The Mill Visit for Self-Programmed Groups

Total Page:16

File Type:pdf, Size:1020Kb

The Mill Visit for Self-Programmed Groups The Mill visit for Self-Programmed Groups The Mill is a great resource for self programmed groups and many schools feel that a visit using the displays and interpreters in the mill offers them the visit that is most appropriate to them. Important information On any given day there can be over 200 students from different schools using the site. In order to help you get the most from your visit, and to help all groups to avoid having to wait to enter galleries or lunch rooms, you will be given A starting point for your tour A fixed time for lunch A fixed time for the Apprentice House (if applicable) Self-programmed groups are asked to supply a copy of their Risk Assessment at least one month before the visit to comply with our Health and Safety regulations and we also ask any teachers not familiar with the site to do a free preliminary visit. Group size and supervision is particularly important for self programmed groups - the mill has some narrow stairways and smaller display areas. We therefore require Supervision ratios of at least 1:8 for Primary students and 1:10 for Secondary. Large school parties should be divided into groups of no more than twenty-five students. Arrival and Payment Please bring your group down into the Mill Yard where they will be met by our Schools’ Liaison Officer The teacher in charge will be asked to confirm the number of children and adults in the group. Payment will be by invoice after the trip. If you need to pay on the day please contact the office to arrange this. Please ensure that you bring your booking confirmation with you and your National Trust Education Group Membership Card if applicable. You will be escorted to our schools lunch area to store packed lunches etc. Please also ensure that all supervising adults have a copy of the gallery information and a copy of the timetable for the day.. The Schools’ Liaison Officer will confirm the arrangements for your day with you and ensure groups are in the right place for their Mill tour. Mill Tour Because there can be a number of groups visiting on any day, we ask for your cooperation in trying to minimise any delays. The Mill is not arranged in a chronological order and the visit around the mill can begin at different points. There are three different entry points for the Mill: 1. Introductory Gallery 2. The Greg Room 3. The Mule Room (for a demonstration/talk on working in the Mill) From your starting point you can continue through the mill along the main visitor route. If you started your mill tour at the GREG ROOM or MULE ROOM then you can continue through the Mill until you reach the exit. When you get to the exit you need to cross the mill yard to the Main Entrance to visit the rest of the mill. A tour of the Mill can take up to 2 hours. You might like to visit only selected areas depending on the focus of your visit and the time available. Mill Tour Because there can be a number of groups visiting on any day, we ask for your cooperation in trying to minimise any delays. The Mill is not arranged in a chronological order and the visit around the mill can begin at different points. There are three different entry points for the Mill: 1. Main Entrance 2. The Greg Room 3. The Mule Room (for a demonstration/talk on Working in the Mill From your starting point you can continue through the mill along the main visitor route. If you did not start at the main entrance you will need to continue from the main entrance when you exit the mill. Gallery Guide 10 min Outside the Mill A walk around the outside of the Mill, to look at the buildings themselves, as well as the local environment, is a good starting point for investigating why the Mill was built at Styal. Background Information Quarry Bank Mill was built at Styal in 1784. The site was chosen for a number of reason; for geographical and physical reasons to do with where the site was in relation to other towns and cities, because of existing transport networks, because of reasonable rent on the land and most importantly, because of the River Bollin. The Workforce was the one factor that was not available at Styal, but at the time people were in need of work and would be willing to travel to secure employment. Children in this period frequently worked and work in a cotton mill was well suited to children. Children were sent to Quarry Bank Mill as Apprentices and when the Mill was first built, about half of the workers were children. Teacher Prompt Pupil responses What sort of things would Samuel A Power source – the River Greg need to build a Mill? Building materials to build the mill – the rock Materials to work with – cotton from Liverpool Transport to get the goods here- canal boat Machines in the Mill People to work on them Where might he get building materials Local environment—quarried stone from? Where would his cotton supply come Port of Liverpool—transported along the Bridgewater Canal from? Where would he send his finished Main commercial centre for cotton was Manchester product? Where did the workers come from? Samuel Greg sourced his workforce from all over the country. Apprentices came from Wilmslow, Heaton Norris, Pownall Fee, Newcastle Under Lyne, London, Liverpool. He built an apprentice house for the apprentice children and cottages in Styal Village for other workers. Sometimes whole families would move to Styal in search of work. What was the most important feature The River—it was the main power source at the time and it had to have sufficient of the site? volume and fall to provide power for a mill. Gallery Guide 10 min 1. Main Entrance/Temporary Exhibition Gallery The Temporary Exhibition Gallery is the first gallery space on entering the Mill form the Main Entrance. It has a changing programme of exhibitions which may be of interest to your group. 2. The Cotton Gallery The Cotton Gallery explores the role of cotton in the history of Britain and the Industrial Revolution Background Information In 1784, Quarry Bank Mill was built to spin cotton. The Cotton Gallery will help you find out why cotton was chosen and how it compares with other textile fibres. Cotton used in Great Britain came at first from the Middle East, South America and the West Indies. From 1784, cotton became available from the U.S.A. During the 1700s cotton trade was seen to threaten the established wool trade and there was a ban on cotton goods. The Cotton ban was lifted in 1774. Cotton Plants When the flowers appear, they only last for approximately three days. As the flower dies away, it is replaced by a small seed pod called a boll. For seven to eight weeks after flowering, the cotton fibres within the boll grow. Where fully ripened, the boll bursts open to reveal a fluffy mass of cotton fibres. The cotton is picked by hand or machine. Slave Trade Over the 1700s perhaps 11 million slaves were exported by European merchants from Africa to the slave colonies. As many as one in five slaves died during the journey. The Gregs had involvement Teacher Prompt Pupil responses in the slave trade. They owned a sugar plantation in Dominica and had investment Where does cotton A plant, from hot countries like China, USA, India, from family members who come from? Pakistan. made their money from slave Where did Samuel He was one of the first to use cotton from the USA ships . Greg get his cotton Robert Hyde Greg made supply from? public speeches calling for the end of slavery – although What is the connection Cotton from the USA was picked by slaves and the he still owned slaves. between cotton and transportation of cotton formed an important part of the KING COTTON slavery? ‘triangular trade’. From the 1780s cotton growing and Why is cotton a better Crisp, fresh, light, cool the cotton textile industry expanded fabric for clothes? Easy to wash and dry quickly. Doesn’t rub up Imports of raw cotton into Britain to be spun and woven into cloth rose Can be printed with colour fast dyes from almost 3 million kg in 1780 to Ideal for loose flowing gowns – fashionable in 924.4 million kg in 1912. 1700s After visiting the Cotton Gallery you will go through the door to Hand Spinning & Weaving for a demonstration. Please be aware that there may already be a group in there and that you might need to wait to take your group through. Gallery Guide 10 min each Gallery Guide 10 min Cotton Processing & 5 min Finishing 3. Hand Spinning & Weaving Two cottage settings show how cloth was spun and woven at home and in loom shops in the 1700s. All the processes from carding and hand spinning to the broadloom and spinning jenny are demonstrated by interpreters. Please be aware that you might need to wait for a presentation if a group is already in the gallery. Please ask your group to wait quietly. The presentation will last about 10 minutes with some time for questions. Please be aware of other groups who might be waiting. 4. Industrial Revolution Gallery Some of the key elements of the industrial revolution can be explored in this gallery, as they illustrate how Quarry Bank Mill was at the heart of the Industrial Revolution.
Recommended publications
  • A Farewell to Alms
    A Farewell to Alms: A Brief Economic History of the World Draft, 1 October 2006 Forthcoming, Princeton University Press, 2007 He is a benefactor of mankind who contracts the great rules of life into short sentences, that may be easily impressed on the memory, and so recur habitually to the mind --Samuel Johnson Gregory Clark University of California Davis, CA 95616 ([email protected]) 1. Introduction…………………………………….. 1-13 The Malthusian Trap: Economic Life to 1800 2. The Logic of the Malthusian Economy…………. 15-39 3. Material Living Standards……………………….. 40-76 4. Fertility………………………………………….. 78-99 5. Mortality………………………………………… 100-131 6. Malthus and Darwin: Survival of the Richest……. 132-152 7. Technological Advance…………………………..153-179 8. Preference Changes………………………………180-207 The Industrial Revolution 9. Modern Growth: the Wealth of Nations………… 208-227 10. The Problem of the Industrial Revolution……….. 228-256 11. The Industrial Revolution in Britain, 1760-1860…. 257-293 12 Social Consequences of the Industrial Revolution.. 294-330 The Great Divergence 13. The Great Divergence: World Growth since 1800.. 331-364 14. The Proximate Sources of Divergence…………... 365-394 15. Why Isn’t the Whole World Developed?.................. 395-420 16. Conclusion: Strange New World………………… 421-422 Technical Appendix……………………………... 423-427 References……………………………………….. 428-451 ii 1 Introduction The basic outline of world economic history is surprisingly simple. Indeed it can be summarized in one diagram: figure 1.1. Before 1800 income per person – the food, clothing, heat, light, housing, and furnishings available per head - varied across socie- ties and epochs. But there was no upward trend. A simple but powerful mechanism explained in this book, the Malthusian Trap, kept incomes within a range narrow by modern standards.
    [Show full text]
  • Enlightenment and Dissent No.29 Sept
    ENLIGHTENMENT AND DISSENT No.29 CONTENTS Articles 1 Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson 42 Concepts of modesty and humility: the eighteenth-century British discourses William Stafford 79 The Invention of Female Biography Gina Luria Walker Reviews 137 Scott Mandelbrote and Michael Ledger-Lomas eds., Dissent and the Bible in Britain, c. 1650-1950 David Bebbington 140 W A Speck, A Political Biography of Thomas Paine H T Dickinson 143 H B Nisbet, Gottfried Ephraim Lessing: His Life, Works & Thought J C Lees 147 Lisa Curtis-Wendlandt, Paul Gibbard and Karen Green eds., Political Ideas of Enlightenment Women Emma Macleod 150 Jon Parkin and Timothy Stanton eds., Natural Law and Toleration in the Early Enlightenment Alan P F Sell 155 Alan P F Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions Leonard Smith 158 David Sekers, A Lady of Cotton. Hannah Greg, Mistress of Quarry Bank Mill Ruth Watts Short Notice 161 William Godwin. An Enquiry Concerning Political Justice ed. with intro. Mark Philp Martin Fitzpatrick Documents 163 The Diary of Hannah Lightbody: errata and addenda David Sekers Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson In the late eighteenth century Britain possessed the freest, most wide-ranging and best circulating press in Europe. 1 A high proportion of the products of the press were concerned with domestic and foreign politics and with wars which directly involved Britain and affected her economy. Not surprisingly therefore the French Revolution and the French Revolutionary War, impacting as they did on British domestic politics, had a huge influence on what the British press produced in the years between 1789 and 1802.
    [Show full text]
  • 6 X 10 Long Title.P65
    Cambridge University Press 978-0-521-15382-9 - Heroes of Invention: Technology, Liberalism and British Identity, 1750-1914 Christine MacLeod Index More information Index Acade´mie des Sciences 80, 122, 357 arms manufacturers 236–9 Adam, Robert 346 Armstrong, William, Baron Armstrong of Adams, John Couch 369 Cragside Aikin, John 43, 44, 71 arms manufacturer 220 Airy, Sir George 188, 360 as hero of industry 332 Albert, Prince 24, 216, 217, 231, 232, 260 concepts of invention 268, 269, 270 Alfred, King 24 entrepreneurial abilities of 328 Amalgamated Society of Engineers, knighted 237–8 Machinists, Millwrights, Smiths and monument to 237 Pattern Makers 286–7 opposition to patent system 250, 267–8 ancestor worship, see idolatry portrait of 230 Anderson’s Institution, Glasgow 113, 114, president of BAAS 355 288, 289 Punch’s ‘Lord Bomb’ 224–5 Arago, Franc¸ois 122, 148, 184 Ashton, T. S. 143 Eloge, to James Watt 122–3, 127 Athenaeum, The 99–101, 369 Arkwright, Sir Richard, Atkinson, T. L. 201 and scientific training 359 Atlantic telegraph cables 243, 245, 327 as national benefactor 282 Arthur, King 15 as workers’ hero 286 Askrill, Robert 213 commemorations of, 259 Associated Society of Locomotive Cromford mills, painting of 63 Engineers and Firemen 288 enterprise of 196, 327, 329 era of 144 Babbage, Charles 276, 353, 356–7, factory system 179 375, 383 in Erasmus Darwin’s poetry 67–8 Bacon, Sir Francis in Maria Edgeworth’s book 171 as discoverer 196 in Samuel Smiles’ books 255, 256 as genius 51, 53, 142 invention of textile machinery 174, 176 bust of 349 knighthood 65 n.
    [Show full text]
  • Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
    SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted.
    [Show full text]
  • Peter Holland: a Pioneer of Occupational Medicine*
    Br J Ind Med: first published as 10.1136/oem.49.6.377 on 1 June 1992. Downloaded from British Journal of Industrial Medicine 1992;49:377-386 377 Peter Holland: a pioneer of occupational medicine* Robert Murray Abstract When I told Donald Hunter ofthe discovery ofPeter The earliest recorded occupational health Holland's diaries in 1950, he was, as always, service in this country was that established in a enthusiastic. By that time I had discovered some- cotton spinning factory at Quarry Bank Mill in thing of Peter Holland's life and I said that the only Cheshire. The mill was built in 1784 by Samuel thing that was lacking was a picture of him. About a Greg and his partners. They employed local month later Donald, in his usual miraculous way, labour and also some parish apprentices. Hap- presented me with a silver point engraving of my pily, Samuel Greg was a good christian and, subject (fig 1), who was the uncle ofMrs Gaskell, the having created a modern factory and a model father of Sir Henry Holland, the grandfather of the village with a church and a school, he was first Viscount Knutsford, and the great great great equally concerned for the physical welfare of grandfather of the fourth Viscount, who was then his employees. Accordingly, he appointed a chairman of the Board of Governors of the London doctor to make pre-employment examinations Hospital. Donald had recognised the connection and of the apprentices and to visit regularly to deal spoken to his chairman, who came up with the with the health problems of a community of picture.
    [Show full text]
  • Please Click Here to Download a PDF of the Detailed Listing to Part 3
    Portfolio Approx. Earliest No: of Type Cylinder Horse RPM Owner of Other Details Number No: of Date on Engines of Diameter x Power Engine Drawings Drawings Engine Stroke REEL TWENTY­NINE Scotland:­ Ayr 208 12 Sep 1800 1 28” 1/8 x 6’0 30 38 David Dale Cotton Mill. Later acquired by James Finlay & Co. Engine erected at Catrine. Lanark 13 1790 1 S 26” x 6’0 10 John & William Purchased from Folliot Scott & Wilson Co. Forge Mill Engine at Wilson Town, Lanark. 193 14 Sep 1799 1 D 29” x 6’0 32 John Pattison Parchment dated October 1, 1799. John Pattison of Glasgow. Cotton Mill, Glasgow. Payment £797. 106,000lbs. 10 feet high. Purchased by Mr Dunn. 199 7 April 1800 1 D 17” 2/3 x 4’0 10 John Cotton Mill. Brigtown near Bartholomew Glasgow. 202 8 April 1800 1 19” 1/4 x 4’0 12 James Cook & Flax Mill, Glasgow. Co 204 8 May 1800 1 16” x 4’0 8 Robert Brewery, Glasgow. Struthers & Co 209 8 Aug 1800 1 D 28” 1/8 x 6’0 30 Corporation of Flour Mill. Patrick Mills, Bakers Glasgow. 216 3 Feb 1801 1 16” x 4’0 8 50 James Monach Cotton Mill, Glasgow. Originally Matthew Boulton’s Mint Engine. Belonged to Indoe and Galbraith by 1813. 228 9 Aug 1801 1 19” 1/4 x 4’0 12 Tennant Knox Chemical Manufactory, & Co Glasgow. Portfolio Approx. Earliest No: of Type Cylinder Horse RPM Owner of Other Details Number No: of Date on Engines of Diameter x Power Engine Drawings Drawings Engine Stroke Renfrewshire 177 14 Dec 1798 1 D 21” 1/4 x 5’0 16 Underwood Parchment dated January 1, Spinning Co 1799.
    [Show full text]
  • Matthew Boutlon and Francis Eginton's Mechanical
    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product.
    [Show full text]
  • Wealthy Business Families in Glasgow and Liverpool, 1870-1930 a DISSERTATION SUBMITTED TO
    NORTHWESTERN UNIVERSITY In Trade: Wealthy Business Families in Glasgow and Liverpool, 1870-1930 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Emma Goldsmith EVANSTON, ILLINOIS December 2017 2 Abstract This dissertation provides an account of the richest people in Glasgow and Liverpool at the end of the nineteenth and beginning of the twentieth centuries. It focuses on those in shipping, trade, and shipbuilding, who had global interests and amassed large fortunes. It examines the transition away from family business as managers took over, family successions altered, office spaces changed, and new business trips took hold. At the same time, the family itself underwent a shift away from endogamy as young people, particularly women, rebelled against the old way of arranging marriages. This dissertation addresses questions about gentrification, suburbanization, and the decline of civic leadership. It challenges the notion that businessmen aspired to become aristocrats. It follows family businessmen through the First World War, which upset their notions of efficiency, businesslike behaviour, and free trade, to the painful interwar years. This group, once proud leaders of Liverpool and Glasgow, assimilated into the national upper-middle class. This dissertation is rooted in the family papers left behind by these families, and follows their experiences of these turbulent and eventful years. 3 Acknowledgements This work would not have been possible without the advising of Deborah Cohen. Her inexhaustible willingness to comment on my writing and improve my ideas has shaped every part of this dissertation, and I owe her many thanks.
    [Show full text]
  • A Catechism of the Steam Engine by John Bourne</H1>
    A Catechism of the Steam Engine by John Bourne A Catechism of the Steam Engine by John Bourne Produced by Robert Connal and PG Distributed Proofreaders from images generously provided by the Digital & Multimedia Center, Michigan State University Libraries. A CATECHISM OF THE STEAM ENGINE IN ITS VARIOUS APPLICATIONS TO MINES, MILLS, STEAM NAVIGATION, RAILWAYS, AND AGRICULTURE. WITH PRACTICAL INSTRUCTIONS FOR THE MANUFACTURE AND MANAGEMENT OF ENGINES OF EVERY CLASS. BY page 1 / 559 JOHN BOURNE, C.E. _NEW AND REVISED EDITION._ [Transcriber's Note: Inconsistencies in chapter headings and numbering of paragraphs and illustrations have been retained in this edition.] PREFACE TO THE FOURTH EDITION. For some years past a new edition of this work has been called for, but I was unwilling to allow a new edition to go forth with all the original faults of the work upon its head, and I have been too much engaged in the practical construction of steam ships and steam engines to find time for the thorough revision which I knew the work required. At length, however, I have sufficiently disengaged myself from these onerous pursuits to accomplish this necessary revision; and I now offer the work to the public, with the confidence that it will be found better deserving of the favorable acceptation and high praise it has already received. There are very few errors, either of fact or of inference, in the early editions, which I have had to correct; but there are many omissions which I have had to supply, and faults of arrangement and classification which I have had to rectify.
    [Show full text]
  • Download Case Study
    Visit us at graham.co.uk Murrays’ Mills, Manchester Life Framework Reviving a relic of the past £22m January 2016 July 2017 / Project value / The build commenced / The duration Resurrecting the world’s oldest surviving steam-powered cotton mill, while preserving its historic 19th Century features, the Murrays’ Mills project is a £22 million innovative design-led development of a stunning Grade II* listed building. Housing 124 distinctive one, two and three bedroom apartments, the Phase One scheme, completed within 18 months, retains the historic fabric of the building, including the original stone circular staircase, amidst contemporary new build technology. The brief The focus was on sympathetically revitalising this irreplaceable heritage site and transforming it into an emerging residential area of a thriving, modern Manchester. Delivering cutting edge standards of new build development, the vision was for Murrays’ Mills to help meet the growing demand for high quality accommodation in the city. The challenges “The transformation of Murrays’ Mills is a As a Grade II* listed building, preserving the special character of this significant milestone in Ancoats’ emergence historic relic from the industrial revolution required creativity, skill and as a desirable and vibrant neighbourhood, expert care from our team throughout the design and construction it is a brilliant way to address the demand phases. Careful planning, and robust communication, with the client (Manchester Life), and the relevant local authorities, was critical to the for central accommodation in a way that successful completion of this transformative development. Located preserves and carefully evolves our former on a constrained city centre site within a ‘Conservation Area’, traffic industrial areas.” management and the phasing of works had to be carefully managed throughout the entire 18-month programme.
    [Show full text]
  • Cotton Mills for the Continent
    cotton mills_klartext.qxd 30.05.2005 9:11 Uhr Seite 1 Cotton mills for the continent Sidney Stott und der englische Spinnereibau in Münsterland und Twente Sidney Stott en de Engelse spinnerijen in Munsterland en Twente 1 cotton mills_klartext.qxd 30.05.2005 9:11 Uhr Seite 2 Cotton mills for the continent Bildnachweis/Verantwoording Sidney Stott und der englische Spinnereibau in afbeldingen Münsterland und Twente – Sidney Stott en de Engelse spinnerijen in Munsterland en Twente Andreas Oehlke, Rheine: 6, 47, 110, 138 Archiv Manz, Stuttgard: 130, 131, 132l Herausgegeben von/Uitgegeven door Axel Föhl, Rheinisches Amt für Denkmalpflege, Arnold Lassotta, Andreas Oehlke, Siebe Rossel, Brauweiler: 7, 8, 9 Axel Föhl und Manfred Hamm: Industriegeschichte Hermann Josef Stenkamp und Ronald Stenvert des Textils: 119 Westfälisches Industriemuseum, Beltman Architekten en Ingenieurs BV, Enschede: Dortmund 2005 111, 112, 127oben, 128 Fischer: Besteming Semarang: 23u, 25lo Redaktion/Redactie Duncan Gurr and Julian Hunt: The cotton mills of Oldham: 37, 81r Hermann Josef Stenkamp Eduard Westerhoff: 56, 57 Hans-Joachim Isecke, TECCON Ingenieurtechnik, Zugleich Begleitpublikation zur Ausstel- Stuhr: 86 lung/Tevens publicatie bij de tentoonstelling John A. Ledeboer: Spinnerij Oosterveld: 100 des Westfälischen Industriemuseums John Lang: Who was Sir Philip Stott?: 40 Museum Jannink, Enschede: 19, 98 – Textilmuseum Bocholt, Museum voor Industriële Acheologie en Textiel, des Museums Jannink in Enschede Gent: 16oben und des Textilmuseums Rheine Ortschronik (Stadtarchiv) Rüti: 110 Peter Heckhuis, Rheine: 67u, 137 Publikation und Ausstellung ermöglichten/ Privatbesitz: 15, 25u, 26u, 30, 31, 46, 65, 66, 67oben, 83oben, 87oben, 88u, 88r, 90, 92, 125l Publicatie en tentoonstelling werden Rheinisches Industriemuseum, Schauplatz Ratingen: mogelijk gemaakt door 11, 17 Europäische Union Ronald Stenvert: 26r, 39r, 97, 113oben, 113r, 114, 125r, Westfälisches Industriemuseum 126 Kulturforum Rheine Roger N.
    [Show full text]
  • Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
    Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village.
    [Show full text]