Cat Talogu E 54
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Smith Family…
BRIGHAM YOUNG UNIVERSITY PROVO. UTAH Digitized by the Internet Archive in 2010 with funding from Brigham Young University http://www.archive.org/details/smithfamilybeingOOread ^5 .9* THE SMITH FAMILY BEING A POPULAR ACCOUNT OF MOST BRANCHES OF THE NAME—HOWEVER SPELT—FROM THE FOURTEENTH CENTURY DOWNWARDS, WITH NUMEROUS PEDIGREES NOW PUBLISHED FOR THE FIRST TIME COMPTON READE, M.A. MAGDALEN COLLEGE, OXFORD \ RECTOR OP KZNCHESTER AND VICAR Or BRIDGE 50LLARS. AUTHOR OP "A RECORD OP THE REDEt," " UH8RA CCELI, " CHARLES READS, D.C.L. I A MEMOIR," ETC ETC *w POPULAR EDITION LONDON ELLIOT STOCK 62 PATERNOSTER ROW, E.C. 1904 OLD 8. LEE LIBRARY 6KIGHAM YOUNG UNIVERSITY PROVO UTAH TO GEORGE W. MARSHALL, ESQ., LL.D. ROUGE CROIX PURSUIVANT-AT-ARM3, LORD OF THE MANOR AND PATRON OP SARNESFIELD, THE ABLEST AND MOST COURTEOUS OP LIVING GENEALOGISTS WITH THE CORDIAL ACKNOWLEDGMENTS OP THE COMPILER CONTENTS CHAPTER I. MEDLEVAL SMITHS 1 II. THE HERALDS' VISITATIONS 9 III. THE ELKINGTON LINE . 46 IV. THE WEST COUNTRY SMITHS—THE SMITH- MARRIOTTS, BARTS 53 V. THE CARRINGTONS AND CARINGTONS—EARL CARRINGTON — LORD PAUNCEFOTE — SMYTHES, BARTS. —BROMLEYS, BARTS., ETC 66 96 VI. ENGLISH PEDIGREES . vii. English pedigrees—continued 123 VIII. SCOTTISH PEDIGREES 176 IX IRISH PEDIGREES 182 X. CELEBRITIES OF THE NAME 200 265 INDEX (1) TO PEDIGREES .... INDEX (2) OF PRINCIPAL NAMES AND PLACES 268 PREFACE I lay claim to be the first to produce a popular work of genealogy. By "popular" I mean one that rises superior to the limits of class or caste, and presents the lineage of the fanner or trades- man side by side with that of the nobleman or squire. -
JULES VERNE” Chronograph in His JULES VERNE Line, Louis Moinet Introduces a New Way to Use Your Chronograph
Louis Moinet (1768 – 1853) Portrait by Raymond Perrenoud Courtesy of Auktionen Dr Crott, Mannheim THE LOUIS MOINET STORY 1768 LOUIS MOINET Louis Moinet was born in Bourges in 1768 into a well-to-do family of farmers. During his studies, he quickly distinguished himself for his mastery of classical subjects, and he regularly took first place in academic competitions. While still a student, he was introduced to the world of watchmaking, and he spent almost all of his free time by the side of a master watchmaker. He was also privately tutored in drawing by an Italian painter. Bourges in the 18th century 1788 MASTER OF ART By the time he was 20, Louis Moinet dreamed constantly of Italy, the classic land of fine arts. He left France for the city of Rome, where he lived for five years, studying architecture, sculpture and painting. He became acquainted with members of the Académie de France, which encompassed some of the finest artists of the times. He then moved from Rome to Florence, where he learned the art of fine stone engraving in a workshop placed at his disposal by Count Manfredini, Minister of the Grand Duke of Tuscany. He also did several paintings there. French Academy, Villa Medici (Rome) 1795 PROFESSOR OF FINE ARTS Upon his return to Paris, he was appointed Professor of the Académie des Beaux-Arts, in the Louvre. He became a member of several scholarly and artistic societies, and cooperated with eminent artists such as the astronomer Lalande, the bronzier Thomire, and Robert-Houdin, the skilled automaton-maker © ann triling - Fotolia.com who is considered as the “renovator of magical art”. -
Special Web & Ipad Edition
Special Web & iPad Edition WATCH AFICIONADO USA & CANADA VOL.47 N°06 DEC./JAN. 2011 Europa Star is brought to you direct from the heart of the Swiss watchmaking industry Free and direct iPad access via www.europastar.com 053465-PAM311-EuropaStarUSA.indd 1 25/11/11 16:51 EUROPA STAR WEB & iPad SPECIAL THE GENEVA TIME EXHIBITION MOVES GENEVA’S WINTER SHOW(S) UPMARKET he first major international event private exhibitions and various boutiques To these economic-geo-strategic concerns of the watch calendar year, the while they are in the city. can be added other disconcerting factors T SIHH, is a must-see show, since related directly to the watch industry itself. it is here that the major lines are drawn All of this activity, however, is not carried We have the impression that a sort of for the year to come, whether in terms of out only by the large well-known watch watchmaking Darwinism is accelerating its ambitions or the upcoming trends. In this brands. Little by little, a backstage presence pace. The strong are getting stronger and MAGELLAN sense, the SIHH is both a barometer of the has gradually grown to become almost an the weak, instead of gaining self-confi- In its fourth year, the Geneva Time Exhi- current horological situation and an invalu- institution, like the GTE, which is trying to dence, are getting weaker. The groups are bition (GTE) will be presenting itself in a able indicator of what will be happening increase its level of acceptance this year. controlling distribution in an increasingly different light, with an emphasis on over the year. -
Exceptional Examples of the Masters of Etching and Engraving : the Print Collection of the Late J. Harsen Purdy, of New York
EXCEPTIONAL EXAMPLES OF THE MASTERS OF ETCHINa AND ENGRAVING THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON TUESDAY AND WEDNESDAY EVENINGS APRIL 10th and 11th, 1917 UNDER THE MANAGEMENT OF THE AMERICAN ART ASSOCIATION AMERICAN ART GALLERIES MADISON SQUARE SOUTH NEW YORK CITY smithsoniaM INSTITUTION 3i< 7' THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY ON PUBLIC EXHIBITION AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK ENTRANCE, 6 EAST 23rd STREET BEGINNING THURSDAY, APRIL 5th, 1917 MASTERPIECES OF ENGRAVERS AND ETCHERS THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF ALBERT W. PROSS, ESQ., AND THE NEW YORK TRUST COMPANY, AS EXECUTORS ON TUESDAY AND WEDNESDAY EVENINGS APRIL 10th and 11th, 1917 AT 8:00 O'CLOCK IN THE EVENINGS AT THE AMERICAN ART GALLERIES ALBRECHT DURER, ENGRAVING Knight, Death and the Devil [No. 69] EXCEPTIONAL EXAMPLES OF THE MASTERS OF ETCHING AND ENGRAVING THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE sold at unrestricted PUBLIC SALE BY ORDER OF ALBERT W. PROSS, ESQ., AND THE NEW YORK TRUST COMPANY, AS EXECUTORS ON TUESDAY AND WEDNESDAY, APRIL 10th AND 11th AT 8:00 O'CLOCK IN THE EVENINGS THE SALE TO BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF THE AMERICAN ART ASSOCIATION, Managers NEW YORK CITY 1917 ——— ^37 INTRODUCTORY NOTICE REGARDING THE PRINT- COLLECTION OF THE LATE MR. -
10609- 18Th Century George III Set of Six Mezzotints
- O'Sullivan Antiques Export date: Sat Sep 25 17:10:08 2021 / +0000 GMT 10609- 18th Century George III Set of Six Mezzotints Item Categories: Prints, Drawings and Watercolours Item Page: https://osullivanantiques.com/item/10609-18th-century-george-iii-set-of-six-mezzoti nts/ Item Description 18th Century George III set of six mezzotints depicting Lucretia, circa 1780, 'Domestic Happiness', 'The Elopement', 'The Virtuous Parent', 'Dressing for Masquerade', 'The Tavern Door', 'The Fair Penitent'. Engraved by John Raphael Smith, (1751 - 1812) and painted by George Morland, (1763 - 1804). Engraved by John Raphael Smith, (1751 - 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin and James Ward, who were among his registered pupils were William Hilton, Charles Howard Hodges, Christiaan Josi, Samuel William Reynolds, James and William Ward (engraver), and Peter de Wint. As a mezzotint [ Export product details as PDF file has been powered by WooCommerce PDF & Print plugin. ] | Page 1/4 | - O'Sullivan Antiques Export date: Sat Sep 25 17:10:08 2021 / +0000 GMT engraver Smith occupies the very highest rank. His prints are delicate, excellent in drawing and finely expressive of colour. Among his small full-length portraits in pastels and crayons the best is of Fox, the Whig leader which in 1802 was exhibited in the Royal Academy. -
Abbott's American Watchmaker and Jeweler
Jlbbotf$ Jimericaii (Uatcbtnaker m(i lewder. ;vi> ^'o ^ ^^i#SK- '{»?B/^^ CM^ a/;: ABBOTT'S AMERICAN WATCHMAKER AND JEWELER AN ENCYCLOPEDIA FOR THE HOROLOGIST, JEWELER, GOLD AND SILVERSMITH CONTAINING HUNDREDS OF PRIVATE RECEIPTS AND FORMULAS COMPILED FROM THE BEST AND MOST RELIABLE SOURCES. COMPLETE DIRECTIONS FOR USING ALL THE LATEST TOOLS, ATTACHMENTS AND DEVICES FOR WATCHMAKERS AND JEWELERS BY HENRY G. ABBOTT ILLUSTRATED WITH 288 ENGRAVINGS C HidAGO: Ge&. K. Hazlitt & Co., PUPUSHBIIS, Copyrighted 1898, by Geo. K. Hazlitt & Co. PREFACE. THE first edition of this work was published in 1893 and met with an unexpected and unprecedented sale, and a second edition was placed upon the market in less than ten months. So much new matter was added that it was found necessary to reset the entire work in smaller type in order to keep the volume within the price at which it was originally placed on the market. It is the first and only book, of which the author has any knowledge, which illustrates and describes modern American tools for the watchmaker and jeweler. The ambitious workman is always in search of knowl- edge, in search of new ideas, new tools and new methods. Patient study, constant practice and ambition are requisite to become pro- ficient in any art. The demand for skilled workmen is constantly increasing, and a person wishing to thoroughly master any art, must be to a certain extent capable of self instruction. To be proficient in any art a man must not be deft of touch alone, but the head must also play its part. -
Revista De Cultura Revista De Cultura Review of Culture INSTITUTO CULTURAL Do Governo Da R.A.E
33 International Edition 33 Edição Internacional 33 Janeiro/January 2010 International Edition Edição Internacional Revista de Cultura Revista de Cultura Review of Culture INSTITUTO CULTURAL do Governo da R.A.E. de Macau CULTURAL INSTITUTO Review of Culture IC EDITOR é uma revista de Cultura e, domínio do Espírito, é Livre. Avassalada Publisher ao encontro universal das culturas, servente da identidade cultural de INSTITUTO CULTURAL Macau, agente de mais íntima relação entre o Oriente e o Ocidente, do Governo da Região Administrativa particularmente entre a China e Portugal. RC propõe-se publicar todos Especial de Macau os textos interessantes aos objectivos confessados, pelo puro critério da CONSELHO DE DIRECÇÃO qualidade. Assim, as opiniões e as doutrinas, expressas ou professas nos textos Editorial Board assinados, ou implícitas nas imagens de autoria, são da responsabilidade Ung Vai Meng, Chan Chak Seng, dos seus autores, e nem na parte, nem no todo, podem confundir-se com a Marie MacLeod, Luís Ferreira, orientação da RC. A Direcção da revista reserva-se o direito de não publicar, Wong Io Fong e Paulo Coutinho nem devolver, textos não solicitados. [email protected] é uma revista trimestral, simultaneamente publicada nas versões COORDENADOR Chinesa e Internacional (em Português e Inglês). Buscando o diálogo Co-ordinator e o encontro francos de Culturas, RC tem na limpidez a vocação e na Luís Ferreira [email protected] transparência o seu processo. Edição Internacional / International Edition is a cultural magazine published quarterly in two versions — Chinese EDITOR EXECUTIVO and International (Portuguese/English)—whose purpose is to refl ect the Executive Editor unique identity of Macao. -
The Runaway Wagon Signed and Inscribed ‘I.WARD.X/Paddington’ (On the Wagon) Oil on Canvas 61 X 76.2 Cm (24 X 30 In)
James Ward (London 1769 - Cheshunt 1859) The Runaway Wagon signed and inscribed ‘I.WARD.x/Paddington’ (on the wagon) oil on canvas 61 x 76.2 cm (24 x 30 in) An exhilarating and urgent chase is depicted in The Runaway Wagon as a man desperately pursues his wagon pulled by two horses as they speed away in a full gallop. James Ward is best known for his accomplished animal studies although he also expertly captured people and landscapes; in this composition, he brings all three components together to create an engaging scene. The tumultuous energy of the scene is heightened by the dark and stormy clouds in the sky and the shadowy ground beneath, and Ward’s vigorous brush strokes and strong colours add to the drama. Central to the composition are two horses showing off their powerful muscles and lustrous coats as they strain to escape the burden of the wagon. The lead horse is turned away but the second horse turns his finely formed head to challenge the viewer. Ward often painted animals in a state of agitation or movement and his preparatory drawings such as Studies of a Horse in Motion in The Fitzwilliam Museum, Cambridge, reveal his interest in capturing the specifics of anatomy and the range of movements that were necessary for executing a convincing animal painting. Chaos abounds in The Runaway Wagon, and can be seen in the details of the basket and bundles about to tumble to the ground, and the pigs scurrying from underneath the wagon in fright. A man, presumably the owner of the wagon, runs after it in a state of dishevelled frenzy, while on the left of the composition another man appears terrified as he hastens to close the gate and halt the oncoming horses. -
Table Des Matières Bulletin No 55/2016
Table des matières Bulletin No 55/2016 Le mot de la présidente........................................................................................................2 Quand des DUCOMMUN-dit-Veron deviennent DUCOMMUN du LOCLE.......3 Une femme dans la tempête - 1914...................................................................................9 Visite du Musée paysan de Coffrane...............................................................................11 Biographie de Raymond Perrenoud (1926-1916)..........................................................13 Courrier des lecteurs...........................................................................................................17 Laurent Mégevand ou Louis Moinet ?............................................................................19 Procès-verbal de l'assemblée générale du samedi 30 janvier 2016 à 10 h 00 à Fontainemelon....................................................................................................................20 Programme 2017.................................................................................................................24 Bulletin SNG No 55/décembre 2016 1 Le mot de la présidente Si nous profitions de ces Fêtes où certains ont la chance de partager des moments en famille pour raconter les anecdotes que nous avons découvertes dans nos recherches.... Peut-être que cela pourrait inciter nos enfants ou membres de notre famille à s'intéresser à nos recherches et de continuer nos travaux … Je vous souhaite de belles Fêtes et au -
Recent Studies of Book Illustration and Engraving, Including Cartography, 1985–2016 This Bibliography Surveys Scholarship Publ
Recent Studies of Book Illustration and Engraving, including Cartography, 1985–2016 This bibliography surveys scholarship published between 1985–2016 on engraving, including illustrations, prints, and emblems, as well as cartography, during the long eighteenth century (roughly 1650–1820). The focus is on Europe and the Americas, but some of Asian developments, particularly Japanese, have been included. The bibliography is most inclusive for the years 1990-2014, in consequence of my compiling studies from those years for Section 1— "Printing and Bibliographical Studies"—of the ECCB: The Eighteenth-Century Current Bibliography. A shorter version of this list without cartographic materials appeared in The East- Central Intelligencer, n.s. 15, no. 1 (January 2001), 58-77. Then an intermediate version appeared at Kevin Berland's C18-L website. During 2015–17, I expanded the list four times, with it now reaching 236 pages in typescript. The bibliography includes cartography (particularly the printed products of map-making), but excellent annual surveys of cartographic publications have been compiled by Francis Herbert, Wouter Bracke, and Nick Millea for Imago Mundi (entered under their names below). It lists dissertations and reviews for books. Focused on printed sources, it fails to note some valuable electronic sources, such as Juliette Sodt's website on illustration in botanical books, <www. library.wwu.edu/ref/subjguides/BOTILL.htm>, and many exhibition catalogues posted on the web by museums (only some recent exhibitions are included). Also, some studies in my bibliography of children’s literature at BibSite, as those on chapbooks, could also have been placed into this bibliography on engraving but were not. -
NGA | 2014 Annual Report
NATIO NAL G ALLERY OF ART 2014 ANNUAL REPORT ART & EDUCATION Juliet C. Folger BOARD OF TRUSTEES COMMITTEE Marina Kellen French (as of 30 September 2014) Frederick W. Beinecke Morton Funger Chairman Lenore Greenberg Earl A. Powell III Rose Ellen Greene Mitchell P. Rales Frederic C. Hamilton Sharon P. Rockefeller Richard C. Hedreen Victoria P. Sant Teresa Heinz Andrew M. Saul Helen Henderson Benjamin R. Jacobs FINANCE COMMITTEE Betsy K. Karel Mitchell P. Rales Linda H. Kaufman Chairman Mark J. Kington Jacob J. Lew Secretary of the Treasury Jo Carole Lauder David W. Laughlin Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller LaSalle D. Leffall Jr. Chairman President Victoria P. Sant Edward J. Mathias Andrew M. Saul Robert B. Menschel Diane A. Nixon AUDIT COMMITTEE John G. Pappajohn Frederick W. Beinecke Sally E. Pingree Chairman Tony Podesta Mitchell P. Rales William A. Prezant Sharon P. Rockefeller Diana C. Prince Victoria P. Sant Robert M. Rosenthal Andrew M. Saul Roger W. Sant Mitchell P. Rales Victoria P. Sant B. Francis Saul II TRUSTEES EMERITI Thomas A. Saunders III Julian Ganz, Jr. Leonard L. Silverstein Alexander M. Laughlin Albert H. Small David O. Maxwell Benjamin F. Stapleton John Wilmerding Luther M. Stovall Alexa Davidson Suskin EXECUTIVE OFFICERS Christopher V. Walker Frederick W. Beinecke Diana Walker President William L Walton Earl A. Powell III John R. West Director Andrew M. Saul John G. Roberts Jr. Dian Woodner Chief Justice of the Franklin Kelly United States Deputy Director and Chief Curator HONORARY TRUSTEES’ William W. McClure COUNCIL Treasurer (as of 30 September 2014) Darrell R. -
Indian Epilepsy Society- Valproic Acid : Indian Consensus Document
Indian Epilepsy Society Valproic Acid: Indian Consensus Document Editor-in-Chief Man Mohan Mehndiratta ELSEVIER Indian Epilepsy Society: Valproic Acid: Indian Consensus Document A division of Reed Elsevier India Private Limited © 2016 Indian Epilepsy Society. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the Publisher. Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. With respect to any drug or pharmaceutical products identifi ed, readers are advised to check the most current information provided (i) on procedures featured or (ii) by the manufacturer of each product to be administered, to verify the recommended dose or formula, the method and duration of administration, and contraindications. It is the responsibility of practitioners, relying on their own experience and knowledge of their patients, to make diagnoses, to determine dosages and the best treatment for each individual patient, and to take all appropriate safety precautions. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.