Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 85 Inside Stanislavski: Applications for the Screen Actor Art & Craft of X 407.42 Theater 4 units Entertainment The great Russian actor, director and teacher Konstan- ENTERTAINMENT tin Stanislavski had a method that combined physicality For more information call (310) 825-9064, email and spirituality when building a character as the shorter [email protected], or visit route to finding its inner life. Learn these practical entertainment.uclaextension.edu. techniques of Stanislavski in order to perform with STUDIES confidence and depth. Exercises are supplemented with Space is limited; early enrollment is highly discussion of Stanislavski’s concepts, philosophy, and recommended. Visitors are not permitted at ethics. Most modern acting methods are grounded in 85 Acting some courses. For online course technical the Stanislavski system and understanding the basics requirements see page 4. of this system helps the actor understand and study 86 Cinematography other acting techniques as well. Topics include action 87 Development vs. emotion, using imagination to create real emotions, Acting relaxation and concentration, emotional memory, and 87 Directing building a character through physicality and voice. At 88 Post-Production Acting Techniques: The Fundamentals the end of the course, participants have acquired 89 Producing X 407.5 Theater 4 units techniques to learn how to deal with stage fright, how In this introduction to acting, participants learn funda- to approach a role and inhabit it from the initial 90 The Business & Management of Entertainment mental performance techniques and exercises, includ- research to the physical embodiment of the character, 91 The Music Business ing relaxation, concentration, sense memory, emotional and how to avoid bad acting habits like faking emotion recall, improvisation, character tasks, and text analysis, or overacting. Enrollment limited. Internet access 92 Music Production and then apply these techniques by rehearsing and required to retrieve course materials. 92 Film Scoring performing monologues and 2-character scenes. In- Reg# 257168CA class partner work and weekly assignments are Through May 29: $635 / After: $695 required. Enrollment limited. Internet access required Westwood: 211 Extension Lindbrook Center to retrieve course materials. Mon 7-10pm, Jun 29-Sep 14 Reg# 256790CA ✷✷Sat 2-5pm, Jul 25, 12 mtgs Through May 22: $635 / After: $695 No refund after Jul 2. Westwood: 202 Extension Lindbrook Center Eric Scott Gould, actor, director, screenwriter and Mon 7-10pm, Jun 22-Aug 31 producer. As an actor, Mr. Gould has performed in over ✷✷Sat 2-5pm, Aug 8, 12 mtgs 50 stage productions in New York City, Los Angeles, and No refund after Jun 25. regional theater. On television, he has appeared on Paul Stroili, actor whose television credits include shows such as Curb Your Enthusiasm (HBO), Numb3rs Undercover Bridesmaid, Malcolm in the Middle, Broth- (CBS), The District (CBS), Diagnosis Murder (CBS), er’s Keeper, Getting Personal, Chance of a Lifetime, Another World (NBC), and recurred on Without A Trace Help Me and The Untouchables, and whose film credits (CBS) for the first 4 seasons. include Gratitude, Introducing Dave Cook, Cold Justice, The Wrong Profile and The Real Whatever. Mr. Stroili Improvisation Techniques for the was nominated for an Ovation Award for Best Solo Actor: A Course in Spontaneity Performance and an LA Weekly Award for Paul Stroili’s X 407.78 Theater 4 units Straight Up with a Twist. Actors gain experiential understanding of improvisational acting and develop a strong improvisational perspective Acting for the Camera I essential to scripted work. Through theater games and X 410.3 Theater 4 units improvising scenes, actors develop tools to make them Participants learn to get comfortable in front of the lens. more trusting of their own impulses and more generous Hollywood Internships Exercises begin with on-camera interviews so that stu- with their fellow actors. They learn to always go for dents can view their screen images in playback. Instruc- active choices to play at the top of their intelligence and Film, Television, Entertainment Business & Music tion focuses on understanding technical and emotional at the service of the scene. Actors also experience that adjustments required for working in front of the camera, the best comedy comes out of listening and responding in a relaxed and truthful way, and developing intimacy honestly, not “going for jokes.” Internet access required with the camera. Topics include the difference between to retrieve course materials. Enrollment limited. frame sizes and learning to hit marks. Participants hone Reg# 257166CA their acting techniques through scene-study guidelines Through May 23: $635 / After: $695 and sensory and moment-to-moment exercises, as well Westwood: 202 Extension Lindbrook Center as monologue work. Some exercises are performed on Tue 7-10pm, Jun 23-Sep 8, 12 mtgs camera with emphasis on close-ups, simple scenes, and No refund after Jun 26. basic camera moves. The instructor critiques individual Toni Attell, Emmy-nominated actor, comedian, and mime students’ work during playback. Enrollment limited. whose background includes a variety of work in theater, Students are recorded on camera during several ses- film, and television. Ms. Attell has opened for Jay Leno, sions; those wishing to keep a copy of their work must Steve Martin, and Robin Williams, and has guest-starred bring a flash drive to each session. Internet access on numerous television dramas and sitcoms. required to retrieve course materials. Reg# 257162CA Through May 24: $635 / After: $695 UCLA Extension regularly receives notices about a wide variety of Westwood: B17 1010 Westwood Center Wed 7-10pm, Jun 24-Sep 9, 12 mtgs internships which are made available for credit to our Entertainment No refund after Jun 29. Studies certificate program candidates. Beverly Sanders, actor whose 35-year career spans television, film, stage, and over 300 national commer- Many high-profile companies have offered internships, including: cials. Ms. Sanders’s feature films include Beaches, And • Capitol Records • Lionsgate Justice for All, Magic, and The Flintstones in Viva Rock Vegas. Her many television credits include Baywatch, Course Icons • HBO Films • Live Nation The Mary Tyler Moore Show, Home Improvement, • Interscope Records • Sony Pictures Rhoda, Lotsa Luck, Charmed, Veronica Mars, Provi- Provide • Miramax Film Corporation • 20th Century Fox dence, and HBO’s Entourage. Ms. Sanders received the • MTV • Universal Music Group UCLA Extension Department of the Arts Instructor of the Information • DreamWorks • Warner Music Group Year Award in 2011. • Jerry Bruckheimer Films At-a-Glance For more information about our ce­ rtificates and internships call m Online course. (310) 825-9064. & Textbook required M Meets during daytime hours. entertainment.uclaextension.edu 86 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Performing in TV Commercials: Reg# 257169CA Practices and Opportunities Through May 25: $635 / After: $695 in the Field Jun 25-Sep 10 Entertainment Studies X 438 Theater 4 units Janet Wilcox, writer, producer, and actor with extensive Considering the lucrative field of TV commercials or experience on both sides of the microphone. Ms. Wilcox seeking to improve your confidence in personal or has written and produced promos for HBO, ABC, and Certificates business communications? Take part in simulated audi- The History Channel, among others. As a voice over tions, recorded, for both “slice of life” dialogue and talent, she has been heard on Lifetime, HBO, E!, Cin- Gain the Skills to Take Your Career to the Next Level “spokesperson” narrative in this course. To help you emax, and AMC. She is the author of Voiceovers: attain relaxation, taped performances are sensitively Techniques and Tactics for Success. Ms. Wilcox directed and critiqued in class. This workshop also received the UCLA Extension Department of the Arts provides a comprehensive analysis of a commercial’s Outstanding Instructor of the Year Award in 2012. production from the actor’s point of view and gives such professional practices as successful audition tech- niques, proper photography portfolio, agency represen- Cinematography tation, and union membership. Enrollment limited. Students are recorded on camera during several ses- Composition and Framing for the sions; those who wish to keep a copy of their work Motion Picture Camera must bring a flash drive to each session. Internet X 478.436 Film & Television 4 units access required to retrieve course materials. This intensive hands-on workshop focuses on composi- Reg# 257170CA tion and framing—the principal creative job of the Through May 25: $635 / After: $695 camera operator. The course is designed for aspiring Westwood: B17 1010 Westwood Center cinematographers and other students seeking instruc- Thu 7-10pm, Jun 25-Sep 10, 12 mtgs tion in the basic theory, concepts, principles, and No refund after Jun 30. techniques of motion picture camera composition and Toni Attell, for credits see page 85. framing. Participants operate high definition cameras and lenses equipped with video playback for later The Actor’s Toolbox: review and discussion. Students work through a series of skill-enhancing operational problems that increase Creating Emotional Truth in difficulty. Close attention is given to designing shots, X 409 Theater 4 units compositional balance, working with actors, tracking, Gain acting tools and techniques to help you create gear-heads, fluid heads, eye-lines, 2-shots, selecting true-to-life characters with emotional depth. In this lenses, and interior and exterior framing. Enrollment workshop, you learn how to draw emotional material limited; early enrollment advised. Visitors not permitted. from an array of tools that are both external and Internet access required to retrieve course materials. internal to the actor. Those tools include sense mem- ory, relaxation, imaging, voice and body work, and Reg# 257333CA improvisation techniques. Sense memory involves Through Jul 3: $1,179 / After: $1,295 reliving sensations experienced through your 5 senses UCLA: 1209B Bunche Hall and helps create a more truthful life for your character. Mon 7-10pm, Aug 3, 10 & 17 Relaxation techniques help the actor loosen up and Hollywood: Location to be announced access sense memory. Imaging techniques involve the ✷✷Sat & Sun 10am-5pm, Aug 8, 9, 15 & 16, Are you looking to become a director? Want a career as a movie use of imaginary people or objects to access emotions; 7 mtgs voice and movement techniques help sharpen your Leigh Lisbão Underwood, award-winning director of producer or executive? Are you interested in behind the scenes body as an instrument; and improvisation increases photography whose work has been seen at festivals, positions such as director of photography? your capability of being “in the moment”. All these tools including Cannes, Tribeca, and Palm Springs, and on are explored in a supportive environment through national television in several features for the Lifetime Enroll in one of our 11 Entertainment Studies Certificates. weekly exercises. At the end of the class, you perform network. His credits include the upcoming independent a scene or a monologue using the techniques explored features 1915, Brasil Meu Amor, and Sugar Baby (Life- All of the Entertainment Certificates offer a broad perspective throughout the class. Internet access required to time). He was the recipient of the award for best cine- retrieve course materials. matography at the Palm Springs International Shortfest of the industry, as well as specialized skills, training, and the in 2013 for his work on the short film The Boy Scout. Reg# 257171CA contacts you need to succeed. Through May 27: $635 / After: $695 Westwood: B17 1010 Westwood Center Visualization and Exposure Film & Television Certificates: ✷✷Sat 10am-1pm, Jun 27-Sep 12 X 478.27B Film & Television 4 units ✷✷Sat 10am-5pm, Aug 29, 12 mtgs This advanced course is designed to deepen the cin- ematographer’s understanding of the principles and • Directing • Entertainment: (no mtg 7/4) No refund after Jul 1. methods of visualization on-set and in pre-production General Studies with particular emphasis on digital exposure and pre- • Acting Felix Pire, actor, producer, writer, and director, who has appeared in featured roles in such films as 12 Monkeys visualizing lighting design and execution. Instruction • The Business & Management covers pre-production tools and techniques for cinema- • Development directed by Terry Gilliam, Phat Girlz, Dear God directed of Entertainment by Garry Marshall, and It’s My Party directed by Randal tographers with emphasis on lighting, lenses, cameras, camera movement and color. Each week, you partici- • Producing Kleiser. On television, he’s been a series regular on • Independent Producing CBS’s Matt Waters, and performed guest-starring roles pate in exercises and workshops designed to help you master the skills used for visualizing the lighting, • Cinematography Offered entirely online! on ABC’s Gideon’s Crossing and NYPD Blue, NBC’s The Rerun Show and Prison Break on Fox. camera and exposure of the scene. Prerequisite: Suc- cessful completion of X 478.27A Introduction to Cine- m matography with a grade of C or better. Enrollment Music Certificates: Pursuing a Career in Voice Overs limited. Students must have access to a digital camera X 433 Theater 4 units with manual focus and aperture controls and a profes- • • Do people say you have a wonderful voice? Gain a Independent Music Music Business sional incident light meter for the duration of the comprehensive understanding of the tools needed to course. Required text: American Cinematographer Production • excel in TV and radio commercials, animation, narration Film Scoring Manual (10th Edition) by Michael Goi and Digital Cin- for documentaries, and other areas of voice over work. ematography by David Stump. Visitors not permitted. Instruction includes breath and microphone technique, Internet access required to retrieve course script analysis, finding characters spontaneously, and Plus, enjoy maximum flexibility — start anytime with no materials. how to keep it fun, even when the pressure’s on. Par- & ­admissions requirements. (Exceptions apply to the Film ticipants also learn how to pursue a career in voice over. kkk Scoring Certificate.) For technical requirements see page 4. Enrollment limited. Students submit audio files online via MP3. Take the next step toward the career you always wanted. Required text: Voiceovers: Techniques and Tactics for Success by Janet Wilcox. & kkk

For More Information (310) 825-9064 | entertainment.uclaextension.edu Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 87

Reg# 257339CA Through May 27: $795 / After: $875 Development UCLA: 3656 Geology ✷✷Sat 10am-1pm, Jun 27; Jul 11 Story Analysis for Prepare Your ✷✷Sat & Sun 10am-5pm, Jul 18, 25 & 26 Film and Television m Hollywood: Location to be announced X 476.22 Film & Television 4 units ✷✷Sat & Sun 10am-5pm, Aug 1 & 2, 9 mtgs Designed for aspiring readers, development executives, Cinematography Portfolio Deland Nuse, cinematographer and director of inde- producers, and storytellers, this course offers a prag- pendent films whose credits include the indie feature matic, comprehensive overview of story analysis and Under the guidance of cinematog- Throughout the course, you gain The Chilling and the documentary The Other Bridge; the tools used by the professional reader. Throughout rapher Jason Knutzen, learn how to the technology and software skills recipient, UCLA Extension Distinguished Instructor the course, students learn and practice coverage skills showcase your artistic vision and to assist you in the post-production Award, 2007. Mr. Nuse won the Triple Play Award for while gaining an understanding of the elements of story. Cinematography at the 2006 Long Island Film/Video Topics include various types of coverage, how to com- abilities to potential employers, aspect of putting together your Expo for the film The Showdown. pose story notes, comparative coverage, character directors and producers. reel, including editing, color cor- breakdowns, treatments, and outlines. Through weekly rection, compression and distribu- Lighting for Emotional Impact assignments, participants are required to practice read- tion, and adding music. You also X 478.283 Film & Television 4 units ing and writing for several formats and to deadline. In learn to create and manage your This course is designed to help students develop a addition, the current job market and the various expec- stronger understanding of lighting for motion pictures. tations of studios and independent producers are dis- online presence, and put your best Through lectures, workshops, assignments and in-class cussed. Upon completion of the course, students have foot forward towards a meaningful exercises, you learn about different lighting styles and written at least two pieces of full coverage that can be career in cinematography. techniques. Special focus is placed on lighting tailored used as part of a professional portfolio or for auditioning specifically for the story and the emotional impact that for a job as a reader or an assistant. For technical Page 87. lighting can have on the audience.The class will be requirements see page 4. Prerequisite: Strong English focused both on theory and practical application. composition skills. Enrollment limited. Throughout the course visual references are discussed, Reg# 257187CA as well as completed assignments and supervised Through May 23: $635 / After: $695 exercises that will be screened and critiqued in class. Jun 23-Sep 8 Enrollment limited. Internet access required to retrieve Beverly J. Graf, Vice President of Development, Abilene course materials. Pictures (Primal Fear, Fallen, Frequency, Hart’s War, Reg# 257336CA Fracture.) articulate and sell your ideas in the development process. the weeklong workshop, each student gains the oppor- Through May 23: $795 / After: $875 Required text: An Introduction to Film Genres by Fried- tunity to act as a key member of the creative production Westwood: 114 Extension Gayley Center, Story Development Workshop: man, Desser, Kozloff, Nochimson and Prince. Internet team during the shooting of one full scene. Upon comple- 1145 Gayley Ave. m access required to retrieve course materials. & tion of the workshop, you take your scene through the Crafting Your Original Story editing process. All directors, cinematographers and Tue 7-10pm, Jun 23-Aug 25 X 476.244 Film & Television 4 units Reg# 257191CA Hollywood: Location to be announced Through May 24: $589 / After: $645 filmmakers looking to take their storytelling to the next Producers, development executives, directors, and level are welcome to take part in this exciting, one-of-a- ✷✷Sun 10am-5pm, Aug 9, 11 mtgs writers gain practical experience adapting and develop- UCLA: 1209B Bunche Hall Soraya Sélène, director and cinematographer in fea- Wed 7-10pm, Jun 24-Sep 9, 12 mtgs kind class. Enrollment limited. Visitors not permitted. ing their own stories for motion pictures, movies-of-the- Internet access required to retrieve course materials. tures, short films, documentaries, music videos and week, and miniseries. Emphasis is placed on studying Enrollment deadline: Jul 7 commercials. Ms. Selene is the recipient of several dramatic structure, learning techniques that strengthen Beverly J. Graf, Vice President of Development, Abilene Reg# 257348CA awards including a CINE Golden Eagle Special Jury character development, and understanding the impor- Pictures (Primal Fear, Fallen, Frequency, Hart’s War, Through May 24: $909 / After: $999 award, the Mary Pickford Award for Excellence in Docu- tance of collaboration with writers. Workshop partici- Fracture.) Classroom meetings: mentary Filmmaking, a Motion Picture Association of pants are called upon to write development notes, and Westwood: G33W UCLA Extension Bldg. America award and a Hollywood Foreign Press award. learn the difference between beat sheets, step outlines, Advanced Story Development ✷✷Wed, Thu & Fri 10am-5pm, Jun 24, 25 & 26 She has studied under renowned ASC cinematogra- and story outlines. They also learn how to assess the Workshop Classroom meetings: phers and has written, directed and produced several marketplace by determining what network and studio X 476.983 Film & Television 4 units Hollywood: Location to be announced award-winning shorts. executives are looking for as well as the best way to Building on the skills taught in X 476.244 Story Devel- ✷✷Sat & Sun 10am-5pm, Jun 27 & 28 quickly and effectively pitch an idea. Students are opment Workshop: Crafting Your Original Story, you Online session: NEW COURSE welcome to submit written works in progress for in- learn a more advanced set of story tools and patterns Mon Jul 6 Cinematography Portfolio class critiques. At the end of the course, students have to develop great story. By end of class, each participant No refund after Jun 17. Development honed their storytelling craft by writing original treat- has created a polished story treatment, beat sheet, Julio O. Ramos, director and filmmaker who won stu- ments based on their story outline developed in class. pitch, logline, and plotline based on their own original dent Emmy, BAFTA, and DGA awards for his films El X 478.32 Film & Television 4 units Bolerito (The Shoe Shiner) and ¡Una Carrerita, Doctor! (A Prepare for a future career in cinematography by pre- For technical requirements see page 4. Prerequisite: idea. Since most movies and television shows are cre- Good written-communication skills. Previous training ated in the real world by working in a collaboration with Doctor’s Job). Besides earning numerous awards, his senting your visual portfolio in a way that demonstrates movies screened in over 300 venues worldwide including your artistic vision and abilities, and promotes your in story analysis is recommended but not required. a creative team, you learn to emulate the process by Enrollment limited. working in teams with other students to create a movie Telluride, Habana, Huesca, Vancouver, and Shanghai. His abilities to potential employers, directors and producers. latest movie, Behind the Mirror, world-premiered at the This course is designed for experienced cinematogra- Reg# 257189CA story that is pitched to the entire class. Prerequisite: Strong written communication skills. Enrollment limited. 2012 Guadalajara Film Festival and picked up the Best phers who are ready to prepare their reel and website Through May 23: $635 / After: $695 of Fest Award at the 2012 Palm Springs ShortFest. to begin or advance their career. Throughout the course, Internet access required to retrieve course materials. Jun 23-Sep 8 Phil Klucsarits, director of photography on independent Reg# 257192CA you learn the technology and software to assist in the Joanne Moore, Producer, Entertainment Executive who movies, short films, and TV series. Mr. Klucsarits’ work Through May 23: $635 / After: $695 post-production aspect of putting together your reel, has developed and set up dozens of projects for film has been showcased at the Camerimage Cinematogra- including editing, color correction, compression and studios: Warner Bros, Universal, Disney, Fox, and Para- UCLA: 2214 School of Public Affairs Bldg. Tue 7-10pm, Jun 23-Sep 8, 12 mtgs phy Festival, The Telluride Film Festval, Palm Springs distribution. Topics also cover sound design, aspects of mount and in television for USA Networks, ABC, NBC, Short Fest, and many international film festivals. basic web design, social media and more, in order to Nickelodeon, HBO, and Showtime. Ms. Moore was Peter Russell, story analyst, Imagine Films Entertain- create and manage your online presence, and put your responsible for identifying, optioning, and developing ment, CBS Television, Anschutz Film Group (AFG & Reg# 257350CA best foot forward towards a meaningful career in cin- material for Norman Jewison’s production company. Walden Films), and Participant Productions; theater Through Aug 9: $909 / After: $999 ematography. Note: You must come prepared before the She also produced two shorts that aired on Showtime director whose credits include Malibu Stage Company Classroom meetings: first class with footage you have shot as “Cinematog- and the feature Swimming With Sharks starring and New York’s Public Theater (Shakespeare in the Park Westwood: B15 1010 Westwood Center rapher” to begin creating a reel. Enrollment limited. Kevin Spacey. and Joe’s Pub). Mr. Russell is a recipient of the Nick ✷✷Wed, Thu & Fri 10am-5pm, Sep 9, 10 & 11 Internet access required to retrieve course materials. Adams Short Story Award, and he received the UCLA Classroom meeting: Hollywood: Location to be announced Reg# 256803CA Understanding Genre: Extension Department of the Arts Outstanding Instructor of the Year Award for 2009. ✷✷Sat & Sun 10am-5pm, Sep 12 & 13 Through May 23: $635 / After: $695 How to Develop a Hollywood Classic Online session: UCLA: 2242 School of Public Affairs Bldg. X 476.242 Film & Television 4 units Sep 21 Tue 7-10pm, Jun 23-Sep 8, 12 mtgs Producers, executives, writers, and filmmakers focus No refund after Sep 2. , cinematographer on over 30 narrative Directing Jason Knutzen on story components that make for a good movie. Learn Julio O. Ramos, for credits see page 87. and documentary projects, professional colorist, and to identify the specific characteristics that define various Phil Klucsarits, for credits see page 87. expert in post-production workflows. Mr. Knutzen cur- film genres and how style, form, content, mood, camera Intensive Filmmaking Workshop rently is an educational contributor to the Global Cin- work, lighting, and pacing work together to fulfill expec- (Hybrid) ematography Institute in the areas of traditional, virtual, tations and deliver a satisfying cinematic experience. X 475.8 Film & Television 4 units and digital cinematography. Each week, through lecture, discussion, and film clips This intensive hands-on filmmaking workshop focuses examining its visual language and its evolution over on the theories and methods necessary to take a scene time, you break down and analyze one of the genres on from the written page through actual production. Special which Hollywood thrives: action, drama, comedy and emphasis is placed on how the director and cinematog- romantic comedy, fantasy and science fiction, the rapher work together to interpret, visualize and then mystery-thriller, and horror. Instruction also covers an cover a scene thoroughly and effectively. Each day, you examination of each genre’s target audience and pro- work together in production teams to shoot material vides you with a common language with which to under the individual supervision of the instructors. During 88 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971

Reg# 257531CA Reg# 257185CA Through May 24: $635 / After: $695 Through May 24: $635 / After: $695 Westwood: B15 1010 Westwood Center Jun 24-Sep 9 Intensive Filmmaking Wed 7-10pm, Jun 24-Sep 9, 12 mtgs Alessandro Pirolini, PhD in American Film History, Fernando Scarpa, award-winning director who has University of London; author of Rouben Mamoulian (Il achieved extensive international recognition in Europe Castoro Cinema, Milan) and Preston Sturges (McFar- Workshop and in the United States. In Europe, Mr. Scarpa has a land, Jefferson, NC). Dr. Pirolini also has written numer- renowned career in theater. He served as the artistic ous articles, essays, and film reviews for such Take your storytelling to the next level in this intensive, supervisor for the prestigious Theater des Westens in publications as Cineforum, Ottoemezzo.com, and Il one-of-a-kind class. Berlin and directed his own theater company for 5 Nuovo Spettatore. years. He also directed for the national Italian Television RaiUno and the German ZDF and SAT1. Over the course of 5 days, you Post-Production work as part of a production team Advanced Filmmaking Workshop: to shoot scenes under the individual Production and Post-Production Post-Production for Film and supervision of instructors Phil (Hybrid) Television (Hybrid) Klucsarits­ and Julio Ramos. Learn X 476.12B Film & Television 8 units X 404A Film & Television 4 units to interpret, visualize and then In this capstone course of the Directing Certificate pro- Emphasizing how new technologies continue to impact gram, students maximize their learning experience and post-production, this course examines the post-produc- cover a scene thoroughly and effec- improve their filmmaking skills through the creation of a tion process for film and television. Topics include tively. Upon completion of the short film that is screened for an invited audience after picture and sound editing processes; non-linear editing ­workshop, you take your project the end of the course. Having first developed their proj- of single and multi-camera programs; special visual through the editing process and ects in the course X 476.23 Developing Your Short Film, effects; the impact of sound — from music scoring to students enter the workshop ready to begin pre-produc- effects design; budgeting, scheduling, and deliveries; walk away with the knowledge of tion. Through lectures, demonstrations, and hands-on and high-definition television and its impact on both how to professionally run a film set. exercises students learn the techniques for translating feature and television post-production. Includes guest their script into moving images as well as the creative speakers and field trips to post-production facilities. For Page 87. and physical requirements for directing a film. Topics technical requirements see page 4. This course include budgeting and production scheduling, casting includes both online sessions and classroom meetings. actors and eliciting the best performance, collaborating Internet access required to retrieve course materials. Brynach Day, filmmaker, 2011 BAFTA Brit to Watch. Making Your First Short Film with the crew, camera blocking, creating the shot list, Reg# 257356CA X 476.39 Film & Television 4 units Reg# 257340CA visual composition, sound, and editing. By mid-class, the Through May 25: $589 / After: $645 Always wanted to make your own short film and Through Jun 11: $635 / After: $695 participants have the opportunity to put in practice all the Classroom meetings: thought you had no experience and no money? In this Westwood: 114A Extension Gayley Center, producing and directorial basics they learned throughout UCLA: 110 La Kretz Hall class for aspiring directors, writers and producers, you 1145 Gayley Ave. the program as they shoot and edit their film with guid- Thu 7-10pm, Jun 25; Jul 2, 9, 23 & 30; use your own camera to learn how to write, produce, ✷✷Sat 10am-1pm, Jul 11, 18 & 25; ance from the instructor. Dailies are reviewed and cri- Aug 6, 20 & 27; Sep 3 direct, and edit a 3-5-minute short film. Emphasis is Aug 1, 8, 15 & 22; Sep 12 tiqued in class. Running time with credits must not Online sessions: placed on maximizing the on-screen value of the project ✷✷Sat 10am-5pm, Aug 29-Sep 5, 10 mtgs exceed 15 minutes. For technical requirements see Thu Jul 16; Aug 13; Sep 10 using available resources. The first part of the class is Jeremy David White, writer and director whose work page 4. Prerequisite: X 476.23 Developing Your Short Enrollment deadline: Jul 9 devoted to the pre-production process, highlighting the has been distinguished by 2 MPAA awards and a Hol- Film. Enrollment is restricted to Directing Certificate Wes Irwin, Associate Director of Post-Production for role of the story, and provides an overview of affordable lywood Foreign Press Association award. He collabo- students. Students with prior short film experience can Fox Television Studios who works on such shows as shooting equipment and editing technologies. You then rated with screenwriter Austin Reynolds and their short enroll by consent of instructor, space permitting, and The Shield (FX), Saving Grace (TNT), The Riches (FX), develop and write your project, which is filmed outside film, Committed, was selected to the 2009 Cannes must submit a proposed script for the class. Students Burn Notice (USA), New Amsterdam (Fox), and The Girls of class. Instruction includes a primer on the fundamen- Short Film Corner. Mr. White most recently directed an must have access to a video camera and editing equip- Next Door (E). Previously, Mr. Irwin was a post-produc- tals of shooting and directing actors, as well as the adaptation of The Heyday of the Insensitive Bastards, ment. Enrollment limited. Visitors not permitted. This tion manager and executive for three separate film and basics of editing and outputting assignments. The produced by James Franco. course includes both online sessions and classroom television production companies. completed films are screened and discussed during the meetings. Internet access required to retrieve course last class. Prerequisite: Students must have access to Directing Workshop II: Storytelling materials. Restricted course; call (310) 825-9064 for m a camera and editing equipment. Enrollment limited. The Art and Craft of Film Editing X 476.95B Film & Television 4 units permission to enroll. Web enrollments automatically X 479.613 Film & Television 4 units Internet access required to retrieve course materials. In the second part of the Directing Workshop series, generate a “Permission to Enroll” request. Editing is storytelling. Throughout the process, from first Reg# 257352CA participants complete short narrative films using their Reg# 257346CA assembly to final delivery, editors are responsible for Through May 22: $635 / After: $695 own digital video camera. Focusing on storytelling, Through May 22: $909 / After: $999 fulfilling the film’s potential through a full command of Classroom meetings: instruction teaches participants how to apply the prin- Classroom meetings: craft as well as an aesthetic understanding of story, Westwood: 320 1010 Westwood Center ciples and essential elements of dramatic structure and Westwood: 214 Extension Lindbrook Center character, and rhythm. By examining different editing Mon 7-10pm, Jun 22 & 29; Jul 6, 20 & 27; character development to the filmmaking principles Mon & Tue 7-10pm, Jun 22, 23, 29 & 30; styles, this course covers the elements of storytelling, Aug 3, 10, 24 & 31 explored in X 476.95 Directing Workshop I: Composition Jul 6, 7, 13 & 14; Aug 17, 18, 24, 25 & 31; performance, pace, emotion, action, continuity, and time Online sessions: and Movement. Through increasingly complex filmmak- Sep 1 & 8 manipulation. Instruction includes lectures, discussion, Mon Jul 13; Aug 17; Sep 14 ing assignments, participants discover how to combine Online sessions: and viewing exercises. Participants also learn to select William Barker, award-winning producer, director, and key elements, such as casting, working with actors, Mon & Tue Jul 20, 21, 27 & 28; the most appropriate editing systems and technology writer on several short films. shot selection, sync-sound, and music, to communicate Aug 3, 4, 10 & 11; Sep 7 by evaluating the limitations of budgets and time. For the themes, conflict, and story arcs that create compel- Final screening: technical requirements see page 4. Enrollment limited. Directing Actors for the Screen ling narrative for a visual medium. Student work is UCLA: 2160E Broad Art Center Required text: First Cut: Conversations with Film Editors X 475.44 Film & Television 4 units screened and critiqued by the instructor and class. ✷✷Sat 10am-5pm, Oct 24, 25 mtgs by Gabriella Oldham. & If directors are the architects of film, then actors are Prerequisite: X 476.95 Directing Workshop I: Composi- Julio O. Ramos, for credits see page 87. tion and Movement or previous directing experience. Reg# 257358CA the artisans of a collaborative team working together to Through May 25: $635 / After: $695 realize a singular vision. Through discussions, exercises, Enrollment limited. Participants must provide their own The Language of Filmmaking m digital video camera, have access to editing equipment Jun 25-Sep 10 casting sessions, and the presentation of scenes, X 476.581 Film & Television 4 units Robert Scheid, Apple-certified Final Cut Pro, Motion, participants analyze and apply the directorial skills and software, and be able to provide their assignments Designed for filmmakers who want to develop the skills in digital form. Students also are responsible for writing and DVD Studio Pro instructor; television producer; film required for a successful artistic collaboration with needed to make visually effective, complex films, this and television editor and colorist. Mr. Scheid received performers. Students select one dramatic and one and/or providing scripts for their short films. Required course defines the techniques and tools used by great text: On Film-Making: An Introduction to the Craft of the the UCLA Extension Department of the Arts Outstanding comic scene, then cast, rehearse, and present the directors of cinema. Through a wide selection of film Instructor of the Year Award in 2014. scenes in class. Topics include analyzing the script, the Director by Alexander Mackendrick. Internet access and sound clips, pictures, articles, and interviews, Method approach to acting, defining objectives, creating required to retrieve course materials. & students analyze filmmaking techniques, narrative dramatic conflict, and the elements of characterization. Reg# 257530CA strategies, and film theories used by the greatest film- Actors for class scenes are selected during in-class Through May 24: $635 / After: $695 makers of all time. Topics range from point-of-view, auditions and final scenes are performed on camera. Westwood: B05 1010 Westwood Center focalization, direct and indirect narrative to functional Internet access required to retrieve course materials. Wed 7-10pm, Jun 24-Sep 9, 12 mtgs usage of image composition, camera movements, Required text: Directing Actors by Judith Weston. & Susana Casares, filmmaker and winner of the Emmy dramatic use of lighting and editing, off-screen space, Reg# 257341CA Foundation’s prestigious College Television Award in and sound. For technical requirements see page 4. Through May 27: $635 / After: $695 Drama. Her narrative and documentary work has been Enrollment limited. A high-speed Internet connection is Westwood: 114B Extension Gayley Center, shown in festivals around the world, and she has suggested and QuickTime is required. 1145 Gayley Ave. received both the Hollywood Foreign Press Association kkk ✷✷Sat 10am-1pm, Jun 27-Aug 8 Award and the Mary Pickford Award for 2 consecutive ✷✷Sat 10am-5pm, Aug 15-29, 9 mtgs years, as well as the support of institutions such as the (no mtg 7/4) Tribeca Film Institute and IDFA. Ms. Casares has been showcased in Variety’s Cannes edition as one of the 10 kkk Spanish talents on the rise. kkk Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 89 NEW COURSE Introduction to 3D Production Producing with Maya X 477.91B Film & Television 4 units Pre-Production and Production for Entertainment Studies In this hands-on course, participants learn the features Film and Television (Hybrid) of Autodesk Maya, an all-encompassing software used X 404 Film & Television 4 units for animation, visual effects and games. Instruction This survey course presents an overview of the real- Networking Event covers the fundamental techniques in modeling, textur- world aspects of producing as practiced in the various ing, lighting, animation, dynamics and rendering. Par- sectors of filmed entertainment from script development Exclusively for Certificate Students ticipants learn how to plan, stage, and execute a 3D through pre-production and production. Topics include animation project in an entertainment production the producer’s interface with the writer, director, and Does your project need a director? An actor? A producer? A composer? environment, working on a single assignment through- other key personnel; pitching and selling ideas; script out the course to utilize the full integration of the Maya breakdown and scheduling; budgeting and all the criti- The Entertainment Studies cal on-the-set issues facing the producer. For technical functions. At the end of the course, participants have a ­Networking Event is the perfect solid understanding of the production pipeline, are requirements see page 4. This course includes both proficient in navigating the Maya interface and are online sessions and classroom meetings. Internet opportunity to meet your fellow ready to work on their future projects. Prerequisite: access required to retrieve course materials. Required Certificate Students and make Students should be comfortable with basic computer text: The Big Picture by Edward Jay Epstein. & important connections. Crew up techniques. Enrollment limited. Visitors not permitted. Reg# 257353CA for your next project or participate Through May 25: $589 / After: $645 Internet access required to retrieve course materials. It in our popular “Speed Networking” is highly recommended that students have access to a Classroom meetings: laptop computer for in class assignments and UCLA: 2209A Bunche Hall activity at our next event! lectures. Thu 7-10pm, Jun 25; Jul 2, 9, 23 & 30; Aug 6, 20 & 27; Sep 3 Visit entertainment.uclaextension.edu Reg# 256805CA for details. Through May 23: $635 / After: $695 Online sessions: Westwood: 113 Extension Gayley Center, Thu Jul 16; Aug 13; Sep 17 1145 Gayley Ave. Enrollment deadline: Jul 9 Tue 7-10pm, Jun 23-Sep 8, 12 mtgs Amotz Zakai, Vice President, Echo Lake Productions. Luis Alberto Cayo, visual effects and 3D artist who has Mr. Zakai has worked on such projects as Tsotsi (Oscar worked on features such as Green Lantern, G.I. Joe: winner, 2006), Water (Oscar nominated, 2007), Away Retaliation and I Am Number Four. Mr. Cayo has from Her, and Thirteen Conversations about One Thing. designed visual effects for television series including He also represents writers and directors. Mr. Zakai The Originals, Game of Thrones and Vampire Diaries. received the UCLA Extension Department of the Arts Instructor of the Year Award in 2013. Introduction to 3D NEW COURSE The Art of Line Producing Introduction to Motion: X 478.13A Film & Television 4 units Production with Maya A Workshop m This comprehensive step-by-step overview of physical Maya 3D modeling software is the industry standard for creating 3D X 478.317 Film & Television 2 units production processes covers the tangible and intangible Learn to create sophisticated projects using Motion 5 aspects of line producing, including budget; breakdown ­characters and objects in film, television and games. In this hands-on and its newest features. In this course, instruction starts and scheduling; hiring and working with cast, director, course, using your own computer, learn the fundamental techniques in with the fundamentals of motion graphics and moves staff, crew, and outside vendors; choosing locations; modeling, texturing, lighting, animation, dynamics and rendering. into compositing, animation, motion graphics design, equipment and music; how to deal with divergent visual effects design, and the world of 3D. From this personalities and specific problem solving during pro- At the end of the course you will: course you learn to get the most out of your slow duction; and the differences between producing a motion video, and how to achieve professional quality movie independently versus with a studio. Students are • gain a solid understanding of the green screen effects, motion tracking, particle effects, highly recommended but not required to have Movie production pipeline and animated titles. While Motion 5 is a very inexpen- Magic Budgeting and Scheduling.This is not an intro- • become proficient in navigating the sive yet powerful standalone application, you learn how duction to production course. For technical require- to integrate projects into Final Cut Pro X and Final Cut ments see page 4. A basic knowledge of film production Maya interface Pro 7 for finishing. Learn why Motion is considered by and Movie Magic Budgeting and Scheduling software • complete a 3D animation project many to be a “user friendly After Effects.” For technical are highly recommended. Internet access required to integrating all of the Maya requirements see page 4. Prerequisite: Basic Mac retrieve course materials. skills. Enrollment limited. functions Reg# 257193CA • be ready to work on your future Reg# 257357CA Through May 24: $589 / After: $645 projects. Through May 23: $455 / After: $495 UCLA: 2209A Bunche Hall Jun 23-Jul 28 Wed 7-10pm, Jun 24-Sep 9, 12 mtgs Page 89. No refund after Jun 23. Enrollment deadline: Jul 7 Robert Scheid, for credits see page 88. Dwjuan Fox, producer and line producer who has worked on projects including Seduced and Abandoned, We The Final Cut Pro X: Party, The Rescuers, Backlight, and Crenshaw Nights. A 1-Day Seminar for Beginners 866 Film & Television 0.6 CEU Introduction to Motion 5 Designed for novices looking to jump-start their under- standing of Final Cut X, this seminar takes you through For editors and independent artists who want to enhance their projects, the post-production workflow, from system set-up to final master. Topics include logging and capturing video, learn how to achieve professional quality effects, motion tracking, organizing a project, performing basic editing and trim- ­particle effects, and animated titles with the user-friendly Motion 5. ming functions, adding transitions and effects, working with audio, and outputting. Prerequisite: Basic Mac In this hands-on workshop, using skills. Enrollment limited. Internet access required to your own computer, you explore retrieve course materials. Students must provide their own laptops with Final Cut X (10.1) installed. Motion’s newest features for com- Reg# 257359CA positing, animation, motion graphics Through Jun 18: $95 / After: $105 design, visual effects design, and UCLA: 1222 School of Public Affairs Bldg. the world of 3D. You also learn ✷✷Sat 9am-5pm, Jul 18, 1 mtg how to integrate your projects into Robert Scheid, for credits see page 88. Final Cut Pro X or Final Cut Pro 7 for finishing. Page 89.

m Online course & Text required M Course held during daytime hours 90 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Advanced Story The Independent Producing Development Workshop Certificate In this workshop, gain a new set of tools and patterns to develop a Offered Entirely Online great story. This certificate is designed for independent producers and filmmakers who Under the guidance of Peter are interested in a short but comprehensive program. In just 6 courses, you Russell, longtime story analyst explore all phases of production from story development through marketing and story consultant, create a and distribution. polished story treatment, beat Gain the creative and business skills to tell a good story with a sheet, pitch, logline, and plotline limited budget. based on your own original idea. Highlights Include: Page 87. • Developing and pitching a project • The power of social media to • Evaluating a budget/ breakdown ­promote your project • Finding techniques that maximize • And more on-screen value Learn more about the certificate and upcoming courses at entertainment.ucalextension.edu.

Movie Magic Budgeting m Marketing and Distributing The Business & Management employment agreements. The course concludes with X 479.088 Film & Television 2 units Independent Films across exploring independent film finance and distribution For production managers, producers, corporate finance All Platforms m of Entertainment deals. Through learning some essential “countermea- personnel, and production accounting professionals, X 403.61 Management 4 units sures” to use when reviewing such contracts, students this course provides you with a practical understanding What are the considerations involved in financing, pack- Legal Primer for the are empowered in a way usually only reserved for elite of the budgeting process, including how to use Movie aging, selling, or acquiring a financially viable film? Entertainment Business m talent lawyers—and have a lot of fun in the process. Magic Budgeting, a budgeting software application. You Producers, filmmakers, and screenwriters learn what X 403.01 Management 4 units Required text: Dealmaking in the Film and Television prepare a movie-of-the-week budget based on informa- makes a project attractive to potential buyers, study a 34 hours of MCLE credit available, including 1 hour of Industry (3rd ed.) by Mark Litwak. Internet access tion that typically would be available during pre-produc- variety of deal structures and learn how to find domestic Legal Ethics. required to retrieve course materials. & tion, including a script, day-out-of-days, 1-line and overseas distribution for theatrical, television, DVD, This unique course explores key legal principles and Reg# 256065CA schedule, shooting schedule, departmental budgets, and alternative markets. Participants gain knowledge on contractual relationships within the film and television Through May 24: $589 / After: $645 and other hypothetical parameters. Students must have how to craft a distribution strategy from the earliest industry through a dynamic assortment of lectures and UCLA: 2250 School of Public Affairs Bldg. Movie Magic Budgeting 7; enrolled students are eligible stages of project development. Topics include choosing hands-on workshops. Students develop a core under- Wed 7-10pm, Jun 24-Sep 9, 12 mtgs for a discount on software cost. Discount information material, budget, and casting; selling the film through standing of subjects including idea protection, copy- Enrollment deadline: Jul 8 will be released the first day of course. This is not an festivals and markets, key buyers, evolving distribution right, defamation, privacy, and the right of publicity. In Andrew Zucker, entertainment and internet attorney, introduction to production course. For technical require- outlets, such as Internet, cell phones, etc.; the roles of addition, students are exposed to key issues in man- and member of Isaacman, Kaufman & Painter, a firm ments see page 4. Enrollment limited. producer, marketing and sales executives, and executive ager agreements and in standard film and television ranked in the first tier nationally by U.S News and World Reg# 257360CA producers and an overview of film financing models. For agreements, including literary option/purchase agree- Report in the areas of Media and First Amendment Law. Through Jul 4: $455 / After: $495 technical requirements see page 4. Enrollment limited; ments, life rights agreements, collaboration agree- Mr. Zucker has over 25 years of experience represent- Online sessions: early enrollment advised. Required text: Think Outside ments, and talent employment agreements. The course ing clients in all aspects of the entertainment industry. Tue Aug 4, 18 & 25; Sep 1, 8 & 15 the Box Office: The Ultimate Guide to Film Distribution concludes with exploring independent film finance and Such clients have included Emmy-winning actors, No refund after Aug 3. and Marketing for the Digital Era by Jon Reiss. & distribution deals. Through learning some essential producers, show-runners, personal managers, motion “countermeasures” to use when reviewing such con- picture and reality television production companies. Dwjuan Fox, producer and line producer who has worked Reg# 257195CA tracts, students are empowered in a way usually only on projects including Seduced and Abandoned, We The Through May 24: $635 / After: $695 reserved for elite talent lawyers—and have a lot of fun Party, The Rescuers, Backlight, and Crenshaw Nights. Jun 24-Sep 9 The Business of the Film Industry in the process. For technical requirements see page 4. Kevin Mardesich, who began his career running the X 403.03 Management 4 units Required Text: Dealmaking in the Film and Television Low-Budget Filmmaking story department at Oscar-winner Oliver Stone’s develop- 34 hours of MCLE credit available. Industry (3rd ed.) by Mark Litwak. Enrollment limited; X 476.6 Film & Television 4 units ment company, Ixtlan, will teach this course. Mr. Mar- Learn how all the elements that go into making a film early enrollment advised. In this detailed exploration of low-budget filmmaking, desich also helped execute corporate communications & fit together and impact each other. This course follows you learn techniques and theories examining all phases for Fox’s sports/entertainment cable channels. He cur- Reg# 256342CA the trajectory of a film from the initial step of finding of the process from development to production to post- rently runs KevinMardesich.com, a communications Through May 23: $635 / After: $695 the project to the ultimate calculation of worldwide production. The focus is on translating a minimum practice specializing in written communications for film, Jun 23-Sep 8 profits or losses. Each session covers another step in budget into maximum quality on screen. Topics include television, and industry leaders. David Wienir, talent lawyer and author; Business the process, including the evaluation of return on the script, financing the production, evaluating the Affairs Executive, United Talent Agency. Before UTA, Mr. investment in the global marketplace; components of marketplace, analyzing and breaking down the screen- Producing Documentaries Wienir practiced law at 2 of the top talent boutiques the entertainment conglomerates; the players and their play, learning to apply creativity to a budgetary plan to X 478.733 Film & Television 4 units where he represented Steven Spielberg and Madonna. roles; structure of a major studio and a mini-major; maximize on-screen value, casting, selecting key pro- Learn about the opportunities available to the independent He has been awarded the Outstanding Volunteer Award assessing a production’s revenue potential; buying and duction personnel, production design, music, editing, documentary producer in this overview of the entire docu- from Volunteer Lawyers for the Arts, named a “Rising selling rights to literary materials and life stories; over- sound design, marketing, and distribution. The class mentary production process from idea through distribution. Star” in 2009 and 2010 by Super Lawyers Magazine, view of film production; finding the appropriate market collectively completes a producer’s breakdown and Emphasis is placed on today’s market for both television and named to Variety’s 2014 Legal Impact Report. He niche for a film project and tailoring the production to production budget for a feature-length screenplay. and theatrical one-to-two-hour programs through screen- is the author of several acclaimed books, including that market; pitching the project and attaching creative Internet access required to retrieve course materials. ing and discussing examples of documentary genres. Making It on Broadway. elements; negotiating deals; different types of produc- ers and housekeeping arrangements; various forms of Reg# 257200CA Lectures emphasize story, structure, and style and address film financing and the essentials of each; the uses of Through May 22: $589 / After: $645 related budget, financial, and technical aspects of television Legal Primer for the UCLA: 1234 School of Public Affairs Bldg. documentaries. Each participant conceives and drafts a Entertainment Business cash flow, budgets, and recoupment in structuring Mon 7-10pm, Jun 22-Aug 31 written synopsis for a 1-hour television documentary with X 403.01 Management 4 units finance; maximizing ancillary markets and revenue; ✷✷Sat 2-5pm, Jul 18, 12 mtgs the option to independently produce a presentation video. 34 hours of MCLE credit available, including 1 hour of developing a marketing plan; distributing the picture in Enrollment deadline: Jul 2 Specialists with expertise in archival footage, interview Legal Ethics. various media; and defining and accounting for profits. Enrollment limited. Course reader required; participants Harris Goldberg, writer, producer and director whose techniques, location shooting, editing, and other areas are This unique course explores key legal principles and credits include Deuce Bigalow: Male Gigolo, Without a invited as guest lecturers, subject to availability. Internet contractual relationships within the film and television should read chapter 1 of the course reader before the Paddle, The Maid of Honor, and a long list of features for access required to retrieve course materials. industry through a dynamic assortment of lectures and first class. & every major studio. Mr. Goldberg also wrote and directed Reg# 257201CA hands-on workshops. Students develop a core under- kkk the award winning feature Numb starring Matthew Perry, Through May 23: $589 / After: $645 standing of subjects including idea protection, copyright, Mary Steenburgen and Kevin Pollak. He was part- UCLA: 2209A Bunche Hall defamation, privacy and the right of publicity. In addition, ners with his brother Dan Goldberg, writer/producer of Tue 7-10pm, Jun 23-Sep 8, 12 mtgs students are exposed to key issues in manager agree- the movies Stripes, Meatballs, Old School, Road Trip and Enrollment deadline: Jul 6 ments and in standard film and television agreements, producer of The Hangover, Hangover 2 and 3 — where Instructor to be announced including literary option/purchase agreements, life rights the two had an overall deal at Universal. agreements, collaboration agreements, and talent Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 91

Reg# 256066CA Through May 23: $589 / After: $645 UCLA: 2250 School of Public Affairs Bldg. Art & Business Tue 7-10pm, Jun 23-Sep 1 Your Career in Music ✷✷Sat 10am-1pm, Aug 1, 12 mtgs of Music Judith Merians, entertainment attorney and author For more information call (310) 825-9064, email whose former positions include associate general [email protected], or visit Begins Here! counsel, Warner Bros.; senior vice president of business entertainment.uclaextension.edu and legal affairs, Saban Entertainment; director of busi- The Music Business & ness affairs, Paramount Pictures Merchandising and Space is limited; early enrollment is highly Publishing Division; vice president, Business Affairs, recommended. Visitors are not permitted at Independent Music Production Certificates ABC Motion Pictures; COO, The Hollywood Experts some courses. For online course technical Online; and literary agent, Media Artists Group. requirements see page 4. BMI Proudly Supports UCLA Extension Certificates Production Accounting for Film and Television The Music Business Today, the music business and X 404.2 Management 4 units independent music production Up to 40 hours of CPE credit available. A&R: Making Music from Acquisition are complex, challenging, and Responsible for maintaining financial controls and to Release changing constantly. financial reporting of all production funds, the produc- X 446.2 Music 4 units tion accountant must provide timely and accurate A definitive analysis of the functions of the A&R profes- reporting of the financial information that will enable sional, this course stresses the collective effort needed Yet opportunities exist. Start your the producers to maximize production values. This from all departments—artist and label—in the creation of career or move it to the next level comprehensive course covers duties, including set up recorded music in all formats—from creation to acquisi- and oversight of all accounting functions, such as through our 2 certificates in these tion and release. Topics include new artist acquisition; exciting fields. Both are compre- budgeting, cost reporting, accounts payable, accounts record deals; the role of the producer; working with receivable, petty cash, purchase orders, BTL payroll, personal managers and booking agents; the role of social hensive, nationally recognized ATL payroll, per diem, and banking and knowledge of media from the artist and executive perspectives; A&R ­programs, taught by industry signatory guilds and unions. Other topics include related and sync strategies; independent touring, the current bmi.com professionals. software; insurance; labor laws; and production tax local music scene; specific A&R approaches for urban credits, rebates, and refunds. Guest speakers included. music, EDM, singer/songwriter, alternative, and indie Advisors are available to provide Prerequisite: Familiarity with basic production terminol- music; how to attract interest from major and indepen- ogy; some accounting knowledge helpful. Internet guidance to students wishing to dent labels without compromising artistic integrity; paths meet particular career goals. access required to retrieve course materials. to A&R career positions; and analysis of how recently Reg# 257202CA signed artists got their first contracts. Guest speakers Through May 22: $589 / After: $645 include recording artists, producers, managers, record UCLA: 2258A Franz Hall company executives, and A&R personnel. Internet access Mon 6:30-9:30pm, Jun 22-Aug 31 required to retrieve course materials. ✷✷ Sat 2-5pm, Aug 15, 12 mtgs Reg# 256069CA Enrollment deadline: Jul 2 Through May 22: $589 / After: $645 For More Information Aved Savoulian, Audit Manager and Production UCLA: 2209A Bunche Hall Accountant, NBC Universal Feature Pictures, who has Mon 7-10pm, Jun 22-Sep 14, 12 mtgs (310) 825-9064 | entertainment.uclaextension.edu has held previous positions at CBS Television and Fox (no mtg 9/7) Sports Networks. Enrollment deadline: Jul 6 Greg Hemstreet, Senior Director, Production Finance, Barry Squire, former A&R executive at Columbia, Gef- Universal Pictures. Reg# 256071CA Reg# 256070CA fen, and Warner Bros. Records. Currently, Mr. Squire Through May 25: $589 / After: $645 Through May 24: $589 / After: $645 works as an independent A&R consultant, television UCLA: 2258A Franz Hall UCLA: 1246 School of Public Affairs Bldg. Copyright Law in the Entertainment talent scout, and assists recording artists seeking musi- m Thu 7-10pm, Jun 25-Sep 10, 12 mtgs Wed 7-10pm, Jun 24-Sep 9, 12 mtgs Industry cians. His client list of over 400 artists includes Nico Enrollment deadline: Jul 9 Enrollment deadline: Jul 8 X 448.84 Management 4 units and Vinz, Katy Perry, the CeeLo Green Experience, Lady Kia Kamran, attorney who represents a variety of Howard Wolf, concert producer and talent buyer with 34 hours of MCLE credit available. Gaga, Slash, Emblem 3, Selena Gomez, 30 Seconds to music and entertainment related clients as well as over 4 decades of experience, beginning with such What is intellectual property and how does it apply to Mars, Ariana Grande, Avril Lavigne, Spearhead, Randy serves as an executive board member of the Beverly artists as The Grateful Dead, Jefferson Airplane, The the entertainment industry? As the ownership of intel- Jackson, Rihanna, September Mourning, Artist Publish- Hills Bar Association’s Entertainment Law Section. Doors, Cream, Jimi Hendrix, and continuing through to lectual property continues to be the life blood of the ing Group, Zedd, Nine Inch Nails, Mariah Carey, MTV Formerly, Mr. Kamran was an agent at Variety Interna- the present time. Mr. Wolf’s concert audiences have industry and the source of income for many, this course and over 15 American Idol artists. tional where he worked on the booking and directing of varied in size from 1,000 to 70,000. During the nostal- answers these questions and provides a general over- the careers of the company’s diverse roster of nationally gia era, with artists like The Platters, Drifters, Diamonds, view of intellectual property rights with a focus on Legal and Practical Aspects of the and internationally renowned touring acts. Shirelles, and Little Anthony, he produced approximately copyright law and its role in the film, music, and digital Music Business 30-40 shows a year. online industries, including related areas, such as X 448.35 Music 4 units Touring, Tour Accounting, and celebrity endorsements and branding. Specific topics 34 hours of MCLE credit available, including 1 hour of covered include authorship and copyright ownership, Merchandising Legal Ethics. X 448.86 Music 4 units fair use, how copyrights are licensed and controlled in Whether you are an artist, manager, lawyer, accountant, the entertainment industry, copyright “mechanics” (such Discover the fundamental aspects of the concert touring music industry executive, producer, songwriter, or music industry. This course guides students through the entire as registration and notice), copyright legislation and publisher, this course is essential to understanding the Congress, duration of copyright, its role in the entertain- touring process from planning to settling live perfor- various ways in which rights are exploited and monetized mances. Participants gain an understanding of such ment industry and how it interacts with other business and how revenue is generated in the music business. In and legal principles, key court cases, and international different tour revenue streams as ticket sales, sponsor- addition, the critical topics of building your artist’s brand ship income, and merchandising. Students also learn copyright protection. For technical requirements see as a business, along with the necessity of ancillary rev- page 4. Enrollment limited; early enrollment advised. how to maximize tour profits through effective market- enue streams outside of music are covered. Also exam- ing, promotion, budgeting and monitoring. Instruction Reg# 256067CA ined are arrangements between record companies and includes lectures, industry guest speakers, and discus- Through May 23: $635 / After: $695 artists; production deals, producer agreements and other sion. Required text: This Business of Concert Promotion Jun 23-Sep 8 legal and business issues that arise in the recording and Touring: A Practical Guide to Creating, Selling, David Moser, entertainment attorney; former professor studio; trademark and rights of publicity; agreements Organizing, and Staging Concerts by Ray D. Waddell, at Belmont University where he taught courses in relating to the artist’s executive team; topics and agree- Rich Barnet, and Jake Berry. Internet access required Course Icons copyright law, music publishing, and legal issues in the ments relating to music publishing rights; monetizing to retrieve course materials. & music industry. Mr. Moser currently teaches at Xiamen subscription services and other digital streaming media; Provide University of Technology in China and is co-author of and fans, brands, social networking sites, and cultural kkk Music Copyright Law. He has also published numerous communities as they affect music, copyrights, and mer- Information articles on copyright and entertainment law, taught at chandising in a global music market. Discussions on a university in Hong Kong, and received a Fulbright current events relating to the ever-changing tides of the At-a-Glance Scholar Award to conduct research on copyright music industry, including the ongoing legislative develop- enforcement in the Philippines. ments in Washington, D.C. affecting copyright reform, and m Online course. their impact on the future of the business are encouraged. Required text: All You Need to Know about the Music & Textbook required Industry (8th ed.) by Donald S. Passman. Internet access required to retrieve course materials. & M Meets during daytime hours. kkk 92 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Music Licensing: The Record Production Process: Introduction to Logic Pro Turning Talent into Dollars Professional Practices X 480 Music 4 units Film Scoring X 449.2 Music 4 units X 448.6 Music 4 units Logic Pro is a professional music production program 34 hours of MCLE credit available. This course provides an overview of the role of the that combines composition, notation, and audio produc- The Film Scoring Certificate is endorsed by Turning your talent into dollars and cents requires an record producer and his responsibility through all the tion facilities. Of interest to songwriters, composers, The Society of Composers & Lyricists (SCL), understanding of how the licensing process works. This stages of making a record: pre-production, recording, audio producers and audio engineers, this hands-on the nonprofit and primary organization for introductory course for entertainers, songwriters, pro- overdubs, editing, mixing and mastering. Topics include, course introduces you to the primary features and basic professional film/TV/multimedia music com- ducers, managers, music supervisors, and music learning to use appropriate terminology to communicate user interface of Logic Pro X. Using your own Mac, you posers, songwriters, and lyricists. SCL is industry executives, examines the business issues effectively with the various members of the production walk through the process of creating an actual song, committed to advancing the interests of the associated with licensing rights in the music industry. team, sharpening your listening skills so you can incor- from recording, producing a Virtual Drum track, editing film and television music community. Through lectures, case studies, and discussions with porate specific elements into your own production, audio with Flex Time & Pitch, and recording/editing/ notable industry guests, instruction focuses on the producing for a specific artist’s genre of music and how arranging of MIDI sequences and Apple Loops to digital Harmony I: Crash Course in business and legal aspects of licensing. Topics include to get the best performance from the artist, how pro- effects processing using virtual amps and pedals, Logic Composing for Tonal Music detailed examination of the various types of licenses ducing a band is different from a solo artist, and how remote on ipad, automation, and mixing. This course X 403.52 Music 4 units that apply to the music industry, rights and clearance to budget for record production. You also learn arrange- prepares you for the Apple Certfication exam. Students The study of harmony has been the foundation of issues, applicable terms from publishing and record ment techniques as well as key vocal production must bring their own Mac computer with a minimum of composers for centuries. This intensive crash course deals, typical representation arrangements, and nego- techniques for main and background vocals. Learn the 15 GB of free space, a power adapter, and Logic Pro X not only serves as a complete review of diatonic har- tiation and networking strategies. By the end of the difference between producing a mix and engineering a (installed and fully updated); external hard drive/audio mony, but also teaches you how to apply theoretical course, students understand how to make the most of mix, as well as the different style of mixes that are interface/mic/midi keyboard are optional. Prerequisite: concepts to your own compositions. Instruction consists the myriad licensing opportunities available in the music needed before going into the mastering phase of a Basic computer skills, and basic audio technology of 3 stages: establishing a strong foundation in diatonic business and how to avoid problems associated with project. At the end of the course, you will have gained concepts. Enrollment limited. Visitors not permitted. harmony, studying music scores of the great masters those opportunities. Internet access required to retrieve musical, emotional, performance, and arrangement Required text: Apple Pro Training Series: Logic Pro X by who demonstrate these techniques, and creating your course materials. techniques designed to make your music more compel- David Nahmani (Peachpit Press). Internet access own music compositions emulating what you have Reg# 256072CA ling. Enrollment limited. Internet access required to required to retrieve course materials. & learned. Concepts covered include proper usage of Through May 23: $589 / After: $645 retrieve course materials. Reg# 257362CA scales; functional chord progressions and how they UCLA: 1222 School of Public Affairs Bldg. Reg# 256073CA Through Jun 6: $635 / After: $695 work; roman numeral analysis; how to create both Tue 7-10pm, Jun 23-Sep 8, 12 mtgs Through May 25: $635 / After: $695 Westwood: B15 1010 Westwood Center regional and true modulation; creating chord inversions; Enrollment deadline: Jul 7 Westwood: 217 Extension Lindbrook Center Mon 6-9:30pm, Jul 6-Sep 14, 10 mtgs cadence types; and proper notational practices dealing Gary Greenberg, attorney with over 25 years of experi- Thu 7-10pm, Jun 25-Sep 10, 12 mtgs (no mtg 9/7) with rhythm, meter, and score set up. Scores studied ence in the music industry, representing such clients Adam Moseley, record producer, engineer and mixer Maurizio “Otto” De Togni, for credits see page 92. include works by J.S. Bach, Mozart, Haydn, Beethoven, as Jimmy Cliff, Sergio Mendes, Fantasia, Dave Koz, and who started his career at the legendary Trident studios Mendelssohn and more. As you work on your own the producers of Kendrick Lamar. He co-wrote the in London, where he worked with Phil Ramone, Tom Elements of Hit Songwriting compositions utilizing many of the concepts learned, popular music industry book, Everything You’d Better Dowd, Mutt Lange, Steve Lillywhite, Tina Turner, The X 401.5 Music 4 units you receive guidance from the instructor and gain the Know About the Record Industry and wrote the Ameri- Cure, Wet Wet Wet, Roxette, Kiss, and Rush. Mr. Mose- Designed for both musicians and lyricists, this hands- opportunity to build your portfolio. Prerequisite: The can Bar Association handbook How to Build and Man- ley recorded the likes of Beck, Nikka Costa/Lenny on introduction to the craft of songwriting focuses on ability to read music, knowledge of music notation, and age an Entertainment Law Practice. Kravitz, Spike Jonze and many more. Recently, he has collaboration and teaches a step-by-step method for an understanding of the fundamentals of music theory. recorded and mixed new albums with John Cale, the writing a professional quality song. Instruction empha- Enrollment limited. Required course reader available at score for The Big Wedding featuring Robert De Niro, sizes the elements that make up a successful song Lu Valle Commons bookstore. Internet access required Music Production and other TV and film music. and the completion of a demo in preparation for a to retrieve course materials. & marketable product. Participants gain an understand- Reg# 256077CA Entrepreneurship for the Indie Artist Introduction to Pro Tools ing of all aspects of hit songwriting from structure to Through May 27: $635 / After: $695 X 451 Music 4 units X 479.12 Music 4 units groove, covering the different approaches for writing Westwood: 217 Extension Lindbrook Center Record-low album sales, industry lay-offs and ever- Using your own laptop, learn the foundational skills and rock, pop, alternative, blues, R&B, hip-hop, and coun- ✷✷Sat 9:30am-12:30pm, Jun 27-Sep 19 evolving changes in technology can be disheartening for working knowledge needed to perform basic Pro Tools try. They practice creating and developing a hook, ✷✷Fri 1-4pm, Jul 10, 12 mtgs the aspiring artist looking to break into the business, but 11 operations and begin your own projects or interface learning where to place it, how to set it up, and how (no mtg 7/4 & 9/5; 1 mtg to be arranged) nothing could be further from the truth! There’s never with others using Pro Tools. Topics include system to exploit it within different types of song structure. No refund after Jul 10. been a better time to be a do-it-yourself artist and this capabilities, navigation and display basics, understand- Discussion includes a wide variety of guests from the Steve Rothstein, PhD, composer of numerous orches- course gives you the tools you need to know what you ing the edit and mix windows, making your first audio industry, such as A&R/record companies, music super- tral, choral, and chamber works. Mr. Rothstein received can do yourself (and how) and when you should bring recording, making selections and playing audio, creat- visors, record producers, and film and television the UCLA Extension Distinguished Instructor Award in the professionals. Many musicians record and market ing regions and using memory locations, using the executives. Enrollment limited. Internet access required in 2013. their own music, but only a handful actually monetize editing modes and tools, importing media and audio to retrieve course materials. those efforts. Learn the importance of establishing a files, using fades, managing audio regions, basic mixing Reg# 256075CA The Art of Counterpoint brand and how to harness the power of the Internet to concepts, introduction to Real Time plug-ins, and an Through May 24: $589 / After: $645 X 403.51 Music 4 units generate awareness of and excitement around your introduction to MIDI within Pro Tools. Ideal for those who Hollywood: Local 47 Musicians Union, The study of counterpoint has been the foundation of music. Topics include creating a business plan for have recently purchased Pro Tools and have been work- 817 Vine St training for performing musicians and composers for yourself and your brand, forming a marketing campaign, ing with the system for less than 1 year. This course Wed 7-10pm, Jun 24-Sep 9, 12 mtgs centuries. This course is designed for all those who deciding on distribution options, optimizing sales through prepares you for the AVID certified Pro Tools 101 exam. Arlene Matza-Jackson, songwriter, producer, indepen- wish to develop a foundation in the craft of composition targeted use of social media and tracking tools, building Note: Students must bring their own Mac or PC laptop dent A&R, publisher, and music supervisor who has regardless of stylistic concerns. By studying the prin- a fan base through gigging and merchandise, publishing with a minimum of 15 GB of free space, a power co-written songs with Kenny Loggins, David Foster, Guy ciples of voice leading, the treatment of dissonances, and licensing, and the latest developments in promotion adapter, and Pro Tools 11 (installed and fully updated); Thomas, Bennett Salvay, Snuffy Walden, Paul Buckmas- intervallic and harmonic organization, and melodic — all on a shoestring budget. Instruction features guest external hard drive/audio interface/mic/midi keyboard ter, and Maurice White (EWF). Ms. Matza-Jackson is a structures—all in a polyphonic texture—the aspiring speakers working in various facets of the industry to are optional. Prerequisite: Basic computer skills and recipient of the UCLA Extension Distinguished Instructor composer and performer not only gains an important bring a real-world perspective to the topics. Internet basic audio technology concepts. Enrollment limited. Award, 2006. Her other credits include songs for Earth, skill but also develops musicianship, as the exercises access required to retrieve course materials. Visitors not permitted. Required text: Pro Tools 101 Wind & Fire and Lulu, and many song placements in in writing counterpoint provide an excellent vehicle for Reg# 256074CA Official Courseware by Avid and Frank D. Cook. Must TV & Film. furthering the development of aural perception. Prereq- Through May 23: $589 / After: $645 be purchased by first class. Internet access required to uisite: Ability to read music. Enrollment limited; early UCLA: 1234 School of Public Affairs Bldg. retrieve course materials. & enrollment advised. Required course reader available Tue 7-10pm, Jun 23-Sep 8, 12 mtgs Reg# 257361CA at Lu Valle Commons bookstore. Internet access Enrollment deadline: Jul 7 Through Jun 6: $635 / After: $695 required to retrieve course materials. & Chris Nilsson, President of 10th St. Entertainment, one Westwood: B15 1010 Westwood Center Reg# 256081CA of the world’s leading independent artist management ✷✷Mon 1:30-5pm, Jul 6-Sep 14, 10 mtgs Through May 27: $635 / After: $695 firms. He is also the manager of iconic rock band (no mtg 9/7) Westwood: 217 Extension Lindbrook Center Mötley Crüe. Mr. Nilsson is currently working on turning Maurizio “Otto” De Togni, Apple Certified Master ✷✷Sat 1:30-4:30pm, Jun 27-Sep 19 Mötley Crüe’s notorious autobiography, The Dirt, into a Trainer for Logic Studio, Digidesign Certified Pro Tools ✷✷Fri 1-4pm, Jul 17, 12 mtgs feature film. He also oversees all global marketing for instructor, composer for commercials and TV, music and (no mtg 7/4 & 9/5; 1 mtg to be arranged) clients’ concert tours, albums, sync licensing and sound editor, Pro Tools and Logic engineer, and audio Steve Rothstein, for credits see page 92. publishing, merchandise, appearances, endorsement specialist. Mr. De Togni also writes an editorial column and books for clients including Blondie, Five Finger on music data processing and audio-pro solutions for Death Punch and Nico Vega. Macworld magazine and Macworld Online. He received the UCLA Extension Department of the Arts Outstanding Instructor of the Year Award in 2012. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 93 Film Scoring II: Bringing the Power of Music to Film: Current Compositional Techniques A Film Scoring Seminar with X 483.3 Music 4 units Charles Bernstein Film Scoring Certificate Participants gain an understanding of, and learn to X 482.3 Music 4 units emulate, current compositional techniques and their This seminar is for film composers, filmmakers, and Endorsed by the Society of Composers & Lyricists enhanced possibilities of expression. Very often com- others interested in the subtle art of film scoring. It posers are asked to compose music “sounding like” examines the crucial contribution music makes to nar- that of the major composers today. Study recent film rative and emotional expression in film. Lectures and scores and their harmonic, melodic, and textural lan- discussions, enhanced with film clips and recordings, guage of such composers as John Williams, Jerry cover such topics as great film themes and how melo- Goldsmith, Alan Silvestri, and Danny Elfman. Students dies work in films; musical style, fashion, and concept: have the opportunity to apply these techniques by what’s in and what’s out; love and sex in film music: composing short pieces for small ensembles to be what’s hot and what’s not; horror, suspense, and how to performed in class during 3 recording sessions. Pre- scare people with music; comedy, emotion, and what requisite: Prerequisite: Knowledge of music notation makes us laugh and cry; songs and singing in movies: and acoustic orchestration, and X 483.1 Film Scoring what the singer/songwriter can do; and a guest compos- I: Form and Function, or consent of instructor. Knowl- ers’ roundtable. A field trip to a professional recording edge of samples and sequencers strongly suggested. environment will be scheduled, date to be announced. Enrollment limited; early enrollment advised. Visitors Enrollment limited; early enrollment advised. Internet not permitted. Required course reader available at Lu access required to retrieve course materials. Valle Commons bookstore. & Reg# 256082CA Reg# 256078CA Through May 24: $589 / After: $645 Through May 22: $1,725 / After: $1,895 Westwood: 217 Extension Lindbrook Center Hollywood: Local 47 Musicians Union, Wed 6:30-10pm, Jun 24-Aug 26, 10 mtgs 817 Vine St Charles Bernstein, Emmy Award-winning composer Mon 7-10pm, Jun 22-Sep 14, 12 mtgs whose music is featured in Quentin Tarantino’s Inglouri- Take advantage of UCLA Extension’s Film Scoring Certificate where you (no mtg 9/7; 3 mtgs at Sonic Fuel Studio TBD) ous Basterds and Kill Bill, and who has scored A can compose and conduct your own scores under the direction of talented No refund after Jun 26. Nightmare on Elm Street, After Innocence, Cujo, The industry professionals. Scott Glasgow, composer who has recently scored the Entity, and Love at First Bite. Mr. Bernstein’s television feature films Poker Night, The Wedding Pact and credits include Darwin’s Darkest Hour, Miss Ever’s Boys, The 50-unit program also helps you produce pieces that can be used for Hatchet 3. Some of Mr. Glasgow’s other credits include Enslavement, The Sea Wolf, The Long Hot Summer, and your professional reels. Riddle, The Gene Generation, Taking Chances, and Drug Wars, among many others. Robotech: The Shadow Chronicles. He has scored over Flexible evening and weekend scheduling allows for completion of the program 20 feature films for studios like Lionsgate, Sony Pic- Workshop in Music Notation in as little as 1 year. tures, and The Weinstein Company, many of which X 482.83 Music 4 units record live orchestral scores. He was mentioned as the Using Sibelius music notation software on your own Advisors are available to provide guidance to students wishing to meet “Best Breakout Composer of 2013” in the Examiner. laptop, this hands-on workshop helps you master the career goals. com and was nominated by the IFMCA for “Best Origi- skills related to the written language of music. In a nal Score for a Comedy Film” for the score to Lo. professional or semi-professional environment, nothing affects the way music is first performed more than the For More Information Survival Guide for Film and Television way it appears on the written page. Strong music copy- (310) 825-9064 | entertainment.uclaextension.edu Composers ing skills save hours of studio and rehearsal time as X 484.7 Music 2 units well as immediately give you credibility with the musi- To thrive in today’s highly competitive music market- cians who interpret your musical creations. Topics Introduction to Orchestration MIDI I: Synthestration place, you must master the necessary tools of business include creating scores and vocal lead sheets, stan- X 483.43 Music 4 units X 449.91 Music 4 units and the professional practices dictated by the global dards of notation, instrument transpositions, C-clefs and Participants are introduced to the instruments of the Learn to bring your electronic realizations of your entertainment industry. From demo preparation to percussion staves, and phrasing and articulation spe- orchestra. Through in-class demonstration, lecture, and demos and scores to more vivid life. Through take- budgeting to alternative methods of compensation, the cific to particular instruments including vocals, percus- discussion, students learn why instruments sound as home assignments, learn to produce sample-based topics presented in this definitive seminar address sion, strings and harp. Note: Students must bring their they do, how their sound is produced, and some techni- “cues” that sound more musical and realistic. Student these issues through lectures, demonstrations, and own Mac or PC laptop with a minimum of 5 GB of free cal limitations that should be taken into account when work is presented and critiqued each week in class. discussions. Topics include how composers secure space, a power adapter, with Sibelius 7 installed. It is writing for them. The unique evocative capabilities of Assignments involve programming selections from the employment: the most likely career paths, how to break also suggested that students bring headphones as well each instrument in regard to scoring films are also classical literature, beginning with small chamber into the business, and preparing demo reels; selecting as either a separate 18 Key Numeric Keypad or a sepa- examined. Students apply techniques by composing two pieces and progressing to large symphonic works. The the right agents, managers, and attorneys; negotiating rate full size computer keyboard to access important short pieces to be recorded in class: one incorporating class culminates in a final assignment of an original the composer agreement/deal memo; work-for-hire shortcuts. It is required that students use Sibelius 7 instruments from the woodwind, brass and percussion orchestral cue set to picture. In addition to the aesthet- issues: copyright and publishing; the budgeting pro- (educational pricing available). Prerequisite: Basic families; and one incorporating instruments from the ics of synthestration, this course also covers project cess; scoring options; the latest union provisions; and computer proficiency and ability to read music. Enroll- string family, including harp. Prerequisite: The ability to studio requirements and considerations, such as alternative compensation methods. You have the ment limited; early enrollment advised. Internet access read music, knowledge of music notation, and an computer choices, sequencing software, sample librar- opportunity to create or revise your presentation reels required to retrieve course materials. understanding of the fundamentals of music theory. A ies, “electronic” orchestration techniques, and mixing and receive critiques from the instructor and other class Reg# 256083CA working knowledge of a music notation software techniques, all with the primary objective of producing members. Internet access required to retrieve course Through May 23: $635 / After: $695 strongly suggested. Enrollment limited; early enrollment “musical” facsimiles of acoustic instrument perfor- materials. Westwood: B15 1010 Westwood Center advised. Required text: The Study of Orchestration by mances. Prerequisite: X 483.43 Introduction to Orches- Reg# 256080CA Tue 7-10pm, Jun 23-Sep 8, 12 mtgs Samuel Adler. Visitors not permitted. Internet access tration and/or prior experience in instrumentation and Through Jun 12: $455 / After: $495 Instructor to be announced required to retrieve course materials. & orchestral composing. Access to and proficiency in Westwood: B15 1010 Westwood Center ✷✷Sun 1-4pm, Jul 12-Aug 16, 6 mtgs Reg# 256076CA using a home studio with sequencing software and Enrollment deadline: Jul 19 Through May 28: $1,725 / After: $1,895 samples is required for completion of assignments. The Hollywood: Local 47 Musicians Union, course does not include instruction in any specific Brian Ralston, award-winning composer and conduc- 817 Vine St software. Participants must already have adequate tor whose credits include the independent feature ✷✷Sun 1:30-5pm, Jun 28-Sep 13, 10 mtgs knowledge and resources to MIDI program short 9/ Tenths, directed by Bob Degus and starring Gabrielle (no mtg 7/26 & 8/9) orchestral works and deliver these electronically. Enroll- Anwar; the Magnolia Pictures teen heist movie Gradu- No refund after Jul 2. ment limited; early enrollment advised. Internet access ation, starring Adam Arkin and Chris Marquette; the feature Don’t Fade Away, starring Beau Bridges, and, Cameron Patrick, composer, orchestrator, and arranger required to retrieve course materials. most recently, the inspirational lacrosse sports film Course Icons who has worked on over 100 film, television and theme Reg# 256079CA Crooked Arrows starring Brandon Routh. park projects. Orchestration credits include Star Trek Through Jun 2: $635 / After: $695 Into Darkness, John Carter, Cars 2, and Super 8. Mr. Westwood: B15 1010 Westwood Center Provide Patrick’s concert works include Lines of the Southern Thu 7-10pm, Jul 2-Sep 17, 12 mtgs Cross, commissioned by the Los Angeles Chamber Fletcher Beasley, composer for film, television, com- Information Orchestra; Impressions of Erin, a commission from the mercials, video games, and interactive exhibits whose Camerata of St. John’s Chamber Orchestra; and Mus- credits include the HBO feature film Roads to Riches. At-a-Glance ings for solo viola. He is also a published arranger, with Mr. Beasley has worked with some of the top compos- an anthology of String Quartet and String Orchestra ers in the film and television world, contributing writing, m Online course. arrangements released by Alfred Publishing. orchestration, and programming. & Textbook required M Meets during daytime hours.