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88 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 (CBS), The District (CBS), Diagnosis Murder (CBS), Another World (NBC), and recurred on Without A Trace Sneak Preview (CBS) for the first 4 seasons. Visit entertainment.uclaextension.edu/sneak-preview ENTERTAINMENT for weekly movie information. Acting for the Camera I X 410.3 Theater 4 units Sneak Preview: Contemporary Films Participants learn to get comfortable in front of the and Filmmakers lens. Exercises begin with on-camera interviews so STUDIES 804.2 Film & Television 2 CEU that students can view their screen images in play- Join us for an exclusive preview of new movies before back. Instruction focuses on understanding technical their public release. Enjoy provocative commentary and and emotional adjustments required for working in 88 Sneak Preview in-depth discussions with invited guests after each front of the camera, in a relaxed and truthful way, and developing intimacy with the camera. Topics include 88 Acting screening. Recent films and speakers have included: Whiplash with director Damien Chazelle and actor Miles the difference between frame sizes and learning to hit 90 Cinematography Teller; Birdman with Fox Searchlight Pictures’ Claudia marks. Participants hone their acting techniques through scene-study guidelines and sensory and 91 Development Lewis; The Theory of Everything with actors Eddie Redmayne and Felicity Jones; The Imitation Game with moment-to-moment exercises, as well as monologue 91 Directing producers Ido Ostrowsky, Nina Grossman and Teddy work. Some exercises are performed on camera with emphasis on close-ups, simple scenes, and basic 93 Post-Production Schwarzman; Black and White with director Mike Binder and actor/producer Kevin Costner; Red Army with direc- camera moves. The instructor critiques individual 93 Producing tor Gabe Polsky; Selma with producers Dede Gardner students’ work during playback. Enrollment limited. Students are recorded on camera during several ses- 94 The Business & Management of Entertainment and Jeremy Kleiner; and Last Days in Vietnam with director Rory Kennedy. Enroll using Reg# 255240 and sions; those wishing to keep a copy of their work must 95 The Music Business receive not only your Sneak Preview course, but also bring a flash drive to each session. Internet access required to retrieve course materials. 96 Music Production Osher membership, which allows you to register for Osher courses for a fee. Enrollment limited. The Uni- Reg# 255083CA 97 Film Scoring versity is not responsible for lost or stolen quarterly film Through Feb 28: $635 / After: $695 passes; there is a $50 charge per replacement pass. Westwood: B17 1010 Westwood Center Due to film piracy concerns, no cameras or recording Tue 7-10pm, Mar 31-Jun 16, 12 mtgs devices are allowed inside the theater. Participants are No refund after Apr 3. subject to a security check, promotional photography Beverly Sanders, actor whose 35-year career spans and audio and video recording. Visitors not permitted. television, film, stage, and over 300 national commer- Reg# 255236CA cials. Ms. Sanders’s feature films include Beaches, And Through Mar 15: $215 / After: $235 Justice for All, Magic, and The Flintstones in Viva Rock Reg# 255240CA (Includes Osher membership) Vegas. Her many television credits include Baywatch, Through Mar 15: $245 / After: $265 The Mary Tyler Moore Show, Home Improvement, Beverly Hills: Auditorium Writers Guild Theater, Rhoda, Lotsa Luck, Charmed, Veronica Mars, Provi- 135 S. Doheny Dr. dence, and HBO’s Entourage. Ms. Sanders received the Wed 7-10pm, Apr 15-Jun 17, 10 mtgs UCLA Extension Department of the Arts Instructor of the No refund after Apr 8. Year Award in 2011. Kirk Honeycutt, journalist and former chief film critic at The Hollywood Reporter, who has written Acting for the Camera II for such diverse publications as Cosmopolitan, The X 410.5 Theater 4 units Christian Science Monitor, Newsday, and Movieline. Mr. Building on the skills learned in Acting for the Camera Honeycutt has appeared on television and radio shows, I, you prepare for work professionally by practicing in including Access Hollywood, NBC News, Inside Edition, all styles you may audition—for features, sitcoms, TV and Entertainment Tonight. drama, and commercials. Focusing on the flexibility of the actor in front of the camera, you develop camera Sneak Preview techniques in scene study using scripts from TV series, sitcoms, and films. You also learn blocking and continu- See the most highly anticipated new films prior to public release, ity with emphasis on master, 2-shots, and close-ups. specially selected for our Sneak Preview audience. Art & Craft of You perform individual and ensemble scenes increasing in complexity in terms of emotion and subtext, and the Screenings are moderated by film critic Kirk Honeycutt and you Entertainment final project is a 3-person scene. The material from the are invited to engage in lively Q&A with actors, directors, writers, For more information call (310) 825-9064, email final project is edited and becomes the basis for devel- and producers. [email protected], or visit oping your show reel. Prerequisite: X 410.3 Acting for entertainment.uclaextension.edu. the Camera I or previous acting on camera experience. Sneak Preview starts Apr 15 and presents 10 new films. Enrollment limited. Students are recorded on camera Space is limited; early enrollment is highly during several sessions; those wishing to keep a copy Past films and guests have included: recommended. Visitors are not permitted at of their work must bring a flash drive to each session. some courses. For online course technical Internet access required to retrieve course materials. Whiplash with director Damien Chazelle and actor Miles Teller requirements see page 4. Reg# 255086CA Through Mar 1: $635 / After: $695 Black and White with director Mike Binder and actor/producer Kevin Costner Westwood: B17 1010 Westwood Center The Theory of Everything with Golden Globe-nominated actors Eddie Acting Wed 7-10pm, Apr 1-Jun 17, 12 mtgs No refund after Apr 6. Redmayne and Felicity Jones Acting Techniques: The Fundamentals Scott Paulin, actor and director whose extensive film Selma with producers Dede Gardner and Jeremy Kleiner X 407.5 Theater 4 units and television acting credits include The Right Stuff, Cat In this introduction to acting, participants learn funda- People, NCIS, CSI: Crime Scene Investigation, Boston For weekly updates visit entertainment.uclaextension.edu/sneak-preview. mental performance techniques and exercises, includ- Legal, Lost, JAG, and 24. His television directing credits ing relaxation, concentration, sense memory, emotional include multiple episodes of Early Edition; Melrose recall, improvisation, character tasks, and text analysis, Place; Beverly Hills, 90210; and Northern Exposure; and then apply these techniques by rehearsing and among many others. Mr. Paulin received the UCLA performing monologues and 2-character scenes. In- Extension Department of the Arts Outstanding Instructor class partner work and weekly assignments are of the Year Award in 2013. required. Enrollment limited. Internet access required Wendy Phillips, actor who has worked extensively in to retrieve course materials. television dramas, sitcoms, feature films, and indepen- Reg# 255079CA dent cinema. Ms. Phillips played the female lead in Through Mar 1: $635 / After: $695 seven network television series; guest-starred or had Westwood: 202A Extension Lindbrook Center recurring roles on such shows as Joan of Arcadia, Wed 7-10pm, Apr 1-Jun 17, 12 mtgs Studio 60 on the Sunset Strip, Big Love, and ER; and No refund after Apr 6. played principal roles in such feature films as Bugsy Eric Scott Gould, actor, director, screenwriter and and I Am Sam. Ms. Phillips received the UCLA Extension producer. As an actor, Mr. Gould has performed in over Department of the Arts Outstanding Instructor of the 50 stage productions in New York City, Los Angeles, and Year Award in 2013. regional theater. On television, he has appeared on Q&A with actor/producer Kevin Costner and director Mike Binder at Sneak Prevew. shows such as Curb Your Enthusiasm (HBO), Numb3rs Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 89 Voice and Movement for the Enrollment limited. Internet access required to retrieve Screen Actor course materials. X 422.12 Theater 4 units Reg# 255212CA This holistic approach to movement, voice, and speech Through Feb 28: $635 / After: $695 Entertainment Studies aims at liberating and enhancing the performer’s natu- Westwood: 201 Extension Lindbrook Center ral capacity for moving, sounding, and speaking as Tue 7-10pm, Mar 31-Jun 16, 12 mtgs applied to performance on camera. Using techniques No refund after Apr 3. Certificates developed by Alexander, Spolin, and Sills, participants Adam Lieblein, president for 16 years of Acme Talent learn to feel the way the human body naturally functions & Literary, a bicoastal agency, and who represented Gain the Skills to Take Your Career to the Next Level when it is free of adverse conditioning. Exercises in actors for film, television, commercials, print modeling, posture and breathing, tonal quality, pitch range, projec- and voiceover work. After Acme’s several divisions were tion, and body characterization lead to enhanced sold at the end of 2008, Mr. Lieblein returned to character portrayal, emotional truth, and increased producing and teaching across the country. energy and mental alertness. Participants experiment with vocal and body energies, discover numerous Playing the American: An Acting and choices in communicating text, and find new ways of Accent-Reduction Workshop tapping into the imagination and soul of a character. X 419.3 Theater 4 units Enrollment limited. Internet access required to retrieve Participants who are not native speakers of American course materials. English hone their craft and learn to perform credibly Reg# 255082CA in mainstream American. The ultimate objective is to Through Feb 28: $635 / After: $695 achieve a seamless accent shift that does not call Westwood: 201 Extension Lindbrook Center attention to itself or get in the way of the acting.
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