DOCSLIB.ORG

Entertainment Studies Enroll at Uclaextension.Edu Or Call (800) 825-9971

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Entertainment Studies Enroll at Uclaextension.Edu Or Call (800) 825-9971 88 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 (CBS), The District (CBS), Diagnosis Murder (CBS), Another World (NBC), and recurred on Without A Trace Sneak Preview (CBS) for the first 4 seasons. Visit entertainment.uclaextension.edu/sneak-preview ENTERTAINMENT for weekly movie information. Acting for the Camera I X 410.3 Theater 4 units Sneak Preview: Contemporary Films Participants learn to get comfortable in front of the and Filmmakers lens. Exercises begin with on-camera interviews so STUDIES 804.2 Film & Television 2 CEU that students can view their screen images in play- Join us for an exclusive preview of new movies before back. Instruction focuses on understanding technical their public release. Enjoy provocative commentary and and emotional adjustments required for working in 88 Sneak Preview in-depth discussions with invited guests after each front of the camera, in a relaxed and truthful way, and developing intimacy with the camera. Topics include 88 Acting screening. Recent films and speakers have included: Whiplash with director Damien Chazelle and actor Miles the difference between frame sizes and learning to hit 90 Cinematography Teller; Birdman with Fox Searchlight Pictures’ Claudia marks. Participants hone their acting techniques through scene-study guidelines and sensory and 91 Development Lewis; The Theory of Everything with actors Eddie Redmayne and Felicity Jones; The Imitation Game with moment-to-moment exercises, as well as monologue 91 Directing producers Ido Ostrowsky, Nina Grossman and Teddy work. Some exercises are performed on camera with emphasis on close-ups, simple scenes, and basic 93 Post-Production Schwarzman; Black and White with director Mike Binder and actor/producer Kevin Costner; Red Army with direc- camera moves. The instructor critiques individual 93 Producing tor Gabe Polsky; Selma with producers Dede Gardner students’ work during playback. Enrollment limited. Students are recorded on camera during several ses- 94 The Business & Management of Entertainment and Jeremy Kleiner; and Last Days in Vietnam with director Rory Kennedy. Enroll using Reg# 255240 and sions; those wishing to keep a copy of their work must 95 The Music Business receive not only your Sneak Preview course, but also bring a flash drive to each session. Internet access required to retrieve course materials. 96 Music Production Osher membership, which allows you to register for Osher courses for a fee. Enrollment limited. The Uni- Reg# 255083CA 97 Film Scoring versity is not responsible for lost or stolen quarterly film Through Feb 28: $635 / After: $695 passes; there is a $50 charge per replacement pass. Westwood: B17 1010 Westwood Center Due to film piracy concerns, no cameras or recording Tue 7-10pm, Mar 31-Jun 16, 12 mtgs devices are allowed inside the theater. Participants are No refund after Apr 3. subject to a security check, promotional photography Beverly Sanders, actor whose 35-year career spans and audio and video recording. Visitors not permitted. television, film, stage, and over 300 national commer- Reg# 255236CA cials. Ms. Sanders’s feature films include Beaches, And Through Mar 15: $215 / After: $235 Justice for All, Magic, and The Flintstones in Viva Rock Reg# 255240CA (Includes Osher membership) Vegas. Her many television credits include Baywatch, Through Mar 15: $245 / After: $265 The Mary Tyler Moore Show, Home Improvement, Beverly Hills: Auditorium Writers Guild Theater, Rhoda, Lotsa Luck, Charmed, Veronica Mars, Provi- 135 S. Doheny Dr. dence, and HBO’s Entourage. Ms. Sanders received the Wed 7-10pm, Apr 15-Jun 17, 10 mtgs UCLA Extension Department of the Arts Instructor of the No refund after Apr 8. Year Award in 2011. Kirk Honeycutt, journalist and former chief film critic at The Hollywood Reporter, who has written Acting for the Camera II for such diverse publications as Cosmopolitan, The X 410.5 Theater 4 units Christian Science Monitor, Newsday, and Movieline. Mr. Building on the skills learned in Acting for the Camera Honeycutt has appeared on television and radio shows, I, you prepare for work professionally by practicing in including Access Hollywood, NBC News, Inside Edition, all styles you may audition—for features, sitcoms, TV and Entertainment Tonight. drama, and commercials. Focusing on the flexibility of the actor in front of the camera, you develop camera Sneak Preview techniques in scene study using scripts from TV series, sitcoms, and films. You also learn blocking and continu- See the most highly anticipated new films prior to public release, ity with emphasis on master, 2-shots, and close-ups. specially selected for our Sneak Preview audience. Art & Craft of You perform individual and ensemble scenes increasing in complexity in terms of emotion and subtext, and the Screenings are moderated by film critic Kirk Honeycutt and you Entertainment final project is a 3-person scene. The material from the are invited to engage in lively Q&A with actors, directors, writers, For more information call (310) 825-9064, email final project is edited and becomes the basis for devel- and producers. [email protected], or visit oping your show reel. Prerequisite: X 410.3 Acting for entertainment.uclaextension.edu. the Camera I or previous acting on camera experience. Sneak Preview starts Apr 15 and presents 10 new films. Enrollment limited. Students are recorded on camera Space is limited; early enrollment is highly during several sessions; those wishing to keep a copy Past films and guests have included: recommended. Visitors are not permitted at of their work must bring a flash drive to each session. some courses. For online course technical Internet access required to retrieve course materials. Whiplash with director Damien Chazelle and actor Miles Teller requirements see page 4. Reg# 255086CA Through Mar 1: $635 / After: $695 Black and White with director Mike Binder and actor/producer Kevin Costner Westwood: B17 1010 Westwood Center The Theory of Everything with Golden Globe-nominated actors Eddie Acting Wed 7-10pm, Apr 1-Jun 17, 12 mtgs No refund after Apr 6. Redmayne and Felicity Jones Acting Techniques: The Fundamentals Scott Paulin, actor and director whose extensive film Selma with producers Dede Gardner and Jeremy Kleiner X 407.5 Theater 4 units and television acting credits include The Right Stuff, Cat In this introduction to acting, participants learn funda- People, NCIS, CSI: Crime Scene Investigation, Boston For weekly updates visit entertainment.uclaextension.edu/sneak-preview. mental performance techniques and exercises, includ- Legal, Lost, JAG, and 24. His television directing credits ing relaxation, concentration, sense memory, emotional include multiple episodes of Early Edition; Melrose recall, improvisation, character tasks, and text analysis, Place; Beverly Hills, 90210; and Northern Exposure; and then apply these techniques by rehearsing and among many others. Mr. Paulin received the UCLA performing monologues and 2-character scenes. In- Extension Department of the Arts Outstanding Instructor class partner work and weekly assignments are of the Year Award in 2013. required. Enrollment limited. Internet access required Wendy Phillips, actor who has worked extensively in to retrieve course materials. television dramas, sitcoms, feature films, and indepen- Reg# 255079CA dent cinema. Ms. Phillips played the female lead in Through Mar 1: $635 / After: $695 seven network television series; guest-starred or had Westwood: 202A Extension Lindbrook Center recurring roles on such shows as Joan of Arcadia, Wed 7-10pm, Apr 1-Jun 17, 12 mtgs Studio 60 on the Sunset Strip, Big Love, and ER; and No refund after Apr 6. played principal roles in such feature films as Bugsy Eric Scott Gould, actor, director, screenwriter and and I Am Sam. Ms. Phillips received the UCLA Extension producer. As an actor, Mr. Gould has performed in over Department of the Arts Outstanding Instructor of the 50 stage productions in New York City, Los Angeles, and Year Award in 2013. regional theater. On television, he has appeared on Q&A with actor/producer Kevin Costner and director Mike Binder at Sneak Prevew. shows such as Curb Your Enthusiasm (HBO), Numb3rs Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 89 Voice and Movement for the Enrollment limited. Internet access required to retrieve Screen Actor course materials. X 422.12 Theater 4 units Reg# 255212CA This holistic approach to movement, voice, and speech Through Feb 28: $635 / After: $695 Entertainment Studies aims at liberating and enhancing the performer’s natu- Westwood: 201 Extension Lindbrook Center ral capacity for moving, sounding, and speaking as Tue 7-10pm, Mar 31-Jun 16, 12 mtgs applied to performance on camera. Using techniques No refund after Apr 3. Certificates developed by Alexander, Spolin, and Sills, participants Adam Lieblein, president for 16 years of Acme Talent learn to feel the way the human body naturally functions & Literary, a bicoastal agency, and who represented Gain the Skills to Take Your Career to the Next Level when it is free of adverse conditioning. Exercises in actors for film, television, commercials, print modeling, posture and breathing, tonal quality, pitch range, projec- and voiceover work. After Acme’s several divisions were tion, and body characterization lead to enhanced sold at the end of 2008, Mr. Lieblein returned to character portrayal, emotional truth, and increased producing and teaching across the country. energy and mental alertness. Participants experiment with vocal and body energies, discover numerous Playing the American: An Acting and choices in communicating text, and find new ways of Accent-Reduction Workshop tapping into the imagination and soul of a character. X 419.3 Theater 4 units Enrollment limited. Internet access required to retrieve Participants who are not native speakers of American course materials. English hone their craft and learn to perform credibly Reg# 255082CA in mainstream American. The ultimate objective is to Through Feb 28: $635 / After: $695 achieve a seamless accent shift that does not call Westwood: 201 Extension Lindbrook Center attention to itself or get in the way of the acting.
Load more

Recommended publications
  • Brooklyn Boy
    41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn,
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
    Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
    [Show full text]
  • Triumph for Teens 2
    NEWS Contact: Linda O’Hanlon FOR IMMEDIATE RELEASE 818-386-1916 Phoenix House Event Raises $250,000 To Help Fight Teen Addiction “JOAN OF ARCADIA” AND LYNN PIKE HONORED AT PHOENIX HOUSE’S SECOND ANNUAL “TRIUMPH FOR TEENS” AWARDS GALA BEVERLY HILLS, CA, April 18, 2005—Phoenix House, California’s leading non-profit substance abuse services organization, raised $250,000 during its second annual “Triumph For Teens” Awards Gala. Held at the Four Seasons Hotel in Beverly Hills on April 18, more than 200 people gathered to honor this year’s recipients, the cast and creators of “Joan of Arcadia” and Lynn Pike, President of Bank of America California and the bank’s national Business Banking group. The cast and creators of “Joan of Arcadia” were honored for their sensitive and accurate portrayal of the difficult issues that teens face today. Executive Producer Stephen Nathan accepted the award on behalf of all those connected to this People’s Choice Award-winning and Emmy- nominated drama. Lynn Pike, President of Bank of America California and the bank’s national Business Banking group, received the 2005 Public Service Award for her professional accomplishments, philanthropic endeavors, and service in the community. “We are honored to present awards each year to those entertainment and business leaders who inspire young people to make positive life decisions as well as support treatment -more- 11600 Eldridge Avenue, Lake View Terrace, CA 91342 / (818) 896-1121 www.phoenixhouse.org Triumph For Teens Award Gala 2-2-2-2-2 programs to fight teen substance abuse,” says Winnie Wechsler, Executive Director of Phoenix Houses of California.
    [Show full text]
  • The Performance and Materiality of the Processes, Spaces and Labor of VFX Production
    Sarah Atkinson Interactive ‘making-of’ machines: The performance and materiality of the processes, spaces and labor of VFX production Abstract This article analyzes and interrogates two interactive museum installations designed to reveal behind-the-scenes visual effects (VFX) materials from Inception (2010) and Gravity (2013). The multi-screen, interactive, and immersive installations were both created in direct collaboration with the VFX supervisors who were responsible for pioneering the new and innovative creative solutions in each of the films. The installations translate these processes for a wider audience and as such they not only provide rich sites for textual analysis as new ancillary forms of paratextual access, but they also provide insights into the way that VFX sector presents itself, situated within the wider context of the current global VFX industry. The article draws together critical production studies, textual analysis, and reflections from the industry which, combined, provide new understandings of these interactive forms of ancillary film “making-of ” content, their performative dimensions, and the labor processes that they reveal. Context their conception and presentation within the wider context of the current global VFX industry. This article analyzes and interrogates two interactive The decadent displays of VFX excess and access museum installations that were designed to reveal presented in both installations are representative of behind-the-scenes materials from Inception (2010) the currently flourishing VFX industry within the and Gravity (2013) in order to showcase the UK which has been boosted in recent years, by a acclaimed, breakthrough visual effects (VFX) of system of tax incentives which have been in place 3 each of the films.
    [Show full text]
  • Bob Oei Thesis Final Final
    ABSTRACT The Cinematography of Closet Memories Robert Oei, M.A. Advisor: Christopher J. Hansen, M.F.A. The cinematography of a film heavily influences the audience’s mood and their perception of tension. The way a director of photography uses lights and the camera can enhance or destroy the moments of a film a director has built. Keeping this knowledge in mind, the cinematography of Closet Memories uses film noir lighting, a mixture of handheld and smooth camera work, and other techniques to maintain the emotional content of the film’s scenes. The Cinematography of Closet Memories by Robert Oei, B.A. A Thesis Approved by the Department of Communication David W. Schlueter, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Christopher J. Hansen, M.F.A., Chairperson James Kendrick, Ph.D. DeAnna M. Toten Beard Ph.D. Accepted by the Graduate School May 2013 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School Copyright © 2013 by Robert Oei All rights reserved TABLE OF CONTENTS Chapter One: Introduction ..................................................................................................1 Chapter Two: Literature Review .........................................................................................6 Chapter Three: Methodology .............................................................................................14 Scene 1 and 2 ........................................................................................................15
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • Edinburgh Press Release
    Impressive AUGUST 2007 EDINBURGH FESTIVAL – THEATRE NEWS NATASHA WOOD Title of Show: ‘Natasha Wood: Rolling With Laughter’ Venue: Pleasance Dome - Joker Time: 6.15pm Dates: 4th – 27th August (except 6th, 7th, 13th, 14th, 20th & 21st) Previews: 1st, 2nd & 3rd August Introducing Natasha Wood, who has been in a wheelchair since birth due to the incurable genetic disease Spinal Muscular Atrophy. Absolutely nothing confines this witty and wildly charismatic 30 something gal from Nottingham, “What I lack in movement, I make up for vocally!” This one woman play, inspired by her hilarious email diaries home to friends and family, was written by Natasha, alongside Beverly Sanders, and is totally autobiographical. From her fairytale marriage, quirky parents, siblings and glamorous job as a TV production manager for the BBC, the play takes you through a few tears but more importantly a lot of laughter. Her story is empowering, humorous, one–of-a-kind take on life, love, lingerie & sex – with a little disability thrown in. Natasha plays all the roles including herself. Just returned from Los Angeles, she has just premiered ‘Rolling with Laughter’ in Hollywood to critical acclaim with a flurry of media coverage including an appearance on Fox News. Many celebrities attended her show including Valerie Harper (Rhoda), Anne Rutherford (Gone with the Wind) and some of the cast of The West Wing. She has attended many A list parties and premieres and met a host of stars including her dream man Leonardo Di Caprio, her hero Stephen Fry, Dustin Hoffman and Clint
    [Show full text]
  • 89Th Annual Academy Awards® Oscar® Nominations Fact
    ® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
    [Show full text]
  • COLLEGE of LIBERAL ARTS in All Respects, the College of Liberal Arts Is Engaged In
    DEPARTMENT OF ECONOMICS COLLEGE OF DEPARTMENT OF ENGLISH AND LANGUAGE ARTS LIBERAL ARTS DEPARTMENT OF FINE AND PERFORMING ARTS (Fine Art, Music, Theatre Arts) DEPARTMENT OF HISTORY AND GEOGRAPHY DEPARTMENT OF MILITARY SCIENCE DEPARTMENT OF PHILOSOPHY AND RELIGIOUS STUDIES DEPARTMENT OF POLITICAL SCIENCE AND PUBLIC POLICY DEPARTMENT OF PSYCHOLOGY DEPARTMENT OF SOCIOLOGY AND ANTHROPOLOGY DEPARTMENT OF WORLD LANGUAGES AND INTERNATIONAL STUDIES COLLEGE OF LIBERAL ARTS In all respects, the College of Liberal Arts is engaged in Dr. Pamela E. Scott-Johnson, Interim Dean Creating Opportunities to Reach Excellence. CORE VALUES The College of Liberal Arts is the largest academic division at the University. In addition to offering twelve According to its philosophy and values, the College of undergraduates degree programs that represent Liberal Arts is a learning community that offers a corps of disciplinary focuses, it also offers a large portion of the educational programs and services that promotes: courses in the General Education Program administers the Intellectual curiosity University’s Writing Proficiency Examination. All Independence Morgan students, regardless of major, take courses and engage in other activities which reflect the historical Interdependence foundations of liberal education. Self-awareness Service LIBERAL COLLEGE MISSION Commitment to problem-solving Leadership The mission of The College of Liberal Arts, consistent A Commitment to life-long learning O with that of Morgan State University, is to offer high- R F quality academic programs and to promote effective Competency in written and oral communication, TS student-centered teaching and learning, outstanding Achievement student achievement, cutting edge faculty research and GOALS scholarship, and broadranging service to the professions and the community.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Fanboys-Production-Notes.Pdf
    International Production Notes SYNOPSIS Set in 1998, the film, starring Jay Baruchel (KNOCKED UP, MILLION DOLLAR BABY), Tony Award Winner Dan Fogler (KUNG FU PANDA, “The 25th Annual Putnam County Spelling Bee”), Sam Huntington (SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE), Chris Marquette (THE GIRL NEXT DOOR, ANOTHER WORLD), and Kristen Bell (FORGETTING SARAH MARSHALL, PULSE) is a heart-warming comedy that follows a group of young, passionate STAR WARS fans on a cross-country quest to break into George Lucas’ Skywalker Ranch and watch STAR WARS: EPISODE 1- THE PHANTOM MENACE, before it’s released. FANBOYS is a production of Trigger Street Productions and Picture Machine. The film is directed by Kyle Newman and produced by Kevin Spacey, Dana Brunetti, Evan Astrowsky and Matthew Perniciaro. The screenplay is written by Adam F. Goldberg and Ernest Cline from a story by Ernest Cline and Dan Pulick. Kevin Mann served as executive producer. 2 CAST Eric SAM HUNTINGTON Linus CHRISTOPHER MARQUETTE Hutch DAN FOGLER Windows JAY BARUCHEL Zoe KRISTEN BELL FILMMAKERS Directed by KYLE NEWMAN Screenplay ERNEST CLINE and ADAM F. GOLDBERG Story by ERNEST CLINE and DAN PULICK Produced by DANA BRUNETTI KEVIN SPACEY MATTHEW PERNICIARO EVAN ASTROWSKY Executive Producer KEVIN MANN 3 FANBOYS About the Cast SAM HUNTINGTON / Eric Sam Huntington has appeared on screen, television and stage. His film credits include, SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE, DETROIT ROCK CITY and can be seen in the upcoming TUG. On television, he has appeared in featured roles on LAW & ORDER, CSI: Miami, CSI: NY, and VERONICA MARS. Huntington appears on stage with The Peterborough Players in “The Nerd,” “Waiting for Godot” and “To Kill A Mockingbird.” While with the Black Box Theatre Company he appeared in “The New Kid,” “Gifts,” “The Guest Speaker” and “Not The King.” CHRIS MARQUETTE / Linus Possessing the rare ability to thoroughly embody each character he portrays, Chris Marquette’s intensity on screen, good looks and charm warrants him as one of the most gifted actors of his generation.
    [Show full text]