 116. A touch of wear to binding; fine. (250/350)

360. Thompson, Ruth Plumly. The Wishing Horse of Oz. 297 pp. Illustrated with 12 color plates by John R. Neill. 9x6¾, dark green cloth, pictorial cover label. First Edition. Chicago: Reilly & Lee, [1935] This was the last Oz book to be issued with color plates, and all subsequent printings of this book did not contain the plates. This is the only Reilly & Lee Oz book that was not issued with its own pictorial endpapers. Bienvenue & Schmidt, p. 117. Light wear to binding, rear hinge with glue repair, previous owner’s ink stamp on endpapers and ownership leaf; two leaves with corners lacking (no loss of text); very good. (150/250)

IN THE RARE ORIGINAL DUST JACKET 361. Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition. Chicago: Reilly & Lee, [1936] 16-page gatherings. The jacket lists 29 titles through Captain Salt in Oz. Bienvenue & Schmidt, p. 118. Jacket faded, some edge wear, light chipping and short tears; minor wear to binding; near fine in a very good jacket. (500/800)

362. Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1936] 16-page gatherings. Bienvenue & Schmidt, p. 118. Light wear to binding; very good. (150/250)

363. Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, light blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1936] 16-page gatherings. Bienvenue & Schmidt, p. 118. Light wear to binding; very good. (150/250)

Page 69 FIRST EDITION FIRST STATE HANDY MANDY 364. Thompson, Ruth Plumly. Handy Mandy in Oz. 271 pp. Illustrated by John R. Neill. 9x6½, red cloth, pictorial cover label, black & white pictorial endpapers; color pictorial jacket. First Edition. Chicago: Reilly & Lee, [1937] First state with picture of Handy Mandy on spine. The jacket is a later issue: the rear flap lists 31 titles through The Silver Princess in Oz. Bienvenue & Schmidt, p. 119. Small chips and short tears to jacket edges; light wear to binding; very good in a like jacket. (400/600)

365. Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing, First Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; first binding with illustration of Handy Mandy on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink. Bienvenue & Schmidt, p. 120. Light wear to cloth, hinges repaired; very good. (150/250)

366. Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, tan cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing, First Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; first binding with illustration of Handy Mandy on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink. Bienvenue & Schmidt, p. 120. Light wear to cloth; very good. (200/300)

367. Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, orange cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing, Second Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; second binding without illustration of Handy Mandy on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink. Bienvenue & Schmidt, p. 120. Minor wear to binding; near fine. (150/250)

FIRST EDITION IN THE ORIGINAL DUST JACKET 368.  Thompson, Ruth Plumly. Ozoplaning with the Wizard of Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, orange cloth, pictorial cover label; black & white pictorial endpapers, jacket. First Edition. Chicago: Reilly & Lee, [1939] First state, with 16-page gatherings. The dust jacket lists 32 titles, ending with Ozoplaning in Oz. Bienvenue & Schmidt, p. 121. Some light chipping and short tears to edges of jacket, longer tear at head of spine; minor wear to cloth; fine in a very good jacket. (500/800)

369.  Thompson, Ruth Plumly. Ozoplaning with the Wizard of Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, blue cloth, pictorial cover label; black & white pictorial endpapers, jacket. First Edition. Chicago: Reilly & Lee, [1939] First state, with 16-page gatherings. The dust jacket lists 32 titles, ending with Ozoplaning in Oz. Bienvenue & Schmidt, p. 121. Jacket spine faded, some light chipping at edges; light wear and soiling to cloth; very good in a like jacket. (400/600) Page 70 370.  Thompson, Ruth Plumly. Ozoplaning with the Wizard of Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, red cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1939] First state, with 16-page gatherings. Bienvenue & Schmidt, p. 121. Light wear to cloth; very good. (150/250)

JOHN R. NEILL CONTINUES THE OZ SAGA 371. Neill, John R. Lucky Bucky in Oz. 289 pp. Illustrated by Neill. 8¾x6½, red cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1942] First printing, with vignette of a boy on spine. Bienvenue & Schmidt, p. 128. Spine faded, light wear to cloth; very good. (150/250)

372. Neill, John R. Lucky Bucky in Oz. 289 pp. Illustrated by Neill. 8¾x6½, tan cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1942] First printing, with vignette of a boy on spine. Bienvenue & Schmidt, p. 128. Light wear and soiling to binding, repair to front hinge; very good. (100/150)

RACHAEL COSGROVE’S HIDDEN VALLEY OF OZ 373. Cosgrove, Rachel R. The Hidden Valley of Oz. 313 pp. Illustrated by “Dirk” (Dirk Gringhuis). 9x6½, blue cloth, pictorial cover label. First Edition. Chicago: Reilly & Lee, [1951] Later printings do not have the pictorial cover label. Bienvenue & Schmidt, p. 137. Upper corners bumped; very good. (200/300)

A SELECTION OF L. FRANK BAUM’S NON-OZ TITLES 374. Baum, L. Frank. Dot and Tot of Merryland. Illustrated in color by W.W. Denslow. 8¼x6¼, yellow cloth pictorially stamped in gilt, red & brown. First Edition. Chicago: George M. Hill Co., 1901 Intended as a companion to The Wonderful Wizard of Oz, this was the final Baum/Denslow collaboration. Bienvenue & Schmidt, p. 192. Wear and soiling to cloth, recased, very good. (300/500)

375. Baum, L. Frank. Dot and Tot of Merryland. Illustrated in color by W.W. Denslow. 9x6¾, green cloth pictorially stamped in black and red, pictorial endpapers. Third Edition. Chicago: M.A. Donohue, [1901, but 1913] 1913 Donohue printing with slightly larger page-size than the first edition. The last Baum and Denslow collaboration. Bienvenue & Schmidt, p. 193. Light wear to binding; very good. (150/250)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 71 FIRST EDITION, FIRST PRINTING WITH THE CONTEST ENTRY FORM 376. Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1906] With the scarce detachable contest blank for “The Great John Dough Mystery: Is the Cherub Girl or Boy?” on yellow paper facing p.8 present. First state, with misprint on p.275, line 10 (“cage” for “cave”); publisher’s imprint on spine reads to “The Reilly & Britton Co.” in large and small capital letters; the back cover has a picture of John Dough, Chick the Cherub, and a box on which is lettered “THE GREAT/ JOHN DOUGH/ MYSTERY.” Bienvenue & Schmidt p. 227. Spine faded, some wear and soiling to cloth, hinges with glue repairs; very good. (700/1000) Lot 376

377. Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1906] Lacking the detachable contest blank for “The Great John Dough Mystery: Is the Cherub Girl or Boy?”. First state, with misprint on p.275, line 10 (“cage” for “cave”); publisher’s imprint on spine reads to “The Reilly & Britton Co.” in large and small capital letters; the back cover has a picture of John Dough, Chick the Cherub, and a box on which is lettered “THE GREAT/ JOHN DOUGH/ MYSTERY.” Bienvenue & Schmidt p. 227. Some wear and soiling to cloth, hinges with glue repairs; very good. (500/800)

378. Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial medium brown cloth stamped in red, yellow- green & black; blank endpapers. First Edition, Second Printing(?). Chicago: Reilly & Britton, [1906, but later] Binding variant ‘E’ with yellow-green stamping and blank endpapers, which are second printing variants but with the ‘cage’ for ‘cave’ error on page 275, line 10 (a first printing point). Bienvenue & Schmidt, p. 227. Light wear and soiling to cloth; very good. (300/500)

ILLUSTRATED BY MAXFIELD PARRISH 379. Baum, L. Frank. Mother Goose in Prose. 265 pp. Illustrated with 13 plates (including title page) by Maxfield Parrish, printed in sepia. 9¼x7, red cloth pictorially stamped in black & white. Second Edition. Chicago: Geo. M. Hill, [1901] Second edition of Baum’s first children’s book and first book of fiction, first published in 1897. Reduced in size from the first edition. Bienvenue & Schmidt, p. 160. Light wear and soiling to cloth; foxing to edges of page block; very good. (500/800)

Page 72 380. Baum, L. Frank. The Sea Fairies. 239, [1] pp. Illustrated with 12 duotone plates with iridescent ink & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; pictorial color endpapers. First Edition, First State. Chicago: Reilly & Britton, [1911] First state with front cover label illustrating the heads of the 3 principal characters, the last two lines of page 95 transposed, and lines 14 and 15 of page 105 also transposed. This is the first volume in the “Trot” series, which Baum hoped would replace Oz in his readers’ affections. It did not, but the Sea Fairies is one of his most imaginative books, especially with the marvellous iridescent plates. Bienvenue & Schmidt, p. 244. Some loss of stamping on spine, a bit of staining to covers; very good. (200/300)

381. Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label, spine stamped in black, color pictorial endpapers. Facsimile jacket provided. First Edition. Chicago: Reilly & Britton, [1912] This, a sequel to The Sea Fairies, is considered one of John R. Neill’s finest books, filled with vivid fantasy images. Bienvenue & Schmidt, p. 247. Some light wear and soiling to cloth and cover illustration, front hinge cracking; very good. (300/500)

382. Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, color pictorial cover label, spine stamped in black, color pictorial endpapers. Reprint. Chicago: Reilly & Lee, [1912, but c. 1920] With titles to Glinda of Oz on verso of half title. Bienvenue & Schmidt, p. 248. Light wear and soiling to cloth and cover illustrations; very good. (150/250)

383. Baum, L. Frank. The Surprising Adventures of the Magical Monarch of Mo and His People. Illustrated with 8 color plates by Frank Verbeck. 9x6½, green cloth, color pictorial cover label, blank endpapers. Second Edition, Second Printing. Chicago: M.A. Donohue, [1903, but c.1913] Second Donohue edition with number of plates reduced from 12 to 8, binding variant ‘b’ (green cloth); variant ‘A’ of plate placement (no priority). Bienvenue & Schmidt, p. 211. Spine darkened, cover label faded, gift inscription on front free endpaper; very good. (150/250) Section IV: Fine Books In All Fields

A SELECTION OF ALCOHOLICS ANONYMOUS BOOKS 384. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Two Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 9x6, original blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Second Printing. New York: Works Publishing Company, 1941 There were 5000 copies of the second printing. Soiling to cloth, gilt rubbed from spine lettering, front hinge cracking; some pencil underlining; else very good in a facsimile jacket. (6000/9000)

Page 73 FIRST EDITION, SECOND PRINTING OF THE A.A. BIG BOOK IN RARE RED CLOTH VARIANT 385. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Two Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 9x6, original red cloth, spine lettered in gilt, facsimile jacket, custom red cloth box. First Edition, Second Printing. New York: Works Publishing Company, 1941 There were 5000 copies of the second printing, of which a small number were presumed to have been bound in the 240 left-over red cloth covers of the first printing (of the first printing there were only 4760 copies printed of the ordered 5000 copies, covers for all 5000 copies were ordered and assumed to have been produced), it is further presumed that these red cloth bound copies of the second printing were distributed to prisons and other institutions. The provenance of the present volume traces through several recent owners, beginning with Frank D., an ex- convict who acquired the volume from the prison library at Waupan State Prison, Waupan, Wisconsin. A letter of provenance and other related documentation is laid in. Extremely rare! Recased, spine cloth reinforced, hinges repaired, spine lettering faded, light wear and soiling to cloth; very good in a facsimile jacket. (10000/15000)

386. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Six Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 9x6, original blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Third Printing. New York: Works Publishing Co., 1942 One of 5000 copies of this third print run. Published June 1942, of which at the time, Columnist Earl Wilson reports NYC Police Chief Valentine sent six cops to AA and they sobered up saying, “There are fewer suicides in my files.” Also, New York A.A. groups sponsor the first annual NY area meeting. This copy with a photograph of Bill Wilson mounted inside front cover. Ink presentation from the A.A. Group of Canton, O. to Ike (last name erased). Cloth well worn, hinges shaken; one page (5/6) detached but present; else fair in a facsimile jacket. (2000/3000)

387. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Eight Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 9x6, original dark olive green cloth, spine lettered in gilt, facsimile dust jacket. First Edition, Fourth Printing. New York: Works Publishing Company, 1943 One of 5000 copies published in March, 1943. A few small spots to cloth, lower corners bumped; near fine in a facsimile dust jacket. (2000/3000)

FIRST EDITION, FOURTH PRINTING IN BLUE CLOTH VARIANT 388. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Eight Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 9x6, original dark blue cloth, spine lettered in gilt, facsimile dust jacket. First Edition, Fourth Printing. New York: Works Publishing Company, 1943 Rare blue cloth variant of the fourth printing, usually bound in olive green cloth. Early ownership inscription of E.S. Ferris on front free endpaper dated September, 1943. Light wear to cloth; very good. (3000/5000)

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Page 74 389. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How More Than Fourteen Thousand Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8x5¼, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Eighth Printing. New York: Works Publishing Inc., 1945 The first AA Big Book in the smaller size format (a casualty of the wartime effort and this being the thinnest of all the printings); one of 20,000 copies printed in February, 1945. Light wear to cloth; near fine in a facsimile jacket. (700/1000)

390. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8¼x5½, original dark blue cloth, spine lettered in gilt, original jacket. First Edition, Ninth Printing. New York: Works Publishing Inc., 1946 One of 20,000 printed in January, 1946. In the same year, the long form of the “Twelve Traditions” was published in the AA Grapevine, which also stated “AA has 6,000 members in 180 groups.” Some wear and soiling to cloth; faint stain at page edges; good in a facsimile jacket. (500/800)

391. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8¼x5½, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Eleventh Printing. New York: Works Publishing Inc., 1947 One of 25,000 printed in June, 1947. Same year A.A. groups started in London (England), Anchorage (Alaska), Avalon (Catalina Island, California), and Melbourne (Australia). Wear and staining to cloth, previous owner’s name and writing on front endpapers along with the stamp of the Surf Side Group, Madeira Beach, Florida; fair to good in facsimile jacket. (500/800)

392. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8¼x5½, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Twelfth Printing. New York: Works Publishing Inc., 1948 One of 42,350 printed in October, 1948. Japan held its’ first AA meeting and the first “pocketbook” size issue of Grapevine was published in 1948. Some light wear and soiling to cloth, previous owner’s information on front free endpaper (AA Group of No Conway, N.H.); very good in a facsimile jacket. (400/700)

393. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8x5½, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Thirteenth Printing. New York: Works Publishing Inc., 1950 One of 50,000 printed in February, 1950. Same year the Twelve Traditions was officially adopted and AA co-founder Dr. Bob [Smith] died. Minor wear to cloth, some loss of gilt lettering on spine; near fine in a facsimile jacket. (400/700)

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Page 75 394. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8x5½, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Fifteenth Printing. New York: Alcoholics Anonymous Publishing, Inc., 1954 One of 16,242 printed in January, 1954, a significant drop from the previous three printings. The first edition published under the Alcoholics Anonymous Publishing, Inc. imprint. Light wear and soiling to cloth, previous owners’ names on front endpapers, separation in gutter at title page; very good in a facsimile jacket. (400/700)

395. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. viii, [2], 400 pp. 8x5½, original dark blue cloth, spine lettered in gilt, facsimile jacket. First Edition, Sixteenth Printing. New York: Alcoholics Anonymous Publishing, Inc., 1954 One of 15,700 printed in August, 1954, the final printing of the first edition. Light wear and soiling to cloth, previous owner’s name on front endpaper; very good in a facsimile jacket. (400/700)

SECOND EDITION, FIRST PRINTING INSCRIBED BY BILL WILSON 396. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575. [1] pp. 8x5½, rebound in dark blue full calf, black morocco spine label. Second Edition, First Printing. New York: Alcoholics Anonymous Publishing, Inc., 1955 First printing of the Second Edition with ‘realy’ at page XX, line 6. Presentation inscription from Bill Wilson on front flyleaf: “To Tom [Powers], My well loved companion; fellow traveler in the toils, and in the light - Affectionately, Bill. SS Oct. 15/55.” Tom Powers was Bill Wilson’s neighbor in Bedford Hills and assisted Wilson in the editing of the 12 Steps and 12 Traditions. Spine a touch faded, some light wear to leather; near fine. (2000/3000)

397. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575. [1] pp. 8x5½, blue cloth, original dust jacket, custom box. Second Edition, Third Printing. New York: Alcoholics Anonymous Publishing, Inc., 1955 [but 1959] Third printing with “7000 groups” on page 16. Card with inscription by Bill Wilson mounted to front pastedown endpaper: “Dear Nellie - With this goes fond memories of the old days and all my gratitude for your treasured friendship. In affection, Bill. East Dorset, Sept. 59”. Also with the address label of Ms Nell Wing. Nellie Wing was Bill Wilson’s executive secretary for more than 20 years. Jacket chipped at head and heel of spine and with some wear, tape repairs on verso; volume near fine. (2000/3000)

398. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575, [1] pp. 8x5½, original blue cloth, spine lettered in gilt, original blue jacket. Second Edition, Fourth Printing. New York: Alcoholics Anonymous World Services, Inc., 1955 [but 1960] The first printing with the Alcoholics Anonymous World Services imprint. Jacket laminated with thick plastic, some chipping; light wear to cloth, previous owners’ labels on front free endpaper; very good in a poor (because of lamination) jacket. (200/300)

Page 76 399. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575, [1] pp. 8x5½, original blue cloth, spine lettered in gilt, original blue jacket. Second Edition, Sixth Printing. New York: Alcoholics Anonymous World Services, Inc., 1955 [but 1963] Jacket price clipped, large chip at head of spine, light chipping at edges; minor wear to volumes, small spot of fading at spine head; very good in a like jacket. (150/250)

400. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575, [1] pp. 8x5½, original blue cloth, spine lettered in gilt, original blue jacket. Second Edition, Seventh Printing. New York: Alcoholics Anonymous World Services, Inc., 1955 [but 1965] A few small chips and short tears at jacket edges, tape repairs on verso; volume spine soiled; very good in a like jacket. (100/150)

401. [Wilson, William (Bill W.)]. Alcoholics Anonymous: The Story of How Many Thousands of Men and Women Have Recovered from Alcoholism. xxx, [2], 575, [1] pp. 8x5½, original blue cloth, spine lettered in gilt, original blue jacket. Second Edition, Tenth Printing. New York: Alcoholics Anonymous World Services, Inc., 1955 [but 1969] Light wear to jacket; tape remnants on endpapers, group ownership markings in front free endpaper; very good in a like jacket. (100/150)

402. [Wilson, William (Bill W.)]. Six Second Edition Alcoholics Anonymous big books - Printings 11 through 16. Includes printings 11 to 16 of the second edition. 8vo. Publisher’s original blue cloth, gilt lettered spines, blue jackets. New York: Alcoholics Anonymous World Services, Inc., 1955 [but 1970-74] The final six printings of the second edition. The third edition started in 1976 and went through 72 printings. In November of 2001 the fourth edition was issued and as of June 2009 had gone through 24 printings. Some general wear to jackets and volumes; overall very good. Sold with all faults. (400/600)

A NEAR COMPLETE SET OF THE THIRD EDITION PRINTINGS 403. [Wilson, William (Bill W.)]. Sixty printings of the Alcoholics Anonymous big book - Third Edition, Printings 1-62 (lacking 3rd and 7th printings). Includes printings 1 through 62 of the third edition (lacking the 3rd and 7th printings). 8vo. Publisher’s original blue cloth, gilt lettered spines, blue jackets. New York: Alcoholics Anonymous World Services, Inc., 1976-[1998] Sixty of the seventy-two printings of the third edition, lacking only the 3rd, 7th and 63rd through 72nd printings. In November of 2001 the fourth edition was issued and as of June 2009 had gone through 24 printings. Some general wear to jackets and volumes; overall very good. Sold with all faults. (1000/1500)

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Page 77 THE TWELVE & TWELVE INSCRIBED BY BILL WILSON 404. [Wilson, William (Bill W.)]. Twelve Steps and Twelve Traditions. Cloth-backed boards, spine lettered in gilt, jacket. First Edition, first printing. [New York]: Alcoholics Anonymous Publishing Inc., [1953] Inscribed by Bill Wilson in blue ink “To Alexander P. With all my gratitude for your recovery. Ever, Bill, SD, 6/8/54” on the front free endpaper. Publisher’s proper first printing “D-C” code on the copyright page. A few small chips to jacket edges, 1½” tear to front panel; light spotting to boards, upper corner of rear cover slightly bumped; very good or better in a like jacket. (4000/6000)

Lot 404

405. [Wilson], Bill. The A.A. Way of Life. A Reader by Bill. Gray boards, dust jacket. First Edition, First Printing. New York: Alcoholic Anonymous World Services, Inc., [1967] Excerpts from writings by Bill W. Some light wear to jacket and volume, previous owner’s name on endpaper; very good in a like jacket. (200/300)

A.A. COMES OF AGE INSCRIBED BY BILL WILSON 406. (Alcoholics Anonymous) Alcoholics Anonymous Comes of Age: A Brief History of A.A. Cloth-backed boards, dust jacket. First Edition, First Printing. New York: Alcoholics Anonymous World Services, Inc., [1957] Inscribed by Bill Wilson in the year of publication: “Dear Bill Cornell, This in gratitude for your recovery and in memory of your friendship. Ever, Bill. NY 10/1/57”. Some wear to jacket edges, tape repairs on both sides of jacket, evidence of label removed from jacket spine, small stickers (AA) on rear panel, some soiling to white of jacket; a touch of edge wear to volume; near fine in a good to very good jacket. (3000/5000)

Lot 406

Page 78 LOIS WILSON’S ACCOUNT OF 1925-26 MOTORCYCLE TOUR, SIGNED BY HER 407.  Wilson, Lois. Diary of Two Motorcycle Hobos. 131 pp. 11x8½, green paper wrappers, photo illustration on front cover, housed in a custom cloth box. First Edition. No place: 1973 Signed and dated by Lois Wilson on front cover. Diary written by Lois Wilson during the 1925-1926 motorcycle tour she took with her husband Bill Wilson, co-founder of Alcoholics Anonymous. Also included are typed and handwritten lists of individuals and groups to whom Diaries were sent at Christmas, 1973 and later, other related ephemera also laid in. Rare! Several leaves and rear cover dogeared, very good. (3000/5000)

408. (Alcoholics Anonymous) AA Today. A special publication by the AA Grapevine commemorating the 25th Anniversary of Alcoholics Anonymous. (4to) blue cloth. First Printing. New York: Cornwall Press, 1960 A touch of edge wear; near fine. (100/150)

409. (Alcoholics Anonymous) Group of Alcoholics Anonymous related ephemera, articles, clippings, etc. Small group of ephemera, articles, pamphlets, clippings, etc. Various places: Various dates List available upon request. Good to very good. (150/250)

LARGE COLLECTION OF BOOKS ON ALCOHOLISM AND SUBSTANCE ABUSE 410. (Alcoholism and Substance Abuse) One hundred sixty-nine volumes directly or indirectly related to alcoholism, substance abuse, and recovery. 169 volumes. Various sizes and formats. Various places: Various dates Collections spans the 19th and 20th centuries. Includes works on the 19th century temperance movements, prohibition, alcoholism and substance abuse, A.A. history, and various recovery texts and memoirs. List available on request. Condition varies from poor to very good or better, most good to very good. Sold as is, not subject to return. Examination is encouraged. (3000/5000)

411. (Alcoholism and Substance Abuse) Doherty, Eddie. Matt Talbot (2 copies). 2 copies. Black cloth, dust jacket. Second printings. Milwaukee: Bruce Publishing, [1954] The story of Ireland’s recovered alcoholic Saint. Jackets chipped, light wear to volumes; very good. (100/150)

412. (Alcoholism and Substance Abuse) The Layman With a Notebook. What is the Oxford Group?. Blue cloth. Third printing. New York: Oxford University Press, 1935 With the stamp and label of the Oxford Group, Cambridge, Mass. on front free endpaper. Some light wear; very good. (100/150)

413. (Alcoholism and Substance Abuse) Taintor, Eliot. September Remember. Tan cloth. Second Printing. New York: Prentice Hall, 1945 Dedicated “To Bill And To All Other Members of A.A.”. Wear and soiling to cloth; good. (100/150)

Page 79 414. (Adams, Ansel) Heyneman, Julie Helen. Arthur Putnam, Sculptor. Illustrated with photo plates of Putnam’s sculpture by Ansel Adams. 9½x6½, half niger & boards. No. 55 of 500 copies, designed by John Julius Johnck. First Edition. San Francisco: Johnck & Seeger, 1932 An early work with photographs by Adams. Spine faded, front hinge cracked, light edge wear; very good. (200/300)

415. [Alembert, Jean Le Rond d’]. Mêlanges de Littérature, d’Histoire, et de Philosophie. 2 volumes. [2], xiv, [2], 320; [2], 359 pp. Large folding table in Vol. I. (12mo) 6½x3¾, period mottled calf, spine tooled in gilt, raised bands, morocco lettering pieces, gilt inner dentelles, marbled endpapers, page edges stained red. Berlin [i.e. Paris]: [Briasson], 1753 Scarce edition with fictitious Berlin imprint, attributed to the renchF mathematician, mechanician, physicist and philosopher Jean le Rond d’Alembert (1717–1783), co-editor with Denis Diderot of the Encyclopédie. A bit of wear to spine ends; table with 5” stub tear without loss, near fine. (500/800)

WITH HAND-COLORED AQUATINTS 416. [Apperley, Charles J.] “Nimrod” & Alken, Henry. The Life of a Sportsman. By Nimrod. viii, 402 pp. Emblematic title-page and 35 plates, all hand-colored aquatint engravings after designs by Henry Alken. 9x5¾, full scarlet crushed morocco, spine richly lettered & decorated in gilt between five gilt-ruled raised bands, covers triple-gilt-ruled, edges gilt-rolled, marbled endpapers, gilt dentelles, all edges gilt; bound by Riviere and Son. First Edition, First Issue. London: Rudolph Ackermann, Eclipse Sporting Gallery, 1842 First issue, with four of the early plates printed on India paper and mounted on plate paper. Tooley states: “Considered by many to be the premier coloured plate sporting book in the 19th century, by others as sharing this honour with Jorrocks’s Jaunts.” The plates are indeed brilliantly rendered and colored. An annotated clipping from an auction at the American Art Association on January 19, 1927, at which this copy, from the collection of Guy B. Stearns, M.D., fetched $360.00, laid-in. Ads have been excised. Podeschi 167; Schwerdt, I, p. 37; Tooley 65. Front joint and hinge reinforced, rear hinge cracking, a few nicks to edges, other light wear; occasional faint foxing; else very good or better, clean and bright. (800/1200)

417. (Architecture) Cram, Goodhue and Ferguson. The Work of Cram and Ferguson Architects Including Work By Cram, Goodhue, and Ferguson. [12] pp. + color frontispiece & 343 plates from photographs, designs & measured drawings. 13¾x10¾, cloth. First Edition. New York: Pencil Points Press, 1929 Churches, chapels, college halls, fraternity headquarters, and other grand edifices. Covers rubbed with extremity wear; a bit shaken, rubberstamp of Eugene F. Johnson, architect in Sprinfield, MO, to front pastedown, else very good. (200/300)

418. (Argonaut Press) Polo, Marco. The Most Noble and Famous Travels of Marco Polo together with the Travels of Nicolò de’ Conti. lx, 381 pp. Notes and Appendix by N.M. Penzer. Color frontispiece after a medieval illuminated manuscript; 11 maps (1 them folding). (4to) 10x7½, full polished calf, spine gilt, original front cover cloth and spine vellum bound in at rear, top edge gilt. No. 291 of 1050 copies printed on Japon Vellum by Walter Lewis at the University Press, Cambridge. London: Argonaut Press, 1929 Finely printed edition Marco Polo’s classic account of his travels. A few minor scuffs to leather; near fine. (300/500)

Page 80 419. Asconius Pedianus, Quintus. Commentationes, in aliquot M. Tvlli Ciceronis Orationes. 291, [21] pp. (12mo) 5x3, period full vellum, spine lettered in an old hand. Leiden: Francisci Hackii, 1644 Some soiling to vellum, bookplate; very good. (200/300)

THE ASHENDENE PRESS HORACE – ONE OF 150 COPIES 420. (Ashendene Press) Horace. Carmina Alcaica. 69, [2] pp. Initials in gilt, red, and blue. 7¼x5, full limp vellum, spine lettered in gilt, slipcase (original?). One of 175 copies of which this is one of 150 copies on Japan vellum. Chelsea: Ashendene Press, 1903 Hornby XV. Slipcase worn; spine a touch darkened, else fine. (1500/2000)

421. Beebe, William. Pheasants, Their Lives and Homes. 2 volumes. Numerous full page plates, many in color. (4to) 10¼x7½, modern red half morocco and cloth, spines gilt, top edge gilt. First Trade Edition. New York: Doubleday, Page, 1926 Published under the auspices of the New York Zoological Society. Fine. (250/350)

Lot 420 422. (Bible) The Complete Domestic Bible, Containing the Old and New Testaments. Woodcut illustrations. (4to) 11½x9½, deeply embossed full morocco stamped in gilt, all edges gilt. Philadelphia: Hubbard Bros., [late 19th century] A wonderful example of the elaborate family Bibles that were immensely popular in the second half of the nineteenth century. Spine faded, some wear to edges; family history pages unused; very good. (200/300)

423. Boccaccio, Giovanni. Il Decameron. 4 volumes. [2], xii, 215; [2], 199; [2], 214; [2] 281 pp. (Folio) 17¾x11¾, 20th century patterned paste-paper boards. Italia [probably Pisa]: Co’ Caratteri di F. Didot, 1816 A very handsomely printed edition of Boccaccio’s classic work. Pages untrimmed and with very generous margins. Brunet I, 1003. Spines sunned, some wear to extremities; light foxing, a few worm holes in upper margin of a few pages at rear of final volume; very good. (500/800)

TWO IRON BOOK PRESSES 424. (Book Press) Cast iron nipping or copy press. Platen is approximately 12x10”, overall height approximately 16¾”. With original black and gilt paint, brass handle ends. Glasgow: Wm. Lorimer, 19th century Fully functioning nipping or copy press. Extra crating and shipping costs may apply. Some flaking and fading to paint, some surface rust; very good. (500/800)

Page 81 425. (Book Press) Cast iron nipping or copy press. Platen is approximately 15x10½”, overall height approximately 15¾”. With an unusual release handle. Later black and red paint. No place: late 19th or early 20th century Fully functioning nipping or copy press. Extra crating and shipping costs may apply. Some light surface wear; very good. (400/600)

426. (Bookcase) Turn-of-the-Century Revolving Bookcase. Revolving bookcase, approximately 20” W x 21” D x 41” H. Each side with one 5” shelf, two 10” shelves, top with rope edges, with drop leaf book stand. Mounted on a steel center rod with wooden feet and 4 casters. No place: Maker unknown, [c. 1900] From the bookshop of the late Jeffrey Thomas. Some nicks and scratches to finish; overall very good condition. Should be examined, sold as is. This item is being offered for pick-up only. (500/800)

Lot 426

427. Boswell, James. The Life of Samuel Johnson, LL.D. 4 volumes. Engraved portrait frontispiece in Volume 1; folding facsimile plate in Volume 2. (8vo) 8½x5½, period diced calf, modern calf rebacking, morocco spine labels. London: R. Baynes, et al, 1824 Some light wear to board edges; very good, handsomely rebacked. (250/350)

428. Broder, Patricia Janis. Bronzes of the American West. Profusely illustrated with photographs, many in color. (Oblong 4to) 10¾x11½, cloth, dust jacket. First Trade Edition. New York: Harry N. Abrams, [1974] Inscribed by the author on half title. Fine (100/150)

Page 82 429. [Brucourt, Charles Francois]. Essai sur l’Education de la Noblesse. Par M. le Chevalier de 2 parts in 2 volumes. [4], 392, [34]; 388, [31] pp. Copper-engraved frontispiece in Part 1. 6x3b, later half calf & marbled boards, spine labels. Nouvelle Edition corrigée & augmentée. Paris: Durand & Pissot, 1748 First spine worn, both with ends rubbed; occasional instances of ink underlining or marginal marks; Part 2 lacking the title-page and prelims.; very good. (200/300)

430. Büsch, Johann Georg. Herr professor Georg Büch’s Encyclopedie, angaaende de historiske, philosophiske og mathematiske Videnskaber. [8], 432, 300 pp. With 1 folding engraved plate of diagrams. (8vo) 6¾x4, quarter sheep & pastepaper boards. Copenhagen: Bogtrykker Simmelkiær, 1783 Quite rare - OCLC/WorldCat lists only two copies in institutional libraries, both in Denmark. Some rubbing to binding, but quite sound; near fine. (300/500)

WONDERS OF THE INVISIBLE WORLD 431. Calef, Robert. More Wonders of the Invisible World, or The Wonders of The Invisible World Displayed. In Five Parts... 312 pp. 6¾x4, period calf, gilt-lettered morocco spine label. Second American Edition. Salem: Cushing and Appleton, 1823 Interesting little book on witchcraft, that was originally published in 1700 in London. “Antidote to the hysterical credulity of contemporary religious passion. The first copy to reach Boston was publicly burned.” -Howes C25. Printed by John D. and T.C. Cushing, Jr. Spine chipped and rubbed; dampstain on fore edge of page block; missing most of preliminary blank leaf; foxed; else very good. (200/300)

432. Carleton, William. Traits and Stories of the Irish Peasantry. 2 volumes. [8], xxiv, 427, [1]; [6], 430 pp. With 38 etched plates (including frontispiece & added title in Vol. I); lithographed frontispiece and added title in Vol. II; woodcuts in the text. 8¾x5¾, full polished green calf, spines gilt, morocco spine labels, top edges gilt. Revised Edition. Dublin: William Cuury, Jun., and Co., 1843-44 With illustrations after Harvey, Phiz, Macmanus and others. Each volume with one board detached, some other light wear to bindings; good. (150/250)

433. Catleen, Ellen. Peking Studies. 87 pp. Contains numerous photogravures, along with sketches by F.H. Schiff. 14½x10¼, brown cloth, with pictorial paper cover label. First Edition. Shanghai: Kelly & Walsh, 1934 Collection of photographs and short descriptions of cultural practices captured by the camera, like a wedding, the work place, and religion. Photographs taken on the Rolleiflex Camera. Some photographs contain within them sketches by Schiff. Spine detaching at heel, many dampstains to covers, spine tips and corners fraying; good. (200/300)

434. Cattermole, Richard. The Great Civil War of the Times of Charles I. and Cromwell. [iv], 279 pp. 30 steel engraved plates including title page and frontispiece. (4to) 10½x7, period full brown morocco, decorative gilt borders, spine gilt, all edges gilt. London: Henry G. Bohn, 1852 Illustrations from works by George Cattermole. Spine sunned, light edge wear; some foxing; very good. (200/300)

Page 83 435.  Chesterfield, Philip Dormer [Stanhope], Lord. Letters of Philip Dormer, Fourth Earl of Chesterfield, to his Godson and Successor. Edited, with memoir by the Earl of Carnarvon. Illustrated with collotype plates. 11¼x9, period full blue morocco, decorative gilt borders, spine gilt, raised bands, top edge gilt. Bound by Whitman Bennett. No. 289 of 525 copies. Oxford: Clarendon Press, 1890 An attractively printed and bound edition of this classic work. Spine sunned, some scuffing to leather; very good. (200/300)

436. Chevallier, A. L’art de préparer les chlorures de chaux, de soude et de potasse; suivi de détails sur les moyens d’apprécier la valeur réelle de ces produits, leur application aux arts, à l’hygiène publique, à la désinfection... [4], iv, 392 pp, With 3 folding copper-engraved plates. 8½x5½, original paste-paper wrappers, paper spine label. First Edition. Paris: Béchet jeune, 1829 Early work on the use of chlorine in hygiene and as a disinfectant, in rare original state, untrimmed in wrappers. Some minor foxing and darkening, very good or better. (300/500)

Lot 436

1606 HISTORY OF GREAT BRITAIN 437. [Clapham, John (b.1566)]. The Historie of Great Britannie Declaring the Successe of Times and Affaires in that Iland, from the Romans First Entrance, Untill the Raigne of Egbert, the West-Saxon Prince; Who Reduced the Severall Principalities of the Saxons and English, into a Monarchie, and Changed the Name of Britannie into England. [12], 302, [2] pp. Woodcut initials, roundel portraits, and head pieces. (4to) 7x5, rebound in modern red leather, new endpapers. Second Edition of Part 1; First Edition of Part 2. London: Printed by Valentine Simmes, 1606 Part 1 was published in 1602 under the title, The Historie of England. Part 2, which begins at page 209, was not included in the 1602 publication, and is thus the first edition. The first leaf is blank except for the signature mark “A”, and the final leaf is the errata. The book is sometimes attributed to George Saltern. There is no record of the sale of this volume at auction in the past 30 years, a very rare find. ESTC S108009. Spine sunned; a few neat ink inscriptions on title page, including the name Elizabeth Osborne, closed tear to page 148 repaired with tape, top and bottom edge of pages trimmed with slight loss affecting the catch word on a few leaves; very good. (500/800)

Page 84 438. Cole, F.J. Early Theories of Sexual Generation. x, 230 pp. Frontispiece portrait of Charles Bonnet, plates from diagrams, and illustrations within text. 8½x5½, cloth, gilt spine. Oxford: Clarendon Press, 1930 Scientific text from the Professor of Zoology at the University of Reading. A few scuffs and very light shelf wear; else near fine. (200/300)

439. Colson, Nathaniel. The Mariner’s New Calendar. 136 pp. 7¾x5½, period full calf. Custom calf- backed clamshell box. London: W. and J. Mount, 1761 Scarce issue of this nautical almanac, first issued in 1676, now revised by William Mountaine. 1807 gift inscription on front pastedown endpaper. WorldCat locates only one copy, ESTC locates 4 others. Scratches to leather by an earlier owner; free endpapers lacking; damage to corners of half title where previously adhered with sealing wax to front pastedown, library stamp on verso of half title; very good. (500/800)

440. (Colt Press) Twain, Mark. Concerning Cats. Two Tales. xvi, 29, [2] pp. Introduction by Frederick Anderson. 4to, black cloth-backed patterned boards, spine label. One of 450 copies printed for the Colt Press by the Grabhorn Press. San Francisco: Book Club of California, 1959 BCC 102; GB 610. Some darkening to endpapers; fine. (200/300)

A FEW EARLY COOKERY BOOKS 441. (Cookery) Farley, John. The London Art of Cookery, and housekeeper’s Complete Assistant, on a New Plan. Made to the Understanding of Every Housekeeper, Cook, and Servant, in the Kingdom. xxiv, [6], 366, [2] ad pp. Engraved portrait frontispiece. (8vo) 8¼x5, modern quarter red polished calf and cloth. Tenth Edition. London: Scatcherd and Letterman, et al, 1804 Preceding the text are 12 illustrations showing a typical ‘Bill of Fare’ for each of the months. The author was the Principal Cook at the London Tavern Minor wear to binding; foxing, light worming in margin; very good. (300/500)

442. (Cookery) Glasse, Mrs. [Hannah]. The Art of Cookery Made Plain and Easy. [2], vi, [20], 409, [1], [25] pp. (8vo) 8¼x5X, modern full calf in a period style, red morocco spine label. New Edition. London: J. Rivington and Sons, et al, 1788 First published in 1747, this popular work went through more than 30 editions during the 18th century. Some wear to binding; repair to head of title page, one leaf with a piece torn from margin with loss of a few letters at line ends, staining and foxing; good. (300/500)

443. (Cookery) Nott, John. The Cooks and Confectioners Dictionary: Or, The Accomplish’d Housewives Companion. Unpaginated. (8vo) 7½x4¾, modern full calf in period style, red morocco spine label. Second Edition. London: C. Rivington, 1724 The author was cook to the Dukes of Somerset, Ormond and Bolton; Lord Lansdown and Ashburnham. Light wear to binding; some staining and foxing, a bit of worming in margins; good. (400/600)

Page 85 444. [Courtivron, Gaspard Le Compasseur de Créqui-Montfort, Marquis de]. Traité d’Optique, où l’on donne la théorie de la lumiere dans le système Newtonien, avec de nouvelles solutions des principaux problêmes de dioptrique & de catoptrique. [2], v, [1], 192, 183-186, 185-188, 191-192, [4] pp. With 7 folding copper- engraved diagram plates. (4to) 8½x6½, original marbled boards. First Edition. Paris: Chez Durand, Pissot, 1752 Important treatise on optics in which Courtivron (1715-1785), French soldier turned scientist, assails the Cartesian concept of light and champions the Newtonian. Despite the jumps in pagination, the work is complete. Spine strip detached, about half of it laid in including the titled leather label; author’s name inked on title-page, some very light foxing, minor dampstaining to some top margins, very good or better. (400/600)

445. Darwin, Charles. The Foundations of the Origin of Species: Two Essays Written in 1842 and 1844. xxix, [1], 262 pp. Edited by his son Francis Darwin. Photogravure portrait frontispiece, 1 facsimile plate. Green cloth. Cambridge: University Press, 1909 Two essays from the most influential ethnologist, here published for the occasion of the first Centenary Celebration of the birth of Charles Darwin, by Cambridge University. Spine sunned, light shelf wear; very good. (500/800)

WITH 78 COPPER-ENGRAVED PLATES 446. Desaguliers, John Theophilus. A Course of Experimental Philosophy. 2 volumes. [24], 463, [12] pp. xv, [1], 568, [8] pp. With 78 folding copper-engraved plates, + 1 duplicate. (4to) 9¼x7, period calf. First Edition. London: John Senex, et al., 1734-1744 A native of France, Desaguliers (1683-1744) and his father fled to England in 1694 because of the consequences of the revocation of the Edict of Nantes. He studied at Oxford, became experimental assistant to Sir Isaac Newton, and later popularized Newtonian theories and their practical applications. He has been credited as the inventor of the planetarium, on the basis of some plans he published. The present work contains many experiments and some advanced engineering. Newton is listed with the subscribers, though as “late,” having passed away in 1727. Bindings rubbed, top 1” of Vol. I spine strip, and about a third of Vol. II spine strip perished; some light foxing with ink names to title-pages, plate 30 in Vol. I slight shaved at top, else very good, internally quite nice, worthy of restoration to the bindings. (800/1200)

447. Du Fresnoy, C[harles] A[lphonse]. De Arte Graphica. The Art of Painting. [2], lxiv, 355, [1 errata] pp. Additional engraved title page. 9x7¼, early full calf, gilt borders and center devices, all edges gilt. First Dryden translation. London: Printed by J. Heptinstall for W. Rogers, 1695 Translated into English prose and with a new preface by John Dryden. Binding well worn, vertical split to spine, edges rubbed; some foxing; good. (300/500)

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Page 86 448. (Dutch Illustration and Printing) Three titles about Dutch illustration and printing. Includes: Landwehr, John. Studies in Dutch Books with Coloured Plates Published 1662-1875. Natural History, Topography and Travel Costumes and Uniforms. 605 pp. Green cloth, dust jacket. Dr. W. Junk B.V., 1976. * Nissen, Claus. Die Botanische Buchillustration: Ihre Geschichte und Bibliographie. 264; 324 pp. Green cloth. Hiersemann Verlags-Gesellschaft, 1951. * Hellinga, Wytze Gs. Copy and Print in the Netherlands: An Atlas of Historical Bibliography. 2 volumes. 253 pp; second volume is all plates. Typed addendum(?) pasted to pp. 42, tape yellowed. Tan cloth. North-Holland Publishing Company, 1962; 1960. Various places: Various dates Light shelf wear to each volume; very good. (200/300)

A FEW LOTS OF EARLY PRINTED BOOKS 449. (Early Printed Books) Five volumes of early printed books. Includes: Bate, George. Elenchi Motuum Nuperorum in Anglia. Simul ac Regis Caroli II. Essugii Mirabilis è Prælio Wigorniæ Enarratio. [14], 288, [26] pp. 5¼x3, period full paneled vellum. [Pauli Warnaer], 1663. * Lampadius, Jacob. Tractatus De Republica Romano-Germanica. 377 pp. 4½x2¼. Maire, 1642. * Bacon, Francis. Francisci Baconis de Verulamio, Vice-Comitis Sancti Albani, De Dignitate & Augmentis Scientiarum, Libri IX. [16], [1 blank leaf], 749, [70] pp. 5x2¾. Spine’s head peeling away from text block. Franciscum Moyardum & Adrianum Wijngaerde, 1645. * Anonymous. Nugæ Venales, Sive Thesaurus Ridendi & Jocandi [bound with] Peerdeklontio, Ignoto. Studentes Sive Comoedia de vita Studioforum... 2 frontispiece engravings + 1 plate within. [4], 323; [86] pp. 5x3. Neminem [and] Ædibus Iberiorici Noblilimi, 1689 [and] 1647. * Hieronymus. Epistolae Selectae... [22], 759, [34] pp. 5x3. Sebastianum Hure, 1649. Together 5 volumes. Various places: Various dates Each in full period vellum, spines lettered in an old hand. Most with an engraved illustrated title page. Most vellum with some darkening, faint spots of soiling, and shelf wear; a few pages with paper backing reinforcing loss at corners; good to very good. (500/800)

450. (Early Printed Books) Five volumes of early printed books. Includes: Vincent of Lérins, Saint. Peregrini, id est, ut vvlgo perhibetur. [7], 274, [1 errata] pp. 4½x2¾, period limp vellum. Guilielmi Webb, 1631. * Valerius Maximus. Dictorum Factorum que Memorabilium Libri IX. [24], 554, [26] pp. 5¼x3, period full vellum. Arnold Leers, 1662. * Ælian, Claudius. Æliani Variæ Historiæ libri XIIII. Rerupublicarum Descriptiones ex Heraclide... [16], 460, [18] pp. 4¼x2¾, period full vellum, gilt spine. Joan, Tornaesium, 1604. * Manuzio, Paolo. Epistolarum Libri XII... [16], 536, [2], 128, [4] pp. 5½x4, period limp vellum. Spine heel lacking. Lucium Spinedam, 1612. * Dissertationum Ludicrarum et Amœni Tatum, Scriptores Varij. Lacks half title or front endpaper. 567 pp. 4¾x2¾, period full calf. Hegerum & Hackium, 1638. Together 5 volumes. Various places: Various dates Moderate shelf wear; some faint marginal dampstaining to a few; good to very good. (400/600)

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Page 87 451. (Early Printed Books) Five volumes of early printed books. Includes: Catullus, Tibullus & Propertius. Opera. 219 pp. 4½x2½, early full paneled calf. Armorial bookplate. Haring, 1686. * Plinius Secundus, Gaius. Epistolae ex recensione Longolii. 459 pp. 5x3, period boards. Libraria Riegeliana, 1788. * [Salmasius, Claudius. Defensio Regia, Pro Carlo I... 444 pp. + 2 leaves from another publication bound at rear. 4¾x2½, period full calf. Sumptibus Regiis, 1649. * Index Vocabulorum Omnium Quæ in Eclogis, Georgicis, et Æneide Virgilii Continentur... Unpaginated. 6x3¾, later half morocco, gilt spine. Joannem Barbou, 1714. * Gerrard, John. Siglarium Romanum; sive Explicatio Notarum ac Literarum. [8], 655, [1] pp. 10½x8½, period calf with later rebacking. First Edition. C. Clarke, 1792. Together 5 volumes. Various places: Various dates Degree of shelf wear to each, most moderately rubbed extremities; good to very good. (500/800)

452. (Early Printed Books) Six volumes of early printed books. Includes: Janus Secundus. Opera. Accuraté recognita ex museo P. Scriverii. [28], 384, [1] pp. 5x2¾, period full vellum, spine lettered in an early hand. Franciscum Hegerum, 1631. * Ausonius, D[ecimus] Magnus. 235, [6] pp. 4½x2½, period full vellum, spine lettered in an early hand. Burtigalensis Opera. J. Wetstenium, 1750. * Sigismund, John Johann. Parnassi Silesiaci Sive Recensionis Poetarum Silesiacorum... 2 parts in 1. 190; 188 pp. 6¼x3¾, later half vellum and boards. Chipped spine, library number in ink on spine heel. Sumtu Michael, 1728-1729. * Horace. Q. Horatius Flaccus. 449 pp. 5¾x3¼, period full vellum, spine lettered in an early hand. Luciam Venetus. [c.1606]. * Ovid. Publii Ovidii Nasonis... [16], 416 pp. 6x3½, period full calf. Heavily rubbed, chipped spine head. Baltazarem Bellerum, 1636. * Milton, John. Paradisus Amissus. Poema. 2 volumes in 1. [6], 304; [4], 303, [1] pp. 10x8, period full calf, rebacked gilt-lettered and decorated spine. Covers detached, as well as preliminary pages up to pp. 2. Theatro Sheldoniano; Jacobi Bettenham, 1750-1753. Together 6 volumes. Various places: Various dates All but the last volume with engraved illustrated title pages. The last volume with engraved roundel portrait on title page. Some degree of edge wear and soiling to each exterior; good to very good. (400/600)

453. (Elzevir) Nine early printed books from the Elsivirs. Includes: Curtius Rufus, Quintus. Historiarum libri, accuratissmer editi. 271, [16] pp. 4¾x2½, modern full calf. Mounted title page. 1670. * Fabricius, Vicentius. Poematum Juvenilium Libri III. [24], 108 pp. 5x2¾, 19th century full calf, all edges gilt. Front cover detached, bookplate. 1633. * Terentius. Comoediæ Sex Ex recensione Heinsiana. 2 volumes. 118; 119-236 pp. 4½x2¼, period full calf, gilt-stamped monogram to covers, gilt spines. Some rubberstamps within. 1651. * Velleius Paterculus, Caius. [Historiae Romanae] Cum Notis Geraldi Vossii. [12], 116, [28], 128, [1] pp. 5¼x3 old full calf. Leather chipped. 1664. * Owen, John. Epigrammatum Ioan. Oweni Cambro-Britanni Oxoniensis Editio postrema, correctissima, & posthumis quibus dam adaucta. 212 pp. 4x2½, 18th century tan morocco, all edges gilt. 1647. * Justinianus. Sacratissimi Principis, Institutionum, sive Elementorum, Libri Quatuor, Notis perpetuis multo, quam hucusque, diligentius illustrati, cura & studio... [22], 643 pp. 5x3, period full vellum, spine lettered in an old hand. 1669. * Statius, Publius Papinius. Opera ex recensione ex cum notis I. Frederici Gronovii. [2], 424 pp. 4½x2¼, period full vellum, spine lettered in an early hand. 1653. * Buchanan, George. Poemata quæ extant. 531, [10] pp. 4½x2¼, rebound with some period full calf laid down. Editio Postrema. Chipped leather. 1676. * Barclay, John. Euphormionis Lusinini Sive Joannis Barclaii Satyricon. 717 pp. 4¾x2½, period pebbled calf, rebacked with later calf, all eges gilt. 1637. Together 9 titles in 10 volumes. Amsterdam or Leiden: Elzevir, Various dates Each with an engraved illustrated title page. Rubbing and light soiling to many; very good. (600/900)

Page 88 454. Erasmus, Desiderius [Erasmus of Rotterdam]. Encomium Moriae Des. Eras. Roterod. sive Declamatio, In Lauden Stulticiae. 361, [1], 128 pp. 5x3, early full vellum, yapp edges, spine lettered by hand. Leiden: Jacobi Marci, 1618 Scarce edition of his The Praise of Folly, first published in 1511. Rear joint splitting, some soiling to vellum, front free endpaper lacking, notes in an early hand on blanks; very good. (200/300)

455. (Erotica) [Vignali, Antonio]. La Cazzaria [do l’Arsiccio Intronato]. [4], lxxxi, [3], 104 pp. 7¼x4½, period calf-backed cloth with vellum corners. Number 4 of 100 copies. First French Edition. Cosmopli [Bruxelles]: J.H. Briard, 1863 La Cazzaria, The Book of the Prick, is an erotic text of the Italian Renaissance, a ribald dialogue about politics, sex, and desire. Some light wear to binding; very good. (200/300)

456. Eyston, G[eorge] E.T. and Barre Lyndon. Motor Racing and Record Breaking. 116 pp. Color frontispiece plate, many plates from photographs within. 8½x5½, cloth, dust jacket. First Edition. New York / London: Scribner’s / B.T. Batsford, 1936 Signed by the author George Eystone in 1935 on the dedication page. A great look at motor racing in England. Some chipping to jacket edges and lightly foxed on verso; volume spine leaning a touch, edges of page block foxed, lightly browned extremities; very good volume in same jacket. (200/300)

457. (Fashion) Trade Catalog for Mens Spring & Summer fashions, 1909. Ten two-page color lithographed plates from an unidentified clothing retailer. 15¾x21½ (or the reverse), laid down on linen backing and bound within cloth boards. No place: 1909 Featuring the “Spring & Summer Fashions 1909,” which is almost exclusively men’s business casual attire, but also includes a plate of formal wear, and one of uniform fashions for which they write “We make only plain uniforms. Cannot furnish gilt trimmings or equipments.” Plates are creased in middle where folded; some smudging to margins; very good. (100/150)

TWO LOTS OF COSWAY STYLE BINDINGS 458. (Fine Binding - Cosway Style) Dasent, Arthur Irwin. Nell Gwynne, 1650-1687. xii, 322 pp. 7 plates and folding plan. Extra-illustrated with the insertion of 36 additional plates from earlier sources, many in color. (8vo) 8½x5½, finely bound by Bayntun in full green morocco, gilt ruled borders with floral devices at corners, watercolor portrait inset into oval opening on front with elaborate gilt border of repeating floral design, raised bands, spine compartments lettered and decorated in gilt, gilt rolled board edges, gilt ruled dentelles, moire silk endleaves, all edges gilt. housed in a custom felt lined drop-back box. London: Macmillan, 1924 Fabulous miniature portrait of the famed 17th century actress with her characteristic curls and entrancing gaze. Spine sunned, front joint starting; very good. (1000/1500)

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Page 89 459. (Fine Binding - Cosway-Style) Gribble, Francis. Rachel: Her Stage Life and Her Real Life. xii, 276 pp. 6 plates. Extra-illustrated with the insertion of 25 additional plates from earlier sources, many colored. (8vo) 8¼x5½, finely bound in full green morocco elaborately stamped in gilt on front and rear covers, fine watercolor portrait of Rachel on ivory inset to front cover, spine gilt, raised bands, gilt-ruled dentelles, moire silk doublures and endleaves, all edges gilt. Binding by Bayntun. Housed in a custom felt-lined box. London: Chapman and Hall, 1911 A very fine example of Cosway-style binding. Spine darkened, light wear to extremities; else near fine. (2000/3000)

Lot 459

TWO LOTS OF CEDRIC CHIVERS VELLUCENT BINDINGS 460. (Fine Bindings - Cedric Chivers) Campbell, Thomas. The Poetical Works - Chivers Vellucent Binding. xii, 379 pp. Numerous steel engravings. (8vo) 7¾x5¼, full black morocco elaborately stamped in gilt on spine and covers, wide gilt dentelles, hand-painted vellum doublures, all edges gilt. Binding by Cedric Chivers with his embossed stamp on front flyleaf. London: Moxon, 1893 A handsome example of Chivers’s vellucent bindings. Front joint with repairs to old cracking and with new crack starting, rear joint and hinge starting, some foxing; very good. (400/700)

461. (Fine Bindings - Cedric Chivers) Rossetti, Dante Gabriel. The Poetical Works - Chivers Velucent Binding. (8vo) 7½x5, full brown morocco with watercolor painting on transparent vellum (“vellucent”) inlaid in front cover with decorative gilt line design surrounding, spine gilt, rear cover with simpler gilt line design, several small flowers of inlaid red morocco, dentelles with gilt designs at corners, top edge gilt. London: Ellis and Elvey, 1900 Bound by Cedric Chivers of Bath and with his gilt stamp on rear dentelle. Spine sunned, small chip to head of spine, a touch of wear to edges; very good. (400/600)

462. (Fine Bindings) Browning, Robert. The Poetical Works of Robert Browning. 17 volumes. 7x4¾, period blue half morocco and marbled boards, spines lettered in gilt, raised bands, top edges gilt. First Complete Edition, Trade Issue. London: Smith, Elder, & Co., 1888-1894 There was also a limited edition of 250 copies on fine handmade paper. Spines faded, some light scuffing to leather; very good. (400/600)

Page 90 463. (Fine Bindings) Bryant, William Cullen. The Little People of the Snow. 40 pp. Illustrations by Alfred Fredericks, engraved by A. Bobbett. 8¼x6¼, publisher’s full brown morocco elaborately stamped in gilt and blind, all edges gilt. First Separate Edition. New York: Appleton, 1873 A fabulous example of 19th century publisher’s morocco bindings. Just a touch of wear to edges; fine. (150/250)

464. (Fine Bindings) Burns, Robert. The Life and Works of Robert Burns. 4 volumes. Edited by Robert Chambers. (8vo) 6¾x4¼, period full polished green paneled calf, decorative emblem in blind on covers, spines gilt, morocco spine labels, all edges marbled. Edinburgh: William and Robert Chambers, 1851 A small bit of wear and scuffing; near fine. (300/500)

465. (Fine Bindings) Byron, Lord. The Works. 6 volumes. 6¼x4, period full calf, spines gilt, all edges marbled. First Collected Edition. London: John Murray, 1815-18 Volumes 1-4 published 1815, Volume 5 in 1817, and Volume 6 in 1818. Spines faded, some light wear and scuffing to leather; very good. (400/600)

466. (Fine Bindings) Campbell, John Lord. The Lives of the Lord Chancellors and Keepers of the Great Seal of England. 8 volumes. (8vo) 8½x5½, period full brown polished calf, raised bands, spine compartments ruled in gilt, all edges marbled. London: John Murray, 1846-69 First, Second, and Third Series plus the posthumously published ‘Lives of Lord Lyndhurst and Lord Brougham. Armorial bookplate of Sir Alfred Sherlock Gooch in each volume. Spines faded, some scuffing and light wear; very good. (400/600)

467. (Fine Bindings) Eliot, George. Works. 12 volumes. (12mo) 6½x4¼, period green half calf and cloth, spines gilt, top edges gilt. Edinburgh: William Blackwood, 1901 “The Warwick Edition.” Some light wear and scuffing to leather; very good. (250/350)

BOUND BY PETER FAHEY 468. (Fine Bindings - Peter Fahey) Hearn, Lafcadio. Fantastics and Other Fancies. x, 242 pp. 7¼x4½, finely bound in multiple color morocco. Binding by Peter Fahey. First Trade Edition. Boston: Houghton Mifflin, 1919 Binding unsigned but by Peter Fahey. The Faheys (Herbert and Peter) were fine printers, binders, and teachers of fine book binding, often associated with the Grabhorns and other San Francisco bookish types. Spine a bit faded; light foxing; very good. (200/300)

469. (Fine Bindings) Ligny, Le P. De. Histoire de la Vie de Jesus Christ. 2 volumes. [iv], 514; [iv], 534 pp. 75 engraved plates; 2 maps. (4to) 9½x7, full tan calf, grapevine borders in gilt on covers, spines gilt, morocco lettering pieces, all edges gilt. Paris: de Crapelet, 1804 Bound by the noted French binder Marius Michel, signed in gilt at foot of spines. Spines faded, some light wear at edges, repair to front joint of Volume 2; very good. (500/800)

Page 91 470. (Fine Bindings) Miller, Hugh. [Works]. 7 volumes. 7¼x4¾, period full polished tan calf, spines gilt, red and green morocco labels, all edges marbled. London: Nimmo, 1869-76 Spines faded, some light wear to extremities, previous owner’s name on endpapers; very good. (300/500)

471. (Fine Bindings) Milton, John. The Poetical Works. (8vo) 7x4¾, brown full morocco, elaborate gilt floral design with blooming flowers of inlaid green morocco on front, similar gilt floral design on spine, raised bands, dentelles with gilt devices at corners, all edges gilt. Oxford: Clarendon Press, 1900 Spine a bit faded, a touch of rubbing at corners; near fine. (200/300)

A FEW FINELY BOUND SETS 472. (Fine Bindings) Muhlbach, L[ouise]. [Works]. 18 volumes. 7½x5, tan half calf and marbled boards, spines gilt, black leather spine labels, top edges gilt. New York: Appleton, 1893 An attractive set. Some wear and spotting to leather; overall very good. (200/300)

473. (Fine Bindings) Shakespeare, William. The Dramatic Works of William Shakespeare. 12 volumes. Engraved frontispiece in Volume 1. (8vo) 7¼x4½, 19th century full diced calf, spines gilt, black leather lettering pieces. London: J. Walker, et al, 1825 A handsomely bound edition of Shakespeare’s plays “from the correct edition of Isaac Reed, Esq.” Spines sunned, heads chipped on a few volumes, some light wear to extremities; very good. (500/800)

474. (Fine Bindings) Swift, [Jonathan],. [Works]. 10 volumes. (12mo) 6¼x3¾, period full calf, spines gilt, black morocco labels. London: Charles Bathurst, 1747-53 Volumes 1-4 Fourth Edition, Volumes 5-6 Third Edition, Volumes 7-9 Second Edition; Volume 10 (Tale of a Tub) Tenth Edition. Spines faded, wear to extremities, a few spine ends chipped; very good. (400/600)

475. (Fine Bindings) Tennyson, Alfred Lord. The Works. 10 volumes. (8vo), period red half morocco and marbled boards. New York: Macmillan, 1894 A handsomely bound edition. Some wear to extremities, 2 volumes with chips to spine heads, bookplates; very good. (200/300)

476. (Fine Bindings) Tolstoi, Lyof N. The Novels and Other Works of Lyof. N. Tolstoi. 23 (of 24) volumes. Lacking Volume XI. (8vo) 8¼x5½, period three-quarter black morocco and marbled boards, spines lettered and embellished in gilt, raised bands, top edges gilt. New York: Charles Scribner’s Sons, 1917 Largely unopened, most volumes with the page blocks still wrapped in brown paper as delivered from the bindery. A very handsome set. One volume chipped at head, another volume rubbed along front joint; some light soiling to spine leather; very good. (1500/2000)

Page 92 477. (Fine Bindings) The Gospel According to Saint Luke. [iv], 82, [1] pp. Woodcut vignette on title page. (4to) 10x7, full navy morocco, inlaid turquoise centerpiece in the form of a church window on front and rear covers, elaborate gilt borders, spine gilt, gilt dentelles, top edge gilt. Bound by Albert Oldach & Son, Philadelphia, PA. One of 1250 copies. New York: Printed by Edwin Rudge for John Day, 1926 Text designed by Bruce Rogers. Fine. (400/600)

THE MERRYMOUNT BIBLE IN FULL LEATHER 478. (Fine Bindings) The Holy Bible - In 14 volumes, printed at the Merrymount Press. 14 volumes. Illustrated with gravure plates from paintings, frescoes, etc. (8vo)9½x6, full tan pigskin, top edges gilt. Designed and Electrotyped by D.B. Updike, the Merrymount Press. Boston: Hinkley, No date [c. 1930] A later issue of the famed Merrymount Bible, first issued in 1904. A handsome, well-illustrated production. Some faint staining to leather on a few volumes, a touch of light wear; overall very good. (700/1000)

479. (Fine Bindings) Thirteen volumes of Prize Bindings. Includes: Macaulay, Lord. The History of England. 8 volumes, period half calf and marbled boards, each volume stamped in gilt with circular seal of the Warehousemen & Clerks Schools for Orphan & Necessitous Children, Morley Prize. Prize label on front pastedown of each volume. London, 1858. * O’Byrne, Robert, editor. James’ Naval History. Full polished plum calf, spine gilt, gilt arms of The Lower School of Lawrence Sheriffe on front cover. London, 1888. * Church, A.J. Henry the Fifth. [bound with] Oman, Charles W. Warwick the Kingmaker. Period full tree calf, spine gilt, gilt seal of the Saint Peter’s College, Radley. London, 1891. * Longfellow, Henry Wadsworth. The Poetical Works. Period full red calf, spine gilt, “Handsworth Ladies’ College, Junior Class Prize. Fanny Barker” in gilt on front. London, [c. 1880]. * Guerber, H.A. Myths & Legends of the Middle Ages. Period full blue calf, spine gilt, gilt arms of The City of London Freemen’s Orphan School on front. London, 1910. * Froude, James Anthony. English Seamen in the Sixteenth Century. Period full green calf, spine gilt, gilt seal reading “Brimicham Sigillium Coe G Libere Scole Edwardi VI” on front. London, 1906. Together 6 titles in 13 volumes. Various places: Various dates Some general light wear; overall very good or better. (500/800)

480. (Fine Bindings) Ten finely bound literary works. Includes: Bentley, E.C. Trent’s Last Case. Green half morocco. [1913]. * Bramah, Ernest. The Kai Lung Omnibus. Red half morocco. [1936]. * Chesterton, G.K. The Innocence of Father Brown. Red half morocco. 1911. * Collins, Wilkie. The Moonstone. Maroon full morocco. Signed by the illustrator, Wiliam Sharp. One of 1000 copies. 1944. * Sayers, Dorothy. The Dorothy L. Sayers Omnibus. Black half morocco. 1933. * Shelley, Mary. Frankenstein. Black half morocco. [1962]. * Sinbad the Sailor and Alibaba and the Forty Thieves. Red half morocco. 1896. * Stevenson, Robert Louis. The Black Arrow. Blue half morocco. [1958]. * Wallace, Lew. Ben-Hur. Red half morocco. 1902. * Wister, Owen. The Virginian. Red full morocco. First Edition. 1902. Together 10 octavo volumes, finely bound. Various places: Various dates Fine. (500/800)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 93 481. (Fine Bindings) Large group of leather bound volumes. Includes: Burns, Robert. The Poetical Works. Blue half morocco. 1883. * Collins, Wilkie. The Moonstone. Red half morocco (well worn). Tauchnitz Edition. 1868. * Fielding, Henry. The Adventures of Joseph Andrews. Black half calf. [N.d.]. * Fielding, Henry. The History of Amelia. Black half calf. [N.d.]. * Fitchett, W.H. Deeds That Won the Empire. Full tree calf (front joint cracked). 1909. * Forbes, Nevill, et al. The Balkans. Brown half calf. 1915. * Goldsmith, Oliver. Essays. Black half calf. 1827. * Green, John Richard. The Making of England. 2 volumes. Green half calf. 1897. * Hazlitt, W. Carew. Remains of the Early Popular Poetry of England. 4 volumes. Green half morocco. 1864. * Kirkland, Miss E.S. A Short History of France. Green half calf. 1879. * Melville, Herman. Typee. Green half morocco. Early reprint. 1846. * Pope, Alexander. Works. 8 volumes (Vols. 2-9 only of 10?). Period half calf. 1756. * Russell, Michael. Nubia and Abyssinia. Black full calf. 1833. * Shelley, Lady. Shelley Memorials. Red half calf. 1859. * Sterne, Lawrence. The Novels. 4 volumes. Tan half calf. [N.d.]. * Swinburne, Algernon Charles. Poems and Ballads. Blue half calf (joints cracking). 1906. * Watts, Henry Edward. Spain. Green half calf. 1897. * Wyatt, Thomas. The Poetical Works. Full tan calf. 1831. Together 18 works in 33 volumes. Various places: Various dates A handsome shelf of leather bound volumes. Some general wear; overall very good. (500/800)

482. (Fine Press) Ten fine press editions of historical works. Includes: Ford, Gerald R. A Vision for America. Cloth, slipcase. 1 of 500 copies. Signed by Gerald Ford at colophon. Lord John Press, 1980. * Todd, Edwin M. Through a Tiny Aperture. Cloth-backed boards. 1 of 500 copies. Printed by Richard J. Hoffman, 1987. * The Art of Lyle V. Ball. Calf-backed cloth. Oblong quarto. Signed by the artist on half title page. 1 of 200 copies. Lacks original print laid in. Native Nevadan Publications, 1984. * Johnson, Kenneth M. Stephen Mallory White. Cloth-backed boards. 1 of 250 copies. Dawson’s Book Shop, 1980. * Kruska, Dennis G. Sierra Nevada Big Trees: History of the Exhibitions 1850-1903. Cloth. 1 of 500 copies. Dawson’s Book Shop, 1985. * McGinty, Brian. Araszthy at the Mint. Cloth- backed boards. 1 of 300 copies. Dawson’s Book Shop, 1975. * Thayer, James Bradley. A Western Journey with Mr. Emerson. Cloth-backed boards. 1 of 600 copies. Book Club of California, 1980. * 2 copies of: Ray Allen Billington: A Tribute. One in cloth-backed boards, one in wrappers. 1 out of 500 copies. 1981. * Laxalt, Paul. The Nominating of a President: The Three nominations of Ronald Reagan... Cloth. 1 of 200 copies. Native Nevadan Publications, 1985. Together 10 volumes. Various places: Various dates Fine. (250/350)

483. Fischel, Oskar and Max von Boehn. Modes & Manners of the Nineteenth Century as Represented in the Pictures and Engravings of the Time. 3 volumes. Translated by M. Edwardes. Profusely illustrated from paintings, drawings, engravings, etc., many in color. (8vo) 8½x5¾, original decorative green cloth, front covers and spines stamped with gilt, dark green, and red floral designs, lettered in gilt, top edges gilt. First Edition. London & New York: J. M. Dent / E. P. Dutton, 1909 Volume I covers the years 1790-1817, Volume II covers 1818-1842, Volume III covers 1843- 1878. Spines faded, minor wear; near fine. (200/300)

THREE LOTS OF FORE EDGE PAINTINGS 484. (Fore Edge Painting) A Layman. An Essay on the Holy Sacrament of the Lord’s Supper. [2], vi, 160 pp. (12mo) period full calf. London: J. Robson, 1771 With a fore edge painting showing the Maidenhead and Marlow Post Coach. Joints cracking, some edge wear; very good. (250/350)

Page 94 485. (Fore Edge Painting) Collins, William L., editor. Etonia Ancient and Modern. viii, 238 pp. (12mo) later half calf and marbled boards. First Edition. London: Blackwood, 1865 With a lovely fore edge painting of Mountain Jack being assisted by the wandering miner, the pair shown on a rocky outcropping with snow-capped peaks in the distance. A bit of wear at edges, bookplates; very good. (300/500)

486. (Fore Edge Painting) Palmer, Roundell. The Book of Praise. (12mo) period full calf, red morocco spine label. London: Macmillan, 1891 With a fore edge painting of Charles Duryea’s 1893 gasoline engine powered automobile. Extremities rubbed, front hinge cracking; very good. (400/600)

487. Franklin, Colin. Themes in Aquatint. Illustrated with 16 plates from aquatints. 14½x9¼, cloth- backed marbled boards. One of 500 copies printed by the Cambridge University Press. San Francisco: The Book Club of California, 1978 Examination of the use of aquatint in the illustrations of British books in the late 18th and early 19th centuries. Prospectus laid in. Fine. (100/150)

488. Frost, Thomas. Circus Life and Circus Celebrities. xvi, 328 pp. (8vo) modern brown half calf and marbled boards, spine ruled in gilt, red morocco label, top edge gilt, original front cover cloth bound in at rear. First Edition. London: Tinsley Brothers, 1876 Scarce account of circus life in the 19th century. Some foxing and smudging to pages; fine modern binding. (250/350)

489. [Genlis, Stéphanie de]. Les veillées du château, ou cours de morale à l’usage des enfants, par l’auteur d’Adèle et Théodore. 3 volumes. 6¼x43¾, 19th century quarter calf & marbled boards, spines lettered in gilt. Paris: Chez Michel Lambert, 1786 Early edition of Madame Genlis’ morally uplifting tale. She was lady-in-waiting to the duchesse de Chartres, and contributed significantly to the education of her children, one of whom was to become King Louis-Philippe. She fled France in 1793 when her husband, the comte de Genlis, was beheaded. Rubbing to binding, several ownership signatures in ink and pencils of different colors to endpapers, about very good. (300/500)

GENTHE’S PHOTOGRAPHS OF ISADORA DUNCAN 490. Genthe, Arnold. Isadora Duncan. Twenty-Four Studies. Foreword by Max Eastman. 24 plates after photographs. 11¼x8¼, black cloth gilt. First Edition. New York & London: Mitchell Kennerley, 1929 Genthe’s scarce tribute to the dancing great. A touch of wear to edges; some foxing; very good. (150/250)

491. Geuss, Joachim Michael. Begyndelsesgrunde af Arithmetik, Geometrie og plan Trigonometrie. viii, 183 pp. + [90] pp. of tables with separate title-page dated 1784. Frontispiece silhouette portrait; 5 folding engraved plates of diagrams. (8vo) 6¾x4, period half sheep & paste-paper boards. Copenhagen: Johan Frederik Schultz, 1794 Scarce mathematical text - OCLC/WordCat lists only 5 copies. Spine and edges rubbed; very good or better. (150/250) Page 95 492. Giaferri, Paul Louis de. L’Histoire du Costume Feminin Francais. 12 parts bound together. 120 handcolored plates (including original front wrappers). (Folio) 14½x11¼, red morocco-backed marbled boards, spines lettered in gilt. Paris: Editions Nilsson, No date [c. 1900] A profusely illustrated work on the evolution of French woman’s fashion from 1037 through 1870. Spine worn and chipped, some wear to boards; internally very good. (200/300)

493. Gibbon, Edward. The History of the Decline and Fall of the Roman Empire. 12 volumes. Aquatint portrait frontispiece in volume 1. (12mo) 6x3¾, period black half morocco and marbled boards, spines gilt. ‘New Edition’. London: Cadell and Davies, et al, 1807 Wear to extremities, some chipping to spine ends; light foxing; very good. (250/350)

494. (Grabhorn Press) E[vans], T[homas]. Oedipus: Three Cantoes, Wherein is Contained: 1 His Unfortunate Infancy, 2 His Execrable Actions, 3 His Lamentable End... Illustrated by Mary Grabhorn. (Folio) 14½x9¼, black and white boards, paper spine label. One of 115 copies printed by the Grabhorn Press. [San Francisco]: Grabhorn Press, 1962 Prospectus laid in. GB 636. Residue from removed bookplate on front pastedown endpaper; else fine. (250/350)

495. (Grabhorn Press) Shakespeare, William. The First Part of Henry the Fourth. Illustrated by Mary Grabhorn. (Folio) 14½x10¼, quarter linen and decorative boards, gilt-lettered paper spine label, plain paper jacket. One of 180 copies on handmade Millbourn paper from England and printed by the Grabhorn Press. San Francisco: The Grabhorn Press, 1961 The ninth in the Grabhorn Press’ series of Shakespeare’s plays. GB 629. Light wear to plain paper jacket; volume fine. (250/350)

496. (Grabhorn-Hoyem) In Memoriam - Edwin Grabhorn, 1889-1968. Illustrated with tipped-in half- tone photographs & with tipped-in specimens. 16x11½, half cloth & boards, paper spine label. One of 150 copies printed for the Roxburghe Club by Robert Grabhorn & Andrew Hoyem. [San Francisco]: [Roxburghe Club], [1968] Fine. (100/150)

497. Graglia, C. Dizionario Portatile Delle Lingue Italiana ed Inglese. 2 volumes. [4], li, [1], 715; 528 pp. Engraved frontispiece in each volume. 5¼x4½, period full vellum, morocco spine labels. New Edition. Florence: John Marenigh, 1819 First volume Italian to English, second volume English to Italian. Armorial bookplate of Sir William Molesworth in each volume. Some spotting to vellum, spine labels chipped; light foxing; very good. (150/250)

498. Grappe, Georges. H. Fragonard, Peintre de l’Amour au XVIIIe Siecle. [3], 134, [4] pp. 50 mounted illustrations, tissue guards. 11¾x9, period three-quarter brown morocco, spine gilt, top edge gilt, original wrappers bound in. One of 500 copies on Japan paper. Paris: l’Edition d’Art, [1913] Romantic art of the 18th century. Some light wear to extremities; else near fine. (150/250)

Page 96 GREENEWALT’S HUMMINGBIRDS LIMITED EDITION 499. Greenewalt, Crawford H. Hummingbirds. ix, 250, xix-xxi pp. 67 tipped-in color photographic plates. (4to) 11½x8, original full green leatherette with pictorial paper plate on front cover, slipcase. Limited Edition of 500 deluxe copies autographed by Greenewalt, this No. 263. Garden City: Doubleday & Co. for the American Museum of Natural History, [1960] Superb high-speed photographs of hummingbirds in flight and at rest. Fine (300/500)

500. Grove, George, editor. A Dictionary of Music and Musicians (A.D. 1450-1889). 4 volumes. (8vo) 8½x6, modern red half morocco and cloth, black morocco spine labels. London: Macmillan, 1899 An early edition of Grove’s monumental biographical dictionary. Light wear to cloth; near fine. (200/300)

501. Guyot, Edme-Gilles & Guillaume-Germain Guyot. Nouvelles récréations physiques et mathématiques, contenant ce qui a été imaginé de plus précieux dans ce genre et qui se découvre journellement. 3 volumes. xvi, 373; vii, [1], 410; [4], 408 pp. With 102 copper-engraved plates. (8vo) 7½x4½, period leather-backed boards. Nouvelle Edition [i.e. fourth edition]. Paris: A la Librairie, An VII [1799]-1800 A collection of experiments and games dealing with physics, magnetism, optics, camera obscura, electricity, fire, magic numbers, magic lantern, sleight of hand, card tricks, mechanics and occult writing. Volume III contains 80 pages on legerdemain with the three cup trick and its variations explained. This is followed by tricks with cards. Findlay Collection, Books and Periodicals on Conjuring and the Allied Arts, No.268. Spines rubbed, Vols. I & II lacking the labels; Vol. II spine strip lifted at rear joint, worn, several plates detached, some other wear; overall very good, worthy of repair to the second volume. (400/600)

502. Haen, Anton de. De Magia Dissertatio Theologico-Physica. [iii]-xix, [1], 209 pp. [bound with] Haen. De Meraculis Dissertatio Theologico-Physica. xiv, 134 pp. Together, 2 works in 1. (8vo) 7x4¼, 19th century half vellum & marbled boards, spine gilt, morocco lettering piece. Neapoli [i.e. Naples]: F. Ippoliti, 1777 & 1778 Scarce Naples editions of Haen’s Liber Magia and De miraculis liber, uncommon titles by the 18th century Dutch physician. First work lacking A1, apparently the half-title; else near fine. (500/800)

503. Hall, Captain Basil. Schloss Hainfeld; Or, A Winter in Lower Styria. [viii], 348, 4 ad pp. (8vo) 8x5, cloth-backed boards, paper spine label. First Edition. Edinburgh / London: Robert Cadell / Whittaker and Co., 1836 An interesting association copy, as it was apparently owned by Scottish Royalty, as indicated by the ink inscription on the title page which reads, “Jane Harrison Craufurd. Craufurdland Caste, 1836.” On the front pastedown someone wrote in purple pencil, “Craufurdland Library H9.” On the verso of the last leaf Jane Harrison Craufurd writes what looks like a journal entry or a commentary on the contents of the book(?), consisting of 23 lines of manuscript writing in the same hand as that on the title page, and is signed J.H.C. Spine label chipped, spine sunned and starting to detach at rear joint, scattered spots of soiling and marks to boards; hinges cracked; else very good. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 97 504. (Harrison of Paris) Byron, Lord. Childe Harold’s Pilgrimage. 236, [1] pp. Illustrations by Sir Francis Cyril Rose. (4to), blue half morocco and boards, slipcase. One of 35 copies thus bound from a total edition of 725 copies. Paris: Harrison of Paris, [1931] Signed at the colophon by the illustrator. Prospectus for two other Harrison of Paris publications laid in. Some light wear to slipcase and volume spine; very good. (250/350)

THOMAS HEYWOOD’S LIFE OF MERLIN 505. [Heywood, Thomas]. The Life of Merlin, Surnames Ambrosius; His Prophecies and Predictions Interpreted, And Their Truth Made Good by Or English Annals... viii, 324 pp. (8vo) 8¼x5¼, period half calf, spine gilt. Carmarthen: J. Evans, 1812 Reprint of the 1641 first edition. Spine label lacking, wear to extremities, bookplate; internally very good. (800/1200)

506. (Horace) Francis, Philip. A Poetical Translation of the Works of Horace, With the Original Text, and Critical Notes Collected from his best Latin and French Commentators. 2 volumes. Copper engraved frontispieces in each, plus 1 plate in Volume II. [4], xiv, 509, [1] ad; [2], 485, [1] ad pp. (4to) 11½x9, re-backed full calf, with original spine laid down, gilt vignette on covers. Third Edition. London: A. Millar, 1749 1929 ink ownership inscription on top margin of both title pages. Calf darkened at extremities, original laid down spines heavily chipped with spots of soiling, corners heavily rubbed, scattered soiling; hinges reinforced with cloth tape; scattered marginal dampstaining or yellowing; else very good internally. (300/500)

507. Horace. Moralia et Critica ex Horatio. [2], 72 pp. (8vo) 7x4½, early full red morocco, gilt Greek key borders, spine gilt. Bath: R. Cruttwell, 1799 Scarce. No copies located by either WorldCat or Copac. Bookplate of Margaret Loeb, designed by California artist Mallette Dean. Edges rubbed; very good. (200/300)

508.  Houdini, [Harry]. A Magician Among the Spirits. Illustrations from photographs, including frontispiece portrait of Houdini with Arthur Conan Doyle. 9½x6, gilt-lettered cloth. First Edition. New York: Harper & Brothers, 1924 The famous magician offers his opinions on the Spiritualists of his day. Includes chapters on Spirit Photography, Sir Arthur Conan Doyle, etc. Some light wear to cloth; small piece torn away from contents leaf without loss of text; very good. (150/250)

FIFTEENTH CENTURY ILLUMINATED LEAVES 509. (Illuminated Manuscript) Pair of Leaves from a 15th Century French Book of Hours. Pair of conjugate leaves on vellum from an illuminated manuscript. 16 lines, each page with 5 or 6 initial letters illuminated in gilt, red and blue, outer margins decorated with floral designs heightened with gilt, red, blue, and green inks. Leaf size approximately 6x5”. Matted and framed with both sides of the leaves viewable. France: [15th century] Some light toning and wrinkling to leaves; near fine. (500/800)

Page 98 510. [Ireland, William Henry] Pen-Drag-On, Anser (pseud.). Scribbleomania; Or, The Printer’s Devil’s Polichronicon. A Sublime Poem. viii, 341, +[3] ad pp. (8vo) 8¾x5½, modern black cloth. First Edition. London: Sherwood, Neely, and Jones, 1815 Ireland is best remembered for his forgeries of plays by William Shakespeare. Covers bowed; internally very good. (150/250)

511. Jameson, Mrs. [Anna]. Four works on Religious Art by Mrs. Jameson. Includes: Legends of the Monastic Orders, as Represented in the Fine Arts. Third Edition. 1863. * Sacred and Legendary Art. 2 volumes. Fourth Edition. 1863. * Legends of the Madonna as Represented in the Fine Arts. Third Edition. 1864. * The History of Our Lord as Exemplified in Works of Art. 2 volumes. Second Edition. 1865. Together four works in six volumes. Illustrated. (8vo) 8¼x5¾, uniformly bound in half calf and marbled boards, spines gilt, morocco labels, all edges marbled. London: Longman, et al, 1863-65 Extremities worn, some scuffing to leather; light foxing; very good. (250/350)

512. Junius (pseud.). Junius: Including Letters by the Same Writer, Under Other Signatures, (Now First Collected.) To Which are Added, his Confidential Correspondence with Mr. Wilkes, and His Private Letters Addressed to Mr. H.S. Woodfall. 3 volumes. Plates. (8vo) 9½x6, period full diced calf, borders in gilt and blind, spines decorated in gilt and blind, all edges marbled. First Woodfall Edition. London: F.C. and J. Rivington, et al, 1812 Includes an Introductory essay by John Mason Good (1764-1827) and confidential letters not included in previous editions. The authenticity of these confidential letters is questionable. Light wear; very good. (200/300)

513. Labbé, L. Modeles d’Alphabets, de Lettres et d’Enseignes. Title leaf and 32 heliotype plates with pochoir coloring. 12x16, loose in cloth backed portfolio, as issued. Paris: Armand Guerinet, [c. 1905] Fabulous reference for sign painters, artists, calligraphers, etc. Covers worn and with some soiling; plates with some light edge wear; very good. (200/300)

THREE LOTS OF EARLY LEGAL TEXTS 514. (Law) Anonymous. The History of the Most Remarkable Tryals in Great Britain and Ireland in Capital Cases, Viz Heresy... [10], 452, [4] pp. Woodcut head and tail piece and initial. (8vo) 7½x4½, period re- backed calf, gilt-lettered morocco spine label. London: Printed for A. Bell, 1715 Differs from ESTC record in that the year in the imprint is not in brackets. The final two leaves are the table of contents. ESTC T76973. Covers are detached and with heavily worn extremities; scattered foxing within; else very good. (200/300)

515. (Law) The Practick Part of the Law: Shewing the Office of an Attorney, And a Guide for Solicitors in all the Courts of Westminster... [8], 599, [25], [8], 120, 16 pp. (8vo) 7½x4¾, period full calf, modern spine label. Fourth Edition. [London] In the Savoy: Printed by John Nutt for John Walthoe, 1711 Bound with (as issued) “An Exact Table of Fees of all the Courts at Westminster” (Fifth Edition) & “An Abstract of the Act” (1702). Wear at edges, lacks front free endpaper; some foxing; very good. (200/300)

Page 99 516. (Law) The Tryal of Dr. Henry Sacheverell, Before the House of Peers, for High Crimes and Misdemeanors;... [4], 327 pp. (Folio) 12½x8¼, period full calf, later red morocco spine label. First Edition. London: Jacob Tonson, 1710 In sermons published the prior year Sacheverell “spoke strongly in favour of the doctrine of non-resistance, declared that the church was in danger from toleration, occasional conformity, and schism, openly attacked the bishop of Salisbury, and pointed at the whig ministers as the false friends and real enemies of the church...”. For his views he was charged with high crimes and misdemeanors, found guilty and suspended from preaching for 3 years. Edges worn, leather scuffed; small piece torn from head of title page, foxing; else very good. (200/300)

517. (Liber Librorum) Liber Librorum, 1955 - 2 copies. 2 copies. One copy complete with descriptive pamphlet and 43 printings of the Book of Genesis and other parts of the Bible from various fine presses. The second copy with 42 (of 43) printings, lacking the contribution by Ecole Estienne, Paris. Each loose in linen & boards folio, as issued. Limited to 1500 sets. [Stockholm, Sweden]: [1955] “The international project called Liber Librorum is a common manifestation on the part of leading book designers all over the world to celebrate the 500th anniversary of the Gutenberg 42-line Bible. Each participant has designed and printed 1500 copies of his individual solution of the typographic problem of the Bible...” - from accompanying booklet. Some discoloration and light wear to folios; near fine. (250/350)

518. (Limited Editions Club) Hudson, William Henry. Far Away and Long Ago: A History of My Early Life. Introduction by R.B. Cunningham Graham. Illustrated with lithograph plates by Raúl Rosarivo. 10½x8, bound in full calf, the lower half with the hair still on it, stitched with rawhide thongs, endleaves of split calfskin. From an edition of 1500 copies printed by Guillermo Kraft. Buenos Aires: Limited Editions Club, 1943 This copy out of series and not numbered or signed. Original jacket and two-part box not present. Some light wear; near fine. (150/250)

519. (Limited Editions Club) Hugo, Victor. Three works by Victor Hugo. Includes: Notre-Dame de Paris. 2 volumes. Woodcuts by Frans Masereel. 10x7½, wrappers, glassine dust jackets. Wrappers lacking at spine tips, with chipping at other edges; Vol. Two is split at spine, held together with a few signature threads. One of 1500 copies printed by R. Coulouma. Signed by illustrator at colophon. 1930. * Notre-Dame de Paris. Illustrations by Bernard Lamotte. 11½x8, cloth, morocco spine label, slipcase. One of 1500 copies. Signed by illustrator at colophon. 1955. * Les Miserables. 5 volumes. Illustrations by Lynd Ward. 10½x7, cloth, slipcase. Tape repair at edges of slipcase, detached completely at one edge. One of 1500 copies. Signed by illustrator at colophon. 1938. Together 3 works in 8 volumes. Various places: Various places Moderate to heavy edge wear to each volume; good. (100/150)

520. (Limited Editions Club) Five volumes published by the Limited Editions Club. Includes: Masters, Edgar Lee. Spoon River Anthology. Illustrated by Boardman Robinson. 1 of 1500 copies signed by the author and illustrator. 1942. * Lewis, Sinclair. Main Street. Illustrations by Grant Wood. 1 of 1500 copies signed by the illustrator. Slipcase in pieces. 1937. * Thoreau, Henry David. Walden; Or, Life in the Woods. Illustrated with photographs by Edward Steichen. 1 of 1500 copies signed by the photographer. 1936. * Twain, Mark. The Adventures of Tom Sawyer. Illustrated by Thomas Hart Benton. 1 of 1500 copies signed by the artist. 1939. * Wilder, Thornton. Our Town. Illustrated by Robert J. Lee. 1 of 2000 copies signed by the author and illustrator. 1974. Together 5 volumes. Various places: Limited Editions Club, Various dates All slipcases with some wear; fading to spines, general light wear; overall very good. (300/500) Page 100 521. Lingen, Ruth. The Color Book of Useful Plants. 12 letterpress leaves with plant drawings in outline with opaque glassine overleaves with hand-coloring applied. 6¼x6½, tan linen. No. 17 of 30 copies. [San Diego]: [Ruth Lingen], [1978] Signed by Lingen at rear. An early work by Lingen who later founded the Poote Press and has collaborated with many contemporary artists. Fine. (150/250)

SIGNED BY KIT MORLEY AND OTHERS 522. MacDonald, Aeneas. Whisky. 24, [1] pp. 8x5½, cloth-backed boards, gilt-lettered spine. 1 of 307 copies. Garden City: Henry & Longwell, 1930 Signed by Aeneas MacDonald, Frank Henry, Dan Longwell, and Christopher Morley. No. 66 from a limitation of 307, 7 of which are issued “for hilarity.” Per the colophon, “This is an advance publication for a few connoisseurs of the first chapter of Aeneas MacDonald’s wise and witty little treatise on Whisky...The printers have adhered to the Scottish spelling of ‘Whisky’...” Light shelf wear; cracked at gutter between signature; very good. (300/500)

523. Marino, Giovanni Battista. La Sampogna del Cavalier Marino. Divisa in Idilly, Fauolosi, et Pastorali. [lx], 352, [2] pp. 5x3, later full tree-calf, red morocco label. Paris: Abraham Pacard, 1620 A collection of poems divided into two parts: one consisting of pastoral idylls and another of “rustic” verse. Wear to extremities; margins shaved a bit close, into running title or line ends in a few spots; very good. (200/300)

524. Marx, Karl and Frederick Engels. Manifesto of the Communist Party. 31 pp. Edited and annotated by Frederick Engels. Authorized English translation. 7x5, wrappers printed in black [advertisement on rear wrapper]. London: William Reeves, 1888 Originally drawn up in German in 1848, the manuscript was send to the printer in London a few weeks before the French Revolution. The first English translation was published in 1850. This volume is the First English Edition with the Engels annotations. Light wear to wrappers; very good. (400/600)

525. Masse, Dr. J.N. Petit Atlas Complet D’Anatomie Descriptive du Corpse Humain. Over 100 plates of human anatomy with accompanying text, followed by 116 page index, 8 pages of ads at rear. 7x5¼, morocco-backed, marbled boards, raised bands and gilt-lettered spine. New Edition. Paris: Librairie F. Savy, 1888 Boards very rubbed, morocco corners once present, now missing, lightly rubbed spine; foxing; else very good. (100/150)

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Page 101 526. (Mathematics & Science) Five German or Danish works on Mathematics and Science. Includes: Clausberg, C. von. Demonstrative Rechenkunst, Oder Wissenschaft, gründlich und kurz zu rechnen… (1st 4 leaves with lower corner repaired.) 1748. * Kästner, Abraham Gotthelf. Anfangsgründe der Arithmetik Geometrie ebenen und Sph rischen Trigonometrie, und Perspectiv. 12 folding engraved diagram plates. 1800. * Gren, Friedrich Albert Carl. Grundriss der Naturlehre. With 16 folding engraved plates. 1801. * Matthisen, Soren. En let Arithmetica eller Regne-Konst, hvorudi findes alle Slags Udregninger udi Kiøb og Salg. (pp. 41-46 lacking, replaced in early manuscript.) 1806. * Cramer, Christian. Arithmetica Tyronica. Eller grundig Veiviisning practice at lære al fornøden Huus= og Handels=Regning. With 1 diagram plate. 1816. Together, 5 volumes. Leather or leather- backed boards. Various places: 1748-1816 Some scuffing and wear to covers, overall good to very good. (300/500)

527. (McGuffey’s Readers) Thirteen Printing Plates from the McGuffey Readers. 13 printing plates. Each 6½x4. No date From the most popular and widely used readers used in American education, presumably from a 20th century reprint edition. Some with white residue; generally very good. (300/500)

528. Mill, John Stuart. Two works by John Stuart Mill. Includes: The Subjection of Women. Original brown cloth. First American Edition. NY: Appleton, 1869. * Autobiography. Modern calf-backed cloth. First Edition. London: Longmans, et al, 1873. Various places: Various dates Some light wear; very good. (200/300)

IMPORTANT EARLY WORK ON MOTION PICTURE HISTORY 529. (Motion Pictures) Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. 2 volumes. Illustrations from photographs. (8vo) original red cloth. First Trade Edition. New York: Simon and Schuster, 1926 Signed by the author on the half title of Volume 1. The original owner’s name, Arthur E. Shadur, stamped in gilt on front covers. IMDB credits Arthur Shadur as the Electrical Engineer on the 1923 production of The Hunchback of Notre Dame starring Lon Cheney and as Production Supervisor on the films Red Lips (1928) and Freedom of the Press (1928). Some wear and soiling to cloth, rear joint split on Volume 2, this volume also with hinges cracked and lacking front free endpaper, good. (800/1200)

A FEW LOTS OF JOHN HENRY NASH PRINTINGS 530. (Nash, John Henry) Alighieri, Dante. Paradiso. [iv], 165 pp. (Folio) 14¾x9, original full vellum, spine ruled and lettered in gilt, top edge gilt. One of 250 copies. San Francisco: John Henry Nash, 1929 The first part of Nash’s monumental printing of Dante’s Divine Comedy. Light spotting to vellum as usual; near fine. (150/250)

Page 102 531. (Nash, John Henry) Gray, Thomas. Ode to the Pleasure Arising from Vicissitude, Left Unfinished By Mr. Gray, and Since Completed. 2 volumes. Frontispiece “Caricature of Thomas Gray” in color from the original drawing by Thomas Rowlandson. 12x9, vellum backed grey boards, vellum corners, spine lettered in gilt; facsimile copy 10½x8¼, wrappers in matching folder, both vols. housed in folding chemise with spine lettered in gilt, slipcase with printed paper spine label. One of 200 hand-numbered copies privately printed for William Andrews Clark, Jr., by John Henry Nash. San Francisco: William Andrews Clark, Jr., 1933 Facsimile volume of the original first edition. Issued for private distribution as a Christmas gift for William A. Clark’s friends. With “Compliments of William Andrews Clark, Jr., Christmas, 1933” tipped-in paper label. Bookplate of the Zamorano Club, donated by Robert Cowan. Light wear to slipcase; spine a bit sunned; near fine (150/250)

532. (Nash, John Henry) Poe, Edgar Allan. Tamerlane & Other Poems. 2 volumes including a facsimile of the 1827 First Edition, 6½x4¼, set into an 8¾x6¼ case and a new printing from the 1845 edition, 12½x9, batik boards with silk ribbon ties, matching slipcase with two compartments. One of 150 copies printed by John Henry Nash for William Andrews Clark, Jr. San Francisco: William Andrews Clark, 1923 With “Compliments of William Andrews Clark, Jr.” tipped-in paper label at front free endpaper of larger volume. Wear to covering of slipcase; volumes near fine. (200/300)

533. (Nash, John Henry) Stevenson, Robert Louis. Father Damien: An Open Letter to the Reverend Dr. Hyde of Honolulu from Robert Louis Stevenson. 2 volumes, being a facsimile of the 1890 Sydney first edition, and a finely printed volume. Illustrated with two frontispiece portraits, one of Father Damien and one of Stevenson designed and drawn by William Wilke, with short facsimile inscription to each portrait. 8¼x5¾ & 12½x9, respectively, vellum backed tan boards, spines lettered in gilt, (t.e.g. for larger volume only, as issued); both housed in individual compartments in a single slipcase with printed paper spine label. No. 183 of 250 copies privately printed for William Andrews Clark, Jr., by John Henry Nash. San Francisco: William Andrews Clark, Jr., 1930 Printed by Nash at Clark’s behest, one of a series of similar publications Clark gave out as a Christmas gift. With “Compliments of William Andrews Clark, Jr., Chirstmas, 1930” tipped-in paper label at front free endpaper of larger volume. Darkening to slipcase spine; some offsetting to boards; otherwise both volumes about fine in near fine slipcase. (150/250)

534. (Nash, John Henry) The Psalms of David. Frontispiece and ornamental borders designed and executed by William Wilke. (Folio) 15¾x9½, marbled boards, gilt-lettered paper spine label. San Francisco: John Henry Nash, 1929 A finely printed book by John Henry Nash giving a “typographical picture” in Gothic type. The production started in 1919 and finally finished 10 years later. Nash dedicated the book to the Jews of San Francisco, “to whom I owe a debt of friendship that can never be fully discharged.” Edges worn, joints cracked; internally fine. (150/250)

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Page 103 535. (Nash, John Henry) To Remember Ray Frederick Coyle: Six Reproductions of his Work. Sonnet by George Sterling. Foreword by John Henry Nash. Illustrated with 6 plates by Coyle in his Art Nouveau style, some embellished with gold. Folio, 15¾x12¼, vellum-backed lavender marbled boards, morocco spine label lettered in gilt. No. 135 of 210 copies printed on Alexandra Japan paper by John Henry Nash. San Francisco: John Henry Nash, 1926 “This is a memorial book of great distinction. It is the tribute of the printer to a singularly gifted young artist who, in the space of a few short years, had contributed much beauty to many of the Nash books.” - O’Day, p. 48. Spine label chipped, boards faded along edges, some edge wear; very good. (150/250)

RARE FRENCH EDITION OF ISAAC NEWTON 536. Newton, Isaac. La Methode des Fluxions, et des Suites Infinies. xxx, [2], 148, [2] pp. With diagrams in the text. (4to) 9¾x7½, period paneled calf, spine tooled in gilt, raised bands, morocco label. First French Edition. Paris: Chez De Bure l’aîné, 1740 First French edition of Newton’s important work, the most extensive description of the mathematical method he used in his “Principia”, the method of infinitesimals, which was already written about 1671, but not published until 1736 with the title “Method of Fluxions and Infinite Series.” Extensive notes in French on the title-page, in a contemporary hand, along with 3 wax seals which affect the top of the first three letters of METHODE. Additional ink notes, some crossed out, in margins of the first two pages of the preface. Two ink ownership signatures on front flyleaf. Spine scuffed, label chipped, rubbing to cover edges; pp. xix-xx of preface partially detached Lot 536 with edge wear, as also final (errata) leaf; else very good. (3000/5000)

537. Nomesseius, Nicolaus. Parnassus Poeticus Nicolao Nomeseio Charmensi Lotharingo Auctore: In quo Phrases omnes Poeticæ, ex illustribus Poetis collectæ... 2 volumes in 1. [16], 584; [8], 455 pp. 6x4, early full vellum, leather ties (partial), spine lettered in an old hand. First Edition. Milan: P. Pontii & J.B. Picalaum, 1601 Scarce first edition of this collection of ancient poetry. Numerous later editions were printed. Some light wear to vellum, leather ties partially lacking; very good. (200/300)

538. (Nuremberg Chronicle) Schedel, Hartman. Nuremberg Chronicle - Two leaves. Two leaves, Folios IIII and LXXXIX. Woodcut illustrations on both sides of both leaves. 18x12” (the second leaf with one margin extended). [Nuremberg]: [Anton Koberger], [1493] Two leaves from the Latin Liber Chronicarum. Woodcuts include a large depiction of the solar system with earth at its center, a large image of a tree populated by numerous birds, several royal figures, etc. Some browning and light foxing; very good (250/350)

Page 104 539. (Nuremberg Chronicle) Schedel, Hartmann. The Nuremberg Chronicle: A Facsimile... [12], cclxxxvi, [1] ff. (Folio) 14x10, full simulated green morocco, spine lettered in gilt on black background, slipcase. New York: Landmark Press, [1979] A handsome facsimile. Fine. (100/150)

540. (Officina Bodoni) Baskin, Leonard. To Colour Thought. Morocco-backed boards, slipcase. One of 300 copies. New Haven: [Yale University], 1967 Printed in Italy at the Officina Bodoni. Fine. (200/300)

541. Ovid. Lehrbuch der Liebe. 90, [3] pp. Eight original lithograph illustrations by Max Slevogt. (4to) 12¼x9¼ white half pigskin and tan cloth, gilt design on front. One of 300 copies from a total edition of 320. Berlin: Paul Cassirer, 1921 The 18th work of the Pan-Presse. A bit of wear to leather, faint stain on front; very good. (200/300)

542. Piles, [Roger] de. Cours de Peinture par Principes. [iv], 493, [19] pp. Additional engraved title page; one engraved plate. 6½x3¾, early full vellum, red morocco spine label. First Edition. Paris: Jacques Estienne, 1708 De Piles last published work, appended with a list of fifty-six major painters of his time with whose work he had acquainted himself during his travels. Each painter is given marks from 0 to 18 for composition, drawing, color and expression. The highest marks went to Raffaello Sanzio and Rubens, with a slight bias on color for Rubens, a slight bias on drawing for Raphaël. Spine sunned, covers a bit bowed; some foxing; very good. (200/300)

SCARCE VOLUME OF ARCHITECTURAL ENGRAVINGS 543. Pozzo, Andrea. Perspectiva Pictorum et Architectorum. 2 parts in one volume. Text in Latin and Italian. 219 (of 224) full page copperplate engraving, most with descriptive text to adjacent plate on verso, a few with engravings on both sides of leaves. (Folio) 16½x10¾, period calf. First Edition. Rome: Antonio de Rossi, 1702, 1700 Important treatise on perspective, written for painters and architects. One of the most popular and attractive perspective books of the late Baroque period. Andrea Pozzo, 1642-1709, was a well-known painter, and painted the ceiling of the Church of St. Ingazio in Rome. Binding heavily worn, disbound; some wear at plate edges, light foxing; plates overall good to very good. (1000/1500)

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Page 105 544. (Printing) Eight volumes on printing, typography and more. Includes: Don’t Nobody Care About Zeds. Cloth-backed boards. 1 of 200 copies printed by Richard J. Hoffman. [1987]. * Jones, Mary Lutz. A Los Angeles Typesticker: William M. Cheney. A Bibliography of His Printed Work. Cloth-backed boards. 1 of 350 copies printed by Richard J. Hoffman. 1981. * Powell, Lawrence Clark. My Haydn Commonplace Book. Cloth-backed boards. Printed by Richard J. Hoffman. 1983. * Lence, Karen V. A History of the Western Books Exhibition: If They’ve Got to Flap, Let Them Flap Splendidly. Cloth-backed boards.1 of 250 copies printed by Richard J. Hoffman. Rounce & Coffin Club, 1978. * Florilegium Typographia. Cloth-backed boards. 1 of 250 copies. Richard Hoffman, 1985. * Ritchie, Ward. Of Bookmen & Printers: A Gathering of Memories. Cloth-backed boards. 1 of 500 copies. Dawsons, [1989]. * Thirty Books in the Library of the Los Angeles County Medical Association: A Compendium of Medical History. Cloth. 1 of 500 copies. Friends of the Lacma Library, 1984. * Etchison, Dennis, editor. Lord John Ten: A Celebration. Cloth. Some rubbing to cloth spine and discoloration, one small pen mark on front cover. Lord John Press, 1988. Together 8 volumes. Various places: Various dates All but one are fine. (200/300)

545. Racinet, A[uguste]. Le Costume Historique - Volume 2 only. Volume 2 only (of 6). 88 lithograph plates, many colored. (Folio) 15½x11½, period half calf and marbled boards, rebacked with spine laid down. Paris: Firmin-Didot, 1888 A single volume from Racinet’s monumental work on the costume of the world. Includes chapters on ancient Egypt, Greece, Asia, the Americas etc. Covers worn, rear hinge cracked and open; dampstain in lower corner (not affecting images); very good. (200/300)

546.  Riefenstahl, Leni. Schönheitim Im Olympischen Kampf. 281 pp. Screened gravure illustrations throughout from photographs by Riefenstahl, one per page; captions in German, French, English, Spanish and Italian. 12½x8¼, red cloth lettered in gilt, jacket. Second Edition. Berlin: Im Deutschen Verlag, 1936 Photographic record and tribute to the 1936 Olympic games held at Berlin in 1936, by the photographer who was the favorite of the German dictator. The Human form is honored as well as the contestants, and even Jesse Owens is given recognition as the world’s fastest man. Jacket trimmed approximately ½” at head with some resulting loss of the author’s name, some edge wear; volume very good. (300/500)

547. Robinson, Henry Crabb. Diary, Reminiscences, and Correspondence of Henry Crabb Robinson, Barrister- at-Law. 3 volumes. Steel-engraved frontispiece. (8vo) 8½x5½, period half calf and marbled boards, morocco spine labels. First Edition. London: Macmillan, 1869 Classic London diary, spanning the late 18th century to the 1860’s. Some scuffing to leather and boards; foxing; very good. (200/300)

TWO VOLUMES ON A.S.W. ROSENBACH 548. (Rosenbach, A.S.W.) Two biographies of A.S.W. Rosenbach, one by him. Includes: Rosenbach, A.S.W. A Book Hunter’s Holiday: Adventures with Books and Manuscripts. (8vo) black cloth, slipcase. One of 760 copies, signed by Rosenbach. 1936. * Wolf, Edwin 2nd with John F. Fleming. Rosenbach: A Biography. (8vo) black and red cloth, slipcase. One of 250 copies signed by both authors. Together 2 volumes. Various places: Various dates Some light wear to slipcases and volumes; very good. (150/250) Page 106 549. [Rowe, Elizabeth]. Friendship in Death: In Twenty Letters from the Dead to the Living... [2] ad, [vi], 472 pp. (8vo) 7¾x5, period full calf. Fourth Edition. London: T. Worrall, 1736 Wear to extremities, joints and hinges cracked; some foxing; good. (150/250)

550. (Roxburghe Club of San Francisco) Chronology of Twenty-five Years: The Roxburghe Club of San Francisco, 1928-1953. Essays by Carl I. Wheat and Roy Vernon Sowers. Illustrated with 26 facsimile plates of Roxburghe Club announcements. 15¼x10¼, black buckram-backed marbled boards, paper spine label. One of 200 copies printed by Edwin and Robert Grabhorn. San Francisco: Roxburghe Club, 1954 Signed at the limitation statement by Robert Grabhorn. GB 547. Fine. (100/150)

551. (Russell, Lord William) Three volumes about Lord William Russell’s trial and execution. Includes: The Last Speech & Behaviour of William Late Lord Russel, Upon the Scaffold in Lincolns-Inne-Fields, A Little Before his Executions, on Saturday, July 21, 1683. [2], 4, 14pp. Printed by J.C. and F.C. for Thomas Fox, 1683. * The Tryals of Thomas Walcot, William Hone, William Lord Russell...for High- Treason, for Conspiring The Death of the King... [2], 81 pp. Printed for Richard Royston, Benjamin Took and Charles Mearn, 1683. * Atkyns, Robert. A Defence of the Late Lord Russel’s Innocency, By Way of Answer...of a Libellous Pamphlet Intituled, An Antidote Against Poyson... [4], 51 pp. Printed for Timothy Goodwin, 1689. Together 3 volumes, each a folio, 12x7½, rebound in modern blue cloth with gilt-lettered morocco spine labels. London: 1683-1689 Three works on Lord William Russell (1639-1683). One is a posthumous defense, one reports the trial for treason, and one documents his last speech before his execution. Wing R2351, T2265, and A4136. Very light, scattered foxing; very good. (250/350)

552. Rutilius, Claudius Namatianus. Itinerarium, integris Simleri, Castalionis, Pithoei, Sitzmanni, Barthii, Graevii, aliorumque Animadversionabus illustratum. [24], 363 pp. Engraved title page; folding map. (12mo) 5¼x3, period full vellum, spine lettered in an early hand. Amsterdam: Joannem Wolters, 1637 Brunet IV, 1469; Grasse VI, 196. Some wear and soiling to vellum; very good. (300/500)

COLLECTION OF AUTOGRAPHS OF SCIENTISTS 553. (Science) Collection of fifteen autographs of scientists - collected by Hugo de Vries. 15 signatures clipped from correspondence between the Dutch geneticist and botanist and others and pasted to one sheet of paper. Signatures include (along with specialties if known): H.A. Lorentz, M.W. Beyerinck (botany), Francis Darwin, J.B. Farmer (genetics), M. Miyoshi, S. Ikeno, N. Hjalmar Nilsson, Eug[enius] Warming (botany), Leo Errera (botany), Emile Luarent, Leon Guignard, Louis Blaringhem, K. Miyake, R.R. Gates (genetics), and V[ictor] Gregoire. [c.1890-1920] Fascinating collection of signatures clipped from correspondence with his colleagues, mostly from Japanese and French professors in the fields of genetics and botany. Some smudging to a few edges of a few pasted signatures; very good. (400/600)

Page 107 554.  Seward, Anna. Memoirs of the Life of Dr. Darwin, Chiefly During his Residence at Lichfield, with Anecdotes of his Friends, and Criticisms on his Writings. xiv, [2], [1]-430, [1] errata, [1] ad pp. (8vo) blue boards, backed with tan paper. First Edition. London: Printed for J. Johnson, 1804 About the life of the great grandfather to Charles Darwin. Some manuscript writing on spine and front cover, spine chipping and splitting to paper spine, front board nearly detached; previous owner’s name in ink on title page; scattered foxing; good. (300/500)

555. Sherlock, William. Three volumes by William Sherlock. Including: The Case of Allegiance Due to Soveraign Powers : Stated and Resolved, According to Scripture and Reason... [10], 66, [1] ad pp. (4to) 7½x5¾. Missing the first leaf at beginning; notes in neat period hand on verso of title page, some ink “X” in margins of some pages. Printed for W. Rogers, 1691. * A Letter to a Friend, Concerning a French Invasion, To Restore the Late King James to his Throne... [2], 30 pp. (4to) 8x5¾. Printed, and are to be sold by Randall Taylor, 1692. * A Second Letter to a Friend, Concerning the French Invasion In which the Declaration lately Dispersed under the Title of His Majesty’s... [4], 32 pp. (4to) 8x6. Notes in neat period hand on blank preliminary leaf. Second Edition. Printed, and are to be sold by Randal Taylor, 1692. Together 3 volumes, rebound in modern cloth with gilt-lettered morocco spine labels. London: 1691-1692 Interesting works on English politics and religion from William Sherlock (1641?-1707). Wing S3273, S3295, and S3340. Very good. (250/350)

556. Simson, Robert. The Elements of Euclid; Viz. the First Six Books, Together with the Eleventh and Twelfth. xii, 513, [3] ad pp. Several folding plates. (8vo) 8x5, modern pig skin backed marbled boards. Twenty-second Edition. London: J. Collingwood, et al, 1827 The author was Emeritus Professor of Mathematics in the University of Glasgow. Some foxing; very good in a fine modern binding. (150/250)

557. (Social Reform) Debate on the Evidences of Christianity; Containing an Examination of the “Social System,” and of All the Systems of Scepticism of Ancient and Modern Times... 2 volumes in 1. 251; 301, [3] pp. 8x4½, modern calf. Bethany, VA: Alexander Campbell, 1829 Debate held in Cincinnati, Ohio from the 13th to the 21st of April, 1929 between Robert Owen, or New Lanark, Scotland, and Alexander Campbell of Bethany, Virginia. Reported by Charles H. Sims, stenographer. Dampstains to preliminary and rear pages, foxed; else very good. (200/300)

RARE SOTHERAN CATALOGUES OF SCIENTIFIC BOOKS 558. Sotheran, Henry, & Co. Bibliotheca Chemico-Mathematica: Catalogue of Works in Many Tongues on Exact and Applied Science, With a Subject-Index. Compiled and Annotated by H.Z. and H.C.S. 5 volumes (out of 6 total published). Includes: Bibliotheca Chemico-Mathematica: Catalogue of Works... With hundreds of plates, portraits and facsimiles. 2 volumes. xii, 428; [ii], 429-964 pp. 1921. * Sotheran’s Bibliotheca Chemico-Mathematica...First Supplement. xii, 496 pp. 1932. * Sotheran’s Bibliotheca Chemico-Mathematica...Second Supplement. 2 volumes. xi, 840; [ii], 841-1396 pp. 1937. Together 5 volumes, uniformly bound in red cloth with gilt-lettered spines. London: Henry Sotheran and Co., 1921-1937 There was one more 1 volume supplement published, not included in this set. However, particularly difficult volumes to find. Three volumes with sunned and rubbed spines, each volume with rubbing to cloth extremities; very good. (400/600)

Page 108 559. Sporon, Benjamin Georg. Eenstydige Danske Ords Bemærkelse, oplyst ved Betragtninger og Exempler. [8], 98, [4] pp. Copper-engraved vignette on title-page. (8vo) 6¼x3½, period calf. Copenhagen: Brødrene Berling, 1775 Apparently the first edition of Professor Sporon’s Danish hymnal, quite scarce: OCLC/ WorldCat lists only three copies, two in Denmark, and one in the U.K. Ownership signature at top of title-page, the author’s name written beneath the vignette. Covers rubbed; lacking front free endpaper, else very good. (200/300)

560. Strange, Edward F. The Colour-Prints of Hiroshige. 52 plates including 16 in color. (4to) cream cloth. First Trade Edition. London: Cassell, [1925] Light wear and soiling to cloth, rear hinge cracking; very good. (150/250)

561. Swaysland, W. Familiar Wild Birds. Four volumes in two. Illustrated with color plates. 7½x5¼, modern cloth backed marbled boards, paper spine labels. London: Cassell and Company, 1903 Series 1 through 4 of Swaysland’s popular ornithological work. Some wear at extremities, short tear to half title of second volume; foxing; very good. (150/250)

PRINTED AND BOUND BY PETER & DONNA THOMAS 562. (Thomas, Peter & Donna) Aesop. Aesop’s Frog Fables. [18] leaves, 2 cut silhouettes of a frog. 7½x5¼, full green suede, slipcase. Number 49 of 50 copies. Santa Cruz: Peter & Donna Thomas, 1990 Printed and bound by the Thomas’s, one of the scarcer volumes from their press. Light wear to slipcase; else fine. (300/500)

563. Tomasini, Giacomo Filippo. De Tesseris Hospitalitatis, Liber singularis [bound with] Episcopi Æmoniensis Titus Livius Patavinvs. 2 volumes bound in 1. [12], 227, [25]; 125, [17] pp. Engraved plates. 5¼x3, period full vellum. Amsterdam: Andrae Frisii, 1670 Tomasini’s work on Roman hospitality and his biography of Livy. Vellum bowed, some soiling; light dampstaining; very good. (200/300)

564. Uzanne, Octave. La Femme a Paris. Nos Contemporaines. Notes Successives sur les Parisiennes de ce Temps dans leurs divers Milieux, États et Condition. vi, 328, [6] ad pp. 20 full page color engravings, many color illustrations within text, by Pierre de Vidal. 11x7½, color pictorial wrappers. Paris: Ancienne Maison Quantin, 1894 Ex-library, evidence of removed sticker from heel of spine, spine cracking and rubbed, edge wear to wrappers; rubber stamp on front free endpaper; foxing to tissue guards; else very good. (100/150)

565. Uzanne, Octave. Son Altesse la Femme. xii, 312, [3] pp. With 11 full page color engravings, plus engraved illustrations heading many of the chapters. 10½x7, plain paper wrappers with another loose wrapper with color lithograph title and illustration, cloth ribbon-tied chemise. Paris: A. Quantin, 1885 Illustrators include Henry Gervex, J.A. Gonzales, L. Kratke, Albert Lynch, Adrien Moreau and Felicien Rops. Ribbon ties partially lacking, remaining ribbons torn and frayed; color wrapper with much creasing; pencil erasure on lower margin of title page; else very good. (100/150) Page 109 566. Walton, Izaak and Charles Cotton. The Complete Angler, or the Contemplative Man’s Recreation. 2 volumes in 1. Edited by Geo. W. Bethune. (8vo) 9½x6¼, modern morocco-backed boards, spine gilt, top edge gilt. New Edition, with additions and corrections from the Editor’s own copy. New York: John Wiley & Sons, 1880 The first Bethune edition appeared in 1847. Pages a bit browned at edges; very good in a fine modern binding. (150/250)

567. Ward, Adolphis William. The Electress Sophia and the Hanoverian Succession. [4], vi, 254, [1] pp. Illustrations from portraits, facsimiles, old engravings, etc. (Folio) 13x9¾, green half morocco and marbled boards, spine gilt, top edge gilt. One of 1000 copies. First Edition. Paris: Goupil & Co., 1903 Spine a bit faded; very good. (150/250)

THREE RARE ALCHEMICAL AND CHEMICAL WORKS 568.  [Wegner, Georg Wilhelm]. Adeptus Ineptus, Oder Entdeckung der falsch berühmten Kunst Alchimie genannt... Wie auch von der Universal-Medicin und anderen vorgegebenen Alchimistischen Kunst-Stücken gehandelt wird. [16], 495, [16] pp. 1744. [bound with] Arnoldus de Villa Nova. Des weltberühmten und hocherfahrnen Philosophi und Medici Arnaldi De Villa Nova Chymische Schrifften: Darinnen begriffen... [16], 411, [5] pp. Berlin: Johann Paul Krauss, 1749. [bound with] Die murrende aussätzige Mirjam wider Mosen, den theuren Propheten Gottes, und wahren Adeptum, Lapidis Benedicti: Zur Vertheidigung des mit Mose und denen Propheten zeugenden Alchymisten. 39 pp. Frankfort & Leipzig: 1708. Together, 3 titles bound together. (8vo) 6½x3¾, 18th century full calf, spine tooled in gilt, raised bands, morroco lettering piece reading “F.V.A. Tractat. Chymie” and below that Par. I. Berlin: Ambrosius Haude, 1744 Three rare alchemical and chemical works, the first title apparently in first edition, credited to “Tharsander” on the title-page, with foreword signed G.W.W. Only 13 copies of the first work are listed in WorldCat, only 1 copy of the 1749 edition of the second work, and only 9 copies of the third work. Minor rubbing to spine; Lot 568 near fine. (1000/1500)

569. West, John. Elements of Mathematics. Comprehending Geometry. Conic Sections. Mensuration. Spherics. x, 417, [3] pp. 30 copper engraved folding plates. (8vo) 8¼x5, period full calf with modern rebacking. First Edition. Edinburgh: William Creech, 1784 The author was Assistant Teacher of Mathematics in the University of St. Andrews. Bookplate of George Drummond Home on front pastedown. Light wear to board edges; very good. (300/500)

Page 110 570. Williams, Charles Hanbury. A dialogue between G--s E---e and B--b D---n. 8 pp. Woodcut device on title-page. (folio) 12¼x7¾, disbound. First Edition. London: T. Taylor, 1741 Satire in verse on two political intriguers, Giles Earle and Bubb Doddington; Earle in particular was known for his crude jokes and sordid nature. This is the first impression, with signature mark B under “Green”. Foxon, W478. Title-page soiled, the whole with horizontal crease from being folded at an earlier time, a few minor marginal chips and tears, stain to top margins; very good. (200/300)

ORIGINAL PROGRAM FOR WOODSTOCK 571. (Woodstock) 3 Days of Peace and Music [cover title] Aquarian Exposition: Woodstock Music and Art Fair. 11x8½, color photographic wrappers. First Edition, First Issue. [Concert Hall Publications], [1969] Official program for the first Woodstock Music & Art Fair held in Woodstock, New York in August 1969. The three day fair changed the history of music, and this program contains artful pages of lyrics by Janis Joplin, The Who, and the Grateful Dead. Light wear to extremities of wrappers from handling; near fine. (400/600)

572. (Wyeth, Andrew) Meryman, Richard. Andrew Wyeth. [6], 174 pp. Illustrated throughout from color paintings by Andrew Wyeth. (Oblong folio) 13x17, duo-tone cloth, color pictorial jacket. First Edition. Boston: Houghton, Mifflin, 1968 An excellent monograph book of the esteemed American master. Some light wear to jacket; very good. (150/250)

573. (Yolla Bolly Press) Hardy, Thomas. The Vineyards and Wine Cellars of California. Edited by Thomas Pinney. Foreword by Robert Mondavi. Illustrated from photographs and with tipped in facsimile wine labels. 11¾x9, quarter cloth and decorated boards; plain slipcase. One of 450 copies printed at Yolla Bolly Press. San Francisco: Book Club of California, 1994 Prospectus laid in. BCC 244. Fine. (200/300)

Page 111 Page 112 Page 113 Page 114 Page 115 Page 116 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 117 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE- HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 118 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

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