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Dealers in Antique Prints & Books

Catalogue 54 London International Antiquarian Book Fair

Item 193: Months of the Year in Flowers

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Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. Six Etchings by William Crotch from 3. Miscellaneous Skettches from Nature. Sketches by Mr. O'Neill, of the Ruins of the Drawn and Lithographed by Mrs Arthur Shirley. Late Fire at Christ Church, Oxford. To which London 1857. Printed by Netthercraft & Durlacher, 18, is prefixed some account of the fire, and the Brewer St, Golden Sq. buildings injured by it. Oblong folio, original illustrated wrappers, 6 tinted Published and Sold by Robert Bliss, Bookseller, lithographs. Very large margins, uncut. Plates spotted. Oxford. Printed by N. Bliss, 1809. £580 Folio, wrapppers with original front wrapper pasted on; Five portraits of horses and 'The Death'. An extremely pp. 8 including letterpress title with etched vignette, rare publication, probably inttended to be part of a etched map, 7 etchings, numbered 1-6, plate 4 in two series. However we have been unable to find any states. Plate six damaged. Wrappers repaired. £450 biiographical details for Mrs SShirley. Stock: 37193 A fire of March 3rd 1809, fortunately a calm night, which destroyed the apartments of a number of dons. Dr White, the canon of Christchurch, lost a valuable 4. A Key to the Politiical Sketches of H.B. library of oriental works. Nos 1 - 200, Arranged as Published, up to June, Stock: 37172 1832. Price 2s. Each Plate. Published Solely by Thomass McLean, 26, Haymarket, London. Where complete setts and keys may be had. 8vo pamphlet, partially unopened. Ink ownership stamps on front and back, ink mss note on front. £140 A pamphlet listing the titles of the first 200 caricatures drawn by John Doyle (1797 -- 1868) under the psseudonym 'H.B', with a key to the personages satirised. Eventually the index reached at least 600. Stock: 37178

5. The Political Housse that Jack Built. 'A straw-thrown up to show which way the wind blows.' With Thirteen Cuts. Twenty-Fourth Edition. [Illustrations by George Cruiikshank.] London: Printed byy and for William Hone, Ludgate Hill. 1819. One Shilling. 2. The Trials of Arthur Thistlewood, and 8vo pamplet, disbound and mounted on album paper; Other, for High Treason, at the Old Bailey ppp. 20, 11 wood engravings by George Crur ikshank. Sessions-House, commencing On Saturday, thhe £160 15th, and ending on Thursday, the 27th of William Hone's wildly popullar radical pamphlet, April, 1820. Taken in Short Hand, Accordingg attacking the authoritarian nature of the British to the Method Invented by John Byrom, Esq. government, satirising lawyers, the church, the monarchy and the army. The cover illustration shows F.R.S. Illustrated by Back and Front Views of the Duke of Wellington addiinng his sword to the Scales the Premisees in Cato Street, Edgeware Road, of Justice, trying to get the Establishment to outweigh a London; and by several Original Portraits of writing quill, captioned 'The Pen and the Sword'. the principal Conspiritors and Witnesses Throughout Hone quotes from William Cowper's 'The connected with these Proccedings. With An Task'. Appendix containing circumstantial details of First published in December 1819, this 24th edition the Execution and decapitation of Thistlewoodd, was published before the end of the year. It is Tidd, Ings, Davidson, and Brunt. estimated that 100,000 copiees were printed in two London: Printed for Sherwood, Neely, & Jones, years. Paternoster Row, and J. Asperne, Cornhill. 1820. 1819 was the year of the Peterloo Massacre and the Small 4to, original boards rebacked, later title label on subsequent legislation known as the Six Acts, which spine; pp. iv + 200; 9 plates. Inner hinges strained. made mass meetings illegal and toughened the laws Some foxing. £520 against seditious publicationss. Hone was adept at Interesting advert for Byrom's short hand. The trial of defending himself against sedditious libel and the Cato Street conspirators, who planned to murder bllasphemy charges: having been acquitted three times Prime Minister Lord Liverpool and his entire cabinett in in 1817 he was virtually untouchable by the courts. 1820. Although the titlepage calls ffor 13 wood engravings, The conspirators were sentenced to be hung, drawn and two of these appear in a second article in the pamphlet, quartered; however this was commuted to hanging and 'The Clerical Magistrate', nott present here. beheading. Although the decapitation was performedd Stock: 37186 by a surgeon, it caused enough unrest that this punishment was never used again. Stock: 37177 6. The Duke's Funeral: A Poem. economy of all classes'. In many cases, the By Sir Franccis Hastings Doyle, Bart., Late Fellow off advertisements are accompanied by corresponding, All Souls' College, Oxford. London: Clarke, Beeton, & hand written letters from cusstomers ordering supplies Co., Foreign Booksellers, 148 Fleet Street. [n.d., and fixtures. c.1852. Stock: 37266 Letterpress pamphlet, 8vo, printed wrappers, pp.16, two wood engravings. With ink mss envelope (?) witth Doyle's signature pasted at rear. Lacking wrappers, pages mounted in album paper. Old ink ownership inscription on front wrapper. £160 With an interior of Chelsea Hospital during the lying- in-state, and a view of the funeral procession with the hearse. Doyle (1810-88) was Professor of Poetry at Oxford from 1867 and caricatured by Spy in 1877. Stock: 37182

7. Service and Anthems to be used upon Thursday the 18th Day of November 1852, being the Day Appointed for the Public Funeral of His Grace Field Marshal The Duke 10. [Scrap Album Compiled by William of Wellington, K.G. in the Cathedral Church Eassie C.E.] of St Paul, London. [n.d., c.1870] By Authority of the Dean Of St Paul's. London: Printed Scrapbook in marbled boardss, backed in linen. by George Edward Eyre and William Spottiswoode, Extremities frayed, some sheets loose. worn. £1250 Printers to the Queen's Most Excellent Majesty. For An industrial scrapbook conttaining designs, Her Majesty's Stationery Office. 1852. phhotographs and adverts for mmachinery and woodwork Letterpress pamphlet, 8vo, pp.16. With ink a.l.s letter and joinery tools, including annotation in manuscript. from Henry Hart Milman. Lacking wrappers, pages Stock: 37502 mounted in album paper. £180 Milman (1791-1868) was the Dean of St Paul's 11. Narrative of the British Embassy to Cathedral at the time of the funeral. China In the Years 1792,, 1793 and 1794. Stock: 37180 Containing the various Circumstances of the Embassy, with accounts of Customs and 8. Ode of the Death of the Duke of Manners of th Chinese; and a Description of Wellington. the Country, Towns, Citiies, &c. &c. By Alfred Tennyson, Poet Laureate. London: Edward byy Æneas Anderson. Then in the Service of his Moxon, Dovers Street Street, 1852. Excellency Earl Macartney, K.B. Ambassador from the Rare letterpress pamphlet, 8vo, printed wrappers, King of Great Britain to the Emperor of China. pp.16. Wrappers and pages mounted in album paper. London: Printed for J. Debrett, Opposite Burlington- Old ink ownership inscription on front wrapper. £240 House, Picadilly. 1795. Six pages of verse composed by Tennyson two years Rare book. 4to, original, full calf gilt, marbled after he became Poet Laureate and over thirty years endpapers; pp.xxiv + 278 + ((26)(appendix, glossary before he was ennobled. and advert). Fine. Slightly scuffed at corners. £1150 Stock: 37179 A detailed account of Æneass Anderson's voyage to China in the service of Lord Macartney starting from 9. [Scrapbook of household and trade 5pm Tuesday 25th September when the ship sets sail related ephemera.] until 1794. The text includess a list of the retinue of [n.d., c.1840-50's.] Lord Macartney and a Glossaary of Chinese words. Scrapbook containing various ephemera; in pencil on Stock: 37515 frontcover Ed. Hall Archt. Overall size: 570 x 430mm (22½ x 17"). Not bound. £2500 12. [A P&O Company letter ledger.] A unique collection of 69 items including building, [May - July 1911.] construction, renovation, trades and household related Quarto binder with index leaves; 190 numbered items. material; a large number of advertisements for fixtures, Some wear. £300 fittings, decorating and building equipment, such as A volume of general correspoondence to the London 'Churchian System for Regulating Doors and offices of P&O, including: complaints about service; Windows', 'Dr. Arnott's Ventilating Chimney Valve', pllans for the Coronation Durrbar at Delhi; requests for 'The Architectural Tile Company's Patent Roofing and ships for sale and breaking; iinvestigations into butter- Facing Tiles' and 'The Patent Torrent Water Closet' piilfering; an offer of training for telegraph operators; dated 1849, describing 'the absolute necessity for the paamplets advertising the maiiden voyage of T.S.S. universal adoption of Water Colsets, in lieu of Maunganui to Australia, andd a plea from a Maltese lace Cesspools, as essential to the health, comfort and trader to have his permit to sell his wares on P&O A pair of agents' ledgers connttaining copies of the ships traversing the Suez Canal reinstated. correspondence to and from tthe Peninsular and Stock: 35794 Oriental Steam Navigation Company's superindendents in Hong Kong, each with manuscript indexes at the 13. [A P&O Company letter ledger.] No 1. beeginning, detailing the day tto day activities of the Bombay froom 18 Dec 68 to Dec 69. agents, with the arrivals and departures of the Quarto binder with index leaves; 370 numbered leaves company's ship, with accounts of the cargos, of manuscript. Damp staining throughout, a few pages paassengers and profits. stuck together at rear. £1500 The first volume contains the correspondence of A volume of general correspondence relating to William Macaulay (d.1879), who later became company business, indexed at the beginning. The managing director of the company. The second relates period covers the opening of Suez Canal in November to Henry Hope Joseph (c.1849-1931). He also records 1869. A unique compilation of trading links in and out memos about a surcharge forr £125 'Around the World' of Bombay; some signed by the Superintendent George ticket holders should they wiish to visit the Chicago Herring. World War via the Canadian Pacific Railway, and a Stock: 35797 letter of complaint from Bombay Yarn and Opium importers about their bales being damaged by sea 14. [A P&O Company letter ledger.] India water. and China Letter Book 19. From January 1864 However within these three months Joseph had to deal to Februarry 1865. with two serious incidents: the shipwreck of SS Bokhara and the collision beettween SS Ravenna and the Quarto binder with index leaves; 370 numbered leaves Japanese naval cruiser Chisima. of manuscript. Damp staining throughout, a few pages The Bokhara was driven onto a reef off Sand Island stuck together at rear. £750 (Pescadores Islands) by a typhoon on 10th October. A volume of general correspondence relating to 125 drowned and 23 saved, of whom only two were company business, copied into the ledger by a paassengers, members of the Hong Kong cricket team secretary, indexed at the beginning. Dealing with Far returning from a match against Shanghai. The Eastern matters including Singapore, Australia, Hong documents attached translatioons of coded telegrams Kong & China, etc. Stock: 35796 (Bokhara is referred to as 'Baclulite'), newspaper clippings, copies of letters to the Directors in London, accounts of salvage and the burial of the dead. 15. [A P&O Company letter ledger.] The collision of SS Ravennaa and Chishima occurred at [1871.] 30 November 1892, when thhe cruiser cut across the Quarto binder with index leaves; 456 numbered leaves mail steamer's path: the Ravenna hit Chishima of manuscrippt. £750 amidships, cutting it in two. TThe warship sank with the A volume of general correspondence relating to loss of her captain and 74 crew, with the Ravenna company business, based in India, copied into the taking only minor damage on her bow. The ledger ledger by a secretary, indexed at the beginning. contains three original photoographs of the damage, Dealing with Far Eastern matters including Australia, taken in dry dock, with a damage report, fif rst-hand China, India, Hong Kong etc. accounts, and discussion of tthe forthcoming Naval Stock: 35795 Court of Inquiry at Yokohama. Although the letters show the intention of P&O to demand damages from Japan, the company ended up paying £10,000 compensation (covering the cost of the Chishima but nothing for the crew). Japan established 'Maritime Anti-Collision Regulations' iin the wake of the incident. Henry Hope Joseph was appoointed a joint General Manager of P&O in 1899. A unique compilation of trading links in and out of Hong Kong by P & O including list of cargoes, inciidents, problems with staff etc. Must be viewed! Index of contents at front. Stock: 35793

17. Congratulatory Addresses Recited in the Theatre, Oxfof rd, at the Installation of His 16. [Two letter ledgers of P&O Company's Grace the Duke of Wellington, Chancellor of Hong Kong superintendents.] the University. M.DCCCXXXIV. [First vol dated November 1868 - June 1869; second Oxford, Published by J. Vincent. 1834. vol with sheets dated October 1892 - January 1893.] 8vo, 28 pages (of 69), disbound and mounted in 4to Two quarto binders with index leaves; first vol. with 71 album paper, five extra illusttrations relating to numbered letters (most multi-page); second with 229 Wellington & Oxford. £290 inserted sheets, numbered in blue wax pencil. Some Different verses in English, Latin and Greek. wear. £4600 Stock: 37319

18. [Allegory on the Discord in France] Earlom after other drawings by Claude in various CL M inv. [published by Blaeu, 1638] collections. For a set of 20 plates from the series, in Etching, platemark 295 x 385mm (11½ x 15¼"). Small etched outline states, see reff.. 20226. margins. Cenntral fold (as issued?), printers crease; Stock: 37197 pinhole lower right, left corner wrinkled. £160 Hercules carrying a repaired globe marked 'Gallia' 20. To the Queen, This Book of Etchings, (France), asssisted by Mars and Minerva. Statues of from Papers cut by The RRight Honorable Lady Justice and Concord on pedestals either side. Templeton, In the Collecction of Her Majesty, One from a series of sixteen plates showing the is with permission most humbly dedicated,by festivals and ceremonies given to Marie de Medici by her Majesty's most devotted amd very much the city of Amsterdam during her visit from 31 August obliged serv.t P.W. Tomkins. to 5 September 1638, published by Blaeu in Kaspar London: Publish'd as the Actt directs June 4. 1790 by van Baerle's book on the festivities 'Medicea Hospes' J.F. Tomkins No. 18 New Bond Street. ('The Medicean Guest'). The visit was considered an Oblong 8vo, original printedd wrappers, 4 etched plates important moment in Dutch history as it conferred (of 12) mounted on paper, as issued. Stains on covers. international recognition on the newly-formed Dutch £360 Republic. This is one of the nine plates by Pieter Nolppe Romantic scenes featuring mothers, children and putti after Moyaert. Muller 1793.13; Hollstein 6-14 (after etched by Peltro William Tompkins after papercuts by Moeyaert); Hollstein 95-103 (Nolpe). For another Elizabeth Upton, Lady Templetown (1747-1823), an plate from the volume see ref. 28696; for Barlaeus, see artist who provided designs ffor Josiah Wedgewood. ref. 29659. Stock: 37192 Stock: 37014

21. [Attention] G.B. Cipriani inv. / F. Bartollozzi Sculp. [London Publish'd March 6th. 1782 by Sus. Vivares] Stipple printed in colours, sheet 125 x 90mm (5 x 3½"). Trimmed inside platemark, possibly losing text. £130 Attention: woman sat at desk, writing. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointmentt as engraver to the king. In England he became the mostt celebrated exponent of the 'stipple' technique whereby he produced prints 19. [Pastoral landscape with figures and using dots rather than lines. This is the medium cattle by a shore] employed here, one of manyy prints he made from Claude fecit Roma 1676 [in image lower left] / R. designs by his fellow Italian,, G.B. Cipriani. De Vesme Earlom sculpt. Pub. Jan. 20 1802 by J. & J. Boydell, 575 iii[?]/v No 90, Cheapside &c at the Shakespeare Gallery, Pall Stock: 36633 Mall. Etching, platemark 270 x 360mm (10½ x 14¼"). Large 22. [Studies of Heads] margins. State before mezzotinting. £140 Per G. de Lairesse inv: et sculp: et Per N: Visscher Etching by Richard Earlom (1743 - 1822) after a edit: cum Priv: Ord: Gen: Belgii Federati sketch in the copy of Claude le Lorrain's 'Liber Etching, platemark 150 x 105mm (6 x 4¼"). Small Veritatis' owned by the Duke of Devonshire at margins. Slight creasing & ffoxing and paper tone. Chatsworth. Claude (c.1600-82) was a prolific and £120 successful laanndscape painter, and, even during his Elegant etching of five femalle heads by Gérard lifetime, forgeries of his work appeared for sale. To Lairesse (1640-1711), Dutch painter and etcher who combat this Claude made up six albums of tinted worked for William and Marry amongst other illustrious sketches of his completed works, each sketch with the paatrons. A classicist and theorist (after going blind he name of the purchaser of the painting on the back. The wrote a major theoretical treatise, the Groot 'Liber Veritatis' (Book of Truth) was then distributed Schilderboek or 'Great Bookk of Painting'), Lairesse was around Europe so that his genuine paintings could be known as the 'Dutch Poussin'. Most of his plates were authenticated. The Chatsworth copy of the 'Liber originally published by Nicoolaes Visscher, who Veritatis' contained 200 drawings, including a puublished a collected editionn under the title 'Opus frontispiece portrait of Claude and five unrelated Elegantissimum' in c.1675. drawings. Commissioned by John Boydell, Earlom Stock: 37349 engraved the full set between 1774 and 1777, when they were published by Boydell in two volumes, each containing 100 prints, numbered 1-200. A third volume of 100 printss was published by Boydell in 1819, which was numbered separately, containing mezzotints by 23. Benedicite Benisé la bonté Supréme / For a set of 11 from this series, see item ref: 28133. Ex Mes Enfans avant le repas / C'est le Seigneur collection of the Hon. Christopher Lennox-Boyd. nen doutez pas / Qui nous nourit luy meme Stock: 37402 le Brun in. / C. Duflos ex AParis Chez Duflos rue S. Jacques [c.1720] 26. Mrs. Homespun & Sedley. Pupil of Engraving, platemark 120 x 155mm (4¾ x 6"). Very Pleasure. large margins. £65 [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Family saying grace before a meal., after Charles Le c.1790.] Brun (1619-90). Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Stock: 37105 Trimmed to image on 3 sides. Tipped into backing sheet. £450 24. Tom Jones, Molly Seagrim, and Square. An illustration of Fielding's Tom Jones, Cleland's [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Fanny Hill, and Rousseau's La Nouvelle Heloise and c.1790.] Les Confessions. Radically different from George Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Morland's (1763-1804) more familiar rustic genre, Trimmed to image on 3 sides. Tipped into backing landscapes and elegant portraits of decorous young sheet. £450 ladies, these plates graphically depict sexual An illustration of Fielding's Tom Jones, Cleland's intercourse and activity in a variety of situations. They Fanny Hill, and Rousseau's La Nouvelle Heloise and are almost certainly engraved by William Ward (1766- Les Confessions. Radically different from George 1826) and John Raphael Smith (1752-1812), with Morland's (1763-1804) more familiar rustic genre, whom Morland enjoyed a fruitful business partnership. landscapes and elegant portraits of decorous young All plates captioned, with the appropriate literary ladies, these plates graphically depict sexual reference; all are (naturally) unsigned. Some of the intercourse and activity in a variety of situations. They faces, and other more intimate parts of the human are almost certainly engraved by William Ward (1766- anatomy, have been reworked (one impression in 1826) and John Raphael Smith (1752-1812), with particular is rather faint). In June 2012 Christie's sold whom Morland enjoyed a fruitful business partnership. an album of 13 similar erotic plates titled 'Facetiae'. All plates captioned, with the appropriate literary The BM lists ten on its website. reference; all are (naturally) unsigned. Some of the For a set of 11 from this series, see item ref: 28133. Ex faces, and other more intimate parts of the human collection of the Hon. Christopher Lennox-Boyd. anatomy, have been reworked (one impression in Stock: 37403 particular is rather faint). In June 2012 Christie's sold an album of 13 similar erotic plates titled 'Facetiae'. 27. Hariet ravish'd in the Summer House. The BM lists ten on its website. Woman of Pleasure. For a set of 11 from this series, see item ref: 28133. Ex [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., collection of the Hon. Christopher Lennox-Boyd. c.1790.] Stock: 37401 Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Trimmed to image on 3 sides. Tipped into backing 25. Lady Bellaston & Tom Jones after their sheet. Light staining to sheet. £450 return from the Masquerade. Tom Jones book An illustration of Fielding's Tom Jones, Cleland's 15 Chap.t 7. Fanny Hill, and Rousseau's La Nouvelle Heloise and [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Les Confessions. Radically different from George c.1790.] Morland's (1763-1804) more familiar rustic genre, Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). landscapes and elegant portraits of decorous young Trimmed to image on 3 sides. Tipped into backing ladies, these plates graphically depict sexual sheet. £450 intercourse and activity in a variety of situations. They An illustration of Fielding's Tom Jones, Cleland's are almost certainly engraved by William Ward (1766- Fanny Hill, and Rousseau's La Nouvelle Heloise and 1826) and John Raphael Smith (1752-1812), with Les Confessions. Radically different from George whom Morland enjoyed a fruitful business partnership. Morland's (1763-1804) more familiar rustic genre, All plates captioned, with the appropriate literary landscapes and elegant portraits of decorous young reference; all are (naturally) unsigned. Some of the ladies, these plates graphically depict sexual faces, and other more intimate parts of the human intercourse and activity in a variety of situations. They anatomy, have been reworked (one impression in are almost certainly engraved by William Ward (1766- particular is rather faint). In June 2012 Christie's sold 1826) and John Raphael Smith (1752-1812), with an album of 13 similar erotic plates titled 'Facetiae'. whom Morland enjoyed a fruitful business partnership. The BM lists ten on its website. All plates captioned, with the appropriate literary For a set of 11 from this series, see item ref: 28133. Ex reference; all are (naturally) unsigned. Some of the collection of the Hon. Christopher Lennox-Boyd. faces, and other more intimate parts of the human Stock: 37404 anatomy, have been reworked (one impression in particular is rather faint). In June 2012 Christie's sold an album of 13 similar erotic plates titled 'Facetiae'. The BM lists ten on its website. 28. St. Preux and Eloisa. I feel - I feel you 30. Tom Jones and, Molly Seagrim in the are a thousand times more dear to me than Grove. ever. O my charming Mistress! my Wife! my [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Sister! my Friend! By what name shall I c.1790.] express what I feel? Eloisa Vol 1. Page: 85. Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Trimmed to image on 3 sides. Tipped into backing c.1790.] sheet. Light staining in title area. £450 Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). An illustration of Fielding's Tom Jones, Cleland's Trimmed to image on 3 sides. Tipped into backing Fanny Hill, and Rousseau's La Nouvelle Heloise and sheet. £450 Les Confessions. Radically different from George An illustration of Fielding's Tom Jones, Cleland's Morland's (1763-1804) more familiar rustic genre, Fanny Hill, and Rousseau's La Nouvelle Heloise and landscapes and elegant portraits of decorous young Les Confessions. Radically different from George ladies, these plates graphically depict sexual Morland's (1763-1804) more familiar rustic genre, intercourse and activity in a variety of situations. They landscapes and elegant portraits of decorous young are almost certainly engraved by William Ward (1766- ladies, these plates graphically depict sexual 1826) and John Raphael Smith (1752-1812), with intercourse and activity in a variety of situations. They whom Morland enjoyed a fruitful business partnership. are almost certainly engraved by William Ward (1766- All plates captioned, with the appropriate literary 1826) and John Raphael Smith (1752-1812), with reference; all are (naturally) unsigned. Some of the whom Morland enjoyed a fruitful business partnership. faces, and other more intimate parts of the human All plates captioned, with the appropriate literary anatomy, have been reworked (one impression in reference; all are (naturally) unsigned. Some of the particular is rather faint). In June 2012 Christie's sold faces, and other more intimate parts of the human an album of 13 similar erotic plates titled 'Facetiae'. anatomy, have been reworked (one impression in The BM lists ten on its website. particular is rather faint). In June 2012 Christie's sold For a set of 11 from this series, see item ref: 28133. Ex an album of 13 similar erotic plates titled 'Facetiae'. collection of the Hon. Christopher Lennox-Boyd. The BM lists ten on its website. Stock: 37407 For a set of 11 from this series, see item ref: 28133. Ex collection of the Hon. Christopher Lennox-Boyd. 31. Fanny Hill, Louisa, and the Nosegay Boy. Stock: 37405 Woman of Pleasure. [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., 29. Fanny Hill & Pheobe. Women of c.1790.] Pleasure. Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). [W. Ward and J.R. Smith(?) after G. Morland.] [n.d., Trimmed to image on 3 sides. Tipped into backing c.1790.] sheet. Light staining. £450 Mezzotint. Sheet size: 315 x 245mm (12¼ x 9½"). Cut An illustration of Fielding's Tom Jones, Cleland's to image on all sides. Tipped into backing sheet. £450 Fanny Hill, and Rousseau's La Nouvelle Heloise and An illustration of Fielding's Tom Jones, Cleland's Les Confessions. Radically different from George Fanny Hill, and Rousseau's La Nouvelle Heloise and Morland's (1763-1804) more familiar rustic genre, Les Confessions. Radically different from George landscapes and elegant portraits of decorous young Morland's (1763-1804) more familiar rustic genre, ladies, these plates graphically depict sexual landscapes and elegant portraits of decorous young intercourse and activity in a variety of situations. They ladies, these plates graphically depict sexual are almost certainly engraved by William Ward (1766- intercourse and activity in a variety of situations. They 1826) and John Raphael Smith (1752-1812), with are almost certainly engraved by William Ward (1766- whom Morland enjoyed a fruitful business partnership. 1826) and John Raphael Smith (1752-1812), with All plates captioned, with the appropriate literary whom Morland enjoyed a fruitful business partnership. reference; all are (naturally) unsigned. Some of the All plates captioned, with the appropriate literary faces, and other more intimate parts of the human reference; all are (naturally) unsigned. Some of the anatomy, have been reworked (one impression in faces, and other more intimate parts of the human particular is rather faint). In June 2012 Christie's sold anatomy, have been reworked (one impression in an album of 13 similar erotic plates titled 'Facetiae'. particular is rather faint). In June 2012 Christie's sold The BM lists ten on its website. an album of 13 similar erotic plates titled 'Facetiae'. For a set of 11 from this series, see item ref: 28133. Ex The BM lists ten on its website. collection of the Hon. Christopher Lennox-Boyd. For a set of 11 from this series, see item ref: 28133. Ex Stock: 37408 collection of the Hon. Christopher Lennox-Boyd. Stock: 37406

paatrons. A classicist and theorist (after going blind he wrote a major theoretical treatise, the Groot Schilderboek or 'Great Bookk of Painting'), he was known as the 'Dutch Poussin'. Most of his own etchings were originally publlished by Nicolaes Visscher, who published a collected edition under the title 'Opus Elegantissimum' in c.1675. Stock: 37350

34. [Margaret Cavendish, duchess of Newcastle upon Tyrne] HHere on this Figure Cast a Glance, / But so as if it were by Chance [...] [Peter Ludwig van Schuppen after Abraham van Diepenbeck, 1662] Engraving, sheet 265 x 160mm (10½ x 6¼"). Trimmed inside platemark and glued to album sheet with hand- drawn borders; staining; 'The Lady Elizabeth Beaumonth then Perfect Reseemblance' in manuscript top of image.Rare. £320 Poro trait of Margaret Cavendiish (née Lucas), duchess of Newcastle upon Tyne (1623?-73), writer. To her left is Apollo, the god of music and poetry, and on her right is Pallas Athena, the goddess who visited with the Muses on Mount Helicon. Cornucopias are at the heads and feet of the divinities. Frontispiece to Cavendish's 'PPlays written by the Thrice Noble, Illustrious and Excelllent Princess, the Lady Marchioness of Newcastle' (1662). See Cecile M. Jaagodzinski, 'Privacy and Print: Reading and Writing in Seventeenth-century England'. Stock: 37362

32. [Cupids Disarmed.] [&] [Venus at the Forge of Vulcan.] 35. [Frontispiece to 'TThe Princess Cloria'] Franciscus Albanus inv. et Pinxit. Stef. Baudet Gall. What Sacrifice can Expiaate.s past Crimes Are Sculp. Roma 1672. Cum Priv. Summi Pont et Regis left to Jove; Ovr King must bless the Times. Christi. [1661] Rare engraving. Plate 265 x 160mm (10½ x 6½"). Pair engravings. Plate: 660 x 585mm, (26 x 23"). Large Damaged; trimmed inside plaatemark and glued to images, scarce. Some marks in margins. Some slight album sheet with hand-drawn borders. £50 damage in plate. £950 Monumental structure with a calm seascape behind. Two from a series of four plates by French engraver The figure of the executed Chharles I (derived from Van Etienne Baudet (1636-1711) after Francesco Albani Dyck's portraits and wearingg the medal of St George) (1578-1660). One plate shows several nypmphs appears as the object of a young woman's meditations. disarming the sleeping cupids while Diana, seated in This is Princess Cloria, the protagonist of Percy the clouds, watches from above. The second plate Herbert's eponymous romance. Having been published depicts the Forge of Vulcan in which several cupid are in unfinished form in earlier editions, this presentation busy forging and shooting arrows while Venus and reflected the turmoil of the Civil War. The fronispiece Vulcan recline to the right of the image. Diana watches of the completed work showeed Cloria meditating from her throne amongst the clouds. undecidedly between 'past crrimes' and Restoration Stock: 37491 amnesty. NPG: D18222; Annabel Patterson, 'Censorship and Interpretatioon: The Conditions of 33. Le Printemps Writing and Reading in Earllyy Modern England' G. Lairesse innv. / J. Glauber fe. Leon: Schenk exc: Stock: 37361 Etching, large 17th/18th century watermark; platemark 280 x 380mm (11 x 15"). Very large margins. £260 36. Hall of Sidney Collllege. Allegory of Spring: the goddess Flora (Psyche) resting A. Pugin del.t / D. Havell sculp.t London, Pub.d Jan.y against a tree, with Cupid and two putti on the left and 1 1815 at 101 Strand for R. Ackermann's History of a vase full of flowers on the far left. One of a series of Cambridge. thirty plates depicting mythological and historical Aquatint with hand-colouringg, platemark 255 x 300mm subjects after Gérard de Lairesse (1640-1711). (10 x 11¾"). Slight staining tto edges. £60 Lairesse was a Dutch painter and etcher who worked The College Hall of Sidney Sussex College, for William and Mary amongst other illustrious Cambridge. It was designed bby the architect and college head Sir James Burrough (1691-1764), the An embossed portrait of Brittish statesman Charles president of Caius College for many years who actedd Grey (1764-1845) by Charles Whiting, who entered as an architectural adviser in Cambridge, designing several designs to the 1839 Treasury Competition new buildings and updating facades of medieval which sought to find the bestt design for the newly colleges. Burrough worked on the interior of the created pre-paid postal stamp. Whiting, along with Elizabethan Sidney Sussex buildings between 1749 and three others, was selected as the winner of the 1752. competition. For Ackermann's 'History of Cambridge'. Abbey Stock: 37500 Scenery 79. Stock: 36198 40. Thomas Moore. Whiting Patentee. 37. Brougham. Embossed portrait printed inn blue and orange. Framed. Whiting Patentee. Sheet: 140 x 180mm, (5½ x 77"). Frame: 365 x 390mm, Embossed portrait printed in green, pink and blue. (14½ x 15½"). Trimmed. £320 Framed. Sheet: 140 x 180mm, (5½ x 7"). Frame: 3655 x An embossed portrait of Irish poet Thomas Moore 390mm, (14½ x 15½"). Trimmed. £320 (1779-1852) by Charles Whiiting, who entered several An embossed portrait of British statesman Henry designs to the 1839 Treasury Competition which Brougham, 1st baron brougham and Vaux (1778-18668) sought to find the best design for the newly created by Charles Whiting, who entered several designs to the prre-paid postal stamp. Whiting, along with three 1839 Treasury Competition which sought to find the others, was selected as the winner of the competition. best design for the newly created pre-paaid postal Stock: 37495 stamp. Whiting, along with three others, was selected as the winner of the competition. 41. [Fan Design.]He Lives For Ever. Stock: 37496 Britannia bewailing the lloss of her faf llen Hero who is crown'd by Victory whilst Hope points to Immortality. Corbould, 37 Foster Lane. Ent.d. at Stationers Hall & Published as the Act directs, by B. Coker 115 Fleet Street, November 21 1805. Engraving. Printed area: 1200 x 110mm, (4¾ x 4¼"). £280 An unused fan design mourning the death of Nelson at the Battle of Trafalgar in 1805. A vignette shows three figures, Britannia, Hope and Victory situated around a buust of Nelson. A six line acrrostic spelling 'NELSON' is printed on the reverse. Stock: 37483

42. Walter Scott. Whiting Patentee. Presented Gratis with 1st Number of the Story Teller or The Journal of Fiction. Embossed portrait printed inn green and yellow. Framed. Sheet: 150 x 180mm, (5½ x 7"). Frame: 365 x 390mm, (14½ x 15½"). Trimmed. £360 An embossed portrait of Sir Walter Scott (1771-1832) byy Charles Whiting, who enttered several designs to the 38. Lord Byron. 1839 Treasury Competition which sought to find the Whiting Patentee. beest design for the newly created pre-paid postal Embossed portrait printed in green, blue and yellow. stamp. Whiting, along with tthhree others, was selected Framed. Sheet: 150 x 180mm, (5½ x 7"). Frame: 3655 x as the winner of the competittion. 390mm, (14½ x 15½"). Trimmed. £420 Stock: 37498 An embossed portrait of poet Lord Byron (1788-1824) by Charles Whiting, who entered several designs to the 43. Palma, non sine Pulvere. Flowers 1839 Treasury Competition which sought to find the best design for the newly created pre-paaid postal gathered on the Field of Battle at Waterloo; by stamp. Whiting, along with three others, was selected J. Forbes, 23, Sept.r. 1817. Selected for Charles as the winner of the competition. S.t.Loo Malet Esq.r. Stock: 37499 Pressed flowers with manuscript. Sheet: 110 x 180mm, (4¼ x 7"). Some slight stainiing. £450 39. Grey. Pressed flowers, gathered from Waterloo laid on an Whiting Patentee. embossed card, beneath which are several lines of Embossed portrait printed in yellow, maroon and pink. verse by James Forbes written in 1819. Unique. Stock: 37485 Framed. Sheet: 140 x 180mm, (5½ x 7"). Frame: 3655 x 390mm, (14½ x 15½"). Trimmed. £360 47. [Pair of Prospectusses] Gratis! Gratis!! Gratis!!! The Siege of Seebastopol. A Large and Splendid Engraving, Reepresenting this Great Military Event, with be presented - Gratis - to every Subscriber to the undermentioned Work on its completion... The History of England... [&] Premium Plate - Gratis!! On the Completion of the undermentioned Work, every Subscriber will be presented with A Large and Splendid Enggraving, exhibiting the Siege Operations of the Allied Armies before Sebastopol... The History of the Present War with Russia... by Henry Tyrell... Printed and Published by thee London Printing and Publishing Company, 97 & 100, St John Street, 1 & 2. Bluecoat Buildings, Christ's HHospital, London; and 55, Dey Street, New York. Pair letterpress adverts, printted on blue paper. Sheets 285 x 185mm (11¼ x 7¼") & 285 x 180mm (11¼ x 7"), with steel engravings off Florence Nightingale and 44. Wellington the Battle of Inkermann on the reverse. Laid on album Whiting Patentee. paaper, worm holes. £140 Embossed portrait printed in blue and orange. Framed. Stock: 37387 Sheet: 150 x 180mm, (5½ x 7"). Frame: 365 x 390mm, (14½ x 15½"). Trimmed. £360 48. [Lace Sample and Advertisement for An embossed portrait of the Duke of Wellington George Frederick Urling, & Co.] (1769-1859) by Charles Whiting, who entered several R. Ackermann Oct. 20, 1819. designs to the 1839 Treasury Competition which Textile Sample and Advertissement. Sheet: 310 x sought to find the best design for the newly created 235mm, (12 x 9¼"). Two verrtical creases as issued. pre-paid postal stamp. Whiting, along with three Staining. Damage to left edgge. £95 others, was selected as the winner of the competition. Samples of lace and thread demonstrating the fine See ref: 37325 for variation in colour. quality of lace produced by Geo. Fred. Urling & Co., Stock: 37497 surrounded by a decorative boarder and accompanied byy letterpress detailing the company's patent thread and 45. [Profile of a Woman.] the opening of new premisess on the Strand for the retail Embossed portrait printed in red, blue and yellow. of merchandise. Framed. Sheet: 150 x 180mm, (5½ x 7"). Frame: 3655 x Stock: 37183 390mm, (14½ x 15½"). Trimmed. £320 An embossed portrait of a woman by Charles Whitingg, 49. Received of Mr [Read] the sum of who entered several designs to the 1839 Treasury [Thirteen] Shillings, for Two Quarters' Rent Competition which sought to find the best design for the newly created pre-paid postal stamp. Whiting, for Water, due at Midsummmer last, to the New along with three others, was selected as the winner of River Company. [17 July] 180[5]. [T.S. Amos,] the competition. Collector, No. 7, Upper North Place, Gray's Stock: 37501 Inn Road. W. Thorne, Printer, Red Lion Court, Fleet Street. 46. William R. Letterpress receipt, filled in with ink mss. Sheet 70 x Whiting Patenter. 170mm (2¾ x 6¾"). £190 Embossed portrait printed in blue, green and red. A rare receipt frf om the New River Company, the Framed. Sheet: 150 x 185mm, (6 x 7¼"). Frame: 360 x corporation founded in 1619 to manage the New River, 395mm, (14 x 15½"). Trimmed. £320 an artificial waterway built to bring drinking water An embossed portrait of William IV by Charles from Ware into London. In 1876 the Company's water Whiting, who entered several designs to the 1839 was found to be the purest off the eight suppliers (not Treasury Competition which sought to find the best hard as five (including the Chhelsea Water Works) still design for the newly created pre-paid postal stamp. puumped water from the Thames!). The Company was Whiting, along with three others, was selected as the absorbed into the Metropolittaan Water Board in 1904. winner of the competition. It is interesting that company representatives would Stock: 37494 attend Peel's Coffee-House in Fleet Street twice a week to receive complaints. Stock: 36484

50. A new song, in honour of the Glorious 54. Stanza by a Non-addmitted Sudbury Admiral Anson; Sung by Mr. Corbett (in the Freeman; Respectfully Dedicated to Character of one of the Ship's Crew) at the Lieutenant-Colonel Addiison. New Wells. Fulcher, Printer, Sudbury. [1832]. [n.d., c.1745.] Scarce letterpress broadside. Sheet 280 x 225mm (11 x Letterpress broadside with two woocuts, Sheet 350 x 9"). Some loss of text at fold, pasted on a portrait of 120mm (13¾ x 4¾"), with an engraving, 170 x 110mm Lord Grey. £160 (6¾ x 4¼"). Broadside damaged, losing part of the A broadside complaining about the difficulties of upper woodcut, engraving trimmed close to image, getting included on the Register of Electors at the time both laid on album sheet. Foxed. £160 of Reform Bill. A broadsheet offering the lyrics to a song written in Stock: 37382 celebration of George Anson's capture of the Spanish treasure ship 'Covadonga' in 1743, illustrated by the separate engraving. The upper woodcut illustrates Anson's ship 'Centuriom'. Stock: 37045

51. Britannia's Address to the People of Engalnd. Printed by G. Cooke, Dunstan's Hill, Tower Street, London. [n.d., c.1805.] Letterpress broadside. Rare. Sheet: 210 x 340mm, (8¼ x 13¼"). Fine. Cut to sides. £220 A broadside mourning the death of Nelson with vignette depicting a weeping Britannia who holds up a portrait of Nelson set within an oval. Stock: 37482

52. Ode. Written for the Celebration on 55. Certificate of the Waterloo Prize Money. Bunker Hill, June 17, 1825 by Rufus Dawes. Late First Battalion of Light Infantry Kings [n.d., c.1825.] German Legion. These are to certify, that Letterpress broadside. Sheet size: 320 x 230mm (12½ x [Nicholas Junghölter] late a [Private] in the 9"). Chips and tears to edges of sheet. Small holes to above said late first Batttaalion of Light Infantry centre of sheeet. Scarce but damaged. £160 K.G.L, is entitled as a [PPrivate] to the Share of An ode written for the celebration of Bunker Hill, Prize Money or Bounty Money which may which took place 50 years after the event. The Battle of become due from Captures made by the Army Bunker Hill was fought on June 17, 1775, during the Siege of Bosston in the early stages of the American under the Command of His Grace the Duke of Revolutionary War. The battle is named after the Wellington, in Flanders aand France, in the adjacent Bunker Hill, which was peripherally involved Months of June and July One Thousand Eight in the battle, and was the original objective of both the Hundred and Fifteen, that his Name is inserted colonial and British troops, though the vast majority of in the Prize Lists. combat took place on Breed's Hill. Hannover the 14th March 1817. Stock: 37488 Letterpress certificate, filled in with ink mss. Sheet 195 x 235mm (7½ x 9¼"). Edges frayed, laid on album 53. United States of America. State of paaper. £190 Mississippi. Agreement and Coupons relating Stock: 37339 to the Payment of the Interest in London on thhe Mississippi State Bond. 56. Waterloo. At Seven Days Sight pay to New-York, 1st March, 1833. Mess.rs Greenwood, Cox & Co or Order, the Letterpress broadside with manuscript signatures. Amount of the Share of Prize or Bounty Money Sheet size: 460 x 250mm (18 x 9¾"). Light spotting. due to [me] in respect of his Service as a Creased. £110 [Private] in the [late 1st Light Battalion] King's A Bond issued by the state of Mississippi, signed by German Legion, at the Capture of Ordnance, the cashier of the Phoenix Bank, J. Delafield, and the Arms, Stores, Magazine and other Booty in the Attorney for Thomas Wilson, & Co., relating to Campaign which terminaated with the Capture payment of interest on the Mississippi bond for the of Paris in the Month of July 1815. [signed amount of $1000. 60 indivdually signed coupons Heinrich Gehmann]... Certificate for a Soldier attached below. Stock: 37489 who was been discharged... [Bodenfeelde] the [8.] Day of [August] 18[17]. Printed by L. Pockwitz, Hannover, Osterstrasse, No 255. Letterpress certificate, filled in with ink mss. has the pleasure of returning the enclosure which she Watermarked paper 'Van Gelder'; Sheet 195 x 155mm has signed, and much hopes tthat it may lead to some (7¾ x 6"). Remains of wax seal. mounted in album alteration of the mode of election'. paper. £190 Sophia Pierrepont, daughter oof the diplomat Henry A certificate for a German soldier's Waterloo prize Pierrepont, married Charles Wellesley, second son of money to be presented to the bankers Greenwood, Cox the Duke of Wellington; her two sons that survived & Co, in return for a cash advance. childhood both became dukes of Wellington. Stock: 37380 Stock: 37335

59. Matrimonial Ladder. W. del et lithog. [n.d., c.1840.] Engraving with letterpress. Sheet: 225 x 285mm, (9 x 11¼"). Trimmed within plate. Some damage to edges. £240 Sixteen vignettes depicting the various stages of courtship and marriage fromm 'Acceptation' to 'Reconciliation''. Images are accompanied by verse describing each scene. Stock: 37506

60. Explanation of the View of Lausanne and Lake of Geneva. Taken from the Salle d'Arc, on Montbenon, by Henry Aston Barker. Now Exhibiting in his Panoraama, Leicester-Square. J. and C. Adlard, Printers, 23, Bartholomew Close. [n.d. c.1820.] Wood engraving. 185 x 380mm (7¼ x 15"). Folds and creases. £260 Keyplate published to accompany the panorama of Lausanne on exhibition at the Strand, by Henry Aston Barker (1774-1856), landscaappe and panorama painter and exhibitor. In 1793 Roberrt Barker opened the first puurpose-built building for the display of 360 degree paanoramas in Leicester Square, and H.A. Barker worked as his assistant. Afterr Robert died in 1806 his 57. Count Kielmansegge will have the honor beequeathed his panorama buussiness to H.A. Barker. of waiting upon [H.G. Fieldmarshal the Duke With his partner John Burforrd a second site on the of Wellington] at Dinner on [Friday 18th] of Strand was acquired in 1816.. Following the immense [June]. 44 Grosvenor Place. success of his Waterloo panorama, Barker was able to [no year, c. 1830.] retire in 1824, leaving the management of both Printed visiting card with mss. fill, with envelope with rotundas to Robert and John Burford. Ex: Collection of mss. address. Mounted on album paper. £130 the Late Hon. C. Lennox-Boyd; for a similar An acceptance card from Major-General Friedrich, explanation of Barker's Veniice panorama see ref. Graf von Kielmansegge (1768-1851) to dinner with thhe 34775. Duke of Wellington on the anniversary of the Battle of Stock: 37228 Waterloo. He commanded the 1st Hanoverian Brigade at the battle. 61. Black Gang Chinee S.W. 44 Grosvenor Place was the address of the Hanovarian [Isle of Wight, dated 1845 in old ink mss.] legation. Sand painting on a card withh a printed border. Sheet Stock: 37139 155 x 190mm (6¼ x 7½"). Soome spotting on card. £130 58. [Two items of ephemera relating to A view of Blackgang Chine oon the south coast of the Sophia Weellesley, daughter-in-law of the first Isle of Wight, made with collooured sand, probably made Duke of Wellington.] as a souvenir of the newly-opened Blackgang Chine [1871-81]. Theme Park, beelieved to be Britain's oldest and still run Printed voting paper with signature and an autograph bee the original family, the Dabells. It opened in 1843 letter. Voting paper folded and mounted in album with a whale skeleton that had been washed up on the paper with 1/2d stamp etc.. £160 shore in 1842. Stock: 36485 An 1871 voting paper for the election of 'Five Widows' to the Royal Cambridge Asylum for soldiers' widows signed by Sophia Wellesley, entitling her to four votes; 62. In Memory of Mr. James Braidwood, and a letter dated 'June 20th /81', reading 'Lady Charles Superintendent of the London Fire Brigade, Wellesley presents her compliments to Mr Warren, & who lost his life at the Great Fire in Tooley Street, June 22, 1861, in his 61st year. "He 64. [Silk sample.] Expoosition Industrielle died at the post of duty; and whether it was the Suisse. Metiers à Rubans de Fréderic Wahl battle-field or at the head of the fire-brigade, mécanicien à Bâle. the holiest place on earth on which to live or 1867. F. Weber. die was the posrt of duty." _ Dr. Cumming. Machine-made illustrated sillk sample. 135 x 95mm J.T. Wood, 278 Strand. (5¼ x 3¾"). £130 Letterpress on embossed card. Sheet size: 75 x 115mmm A souvenir of the Swiss Industrian Exposition, with the (3 x 4½"). £95 Swiss flag, a scene of an alpiine lake and roses. A decorative memorial card for James Braidwood Stock: 36486 (1800–1861), founder of the world's first municipal fifire service in Edinburgh in 1824, and the first director of 65. Explanation Of the Battle of Waterloo, the London Fire Engine Establishment (the brigade Painted On the largest Sccale, from Drawings which was eventually to become the London Fire taken on the Spot, by Mr. Henry Aston Barker, Brigade). Braidwood died on 22nd June 1861 in the (The Figures composed and painted by Mr. Tooley Street fire at Cotton's Wharf near London John Burnet,) Now Exhiibbiting in the Bridge station. Panorama, Leicester Square. The Upper Stock: 37331 Circle contains a Repressentation of the Battle of Paris, Fought by the Allies in March, 1814, With a View of the City aand Environs. 1817. Open from Ten until Dussk. Admission to each Painting One Shilling. [J. Adlard, Printer, 23, Barthhoolomew-Close, West Smithfield.] Wood engraved broadside with letterpress. Sheet 365 x 275mm (14¼ x 10¾"). Mounted in album paper, wear to folds reinforced with tape on reverse. £360 A circular wood engraving with a 68-point key, the guide to a painted panorama of the Battle of Waterloo exhibited at the 'Panorama', tthe first building to be erected for the purpose of displaying panoramas. According to the letterpress he went to Allied Headquarters in Paris to reseearch the battle. His sketches were issued as a sett of eight etchings by John Burnett. During his lifetime Barker's ccelebrity opened doors: he met Sir William Hamilton and Admiral Nelson in Naples, and Napoleon Bonaparte on Elba. He married 63. Henry Aston Barker's Panorama, Admiral William Bligh's eldeest daughter in 1802. Stock: 37171 Leicester-Square. View of the City of St. Petersburgh, Taken on the Tower of the 66. Theatre Royal, Drruury Lane. Miss Fanny Observatory. The Battle of Waterloo is in the Ayton's Night, Wednesday, June 18, 1828. No Lower Circle. Open from Ten until Dusk. [106] Box 7S. Admission to each Painting One Shilling. Fairbrother Printer. 1817. J. Adlard, Printer, 23, Bartholomew-Close, West Wood engraved ticket, numbered in ink with 'F. Ayton' Smithfield. in the same hand. Sheet 60 x 90mm. £95 Wood engraved broadside with letterpress. Sheet 280 x An admission ticket to see Fanny Ayton (1804-c.1832), 270mm (11 x 10½"). Some wear, creases. £360 opera singer, at Drury Lane. A circular wood engraving with a 25-pooint list of Stock: 37323 important landmarks, the key to a painted panorama of St Petersburg exhibited at the 'Panorama', the first 67. New Rooms Hanover Square / The building to be erected for the purpose of displaying panoramas. It is likely that the view was painted by Concert of Ancient Musiic 1848 either Barker (1774-1856) himself or John Burford [Anon] (fl.1812 - 1850). He went to Paris to research for a Stipple, platemark 140 x 80mm (5½ x 3"). Late. £65 panorama of the Battle of Waterloo (on display at the Ticket for a historical music performance at the same time as St Petersburg') and his sketches were Hanover Square music roomm. Stock: 35845 issued as a set of eight etchings by John Burnett. During his lifetime Barker's celebrity opened doors: he met Sir William Hamilton and Admiral Nelson in Naples, and Napoleon Bonaparte on Elba. He married Admiral William Bligh's eldest daughter in 1802. Stock: 37063 68. Lady Patroness' Free Ticket of with a wood engraving of the carriage; two admission Admission. Hanover Square Rooms. Ladies' tickets to St Paul's Cathedrall, bearing the embossed Sale for the Spanish and Italian Refugees. stamp of the Earl Marshal, one marked 'Lord Under the Patronage of the Duke of Hardinge's seats' in ink mss. on reverse; and a Wellington. lithograph of Queen Victoria's visit to the Lying-in- State by Augustus Butler. M. Calero, Spanish, English, and French Pritner, 17, Henry Hardinge (1785-1856)), 1st Viscount Hardinge, Frederick Place, Goswell Road. [n.d., 1829.] succeeded the Duke of Welliington as commander-in- Letterpress. Sheet. 230 x 180mm (9 x 7"). Pasted to chief of the British Army on Wellington's death. album sheet. £190 Stock: 37330 An admission ticket, signed in ink by Lady Georginaa Agar Ellis, for a ‘Ladies’ Bazaar’ (described here as a 'Sale of Useful and Ornamental Articles'), held on the 24th May, 1829. With the Duke the only male patron, the list of the patronesses include the Duchesses of Beaufort and Wellington, wives including politicians Canning & Peel and bankers Baring, Lascelles & Rothchild. Stock: 37381

69. Theatre Royal Drury Lane. Grand Masked Festival under the Immediate Patronage & Sanction of His Majesty in commoration of the Aniversary of Waterloo. Monday 18th June 1821. Ticket [£1.5.0] No 72. The Lying in State of the Remains of [432] Field Marshal The late Duke of Wellington. Perkins Fairman & Heath. Admit the Bearer to the HHall of Chelsea Steel-engraved admission ticket. Sheet 110 x 150mm Hospital, on Friday 12thh of November, 1852, (4¼ x 6"). Mounted in album paper. £130 An admission ticket to a ball commemorating the sixth between the Hours of 9 and 5. Exeter. Lord anniversary of the Battle of Waterloo. Chamberlain. Stock: 37338 Engraved admission ticket. Letter on verso from Edmund Hammond. Sheet 90 x 130mm (3½ x 5") 70. The Cinque Ports' Festival at Dover, Mounted in album paper. £95 A black-bordered admission ticket, bearing an 1839. To His Grace The Duke of Wellington, embossed seal of the Lord Chhamberlain's Office. The K.G. Lord Warden of the Cinque Ports, Lord Chamberlain at the time was Brownlow Cecil, &c&c&c. Admit [Mr Charles Nugent] No 2nd Marquess of Exeter (1795-1867). [1164) [Thomas Rigden] Hon.y Sect.y. Stock: 37328 Bate's Patent Anaglyptograph. Engraved by Freebairn. Engraved ticket on pink card, filled in with ink mss. 73. Nero depositing the Ashes of Britannicus. Sheet 185 x 120mm (7¼ x 4¾"), remains of wax seal. [& Printsellers Label on Verso] A. Beugo. Some soiling. £160 Picture & Printseller. No.29 Greek St. Soho. An admission ticket to the Cinque Ports' Festival, 30th August 1839, with a medallion portrait of the Duke of NB a low price on each print. [Written in ink.] Wellington, after the wax profile by Peter Rouw. Le Sueur Pinx.t. E. Edwards delin.t. J. S. Mullar Wellington became Lord Warden of the Cinque Ports Sculpsit. [Publish'd accordinng to Act of Parliamt. By J. in 1829, although he was never ceremonially installed. Boydell, Engraver in Cheapside London May 1st On 30 August 1839 a banquet took place in his honour, 1765.][Label n.d., c.1820.] held in a specially-built pavilion opposite the Maison Engraving. Sheet: 360 x480mm, (14 x 19"). Label Dieu. Covering 20,420 square feet, the building used prrinted on tissue paper, laid on reverse of print. 20,000 cubic feet of timber, taking 100 men 60 days to Engraving trimmed within pllate and title area. Creasing. General paper tone. Messy. £160 build, and contained seating for 2,250 people. Stock: 37384 The intrigues of Agrippa to displace Nero and to elevate Britannicus, the son of Claudius, led to Nero’s first domestic tragedy—the poisoning of Britannicus. 71. [Ephemera relating to the funeral of the The painting hangs at Windssor Castle with the title Duke of Wellington.] Caligula depositing the ashes of his mother and brother [1852] in the tomb of his ancestors. "The Most Capital 6 items of ephemera, various sizes. Most mounted in Paintings in England" series of engravings in five album paper. £320 volumes, late 1760s-1786, the first three (1769 to A collection of ephemera relating to Wellington's 1773) originally published under the title .Sculptura funeral: a verse on the Lying-in-State by Rose Ellen Britannica. These were a crittical and financial success Temple; a prospectus for renting out window space on for the publisher John Boydell who promoted the the funeral procession route; the official programme interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. Aquatint with etching. Sheett size: 100 x 85mm (4 x On verso for Alexander Beugo (1801-1827), print 3¾"). Trimmed inside platemark. £220 publisher and seller. For a portrait of Beugo, see item A tradecard for John Sanders (1750 - 1825), portraitist ref: 33957. and general painter, who also produced aquatints. Stock: 37269 Sanders entered the Royal Accademy Schools in 1769, and exhibited there between 1771 and 1788, although 74. Monrro, Boot Maker. No. 3. Bear Street, there is some confusion as to what belongs to Sanders Leicester Square. or his father. He was awardeed the silver medal at the [n.d., c.1800.] RA Schools for a 'Full acadeemy figure' in 1770. Engraved trade card on thick paper. Sheet 8 x 5mm (3 Stock: 37155 x 2"). £90 Decorated with the Prince of Wales's feathers and 77. Hill & Turley. Wholesale & Retail. 27. motto. Cross. Worcester. Linen Drapers. Stock: 37042 Haberdashers. Glovers. SSilk Mercers. Hosiers. Lacemen &c. Funerals Furnished & Every Article in Family Mourning. Smith & Greaves sc. Birmingham. [n.d., c.1848.] Engraving. Sheet size: 80 x 130mm (3¼ x 5¼"). Trimmed and laid on backing sheet. £80 A tradecard advertising the services of 'Hill & Turley' of Worcester, with a small illlustration of the shop front and street in the cente. Stock: 37445

78. Susanna Assner. [n.d., c.1790.] Etching. Sheet size: 60 x 95mm (2½ x 3¾"). Trimmed to image. £95 A late 18th century German ccarte de visite for Susanna Assner. A young woman sits reading by a tomb in a woodland scene. Stock: 37268

79. Heidelberg. Das Grosse Fass. d. Kunstverlag, Verlag von Carl v. Graimberg in 75. [Framers.] Thomas Fentham, Carver, Heidelberg. [n.d., c.1850.] Gilder and Picture-Frame Maker, at No. 52. Unused writing sheet, 4pp., with steel-engraved Opposite Old Round-Court, Strand, London, vignette. £75 Sells all Sorts of Picture, Print, and Looking- The famous Heidelberg Tun,, a huge wine vat in the Glass Frames, of any Colour to match Rooms; cellars of Heidelberg Castle. The one shown here is the fourth, the Karl-Theodor-Fass, built 1751 and still various sorts of Green and Gold Dressing- existing, with a dance floor on top. Glasses, rich Girnadoles, &c and Green and The writing sheet would havve been published for issue Blue Venetian Window-Blinds. Old Pictures to Heidelberg's hotels. and Prints cleaned, lined, repaired, and Stock: 37121 secured from dust. [n.d., c.1785.] 80. Land discovered by Columbus. Letterpress label, 70 x 65mm (2¾ x 6¼"). Pasted to Turner R.A. Goodall. Londoonn, Published 1833, by canvas on the back of a religious engraving after Moon, Boys, & Graves, Pall Mall. Rheni. £160 Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). According to the British Museum Fentham was active Very large margins. Trimmed inside plate at lower at that address from c.1783 to at least 1796; by 1802 he edge. Slight foxing. £70 had moved to 132 Strand, his address to c.1811. They A seascape at night, with Columbus standing on the also have a mezzotint portrait of Sir William Wallace deck of his ship in the left fooreground, folding his engraved by Thomas Watson published by Fentham arms, the crescent moon in the right sky to the right. from 52 Strand. Ex collection of the Hon Christopher After JMW Turner. A vignettte to the poem 'The Lennox-Boyd. Voyage of Columbus' in 'Poems' by Samuel Rogers. Stock: 36483 Rawlinson: 401. Stock: 37292 76. J: Sanders. No.6 Great Ormond St. London. Remov'd to No. 66, Great Queen Street, Lincolns Inn Fields. July 1782. 81. The Landing of Columbus. The audience is carefully divided, with women, doctors Turner R.A. Goodall. London, Published 1833, by and noblemen, masters of the arts and undergraduates Moon, Boys, & Graves, Pall Mall. all occupying seperate areas of the Sheldonian theatre Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). to witness Wellington's installation at Oxford. Very large margins. Trimmed inside plate at upper Stock: 37479 edge. Slight foxing. £70 A coastal view with a line of figures landing on the shore on the right, with a boat and ships in the bay on the left, and the sun settingon the horizon behind. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers. Rawlinson: 402: III. Stock: 37293

82. Columbus setting sail. Turner R.A. Goodall. London, Published 1833, by Moon, Boys, & Graves, Pall Mall. Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing. £95 A view of a busy harbour in Genoa, with a crowd on 85. the quay in the left foreground waving hands towards L'Arrive du Prince Guillaume Henri a leaving ships in the bay on the right. A church and Nouvelle York. [Printed in reverse.] Collection other buildingscan be seen on higher ground in the leeft des Prospects. background. Peint par Richard Wight a Londres. Gravé par Balth. After JMW Turner. Avignette to poem 'The Voyage of Frederic Leizel. Se vend a Auugsbourg au Negoce Columbus' in 'Poems' by Samuel Rogers. Rawlinson: comun de l'Academie Imperiiale d'Empire des Arts 399: III. libereaux avec Privilege des Sa Majeste Imperiale et Stock: 37294 avec Defense ni d'en faire ni de vendre les Copies. Engraving. Plate: 405 x 290mm, (16 x 11½"). £320 83. A View of the House of Peers, the King A vue d'optique showing thee arrival of Prince William sitting on his Throne, the Commons attending (later William IV)(1765-1837) at New York. As a young man, William served iin the Royal Navy earning him at the eend of ye Session 1741-2. To the r.t him the nickname the 'Sailorr King.' Image shows Hon.ble Philip Lord Hardwicke, Baron several large ships coming into harbour, in the Hardwicke in the County of Gloucester, Lord foreground several fishermen deal with their catch. High Chancellor of Great Britain. This plate is Stock: 37504 most humbly Decicated by his Lordship's mosst oblig'd and most obedient humble servant 86. M. Bougainville hoisting French Colours John Pine Bluemantle. on a small Rock, in Maghhellan Streights. Engrav'd & publish'd by J. Pine, Sept. 29, 1749. Vangro delin. Royce sculp. London, Published by Engraving. Platemark: 475 x 640mm (18¾ x 25¼"). Alex,r Hogg at the Kings Arms No. 16 Paternoster Very large margins. Fine impression. Central vertical Row. [n.d., c.1794.] crease as published. Small tear to upper centre of Engraving. Platemark: 285 x 170mm (11 x 6¾"). £65 image. £390 Louis Antoine de Bougainvillle holding a French flag, An interior view, with peers sitting to either side, along standing on a rock with otherr figures, with a small boat the far wall and in benches facing the throne, where the and large ship in the distance. Bougainville served as King sits, with other peers standing in the foreground, aide-de-camp to the French General Montcalm in behind the benches, including the Lord Chancellor whho Canada from 1759 to 1761, assisted in negotiating the stands holding a scroll in the centre. A list of the Treaty of Paris, and then established a French colony Chancellors and Keepers of the Great Seal from 1067 on the Falkland Islands in 1764. After the French gave to 1736 are inscribed on either side of the image. A up the colony to the Spanish,, he led the expedition of dedication below from the engraver, John Pine, to the first French circumnavigation from 1766 to 1769. Philip Yorke, 1st Earl of Hardwicke. A plate from 'A new, complete, and universal Stock: 37409 collection of authentic and entertaining voyages and travels to all the various partts of the world.', publised 84. Commemoration of the Installation of his byy Alexander Hogg, 1794. Grace the Duke of Wellington as Chancellor of Stock: 37410 the University of Oxford. [T. Dighton.] [n.d., c.1834.] Very fine hannd-coloured lithograph. Rare. Original colour. Sheet: 545 x450mm, (21½ x 17¾"). Faint creasing. Trimmed to image. £390 87. His most Sacred Majesty King Charles 89. The Young Pretennder after his defeat at the first giveing his Royall Orders to his Culloden embarking for France. Secretary of War Sr. Edward Walker Kt. Dodd delin. Grainger Sculp. Publish'd as the Act concerning ye. great Rebellion. directs, April 16 1803: by J. Stratford. No. 112 [Anon., c.1705] Holborn Hill. Engraving, sheet 270 x 335mm (10½ x 13¼"). Engraving. Platemark: 170 x 220mm (6¾ x 8¾"). Trimmed, losing top of image, and tipped into albumm Large margins. £60 sheet with hand-drawn borders; folded along lower A scene depicting Charles Edward Stuart being led into edge. Very scarce. £160 a rowing boat at right by two officers. A ship is King Charles I and Edward Walker stand by a large beeyond, with soldiers in highland dress surrounding to drum serving as a table. Troops, horses and tents in the left; within an octagonal frame. An llustration to distance. By autumn 1642, at the beginning of the Lyttleton's 'History of England', published 1803-05. English Civil War, Walker (1612-77) was Charles' The Battle of Culloden was tthe final confrontation of secretary at war. In april 1644 he was made secretary the 1745 Jacobite Rising. On 16th April 1746, the extraordinary of the privy council. Jacobite forces of Charles Edward Stuart fought Illustration to Walker's 'Historical Discourses'. loyalist troops commanded by William Augustus, Stock: 37357 Duke of Cumberland near Inverness in the Scottish Highlands. Stock: 37316

90. Bishop Mackenzie's Grave ___ The cross placed there by Dr. Livingstone. 1863. [From sketch by Dr. Mellor. Drawn by Mrs. R. Mountain.] Cowell's Anastattic Press, Ipswich. Lithograph, rare. Sheet size: 220 x 285mm (8¾ x11¼"). £130 Charles Frederick Frazier Mackenzie (1825–62) was a Church of England bishop off Central Africa. Following Dr David Livingstone's requeest, Bishop Mackenzie took on the position of being the first missionary biishop in Nyasaland (now Malawi) and worked among the people of the Manganja country until January 1862. A boat he was travelling on sank and as their medical supplies were lost, Bishop Mackenzie’s malaria could not be treated. He died of Blackwater fever on 31 January 1862. Dr Livingstone erected a cross over his grave. Stock: 37411

91. First Russian Prisoners. (under French Guard) [&] First Russian Prisoners. (under English Guard). [n.d., c.1850.] Chromolithographs. Sheet sizze: 165 x 190mm (6¾ x 7½") each. Both trimmed around image and titles and laid on backing sheets. £120 88. K. Charles Murthered. Psa. 31 Russian prisoners under the guard of, firstly, French P. Bouche excu. [c.1649] soldiers; the prisoners, one of which are badly injured, Engraving, sheet 140 x 90mm (5½ x 3½"). Trimmed are gathered in a cart pulled by cattle, surrounded by inside platemark; tipped into album sheet with hand- soldiers in military dress holdding bayoneted rifles. drawn borders around edges. Rare. £80 Figures looking on can be seeen at the side of the street The execution of Charles I in 1649, during the English in the background to the left.. Russian prisoners under Civil War (1642-51), from the Eikon Basilike (The the guard of English soldierss in Constantinople; the Image of the King). Published just ten days after the prrisoners are in a small boat travelling sailing aong King's execution, Eikon Basilike claimed to be a river, with a brige, crowded with people, crossing personal account of his suffering. Combining a moral beehind, with another boat paasssing under it. justification of his reign with prayers of forgiveness for Stock: 37412 his executioners, it was a masterpiece of propaganda and became one of the most popular books of the 92. Nymphs Sacrificing to Love. seventeenth century. Parliament commissioned John Angelica Kauffman pinx.t. Giuseppi dall'Acqua figlio Milton to write a theological riposte, but Eikonoklasttes di Cristoforo Scul. 1780. (the Iconoclast) failed to dislodge the popular Rare stipple. 265 x 320mm (10½ x 12½"). Very large perception of Charles I as a Christian martyr. margins. £160 Stock: 37355 An oval scene of three nymphs presenting flowers to in the early nineteenth centurry, and prints of the event Cupid, who sits on a pedestal, his bow and quiver at beegan to appear within days. This composition by John the base. Slack is the best known of the popular prints in Stock: 37044 response to the event- in a laarrger form it was also prrinted on large handkerchieefs that were mass- 93. [Patent of Peerage to Edmund Dunch, prroduced by the Lancashire cotton industry. See Sheila Baron Burnnell of East Wittenham] To the O'Connell, 'The Popular Print in England', pp.144-7. Right Hon.ble George Earl of Leicester; Stock: 37095 President of the Society of Antiquaries. &c [...] Longmale sculp [1787] 95. The Duke of Queensbury & Diver Engraving, sheet 260 x 285mm (10¼ x 11¼"). presenting the Act of Unnion to Queen Ann. Trimmed inside platemark and glued to album sheet Hamilton delin. A.W.Warren sculp. Publish'd as the with hand-drawn border. Rare. £130 Act directs September 3; 1803 by J.Stratford N.o.112 Engraving of the Patent of Peerage to Edmund Dunch, Holborn Hill. Baron Burnell of East Wittenham. Dunch was a Engraving. Plate: 215 x 170mm, (8½ x 6¾"). Large kinsman of and enobled by Oliver Cromwell. From margins. Some light creasinngg. £50 Mark Noble's 'Memoirs of the Protectoral House of An interior scene in which Queen Anne (1665-1714), Cromwell' (2 volumes, 1784). who sits on the throne, is presented with the Acts of Dedicated to George Townshend, second Marquess Union, signed 1st May 1707,, which united Scotland Townshend and earl of Leicester (1753-1811), and England and formed Great Britian. antiquary and politician. In 1784 Leicester was elected Stock: 36828 President of the Society of Antiquaries, defeating Edward King in the first contested election in the 96. [The wedding of Prrincess Anne and history of the society. Moule DCLXXII; For William of Orange in the Chapel of St James's Townshend see refs. 36325 and 27041. as decorated by William Kent, on 14 March Stock: 37358 1734] Georgio II.do Mag: Brit: Franc: & Hiber Regi / Nuptias Ceremoniales inter Annam Mag: Brit: Principissam Regalem et Gulielmum [...] Gulielmus Kent Decoravit ett Delineavit / J.s Rigaud Sculp. [c.1734] Etching, sheet 420 x 280mmm (16½ x 11"). Very small margins. Trimmed inside platemark lower edge; small tears on left. Slight foxing. £220 The wedding of princess Anne to prince William of Orange-Nassau, at St James's Palace on 14 March 1734, after the great painter, architect and designer William Kent (bap.1686-d.1748). Stock: 37023

97. Triumphal Arch [...] Done from the Original Design for the said Arch, painted by

94. A View of St Peter's Place and manner Mr. Oram, and Erected iin Westminster Hall, in which the Manchester Reform Meeting was for the Coronation of Their Majesties King dispersed by Civil & Military Power. Augt. George the Third, and Queen Charlotte, 16th. 1819. September 22d 1761. A Cabinet Picture Drawn & Etched by J. Slack W. Oram Inven.t / A. Walkerr Sculp.t Manchr. [n.d., c.1820] Rare engraving, platemark 4775 x 320mm (18¾ x Etching, sheet 235 x 280mm (9¼ x 11"). Creases; 12½"). Small margins. Creaases to edges and tears in conservation to top corner. Very rare. £240 margins just into title area on right. £190 Yeomanry cavalry slash their way through a dense The triumphal arch designedd by painter and architect crowd towards the speaker on the central platform William Oram (d.1777) for thhe coronation of George Henry Hunt ('Orator Hunt', 1773 - 1835). The radical III. While as an architect onlly one building by Oram is politician and demagogue Hunt stands amongst known (although he did several smaller jobs on royal supporters holding placards inscribed 'Order', 'No Coorn residences), as a landscape arrtist Oram's paintings and Laws', 'Manchester Female Union' etc. prrints are now seen by some as pre-dating the In St Peter's Field, Manchester, on 16 August 1819 piicturesque theories associatted with William Gilpin. Stock: 37019 cavalry were used to disband a peaceful demonstration, resulting in eleven dead and hundreds injured. Hunt was popularly regarded as a martyr of reform and took pride of place in the Chartist pantheon. This event did more than any other event to stir radical consciousness 98. Geographical Map of America. A map of Asia, showing partt of Australia, from Turkey Printed by R. Juigné, 17, Margaret Street, Cavendish and the Urals east to Kamchatka, surrounded by Square. [n.d., c.1817.] letterpress descriptions, publlished in an English edition Hand coloured engraving with surrounding letter press of Le Sage's Historical Atlass. text and large margins. Sheet size: 495 x 715mm (19½ Stock: 37055 x 28¼"). £330 A map of North America, surrounded by letterpress 102. Hong-Kong & Other British Settlements descriptions, published in an English edition of Le in Asia Sage's Historical Atlas. On the map the routes of J. Bartholomew Edin.r [n.d., c.1870] Columbus and Pizarro are marked and the possessions Chromolithograph, printed arrea 210 x 145mm (8¼ x of the Englissh, United States, Spanish & Portuguese 5¾"). £95 are delineated in colour. Small maps of British settlements Perim (Mayyun), in Stock: 36874 the strait of Mandeb and now belonging to Yemen; the Yemeni port city of Aden; Laabuan Island (a Malaysian 99. Carte du Cours du Fleuve de St Laurent territory off the coast of Borneo); Hong Kong; the Depuis son Embouchure jusqu'au dessus de Malaysian states of Penang, MMalacca and Nanning Quebec. Pour servir à l'Histoire Générale des (now part of Negeri Sembilaann). Voyages. Stock: 37029 Par M.B. Ing. de la M.e 1757. [Paris: Didot Libraire, c.1760.] 103. Canton and the Pearl River. Engraved map with fine hand colour. 210 x 310mm London, J.S. Virtue & Co. Liimited (8¼ x 12¼"). Very large margins. £140 Lithograph printed in colour,, printed area 235 x Map of the mouth of the St Lawrence River, showing 295mm (9¼ x 11½"). Fold through middle. £85 from Anticosti Island to just west of Quebec, engraved Map of part of Guangdong province in South China, by Nicolas Bellin for Prevost's 'Histoire'. The Seven including the islands of Hong Kong and Macao, and Years' War (1756-63) had already started: two years the city of Guangzhou. Stock: 36961 later Quebec fell to the English. Stock: 37064 104. Coast of China from Hie-che-chim Bay 100. Carta del Corso del Flume di S. Lorenzo to Sun Moon Bay. Soundings in fathoms. dalla foce fin sopra Quebec. Weekly Dispach Atlas 139 Fleet Street / Engraved by [after Nicolaas Bellin.] [Italian, c.1770.] Edw. Weller Duke St. Bloomsbury Day & Son Lith.rs Engaved map with hand colour. 210 x 310mm (8¼ x to the Queen 12¼"). £120 Lithograph printed in colourss, printed area 440 x A copy of Bellin's 1757 map of the mouth of the St 305mm (17¼ x 12"). Folds. £260 Lawrence River, showing from Anticosti Island to jusst Map of part of the coast of China, divided in two. The west of Quebec, from an Italian edition of Prevost's top section shows the coast of South China, from the 'Histoire'. Originally published at the beginning of the island of Hainan and the Guangdong province, Seven Years' War (1756-63), two years before Quebec including Macao, Guangzhou (Canton) and Hong fell to the English. Kong. The lower section continues to the East, Stock: 37065 including Xiamen (Amoy), Quanzhou, Fuzhou, and as far as Taizhou. Stock: 36964

105. Brietius's Draught of the Winds and their names according to the Ancients and Moderns. Trimmed within plate. Creassing & paper tone. Thread margins. £70 A diagram of a wind rose from Herman Moll's 'Atlas Geographicus' Published in London by J. Nutt et al. beetween 1711 and 1717. The diagram shows the twelve main winds as described by Aristotle and Pliny as well as the thirty two divisions ussed by early 18th century sailors. Stock: 37388 101. Asia, from the Modern Travellers, and most recent Works. Printed by R. Juigné, 17, Margaret-street, Cavendish- square. [n.d., c.1817.] Hand coloured engraving with surrounding letter press text and large margins. Sheet size: 495 x 715mm (19½ x 28¼"). £420 106. Brighthelmstone, Surveyed by J. Two battle plans detailing thhe Battle of Lemnos and the Marchant, 49 North Street. Teacher of Battle of Cesma fought between the Russians and Writing and Accounts in Ladies Schools & Ottomans in the Russo-Turkiish War (1768-1774). Stock: 37484 Private Families. Brighton, Published & Sold by W. Saunders, Bookseller & Stationer, 112 St James's Street. Sold 109. Map of the Straits of Niagara from Lake also by J. Marchant, 49, North Street, and at Libraries Erie to Lake Ontario. and booksellers. [n.d., c. 1825.] H. Mutlow, Sculp. [London: William James, 1818.] Engraved map. Sheet 340 x 440mm (13½ x 17¼"), Engraved map. Sheet 405 x 220mm (16 x 8¾"). watermarked 'J Whatman Turkey Mill'. Thread Watermarked 'J & M 1817'. Original bind folds, one margins. £240 split. £320 A detailed plan of Brighton, with a 62-point key. The A near-contemporary map off the War of 1812, map was reissued several times from 1815 as Brighton puublished as the frontispiece to William James' 'A Full expanded; this example has been updated with the and Correct Account of the Military Occurrences of the Chain Pier, erected 1823, although the Grand Junctioon Late War Between Great Briitain and the United States'. Road of 1829 is not shown. It marks the Forts Erie, Georrge and Niagara, as well as This map often appeared folded several times into Buffalo, the Falls, connecting roads, British troop guide books;; this one only has a light vertical centre locations and topographical ffeatures. An inset shows a fold. cross-section of the Falls. Stock: 37067 Stock: 37391

107. The Russian Empire, with its gradual 110. Plan of the Battle of Waterloo. Acquisitions traced and Explained. Published Aug.t 31 1816 by Thomas Kelly No. 53 Printed by R. Juigné, 17, Margaret Street, Cavendish Paternoster Row London. Square. [n.d., c.1817.] Engraved map with some hand colour. Sheet 405 x Hand coloured engraving with surrounding letter press 265mm (16 x 10½"), watermarked 1818. Original text and large margins. Sheet size: 495 x 715mm (19½ folds, one split, staining in tittle. £140 x 28¼"). £240 A plan of the battlefield, shoowwing the deployment of A map of the Russian Empire, stretching from Finland the British & Belgian, Prussiian and French troops. and Walachia to Kamchatka, surrounded by letterpress From Christopher Kelly's 'The Memorable Battle of descriptions, published in an English edition of Le Waterloo'. Stock: 37066 Sage's Historical Atlas. Stock: 36875 111. Plan of State Forest, Featherston County. By Authority: John Mackay, Government Printer [c.1908] Lithograph, rare; printed area 475 x 280mm (18¾ x 11"). Folds; small tear and holes. £130 Map of the Wairapa area of New Zealand, produced to show the area of the state forrest (now the Aorangi Forest Park) to be opened forr deerstalking in 1908. The map includes Wairapa Lake, Palliser Bay, Cape Palliser, Allsops Bay and Laakke Onoke. Stock: 35820

112. Historical Map of tthe World. Printed by R. Juigné, 17, Margaret-street, Cavendish- square. [n.d., c.1817.] Hand coloured engraving witth surrounding letter press text, large margins. Sheet size: 495 x 715mm (19½ x 28¼"). £360 A double-hemisphere map off the world, with 108. Plan des Schlosses Lemnos, welches Australian interest, showing the seas filled with details d.4.8br. 1770 Capitulirte. [&] Beschreibung about discoveries in Australiia & the Pacific, produce welche die Attaque der Russusschen mit der etc. Underneath the map is a letterpress 'Historical and Türkischen Flotte vom 24. Iun:1770. beÿ Chronological Notice of the PPrincipal Navigators'. It Cismin vorstellet. was published in an English edition of Le Sage's Seutter Tob. Conr. Lotter, à Augsboùrg. 1771. Historical Atlas. Hand-coloured engraving. Plate: 580 x 500mm, (22¾ x Stock: 36873 19¾"). Large margins. Central crease as normal. £450 115. A Dutch Man of War & Frigate, with a Convoy. London. Pub.d Sept.r 1 17888, by R. Pollard Braynes Row, Spa Fields. Mezzotint printed in colour, pplatemark 335 x 455mm (13¼ x 18"). Large margins oon 3 sides. Cut to plate at boottom. £320 Unidentified Dutch ships. Stock: 37040

116. Miraculous Preservation from Shipwreck, or Captain Donald Campbell, on the Coast of Malabar. 113. S.r. Richard Strachan's Action with the W. E. [William Elmes.] London Pub. by T. Tegg, Sep French, off Rochefort: Nov.r.2.1805. in which 25 1808. the four French Ships were taken. Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). Publish.d. Dec.r.12.1805, by Laurie & Whittle, 53 Trimmed inside platemark. Folds as published. Small Fleet street, London. tear in lower edge. £320 Hand-coloured aquatint. Very rare. Plate: 270 x From a very scarce series of plates by the caricaturist 200mm, (10½ x 8"). Mint. £650 William Elmes depicting shippwrecks and maritime A rapidly printed plan of the battle between four disasters, attacks by native Americans and by other British ships, under the command of Strachan, and four indigenous peoples and pirattes, ceremonies, French ships under Dumanoir le Pelley off the coast of puunishments and torture. Published by Thomas Tegg. La Rochelle. The text states, 'The Action commenced In 1782, after surviving a cyclone off Goa he was about noon and at half past three is ceased, the enemy captured and kept prisoner for many years by Hyder having fought to admination, & not surrendering till Ali, but was finally released and returned to England. their Ships were unmanagable.' The four French ships Stock: 37436 were in fact the four surviving ships from the Franco- Spanish line at the Battle of Trafalgar. 117. Loss of the Royal George Admiral Stock: 37480 Kempenfelt, off Spithead. W.E. [William Elmes.] London Pub. by T. Tegg, Nov. 114. Lord Nelson's Attack on the Danish Line 5 1808. and City of Copenhagen. April, 2.nd 1801. Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). From a Drawing made on the Spot, by Captain William Trimmed inside platemark. Folds as published. £360 Bligh of H.M. Ship Glatton. Drawn on sts one by T. From a very scarce series of plates by the caricaturist Dighton. Printed by C. Hullmandel. [n.d., c.1840.] William Elmes depicting shippwrecks and maritime Rare lithograph. Sheet 210 x 645mm (8¼ x 25½"). disasters, attacks by native Americans and by other Original binding folds, some minor soiling. £260 indigenous peoples and pirattes, ceremonies, A diagramatic view of the Royal Navy arrayed before puunishments and torture. Published by Thomas Tegg. Copenhagen, drawn by Captain Bligh and published iin In 1782 the Royal George was being hurriedly fitted Edward Pelham Brenton's 'Naval History of Great out when she keeled over taking over 900 seamen, Britain'. "lady friends" and traders to their watery grave. Although best known for the 'Mutiny on the Bounty', Stock: 37439 William Bligh (1754-1817) had a distinguished career in the navy: In 1776 he was picked by Captain Cook to 118. Capt. Woodward, defending himself be his Sailing Master on his Third (and final) Voyage, from the Treachery of the Malays. and contributed sketches to the Official Account; in [William Elmes.] London Pub. by T. Tegg, Nov. 12 1797 he was captain of the 'Director' at the Battle of 1808. Camperdown; and during the Battle of Copenhagen he Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). followed Nelson's decision to ignore Parker's signal. Trimmed inside platemark. Folds as published. £320 Afterwards Nelson personally praised Bligh for his From a very scarce series of plates by the caricaturist contribution to the victory. William Elmes depicting shippwrecks and maritime This view seems to have been influential: a panorama disasters, attacks by native Americans and by other of the battle was exhibited in Leicester Square by indigenous peoples and pirattes, ceremonies, Henry Aston Barker, who married Admiral William puunishments and torture. Published by Thomas Tegg. Bligh's eldest daughter in 1802. Stock: 37440 Stock: 37041

119. Wreck of the Antelope Packet, Capt. and title page, describing the event from the account of Henry Wilson, on a Reef of Rocks, near the the ship's commander, Captain Collins. Pelew Islands. Thomas Tegg published forty chapbooks between 1805 [William Elmes.] London Pub. by T. Tegg, Dec. 3. and 1809, which relate narraattives of shipwreck and 1808. captivity occurring between 1678 and 1809. Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). Stock: 37417 Trimmed inside platemark. Folds as published. Small tear in lower edge. £240 123. Wrecks of the Britannia & Admiral From a very scarce series of plates by the caricaturist Gardner, East-Indiamen, on the Goodwin William Elmes depicting shipwrecks and maritime Sands, 24 Jan. 1809. disasters, attacks by native Americans and by other London. Pub. by T. Tegg, Feb. 11 - 1809. indigenous peoples and pirates, ceremonies, Aquatint. With original corresponding letterpress punishments and torture. Published by Thomas Tegg. chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). This was the first sustained contact with the Pelew Trimmed inside platemark. Folds as published. Islands whilst the Antelope was being repaired. Lee Remains of binding distressed. £320 Boo, a Pelew islander was brought to London but he Plate 27 from 'The Mariner'ss Marvellous Magazine, or died of smallpox. Wilson wrote a popular book about Wonders of the Ocean; Conttaaining the Most his experiences. Remarkable Adventures and Relations of Mariners in Stock: 37441 Various Parts of the Globe. IIn Four Volumes, Embelished with Forty Engravings', published by 120. Shipwreck & dreadfull sufferings of the Thomas Tegg, 111, Cheapside, J. and A. Duncan, Captain & crew of an English Sloop in the Gulf Glasgow; J. Sutherland, Edinburgh; and J. McClery, of St. Lawrence. Dublin. 1809. Admiral Gardner was built in 1797 by [William Elmes.] [London Pub. by T. Tegg. 1808.] Melhuish at Limehouse, London, and had just begun Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). her outbound voyage to Madras when in company with Trimmed inside platemark. Folds as published. Small Britannia, was lost in a storm on the Goodwin sands. tear in lower edge. £240 With the original 28 page chhaapbook and title page, From a very scarce series of plates by the caricaturist describing the event. William Elmes depicting shipwrecks and maritime Thomas Tegg published forty chapbooks between 1805 disasters, attacks by native Americans and by other and 1809, which relate narraattives of shipwreck and indigenous peoples and pirates, ceremonies, captivity occurring between 1678 and 1809. punishments and torture. Published by Thomas Tegg. Stock: 37426 Probably the Rover built at the Tynes Yard Bermuda. She got lost in a fog and struck rocks at Cape Breton Island. All the crew were saved. Stock: 37443

121. A French Frigate, & a Ship of the Line. London. Pub.d Sept.r 1 1788, by R. Pollard Braynes Row, Spa Fields. Aquatint part printed in colour, platemark 335 x 455mm (13¼ x 18"). Large margins. Bit messy. £320 Unidentified naval action between French and British forces. Stock: 37038

122. Wreck of the Travers, East-Indiaman, on 124. Wreck of the Thames Smack, Captain a Rock, near Sunken Island. Craiggy, on the Nore Sand. Also the Sufferings London, Pub. by T.Tegg, May, 27. 1809. of Alexander Selkirk, who was left on a Aquatint. With original corresponding letterpress chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). desolate Island, on which the Story of Folds as published. Remains of binding distressed. Robinson Crusoe is founded. Trimmed inside platemark. £320 London. Pub. by T. Tegg, March 10 - 1809. A plate from 'The Mariner's Marvellous Magazine, or Aquatint. With original corresponding letterpress Wonders of the Ocean; Containing the Most chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Remarkable Adventures and Relations of Mariners in Trimmed inside platemark. Folds as published. Various Parts of the Globe. In Four Volumes, Remains of binding distressed. £450 Embelished with Forty Engravings', published by A plate from 'The Mariner's Marvellous Magazine, or Thomas Tegg, 111, Cheapside, J. and A. Duncan, Wonders of the Ocean; Conttaaining the Most Glasgow; J. Sutherland, Edinburgh; and J. McClery, Remarkable Adventures and Relations of Mariners in Dublin. 1809. The scene depicits the sinking of the Various Parts of the Globe. IIn Four Volumes, Travers Indiaman, with the original 28 page chapbook Embelished with Forty Engravings', published by Thomas Tegg, 111, Cheapside, J. and A. Duncan, Glasgow; J. Sutherland, Edinburgh; and J. McClery, chapbook and title page, describing the events and the Dublin. 1809. A scene depicting the loss of the Thames sufferings of John Turner, cheif mate of the ship. Smack, under the command of Captain Craiggy, which, Thomas Tegg published forty chapbooks between 1805 through a fatal mistake, was run on the Nore Sand, and 1809, which relate narraattives of shipwreck and Tuesday, February 8, 1809. With the original 28 page captivity occurring between 1678 and 1809. chapbook annd title page, describing the events, Stock: 37429 including the escape of the captain and crew in the boat, and the perilous situation of four female passengers, Captain Johnson, and a private soldier, who were inhumanly left behind. Thomas Tegg published forty chapbooks between 1805 and 1809, which relate narratives of shipwreck and captivity occurring between 1678 and 1809. Stock: 37427

125. Wreck of the Hindostan, East-Indiaman, on the Wedge Sand, near Margate, Jan.y n - 1803. [London. Pub. by T. Tegg, 1809.] Aquatint. With original corresponding letterpress chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). Trimmed inside platemark. Folds as published. 127. The Lady Hobart, Packet, Sinking; Remains of binding distressed. £320 having struck on an Island of floating ice. A plate from 'The Mariner's Marvellous Magazine, or London Pub. by T.Tegg, Feb.y 11 - 1809. Wonders of the Ocean; Containing the Most Aquatint. With original corresponding letterpress Remarkable Adventures and Relations of Mariners in chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Various Parts of the Globe. In Four Volumes, Trimmed inside platemark. Folds as published. Embelished with Forty Engravings', published by Remains of binding distressed. £420 Thomas Tegg, 111, Cheapside, J. and A. Duncan, A plate from 'The Mariner's Marvellous Magazine, or Glasgow; J. Sutherland, Edinburgh; and J. McClery, Wonders of the Ocean; Conttaaining the Most Dublin. 1809. The Hindostan sailed from Gravesend Remarkable Adventures and Relations of Mariners in for India January 2, 1803, passed the Nore, and Various Parts of the Globe. IIn Four Volumes, anchored in the Queen's Channel off the Wedge Sand. Embelished with Forty Engravings', published by There a terrible storm struck her, and she drove on the Thomas Tegg, 111, Cheapside, J. and A. Duncan, sandbank and broke up. A small boat of Margate Glasgow; J. Sutherland, Edinburgh; and J. McClery, rescued 129 out of 143 on the Hindostan. With the Dublin. 1809. The Lady Hobart left Falmouth on 7 original 28 page chapbook and title page, describing March 1803 bound for New YYork and Halifax (Nova the events. Scotia) on 22 June 1803. On board was Captain Thomas Tegg published forty chapbooks between 1805 William Dorset Fellowes, 211 crew and 8 passengers. and 1809, which relate narratives of shipwreck and The Lady Hobart sunk 350 miles east of St. John’s, captivity occurring between 1678 and 1809. Newfoundland after striking an 'island of ice'. With the Stock: 37428 original 28 page chapbook and title page, describing the events. 126. Lieu.t Turner & Boats crew of the Ship Thomas Tegg published forty chapbooks between 1805 Tea, made prisoners, by the Ladrone Pirates. and 1809, which relate narraattives of shipwreck and captivity occurring between 1678 and 1809. London Pub. by T.Tegg, Feb.y 18 - 1809. Stock: 37430 Aquatint. With original corresponding letterpress chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). Trimmed inside platemark. Folds as published. 128. Loss of the Centaur 74 Guns in the Remains of binding distressed. £450 middle of the Atlantic Ocean. A plate from 'The Mariner's Marvellous Magazine, or [London Pub. by T.Tegg, 18009.] Wonders of the Ocean; Containing the Most Aquatint. With original corresponding letterpress Remarkable Adventures and Relations of Mariners in chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Various Parts of the Globe. In Four Volumes, Trimmed inside platemark. Folds as published. Embelished with Forty Engravings', published by Remains of binding distressed. £360 Thomas Tegg, 111, Cheapside, J. and A. Duncan, Plate 23 from 'The Mariner'ss Marvellous Magazine, or Glasgow; J. Sutherland, Edinburgh; and J. McClery, Wonders of the Ocean; Conttaaining the Most Dublin. 1809. The Ladrone pirates were led by the Remarkable Adventures and Relations of Mariners in powerful Chinese female pirate, Ching Shih who Various Parts of the Globe. IIn Four Volumes, commanded hundreds of junks crewed by thousands oof Embelished with Forty Engravings', published by pirates. They terrorized the China Sea and challenged Thomas Tegg, 111, Cheapside, J. and A. Duncan, the empires of the time, such as the British, Portuguese Glasgow; J. Sutherland, Edinburgh; and J. McClery, and the Qing dynasty. With the original 28 page Dublin. 1809. In September 1782, the Centaur was one of the ships escorting prizes bback to Britain from Jamaica, when she foundered during the 1782 Central Thomas Tegg, 111, Cheapside, J. and A. Duncan, Atlantic hurricane near the Newfoundland Banks. Glasgow; J. Sutherland, Edinburgh; and J. McClery, Captain John Nicholson Inglefield, along with eleven Dublin. 1809. The scene deppicits the explosion on of his crew, survived the wreck in one of the ship's booard H.M.S. Amphion, on September 22, 1796. With pinnaces, arriving at the Azores after sailing in an opeen the original 28 page chapbook and title page, boat for 16 days without compass quadrant or sail. describing the event. With the original 28 page chapbook and title page, Thomas Tegg published forty chapbooks between 1805 describing the events. and 1809, which relate narraattives of shipwreck and Thomas Tegg published forty chapbooks between 1805 captivity occurring between 1678 and 1809. and 1809, which relate narratives of shipwreck and Stock: 37418 captivity occurring between 1678 and 1809. Stock: 37431 131. Wreck of the Litchfield Man of War. [London, Pub. by T.Tegg. 1809.] Aquatint. With original corresponding letterpress chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Trimmed inside platemark. Folds as published. Remains of binding distressed. £320 Plate 8 from 'The Mariner's Marvellous Magazine, or Wonders of the Ocean; Conttaaining the Most Remarkable Adventures and Relations of Mariners in Various Parts of the Globe. IIn Four Volumes, Embelished with Forty Engravings', published by Thomas Tegg, 111, Cheapside, J. and A. Duncan, Glasgow; J. Sutherland, Edinburgh; and J. McClery, Dublin. 1809. A view of H.M.S. Lichfield as it ran aground at around 30th November 1758 on the Barbary Coast during a squall. 220 off the 350 crew managed to 129. Mr. Sharp, Chief of the Brig, Admiral reach the shore, but were helld as slaves for 18 months Trowbridge; barbarously wounded, put in until ransomed with other Europeans for 170,000 irons, & spiked to the deck by pirates. dollars in April 1760. With the original 28 page London Pub. by T.Tegg, Jan. 28 - 1809. chapbook and title page, describing the event. Aquatint. With original corresponding letterpress Thomas Tegg published forty chapbooks between 1805 chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). and 1809, which relate narraattives of shipwreck and Trimmed inside platemark. Folds as published. captivity occurring between 1678 and 1809. Remains of binding distressed. £450 Stock: 37419 Plate 22 from 'The Mariner's Marvellous Magazine, or Wonders of the Ocean; Containing the Most 132. Wreck of the Cresccent Frigate. Remarkable Adventures and Relations of Mariners in London, Pub by T.Tegg, Aprril 8 1809. Various Parts of the Globe. In Four Volumes, Aquatint. With original corresponding letterpress Embelished with Forty Engravings', published by chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Thomas Tegg, 111, Cheapside, J. and A. Duncan, Trimmed inside platemark. Folds as published. Glasgow; J. Sutherland, Edinburgh; and J. McClery, Remains of binding distressed. £320 Dublin. 1809. A scene on board the Admiral Plate 31 from 'The Mariner'ss Marvellous Magazine, or Trowbridge, depicting the capture and torture of Mr. Wonders of the Ocean; Conttaaining the Most William Sharpe and other members of the ship's crew. Remarkable Adventures and Relations of Mariners in With the original 28 page chapbook and title page, Various Parts of the Globe. IIn Four Volumes, describing the events. Embelished with Forty Engravings', published by Thomas Tegg published forty chapbooks between 1805 Thomas Tegg, 111, Cheapside, J. and A. Duncan, and 1809, which relate narratives of shipwreck and Glasgow; J. Sutherland, Edinburgh; and J. McClery, captivity occurring between 1678 and 1809. Dublin. 1809. In 1795, Crescent was part of a squadron Stock: 37432 commanded by George Elphhinstone, that forced the surrender of a Batavian squaaddron at the Battle of 130. Dreadful Explosion of the Amphion Saldanha Bay. After serving in the West Indies, she frigate in Hamoaze Plymouth. returned to home waters and was wrecked off the coast [London, Pub. by T.Tegg. 1809.] of Jutland on 6 December 1808. With the original 28 Aquatint. With original corresponding letterpress paage chapbook and title page. chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). Thomas Tegg published forty chapbooks between 1805 Trimmed inside platemark. Folds as published. and 1809, which relate narraattives of shipwreck and Remains of binding distressed. £320 captivity occurring between 1678 and 1809. Plate 37 from 'The Mariner's Marvellous Magazine, or Stock: 37420 Wonders of the Ocean; Containing the Most Remarkable Adventures and Relations of Mariners in Various Parts of the Globe. In Four Volumes, Embelished with Forty Engravings', published by 133. Wreck of the Sceptre, 64 Guns, in a Plate 33 from 'The Mariner'ss Marvellous Magazine, or tremendous Hurricane. Cape of Good Hope. Wonders of the Ocean; Conttaaining the Most [London, Pub. by T.Tegg. 1809.] Remarkable Adventures and Relations of Mariners in Aquatint. With original corresponding letterpress Various Parts of the Globe. IIn Four Volumes, chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). Embelished with Forty Engravings', published by Trimmed inside platemark. Folds as published. Thomas Tegg, 111, Cheapside, J. and A. Duncan, Remains of binding distressed. £320 Glasgow; J. Sutherland, Edinburgh; and J. McClery, Plate 32 from 'The Mariner's Marvellous Magazine, or Dublin. 1809. The Cumberland, anchored off Antigua Wonders of the Ocean; Containing the Most September 3, 1804, was caught in a very severe storm Remarkable Adventures and Relations of Mariners in and dragged her anchors. When she struck the next day Various Parts of the Globe. In Four Volumes, all thirty one people on board were saved on ropes Embelished with Forty Engravings', published by strung from the ship to rock oon the shore. With the Thomas Tegg, 111, Cheapside, J. and A. Duncan, original 28 page chapbook and title page, describing Glasgow; J. Sutherland, Edinburgh; and J. McClery, the event. Dublin. 1809. While under the command of Captain Thomas Tegg published forty chapbooks between 1805 Edwards, Sceptre was caught at anchor in a storm on 5 and 1809, which relate narraattives of shipwreck and November 1799 along with seven other ships in Tablle captivity occurring between 1678 and 1809. Bay, near the Cape of Good Hope. The ship was Stock: 37424 battered to pieces, and approximately 349 seamen and marines were killed or drowned. One officer, two midshipmen, 47 seamen and one marine were saved from the wreck, but nine of these died on the beach. With the original 28 page chapbook and title page, describing the event. Thomas Tegg published forty chapbooks between 1805 and 1809, which relate narratives of shipwreck and captivity occurring between 1678 and 1809. Stock: 37421

134. Loss of the Wager, Man of War, on Wager Island, near Mount Misery. London, Pub. by T. Tegg. April 29 - 1809. Aquatint. With original corresponding letterpress 136. Wreck of the Hercules East Indiaman, chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). on the coast of Caffrariaa. Trimmed inside platemark. Folds as published. London. Pub. by T. Tegg, April 1 - 1809. Remains of binding distressed. £320 Aquatint. With original corresponding letterpress A plate from 'The Mariner's Marvellous Magazine, or chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Wonders of the Ocean; Containing the Most Trimmed inside platemark. Folds as published. Remarkable Adventures and Relations of Mariners in Remains of binding distressed. £420 Various Parts of the Globe. In Four Volumes, Plate 30 from 'The Mariner'ss Marvellous Magazine, or Embelished with Forty Engravings', published by Wonders of the Ocean; Conttaaining the Most Thomas Tegg, 111, Cheapside, J. and A. Duncan, Remarkable Adventures and Relations of Mariners in Glasgow; J. Sutherland, Edinburgh; and J. McClery, Various Parts of the Globe. IIn Four Volumes, Dublin. 1809. The Wager was part of the fleet of Embelished with Forty Engravings', published by George Anson which had been despatched to raid Thomas Tegg, 111, Cheapside, J. and A. Duncan, Spanish ports on the west coast of South America. Glasgow; J. Sutherland, Edinburgh; and J. McClery, Separated from the fleet in fog off Patagonia, he Dublin. 1809. A scene depictting the loss of the rounded Cape Horn and ran aground in the Guayaneco American ship Hercules, on tthe coast of Caffraria, June Archipel, to the south of the Golfo de Penas on the 16, 1796. With the original 28 page chapbook and title southern Chilean coast. With the original 28 page paage, describing the event. chapbook annd title page, describing the event. Thomas Tegg published forty chapbooks between 1805 Thomas Tegg published forty chapbooks between 1805 and 1809, which relate narraattives of shipwreck and and 1809, which relate narratives of shipwreck and captivity occurring between 1678 and 1809. captivity occurring between 1678 and 1809. Stock: 37425 Stock: 37422

135. Wreck of the Cumberland Packet on the Island of Antigua, in a dreadful Hurricane. [London, Pub. by T. Tegg. 1809.] Aquatint. With original corresponding letterpress chapbook. Sheet size: 185 x 265mm (7¼ x 10¼"). Trimmed inside platemark. Folds as published. Remains of binding distressed. £360 140. A Squadron at Ancchor preparing to Sail / Battle of the Nile 1798. T. Burford fecit. Printed for Rob. Sayer Fleet Street Mezzotint with etching on wove paper, platemark 250 x 350mm (9¾ x 13¾"). Smalll margins. £220 Reissued print (originally made c.1760-1770) given a new title to capitalise on currrent affairs. The prrintmaker Thomas Burford (b.1710, d. in or after 1776), who was most likely dead by the time of the baattle, had made a set of fourr naval prints in addition to the hunting scenes for which he was best known. At the time of the Battle of the Nile they were all republished (this print, the firrst in the set, originally boore just the first part of the ttitle, along with parallel 137. England Expects that Every Man will do text in French). Ex: Collection of the Late Hon. C. Lennox-Boyd his Duty. The ever to b lamented Lord Stock: 37201 Viscount Nelson. Born Sept.r. 29.th. 1758. 414 Published 12.th. Dec.r. 1805 by Laurie & Whittle. 141. A Squadron under Sail to form a Line of N.o.53. Fleet Street, London. Hand-coloured engraving. Rare. Plate: 250 x 200mmm, Battle. Escadre sous Voiile pour se mettre en (9¾ x 8"). Mint with very large margins. £620 Ligne 2. A memorial souvenir commemorating the death of T. Burford fecit. [furst impression c.1760-70, this Admiral Nelsson at the Battle of Trafalgar in 1805. A impression c.1790] sailor and a soldier mourn by a memorial decorated Mezzotint with etching on laid paper, platemark 250 x with the profile of Nelson. 350mm (9¾ x 13¾"). Very laarge margins £250 Stock: 37481 Reissued print (originally made c.1760-1770), with etched outline added to the worn mezzotint ground to 138. The Lady Juliana in tow of the Pallas help disinguish the forms. The original printmaker Frigate, The Sailors Fishing the Main Mast Thomas Burford (b.1710, d. in or after 1776) was most likely dead by the time this impression was printed. which was Shatterd by Lightning. This plate was originally the second plate (see number [after Robert Dodd.] [n.d., c.1800.] lower left) in a set of four prrints on the stages of a Pen and pencil sketch. Sheet 435 x 600mmm (17¼ x naval battle. Following the Battle of the Nile in 1798 23½"). Tape stains, tears. £420 the titles of the prints were changed to capitalise on A unique copy of an aquatint by John Harris after interest in the event. For later impression with 'Battle Robert Dodd, one of four plates illustrating the eventts of the Nile' title see ref. 37200. Ex: Collection of the of 8th September 1782, when a storm struck a British Late Hon. C. Lennox-Boyd. fleet in the Gulf of Florida. The fleet, containing Stock: 37203 merchants and French ships captured in the Battle of All Saints (April 12th 1782), was scattered, some 142. A Close Engagement. Combat Bord a damaged but HMS Ramillies & HMS Centaur were lost. 'Pallas' towed the Bord 3. damaged merrchantman 'Lady Juliana' all the way back T. Burford fecit. [furst impression c.1760-70, this to England. See NMM: PAH8432 for the original impression c.1790] Mezzotint with etching on laid paper, platemark 250 x aquatint. Stock: 36882 350mm (9¾ x 13¾"). Very laarge margins £250 Reissued print (originally made c.1760-1770), with etched outline added to the worn mezzotint ground to 139. A Squadron under Sail to form a Line of help disinguish the forms. The original printmaker Battle / Battle of the Nile 1798. Thomas Burford (b.1710, d. in or after 1776) was most T. Burford fecit. [Printed for Rob. Sayer Fleet Street]] likely dead by the time this impression was printed. Mezzotint with etching on wove paper, platemark 250 This plate was originally the third plate (see number x 350mm (9¾ x 13¾"). Small margins. £220 lower left) in a set of four prrints on the stages of a Reissued print (originally made c.1760-1770) given a naval battle. Following the Battle of the Nile in 1798 new title to capitalise on current affairs. The the titles of the prints were changed to capitalise on printmaker Thomas Burford (b.1710, d. in or after interest in the event. Ex: Colllection of the Late Hon. C. 1776), who was most likely dead by the time of the Lennox-Boyd. battle, had made a set of four naval prints in addition to Stock: 37204 the hunting scenes for which he was best known. At the time of the Battle of the Nile they were all republished (this print, the second in the set, originally bore just the first part of the title with parallel text in French). Ex: Collection of the Late Hon. C. Lennox- Boyd; for earlier state see ref. 37203 Stock: 37200 143. The Enemy's strikeing their Flags / Grand Turk. American and British accounts of the Battle of the Nile 1798 action differed, but neither ship was sunk. This print T. Burford del. fecit. [Printed for Rob. Sayer Fleet was dedicated to Francis Freeeling (1764-1836), postal Street] administrator and book colleector. Freeling's career as Mezzotint with etching on wove paper, platemark 250 the head of the Post Office cooincided with the x 350mm (9¾ x 13¾"). Small margins. £220 transition from sail to steam in the Irish packet service. Reissued print (originally made c.1760-1770) given a After William Innes Pocock (1783-1836), naval officer new title to capitalise on current affairs. The original and artist. Pocock was not involved in the battle mezzotint ground was very worn by this point and however: in 1811 he had been promoted lieutenant of etched outlines were added to help make the forms the Eagle, on which he serveed in the Adriatic up to recognisable. The printmaker Thomas Burford (b.1710, 1814 when his naval career ended. Parker: 236. d. in or after 1776), who was most likely dead by the Stock: 37037 time of the battle, had made a set of four naval prints in addition to the hunting scenes for which he was best 146. A Squadron at Ancchor Preparing to Sail. known. At the time of the Battle of the Nile they were [&] A Squadron under Sail to Form a Sine of all republished (this print, the fourth in the set, Battle. [&] A Close Engagment. [&] The originally bore just the first part of the title, along with Enemy Strikeing their Fllags. parallel text in French). Ex: Collection of the Late Hon. T. Burford fecit. Printed for Rob. Sayer. 53 Fleet C. Lennox-Booyd Street. Stock: 37202 Hand-coloured mezzotints with very large margins; rare complete in any state. Pllate: 350 x 250mm, (13¾ x 144. The Leviathan & L'Amerique. 9¾"). Later Impressions. Some damage within plates. N. Pocock del.t. W. Ellis Sculp.t. Published Nov.r 17799 £700 by Binney & Gold. A set of four rare plates depiiccting at the Battle of the Aquatint. 125 x 215mm (5 x 8½"). Trimmed for Nile in August 1798 in which the British Navy, under binding. £120 Lord Nelson, defeated the Frrench following their A scene from the 'Glorious First of June' sea-battle invasion of Egypt. The set off four were originally between the British and French off Ushant. L'Amerique puublished with the title in French as well as English, was dismasted and captured, joining the Royal Navy as however this was later replaced with the title 'The HMS Impétueux. The Leviathan later fought at Battle of the Nile 1798'. Ex collection of The Hon Trafalgar. Christopher Lennox-Boyd. Not in Parker. Published in the 'Naval Chronicle'. Parker: 102 Stock: 36573 Stock: 37122 147. The Situation of His Majestys Ship Ambuscade, off the Island of Jersey, the 15th of November 1779. To the Inhabitants of the said Island This Plate is mmost humbly Dedicated by their obediient humble Servant W. Adlam Capt. of Mariines. Drawn by Capt. Adlam / Engraved by W. Dickinson London, Publish'd August 12th 1780. Very scarce mezzotint, platemark 445 x 550mm (17½ x 21½"). Margins lost at top.. Few repairs. £450 HMS Ambuscade in treacherrous conditions off the island of Jersey. Launched in 1773, the ship was in service until 1810, making vaaluable contributions during the Napoleonic wars. Ex: collection of the late Hon. C. Lennox-Boyd. 145. To Francis Freeling Esq.r Secretary to Stock: 37039 the General Post Office This Plate representing the situation of H.M. Packet 148. The Evening Gun, Haulbowline. Hinchinbrook at the close of an Engagement Dedicated by permission to Francis R. Leahy, with the American Privateer Grand Turk of Esq.re., J.P. Shankiel House. by his obedient Salem, on the 1 of May 1814 [...] Servant Robert L. Stopford. Drawn by W.I. Pocock / Engraved by Baily 46 Tufton R. L. Stopford, del._T. Picken lith. Day & Son, Lith.rs. Str., Westminster Pub. Feb. 1 1819 by Messrs Colnaghi to The Queen. & Co. 23 Coockspur Str. for the Proprietor Hand-coloured lithograph. Shheet: 445 x 335mm, (17½ Scarce aquattint, platemark 390 x 520mm (15¼ x x 13¼"). £420 20½"). Small margins; good condition. £950 A view of the fof rtified island of Haubowline in Cork Naval battle during the War of 1812. The British mail- Harbour off the coast of Ireland. A cannon is fired packet Hinchinbrook was homeward-boound from the from a ship anchored off the coast of the island and West Indies when it was pursued by the American brriig several steam ships and smalll sailing boats sail by. Stock: 37195 was further disabled by a bout of influenza. After this he decided to buy a smaller vessel, the Kestrel. On 5th September 1846, Lord Yarborough died suddenly on booard the Kestrel whilst in Vigo, in Spain. The Royal Yacht Squadron Committee pput up £200 towards a Nautical Monument or Sea Mark at some appropriate spot in the Isle of Wight to perpetuate his memory. The Memorial which was erected as a result of their subscription, stands on Bembridge Downs. The emblem of the Royal Yacht Squdron is in the centre, below the image. Stock: 37252

151. The Battle of the Boyne. Painted by West. Engraved by J. Grozer. London: 149. [Set of Ten Whaling Prints.] The Republished 1. May 1824 by Robert Wilkinson, No. Harponiers going to cast their Lances at the 125 Fenchurch Street. Whale. [&] Shooting, Sticking and Knocking Rare aquatint with etching. On watermarked paper, 'J. on the Head, the Sea Lyon. [&] The Fleaing of Whatman'. Sheet size: 275 x 375mm (10¾ x 14¾"). the Whale, in order to Cut it up to Freight the Trimmed to platemark. Lightt creasing and scuffs. Ship. [&] The Whale dives under the Ice, one £140 A scene after Benjamin Wesstt, depicting William III in Cuts the line & they search where He comes up the centre, leading his army on horseback as they surge again. [&] TThe Whale pitches upon his Head onto the banks of the River Boyne, where, in the lower with his Tayl upwards, the Harponiers stand left corner, the Duke of Schomberg, mortally wounded, ready to stick him in the Flanks when He risees. is carried by four soldiers. [&] Shooting of the Rain Deer. [&] Sailing ouut The Battle of the Boyne took place in 1690 between of the Ice. [&] The Course of the Whale after the Catholic James II and the Protestant William III the Harpone is fixt in him. [&] The Ice Bear across the River Boyne near the town of Drogheda on attack'd & Kill'd w.th. Lances. [&] Sailing the east coast of Ireland, resulting in a victory fo through the Ice to search after Whales. William III. Stock: 37321 S. V.dr. Meulen delin. E. Kirkall fecit. [n.d., c.1730.] Set of 10 mezzotints printed in blue. Framed. Sheet: 195 x 170mm, (7¾ x 6¾"). Frame: 320 x 300mm, 152. The Battle of Bunker's Hill. June 17th (12½ x 12"). Trimmed to plate. Some damage in platee. 1775. Foxing. Unexamined out of frames. £2000 Painted by J. Trumbull Esq. EEngraved by J. Rogers. J A series of ten views of the Arctic showing the various & F Tallis, London, Eduinburgh and Dublin. [n.d., stages of whaling as well as the hunting of various c.1850.] arctic animals such as polar bears and walruses. After Engraving. Sheet size: 205 x 270mm (8 x 10½"). £60 paintings by Siewert van der Meulen (1638-1730). See A scene depicting the death of General Joseph Warren refs: 34461, 34462, 34463, 7601 & 30385 for later at the Battle of Bunker Hill, JJune 17th 1775, during the (c.1760) engrravings based on the same paintings. American Revolutionary War, within a decorative Stock: 37512 boorder showing the surrenderr of Charlestown to General Clinton below. 150. To the Right Hon.ble The Earl of Warren, an influential Massachusetts politician, had Yarborough, Commodore of the Royal yacht beeen commissioned a general but served in the battle as Squadron, This Print of His Yacht Kestrel (202 a volunteer. He was killed during or shortly after the storming of Breed's Hill by BBritish troops. Tons) is respectfully dedicated (with Stock: 37318 permission) by His Lordship'smost obedient humble Servant N.M. Condy. 153. [Leipzig] 'Brother the Lord is with us.' G. Hawkins lith. _ N.M. Condy del. Day & Haghe The Emperor of Russia, King of Prussia, and Lith.rs to the Queen. London, Edw.d Ramsden. 12 the Emperor of Austria, Spontaneously Finch Lane, Cornhill, _ Ackerman & Co. Strand, _ Plymouth, Edmond Fry. [n.d., c.1850.] returning thanks in the Field of Battle after the Tinted lithograph. Sheet size: 295 x 375mm (11½ x Great Victory at Leipsic,, in 1813. 14½"). Large margins. £450 London, Pub. by Thomas Kelly, No. 53 Paternoster A view of the yacht 'Kestrel', owned by the Earl of row, Feb. 4 1815. Yarborough, founder and Commodore of the Royal Coloured engraving. Sheet 195 x 240mm (7¾ x 9¾"). Yacht Squadron, on open water with two small rowing Trimmed and mounted in album paper. £75 boats on either side. During his time as Commodore, From Christopher Kelly's 'The Memorable Battle of cruising and yachting flourished and the club grew in Waterloo'. reputation and numbers. In 1835, he was badly injured Stock: 37118 by being thrown across a sea chest during a gale and 154. The Battle of Taniers MDCCIX. In the begining of this Campaig his Grace the Duke of Marlborough having made a shew of attaching ye Enemy's Army in their Strong Lines, near La Bassee [...] [anon., c.1720] Etching and engraving with hand-colouring, platemark 270 x 330mm (10½ x 13"). Very large margins. Later. £240 Taniers, better known as Malplaquet, was the bloodiest battle of the eighteenth century, fought during the war of the Spanish Succession (1701-14). The Allies, under Marlborough and Prince Eugene of Savoy, beat the French, but, having 21,000 dead to the French army's 11,000, it was a pyrrhic victory. The losses prompted the English Tory party to begin agitating for a 158. Descriptive Sketch of the Three Prints of withdrawal from the war. the Storming of Seringapatam [parallel text in Stock: 37021 French]. In the centre of the Print, is the Breach [...] 155. Marquis Wellington congratulating [after Robert Ker Porter, c.1802] General Hill on the Repulse of the French Scarce etching, platemark approx 395 x 550mm (15½ x Army. 21½"). Whatman 1794 waterrmark £350 [n.d., c.1810.] Keyplate identifying the events and figures represented Stipple. Sheet 130 x 200mm (5 x 8"). Trimmed and in the three prints of the Storrming of Seringapatam by laid on album sheet. £65 Giovanni Vendramini after Robert Ker Porter (the A battle scene, with the future Duke of Wellington paaintings, exhibited in 1800, were subsequently shaking hands with General Rowland Hill, apparently destroyed in a fire). Includess Tipu Sultan and his during the Second Battle of Porto, after units of Hill's paalace, Lieutenant General Baird, and Lieutenant brigade helped drive Marshal Nicolas Soult's French General Harris. corps from Oporto. Porter (1777-1842), a painterr, writer and diplomat, was Hill (1772-1842), who was promoted to Major-General beest-known for such large miilitary scenes such as 'The in 1805, fought in Egypt, Iberia and at Waterloo. Storming of Seringapatam'. IIn 1805 he was invited by Stock: 37138 Alexander I to paint historical murals for the admiralty in St Petersburg and from 18805-25 spent much of his 156. 22d July 1812. Battle of Salamanca time in Russia (he married a Russian princess in 1812). referr'd to in the letter. Porter published various writtings on Russia (illustrated byy prints made from his own sketches), and after later [n.d., c.1812.] serving as British Consul in Venezuela he died and was Ink and watercolour sketch map. Sheet 255 x 220mm buuried in St Petersburg. Ex: Spencers & Collection of (10 x 8¾"), pasted to an aquatint battle scene. Edges the Late Hon. C. Lennox-Boyd. slightly worn. £260 Stock: 37226 A unique detailed plan of the battle drawn by a member of the Quartermaster-General's staff immediately after the battle, according to a type- 159. The Last Effort and Fall of Tipoo Sultan. written note. Painted by H. Singleton. Engraved by J. Rogers. J & F The accompanying print is 'The Capture of General Tallis, London, Edinburgh & Dublin. [n.d., c.1850.] Paget 1812', an aquatint by Dubourg showing a scene Engraving. Sheet size: 205 x 270mm (8¼ x 10½"). in the retreat from Burgos. Trimmed inside platemark. £50 Stock: 37290 A scene depicting the Siege of Seringapatam 1799, the final confrontation of the Fourth Anglo-Mysore War 157. Attack on the Entrenched Camp of beetween the British East Indiia Company and the Kingdom of Mysore. The Brritish achieved a decisive Seringapatam on the night of the 6th of Feb.y victory after breaching the walls of the fortress at 1792. Seringapatam and storming tthe citadel. Tipu Sultan, [n.d., c.1850.] Mysore's ruler, was killed in the action. Within a Wood-engraved map with original colour. Printed area decorative border, with a vignette below showing 235 x 130mm. Folded as issued. £65 Tipoo's sons being given to tthe English as hostages. A sketch map of the first action of the 1792 Siege of Stock: 37320 Seringapatam (Srirangapatna), a night attack in which General Cornwallis drove the defending Mysoreans back to the island city. Stock: 37297 160. Plans of the Battles of Ligny and Quatre- 162. The Terror & flight of Buonaparte after Bras, June 16, 1815. the Battle of Waterloo, leaving his hat & Sword London, Published by John Booth, Duke Street, in his Carriage. Portland Place, Feb.y 2nd 1816. London, Published by Thommaas Kelly, Paternoster row, Engraved map with hand colour. Sheet 215 x 250m Feb. 29 ~ 1817. (8½ x 9¾"). Trimmed to printed border, and mounted Engraving, printed in red and hand-finished. Sheet 185 in album paper. £140 x 250mm (7¼ x 9¾"). Trimmed and mounted in album Three maps on one sheet, detailing the two battles paaper. £75 fought in the build-up to Waterloo, as Wellington Napoleon galloping his horse, looking over his attempted to stop Bonaparte's assault on Brussels. shoulder at the chasing troops. Published in John Booth's 'The Battle of Waterloo, Stock: 37127 Containing the Series of Accounts Published by Authority, British and Foreign, with Circumstantial 163. Vredetocht naar Waterloo. 23 Juni 1890. Details, Previous, During and After the Battle, from a Drukk, van Flandria, Schaarbeek-Brussel. Variety of Authentic and Original Sources, with 4pp. scarce letterpress and music. Each page 280 x Relative Official Documents, Forming an Historical 200mm (11 x 8"). Text not coomplete, mounted on Record of the Operations in the Campaign of the album paper. £80 Netherlands'. He used the pseudonym 'A Near Part of a programme of Belggian celebrations of the Observer'. 75th anniversary of the Battlle of Waterloo. The central Stock: 37312 two pages contain the music and five verses (in Dutch) of 'The Peace Trip of Waterllooo'. Stock: 37133

164. Battle of Waterlooo. Bonaparte in his Retreat, Passing La Belle Alliance, After having witnessed the flight of his Imperial Guard, and the British in pursuit from the opposite height. Drawn by Capt.n Geo. Joness, & Engraved by Mr S. Mitan for Kelly's Battle of Waterloo. London, Pub. by Thomas Kelly, No. 53 Paternoster Row, March 15, 1817. 161. The Battle of Waterloo; A Poem, in Twwo Engraving. Sheet 195 x 240mm (7¾ x 9¾"). Trimmed Parts: by C.F. Warden: Describing, with the and mounted on album paperr. £75 Napoleon galloping his horse, gesturing behind. From most possible accuracy, that variety of incident Christopher Kelly's 'The Memorable Battle of which characterised this ever memorable Waterloo'. achievement. The Embellishments are, a Stock: 37126 Portrait of His Grace the Duke of Wellington, and eight elegant plates, engraved from 165. Britannia attended by British & Prussian sketches taaken on the spot, by an officer in the Officers, Victory descending and placing the Commissariat Department. The Aqua-tints are laurel on the brows of Wellington, while coloured with a correctness equal in Europe is presenting badges of Honour to the appearence to Drawings, and form a Miniaturre Military Heroes of Wateerloo. Panorama of the Scene of Action. Entered at London, Published by Thommaas Kelly, Paternoster row, Stationers Hall. August 23, 1817. London: Printed for the Author, by Dean and Munday, Coloured engraving. Sheet 255 x 175mm (10 x 7"). Threadneedle-street; and sold by most respectable Trimmed and mounted in album paper. £65 Booksellers. Price 4s. 6d. Boards. 1817. An allegorical scene of the Duke of Wellington & Nine aquatint plates with original hand colour; with Marshal Blücher and their offficers being honoured. title excised from front board, and 11 pages (of 48) of The frontispiece of Christopher Kelly's 'The letterpress, alll mounted in album paper. Includes Memorable Battle of Waterloo'. frontis. portrait of Wellington. £420 Stock: 37129 The views show the landmarks made famous by the battle. A rare panorama. 166. Plan of the Military Operations in the Stock: 37184 Netherlands. June 1815. London, Published by Rich.d Edwards, Crane Court, Fleet Street, 1816. Coloured engraving. Printed area 295 x 180mm (11½ x 7") Hole in binding folds tapped on reverse. £140 A map of the approaches to Brussels, showing the Thomas Kelly, No. 53 Paternoster Row, March 15, French advance and the array of the British defences 1817. around Quatre Bras and Waterloo. Engraving, printed in red and hand-finished. Sheet 195 Stock: 37317 x 240mm (7¾ x 9¾"). Trimmed and mounted in album paaper. £85 167. The unexpected meeting of Lord Napoleon galloping his horse, gesturing behind. From Wellington & Blucher at La Belle Alliance. Christopher Kelly's 'The Memorable Battle of London, Published by Thomas Kelly, Paternoster row, Waterloo'. June 22~ 1817. Stock: 37125 Coloured engraving. Sheet 185 x 250mm (7¼ x 9¾"). Trimmed and mounted in album paper. £65 171. A Plan of the Glorriious Battle of Napoleon gaalloping his horse, looking over his Waterloo, Fought on Sunday, June 18th, 1815; shoulder at the chasing troops. Between the Allied Armiies, under the Stock: 37128 command of His Grace the Duke of Wellington, and of Prince Blucher; and the 168. Theatre of War, 1815. From the Straits French Army under the command of Napoleon of Dover, to the Rhine at Strasburg, and from Buonaparte. Holland to Paris. Davies sculp.t Compton Street: Brunsw.k Square. Published February 1 1816. by John Booth, Duke Published by R. Bowyer, Palll Mall, 1816. Street, Portland Place. Engraved map. 350 x 290mm (13¾ x 7½"), paper Engraved map with hand colour. Sheet 215 x 290mm watermarked 'J. Whatman 1814'. Very large margins. (8½ x 11¼"). Trimmed, affecting title and publisher's Faint printer's crease. £220 address, mounted in album paper. £120 The map from Bowyer's 'Campaign of Waterloo', a Map of the campaign that culminated with the Battle of sequel to his 'Illustrated Record of Important Events in Waterloo. Published in John Booth's 'The Battle of the Annals of Europe', the narrative of which had Waterloo, Containing the Series of Accounts Published ended after the first abdication of Napoleon Bonaparte by Authority, British and Foreign, with Circumstantial in April 1814. Details, Previous, During and After the Battle, from a Stock: 37302 Variety of Authentic and Original Sources, with Relative Official Documents, Forming an Historical 172. A Sketch of the Operations of the Record of the Operations in the Campaign of the Campaign in the Netherllands. June 1815. Netherlands'. He used the pseudonym 'A Near [n.d., c.1816.] Observer'. Coloured engraving. Sheet 305 x 205mm (12 x 8"). Stock: 37314 Trimmed to printed border and mounted in album paaper. Some offset. £160 169. The Battle of Waterloo Decided by the A map of the approaches to Brussels, showing the Duke of Wellington, Heading a charge upon French advance and the array of the British defences. the French Imperial Guards, June 18.th. 1815. Stock: 37310 J. A. Atkinson Del. M. Dubourg Sculp. Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook St London. Coloured aquatint. Sheet 220 x 285mm (8¾ x 11¼").. Tear taped. Cut inside plate. £120 Battle scene depicting Wellington's charge on the Imperial Guard. Wellington, mounted upon his horsee Copenhagen, calls the charge, brandishing his sword. A figure in a recognisable bicorne hat (perhaps Napoleon) watches the battle from the safety of a platform behind the French line. Wellington's charge, which took place several hours into the Battle of Waterloo, combined with Blücher's attack on 173. Plan de la Bataille de Waterloo, 18 Juin Napoleon's right-flank, drove the French troops into 1815, Dressé par le Général Baron de Jomoni. disorder allowing the coalition forces to win the day. [Brussels: Gérard, n.d. c.18440.] Stock: 37132 Coloured lithograph Folds reinforced with tape on reverse. £260 170. Battle of Waterloo. Bonaparte in his A folding plan of the battle frfrom the 'Collection de Retreat, Passing La Belle Alliance, After Douze Vues de Waterloo'. having witnessed the flight of his Imperial Antoine-Henri Jomini (1779--1869) was a Swiss Guard, and the British in pursuit from the general who served Napoleonn, who valued him for his opposite height. ideas on strategy. The publication of his first book 'Traité des grandes operations militaires' was Drawn by Capt.n Geo. Jones, & Engraved by Mr S. subsidised by Marshal Ney. He withdrew from the Mitan for Kelly's Battle of Waterloo. London, Pub. by French Army in1814 when Switzerland's neutrality was 178. Waterloo. Conveying the French compromised and was in the service of Russia at the Cannon from the Field of Battle, on the 24th time of Waterloo. July, 1815. From a Drawing made on the Spot, Stock: 37304 July 24th, 1815. Publish'd by R. Bowyer, Palll Mall, 1816. 174. Plans of the Battle of Waterloo, at Coloured aquatint. Sheet 290 x 410mm (11½ x 16"). Different Periods on the 18th June 1815. Centre fold as normal. £130 London, Published by John Booth, Duke Street, An illustration from Bowyerr''s 'Campaign of Waterloo', Portland Place, Feb.y 2nd 1816. a sequel to his 'Illustrated Record of Important Events Engraved map with hand colour. Sheet 215 x 315mm in the Annals of Europe', thee narrative of which had (8½ x 12¼"). Trimmed to printed border, and mounted ended after the first abdication of Napoleon Bonaparte in album paper. £190 in April 1814. Abbey Life: 354. Maps of the battle at noon, 2pm and at the close of Stock: 37130 action. Published in John Booth's 'The Battle of Waterloo, Containing the Series of Accounts Published by Authority, British and Foreign, with Circumstantial Details, Previous, During and After the Battle, from a Variety of Authentic and Original Sources, with Relative Official Documents, Forming an Historical Record of the Operations in the Campaign of the Netherlands'. He used the pseudonym 'A Near Observer'. Stock: 37303

175. Battle of Waterloo. Drawn and Engraved from a Plan Delivered from Horse Guards from a sketch by Capt. Thornton. [London: John Booth, n.d., c.1816.] Engraved map with hand colour. Sheet 200 x 325mm (8 x 12¾"). Trimmed to printed border and mounted in album paper. £180 Published in John Booth's 'The Battle of Waterloo, Containing the Series of Accounts Published by Authority, British and Foreign, with Circumstantial 179. Col.l Gardiner's Lst Interview With His Details, Previous, During and After the Battle, from a Wife And Daughter. Variety of Authentic and Original Sources, with Design'd & Engrav'd by Jammes Gillray. Publish'd Feb.y Relative Official Documents, Forming an Historical 1st 1786 by R. Wilkinson No.55 Cornhill Street. Record of the Operations in the Campaign of the Stipple. Sheet size: 385 x 3900mm (15¼ x 15¾"). Rich Netherlands'. He used the pseudonym 'A Near impression. Trimmed inside platemark. Light printers' Observer'. crease in title area. £320 Stock: 37300 Colonel James Gardiner (1688 - 1745) in his military uniform, taking leave of two women wearing hats and 176. Plan of Brussels, and the Country 25 cloaks. A carriage with an open door is waiting at the Miles to the South left, and soldiers warming arround a bonfire at the gates A. Findlay, del et sculp. Published by Thomas Kelly, of Stirling Castle are in the background to the right; No 53 Paternoster Row, London, Sept.r 28.th, 1816. within an oval. Gardiner (16888 - 1745) was a Scottish Coloured engraving. Sheet 305 x 205mm (12 x 8"). soldier who fought in the Briitish Army, including the Trimmed to printed border and mounted in album 1745 Jacobite rising. At the Battle of Prestonpans he paper. £180 was mortally wounded by the Highlanders after his A map of the approaches to Brussels, showing the dragoons had fled the field. French advance and the array of the British defences, Inscribed below is six lines giving an account of the marking where Quatre Bras was fought on the 16th event portrayed, with a reference to Doddridge &c. June and Waterloo two days later. From Christopher who wrote the influential biography 'Life of Colonel Kelly's 'The Memorable Battle of Waterloo'. Gardiner' (1747). Stock: 37313 Stock: 37150

177. Bataille de Waterloo. (18 Juin 1815). 180. Storming the Bishops Palace at Badajos. Stuben pinxit. Audibran sculp. Imp.ie F. Chardon ainé, Drawn & Etched by W. Heatth. Aquatinted by J.C. 30 Hautefeuille, Paris. Stadler. [London, Published bby T. Tegg, 111 Coloured steel engraving. Sheet 230 x 290mm (9 x Cheapside, April 1, 1818.] 11½"). £65 Coloured aquatint. Sheet 225 x 290mm (9 x 11½") Napoleon mounted on his grey horse Marengo in the Trimmed. £95 heat of the Battle of Waterloo. Stock: 37131 Part of the Siege of Badajoz during the Peninsular War, 183. [Epoque Empire.] the bloodiest of all the British battles against Napoleon. [Anon, c.1800.] Published in William Combe's 'The Wars of Stipple with very large marggiins. Proof before letters. Wellington, a Narrative Poem... by Dr. Syntax', a Platemark: 380 x 270mm (15 x 10½"). £230 companion to 'The Life of Napoleon'. Abbey: Life 357. A portrait of Joseph-Napoléon Bonaparte (1768 - Stock: 37135 1844), the elder brother of Napoleon Bonaparte. Seated on a throne, facing the left, holding a sceptre in both 181. Takinng of Ciudad Rodrigo, Jan.y 19th hands, wearing a crown and coronation robes with the 1812. honey bee motif, a prominent political emblem for both Drawn & Etched by W. Heath. Aquatinted by J.C. the First and Second Napoleonic Empires. Stadler. [London, Published by T. Tegg, 111 Joseph was made king of Naapples and Sicily (1806 - Cheapside, April 1, 1818.] 08), and then king of Spain (1808 - 13). After Coloured aquatint. Sheet 170 x 210mm (6¾ x 8¼"). Napoleon's defeeat, Joseph mooved to the United States, Trimmed, laid on album paper. £70 buut spent his final years in Europe. He died in Italy in A battle of the Peninsular War: Wellington's troops 1844. captured the fortified town, but disgraced themselvess The Greater arms of the firstt French Empire (1804 - by looting it. 1814 and 1815) is shown bellow the portrait. Published in William Combe's 'The Wars of Stock: 35953 Wellington, a Narrative Poem... by Dr. Syntax', a companion to 'The Life of Napoleon'. Abbey: Life 357. 184. Junot. Colonel Géneral des Hussards Stock: 37134 Grand Officier Decoré du Grand Cordon de la Legion d'Honneur. [A Paris chez Jean Beaurais, No 10 rue Jean Fils] [n.d., c.1807.] Coloured engraving. £120 Mounted portrait of Jean-Anndoche Junot (1771-1813), sabre in hand. Joining the Freench Revolutionary Army, he met Napoleon at the Battlle of Toulon (1793), beecoming his secretary. Thiss portrait seems to date from 1807, when he commanded the French invasion of Portugal. Stock: 37136

185. Napoleon Francis CCharles Joseph, Duke of Reichstadt, Formerly King of Rome. Drawn by Mr G. Cruikshank and Engraved by Mr C. Taylor, Mr G. Cruikshank and Mr R.G. Reeve. Published January 1 1828, by John Cumberland, 19 Ludgate Hill. Aquatint. Sheet 280 x 230mm (11 xc 9"), Trimmed just within plate on three sides, into image at top. £90 A portrait of Napoleon Bonaparte's son by Marie- Louis, briefly Napoleon II, here in the uniform of an Austrian hussar. After Napolleon's fall he went to live 182. The Indians delivering up the English with his mother's family in Austria where, despite his Captives to Colonel Bouquet near his Camp at intelligence, he was not allowed any serious role. He the Forks of Muskingum in North America in died of tuberculosis in 1832. Stock: 37137 Nov.r 1764 B. West inv.t / Canot Sculp. Etching, platemark 230 x 160mm (9 x 6¼"). Large 186. Souvenirs de Gloire et de Maleurs. margins. £280 [n.d., c.1830.] Engraving after Benjamin West, American-born artist Rare engraving. Oval sheet 205 x 275mm (8 x 10¾") who became President of the Royal Academy. This Trimmed as oval, laid on albbum paper. £140 etching was published in William Smith's 'Historical A design celebrating the triumphs and failures of Account of the Expedition against the Ohio Indians' Napoleon Bonaparte, with four verses within a circle (1766). Bouquet (1719-65) was successful in striking within a collection of trophies, surrounded by a list of against the Ohio tribes, and the Shawanese and baattles including Waterloo. Stock: 37383 Delaware sued for terms. Bouquet was made brigadieer- general and commandant of all troops in British America's southern colonies, but he died soon after. 187. [Scene with travelllers camping.] West's original drawing, dated 1765, is in the Yale 'GV' [George Vincent] 1822 [in plate]. 1822. Centre for British Art. Etching on india paper, with large margins, rare. Stock: 37097 Platemark: 160 x 200mm (6¼ x 8"). £230 A view with travellers camping, with a pot on fire in 192. [Six parakeets] 1. Little Green and Red the right foreground, figures resting behind by their Long-tailed Parroquet [...] tent under trees, their horse to the left in front of a gaatte, Published as the Act directs by Harrison & Co Nov.r and the river behind. 6th 1784 Etching by George Vincent [1796 - c.1835], landscape Etching with hand-colouring, sheet 365 x 220mm (14¼ painter of the Norwich School and one of the early x 8¾"). Large margins. Small stain on right. Trimmed pupils of John Crome. Vincent produced only a small to plate on right. £95 number of skillful etchings from his own pictures or Stock: 37081 sketches between 1821 and 1827, before he moved to London. Few impressions were taken, and they are now scarce. Stock: 36306

188. Near side view of a Horse's Bones; shewing, also, the situation of some principal internal parts. NB. The liberties here taken are explaiend in the proper places. (1822) Neele & sons. 352 Strand. Hand coloured aquatint and etching. Platemark: 185 x 215mm (7¼ x 8½"). Vertical fold to centre as issued.. £60 A scientific illustration of the skeletal structure and internal orgaanns of a horse, in profile to the left, with a lettered and numbered grid behind. Stock: 37280

189. The Kangaroo. - Macropus giganteus This interesting and good-tempered animal inhabits New South Wales [...] 193. [Set of Twelve Months. Flowers.] Published under the Direction of the Committee of [n.d., c.1770.] General Literature and Education [...] Mezzotint. Sheet: 120 x 165mm, (4¾ x 6½"). Etching with hand-colouring, sheet 275 x 345mm (10¾ Extremely rare & fine but cut set of 18th century x 13½"). Tear into text at bottom. £140 flower prints. Trimmed within plate. Some small pin One of a series of prints published for the purposes of holes. £2500 educating chhildren about different species. A set of twelve months depicting a vase of flowers for Stock: 37093 each month set in an oval, accompanied by names of flowers depicted. In a similarr fashion to Robert 190. The Kangaroo. - Macropus giganteus Furber's famous set of twelve months, these plates This interesting and good-tempered animal might be providing informatiion as to what seeds or flowers are available in the various months. inhabits New South Wales [...] Stock: 37477 Published under the Direction of the Committee of General Literature and Education [...] Etching with hand-colouring, sheet 275 x 345mm (10¾ 194. Flowers from Nature. x 13½"). Tear into text at bottom. £140 [n.d., 1830s.] One of a series of prints published for the purposes of Sketchbook, 4to, original fulll morocco gilt, title (as above) on front board, all edgges gilt; 24 floral educating chhildren about different species. Stock: 37094 watercolours on card, interleeaved with paper, album completed. Edges of binding scuffed and worn. £1200 An album of 24 good amateur watercolours of 191. [Menagerie.] boouquets of flowers, each signed by either 'Emma', Paul Meyerheim pinx. Photogravure Hanfstaengl. [n.d., 'Alice', 'Bessie' or 'George', suggesting a faamily. c.1885.] Stock: 37173 Photogravure. Platemark: 170 x 235mm (6¾ x 9¼"). Very large margins. Laid. On India paper. £65 Traveling menageries were touring collections of live 195. [Salmo Salar. Aduult Male in Breeding exotic animals, increasingly popular in Europe and the State. River Annan in December, Reduced United States from the late 18th century, throughout One Third ] the 19th century. After Paul Friedrich Meyerheim [Drawn by Will.m Jardine, Bar.t. [Engraved by W.H. (1842 - 1915) a German painter and graphic artist best Lizars.] [Edinburgh: W.H.Liizars, 1841]. known as a painter of animals. Engraving, proof before titlee; 1810 J. Whatman Turkey Stock: 37305 Mill watermark. Sheet 500 x 630mm (19¾ x 12¾"). Trimmed to plate, tear in right edge. Crease. £360 A large plate of a salmon, usually published in Sir the plates in the related book. Ex collection of the Hon. William Jardine's 'British Salmonidæ', but this example Christopher Lennox-Boyd. apparently a plate spoiled in production. Stock: 37344 Jardine (1800-74), best-known for his populist 'Naturalist's Library' series, was a keen angler and 199. Key to the engraviing of the trial of authority on salmon and trout in the British Isles, William Lord Russell. recognised in 1860 by his appointment to the Royal Published by Rob.t Bowyer, and Mary Parkes. [n.d., Commission on the Salmon Fisheries of England and c.1835.] Wales. The fish shown here was caught near Jardine Engraved key plate. Platemaarrk: 165 x 230mm (6½ x Hall, his estate in Annandale. From ex Jardine Estate 9"). Horizontal crease near lower edge of sheet. £140 Sale. Thomson Roddick; Little Dyke, Dalton. A key pate; Outline sketch off the principal figures in Stock: 36885 Sir George Hayter's paintingg of the trial of Lord Russell. Lord Russell is seen on the witness stand to 196. Salmo trutta. Sea Trout. Solway Firth iin the right, before a panel of several judges. Ex July. Male. Size of Life. Weight 4lb 3oz. No. 9. collection of the Hon. Christtoopher Lennox-Boyd. Drawn by Will.m Jardine, Bar.t. [Engraved by W.H. Stock: 37343 Lizars.] [Edinburgh: W.H.Lizars, 1841]. Engraving. Sheet 500 x 630mm (19¾ x 12¾"). Trimmed within plate at sides, margins frayed, ink speckles across sea area. £180 A large plate of a sea trout, usually published in Sir William Jardine's 'British Salmonidæ', but this example apparently a plate spoiled in production. Jardine (1800-74), best-known for his populist 'Naturalist's Library' series, was a keen angler and authority on salmon and trout in the British Isles, recognised in 1860 by his appointment to the Royal Commission on the Salmon Fisheries of England and Wales. The fish shown here was caught near Jardine Hall, his estate in Annandale. From ex Jardine Estate Sale. Thomson Roddick; Little Dyke, Dalton. Stock: 36883

197. Descriptive Sketch of the print of the 200. Description of the print of the Grand Death of Gen: Sir Ralph Abercrombie. Attack on Valenciennes by the Combined London Published June 4. 1804 by John P. Thompson Armies Under the Command of the R.H. the St. Newport Street. Printseller ro His Majesty & the Duke of York, July 25, 1793. Duke & Dichess of Kent. Engraved by Mr. William Brromley, from a picture Engraved keyplate. Sheet size: Small tear to left edge paainted by P.J. de Loutherboourg, Esq. R.A. London, of sheet. Vertical crease where folded. Very messy. Published December 1, 18011: for V. and R. Green, by £180 R. Cribb, No. 288, Holborn. A keyplate; Outline sketch showing General Engraved keyplate with letteerrpress. On watermarked Abercrombie attended by surgeons after the battle of paaper, 'E.M.P. 1800'. Sheet size: 470 x 380mm (18½ x Alexandria. A list of those depicted is inscribed in the 15"). Nicks to edges of sheett. Creases. £220 uper left, with a short description of the event below Keyplate with a 28-point key of the important Allied the image in both English and French. Ex collection of officers, and a short descriptiion of the scene in English the Hon. Christopher Lennox-Boyd. and French. Stock: 37346 Text in both English and Freennch below. Ex collection of the Hon. Christopher Lennox-Boyd. 198. Key to the print of the Coronation. For a Stock: 37345 more full explanation of the Plates, please reffeer to the last page of the works. 201. Key to Mr Walker's Engraving of the [Robert Bowyer. n.d., c.1823.] Passing of the Reform Biill. Etched key plate. Sheet size: 375 x 490mm (14½ x [after S.W.Reynolds.] London June 1836; Published by 19¼"). A few small tears along lower edge of sheet.£80 Mr Walker, 64 Margaret Street, & 22 London Street, A key to the portraits in James Stephanoff's view of the Edinburgh. House of Lords, with a ground plan of the House Steel engraving, sheet 305 x 375mm (12 x 14¾"). during the trial of Queen Caroline above, and key to Creases; stains; repaired tearrs. Damaged. £95 the print of the Coronation (Homage) ato the left. In The key plate to Samuel Willliam Reynolds's 'The the top right is a view of the Villa D'Este on the lake of Reform Bill Receiving the King's Assent by Royal Como, the residence of her late Majesty Queen Commission, 7 June 1832', identifying seventy-six Caroline, and below are directions for the placing of figures represented including Grey, Durham, Holland, Brougham, Lansdowne, and Wellesley. The passing of the Great Reform Bill was one of the major legislative landmarks of the nineteenth century Ex: Collection of the Late Hon. C. Lennox-Boyd. Stock: 37229

202. Key Plate to Mr. F.C. Lewis's Picture now Engraving / The Installation of His Highness the Nabob of the Carnatic at Madras 1. His Highness the Nabob of the Carnatic / 2. The Honourable Sir Edward Gambier, Chief Justice [...] [after F.C. Lewis, c.1845] Very scarce lithograph backed onto linen, varnished; sheet 435 x 555mm (17 x 21¾"). £490 Keyplate made to accompany the engraving of the painting by Frederick Christian Lewis junior's (1813- 204. Puzzle This is a hiighly amusing Game, if 75) of the installation of the nawab of the Carnatic, a small coin or other prize be placed in the Ghulam Muhammad Ghaus Khan, at Chenauk Palace by Lord Elphinstone on 25 August 1842. The huge (6ft Centre [...] x 7½ft) painting, now in the Fort Museum in Madras, [Anon., c.1844] included between sixty and seventy portraits and took Very scarce lithograph with hand-colouring, sheet 220 Lewis eighteen months to complete. x 270mm (8¾ x 10½"). Pasted to album sheet; print The principaal Indians and English are seated to left and and text clippings verso. £260 right of the nawab, seated on the Musnud, and among Maze with four starting poinntts. The text suggests the high ranking officials depicted, from all pllacing a coin in the centre (marked by the silhouette departments of the colonial administration, are Lord of Queen Victoria's head), to be claimed by the person Elphinstone, Governor of Madras, Genere al Sir Robert who first finds the correct path. Stock: 37010 Clark, Commander-in-Chief, Sir Edward Gambier, Chief Justice, members of the judicial bench, the Board of Revenue, gentleman agents and residents, and local 205. Scriptural Protean Views, No. 1. A View Indian princes and potentates. The keyplate notes some on the Red Sea. Changing to The Finding of figures are not identified by name and that they were Moses in the Bul-rushes.. members of the Nabob retinue and Durbar. Printed by W.Kohler. Londoonn, William Spooner, No. Lewis (oftenn called 'Indian Lewis' to distinguish him 337 Strand. [n.d., c.1840.] from his artist father and brother), was one of the Coloured lithograph, very rarre. 155 x 185mm (6¼ x foremost British artists working in Asia in the 7¼"), trimmed and laid on card with title label, backed ninenteenth century. Ex: Collection of the Late Hon. C. with tissue, as issued. £180 Lennox-Boyd A view of a city on a shoreline (the Nile rather than the Stock: 37227 Red Sea, according to the Biibble!) is populated by Pharoah's Daughter and her entourage when the image 203. Labyrinthus Londinensis, or the is held up to a light source. Equestrian Preplexed. A Puzzle Suggested by Stock: 36403 the Stoppagges occasioned by repairing the Streets. The object is to find a way from the 206. Scriptural Protean Views, No. 2. Mount Strand to St Paul's without crossing any of the Ararat Changing to The Descent of Noah from Bars in the Streets supposed to be under the Ark. repair. By G.F. Bragg. Printed by W.Kohler. London, William Spooner, No. 337 Strand. [n..d., c.1840.] C. Ingrey lithog. [Published by C. Ingrey, 310, Strand, Coloured lithograph, very rarre. 150 x 180mm (6 x 7"), and F. Waller, 49, Fleet Street, London.] [n.d., c.1835.] trimmed and laid on card witth title label, backed with Very scarce lithograph, trimmed as scrap, pasted on tissue, as issued. £190 album sheet, sheet 220 x 260mm (8¾ x 10¼"). Tears A view of a peak changes when the image is held up to pasted down. £240 a light source, with a stream of animals coming down A maze constructed around a real map of the streets of the mountain, a rainbow andd Noah sacrificing at a London, decorated with armorials in the corners. Stock: 37068 buurning altar. Stock: 36404

207. Scriptural Protean Views, No. 4. The City of Jerusalem Changging to The Entry of Our Saviour. By G.F. Bragg. Printed by W.Kohler. London, William Spooner, No. 337 Strand. [n..d., c.1840.] Coloured lithograph, very rare. 150 x 185mm (6 x 211. Spooner's Proteann Views, No. 8. St 7¼"), trimmed and laid on card with title label, backed George's Chapel Windsor Castle In which the with tissue, as issued. £230 scene changes to the splendid ceremony of the A view of Jerusalem is filled with figures of Jesus annd interment of King William IV. his followers when the image is held up to a light London, William Spooner, No. 337 Strand. [n.d., source. c.1836.] Stock: 36405 Coloured lithograph. 185 x 145mm (7¼ x 5¾"), trimmed and laid on card witth title label, backed with 208. Scriptural Protean Views, No. 5. The tissue, as issued. £130 Holy Sepulcre changing to The Crucifixion. The chapel empty but for two soldiers fills with By G.F. Bragg. Printed by W.Kohler. London, William mourners when the image is held up to a light source. Spooner, No. 337 Strand. [n.d., c.1840.] Stock: 36402 Coloured lithograph, very rare. 185 x 145mm (7¼ x 6"), trimmed and laid on card with title label, backed 212. Spooner's Proteann Views, Mount with tissue, as issued. Hole in issue on the reverse. Vesuvius. £180 London, William Spooner, No. 337 Strand. [n.d., A view of the Holy Sepulcre turns into one of classical c.1840.] Jerusalem with the Crucifixion in the foreground when Coloured lithograph, trimmeed and laid on card with the image is held up to a light source. title label, backed with tissue, as issued. Total Stock: 36406 dimensions of image and title 185 x 185mm (7¼ x 7¼"). Foxing; transformation works well. £240 209. Magic No. 2. The Serpent Charmer. As explained in text caption,, seen flat Vesuvius is Hold the picture to the fire & the Serpent will shown on a tranquil summer''s day, but held up to the be charmed a beautiful Green colour. light it can be seen erupting, with smoke billowing and London, Publsihed by Orlando Hodgson, 111 Fleet lava running down its sides. OOne of a large series of Street. Of whom may be had Winter & Domestic such 'Protean Views'. For other examples see refs. Amusements, containing the above & several hundred 5697, 5698 etc. other curious & entertaining experiments. [n.d., Stock: 36958 c.1840.] Scarce hand coloured lithograph. Sheet size: 220 x 213. Browne's Transpaarencies. Holyrood 170mm (8½ x 6½"). £190 Chapel. An untreated optical print, showing a figure charmin London: Published by Reeves and Sons, Cheapside; snakes, with a cityscape behind. The colour of the print and W. Morgan, 25, Bartlett''s Buildings, Holborn. should transform when held in front of light. Coloured lithograph, very rarre. 145 x 190mm (6 x Stock: 37347 7½"), trimmed and laid on card with title label, backed with tissue, as issued. Hole in issue on the reverse.£180 A moon and torch-lit scene in the ruins of Holyrood Chapel, which illuminates whhen held up to a light, Stock: 36407

214. [Landscape with monks entering monastery] Transparent Views. London: Published by Reeves and Sons, Cheapside; and W. Morgan, 25, Bartlett''s Buildings, Holborn. [n.d., c.1835] Transparency with watercolour to verso, hand coloured lithograph. Tipped into card mount with tissue backing and title label, original presenntation. Image 195 x 150mm. 7¾ x 6". £140 Stock: 36957

215. Desiderius Erasmus Rotterodamus. Qui 210. Spooner's Protean Views, No. 22. Patriae lumen qui nostrii gloria fech [...] Chartres Cathedral, With the Procession of the Vorsterman sculptor D.D.: / HHansus Holbenius pinxit / Host. Cum Privilegio Reg: [c.1625] London, William Spooner, No. 337 Strand. [n.d., Engraving, sheet 210 x 145mm (8¼ x 5¾"). Trimmed c.1840.] inside platemark; tipped intoo album sheet with hand- Coloured lithograph, 150 x 180mm (6 x 7"), trimmed drawn borders around edges.. £140 and laid on card with title label, backed with tissue, as Desiderius Erasmus (1466-15536), Dutch Renaissance issued. £130 humanist and a Catholic theologian. Erasmus prepared A scene of Chartres Cathedral which changes when important new Latin and Greek editions of the New Testament, and also wrote The Praise of Folly, held up to a light source. Stock: 36401 Handbook of a Christian Kniight, On Civility in Children, Copia: Foundations of the Abundant Style, Children, Copia: Foundationns of the Abundant Style, Julius Exclusus, and many other works. Erasmus lived Julius Exclusus, and many otther works. Erasmus lived through the Reformation period and he consistently through the Reformation perriiod and he consistently criticized some contemporary popular Christian beliefs. criticized some contemporary popular Christian beliefs. In relation to clerical abuses in the Church, Erasmus In relation to clerical abuses in the Church, Erasmus remained committed to reforming the Church from remained committed to reforrming the Church from within. He also held to Catholic doctrines such as that within. He also held to Catholic doctrines such as that of free will, which some Protestant Reformers rejected of free will, which some Prottestant Reformers rejected in favor of the doctrine of predestination. His middle in favor of the doctrine of preedestination. His middle road disappointed and even angered many Protestants, road disappointed and even angered many Protestants, such as Martin Luther, as well as conservative such as Martin Luther, as well as conservative Catholics. Catholics. One of the earliest of many prints reproducing the One of many prints reproducing the famous 1532 famous 1532 portrait of Erasmus by Hans Holbein thhe poortrait of Erasmus by Hans Holbein the younger. younger. Engraved by Lucas Vorsterman I (1595- Stock: 37353 1675), a favoured engraveer of his contemporaries Rubens and Van Dyck. Despite his close relationship 217. J. M. Keynes. Supplement to the New with Rubens (who was godfather to Vorsterman's Statesman and Nation, October 28, 1933 (20). eldest son), the engraver felt exploited by the famouss Low. painter. At one point Vorsterman made an attempt on Photo-lithograph. Sheet: 230 x 330mm (9 x 13"). £110 Rubens' life, and subsequently moved to England, A portrait of John Maynard Keynes (1883-1946), where he was employed by Charles I, Thomas Howard British economist who radically changed the study of and the Earl of Pembroke to reproduce paintings from economics by Sir David Alexander Cecil Low (1891- their collections. Howard was then the owner of this 1963). Keynes is depicted slouched in a large armchair picture (one of many versions of the portrait that exist deep in thought, with a pile of papers and books next to but one of thhe only ones believed to be painted by him. Holbein himself). The painting is now in the Stock: 37050 Metropolitan Museum of Art in New York. Stock: 37354 218. Augustus John. Supplement to the New Statesman and Nation, June 26, 1926 (18). Low. Photo-lithograph. Sheet size:: 230 x 330mm (9 x 13"). £65 A portrait of Augustus Edwin John RA (1878 - 1961), standing, smoking a pipe. John was a Welsh painter, draughtsman, and etcher. Altthough well-known early in the century for his drawings and etchings, the bulk of John's later work consisted of portraits. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934. Stock: 37140

219. Anton Raphael Mengs. A. R. Mengs, del 1759. Stipple. Very rare. 18th century watermarked paper. Plate: 180 x 235mm, (7 x 9¼"). Trimmed margins. £220 A self-portrait of Anton Raphael Mengs (1728-1779) a German Bohemian artist who is considered a precursor of Neoclassical painting. 216. Desiderius Erasmus Rotterodamus Stock: 37386 ViIncomparibilis & Doctorum Phoenix.Iugens urgentem quem personat orbis Erasmum [...] 220. Hillaire Beloc. Supplement to the New [after Hans Holbein] B. Moncornet exc. [c.1720] Statesman, April 17, 19226 (13). Engraving, sheet 175 x 115mm (7 x 4½"). Trimmed Low. inside platemark; tipped into album sheet with hand- Photo-lithograph. Sheet size:: 230 x 330mm (9 x 13"). drawn borders around edges. £120 Small ink smudge in lower margin. £130 Desiderius Erasmus (1466-1536), Dutch Renaissance A portrait of Joseph Hilaire Pierre René Belloc (1870 - humanist and a Catholic theologian. Erasmus prepared 1953, an Anglo-French writer and historian. He was important new Latin and Greek editions of the New one of the most prolific writers in England during the Testament, and also wrote The Praise of Folly, early twentieth century. He was known as a writer, Handbook of a Christian Knight, On Civility in orator, poet, sailor, satirist, man of letters, soldier and revere him as a national hero. He died at 36 years old political activist. By New Zealand born artist, Sir from a fever contracted while in Missolonghi, Greece. David Low (1891 - 1963). Unhappy with the political Portrait with accompanying ttext, part of 'The Popular leadership of the British establishment David Low Portrait Gallery of Illustrious and Eminent Persons' created his cartoon character, Colonel Blimp in 1934. which also included Napoleon. This portrait shows him Stock: 37144 with his beloved dog Boatswain. Not in O'D. Stock: 36774

223. Gilbert Keith Chesterton. Supplement to the New Statesman, May 29, 1926 (16). Low. Photo-lithograph. Sheet size:: 230 x 330mm (9 x 13"). £75 A portrait of Gilbert Keith Chesterton, (1874- 1936) beetter known as G. K. Chesterton, English writer, theologian, poet, philosopherr, dramatist, journalist, orator, literary and art critic. By New Zealand born artist, Sir David Low (1891 -- 1963). Unhappy with the poolitical leadership of the Brriitish establishment David Low created his cartoon charracter, Colonel Blimp in 1934. Stock: 37141

224. Aldous Huxley. Supplement to the New Statesman and Nation, November 25, 1933 (6). Low. Photo-lithograph. Sheet size:: 230 x 330mm (9 x 13"). £140 A portrait of Aldous Leonard Huxley (1894 - 1963), wearing spectacles, leaning against a bookcase. Huxley was an English writer, philosopher and a prominent member of the Huxley family, best known for his novels including Brave Neww World, and for non-fiction works, such as The Doors off Perception. By New Zealand born artist, Sir David Low (1891 - 1963). 221. [George Bernard Shaw.] Supplement to Unhappy with the political leadership of the British the New Statesman, February 27, 1926 (7). establishment David Low created his cartoon character, Low. Colonel Blimp in 1934. Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Stock: 37142 £160 A portrait of George Bernard Shaw (1856 - 1950), Irish 225. Somerset Maughamm. Supplement to The playwright and a co-founder of the London School of New Statesman and Natiion, January 6, 1934 Economics. By New Zealland born artist, Sir David Low (1891 - (12). 1963). Unhappy with the political leadership of the Low. Photo-lithograph. Sheet: 230 x 330mm, (9 x 13"). £110 British establishment David Low created his cartoon A portrait of author and playwright William Somerset character, Colonel Blimp in 1934. Stock: 37240 Maugham (1874-1965) by cartoonist Sir David Alexander Cecil Low (1891--1963). Maugham is depicted smiling widely whillst sitting on a large sofa. 222. Lord Byron and His Favourite. [facsimile Stock: 37051 signature] Popular Portrait Gallery. Price Twopence. 226. James Montgomery Esq.r Author of the Branston and Wright, Sculp. Vizeteely, Branston, & Wanderer of Switzerland, The West Indies, Co. Printers, 76, Fleet Street. Woodcut portrait with accompanying letterpress on The World before the Floood, Greenland, &c. folded sheet, 4pp. Sheet 330 x 260mm (13 x 10¼"). &c. Rare. £140 Painted by J.R. Smith. Engraved by C. Turner. George Gordon Noel Byron (1788-1824), British poet Sheffield, Published July 1stt 1819 by Mess.rs Rodwell and archetypal Romantic figure. Byron was celebrated & Martin, New Bond Street. in life for aristocratic excesses including huge debts, Mezzotint, rare, with very larrge margins. 355 x 260mm numerous love affairs, rumours of a scandalous (14 x 10¼). Foxing. £260 incestuous liaison with his half-sister, and self-impossed James Montgomery (1771-1854), Poet and hymn exile. He travelled to fight against the Ottoman Empiire writer. Whitman: 379 Stock: 35802 in the Greek War of Independence, for which Greekss 227. Miss Pandoe. Rare hand coloured mezzotint. Platemark: 350 x The Original by J. Lilley. [n.d., c.1850.] 245mm (13¾ x 9¾"). Slight paper toning. Small Mezzotint. Open letter state. Sheet size: 245 x 170mm repaired tears in margins. £350 (9½ x 6¾"). Large margins. Light foxing. Damage along rightedge of sheet where previously bound. Trimmed inside platemark. £75 A portrait of Julia Pardoe (1806 - 1862), half-length, seated facing front and looking away to the left, with an alcove and climbing plants behind. Pardoe was an English poet, novelist, historian and traveller, perhaps best known for her books on travels in Turkey, which are some of the earliest works by a woman on this area. In 1836 she travelled to Constantinople with her father, Major Thommas Pardoe. She later collaborated with thhe artist William Henry Bartlett to produce 'The Beauties of the Bosphorus' (1839), an illustrated account of Constantinople. Ex collection of Chrostopher Lennox- Boyd. Stock: 37168

228. A. Pope Esq. A la Demande de me Chere Mademoiselle Rayment, avec ma sincere pré - avec respect humblement [...]. [n.d., c.1810.] Etching. Very rare. Sheet size: 90 x 75mm (3½ x 3"). Laid on album sheet. £120 A portrait of poet Alexander Pope (1688 - 1744), half length, seated by a table, resting his head in his right hand, looking towards the right; wearing wig. Pope is best known for his satirical verse, as well as for his George III shown whole-length, three-quarter to the translation of Homer. right, holding a sceptre on hiis knee in his right hand, Stock: 37162 gesturing outwards with his lleft. He is wearing a poowdered wig, badge and sassh. He is surrounded by 229. [Charles II] Carolus II Dei Gratia female allegorical figures, Wisdom to left, Justice Magna Britanniae, Franciae, et Hiberniae Reex. beehind, Liberty holding a Union Jack, on which a Gonzales Coques pinxit / Q. Boel fecit aqua fortis frigian hat is hooked, to rightt, Science and Navigation [c.1660] in front of him, one holding a globe, the other laying a Etching, sheet 230 x 170mm (9 x 6¾"). Trimmed map of the West Indies at his feet. There is a pillar and inside platemark and glued to album sheet with hand- curtain behind to the left, and a sailing ship in the drawn border. Rare. £140 baackground to the right. Versses of 'God Save the King' Charles II (1630-85), king of Britain following the inscribed below. Ex collection of Christopher Lennox- execution of his father during the English Civil War. Boyd. Stock: 37149 He was crowned after the Restoration of the monarchy in 1660. Engraved after a portrait by Gonzales Coques (1614- 231. [James Scott, Duke of Monmouth] 84), Antwerp-based painter known as 'little Van Dyck'. Illustrissimus et Potentissimus Princeps Coques was well-known for his portraits (he had also Jacobus Dux de Monmouth & Bucclugh [...] painted Charles I), and helped to introduce to the FR [Francis Barlow monogram lower left] Sold by S. southern Netherlands a new genre of group portraits Lye at the Oval Frame againnsst the SouthSea House in showing the sitters going about their everyday Bishop gate Street. activities. Very rare engraving, sheet 345 x 265mm (13½ x Stock: 37364 10½"). Trimmed inside platemark and glued to album sheet with hand-drawn border; damaged bottom right, 230. An Allegorical Representation of his creasing. £260 Majesty King George the Third. Wherein he is James Scott, Duke of Monmmoouth (1649-1685), English Seated on the Throne, attneded by Wisdom, nobleman and the eldest illegitimate son of Charles II Justice, & Liberty, also Science, Navigation & and his mistress, Lucy Walter. Scott was executed after making an unsuccessful attempt to depose his uncle, Commerse, laying at his Feet a Map of the King James II, commonly called the Monmouth West India Islands. Rebellion. [Anon.] [Published 1st. Sep.r 1794, by R.t Laurie & J.s By Francis Barlow (d.1704),, painter and etcher. Whittle, No. 52, Fleet Street, London.] Barlow is perhaps best known for his many designs for natural history plates, but also made propaganda prints supporting the whig cause during and after the Popish 24 December 1836 (the day before she was due to Plot of 1679 which count among the earliest satirical beecome his fifth wife) he murdered her, cut up the prints published in England. O'D 21; for another print boody and disposed of the pieeces in various parts of of Monmouth on horseback see ref. 4393. London. Stock: 37365 On 24 March 1837 Greenacrre and Gale were arrested in Kennington as they were preparing to set sail for 232. [James Scott, Duke of Monmouth] America. Greenacre insisted Gale had not known about Jacobus D..G. Monumethensium et Buccluchen the murder, and she was transported to Australia, [...] where she died in 1888. Greenacre, however, was WW [after William Wissing] Ex Formis Ludovici hanged on 2 May 1837 in front of some 20,000 Renard Cumm Privil: Praepotensis: Ord: General spectators at Newgate. He enjoyed posthumous Engraving, sheet 365 x 270mm (14¼ x 10½"). celebrity: his head was examined by phrenologists, a Trimmed inside platemark and glued to album sheet waxwork effigy of him was displayed at Madame with hand-drawn border. Rare. £220 Tussauds, and plays about hiis life were performed at James Scott, Duke of Monmouth (1649-1685), English theatres. Kivell & Spence: Pg 121. nobleman and the eldest illegitimate son of Charles II Stock: 37080 and his mistress, Lucy Walter. Scott was executed afftter making an unsuccessful attempt to depose his uncle, King James II, commonly called the Monmouth Rebellion. Stock: 37363

233. Her Most Gracious Majesty Victoria. Queen of Great Britain and Ireland. Said to be the paper on her Majesty's drawing room. 1861. [Written in ink below.] Painted by G. Hayter, Esq. Engraved by . Cochran. Fisher, So & Co. London & Paris 1837. Stipple. Platemark: 230 x 140mm (9 x 5½"). Glued to album sheet along top edge with the sample of wall paper attached below. £95 A portrait of Queen Victoria as a young woman, standing in profile to the left, looking round towards the viewer. Her right hand touching a rose which rests 235. The Impersonatorr.. on a table beside her, with books and a globe turned to Wilfred Huggins [signed in pencil.] [n.d., c.1940.] show 'Africa' on the table behind. Pillars to either sidde Etching. Plate: 110 x 165mm, (4¼ x 6½"). £850 frame a view of Windsor. Satirical depiction of Austrian dictator Adolf Hitler Facsimile of autograph of Victoria as Queen inscribed (1889-1945) who stands looking in the mirror below and a crown above. A cutting of paper, said to attempting to curl his fringe iin a similar manner to be from Queen Victoria's drawing room, is attached Napoleon, a portrait of whom hangs on the wall below the image. beehind. Not seen before. Prriivately issued as a Stock: 37278 Christmas/New Year greetinnggs card. Stock: 37490 234. James Greenacre. Sarah Gale [Anon., c.1837] 236. [Laughing Boy afteer Jacob van Dorsten.] Etching with very fine hand-colouring, sheet 215 x Drost Pinx: A. Blooteling fecit et ex cum Privelegio. 130mm (8½ x 5"). Very rare; 'Webster Collection' [n.d., c.1680.] stamp verso. £140 Mezzotint with large marginnss. Platemark: 195 x James Greenacre (1785-1837), murderer, and his 135mm (7¾ x 5½"). Some rubbing. £260 mistress Sarah Gale. Greenacre owned a large grocerry A young boy with curly hair,, directed towards the left, shop on Old Kent Road, where he displayed political facing the viewer, with his arrms outstretched, laughing. pamphlets. He was known for his radical opinions and After Dutch painter Jacob van Dorsten (1627 - 1674), as an associate of Arthur Thistlewood narrowly also known as Jacob van Drost. Engraved by Abraham escaped arrest for involvement in the Cato Street Blooteling (1640 - 1690), a key figure in the transfer of conspiracy. After a spell in America Greenacre Dutch mezzotint to England.. Holstein 258. returned to London in 1835 and rumours began to Stock: 34872 circulate: he was accused of murdering a child, and of drugging a woman to procure an abortion, but both 237. Je l'entens, je le crrois, mais ce n'est qu'à cases foundered for lack of evidence. demi, / Ce brillant Capittaine et tout son beau In 1836 Greenacre advertised for a partner to help him Langage [...] exploit and develop the washing machine he had C.P. Rottari pinx: / L. Zucchhii sc: [n.d., c.1750] invented while in America, and a washerwoman named Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed Hannah Brown agreed to go into business with him. On to platemark. £140 Portrait of a woman, with verses below seeming to James Cook (1720-1779) which was produced for the indicate the subject's uncertainty about romantic Royal Society. 13 were struck in god, 289 in silver and overtures made to her. 500 in bronze. On the left is a medal of Capt. James After Pietro Rotari (1707-62), painter of portraits and King (1750-1784) who served under James Cook on religious subjects. Afte spending the first part of his his last voyage. Kivell & Spence: Pg 164. career in Italy, in the 1750s Rotari moved north, Stock: 37174 working in Vienna, Dresden and finally St Petersburg. Stock: 37107

238. In ischietto vestir Leggiadra restra / Tasso. C.P. Rottari pinx: / L. Zucchi sc: [n.d., c.1750] Engraving, sheet 235 x 170mm (9¼ x 6¾"). Trimmed inside platemark. £140 Portrait of a woman with line from Torquato Tasso's 'La Gerusalemme liberata' ('Jerusalem Liberated'), a popular source in the 18th century. After Pietro Rotari (1707-62), painter of portraits and religious subjects. Afte spending the first part of his career in Italy, in the 1750s Rotari moved north, working in Vienna, Dresden and finally St Petersburg. Stock: 37106

239. Australian Explorers. McGready, Thomson & Niven / Copyright / McFarlane & Erskine Lithog.rs Edinburgh [c.1870's] Lithograph with tintstone, sheet 265 x 170mm (10½ x 6¾"). £85 Portraits of: Ernest Giles (1835-97), John Forrest (1847-1918), Charles Sturt (1795-1869), Robert 242. Captain James Cook. O'Hara Burke (1821-61), William John Wills (1834- N. Dance Pinxt. Engrd. by J.K. Sherwin Engraver to 61), Ludwig Leichardt (1813-48), John McDouall his Majesty & his Royal highnss. Prince of Wales. Stuart (1815-66) and Sir George Grey (1812-98). In the Publish'd Augt. 1st 1784 by J.K. Sherwin No.28 St. centre is Charles Summers' monument to Burke and James's Street & W. Hinton SSweetings Alley, Royal Wills in Melbourne. In 1860-1 Burke and Wills led an Exchange. expedition crossing Australia from Melbourne in the Engraving. Sheet size: 295 x 235mm (11½ x 9¼"). south to the Gulf of Carpentaria in the north. They Unexamined out of frame. Trrimmed inside platemark. successfully did so but both men lost their lives on the £240 return to Melbourne. Kivell & Spence: Pg 124. A portrait of Captain James Cook (1728 - 1779), Stock: 37092 wearing a suit, seated, resting one arm on a manuscript laid on a table. His hat and a book are next to the 240. Retrato de Cristóbal Colon. manuscript. Antonio Calliano lo dib.ó. Rafael Esteve lo. grabo. Se Cook learned his seamanship on small Easts -coast hallará en la Calcografia de la Imprenta Real. [n.d., traders. Although only a warrrant officer, he was chosen c.1820.] to command the Endeavour iin 1768. He made three Engraving. 550 x 370mm (21¾ x 14½"). Tears in very important voyages of discovery to the South and North large marginns. £160 Pacific - charting land, sea and stars - and was the first An imaginary portrait of Columbus, apparently taken British captain to land in Ausstralia. He was killed in from a painting by Van Loo by Antonio Raffaele Hawaii during a skirmish. Frrom the portrait by Calliano (1785 - 1824). Shown as a young man, he Nathaniel Dance (1735 - 1811). The original portrait stands by a table embellished with the arms of Castille, was commissioned by the explorer Sir Joseph Banks on which are two globes. and was praised as an excellent likeness. Ex Stock: 37117 Collection: Sir Charles Lyelll. Stock: 37473 241. [Medals of Capt. James Cook and Capt. James King.] 243. Cornelius de Bruyyn Pictor. [London Publish'd March 1.st. 1785 by J.Sewell Godfres Kneller Eques Pinxiit. G. Valck sculp. Sold by Cornhill.] C. Dicey & Co, in Aldermary Church Yard. [n.d., Engraving. Sheet: 95 x 155mm, (3¾ x 6"). Trimmed to c.1740 image. £120 Engraving with large margins, 154. Plate 274 x Image from the European Magazine of two medals, 179mm. 10¾ x 7". Tear in margin. £130 with the reverse depicted beneath. On the left is shown Cornelis de Bruijn (1652-c.1727) was a Dutch artist Lewis Pingo's 1784 design for a medal portraying and traveller in the Levant and Russia. Following two large tours he published illustrated books of his 246. Sir A.H. Layard. The Whitehall Review. observations of the people, buildings, pllants and 27th July 1878. animals. The output of publisher, Cluer Dicey (c.1713 - Judd & Co. Lith, Doctors' Commons, London, E.C. 1775) consisted mostly of re-issued plates, in this case Lithograph. Sheet 345 x 220mmm (13½ x 8¾"), with a Dutch plate from about 1690. He is most famous as accompanying letterpress biography pasted on reverse. the last publisher of John Speed's county maps in 1770, Trimmed close to printed area. Slight foxing. £140 over one-and-a-half centuries after their first issue! See Sir Austen Henry Layard (1817-94), politician, ref 17356 for a proof impression. diplomat and archaeologist. IIn 1839 he left England to Stock: 35803 travel overland across Asia to Sri Lanka. He broke off his trip in Constantinople where he met Sir Stratford 244. Robert Devereux Earle of Essex / Sir Canning, the British Ambassador, who encouraged him Humphrey Gilbert Kt / Mr Thomas Candish / to focus on archaeology. Layard travelled to Mosul and Sir Martin Frobisher Kt continued excavations at Kuyunjik (which he identified M. V.r Gucht Sculpt [n..d., c.1730] as the site of Nineveh) and Nimrud before returning to Engraving, sheet 395 x 235mm (15½ x 9¼"). £260 England in 1848. The following year he returned to Portrait grouup with an emphasis on Elizabethan Constantinople as attaché to the British Embassy and exploration, showing: Robert Devereux, second earl of embarked upon his second expedition to Babylon and Essex (1565-1601), soldier and politician; Sir Mesopotamia. In the 1860s he turned to politics, Humphrey Gilbert (1537-83), explorer and soldier; beecoming MP for Aylesburyy, Under-Secretary for Thomas Candish (bap.1560-d.1592), explorer; and Foreign Affairs, First Commissioner of Works and Martin Frobisher (1535?-94), privateer, explorer and Privy Councillor. In 1877 Layard was appointed naval commander. Ambassador at Constantinople. Stock: 37035 Stock: 37062

247. David Livingstone,, Esq.re LL.d. H.M. Consul at Quillimane, East Africa. 'Supplement to The Illustrated News of the World.' Engraved by D.J. Pound from a Photograph by Mayall. The London Joint Stock Newspaper Company Limited. Office, 199, Strand, London [n.d., 1857.] Engraving. Sheet 415 x 285mm (16¼ x 11¼"). Slight damage left corner. £90 Half length portait of David LLivingstone (1813-1873), legendary missionary and exxpplorer who was the first European to travel across southern Africa from coast to coast. This image was published the year he issued his boook 'Missionary travels and researches in South Africa'. Stock: 35851

248. Sr. Arthur Philip. Esqr. Ermer sc. [German.] [n.d. c.1810.] Stipple with large margins. Plate 140 x 95mm (5½ x 3¾"). £190 Admiral Arthur Phillip RN (1738-1814), first Governor of New South Wales, and founder of the settlement which became Sydney. He commanded the 'First Fleet' 245. Capt.n King. carrying convicts to Australiaa, to form part of the [after John Webber; engraved F. Bartolozzi.] [c.17900.] prroposed British penal colony of New South Wales. Stipple engraving, very scarce; Sheet 155 x 115mm (6 Port Philip Bay is named after him. x 4½"). Trimmed inside platemark and losing Ermer, after the 1789 engraving by Sherwin after F. publication line. £420 Wheatley. James King (1750 - 1784), who accompanied James From "Allgemeine Geographische Ephemeriden". Cook on his third voyage and was heavily involved in Noted by Kivell & Spence ass "rare" pg. 250. the publication of the official account of the voyage in Stock: 36336 Cook's absence. He was later made a fellow of the Royal Society. This portrait is after the one by John Webber as engraved by Bartolozzi for the Official Account of Cook's Third Voyage, probably for another edition. Kivell & Spence: Pg 164. Stock: 35798

Metzmacher del et sc. 1862. Berlin_Verlag von Goupil & C.o. Imprimé & Publié paarr Goupil & c.ie. Editeurs_Paris, London, La Haye. New York_Publised byy M. Knoedler. Engraving. Printed on india. Plate: 220 x 290mm, (8¾ x 11). Very large margins. £160 A half-potrait of Abraham Liincoln (1809-1865) who served as President of the United States of America from 1861 until his assassination at the hands of J. W. Booth in 1865. During his teerrm in office Lincoln led the US through the American Civil War, preserved the Union and abolished slaveryy. Stock: 37509

252. [Austria] [Emperor Charles VI.] Sac. Caes. Maj Geographus. Joh. Bapt. Homann excudit. JJacob Weisshoff Sculpsit. Noriberge. 1717. Engraving. Platemark: 490 x 290mm (19¼ x 11¼"). Sheet slightly toned. Some damage to left and lower margins. Hinged to backing ssheet on right edge. Damaged but rare. £220 A portrait of Charles VI (1685 -1740) full length, turned slightly to the right, facing towards the left, in a long curled wig, wearing armour, a mantle fastened with a jewelled strap, and a sash, his right hand extended with baton. In the background is drapery prrinted with portraits of empperors and other figures, titled, within ovals. In the lower right corner, a child 249. Captain Scott. Reached the South Pole, looks up, wearing a helmet and cape, holding onto a January, 1912. "These rough notes and our globe which depicts 'Africa', 'America' and 'Europa', dead bodiees must tell the tale." with the latin phrase 'Constantia et fortitudine', Teachers World and Schoolmistress, February 22, meaning, 'through perseverance and bravery', below. A 1939. crown sits on a plinth with the crest of Charles VI Offset litho with accompanying text. Sheet: 260 x underneath, to the left. 400mm, (10¼ x 15¾"). Central vertical crease. Some Stock: 37446 damage to edges. Text glued to verso. £190 Portrait of Capatin Scott (1868-1912) British exploreer 253. [France] Thomas Sonnet Sieur de who led a journey to the South Pole to find the Courval Docteur en Medecine. Agé de 33 ans Norwegians had preceeded them. Scott and his party 1610. died on the retun journey from exhaustion and the colld. L. Gaultier Sculp. Stock: 37435 Very scarce & fine engraving. Plate: 75 x 130mm, (3 x 5"). Some staining and paperr tone. £260 250. [America] His Excellency S. Huntingdoon A portrait set in an oval of Frrench poet and satirist President of Congress. Thomas Courval (1577-1627), the frontispiece to his [n.d., c.1783.] work 'Satyre contre les charlaatans et pseudomedecins Stipple. Sheet size: 115 x 75mm (4½ x 3"). Trimmed to empirique, 1610, which discussed the tricks used by image on 3 sides. £130 quacks in 17th Century Francce. A portrait of Samuel Huntington (1731 - 1796), headd Stock: 37167 and shoulders in profile to the left; within an oval. Huntingdon was a jurist, statesman, and Patriot in the 254. [France] Gazan. Général de Division a la American Revolution. As a delegate to the Continenttal Grande Armeé Membre de la Legion Congress, he signed the Declaration of Independence d'Honneur. and the Articles of Confederation. He also served as Desiné par Naudet. [A Paris chez Jean, rue Jean de President of the Continental Congress from 1779 to Beauvais. No.10. c.1820.] 1781, chief justice of the Connecticut Supreme Court Hand coloured etching. Sheet size: 290 x 225mm (11½ from 1784 to 1785, and was the 18th Governor of x 8¾"). Trimmed inside plate at top & bottom. £140 Connecticut from 1786 until his death. Stock: 37156 A portrait of Honoré Théodore Maxime Gazan de la Peyrière (1764 - 1845), on horseback, in profile to the right, looking towards the viewer. 251. [America.] Abraham Lincoln. Gazan was a French general who fought in the French (Présdident des Etats-Unis.) Revolutionary Wars and the Napoleonic Wars. Jean was a publisher in Paris on the rue St. Jean de 258. [France] Maria dee Medicis. Trium Beauvais, apppearing in the Bibliographe de France, a Regum Mater. 19th century registry of prints, from 1811 to 1838. Anton van Dyck pinxit / Peterus de Jode excudit Stock: 37276 [1651] Engraving, sheet 130 x 100mm (5 x 4"). Trimmed 255. [France] Kellermann. Senateur Grand inside platemark and glued to album sheet with hand- Officier de la Legion d'Honneur Commandant drawn borders. £65 a la Gr.de Armeé. Portrait of Marie de Médicis,, Queen and Regent of A Paris chez Jean, rue Jean de Beauvais. No.10. [n.d.., France (1573-1642) holding flower, in decorative c.1820.] frame. She was the wife of King Henry IV of France, Fine hand coloured etching. Sheet size: 290 x 225mm of the Bourbon branch of the kings of France. Later she (11½ x 8¾"). Trimmed at top of image. £140 was the regent for her son Kiing Louis XIII of France. A portrait of François Christophe Kellermann (1735 - Engraving after Anthony van Dyck from the large 1820), on horseback in military costume with his volume 'Theatrum Pontificum, Imperatorum, Regum, sword held in his right hand. Ducum, Principum, etc'. The volume contained Kellermann was a French military commander, later poortraits of sinigificant peoplle from many countries, the Général d'Armée, a Marshal of France who served most of them, like this, engraved by its publisher Pieter in varying roles throughout the entirety of two major de Jode II. Hollstein 127 (Jodde) conflicts, the French Revolutionary Wars and the Stock: 37360 Napoleonic Wars. Jean was a publisher in Paris on the rue St. Jean de Beauvais, apppearing in the Bibliographe de France, a 19th century registry of prints, from 1811 to 1838. Stock: 37274

256. [France] Lefebvre. [A Paris chez Jean, rue Jean de Beauvais. No.10. c.1820.] Hand coloured etching. Sheet size: 290 x 225mm (11½ x 8¾"). Trimmed to platemark. £140 A portrait of François Joseph Lefebvre (1755 - 1820), on horseback, in full military costume, raising his sword in his right hand. Lefebvre was a French military commander during the Revolutionary and Napoleonic Wars and one of the original eighhteen Marshals of the Empire created by Napoleon. Jean was a publisher in Paris on the rue St. Jean de Beauvais, apppearing in the Bibliographe de France, a 19th century registry of prints, from 1811 to 1838. Stock: 37277

257. [France] Louis XIV Roy de France et de Navarre. 259. [France - Marie de Médicis.] Sic ivit Gerald Valck fecit et excudit cum Privilegio ordinum nostram grandis Medicea per Urbem, Hollandia et Westfrisia [c.1678] Sceptrorum Mater suspiicienda trium Mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed [after Gerard van Honthorst, c.1638] inside platemark and glued to album sheet with hand- Engraving, sheet 315 x 210mm (12½ x 8¼"). Trimmed drawn border. Fine. £240 inside platemark and glued to album sheet with hand- Louis XI, Kinng of France and Navarre (1638-1715). drawn borders. £120 The self-styled 'Sun King', Louis became king as a Portrait of Marie de Médicis,, Queen and Regent of child, and during his infancy power was wielded by France (1573-1642) with a viiew of Amsterdam in the Cardinals Richelieu and Mazarin before he assumed baackground. She was the wiffe of King Henry IV of sole responsibility in 1661. In 1682 he moved the court France, of the Bourbon branch of the kings of France. from Paris to Versailles, which remains one of the Later she was the regent for her son King Louis XIII of world's greatest palaces. France. Fine engraving by Gerrit Valck (1651/2-1726), Dutch Frontsipiece to Caspar Barlaaeeus' 'Medicea Hospes' engraver who worked in England in the 1670s. His (Amsterdam, 1638), a series of plates showing the many small portraits of women at the court of Charlees festivals and ceremonies given to Marie de Medici by II are some of the best of their kind. the city of Amsterdam during her visit from 31 August Stock: 37366 to 5 September 1638. For another plate from 'Medicea Hospes' see ref.f 28696. Stock: 37359 260. [France] Mortier Senateur Grand employed as a court actor in St. Petersburg from 1785 Officier de la Legion d'Honneur Commandant - 1789. a la Gr.de Armeé. Stock: 37295 A Paris chez Jean, rue Jean de Beauvais. No.10. [n.d.., c.1820.] Hand coloured etching. Sheet size: 290 x 225mm (11½ x 8¾"). Trimmed inside plate at top. £140 A portrait of Adolphe Édouard Casimir Joseph Mortiier, duke of Treviso (1768 1835), on horseback in full military costume, looking behind. Mortier was a French general and Marshal of France under Napoleon I, serving in the French Revolutionary Wars in the campaigns of 1792 and 1793 anf in 1812 and 1813 he commanded the Imperial Guard. Jean was a publisher in Paris on the rue St. Jean de Beauvais, apppearing in the Bibliographe de France, a 19th century registry of prrints, from 1811 to 1838. Stock: 37275

261. [Germany] Dr. Goebbels, Germany. Supplement to the New Statesman and Nation, December 21, 1935. Kapp. Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Light stain in centre. Smal tear in left edge of sheet. £120 Paul Joseph Goebbels (1897 - 1945) was a German politician and Reich Minister of Propaganda in Nazi Germany from 1933 to 1945. Goebbels came to power in 1933 after Hitler was appointed chancellor. Within 264. His Highness Saadut Aly Khan, Nawob six weeks Hitler arranged his appointment as Vizier of Oude. From an original Picture now Propaganda Minister, and quickly gained and exerted in the Possession of His Royal Highness the controlling supervision over the news media, arts, and Prince of Wales. Painted at Luknow by Mr information in Germany. Place, for P. Treves Jun.r Esq.r. Stock: 37148 Place pinx.t in India. Say sculp. Edw.d Orme Excudit. Published Jan.y 1 1806 by Eddw.d Orme, Printseller to 262. [Germany] [Prof. Max Muller]. his Majesty, 50 New Bond Street. London Published July 22nd, 1884 by Henry Graves & Mezzotint, very scarce. 485 x 350mm (19 x 13¾"). co. the Proprietors Publishers to H.M. the Queen andd Trimmed within plate top annd bottom, left margins T.R.H the Prince & Princess of Wales. 6 Pall Mall. repaired. £550 Copyright Registered. Saadat Ali Khan (1752-1814), the fifth nawab wazir of Mezzotint. 'Printsellers Assosiation' blind stamp in Oudh (Awadh) Helped to the throne by the East India lower left corner. Proof before letters impression. Sheet Company in 1798 he was a puppet ruler, forced to size: 500 x 380mm (19¾ x 15"). Trimmed inside plate. make regular payments and cheap loans for their£250 help. A portrait of Friedrich Max Müller (1823 -1900), Unable to keep up the payments he was forced to sign seated, to the right, facing the viewer. over half his country to the Company in 1801. He died Muller was a German born philologist and Orientalistt, in 1814. who lived and studied in Britain for most of his life. He Stock: 35850 wrote both scholarly and popular works on the subject of Indology and the 'Sacred Books of the East', a 50- 265. Boris Princeps de Kurakin, Eques volume set of English translations, was prepared undeer Ordinis St. Andreae, Saaccrae Suae Czareae his direction. Majestatis Minister [...] Kneller pinx. / v. Gunst sculp. Joan van Duren excudit Contents Ex collection of Christopher Lennox-Boyd. [n.d., after 1717] Stock: 36814 Very scarce engraving, sheett 355 x 270mm (14 x 10½"). Trimmed to image; hinged to album sheet with 263. [Germany] C.W. Opitz. water-colour border. Damaged. £230 A. Graff pinx. F.C. Geyler sc. [n.d., c.1800.] Prince Boris Ivanovich Korybut-Kurakin (1676-1727), Stipple printed in brown ink. Platemark: 140 x 90mm 'father of Russian diplomacyy' and close associate of (5¾ x 3¾"). Small margins. £65 Peter the Great. His diplomattic career began when he A portrait of German actor Christian Wilhelm Opitz was sent to Rome in 1707, and in subsequent years he (1756 - 1819). Opitz played at the Court Theatre of represented Russia in Londonn, Hanover, Paris and the Mannheim and then in Dresden, after which he was Hague. When Peter began hiis Persian campaign in 1722, Kurakin was appointed supervisor of all Russian covering the history of piano music. Rubinstein played ambassadorss working at European courts. this series throughout Russia and Eastern Europe and Engraved after a portrait by Godfrey Kneller. in the United States when hee toured there. Stock: 37101 Stock: 37341

266. Leopold. Souveräner Fürst v. Griechenland. Vogel junior sc. Druck u. Verlag vom Bibliographischen Institut in Hildburghausen. Stipple. Plate: 110 x 165mm, (4½ x 6½"). Very largee margins. £65 A half portrait of Leopold I of Belgium (1790-1865) who took the throne of the newly independent Belgium in 1831 and established the new House of Saxe-Coburg and Gotha. Stock: 37169

267. Louis Dauphin de France Hyacinthe Rigaud pinxit / P. Drevet Sculp.t [1701] Engraving, sheet 470 x 350mm (18½ x 13¾"). Thread margins; fine impression. Very slight crease through centre. £360 Louis the Grand Dauphin (1661-1711), eldest son of Louis XIV and Maria Theresa. Fine large engraving after a portrait by Hyacinthe Rigaud, leading French portrait painter of his day. Firmin-Diot 56 Stock: 37102

268. the Turkish lLady Presented by General Keith to his Brother after ye taking of Oczakow in 1737. 270. Elisabeth I. Russorum Imperatrix nata A Bell Sculpt. 1709 d. 20 Dec. Rare etching, sheet 205 x 125mm (8 x 5"). Cut to Fait par J.E. Nilson, se vend à Augsbourg chez l'Auteur platemark top & left. £130 / et à Paris chez Rosselin Rue St. Jaques a l'Autel The army officer James Francis Edward Keith (1696- Saumur [n.d., c.1760] 1758) fought in the siege of Ochakov (then part of the Etching, platemark 220 x 160mm (8½ x 6¼"). Small Ottoman Empire but now in Ukraine) in 1737, during margins. Very slight staining at top off image. £140 which he was wounded. The woman portrayed here is Elizaveta Petrovna (1709-62)), Empress of Russia from presumably the 'young ex-Mohammedan girl' who 1741 until her death. She led Russia into the War of the Keith's brother George (1692/3-1778), Jacobite armyy Austrian Succession (1740-48) and the Seven Years' officer and diplomat, bemused locals by travelling War (1756-63), and spent vaast amounts of money on with, and who was widely believed to be George's archectural projects in and arround St Petersburg. mistress. 2 pencil drawings of Jesters below bust. J. Y. Part of a series of portraits off European monarchs by T. Greig, ‘Two fragments of autobiography by George Johann Esaias Nilson (1721--88), 'the German Watteau'. Keith, 10th Earl Marischal of Scotland’, Miscellany … Nilson was part of a family of artists and established V, Scottish History Society, 3rd ser., 21 (1933), 355––74 himself as the leading Augsburg artist of his day, Stock: 37352 whose influence extended across publishing, art academies, a role as court painter, and the decorative 269. [Russsia] Herr Anton Rubinstein. arts (especially ceramics). Marion Imp. Paris. London Stereoscopic Company, Stock: 37099 110, 108 & 106 Regent St. W. Photographers to the Queen, the Prince of Wales and the Royal Family. 271. [Russia.] Field Maarshal Suwarow [n.d., c.1859.] Rimniksky. Photograph. Size: 165 x 110mm (6¾ x 4¼"). £80 S. Springsguth Sculp. [Publisshed Feb.y. 12.th, by I. A portrait of Russian pianist, composer and conductor Stockdale, Picadilly.] Anton Grigorevich Rubinstein (1829 - 1894). Engraving. Sheet: 130 x 195mmm, (5 x 7¾"). Trimmed Rubinstein became a pivotal figure in Russian culture within plate. Some staining. £75 when he founded the Saint Petersburg Conservatory. A half-portrait set within an ooval of Aleksandr Suvorov He was the elder brother of Nikolai Rubinstein who (1729-1800) a Russian military commander who was founded the Moscow Conservatory. As a pianist, made Count in 1789 and a Ruussian prince in 1799. An Rubinstein ranks amongst the great 19th-century illustration from 'History of Catherine II' by J. H. keyboard virtuosos and became most famous for his Castra, 1800. series of historical recitals, consecutive concerts Stock: 37416 272. [Switzerland] Leonard Euler. divorce proceedings against qqueen Caroline following Thornthwaite scup.t. [n.d., c.1800.] the scandal of her affair with Bergami, and was widely Engraving. Sheet size: 140 x 110mm (5½ x 4¼"). criticised in caricatures and poems (he was the 'leech' Trimmed inside platemark. £60 of Shelley's 'Oedipus Tyrannus') for his perceived A bust portrait, in profile to the left, of pioneering deceit. Leach never achieved his great ambitions of Swiss mathematician Leonard Euler (1707 - 1783), beecoming lord chancellor annd obtaining a peerage. considered to be the pre-eminent mathematician of the Stock: 37372 18th century and one of the greatest mathematicians to have ever lived. 275. Daniel Wakefield Esq.r of Lincolns Inn, Stock: 37282 Barrister at Law. Engraved by F.C. Lewis from a Drawing by A. Wivell. London, October 1st 1824 Published by Geo. Lawford, Saville Passage. Stipple on india with small margins, platemark 230 x 180mm (9 x 7"). £70 Daniel Wakefield (1776-18446), barrister and writer on poolitical economy. Wakefield's early career was undistinguished; as David J. Moss (DNB) writes: 'Various distractions, riotouss living, and, according to his mother, unsuitable company prevented much headway. An ill-advised marrriage on 3 June 1805 to Isabella Mackie, an adventurress and swindler, followed. It dragged him into a morass of debt and fraud that almost ended in bankruptcy and emigration. Remarkably, his legal careerr was not destroyed and he was called to the bar on 2 May 1807. A sullied reputation and an inadequate knowledge of the law, however, meant that clients were not plentiful and his financial dependence upon his parents and brother continued. Attempts to annull the marriage failed; then, in August 1813, Isabella committed suicide by taking pooison.' Thereafter, however, Wakefiield remarried, and his prractice flourished. He was elected bencher of Lincolns Inn in 1835 and became known for his philanthropy in aiding clients in distress. Aftter his death in 1846 he was buried in Lincoln's Inn chapel. 273. [Switzerland] Jean Jacques Rousseau. Stock: 35837 Peint par Garnerey. Gravé par P.M. Alix. A Paris, cheez Drouhin, rue Christine, No. 2. F.S.G. [n.d., c.1791.] 276. The Honourable Mr. Justice Wilson. Coloured aquatint. Platemark: 415 x 305mm (16¼ x G. Romney pinx.t / J. Murphy Sculp July 1792 12"). Cut to platemark. £320 Mezzotint, platemark 350 x 250mm (13¾ x 9¾"). Very A bust portrait of philosopher Jean-Jacques Rousseau large margins. Collector's sttaamp of A. Anderdon (1712 - 1778) in a grey jacket, slightly turned to the Weston verso. £230 left, within an oval. Rousseau's political philosophy Sir John Wilson (1741-93), one of the most respected influenced the French Revolution as well as the overall judges of the late 18th centurry. After George Romney development of modern political, sociological, and (1734 - 1802). educational thought. From the collection of Alexander Anderdon Weston After French painter Jean François Garneray (1755 - (1822-1901), who inherited tthe fine collection of 1837). British mezzotint portraits formed by his uncle James Stock: 37161 Hughes Anderdon. Ex: collecction of the Late Hon. C. Lennox-Boyd; L.65; O'D 1; Horne 134; CS 19 274. Sir John Leach, Knt. Vice Chancellor of Stock: 37367 England Drawn by C. Penny / Engraved by H. Dawe London 277. J.B.N.D. d'Apres de Mannevillette. Geb: Pub.d Sep.r 12th by Zach.h Sweet 38 Chancery Lane zu Havre de Grace d.12 Feb 1707. Gestorb d.1 Fine and rare mezzotint, platemark 360 x 255mm (14¼ Mrt 1780. x 10"). Large margins. £220 [Weimar: n.d., c.1808.] Sir John Leach (1760-1834), politician and lawyer. Stipple with large margins. Plate 140 x 90mm (5½ x Beginning his career as a whig MP for Seaford in 3½"). £90 Sussex, Leach developed a close relationship with the Jean Baptiste Nicolas Denis (1707-1780), navigator prince regent, becoming his first legal officer (seen as a and one of the first French hydrographers. His betrayal by whigs). Leach was instrumental in the hydrographic atlas, 'Le Neptune Oriental', was published in Paris in 1745, with the support of the 281. Major General Sir David Baird K.C. Academie des Sciences. In 1772, helped by his friend Drawn by A.J. Oliver / Engraved by A. Cardon London Alexander Dalrymple, the Scottish geographer who Pub. 1805 & Sold by Ant. Cardon 31 Clipstone Street became the first Hydrographer of the British Fitzroy Square. Admiralty, he published a much-enlarged new edition. Stipple, platemark 250 x 200mm (10 x 8"). Small The portrait was published in 'Allgemeine margins. Fine. £110 Geographische Ephemeriden' (Universal Geographical Sir David Baird, first baronet (1757-1829), army Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch officer. Baird served in India (1780-1801). In the Siege et al. of Seringapatam in 1799, Baird (who twenty years Stock: 36339 earlier had been held captive by the Indians for nearly four years) led the British troops in their assault. In the 278. Claude De L'Isle Königl. Historiograph palace Baird discovered the body of Tipu Sultan (an u. Geograph. Geb. zu Vancouleur d.5 Nov. event commemorated by Sir David Wilkie's painting 1644. gest. d. 2 May 1720. 'General Sir David Baird discovering the body of the [Weimar: n.d., c.1808.] Sultaun Tippoo Sahib' (National Gallery of Scotland). Stipple. 145 x 90mm (5¾ x 3½"). Small margins. £120 Baird also served in Egypt before heading a British Claude de L'Isle (1644 -1720), historian and patriarch attack on Cape Colony in 1806, culminating in the of a cartographic dynasty that dominated French map Battle of Blauberg near Cape Town. He then served in publishing in the 18th century Spain before relinquishing his command for executive The portrait was published in 'Allgemeine office in later years. For the Storming of Seringapatam Geographische Ephemeriden' (Universal Geographical see ref. 20809; for the Battle of Blauberg see ref. Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch 31422. Stock: 35838 et al. Stock: 36635 282. Major General Sir Alured Clarke, K.B. 279. Jos. Nicolas De L'Isle Geb. zu Paris d.4 Promoted to the Rank of Field Marshal in April. 1688 gest. ebend. d.12 Sept. 1768. 1830. [Weimar: n.d., c.1808.] Painted by Sir W.m Beechey, R.A. 1794. Engraved by Stipple, rare. Sheet size: 180 x 100mm (7 x 4"). Cut on John Bromley, 4 Lyon Terrace, Edgeware Road. left side. Foxed. £180 Published by the Engraver Aug.t 1st. 1833. Joseph Nicolas de L'Isle (1688-1768), brother of the Mezzotint. Sheet 495 x 335mm (19½ x 13¼"). French Royal Cartographer Guillaume, who entered Trimmed to plate on three sides, into publication line at the service of the Russian tsars in 1726, heading the bottom. £160 department of geography of the Russian Academy of Field Marshal Sir Alured Clarke (1744-1832), Sciences and working on the first Atlas of Russia, the commander of the British army in Georgia (1780), 'Atlas Russicus', published 1745. Unfortunately he is Governor of Jamaica (1784), Commander-in-Chief of better known for propagating the myth of a 'Mer de the Madras Army (1796), acting Governor-General of l’Ouest' ('Western Sea'), based on a hoax, a supposed India (1798) and finally Commander-in-Chief of India voyage of Admiral de Fonte who claimed to crossed (also 1798). He was promoted to field marshal on the North America via a North West Passage. occasion of the coronation of King William IV on 22 The portrait was published in 'Allgemeine July 1830. Geographische Ephemeriden' (Universal Geographical In 1770 Clarke married Elizabeth Catherine (Kitty) Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch Hunter, who had eloped with the married Earl of et al. Pembroke eight years earlier. Ex Collection of the Hon. Stock: 36338 Christopher Lennox-Boyd. Stock: 36461 280. Tobias Mayer. Gebohren zu Marbach im Wirtembergl. d. 17 Febr. 1723. Gestorben 283. [Sir John Moore.] zu Gottinen d. 20. Febr. 1762. [n.d., c.1810.] [Weimar: n.d., c.1808.] Stipple. Proof. Plate: 190 x 260mm, (7½ x 10¼"). £140 Stipple, rare. Sheet size: 175 x 100mm (7 x 4"). Cut. A half-length portrait of Lt-General Sir John Moore Slight stain. £95 (1761-1809), a British officer and general who served Tobias Mayer (1723-62), German astronomer whose in the American Revolutionary Wars and Nepoleonic chart of the full moon published in 1775 was Wars. unsurpassed for half a century. The lunar crater T. Stock: 37505 Mayer was named after him. The portrait was published in 'Allgemeine 284. Sir John Moore. Geographische Ephemeriden' (Universal Geographical [n.d., c.1830.] Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch Lithograph with hand colouring. Sheet size: 205 x et al. 160mm (8¼ x 6¼"). £85 Stock: 36340 A head and shoulders portrait of British soldier and General Lieutenant-General Sir John Moore (1761- 1809), in military uniform, facing the viewer directly. A small vignette depicting the Battle of Corunna is inscribed with 'Toulouse', 'Stt. Sebastian', 'Vittoria', below the portrait, all of which is surrounded by 'Salamanca' and others. A small scene depicting the brightly coloured thistles. Battle of Waterloo is below tthe portrait. Moore, also know as Moore of Corunna, is best known Stock: 37459 for his military training reforms and for his death at the Battle of Corunna, in which he defeated a French army 288. Wellington. Born 1769. Died 1852. under Marshhal Soult during the Peninsular War. [n.d., c.1852.] Stock: 37466 Embossed portrait. Sheet 145 x 115mm (5¾ x 4½"). Mounted in album paper. £120 285. [Colonel Stanley.] A black-bordered bust portrait of the Duke of [Francesco Bartolozzi after Henry Edridge, 1800.] Wellington with a recumbentt lion underneath, was Stipple, Rare early proof before all letters; sheet 225 x puublished to commemorate his death in 1852. 140mm (8¾ x 5½"). Trimmed inside platemark; ms in Stock: 37327 pencil. £130 Colonel Thomas Stanley (1749-1818), a distinguished 289. The Duke of Wellinngton. book collector. He used the bookbinder Roger Payne, [London: Thomas Kelly, c.18816.] whose other clients included Topham Beauclerk and Coloured etching. Sheet 220 x 180mm (8¾ x 7"), William Beckkford. The sale of Stanley's collection in watermarked 'J Whatman 1814'. Trimmed within plate, 1813 took £8232. de Vesme 910 ii/v mounted in album paper. £85 Stock: 35958 A portrait of the Duke on horrseback in his field marshal's uniform, baton in hand. 286. The Right Hon.ble Sir R. Hussey Vivian, Stock: 37060 Bar.t Master General of the Ordinance. [n.d., c.1840.] 290. [The Duke of Welllington] Shadow of a Stipple. Sheet size: 160 x 110mm (6¼ x 4¼"). £45 Great Warrior and Statesman. A head and shoulders portrait of Lieutenant General G.B. Black 1852. Drawn and Lithographed by G.B. Richard Husssey Vivian, 1st Baron Vivian (1775 - Black. Printed by R.Black. [Dated 1852 in image.] 1842), known as Sir Hussey Vivian from 1815 to 1828 Tinted lithograph. Sheet 2300 x 290mm (9 x 11½"). and Sir Husssey Vivian, Bt from 1828 to 1841. Hussey Trimmed close to border. £50 was a British cavalry leader who was appointed to The shadow of the Duke of Wellington on horseback, command the 6th Brigade of Henry Paget, at the battle in uniform, head bowed, projjected against a wall. The of Waterloo. old Field Marshal and Primee Minister died on 14 Stock: 37487 September 1852. Stock: 37061

291. Wellington. Whiting Patentee. [n.d., c.1852.] Embossed portrait with black and red printing. 180 x 145mm (7 x 5¾"). Trimmed to border, mounted in album paper. £160 The black border around this medallion bust portrait of the Duke of Wellington suggests that it was published to commemorate his death in 1852. See ref: 37497 for variation in colour. Stock: 37325

292. Arthur, Herzog von Wellington. Fieldmarschall. P.P. Prudhon pin. 1814. Aug. Dalbon Sc. Augsburg bei T.V. Poll. Stipple, rare. Platemark: 2555 x 180mm (10 x 7"). Large margins, printer's crease to riight edge of sheet. £140 287. Waterloo. Le Vainqueur des Vainqueurs A German published portraitt of Arthur Wellesley, 1st de L'Europe. Duke of Wellington, (1769-1852), head and shoulders, The Portrait drawn from a Gem by Satchwell, the turned to the left. Within an oval, with floral borders Battle piece drawn by Duplessi Bertaux, the whole beelow and a wreath above. engraved by Freeman. Published by Samuel Leigh, Wellesey was an Anglo-Irish soldier and statesman, a Strand, 18166. native of Ireland belonging to the Protestant Stipple and engraving, rare. Platemark: 235 x 150mm Ascendancy, and one of the lleading military and (9¼ x 6"). Large margins. £130 poolitical figures of 19th century Britain. His defeat of A bust portrait of Arthur Wellesley, 1st Duke of Napoleon at Waterloo in 1815 put him in the top rank Wellington, (1769-1852), in profile to the right, within of Britain's military heroes. a decorative circle, with ornate plaques on either side Stock: 37458

293. The Most Noble Field Marshal the Marquis Wellington, K.G. &c, &c. Commander in Chief of the Allied Armies of England, Spain and Portugal, now invading France. 1814. Done from the life in Spain by Carlo Amatucci. Freeman scuulp.t. Publsihed & Sold March 1. 1814, by Edw.d Ormee. Publisher to his Majesty, & H.R.H. the Prince Regent, Bond Street, corner of Brook Street, London. Stipple. Open lettered proof impresson. Platemark: 200 x 130mm (8 x 5"). Very large margins. Small ink spot. £140 A bust portrait of Arthur Wellesley, 1st Duke of Wellington, (1769-1852), in profile to the left, wearing military uniform, with stars and the order of Golden Fleece. Within an oval, after a medallion wax relief c. 1813. Wellesey was an Anglo-Irish soldier and statesman, a native of Ireland belonging to the Protestant Ascendancy, and one of the leading military and political figures of 19th century Britain. His defeat of Napoleon at Waterloo in 1815 put him in the top rank 296. [Sir Francis Drake] Franciscus Draeck of Britain's military heroes. Stock: 37457 Nobilissimus Eques Angllia An Aet Sue 43 [...] [Jodocus Hondius and George Vertue, c.1733] 294. The Return Home Waltz, composed by Engraving, platemark 400 x 3315mm (15¾ x 12½"). Very large margins; 19th century impression. £1250 Marquis Chisholm. Sir Francis Drake (1540-15996) the most famous of all Alfred Concanen [in image] London, Duff and English seafarers, large globe in left background. This Hodgson, 200, Oxford St & 50 Hanway Glasgow, all prrint has an interesting historry: the plate was started music sellers. / Concane Siebe & Co Imp. during Drake's lifetime, hence the date of 1580 on the Lithograph, 345 x 245mm (13½ x 9½"). Inscribed in prrint (the artist is widely beliieved to be Jodocus ink by the composer 'To Miss McKinley / from Hondius although Remigius Hogenburg has also been Marquis Chissholm" (top left and right corners). Slight suggested). The plate was lefft unfinished (an example foxing; very scarce. £260 of the print in its unfinished sstate is in the British Australian interest. Cover for a waltz by James Museum, registration no. O,8.86) until in the 18th 'Marquis' Chisholm (1837-77), pianist and composer. century the printmaker and antiquary George Vertue Born in Scotlland, Chisholm travelled widely, visiting puurchased the plate from Drake's descendants and Australia, China and Japan (all of which are alluded to completed it. in this image, along with the United States and Drake earned his fame and fortune through his skilful Mexico). Chiisholm returned to Britain with 'the seamanship and outstandindiingly successful piracy. Chinese giant Chang (died November, 1893), a dwarf, His circumnavigation of the gglobe from 1577-81 and a pretty woman (supposed to be Chang's wife), and involved a number of very prrofitable raids on Spanish travelled around the country with them, acting as ships and ports. His increasingly frequent and serious pianist and interpreter'. His adventures are chronicled attacks during the 1580s werre an important factor in his book 'Adventures of a Travelling Musician'. contributing to Philip II's decision to launch the Lithographed by Alfred Concanen (1835-86), who Armada against English in 15588. Drake served as vice- produced many such music covers. See David Baptiee, admiral of the English fleet which defeated the 'Musical Scotland', p.29 Armada. Stock: 37082 Stock: 37214

295. W.A. Mozart. at the age of seven. 297. John Meares Esq. A. Weger sc. Augener & Co. London. [n.d., c.1870.] W. Beechey Pinx.t / C. Bestlland Sculp.t [n.d., c.1800] Stipple. Sheet size: 285 x 190mm (11¼ x 7½"). Stipple, sheet 185 x 130mm ((7¼ x 5"). Trimmed inside Trimmed inside platemark. £75 pllatemark. Fine impression. £160 A portrait of Mozart, aged seven, in profile to the right, John Meares (1756?-1809), naval officer and playing the piano. entrepreneur. Nothing is knoown of his life before he Wolfgang Amadeus Mozart (1756-1791) was one of entered the navy in 1771. Aftfter commanding a ship to the most influential composers of the Classical era. India in 1783 he formed a company for trading with Composing chamber music, piano suites, opera, north-west America, unawarre of other expeditions symphonies, choral music and concertos. Stock: 37301 beeing mounted at this time with the same aim, and the competition between Meares and his rival George Dixon became known as the Meares-Dixon 300. Arthur Phillip Esq. Vice Admiral of the controversy. Red Squadron. Meares' attempts to establish a permanent base in Page sc. Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Nootka Sound led to his associates being taken Lane, Fleet Street, London. prisoner by Spaniards claiming that the coast was in Stipple. Sheet size: 155 x 120mm (6¼ x 4½"). Cut the possession of Spain and that foreign ships trading inside plate. £160 were in violation of Spanish rights. A portrait of Arthur Phillip (1738 -1814), half-length, Meares (himself based in China at this time) returned in an oval, slightly turned to the right, with his hair to England on receiving news of these events, and curled and powdered, in gold-laced naval uniform provided ministers with a 'colourful and far from buttoned to the chest with the lapels turned back, and accurate account' of his exploits in the Far East. This an epaulette on his shoulder. An illustration to the led to a forty ship fleet being assembled under Lord Naval Chronicle. Phillip was a Royal Navy officer, the Howe, and the Spanish accession to British demands in first Governor of New South Wales and founder of the 1790 in the face of this threat. All confiscated land was British penal colony that later became the city of returned to British subjects and the north-west coast Sydney, Australia. Kivell & Spence: Pg 250 was opened to trade with all nations. The publicity Stock: 37264 Meares received enabled him to publish various books and pamphlets relating to his travels, although he faded 301. Mister Baldwin. Supplement to the New from view after the crisis passed. For plates from Statesman and Nation, November 4, 1933 (3). Meares' books see refs 11082, 11428 etc. Low. Stock: 35841 Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Slight paper toning. £75 298. Sir Richard Pearson Commander of the Stanley Baldwin, 1st Earl Baldwin of Bewdley, (1867 - Arethusa. From an Original Picture in the 1947) was a British Conservative politician, who possession of Lady Pearson dominated the government in his country between the J. Kent Fecit. London Pub.d Dec.r 14th 1781 by R. two world wars. Three times Prime Minister, he is the Wilkinson No 58 Cornhill. only premier to have served under three monarchs Stipple, sheet 175 x 130mm (7 x 5"). Trimmed inside (George V, Edward VIII and George VI). By New platemark. £110 Zealand born artist, Sir David Low (1891 - 1963). Sir Richard Pearson (1831-1806), naval officer. Unhappy with the political leadership of the British Pearson was involved in one of the most obstinate establishment David Low created his cartoon character, fights on record in 1779, when his ship, the Serapis, Colonel Blimp in 1934. was engaged and captured off Flamborough Head by Stock: 37146 American privateer John Paul Jones' squadron. Jones' ship, the Bonhomme Richard, sank a few hours later 302. The Right Hob.ble A.J. Balfour, M.P. and Pearson's conduct met with general approval and Painted by L. Alma-Tadema. R.A. Engraved by M. saw him handsomely rewarded. This print was made Cormack. London Published 25th May, 1832, by P & shortly after Pearson took command of the Arethusa, a D. Colnaghi & Co. 13 & 14 Pall Mall East, s.w. duty he performed until retiring to the Royal Naval Mezzotint. Sheet size: 510 x 390mm (20 x 15¼"). Hospital in Greenwich in 1790. Not in O'D; for the Trimmed inside platemark. Scuff marks to surface. Battle of Flamborough Head see ref. 21928. Tear in right edge of sheet. Damaged. £130 Stock: 35830 A portrait of Arthur James Balfour, 1st Earl of Balfour (1848 - 1930), a British Conservative politician who 299. Arthur Phillip Esq. Vice Admiral of the was the Prime Minister of the United Kingdom from Red Squadron. July 1902 to December 1905 when he succeeded Lord Page sc. Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Salisbury, coming into power practically at the same Lane, Fleet Street, London. moment as the coronation of King Edward VII and Stipple. On watermarked paper, 'H. Smith 1810.' Sheet Queen Alexandra and the end of the second Boer War. size: 220 x 150mm (8¾ x 6"). Trimmed inside plate. Ex collection of Christopher Lennox-Boyd. Nick to right edge of sheet. £260 Stock: 37158 A portrait of Arthur Phillip (1738 -1814), half-length, in an oval, slightly turned to the right, with his hair 303. [Henry, Earl Bathurst.] curled and powdered, in gold-laced naval uniform [Henry Meyer, after Thomas Phillips.] [n.d., c.1810.] buttoned to the chest with the lapels turned back, and Stipple. Proof before letters. Sheet size: 235 x 175mm an epaulette on his shoulder. An illustration to the (9¼ x 7"). Trimmed inside platemark. Light crease to Naval Chronicle. Phillip was a Royal Navy officer, the upper right corner. £120 first Governor of New South Wales and founder of the A portrait of British politician Henry Bathurst, 3rd Earl British penal colony that later became the city of Bathurst (1762 - 1834), half-length, seated to the left, Sydney, Australia. Kivell & Spence: Pg 250 facing the viewer Stock: 37154 Lord Bathurst was member of the British Parliament for Cirencester from 1783 until he succeeded to the earldom in August 1794. Owing mainly to his friendship with William Pitt, he was a lord of the admiralty from 1783 to 1789, a lord of the treasury Stock: 37309 from 1789 to 1791, and commissioner of the board of control from 1793 to 1802. Stock: 37285

304. Ernest Bevin. Supplement to the New Statesman and Nation, December 30, 1933 (11). Low. Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). £75 A portrait of Ernest Bevin (1881 - 1951), a British statesman, trade union leader, and Labour politician. He co-founded and served as general secretary of thee Transport annd General Workers' Union from 1922 to 1940, and as Minister of Labour in the war-time coalition government. By New Zealand born artist, Siir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934. Stock: 37143

305. Sir Austen. Supplement to the New Statesman, May 20, 1926 (10). Low. Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). 308. The Right Hon.ble William Lord £70 Auckland. From an Origginal Picture painted A portrait of Sir Joseph Austen Chamberlain KG (18663 for Christ Church, Oxforrd. - 1937), a British statesman, recipient of the Nobel Painted by T. Lawrence RA. Principal painter to His Peace Prize, and half-brother of Neville Chamberlain. Majesty. Engraved by W. Diickinson. London, By New Zealland born artist, Sir David Low (1891 - Published Feb.y 24, 1796 byy W. Dickinson. 1963). Unhappy with the political leadership of the Mezzotint. Open letter prooff impression. Platemark: British establishment David Low created his cartoon 510 x 360mm (20 x 14¼"). Very large margins. character, Colonel Blimp in 1934. Stock: 37145 Repaired top margin. Slight horizontal crease. £450 A portrait of British statesman and diplomat William Eden, 1st Baron Auckland (1745 - 1814). Three- 306. Lord Randolph Churchill. M.P. From a quarter length, sitting, directed and looking towards the photograph by the London Stereoscopic left, holding a paper in his leeft hand. Beside him is a Company. table with an inkwell on it. Maclure & Macdonald Lith.rs. London. Supplement to The Auckland Islands group to the south of New the 'Pictorial World' May 14th 1885. Zealand are named after Edeen. A whaling vessel, Chromolithograph. Sheet size: 420 x 305mm (16½ x 'Ocean', rediscovered the islands in 1806, finding them 12¼"). Small stain in left edge. £80 uninhabited. Captain Abraham Bristow named them A head and shoulders portrait of British statesman Lord 'Lord Auckland's' in honour of his father's friend Randolph Henry Spencer-Churchill PC (1849 - 1895). William Eden, 1st Baron Auucckland. In 1771 Auckland He was the father of Winston Churchill, the future puublished 'Principles of Penal Law', and soon became a wartime Prime Minister, who wrote his father's first recognized authority on commmmercial and economic major biography. questions. Stock: 37342 Stock: 37251

307. Mr. Winston Churchill, M.P. 309. William Garrow. Esq.r. Personalities of our time, _ No. 7. J. Purden Sculp. [n.d., c.1801.] Drawn by Fred May. Fred May [facsimile in plate.] Stipple. Sheet size: 155 x 1055mm (6 x 4¼"). Trimmed [n.d., c.1930's.] inside platemark. £75 Photo-litho; Sheet size: 275 x 225mm (10¾ x 8¾"). A portrait of British barristerr, politician and judge Sir £95 William Garrow (1760 - 18440), half-length in profile A caricature of Sir Winston Churchill (1874 - 1965), to the left, in wig, bands, and gown. standing in profile to the left, with his fists raised. Garrow was known for his indirect reform of the Fred May (1891-1976) was a caricaturist and painter. advocacy system and introduced the phrase 'presumed May's earliest drawings were produced for the North innocent until proven guilty',, insisting that defendants' Eastern Daily Gazette and his first cartoons for the accusers and their evidence be thoroughly tested in Tatler were sent home in 1917 from the trenches where court. he was serving as an infantry officer. He continued to Stock: 37286 work for the Tatler until his death in 1976. 310. Sir William Hamilton, K.B.F.R.S. Engraved byy W.T. Fry, from an original Drawing made at Naples, by C. Grignon. Published March 27. 1817, by T. Cadell & W. Davies, Strand, London. Stipple engraving, sheet 410 x 320mm (16 x 12½"). Trimmed to platemark left and right. £140 Sir William Hamilton (1731-1803), diplomatist and art collector. The epitome of the era of the Grand Tourist (his grand tour lasted thrity-five years), Hamilton became envoy-extraordinary in Naples from where he collected widely and developed a great interest in volcanoes. Late in life he married Emma Hamilton, who later began an affair with Horatio Nelson. Stock: 37371

311. "Ramsay". Supplement to the New Statesman, January 23, 1926 (2). Low. Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). £75 James Ramsay MacDonald (1866 - 1937) was a Britiish statesman who was the first ever Labour Party Prime Minister of the United Kingdom, credited along with Keir Hardie and Arthur Henderson as one of the three principal founders of the Labour Party. By New 314. [Richard Brotherss, Prince of the Zealand born artist, Sir David Low (1891 - 1963). Hebrews.] And God said to Jonah, doest thou Unhappy with the political leadership of the British well to be angry for the Gourd? Jonah iv.9. establishment David Low created his cartoon charactter, [Fully believing this to be the Man Whom God has Colonel Blimp in 1934. appointed; _ I engrave his likeness. William Sharp.] Stock: 37147 Published at No.8 Charles Sttreet, Midd.x Hospital, London, April 16, 1795, by W. Sharp. 312. Sir. Tho.s Stampford Raffles, Kn.t F.R.. Engraving, very rare. 210 x 180mm (8¼ x 7"). With & A.S. Lieut-Governor of Bancoolen, &c. two letterpress labels stuck above image and over title. Engraved byy Thompson, from a Miniature in possesion £160 of Mrs. Raffles. [n.d., c.1824.] Richard Brothers (1757-1824), religious eccentric and Stipple. Sheet size: 180 x 125mm (7¼ x 4¾"). prroponant of 'British Israelismm', the belief that the Trimmed and laid on backing sheet. Small surface British are descended from the Lost Tribes of Israel. damage in leeft edge. Creases. £50 After a brief career in the navy, he claimed to have A portrait of Sir Thomas Stamford Raffles (1781-1826) beeen given a mission to savee London from divine British statesman, best known for founding Singapore, retribution and declared himself a 'Prince of the often referred to as the 'Father of Singapore'. He Hebrews', preparing 'the Resstoration of the Hebrews to returned to England in 1824 and turned his attention to Jerusalem by the year of 1798 under their revealed botany and zoology. He was founder and first president Prince and Prophet' ('A Revealed Knowledge of the in 1826 of the Zoological Society of London and the Prophecies and Times', 1794). In 1795, having London Zoo. prrophesied the death of the King and the end of the Stock: 37237 monarchy, he was imprisoneed as criminally insane, but continued to issue pamphlets. His many admirers 313. [William Vesey-Fitzgerald.] included an M.P. and the engraver William Sharp who [Charles J. Tomkins.] London Published Feb.y 1885 bby puublished a portrait in preparration for Brothers' Day of Henry Graves & Co. the Proprietors. Publishers to H.M Revelation on November 19tth, 1795, but after this day the Queen and T.R.H. the Prince & Princess of Wales. came and went without incident, Sharp became an 6 Pall Mall. adherent of Joanna Southcottt instead. Brothers spent Mezzotint. Very rare. 'Printsellers Assosiation' blind the rest of his life preparing ffor the advent of New stamp in lower right corner.Sheet size: 415 x 310mm Jerusalem. (16¼ x 12¼"). Trimmed inside platemark. £230 The red label text includes the lines 'He can't a prince A portait of William Gerald Seymour Vesey-Fitzgerald appear, / Because the name is blotted out: / The (1841 - 1910), half-length, seated, directed to the right, crimson dye see clear'. Undeerneath the title has been facing the viewer, his left hand placed inside his jackket, obscured with red paint, suggesting Sharp issued this holding papers with his right. version after the disappointment of November 19th. Vesy-Fitzgerald was a political ADC to the Secretary NPG: D13195, with the remains of red paint smudged over the title. of State for Inndia. AP.25 P.25. B.L.I. 25. Stock: 35790 Stock: 37336

315. C. Guyon. Missionnaire. [n.d., c.1820.] Rare & scarce stipple. Sheet: 170 x 255mm, (6¾ x 10"). £160 A half-portrait, set in an oval of french Jesuit missionary Claude Guyon (1795-1845). Stock: 37176

316. The Right Hon.ble Selina, Countess Dowager of Huntingdon. Engraved fort he New Spritiual Magazine. Published by Alex.r. Hogg N.o.16 Paternoster Row, April 10. 1784. Engraving. Plate: 105 x 145mm, (4¼ x 5¾"). Very large marginns. Laid on scrap sheet. £75 A portrait of Selina Hastings, Countess of Huntingdon (1707-1791) an English religious figure who was involved in the Methodist movement in London. Stock: 37392

317. The Right Hon.ble Selina Countess Dowager of Huntingdon. [facsimile signature and date] F. Hurlstone delt. / J. Cross sculpt. Published Jan.y 1 1824 by R. Baynes, 28, Paternoster Row, London Stipple, sheet 205 x 120mm (8 x 4¾"). Trimmed insidde platemark. Slight staining. £120 Colonel Alexander Ranaldson MacDonell of Selina Hastings, countess of Huntingdon (1707-91), Glengarry. The 'Glengarry Feencibles' served in the founder of the Countess of Huntingdon's Connexion. French Revolutionary Wars between 1794-1802, with After an initially close relationship with John Wesley, Alexander Macdonell as theiir chaplain, the first she moved towards the ideas of George Whitefield Catholic in the British Armyy since the Reformation. before his departure for America in 1751. In the 1760s When the regiment was disbaanded during the Peace of the countess established several chapels, and a college, Amiens Alexander Macdonald persuaded Prime Trevecca, in a renovated Brecknockshire farmhouse. Minister Henry Addington to grant two hundred acres Whitefield had left the countess the Bethesda of land in Upper Canada (now Glengarry County) to orphanage in his will, and she organised a mission to every one of the Highlanders who should arrive in the America, which so infuriated the Georgians that prrovince. During the War off 1812 the regiment Bethesda waas burnt to the ground. Subsequent plans in reformed as the 'Glengarry Light Infantry Fencibles'. America were rejected and her Georgia property was In 1815 Macdonell became thhe first Roman Catholic eventually confiscated. Bishop at St. Raphael's Churrch; in 1819 he was In 1783 the rigidly Calvinistic Countess of appointed Vicar Apostolic off Upper Canada, which in Huntingdon's Connexion was formed when several 1826 was erected into a bishopric. The same year he Trevecca stuudents were ordained. In her final years she was appointed to the legislatiive council. Whitman 322. was sceptical about further work in England, and was Ex collection of the Hon. Chrristopher Lennox-Boyd. Stock: 37389 concentrating on sending a mission to the South Seas. Frontispiece to A.C.H. Seymour's 'The Life and Times of Selina, countess of Huntingdon', vol. 1 (1824). 319. To the Friends & Pupils of Mr. Dawson, Stock: 35832 of Sedbergh. [Tutor of Mr. Lyell Kennedy.] This engraving from an ooriginal Picture in the 318. The R.t Rev.d Alex.r Macdonnell, Possession of R.H. Leigh, Esq.r is respectfully Catholic Bishop of Upper Canada. Inscribed by Joseph Allen. Painted by M.A. Shee Esq.r R.A. Engraved by Painted by Joseph Allen. Engraved by W.W. Burney. C.Turner, Mezzotinto Enraver in Ordinary to His Published March 14th 1809 by Clay & Scriven, Majesty. London. Pub.d Aug.t 1, 1825, by C. Turner, Ludgate Hill, London. 50 Warren Street, Fitzroy Square. Mezzotint. Platemark: 540 x 395mm (21¼ x 15½"). Rare mezzotint. 360 x 255mm (10¼ 10"). Small Very large margins. Unexamined out of original margins. Slight surface abrasion, laid on canvas. £360 frame. £380 Alexander Macdonell (1762-1840), first Roman A portrait of mathematician aand surgeon John Dawson Catholic bishop of Kingston, Upper Canada. (1734 - 1820), three quarter llength standing behind a When a number of victims of the Highland Clearances desk, pointing to a diagram in a large book for the in the 1790s ended up destitute in Glasgow, beenefit of a pupil who sits wiith his chin on his right Macdonnell promoted a scheme to create a regiment of hand. The pupil in the imagee is supposed to represent loyalist Catholics, under the leadership of clan chief Thomas Leigh. Dawson was notable as a mentor of Adam Sedgwick, James Inman, George Butler and experiments, and knowledgee transformed western many other public figures of the nineteenth century. Ex science in the nineteenth century. Collection: Sir Charles Lyell. Chaloner Smith: 5. One of the more unusual prints of Humboldt, etched by Stock: 37471 Harriet Turner (?1806-?69) after a sketch by portrait paainter Thomas Phillips (1770-1845). Wellcome 320. Sir Henry Thomas De La Beche V.P.R.SS. Library no. 4392i Director General of the Geological Survey of Stock: 37351 the United Kingdom. President of the Geological Society. 324. Mr. Gilbert Knowwlles. Aetatis 49. Painted by H.P. Bone in enamel from life. Engraved by T. Murray pinx. John Faber ffecit. Ao. 1723. W. Walker. London: Jan.y 1.st 1848. W. Walker, Mezzotint. Rare. Platemark: 260 x 185mm (10¼ x Excudit, 64 Margaret St. Cavendish Square. 7¼"). Large margins. £280 Proof mezzotint. Open letter proof impression. Private A portrait of botanist and poet Gilbert Knowles, half plate. Sheet size: 375 x 300mm (14¾ x 11¾"). length, in an oval, directed to left, looking and facing Trimmed inside platemark. £320 the front. Knowles is best known for his work 'Materia A portrait of English geologist and palaeontologist Sir Medica Botanica (London, 1723), dedicated to Dr. Henry Thomas De La Beche (1796 - 1855), half-length Richard Mead, consisting off 7355 Latin hexameters. standing in a mountain landscape directed to right, Four hundred plants in the text are described and their looking away to left, his right elbow resting on an picck- uses in medicine explained. Ex collection of axe next to his hat. De La Beche helped pioneer early Christopher Lennox-Boyd. Chaloner Smith: 212. I of geological survey methods, was elected Fellow of the III. Wellcome: 1614. Royal Society in 1819,was knighted in 1848 and in Stock: 37151 1852, was elected a foreign member of the Royal Swedish Academy of Sciences. Ex colelction of Christopher Lennox-Boyd. Stock: 37253

321. Professer Einstein. Supplement to The New Statesman and Nation, October 21, 19333 (I). Low. Photo-lithograph. Sheet: 230 x 330mm, (9 x 13"). Small tear in left edge. £140 A portrait of Nobel Prize winning theoretical physicisst Albert Einstein (1879-1955) by New Zealand born cartoonist Sir David Alexander Cecil Low (1891- 1965). A small Einstein, with his characteristic bushy hair, is depicted walking with his hands behind his back. Stock: 37049

322. Sir Humphrey Gilbert. Pub. Apr 1802, by E. Harding. 92 Pall Mall. Stipple. Sheet size: 175 x 125mm (7 x 5"). Trimmed inside platemark. £60 Sir Humphrey Gilbert (1539 - 1583) was an English explorer, politician and soldier who in 1583 established 325. Linnaeus in his Lapland Dress. From an the first English colony in North America at St Johnss, original Picture in the possession of Dr. Newfoundland Gilbert was a half-brother of Sir Walter Thornton. Raleigh (they had the same mother, Catherine Hoffman pinx.t. Dunkarton sculp.t. London published Champernowne). byy Dr. Thornton June 1. 1805. Stock: 37284 Mezzotint, rare. 510 x 350mm (20 x 13¾"). £850 Carl Linnaeus the elder, 1707-1778, a plant with a 323. Alexander von Humboldt label attached in one hand, a shaman's drum in the Etched by Mrs. T. from an original Sketch by T. other. An inscription on the drum reads 'Carolus Phillips Esq. R.A. 1815 Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Etching, sheet 150 x 115mm (6 x 4½"). £110 Hoffman fecit.' Alexander Von Humboldt (1769-1859), the Prussian An illustration from Robert Thornton's 'Illustration of naturalist and explorer who explored much of Centraal the Sexual System of Caroluus von Linnaeus'. Other and South America. Charles Darwin described him as states give the engraver's name as Henry Kingsbury. 'the greatest scientific traveller who ever lived.' He iss Chaloner Smith 8, state iii off iii. Ex Collection of the widely respected as one of the founders of modern Hon. Christopher Lennox-Boyd. Wellcome: 1778-2 geography. Alexander von Humboldt's travels, Stock: 36872 326. Richaard Owen, F.R.S. Hunterian professor and conservator of the museum of the Royal College of Surgeons. Engraved byy William Walker, from the original picture by H.W. Pickersgill, R.A. In the collection at St. Bartholemews Hospital presented by Dr. Roupell. London. 1st. January 1852 by W. Walker, excudit, 64, Margaret St. Cavendish Sq. Mezzotint. Sheet size: 410 x 330mm (16 x 13"). Unexamined out of frame. Foxing to sheet. Wormholes to upper left of printed area. £360 A portrait of English biologist, comparative anatomist and paleontologist Sir Richard Owen FRS (1804 - 1892). Despite being a controversial figure, Owen is generally considered to have been an outstanding naturalist with a remarkable gift for interpreting fossils. Ex Collection: Sir Charles Lyell. Stock: 37472

327. Joseph Priestley. L.L.D: F.R.S. &c. Universal Magazine & Review J. Hazlitt pinxt. / A. McDonald sculp. [n.d., c.1790] Stipple, rare; sheet 130 x 105mm (5 x 4"). Trimmed inside platemark. Slight damage right corners. £95 329. [Prussia.][Alexander von Humboldt.] Joseph Priestley (1773 - 1804), theologian and natural [C. Begas. C. Wildt.] [n.d., c. 1840] philosopher. He is chiefly remembered today for Lithograph. Proof. Printed arrea: 320 x 395mm, (12½ x isolating and identifying seven gases, including 15½"). Frame: 470 x 570mm, (18½ x 22½"). oxygen, but was also a vigorous advocate of Unexamined out of original fframe. £450 unitarianism and liberal reform of government, A three-quarter length portrait of Alexander von education, and theology. After living in several British Humboldt (1769-1859) a Prussian geographer and cities, he moved to the United States in 1794 and spennt naturalist who travelled throughout Europe and the final decade of his life in Pennsylvania. America and was one of the first scientists to propose Engraved after a portrait by John Hazlitt (1767-1837), that South America and Africca had once been linked. brother of the celebrated essayist William Hazlitt. John Ex Collection: Sir Charles LLyyell. himself worked in the US as a young man, returning tto Stock: 37470 England in 1787. Not in O'D. Stock: 35828 330. [Thomas Young, M.D. F.R.S.] [Foreign Associate of the Royal Institute of Paris.] 328. [Memorial to Emanuel Swedenborg] Painted by Sir Thomas Lawrrence. Engraved by C. Em.l Swedenborg / Veritatis Assertor & Turner, A.R.A. Engraver in Ordinary to His Majesty. Rationistiltor [...] London, Publsihed April 6 1830, by Mess.rs Colnaghi, Pernotin del. / Miss Martin Sculp. Son & Co. Printsellers to His Majesty, Pall Mall East. Stipple printed in brown, rare; platemark 210 x 130mm Mezzotint with very large maargins, very fiine. Proof (8¼ x 5"). Trimmed to platemark; false margins added. beefore titles. Platemark: 395 x 295mm (15½ x 11¾"). £160 Uncut. Laid on sheet. £360 Monument to philosopher Emanuel Swedenborg A portrait of English scientist Thomas Young (1773 - (1689-1772). As stated here, his remains were buried in 1829), half length, seated, to the right, holding a small the Swedish church in Wapping, East London. When scientific instrument in his riight hand. the church was demolished in the early 20th century, Young made notable scientiffic contributions to the they were brought back to his native Sweden and fields of vision, light, solid mechanics, energy, interred in Uppsala Cathedral. phhysiology, language, musiccaal harmony, and One of few early engravings paying tribute to Egyptology. He made a nummbber of original innovations Swedenborg's achievements. For a later portrait of in the decipherment of Egypttian hieroglyphs Swedenborg see ref. 3462 (specifically the Rosetta Stone) before Jean-François Stock: 35834 Champollion eventually expanded on his work. In 1827 he was chosen one of the eight foreign associates of the French Academy of Sciences and the following year was elected a foreign member of the Royal Swedish Academy of Sciences. Ex colllection of Christopher Lennox-Boyd. Whitman: 636. Stock: 36638

331. Thomas Young, M.D. F.R.S. Foreign (they were admired by George II) and were brought to Associate of the Royal Institute of Paris. England by their mother to find them wealthy Painted by Sir Thomas Lawrence. Engraved by C. husbands. Both married in 1752, Elizabeth in secret. Turner, A.R.A. Engraver in Ordinary to His Majesty. Maria became a figure of scandal for her public London, Publsihed April 6 1830, by Mess.rs Colnaghi, quarrels with her husband George William Coventry, Son & Co. Printsellers to His Majesty, Pall Mall East. while Elizabeth became a significant figure in Queen Mezzotint with large margins, very fine. Platemark: Charlotte's household. 395 x 295mm (15½ x 11¾"). Uncut. £360 Poem by John Gunning beneath. CS 57 'two known'. A portrait of English scientist Thomas Young (1773 - For Maria, see ref. 9220; for Elizabeth, see ref. 34421. 1829), half length, seated, to the right, holding a small Stock: 36955 scientific instrument in his right hand. Young made notable scientific contributions to the 334. Lady Hamilton. fields of vision, light, solid mechanics, energy, Engrav'd by J. Conde from an original Painting of G. physiology, language, musical harmony, and Romney Esq.r. [n.d., c.1803.] Egyptology. He made a number of original and Stipple printed in blue ink. Sheet size: 145 x 95mm insightful innovations in the decipherment of Egyptian (5¾ x 3¾"). Trimmed inside plate. £45 hieroglyphs (specifically the Rosetta Stone) before A portrait of Lady Emma Hamilton (1765-1815) half- Jean-François Champollion eventually expanded on his length, directed to the right, wearing a gown and a work. In 1827 he was chosen as one of the eight floral wreath with a veil over her head which falls over foreign associates of the French Academy of Sciences her shoulders. An illustrtation to the 'European and the following year was elected a foreign member Magazine'. of the Royal Swedish Academy of Sciences. For a Hamilton achieved celebrity through her beauty, proof before titles impression, see item ref: 36638. Ex personal vitality and skills as a performer. She is collection of Christopher Lennox-Boyd. Whitman: principally remembered as the artist George Romney's 636. 'muse' and for her love affair with Nelson. Stock: 36637 Stock: 37281

332. Thomas William Coke Esq.r. Member of 335. Sr. John Lowther Bar.t Parliament for the County of Norfolk. (A Sr P. Lelij Pinxit Sold by Alex Browne at the blew Distant View of Holkham Hall.) From the Ballcony in little Queen Street. original Picture in the Possession of Lord Mezzotint with large margins, platemark 365 x 275mm Somerville. (14¼ x 10¾"). Mount burn; good impression. £260 John Lowther, second baronet (bap.1642-d.1706), London, Painted & Published May 31.st. 1806 by G. politician and industrialist. Related painting unknown, Garrard, 28 George S.t. Hanover Sq.r. presumably destroyed in fire at Lowther Hall in 1725. Engraving. 210 x 300mm, (8¼ x 11¾"). Thread Lowther planned and developed Whitehaven, the first margins; very slight creasing. £160 planned town built in England after the middle ages. A Full length portrait of Thomas William Coke, 1st Earl commissioner of the admiralty, Lowther also invested of Leicester (1754-1842) who was M.P. for Norfolk heavily in trading voyages to Virginia and the Baltic, and whose agricultural reform has been credited as and 'effectively used Whitehaven for gathering sparking the British Agricultural Revolution. Coke intelligence during the Irish war of 1689-90' (DNB). stands in his estate, his house Holkham Hall can be He was an active member of the Royal Society and had seen in the background, in front of which is a herd of a wide range of cultural interests, with an extensive sheep. Stock: 36824 library and collection of pictures. Blackett-Ord and Turner B28.III; CS 21.III; O'D 1; Beckett 308. Stock: 35822 333. [Portraits of the Gunning sisters] Gratitude: A Poem. / Inscribed to the Right 336. Sir John Henry Moore Bar.t. Honourable the Earl of Harrington, by John R. Cosway R.A. Pictor Principis pinx. P. Condé sculp. Gunning, Esq.r [...] Very rare stipple. Plate: 190 x 260mm, (7½ x 10¼"). [Richard Houston after Liotard, Hamilton and Cotes] Trimmed within plate on right and left edges. Slight Mezzotint and letterpress, sheet 495 x 345mm (19½ x damage on right. £260 13½"). Nicks and tears, and lower left corner missing; A half-length portrait in a oval of Sir John Henry conservation work to repair; glued to backing sheet at Moore (1713-1769) a colonial officer who served as corners. Very rare. £380 Governor of Jamaica and as royal Governor of the Portraits of three of the four Gunning sisters: Maria, Province of New York from 1765-1769. countess of Coventry (bap.1732-d.1760), after Liotard; Stock: 36849 Elizabeth Campbell, duchess of Argyll and Baroness Hamilton (bap.1733-d.1790), after Gavin Hamilton; 337. The Last of the "Old Charlies". and Kitty Gunning (1735-73), after Cotes. [n.d., c.1850.] The sisters were daughters of Colonel John Gunning of Photograph. Sheet size: 90 x 60mm (3½ x 2½"). £90 Castle Coote, Roscommon, Ireland, and grew up as A photographic portait of Charles Rouse, the last of the impoverished members of the Irish gentry. The two London Night Watchmen who protected the Brixton eldest, Maria and Elizabeth, were famous beauties Road until the middle of the nineteenth century. In 1663 the City of London began to employ paid Triple portrait, full-length, off two boys Marcus and watchmen to guard the streets at night. They were latter Walter Synnot and a young girl Maria Eliza. In 1778, nicknamed 'Charlies', probably after the reigning Sir Walter Synnot (High Sheriff of County Armagh monarch, Charles II. However the pay was so poor that 1783) built the first Ballymoyyer House in the townland only men too old or decrepit to do any other work of Ballintemple, although the family had originally would do the job. They carried a bell, a lantern and a beeen large landowners in thee County of Wexford. The rattle, and were armed with a staff, but they were of Synnots were involved not onnly in the linen trade, but little use agaiinst the thieves and robbers. 'Baiting also owned lead mines in the vicinity. CS:160, Charlies' became a popular sport for young men. D'Oench:192. Stock: 37449 Stock: 37503

338. [Beneedetta Ramus.] 341. River Douglass or Welsh Copper. [George Romney. William Dickinson.] [n.d., c.1779.] [Anon., c.1800] Mezzotint. Proof before letters. Rare. Plate: 180 x Very scarce etching, platemark 170 x 115mm (6¾ x 250mm, (7 x 9¾"). Bit messy. £260 4½"). Large margins. £180 A portrait of Lady Benedetta Day (neé Caricature in profile of a Jew. Ramus)(d.1811), depicted in an oval she rests on a Stock: 37098 large copy titled 'Johnson. Shakespeare. 4'. Day was wife of Sir John Day of Middle Temple who served as 342. M.dm Caroline Waalter. Qu'a t'elle Advocate General to the East Indies. Ex collection of besoin d'art? [...] The Hon. Christopher Lennox-Boyd. CSS: 65 I; Honee: Dessiné par C. Hoyer / Gravé par T. Kleve à 102 I of II. Coppengague 1777 Stock: 36827 Very scarce stipple, platemarrk 340 x 270mm (13½ x 10½"). Small margins. £220 339. A View of Somerset. Caroline Walter, née Halle (11755-1826), actress and C.B. Esq.r del.t. Pub'd by Dighton, Spring Gardens, singer. Published in Copenhagen. Dec.r 1811. Stock: 37096 Coloured etching. Sheet 320 x 230mm (12½ x 9"). Trimmed within plate, mounted on album paper, 343. [Ben Bradly] Behold the Man, who when horizontal centre fold. £85 a gloomy Band / Of vile Excisemen threaten'd A satirical portrait of Edward Adolphus St Maur (born all the Land [...] Seymour, 1775-1855), 11th Duke of Somerset, Arth. Pond. Pinx. / J. Faber sc. Published the 22 of submitted to Dighton by 'C.B.', probably one of the April 1737 Duke's friends. Rare mezzotint, Collector's stamp of the Reverend J. A gifted mathematician and President of the Linnean Burleigh James verso; platemark 355 x 250mm (14 x Society of London, the Duke never joined the army, so 9¾"). Small margins. Slightt damage. £360 he must have been a volunteer officer. BM Satires A wonderful image showing a portrait of Ben Bradly, 11751. apparently a tobacconist (he smokes from a pipe while Stock: 37124 a wrapper of 'Bradly's Best Virginia' lies on the table) who opposed taxation on tobacco. A glass & bottle (marked 13) on table. Cartouche in title area of a figure and lion smoking, flanked by guards, with legend beelow 'The best in Christenddom without Excise'. After a portrait by Arthur Poonnd (1701-58), painter, engraver, print-seller, dealer and collector. CS 40 Stock: 37100

344. Andrew Brice of Exeter, Printer: Author of the Topographic Dictiionary &c. Aetat 83. Jackson del. Woodman Sc. Publish'd According to Act of Parliament foor Barnabas Thorn Bookseller Exon Ap.r 21st 1774. Engraving. 210 x 160mm (8¼ x 6¼"). Large margins. £140 Printer at Exeter (1692 - 17773). His major work, begun 340. Children of Walter Synnot Esqr. in 1746 and finished in 17577, was the 'Grand Gazetteer, Engraved byy J.R. Smith from an Original Picture of J. or Topographic Dictionary', published in 1759. He also Wright of Derby. London Publish'd April 25 1782 by prrinted: a weekly newspaperr from 1715 until his death; J.R. Smith, No.83, opposite the Pantheon, Oxford William Hals's 'History of Cornwall; and 'John Street. Vowell's Account of the City of Exeter'. When he Mezzotint. Plate: 350 x 500mm, (13¾ x 19¾"). retired he was the oldest master printer in England; Trimmed within plate on lower edge. £900 when he died he was the oldest freemason in England, celebrated by three hundred masons escorting his 347. It is the very fashion of the time. Which coffin to the grave on 14 November. cannot look more hideously [/] Than I have Stock: 37043 drawn it in my fantasy. [Paul Pry] Esq. Del. Pub by T. McLean 26 Haymarket. 345. L. Moinet. Horologer. Profeesseur des For November 1827. To be continued every month. Arts. Ancien Président de la Société Hand-coloured etching. Platemark: 380 x 260mm (15 x Chronométrique de Paris, Membre honoraire 10¼"). Unexamined out of frrame. £290 de la Société de Mathématiques de Hambourg An elaborately dressed wommaan stands with her gloved etc. etc. right hand resting on her extrremely small waist. She is G. Staal. Imp. Lemercier Paris. [n.d., c.1850.] wearing a bright red dress and an emerald green cloak, Lithograph. Framed. Printed area: 190 x 275mm, (7½ x with white fur trim. Her large hat is decorated with 10¾"). Frame: 325 x 410mm, (12¾ x 16"). Scarce. ribbons and feathers. A quote from Shakespeare's King Some foxing. Unexamined out of frame. £360 Henry IV Part II, is inscribed underneath the title. A portrait of Louis Moinet (1768-1853), celebrated By William Heath (1794/5-11840) ex-Captain of French watchmaker and inventor of the chromograph. Dragoons, illustrator of colouur-plate books, and prolific Moinet served as Abraham-Louis Breguet's personal caricaturist. He published regularly with Thomas advisor bewteen 1811 and 1823. Moinet's creations McLean. Not in BM Satires. could be found in the collections of the likes of Stock: 37474 Napoleon, Tsar Alexander I and Thomas Jefferson. Stock: 37476 348. Uystlag der wind negotie. [Amsterdam, 1720.] Engraving with very large margins; 350 x 390mm (13¾ x 15¼"). Folded as issued. £350 'Result of the wind trade.' A satire on share-dealing mania, with a man, possibly John Law, distributing shares and papers to the crowd of people, the town of Vianen (outside Dutch jurisdiction so notorious as an asylum for criminals and debtors) in the background. Details include castles in thee air, crying investors and a man with a stocking on his head. Underneath is an extensive key in Dutch. On the left is 'Bombario', a bespectacled hunchback allowing himself to be used as a writing desk. Although here he looks like a figure of fun he is in fact a usurer (another satire shows him using pliers on a man's testicles) and the cap he wears is symbolic of a Jew in anti-semitic propaganda. A satire on the Mississippi Bubble. Scotsman John 346. The Six Ologies. viz: Entomology Law's house in rue Quinquempoix was besieged by Anthology Demonology Ornithology investors eager to invest in his 'Mississippi Scheme', Craniology Apology. bllocking the street. The share price shot up from 500 [after Edward Stanley.] [n.d., c.1825.] livres to 15,000, before collapsing back to 500 in 1721. 4to portfolio, quarter morocco with plain boards, oval Law had to flee the country. illustrated tittle label pasted on front board; very scarce Published in 'Het Groote Taffereel der Dwaasheid' (The six coloured lithographs on card, as called for, two Picture of Stupidity), a collection of satires on financial plates with punchline added in old ink mss. Boards buubbles. BM: 1652. worn, lacking ties, one plate with spash stain. £650 Stock: 35863 Six amateur caricatures, drawn by Edward Stanley (1779-1849), who served as Bishop of Norwich 1837- 349. Graf kelder der Verongelukte 1849. At the time of publication he was rector of Actionisten. Eere-titel, of Gordyn voor het Alderley, Cheshire, a position he held for 32 years. This and the two other satires he produced ('Bustle’s Schouburg der Actie-Tafereelen, beschildert Banquet' & 'Dinner of the Dogs') were probably met de Actie-Winkel dess Groenen en Dorren published locally, accounting for the absence of these Tyds, Of Spiegel des Papieren Warelds. caricatures in our national collections. His authorship [Amsterdam, 1720.] is only confirmed by the 1907 publication of his Etching & engraving. Two plates, largest 290 x 190mm collected letters. Not in BM. The Printshop Window (11½ x 7½"), set in text. Folded as issued, repaired (blog) October 2014, illustrating this example. tears & creases. £240 Stock: 37175 'Titlepage of honor, or curtaiin before the theatre of the action plays, representing the action shop of the green and sterile times; or mirror of the paper world', a satire on financial bubbles. An engraving showing an old winged man, holding a mirror in front of a young man who points at a globe representing the international speculation schemes, surrounded by an etched border of Callot figures, strap-work and various objects, including two bird cages. Published in 'Het Groote Tafereel der Dwaasheid' (The Picture of Stupidity), a collection of satires on financiial bubbles. BM: 1638. Stock: 35873

350. Tytel-print der actie-kraam of voor-hof van Quinquenpoix. [Centre plate etched by Pieter van den Berge.] [Amsterdam, 1720.] Etching on two plates. 380 x 225mm (15 x 9"). £320 'Title print of the stockshop or court of Quinquempoiix', a satire on the Mississippi Bubble. John Law kneels before a femaale figure, within a separately-printed 353. De inventeur der windnegotie, op zyn wreath-like border featuring vignettes including an zegekar. American Indian and an alligator. Under the wreath [Amsterdam, 1720.] are Mercury and Neptune reclining, with a small imagge Engraving with very large margins. 225 x 180mm (8¾ of a man sitting at a table counting money between x 7"), set in letterpress. Folded as issued. £290 them. 'The inventor of stock-jobberry in his triumphal car.' Published in 'Het Groote Tafereel der Dwaasheid' (The John Law seated in a carriage drawn by two scrawny Picture of Stupidity), a collection of satires on financiial cockerals. bubbles. BM: 1644. A satire on the Mississippi Bubble. Scotsman John Stock: 35872 Law's house in rue Quinquempoix was besieged by investors eager to invest in his 'Mississippi Scheme', 351. Der grosse versammel-platz der wind bllocking the street. The share price shot up from 500 verkäuffer. A. 1720. De grote Vergader-plaats livres to 15,000, before collapsing back to 500 in 1721. der Windveerkopers van't Jaar Aº 1720 Law had to flee the country. [Amsterdam, 1720.] Published in 'Het Groote Taffereel der Dwaasheid' (The Etching & engraving. 280 x 350mm (9¾ x 13¾). Very Picture of Stupidity), a collection of satires on financial large marginns. Folded as issued. £350 buubbles. BM: 1671. 'The great gathering place of the wind-dealers in the Stock: 35859 year 1720.' A central scene of stockbrokers is flanked by four smalller scenes, all with a Dutch-text engraved 354. De inbeelding; heersseres van't description. rookverkopers-gild, maald Missisippi hier, 't Published in 'Het Groote Tafereel der Dwaasheid' (The geen Vrankryks schat verspild. Picture of Stupidity), a collection of satires on financiial [Amsterdam, 1720.] bubbles. BM: 1661. Engraving with very large margins. 225 x 180mm (8¾ Stock: 37058 x 7"), set in letterpress. Folded as issued. £350 'Fancy, the ruler of the guild of smoke-sellers, paints 352. Monument consacré a la posterité en here Mississippi, which wasttes France's treasures.' A memoire de la folie incroyable de la XX. année female artist paints an oval picture of 'Mississippi', du XVIII. siecle. Ter eeuwiger gedagtenisse der surrounded by putti. In the four corners are: (TL) a dwaasheid van het XX. jaar der XVIII. eeuw.. scene with two men smoking pipes; (TR) a landscape B.Picart fecit 1720. with a West Indian man stanndding on a tortoise and Engraving with very large margins. 275 x 370mm smoking a pipe; (BL) a stock exchange and two men (10¾ x 14½"). Folded as issued. £350 offering papers; and (BR) a man on horseback 'Monument consecrated to posterity in memory of the distributing papers to a group of men while his horse unbelievablee folly of the 20th year of the 18th century.' defecates coins. A satire on the Mississippi Bubble. John Law's house A satire on the Mississippi Bubble. Scotsman John in rue Quinquempoix was besieged by investors eager Law's house in rue Quinquempoix was besieged by to invest in his 'Mississippi Scheme', blocking the investors eager to invest in his 'Mississippi Scheme', street. The share price shot up from 500 livres to bllocking the street. The share price shot up from 500 15,000, before collapsing back to 500 in 1721. Law livres to 15,000, before collapsing back to 500 in 1721. had to flee the country. Law had to flee the country. Published in 'Het Groote Tafereel der Dwaasheid' (The Published in 'Het Groote Taffereel der Dwaasheid' (The Picture of Stupidity), a collection of satires on financiial Picture of Stupidity), a collection of satires on financial bubbles. BM: 1628. buubbles. BM: 1657. Stock: 35858 Stock: 35860

355. Missisippi of 't wydbefaamde Goudland Shove with the abstinence of Lent. A centre image of door de inbeelding der windnegotie. Nieuwe Cupid and Pan (ascribed by Muller to Bernard Picart.) Volksplantin om wind. is surrounded by a border of stabwork with emblems [Amsterdam, 1720.] and Callot figures, at the top corners the heads of Engraving. 155 x 210mm (6¼ x 8¼"), set in letterpress. dwarfs, with a dwarf standing up-side-down at the Folded, as issued. £380 bottom. The name 'Jan Law' refers to John Law, the 'Mississippi, or the world-famous Goldland in the Scotsman who founded the 'Mississippi Scheme'. The fancy of the wind trade.' A satire on the Mississippi share price shot up from 500 livres to 15,000, before scheme, with central view of the Mississippi with collapsing back to 500 in 1721. Law had to flee the European settlers talking to two Amerinds, with four country. vignettes in the corners: (TL) the lying-in-state of Published in 'Het Groote Tafereel der Dwaasheid' (The Louis XIV; (TR) John Law presenting his investment Picture of Stupidity), a collection of satires on financial scheme to the Duke of Orleans; (BL) the interior of bubbles. BM: 1684. Law's opulent offices in rue Quinquempoix with bags Stock: 35866 of coins being wheeled in; (BR) a ruined investor with his hysterical family. 358. De lachende Ezopus, op het koolmaal, Scotsman John Law's house in rue Quinquempoix was gehouden ter afscheyd van actieapen. besieged by investors eager to invest in his 'Mississippi [Amsterdam, 1720.] Scheme', blocking the street. The share price shot up Engraving. 290 x 360mm (11½ x 14¼"), set in from 500 livres to 15,000, before collapsing back to letterpress Centrefold split. £320 500 in 1721. Law had to flee the country. 'The laughing Aesop, present at the cole (or cabbage)- Published in 'Het Groote Tafereel der Dwaasheid' (The feast, which was given at the leave-taking of the stock- Picture of Stupidity), a collection of satires on financial apes', a satire on the Mississippi Bubble. Bombario (the bubbles. BM: 1683. hunchbacked usurer (a Jew)), dressed as Aesop, laughs Stock: 35861 at the monkeys eating cabbages; to the right a pack of wolves chase sheep; and under the title is a cloud, on 356. Op en ondergang der actieonisten. which the figure of Time passes judgement, forcing the [Amsterdam, 1720.] Lion of the Netherlands to pay Mercury in gold, not Engraving with very large margins. 350 x 390mm paper. (13¾ x 15¼"). Folded, as issued. £350 Published in 'Het Groote Tafereel der Dwaasheid' (The 'The Rise and Fall of the Share dealers.' A satire on the Picture of Stupidity), a collection of satires on financial Mississippi scheme, with an architectural structure bubbles. BM: 1678. supporting several images, including : a medallion Stock: 35868 portrait of John Law holding a paper labelled 'Mississippi' is flanked by a wolf holding a dead lamb 359. De stropende actie-valk, om hals, en 't in its jaw and a monkey; a medallion with a horse bubbel-rotje onder de klaauwen van den uil. defecating coins; a a view of the Tuilleries Palace with [Amsterdam, 1720.] the aftermath of a duel, with one man dead and his Engraving. 135 x 135mm (5¼ x 5¼"), set in letterpress wounded opponent carried off by three friends while a Paper slit in letterpress. £260 lady weeps; John Law's carriage attacked by a mob; a 'The strapping share-hawk pierced and the bubble rat trompe l'oeil of a banner showing rue Quinquempoix between the claws of the owl', a satire on the South Sea filled with people trying to sell shares; and a medallion Bubble. A man and a woman out hawking, but their titled 'Labour in vain' showing three men trying to hawk has been speared by the beak of the stork it is scrub a negro white. Underneath is an extensive verse trying to kill. Underneath, a rat is being torn apart by in Dutch. an owl and a falcon. The extensive verse satirises the A satire on the Mississippi Bubble. Scotsman John speculation that led to the stock market crash. Law's house in rue Quinquempoix was besieged by Published in 'Het Groote Tafereel der Dwaasheid' (The investors eager to invest in his 'Mississippi Scheme', Picture of Stupidity), a collection of satires on financial blocking the street. The share price shot up from 500 bubbles. livres to 15,000, before collapsing back to 500 in 1721. Stock: 35867 Law had to flee the country. Published in 'Het Groote Tafereel der Dwaasheid' (The 360. Des kladpapieren waerelds vuur in as Picture of Stupidity), a collection of satires on financial verkeerd. bubbles. BM: 1647. [Amsterdam, 1720.] Stock: 35862 Engraving with very large margins, 18th century watermark. 315 x 390mm (12½ x 15¼"). Folded as 357. Vasten avonds vreugde krans en tooneel issued. £280 stuk. 'The world of waste paper is burned to ashes', a satire [Amsterdam, 1720.] on the South Sea Bubble. The oval central image Engraving on two plates, very large margins. Largest shows a group containing kings, churchmen, rich & 300 x 190mm (12 x 7½"). £320 poor surrounding a globe. The four corner images are: 'Shrovetide's wreath of joy and the drama', a satire on (TL) the death of Adonis; (TR) the death of Bacchus; the Mississippi Bubble, comparing the feasting of (BL) King Midas sitting at a table with his food turning into gold; and (BR) a rich man sitting with his were rich without goods and wise without brains.' A valuables on a table as a skeletal Death takes his hand. satire on tulipmania, the firstt recorded economic Published in 'Het Groote Tafereel der Dwaasheid' (The buubble. In March 1637 a bulb of a 'Viceroy' tulip was Picture of Stupidity), a collection of satires on financiial offered for sale for 4,150 guiilders, at a time when a bubbles. skilled craftsman earned aboouut 300 guilders a year. An Stock: 35864 extensive text in Dutch descrribes the scene. At the centre is a tent in the shape of a fool's cap filled 361. Het uitgeteerde en stervende actie with bulb dealers; in the background the fiigure of Flora boomtje. departs on a donkey; to the riight peasants bend over a [Amsterdam, 1720.] baasket with a crop of tulips and bulbs; to the front left Engraving, 18th century watermark. 155 x 105mm (6 x peeasants carry tulips and eartth, bulbs and tulips in a 4¼"), set in letterpress Folded as issued. £320 wheel-barrow. Behind is a devil and a peasant tipping a 'The tree of shares withering and dying', a satire on the baasket with bulbs onto a compost heap. South Sea Bubble. Three putti holding anchors stand Originally issued at the time,, this example was before a bare tree, representing dying trade. The puublished in 'Het Groote Taffereel der Dwaasheid' (The engraved text translates as 'Though the vain Hope still Picture of Stupidity), a collection of satires on financial hopes, the little trade tree dies, when it deprives its buubbles. nutrition from the wind and foolishness'. The British Stock: 35865 Museum gives a tentative attribution to Pieter van den Berge, based on broadsides in similar style. Published in 'Het Groote Tafereel der Dwaasheid' (The Picture of Stupidity), a collection of satires on financiial bubbles. Stock: 35869

362. De vervallen actionisten, hersteld, door den triompheerden Arlequin. [Amsterdam, 1720.] Engraving with very large margins. 285 x 360mm (11¼ x 14¼"). Folded as issued. £320 'The ruined share-holders restored by the triumphant Harlequin', a satire on the South Sea Bubble. Harlequin dispenses papers from a carriage. Mercury gestures 365. Majesty & Grace. As his Grace stoop'd towards trade goods but the man next to him seems to press the Royal hand to his lips - Her more interested in Harlequin's papers. Published in 'Het Groote Tafereel der Dwaasheid' (The Majesty in the most playful and condescending Picture of Stupidity), a collection of satires on financiial manner lay'd hold of his Nose - with her Royal bubbles. finger and thumb - His Grace with his usual Stock: 35871 brevity and decision acknnowledged the high honor done him. 363. Vonnis van Apol over de bubbels. [Paul Pry Esq.] Pub by T McLean 26 Haymarket where [Amsterdam, 1720.] Caricatures are daily Publishing. [n.d., 1828.] Engraving with very large margins. 285 x 360mm Fine hand-coloured etching. Plate: 370 x 260mm, (14½ (11¼ x 14¼"). Folded as issued. £260 x 10¼"). Slight staining top lleft. £320 'Apollo's verdict on the stock-jobbers', a satire on the The little Queen of Portugal,, as a child of two or three, South Sea Bubble. Apollo passes judgement on the stands on tiptoe to grasp the nnose of Wellington who financially ruined investors and dealers by the Bubble, boows low and supports her raised arm. In her right showing them being punished by Hercules and sent to hand she brandishes a rattle. Over her childish frock is Hades. Harlequin on right sitting on throne. a long train, supported by two grinning negro pages Published in 'Het Groote Tafereel der Dwaasheid' (The with misshapen legs. A corall and bells hangs at her Picture of Stupidity), a collection of satires on financiial side, and a long bib or pinafore is decorated with the bubbles. Portuguese Arms and crown.. A very stout lady-in- Stock: 35870 waiting walks behind them, wearing a ruff and feathered hat; she carries a bllack doll; behind her and 364. Floraes Gecks-kap of Afbeeldinge van 't on the extreme left is a Portuguese courtier also wonderlijcke iaer van 1637 doen d'eene Geckk holding a toy, a cock on a pair of breeches. d'ander uytbroeyde, de Luy Rijck sonder goeet, The seven-year-old Queen Maria II of Portugal, en Wijs sonder verstant waeren. usurped by her uncle Miguell in 1828, toured European cities to gain support, much tto Wellington's [Etched by Pieter Nolpe.] [Amsterdam, 1720.] embarrassment due to his unnwwillingness to help. She Etching; rare. 415 x 520mm (16 x 12½"). Folded as regained the throne in 1834. BBM Satire: 15558. issued. £320 Stock: 37456 'Flora's fool's cap or picture of the strange year 1637, when one fool swindled the other and when people 366. A Scene, after the Battle of Vittoria or,- 370. The Field of Battersea. More Trophies for White-Hall!!! [Paul Pry.] Pub March 1829 by T. Mclean 26 G. Cruikshank px.t. Pub.d. July 10.th. 1819 by T. Tegg. Haymarket. 111 Cheapside. Hand-coloured etching. Plate: 370 x 260mm, (14½ x Hand-coloured etching. Paper watermarked '1819'; 10¼"). Vertical creases. £160 Plate: 350 x 245mm, (13¾ x 9¾"). Staining. £230 Wellington, depicted with a lobster claw head, and Satire commenting on the Duke of Wellington's defeat wearing a monks habit and his customary boots, fires a of the French under Marshal Baptiste Jourdan at the pistol at the Earl of Winchelsea, who, making himself Battle of Vittoria in 1813. This victory eventually led as thin as possible fires into the air. Dr. Hume, to victory in the Peninsular War. A Portugese officer Wellington's phyician sits on a bank between them, hands Jorden's 'rollingpin' (Marshal's Baton) to a while the seconds, Sir Henry Hardinge and the Earl of mounted Wellington. BM Satire: 12071. Falmouth, are situated in the far left. Following Stock: 37454 Winchelsea's very public criticism of the Catholic Emancipation bill, Wellington challenged him to a 367. Chine_Infanterie_Reserve. Types duel. Wellington fired and missed, while Winchelsea Militaires. Pl. 55. fired into the air, wheraupon a written apology was Dess et lith par Draner. Imp. Lemercier r. de Seine 57 produced, though to Wellington's annoyance it did not Paris. Paris, Dusacq et C.ie. 14 Boul.t. Poissonnière. originally contain the word 'apology'. BM Satire: Hand-coloured lithograph with gum arabic, very large 15697. margins. Sheet: 310 x 450mm, (12 x 17¾"). £120 Stock: 37265 Satirical depiction of a Chinese infantryman in a jar of conserved fruits, from the series entitled "Types 371. The Parodist, No. 1. The Beggar's Militaires: Galerie militaire de toutes les nations". Petition. "Draner" Jules Renard (1833 - 1926), from his series of London: Printed and Published by J. L. Marks, 91, 136 high quality lithographic military caricatures Long Lane, Smithfield. published by the firm of Daziaro in Paris 1862-1868. Hand-coloured wood engraving and text, rare. Sheet: Stock: 36378 210 x 280mm, (8½ x 11"). Title and publication line trimmed and glued on verso. £180 368. Johnny Bull, on the Look-Out, or An illustration to a parody of Thomas Moss's well- Bonaparte Detected Drilling his Rib, at the known poem 'The Beggar's Petition' 1769. The Duke of Play of King & Queen of England. ____ Scene Wellington is depicted in rags, seated upon a stool St. Cloud. 314. begging for alms. A young boy, puts a coin in his hat stating 'Poor Old Chap!!', a statue of Achilles is Publish'd Sep.t 12. 1803, by Laurie & Whittle. 53 Fleet situated in the garden of Apsley House behind. Street, London. Following the fall of the Whig government BM Satire: Hand coloured etching. Platemark: 200 x 250mm (8 x 17188. 9¾"). Tipped into border. £160 Stock: 37465 John Bull, wearing spectacles, holds aside a curtain, revealing Napoleon and Josephine enthroned, side by side. He stands in profile to the left with a large pistol 372. Burkeing the Constitution of E-g-d!!!!! under his left arm. He says, 'Boney - Boney, that wont Pub.d. by J.Field 65 Quadrant. do - You must not Play my King & Queen.' Napoleon Rare hand-coloued etching. 315 x 230mm, (12½ x 9"). is wearing a huge bicorne hat, holding a drawn sabre in Trimmed. Laid on album sheet. £180 his right hand. Josephine wears a crown, and holds a Robert Peel and Wellington are depicted as murderers William Hare and William Burke smothering the sceptre and orb. Stock: 37464 allegorical figure of the British Constitution who lies upon a wooden bed. A Catholic priest linked arm-in- arm with a devil can be seen through a window. Burke 369. The Dream. and Hare commited several murders in Edinburgh in [Paul Pry esq.] Pub by T. Mclean 26 Haymarket. 1828 by smothering their victims, it is from their Hand-coloured etching. Sheet: 360 x 240mm, (14 x actions that the verb 'burking' came into use. The 9½"). Trimmed to printed boarder. Mounted in album English constitution established in 1688 after the sheet. Central crease. £180 glorious Revolution and the overthrow of James II, Wellington lies asleep in his bed while a demon, which had ended any chance of Catholicism being re- has Wellington's distinctive nose, whispers into his ear. established in England, however, the introduction of Admiral Codrington, who commaded the British fleet the Catholic emancipation by Wellington is seen as at the Battle of Navarino in 1827, and Britannia look destoying this. BM Satire: 15709. For William Heath's on concerned. In the background a Greek family version of this scene see ref: 37267. celebrate their victory while an Ottoman soldier cowers Stock: 37283 behind an explosion. Whilst Codrington was held a hero for his actions at Navarino by the public he was highly criticised by the Navy and Government for his actions. BM Satire: 15514 Stock: 37379

comentary on Wellington's movements towards Catholic emancipation. The detail of Mrs Constitution's age refers to the number of years since the Glorious Revolution and the overthrow of James II which had ended any chance of Catholiccism being re-established in England. BM Satire: 15707A Stock: 37267

375. The Double Dealer. Or the whole Patronage of the Army, the Church, and the State, alias, the ruler under Petty Coat Government. H. Heath fect. Pub.d. by S.W.Fores feb.y. 3.rd. 1828 373. Burking Poor Old Mrs Constitution. Picadilly. Aged 141. Hark! the Doctor Knoxcks - she is Hand-coloured etching. Sheet: 240 x 350mm, (9½ x almost done - and ready for you - vide Old 13¾"). Trimmed. Laid on album sheet. Slight crease. Play. [above image.] £240 [Monogram of William Heath - 'Paul Pry', a man The newly elected Prime Minister Wellington, dressed holding a walking stick.] Pub April 1829 by T McLean one half in his military dress and the right in the robes 26 Haymarket London. of the Chancellor of the Exchequer. Lady Conyngham Hand coloured etching. Platemark: 265 x 365mm (10¼ comments to her son Franciss Conyngham in the x 14¼"). Very large margins. Slight paper toning. baackground. BM Satire: 155009 £240 Stock: 37273 Sir Robert Peel (1788 - 1850) and Arthur Wellesley, 1st Duke of Wellington (1769 - 1852), as notorious 376. An Election Entertainment. Plate I [&] body snatchers William Burke and William Hare, Canvassing fof r Votes. Pllate II [&] The Polling. murder an old woman (the pair’s final victim Marjory Plate III [&] Chairing the Members. Plate IV. Campbell Docherty). Peel, seated on a heap of straw,, Painted and Engraved by W.m Hogarth (Plate I); grips her between his legs, while he covers her mouth Painted by W.m Hogarth, Engraved by C. Grignion and nose. Wellington, wearing a soldier's jacket and (Plate II); Engraved by W.mm Hogarth & Le Cave (Plate peaked cap, holds her down, straddling across her, and III); Engraved by W.m Hogarth & F. Aviline. raising a warning forefinger. To the right, the door Published 24th. February 1755, as the Act Directs opens, revealing a sinister-looking priest wearing a (Plate I); Published 20th Febbruary 1757, as the Act Jesuit's biretta, holding up a cross. The Burke and Hare directs (Plate II); Published 20th February 1758, as the murders (also known as the West Port murders) were Act directs (Plate III); Published 1st January 1758, as serial murders perpetrated in Edinburgh, Scotland, the Act directs (Plate IV). from November 1827 to 31 October 1828. The killings Set of four engraving. Plate: 560 x 440mm, (22 x were attributed to Irish immigrants Burke and Hare, 17¼"). Large margins. Plate III trimmed to plate on who sold the corpses of their 17 victims to provide left & right. Some repairs. £1200 material for dissection. From their infamous method oof William Hogarth's 'Election' series, the issues of which killing their victims has come the word 'burking', derive from the Oxfordshire election of 1754, in which meaning to purposefully smother and compress the a two year propaganda war took place between the chest of a victim. Duke of Marlborough and the long-standing Tory The clear message is that the Constitution as supremacy in Oxfordshire whhich he challenged. Prior established by the Revolution of 1688 is destroyed by to this, the parliamentary seats in Oxfordshire had not Catholic Emancipation. BM Satires: 15707a. beeen contested since 1710. The four plates are Stock: 37460 respectively dedicated to Henry Fox (later first Baron Holland), Sir Charles Hanbuurry Williams, Sir Edward 374. Burking Poor Old M.rs. Constitution. Walpole and George Hay. Paulson: 198-201. Aged 141. Stock: 37493 [Paul Pry Esq.] Pub April 1829 by T. McLean 26 Haymarket, London. 377. Funeral of the Constitution.- Hamlet Act Hand-coloured etching. Sheet: 365 x 270mm, (14¼ x Vth. Scene A Church yard. Enter two Clowns 10½"). Trimmed within plate. Creasing. Laid on album with Spades. sheet. Details of British Museum catalogue glued on Pub.d. March 1829 by T. McLean Haymarket. verso. £140 Hand-coloured etching. In ink verso Katty Locke given Robert Peel and Wellington are depicted as murderers to her by Mr. Ridout. Sheet:: 355 x 260mm, (13½ x William Hare and William Burke smothering the 10¼"). Trimmed to printed boarder. Some damage to alagorical figure of the British Constitution as a edges. Mounted in album sheet. Creases partly visible. Catholic priest enters from behind a door. Burke and Lord Eldon looks on, holding Yorrick's skull as Hare had commited several murders in Edinburgh in Wellington and Peel dig a grrave. In the backgound the 1828 by smothering their victims it is from their Pope dances infront of St Pauls which has been re- actions that the verb 'burking' came into use. A named St Patricks, while on tthe right John Bull mourns at the death of the Constitution. Catholic Emancipation bullets and a dagger. Brougham, dressed as a broom was seen as the end to the Constitution of 1688 which girl balances a sceptre, Copely juggles balls labelled ousted James II from the throne. 'Law', 'Age' and 'Clergy'. Peel juggles balls labelled Stock: 37337 'Catholic', 'Police Bill' and 'Swan River', and Lady Conyngham juggles balls labelled 'Majesty'. A 378. The Great Unknown, and the Great commentary on Wellington's insecure position in Captain cutting up Napoleon the Great. government. R. C. fecit. July 1827. Pub.d. by J. Fairburn Broadway John Philip's (or A. Sharpshooter) immitation Paul Pry Sudgate Mill. monogram balances an umbrella on his head. Philip's Hand-coloured etching. Sheet: 340 x 240mm, (13½ x often copied William heath's style and ideas, much to 9½"). Trimmed to printed boarder. Mounted within Heath's annoyance. See ref: 37453 for Paul Pry's album sheet. Central vertical crease. £180 comments on Philip's immitation. Wellington, depited wearing his military uniform, Stock: 37463 lunges at Sir Walter Scott who wears a kilt, sporan and Tam o' shanter who holds a pruning knife. Behind them 382. Alas! Poor Johnny! on shelves are copies of Scott's novels as well as his F. A. Esq.r. Del. & Sculpt. Pub Feb. 8 1829 by G. nine-volume biography of Napoleon, 'The Life of Humphrey S.t. James's Street. Napoleon Bonaparte, Emperor of the French...' 1827. Hand-coloured etching. Sheet: 330 x 230mm, (13 x On a chair a cat sits playing a fiddle and singing 'Auld 9"). Trimmed. Laid on album sheet. Slight crease in Lang Syne'. Scott's fairly unbiased examination of middle. £220 Bonaparte failed to portray him as the blood-thirsty The sweating figure of John Bull, ridden by tyrant presented by many. In the right hand corner is a Wellington, is led into the fires of Hell by a devil large advertisment for 'Life of Napoleon' by W. H. playing the fiddle and wearing a kilt, while in the Ireland and published by Fairburn. BM Satire 15417. background several celebrating figures dressed in black Stock: 37448 speed off from a monument to George Canning, behind which the sun sets, in a hearse. Following the collapse 379. The Holy Alliance Unmasked. of the fragile coalition between the Canningites (a E. Purcell. more moderate faction of the Tory party) and the Rare hand-coloured lithograph. Sheet: 290 x 245mm, Whigs in mid January 1827, the Canningites allied (11½ x 9½"). Trimmed within plate. Slight central themselves with the more hard-line Tory members crease. £240 under Wellington and Wellington became Prime The rulers of Britain (Wellington), Spain, Russia and Minister. A commentary on Wellington's Tory party Austria sit around a table plotting how to restore coming to power and the effect it will have on 'John Ferdinand VII of Spain to his throne following the Bull'. BM Satire: 15510 Stock: 37271 invasion of France in 1823. Stock: 37334 383. Prend moi tel que je suis. _Ah. 380. Paddy Arthur's Night Charge. Douro_glad to see you_knew you would not Pub.d. by J. Field 65 Quadrant, Picadilly. form the new administration without me_ well Hand-coloured etching. Sheet: 350 x 240mm, (13¾ x what am I fit for eh? Douro (to himself)_Egad 9½"). Trimmed to printed boarder. £180 that's a poser._ Wellington and Peel, dressed in the costume of two IB. [n.d., 1831.] night-watchmen bring Lord Eldon, dressed as a Hand coloured lithograph. Sheet: 185 x 220mm, (7¼ x woman, before a young King George IV. Lady 8½"). Trimmed. Laid on album sheet. £110 Conyngham in the dress of a male coach guard. The Duke of Wellington stands before a man (William Commentary of Catholic Emancipation, Lord Eldon IV?) who sits at a desk. Following William IV's refusal was adviser to Winchelsea and Falmouth who were to create a large number of Whig peers in order to pass strongly against the bill. BM Satire: 15741 the Reform Bill through the House of Lords, Grey and Stock: 37455 his Whig ministers resigned in 1831 and the King attempted to form a new Tory government with 381. Political Jugglers. Vide Scenes at Court Wellington. AD 1829. Stock: 37467 Pub by S. Gans 15 Southampton Street, Strand, London August 1829. 384. Protestant Descendency a pull at the Hand-coloured etching. Plate: 360 x 265mm, (14 x Church. 10½"). Trimmed within plate on lower edge. £240 [Paul Pry Esq.] Pub March 19 1829 by T. McLean 26 Scene within a circus tent, Henry Peter 1st Baron Haymarket where Political & other Cariactures are Brougham and Vaux, John Singleton Copely, Lady daily Publishing. Conyngham, Robert Peel and the Duke of Wellington Hand-coloured etching. Sheet: 360 x 250mm, (14 x sit in a circle juggling and balancing items on their 9¾"). Trimmed to printed boarder. Mounted in album noses. George IV, robed and sat on his throne watches sheet. Slight crease. £160 in the background. Wellington, balancing a sword on A commentary on Catholic Emancipation. On the left a his nose sits next to a mitre and crosier, a pistol and crowd of people gather around a man holding out a 'Petition to Parliament'. They stand oblivious to the fact A comentary on the decreasing popularity of that the ground beneath them has been hollowed out Wellington's government. Depicted as a horse with a and filled with gunpowder, the fuse of which is being human profile, Wellington wears his blue saddle cloth lit by a priest, and that a crowd including Brougham, with gold decoration and his medals, including his Mackintosh, Burdett, Peel and Wellington are pulling Order of the Garter around his neck. BM Satire: 15814. down the tower of a church onto their heads. In the See ref: 3131 and ref: 26673 for similar depictions of background a procession of monks, priests and the Robert Peel and Lord Eldon. Pope walks over a hill towards St Pauls Cathedral, Stock: 37270 while flames engulf the Monument. BM Satire: 15701. Stock: 37291 388. The Th___e in Danger. There is a power before the Throne_& a power behing the 385. Public Robbers consulting under their Throne_greater than the Throne itself. Vide Favourite Tree. L__d K_gs Speech_ J.C.W. Pub by King. Chancery Lane. [1832] [Paul Pry.] Pub by T. McLean 26 Haymarket. [n.d. Rare hand-coloured lithograph. Sheet: 230 x 320mm, c.1828.] (9 x 12½"). Large margins. Horizontal crease through Hand-coloured etching. Plate: 350 x 250mm, (13¾ x centre. Trimmed to image. Mounted in album sheet. 9¾"). Very large Margins. Slight cockling in left £160 margin and into plate. Some staining in margins. £220 Wellington and his ousted Tories stand beneath a Wellington, in uniform, stands before the King, who gallows tree following a vote of no confidence in sits on the throne. Wellington holds up a large cross- Wellington's ministry and election of Lord Grey's hilted sword (the Sword of State). He holds behind him Whig party. The Tories (from right to left: his large plumed cocked hat, from one point of which Cumberland, Eldon, Wetherall, Peel and Wellington) hangs a paper reading 'Military Commission to throw dressed in tired attire, Wellington in his uniform and Dust in John Bulls eyes'. Two papers project from his Peel in the uniform of a 'bobby'. BM Satire: 17110. pockets: Church Patronage and Army Patronage. Lady Stock: 37288 Conyngham (George IV's final mistress) peers out from behind a curtain, looking satisfied. The crown is 386. Recruiting Party. Now's Your Time My on a table beside Wellington. Lads- Whigs & Tories- Christians, Jews & Etched by William Heath, with his characteristic 'Paul Turks- no distinction made. Pry' emblem lower right. BM Satires: 15512. [Paul Pry Esq.] Pub June 20 1829 by T McLean 26 Stock: 37450 Haymarket sole publisher of P. Pry Cariactures Hand-coloured etching. Sheet: 355 x 250mm, (14 x 389. A Picture of the Times 1830. 9¾"). Trimmed within plate. Mounted within album Marks fect. sheet. Slight central crease. £160 Hand-coloured etching. Sheet: 205 x 180mm, (8 x 7"). Wellington, dressed in his military uniform salutes to Trimmed. Laid on album sheet. £140 George IV who stands facing him. Beside Wellington The Duke of Wellington stands on a stack of books stands James Scarlett, into whose hand Wellington titled 'Free Trade', 'Corn Monopoly',' Beer Monopoly', places a coin marked 'Attorn[ey]'. George IV's mistress dividing the image into two halves: 'Cloudy' and Lady Conyngham is depicted next to Robert Peel 'Sunshine'. The 'Sunshine' half is full of happy well fed playing he drums. Wellington found it difficult to gentry with St Pauls, the Bank of England etc. behind gather ministers once elected, Scarlett had already them. The 'Cloudy' half shows a workhouse and a previously resigned from the post of Attorney-General prison full to bursting which are surrounded by when Wellington came to power in 1828. BM Satire: starving figures. Wellington proclaims, 'The distress is 15812. not Universal!!! For look at the Taxgatherers, Lawyers, Stock: 37299 Doctors, Undertakers, Placemen, Pensioners, Parsons &c &c &c.' 387. Lot 1. To be Sold with all his Trappings Stock: 37468 that splendid Charger "Arthur" who served in the Peninsular & other Campaigns_must be 390. The Head Master turning out the rode without a Curb as he is not used to Incorrigibles. restraint & will kick at it_he comes from a H.H. Pub.d. 1831 by. S. Gans Southampton Street. notorious stock & is through bred_will not be Hand-coloured etching. Sheet: 345 x 250mm, (13½ x warranted as sound_must be taken with all his 9¾"). Trimmed to printed boarder. Central vertical crease. £120 faults_& must be Sold. George IV stands brandishing a birch-rod marked [Paul Pry Esq.] H.H. Del.t. Pub June 22 1829 by T. 'Reform', behind him stands Charles Grey, 2nd Earl McLean 26 Haymarket. Sole Publisher of P. Pry Grey who had recently become Prime Minister. The cariacture. None are original without this publication. Whigs, under Grey, replaced Wellington's Tory party Hand-coloured etching. Sheet: 355 x 245mm, (14 x after a vote of no confidence. It was Lord Grey's 9¾"). Trimmed within margins. Laid on album sheet. government which introduced the Great Reform Acts Slight central vertical crease. British Museum in 1832. BM Satite 16691. description glued to verso. £220 Stock: 37311 391. The Cabinet-Maker's Complaint. 393. The British Lion in a New Character. A. Sharpshooter fec. Pub. by S. Gans, 15 Southampton Or. Protection Trying the Nigger Dodge. Street, Strand. June 16. 1829. 4th Dec. 1847. Hand coloured etching. Platemark: 250 x 345mm (9¾ Rare pen and ink drawing. Sheet size: 245 x 175mm x 13½"). Very large margins. Light water stain in (9½ x 7"). Stained. Glued to backing sheet at corners. upper left margin. £190 £130 An interior scene showing George IV sitying in an arm The British lion as West Indiian plantation owner, chair opposite Wellington. The Duke, dressed as a smoking a cheroot. In one paw is a bottle of rum; in the carpenter, approaches him from the right, bending other is a banner 'Protection ffor Corn', but 'corn' is forward and raising his paper cap. In his left hand is a crossed out and replaced with 'Sugar' . saw. He says: 'I begs pardon your honor, but I can't Stock: 37326 stand it no longer—There's my foreman Bob, and Chancery Jack, as we calls him, are fighting instead of 394. Oh What a Falling Off Was There-Fully minding their work—The vagabonds von't be easy 'tiill Accoutred the Hero Lay.. I bundles 'em out.' He watches the King with wary [Paul Pry Esq.] Pub May 29 1829 by T McLean 26 intentness. On the wall behind him is a small picture Haymarket- Sole Publisher of P. Pry Caricature. titled 'Bob & Chancery Jack', showing Peel and Hand-coloured etching. Sheet: 360 x 250mm, (14 x Lyndhurst (in his Chancellor's robes) facing each othher 9¾"). Trimmed within plate. Mounted within album in a pugilistic encounter. BM Satires ref: 15807. sheet. Central vertical creasee. Description on verso. Stock: 37462 £160 Wellington, in full uniform ffalls off his horse into a puuddle of mud. On the 28th of May 1829 Wellington, whilst at a review in Hyde Park fell from his horse and was cheered by the crowd. Stock: 37332

395. Popping the Question. - My Ducky, shall We go to Sleep or How? / - Vy Pilly I tink Ve had petter How first and go to Shleep aftervards. CJG [in image lower left] Published by E. King Chancery Lane London June 1832 Lithograph, printed area 255 x 355mm (10 x 14"). Large margins. Creases. £260 A couple in bed together discussing their priorities. By Charles Jameson Grant (1830-52, fl.), printmaker in various media. Much of Grant's satire was political, such as the 131 numbers of 'The Political Drama' he prroduced between 1833 and 1835. From 1836 the majority of Grant's work appeared in radical, pro- Chartist periodicals. Stock: 37018

396. The Most Esteemed Method of Curing a Foul Tongue according to Modern Practice! Put a Stout Pitch Plaister over the offending Part when the disorder is at its height, the 392. A Devilish good Parody. May we ne-er effect is certain._ it is alsso a fine relief for the want a FRIEND or a Bottle to give him!! Ears. [Anon.] [n.d., c.1829.] [Anon., c.1830] Very fine hand coloured etching. On watermarked Rare lithograph with hand-colouring, sheet 220 x paper, 'J. Whatman. 1829'. Platemark: 345 x 240m 135mm (8¾ x 5¼"). Trimmed to image and text; (13½ x 9½"). Very large margins. £390 paasted to album sheet; etching of Calvin verso. Wellington, in uniform, wearing the collar of the Excellent colour. £180 George and the Garter ribbon, rises from a gilt chair to At a time when satirical prinntts attacking quack doctors give a toast, holding his glass high, and grasping with abounded, a simple and effective remedy for logorrhea. his left hand that of the Devil, who also raises his glaass, Stock: 37008 and, breathing fire, grins horribly at his friend. Both sing a verse of 'Auld lang syne'. On the table are decanters and fruit. Stock: 37461

399. Madame Very. Resstaurateur. Palais Royal Paris. Rowlandson Scul / JN [Nixoon] 1814 Etching with hand-colouring, sheet 160 x 225mm (6¼ x 8½"). Trimmed inside platemark and glued to baacking card with hand-drawn border. Cut down from original sheet with another caaricature on same page. £140 Scene in a Parisian restaurant. Mme Véry was listed in an 1818 guidebook as one off the foremost 'restaurateurs' in Paris. Satiriccal etching by Thomas Rowlandson (1757-1827), whose name is now 'synonymous with the popular vision of late Georgian Britain' (DNB). BM Satires 12409 397. March of Intellect. [Above design:] Stock: 37376 "Lord how this world improves as we grow older." 400. The Comforts of a Modern Gala [Paul Pry emblem] Esq. Del. Pub. by T. McLean 26 "Where now the Routs full myriad clos the Haymarket London-. [May 1829.] staircase and the Door / AAnd where thick files Fine and scarce hand-coloured etching in good of Belles and Beaux persspire through every condition, On Whatman watermarked paper; sheet 320 Pore" x 440mm (12½ x 17¼"). Small margins. £690 Woodward del.t [Williams f..] by T. Tegg No 111 Good impression of a compendious satire on early 19th Cheapside [c.1809] century 'progress', filled with various real and Etching with hand-colouring, platemark 245 x 350mm fantastical modes of transportation alluding to Irish (9¾ x 13¾"). Later impression with large margins on emigration, transportation of convicts to Australia, paaper watermarked Whatman 1821. £240 British interests in India and South Africa. Other Georgian social satire on thee inconveniences attendant subjects referenced include the Marble Arch (with a upon social gatherings: in a crowded entrance hall a gibbet placarded 'designed to elevate the architects'), wig is lost, a man trips between a woman's legs, a the extravagant reconstruction of Buckingham House, carriage blocks the entrance, and an over-heated man Hobhouses' Select Vestry Bill, and Warburton's Bill. calls to 'open the ventilators'.. To cap it all, an steward By William Heath (1794/5 - 1840), ex-Captain of on the right infoorms the crowd that 'the rooms are full Dragoons, illustrator of colour-plate books, and proliffic above stairs [...] you may posssibly find standing room caricaturist. From 1827-9 he used the pseudonym Paul in the Breakfast Parlour and that is all'. Pry (from the name of a character in a comedy of 1825 After George Murgatroyd Woodward (1760?-1809), by John Poole, that became a tag used fof r any very caricaturist and author. A prolific artist who designed inquisitive person), with the emblem of a small man 525 prints between 1790 and his death in 1809, holding a walking stick in a lower corner of his plates. Woodward's designs were ettcched by Thomas This figure was soon copied by other caricaturists (eg Rowlandson and Isaac Cruikshank amongst others. Of Sharpshooter), and so from 1828 Heath began to sign orthodox pro-government and anti-French political his plates with his full name. He published regularly outlook, Woodward's forte was social satire such as with Thomas McLean. BM Satire: 15779. this print- in this field his reputation between 1807 and Stock: 37103 1809 exceeded that even of Rowlandson. While his reputation has since been ecllipsed, Henry Angelo, 398. The night Raile 'tis A cunning Subtile whose 'Reminisces' are the main source of biographical Thing / In Summer 'its Coole in Winter heat information on Woodward, claimed that if Woodward doth bring [...] had learned to draw (he was self-taught) and had been [Anon., c.1720] more temperate in his habits (it is reported that he kept Scarce engraving, sheet 330 x 230mm (13 x 9"). low company and drank immoderately), he might have Trimmed inside platemark; slight creasing. £420 rivalled Hogarth. He died in the Brown Bear tavern, A prostitute (identifiable from the pockmarks on her according with Angelo with a glass of brandy in his face) sits with her foot in the stocks. A child stood hand, and was buried at the expense of his landlord. nearby chides her for the shortcomings of her night rail Stock: 37012 (a loose garment worn by both). The verses below explain that it is this deception which has landed her in 401. A Famous Cook! One Eye on the Pot & the stocks. The final line of the verses advises that the Other on the Table!! 'Chalk and Chees are not the same', and both can be CJG, invent & del [c.1840] found on a plate on the far left. Lithograph with hand-colourring, sheet 275 x 200mm Rare early satire. Not in BM; Lewis Walpole Library (10¾ x 8"). Trimmed. Pasted to album sheet; portrait OID 106973887 of Elizabeth Woodcock verso. £140 Stock: 37356 A multi-tasking cook literally looking at both the table and pot simultaneously! By Charles Jameson Grant (1830-52, fl.), printmaker in various media. Much of Grant's satire was political, such as the 131 numbers oof Mason Repository of Arts', puzzling over the subjects 'The Political Drama' he produced between 1833 and represented ('I cannot divine who is intended for the 1835. From 1836 the majority of Grant's work Wolf') as viewers often did. The irony is that Mason is appeared in radical, pro-Chartist periodicals. the publisher and the prints shown are all by HB. Stock: 37009 himself! Stock: 37104

404. Miseries of Travellling. At an inn after pulling off your boots...evvery stair from the ground to the garret. Rowlandson scul. Hand-coloured etching. Plate: 140 x 160mm, (5½ x 6¼"). Large margins. Cut to platemark at bottom. Surface dirt. Laid on album sheet. £160 A large man, with the help off a servant, attempts to remove his boots. Next to them a second man, following after a young housemaid, trips on his loose slippers and loses balance on the stairs. Stock: 37385

405. Morning. Nigth [siic]. Scene in the Island of Jersey. Scene in the Duuchy of Lancaster. [Paul Pry esq.] Pub by T. McLean 26 Haymarket. caricatures daily published. Fine hand-coloured etching. Plate: 370 x 260mm, (14½ x 10¼"). Tear in bottom edge into plate. Staining in very large margins. Some stains in plate. £260 Satire commenting on Wellington's relationships with cousins Sarah Villiers, Counnttess of Jersey and Harriet 402. [Four Times of Day.] Morning; Noon; Arbuthnot. Lady Villiers was often ridiculed for Evening; Night. 'affecting great intimacy with the Duke'. Harriet Invented, Painted & Publish'd by W.m. Hogarth March Arbuthnot and her husband Charles however, did have 25.th. according to Act of Parliament. Engraved by B. a close relationship with Welllington who promoted Baron [Evenning]. Charles Arbuthnot from the Department of Woods and Set of four engravings. 3 plates watermarked '1820'. Trees to Chancellor of the Duuchy of Lancaster. Plate: 410 x 490mm, (16 x 19¼"). Very large margins. Unusually, the small characteer of Paul Pry in the left £1250 corner addresses the reader putting his hand in the air Hogarth's famous satire of London life. 'Morning' and saying, 'I'm sorry to intrude but some dirty Rogue depicts Covent Garden, with the imfamous 'Tom has lately been copying my caricatures- robbing us of King's Coffee House'; 'Noon' is Hog Lane, Charing our ideas & just profit- may II ask of my Friends not to Cross Road, with French church-goers on the right puurchase unless they see the Publisher T. McLeans contrasting with the lusty English on the left; 'Evening' name at the bottom, all otherrs are copies P. Pry'. BM shows Sadlers Wells, with henpecked males, the older Satire: 15717. of which had cuckold's horns; and 'Night' is Rummerr Stock: 37453 Court, looking onto Charing Cross Road, with a drunken freemason having a chamber pot emptied on 406. A Parti Carré for a Crown. his head. H. H. fec.t. Pub. Feb.y. 28 1827 by S. W. Fores, Hogarth updated his paintings to match the engravings: Picadilly. a proof of plate three exists without the scolding girl. Fine hand-coloured etching. Sheet: 330 x 240mm, (13 Paulson: 147-149. x 9½"). Slight central crease.. Trimmed within plate. Stock: 37492 Mounted in album sheet. £220 King George IV and his misttress Lady Conyngham 403. HB. Quizzing the Political Sketches at pllay whist against Lord Conyngham and a second Mason's. Oct.r 4th 1839. HB. - The Wolf and woman (perhaps a daughter or sister?). Lord the Lamb!! [...] Conygham plays the knave, tthe King plays the queen, Printed by L M Lefevre, Newman St. / Published by the woman the king and Laddy Conyngham proudly W.H. Mason, Repository of Arts, 81 King's Road, pllays the ace. One the wall behind them are two Brighton. paaintings, on the right Buckinngham Palace under which Scarce lithograph, printed area 295 x 115mm (11½ x is written 500.00 and on the lleft is Windsor Castle 4½"). Large mmargins; foxing and paper tone. Repaired beeneath which is written 900.00. George IV lived in tear in top margin. £280 very close seculusion with the Conynghams in One of the most prolific of Victorian satirists, John Windsor Castle and was ofteen criticised for the costly Doyle ('H.B.'), looks through the window of 'W.H. building projects on buildings such as Windsor Castle Published in J.-P. Maygrier's 'Nouvelles as decpicted. BM Satire: 15364 démonstrations d'accouchements', this most uncommon Stock: 37306 scene shows a gynaecological examination of a woman lying on a bed, at the time thhe position illustrated was 407. Paving the Way for a Royal Divorce. first introduced. It soon became the standard Pub.d. by Johnston 98 Cheapside. prrocedure for all examinations. Rare hand-coloured etching. Sheet: 335 x 235mm, (13 Stock: 1241 x 9¼"). Trimmed within plate. Mounted within album sheet. Central vertical crease. Some staining in image. 411. The Britannia Tubular Bridge, Entrance £140 from the Bangor Side. The Prince Regent sits at the head of the table, tippinng On Stone by John Ambrose [[c.1850]. his wine on the floor. Around the table sit figures such Lithograph and tintstone, priinnted area 305 x 245mm as Castlereagh who loudly discuss the possibility of (12 x 9½"). Extremely scarce. Foxing. £360 getting a divorce for the Prince from his estranged wife The Britannia Tubular Bridgge was designed by Robert Caroline. Since their split Caroline went to live in Itaaly Stephenson (1803 - 1859) and was completed in 1850. where she took several lovers and caused great scandal. It was constructed to provide trains of the Chester and Stock: 37315 Holyhead Railway with a passsageway across the Menai Straits from mainland Waless to Anglesey. 408. France 1864_Off.r. Sup.r. du Génie. Stephenson’s solution to the problem of how to carry Types Militaires. Pl. 62. the weight of trains pulling multiple carriages across Dess. et lith. par Draner. Imp. Lemercier, r. de Seine 57 the straits was to construct the bridge from rectangular Paris. Publié par Daziaro à Paris. iron tubes, through which the trains would run. The Lithograph with original hand colour and gum arabicc, railway terminated at Holyhead, which became a major very large maargins. Sheet: 280 x 430mm, (11 x 17"). port for travellers to Ireland. The stone lions, a pair of £260 which guard either end of the bridge, were carved by A portrait of a superior officer at the Ecole du Genie,, John Thomas. the French school of military engineering in Angers. Stock: 37375 An early form of camera on stand, tools and charts surround the officer who stands in front of a fireplace. "Draner" Jules Renard (1833 - 1926), from his series of 136 high quality lithographic military caricatures published by the firm of Daziaro in Paris 1862-1868. The series was entitled "Types Militaires: Galerie militaire de toutes les nations" Stock: 36356

409. The Dutch Chymist. Jn.o Stein Pinxit / J. Wilson fecit. London, Printed foor Rob.t Sayer No.53 in Fleet Street. 236 Mezzotint, pllatemark 350 x 250mm (13¾ x 9¾"). Large margins. £320 An alchemist stirring a ceramic pot; an assistant reads him a recipe, watched by an onlooker. The alchemist has the 'bleary eyes' from long sustained efforts of 412. [Brushmaker] Brossier. Bürstenbinder watching his experiment, as described by Thomas [after Jean-Frédéric Wentzell]] Lith. C. Fasoli et Ohlman Norton in his 'Ordinall of alchemy', 1477. à Stras.sbg. [n.d., c.1845.] Print after the painting 'The Village Alchemist' by Jan Lithograph with fine hand colour heightened with gum Steen (London,Wallace Collection) which was painted arabic, rare with large margins. Printed area 200 x in the early 1660s. The composition is cropped to omit 250mm (8 x 9¾"). £120 a crying woman and child, and 'empty money bags A brushmaker's workshop. suspended from the ceiling with a bloated bladder, Stock: 36603 symbolising delusion' (from Wallace Collection commentary on the painting). For a later lithograph reproducing the painting more directly, see ref. 24878 413. [Carpenters] Charpentier. Stock: 37011 Zimmermann. [after Jean-Frédéric Wentzell]] Lith. C. Fasoli et Ohlman 410. Toucher en Position Horizontale. à Stras.sbg. [n.d., c.1845.] Dessiné par A. Chazal. Dirigé par Couché fils. [n.d., Lithograph with fine hand colour heightened with gum 1822.] arabic, are with large margins. Printed area 200 x Stipple with some engraving. Plate: 380 x 270mm, (15 250mm (8 x 9¾"). Small areea of loss of image, slight x 13¾"). Some slight staining on edges. Damage in toning of paper on right. £95 plate. £620 A carpenter's yard with the workers preparing beams. Stock: 36600

414. [Saddler] Sellier. Sattler. 420. [Wheelwright] Charron. Wagner. [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg. [n.d., c.1845.] à Stras.sbg. [n.d., c.1845.] Lithograph with fine hand colour heightened with gum Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾"). £120 250mm (8 x 9¾"). Slight loss of gum arabic on left. The interior of a saddler's, although through the door £120 two men are working on a coach. A wheelwright's workshop. Stock: 36606 Stock: 36604

415. [Soap making] Savonnier. Seifensieder. 421. Les Devineresses. [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman Gouget direx. [Paris, n.d., c.1770.] à Stras.sbg. [n.d., c.1845.] Engraving. 320 x 240mm (12½ x 9½"). £120 Lithograph with fine hand colour heightened with gum A young couple consult a fortune-teller who reads arabic, rare with large margins. Printed area 200 x cards. An owl stands on her table. 250mm (8 x 9¾"). £120 From Jean de La Fontaine's Fables, Fable 15, Book 7. The interior of a workshop making soap. Stock: 36871 Stock: 36599 422. The Gold Digger's Polka. 416. [Stonecutters and Mason] Tailleur de A.Arnst [in image lower right] London. Cramer, Beale pierre et Maçon. Steinhauer u. Maurer. & C.o / Edinburgh, Wood & C.o / Glasgow, J.M. [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman Wood & C.o / Schenck & McFarlane, Lith.rs Edin.r à Stras.sbg. [n.d., c.1845.] Lithograph with four pp. music, sheets 350 x 255mm Lithograph with fine hand colour heightened with gum (13¾ x 10"). Slight staining; back wrapper missing. arabic, rare with large margins. Printed area 200 x Rare. £260 250mm (8 x 9¾"). £130 The nineteenth century Australian item abounded with A building site with stoneworkers music published to tap into current events, with this Stock: 36602 piano piece published at the time of the gold rush a good example. The composer is not named but may be 417. L'Apprenti Tailleur. Andrew/Anders Anderson/Andersson, born in Sweden Lith. Rigo Freres 1, Richer, 7. Desesserts Editeur. in 1820 and subsequently in the US where in California [Paris, 1841.] he wrote several pieces with names such as 'Gold- Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½"). £70 digger's Galopp'. Cover features workers panning for An apprentice tailor, working cross-legged. gold, digging, ships (symbolizing migration- this work Plate 9 from 'Les Enfans peints par eux-mêmes, sujets was chiefly published in Scotland) and relaxing. The de composition, donnés a ses Élèves' by Alexandre de crest probably relates to the coat of arms of Australia. Saillet (1811-1866). Each picture was to illustrate a Stock: 37073 story about child labour written by pupils at de Saillet's boarding school. 423. [Part set: 9 Plates of 12 from Illustrations Stock: 36862 of the Irish Linen Industry.] W.m. Hincks delin et sculp. London, Published as the 418. [Tin potter] Potier d'etain. Zinngiesser. Act directs by R. Pollard, Spafields June 20 1791. [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman Stipples; early rich impressions. Plate: 410 x 345mm, à Stras.sbg. [n.d., c.1845.] (16 x 13½"). Trimmed. Some repairs. £2900 Lithograph with fine hand colour heightened with gum Part set of nine plates from a series of twelve from arabic, rare with large margins. Printed area 200 x William Hinck's (1773-1791) 'Illustration of the Irish 250mm (8 x 9¾"). £120 Linen Industry' first published in 1783. The series The interior of a workshop: on the right one craftsman depicts all the processes involved in the making of pours molten tin; behind two workers use a lathe to linen from sowing the flax seed through the preparation straighten a pot. of the cloth for export. (For Plates I, II and XII of the Stock: 36598 series see refs: 28599, 28598 and 28593.) Abbey Life: 444. 419. [Turner] Tourneur. Dreher. Stock: 36544 [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg. [n.d., c.1845.] 424. [Tin Smith] Ferblantier. Weisblechner. Lithograph with fine hand colour heightened with gum [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman arabic, rare with large margins. Printed area 200 x à Stras.sbg. [n.d., c.1845.] 250mm (8 x 9¾"). Some paper traces stuck on gum Lithograph with fine hand colour heightened with gum arabic. £110 arabic, rare with large margins. Printed area 200 x A turner's workshop, with a man shaping wood on a 250mm (8 x 9¾"). £120 large lathe. The interior of a tin smithy, one man making a water Stock: 36605 pipe. Stock: 36608 425. The Printer-Devil. (Le Diable de 430. Le Petit Marchand des Rues. l'Imprimerie.] Lith. Rigo Freres 1, Richer, 7. Desesserts Editeur. Lith. Rigo Freres 1, Richer, 7. Desesserts Editeur. [Paris, 1841.] [Paris, 1841.] Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½"). £50 Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½"). A boy sellings good from a ffolding table. £140 Plate 30 from 'Les Enfans peints par eux-mêmes, sujets A boy inking a printing plate. de composition, donnés a ses Élèves' by Alexandre de Plate 21 from 'Les Enfans peints par eux-mêmes, sujets Saillet (1811-1866). Each picture was to illustrate a de composition, donnés a ses Élèves' by Alexandre de story about child labour writtten by pupils at de Saillet's Saillet (1811-1866). Each picture was to illustrate a booarding school. story about child labour written by pupils at de Sailleet's Stock: 36861 boarding school. Stock: 36863 431. [Singer and violiniist with listeners] HKerck pinxit [n.d., c.1770] 426. The Printer-Devil. (Le Diable de Etching, platemark 280 x 220mm (11 x 8¾"). Very l'Imprimerie.] large margins. £190 Lith. Rigo Freres 1, Richer, 7. Desesserts Editeur. Music-making in an interior,, etched by an unkown [Paris, 1841.] prrintmaker after a painting by Egbert van Heemskerck Lithograph, rare. Sheet 220 x 140mm (8¾ x 5½"). I (1604-75). According to the Britsh Museum, it was Slight foxing. £140 originally paired with another interior scene after A boy drying a printing plate. Heemskerck (BM 1988,0514.27). Plate 20 from 'Les Enfans peints par eux-mêmes, sujets Stock: 37022 de composition, donnés a ses Élèves' by Alexandre de Saillet (1811-1866). Each picture was to illustrate a story about child labour written by pupils at de Sailleet's boarding school. Stock: 36864

427. [Butcher] Boucher. Metzer. [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg. [n.d., c.1845.] Lithograph with fine hand colour heightened with guum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾"). £160 The interior of a butcher's shop. One man chops ribs, another butchers a hanging cow carcase and a third makes sausages. Stock: 36839

428. Wenn ich mir da was aussuchen durfte. Schoeller del. Zechmayer sc. Hand-coloured etching, rare. Sheet: 255 x 200mm, (10 x 8"). Trimmed. Vertical central crease as normal.£220 A street scene showing two window displays. The first, to the left, shows a well dressed crowd of figures, men women and children, inspecting various prints on display. In the centre, a figure stands in the doorway of his shop, looking to the left at two children and a 432. Six Principal Rágas with a Brief View of gentlemen who are viewing food on display in the Hindu Music. window which they cannot afford. By Sourino Mohun Tagore, President, Bengal Music Stock: 37486 School. Calcutta: Calcutta Ceentral Press Company, Limited, 5, Council House Sttreet. 1875. 429. [Taillor] Tailleur. Schneider. 4to, orginal blue cloth gilt; liithographed title + (i) + 46 [after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman + (2) + xiv (appendix); with lithographic frontispiece à Stras.sbg. [n.d., c.1845.] and six plates mounted on card, each with 8 text leaves. Lithograph with fine hand colour heightened with guum Very scarce, complete. Spine and boards detached, arabic, rare with large margins. Printed area 200 x spotting throughout, some pencil annotations. £1150 250mm (8 x 9¾"). £160 An analysis of Hindi classical music melodic mode The interior of a tailor's shop, with a man being fitted 'rāga' by Tagore (or Saurindrramohana Thakura], which for a suit. are traditionally associated with different times of the Stock: 36840 day or seasons. Here each rāgga is illustrated with a scene, lyrics in Hindi and English, a page of music and a description. The frontispiece depicts the goddess survived. Ex: Collection of The Late Hon. C. Lennox- Sarasvati seated on a whote lotus, playing a veena. Boyd; for accompanying scene from 'Macbeth' see ref. Stock: 35807 4503. Stock: 37374 433. Love & Glory._Sung by M.r. Braham. Publish'd' Sep.t. 12. 1805, by Laurie & Whittle., 53 436. A Representation of a grand Shooting Fleet Street, London. Match by the London Archers in the year 1583. Very fine hand-coloured etching. Sheet: 260 x 200mm, London, published as the Act directs. [n.d., c.1800.] (10¼ x 9"). Trimmed within plate. Mounted within Engraving. Sheet size: 220 x 150mm (8¾ x 6"). album sheet. Some stains. £240 Trimmed inside plate. £65 Illustration to 'Love & Glory' a song which describes A large crowd of spectators gathered in a courtyard to the love story between Henry and Jane. When Henry watch a shooting match by the London Archers, who leaves to fight in battle Jane follows after and dies take aim at a raised target on a wall to the left. fighting alongside him disguised as a man. The Stock: 37279 character of Henry is depicted brandishing a sword in his right hand and holding a wounded Jane in his left. 437. Cricket. (A long Innings.) Vacation A wonderful over the top romantic image! Amusements. [N. 3.]. HB Sketches No. 633. Stock: 37447 HB [monogram]. A Ducote's Lithog.y 10, St. Martin's Lane. Published Oct.r 5th 1840, by Tho.s McLean, 26, 434. Casey in the Character of Macbeth. Haymarket. Beggars Opera Act II Scene XIII. Hand coloured lithograph, very fine. 'HB Subscribers D: Craig Inv.t. R: Rylot Sculps. [Printed 4th June Copy' blind stamp in lower left corner. Sheet size: 290 1814.] x 400mm (11½ x 15¾"). Good colour. Tipped into Stipple and etching. Very rare. Sheet size: 225 x backing sheet. £180 300mm (9 x 11¾"). Tipped into sheet. Trimmed to Two groups of men playing cricket, with two batsmen image. Light vertical crease. £190 (Lord Morpeth at left, and Lord Russell at right), one A scene from The Beggar's Opera, a satirical ballad bowling (Lord Stanley), two stationed to catch the ball opera in three acts written in 1728 by John Gay with (Sir William Follett in the foreground at the left, Sir music arranged by Johann Christoph Pepusch. The James Graham in the foreground at the right), two Beggar's Opera premiered at the Lincoln's Inn Fields acting as umpires (Duke of Wellington at left, Daniel Theatre on 29 January 1728 and ran for 62 consecutive O'Connell at right), and a wicket keeper (Sir Robert performances. Peel). The scene is in reference to Lord Stanley's Irish Four lines of verse inscribed below the image, 'How Registration Bill of 1840. happy could I be with either, Were t'other dear charmer Stock: 36636 away, But while you thus teaze me togather, To neither a Word will I say.' Ex collection of Christopher 438. A Comparative View of the Heights of Lennox-Boyd. Harvard: Not Found. the Principal Mountains and Other Elevations Stock: 36651 in the World. Drawn and Engraved for Thomson's New General 435. To the Rt. Hon.ble William Lord Atlas by W. & D. Lizars Edinburgh. Auckland, one of His Majesty's Post Masters Engraving. 540 x 650mm (21¼ x 25½"). Vertical General &c &c &c this Print of The Tomb of centre fold as normal, small tears in small margins. Juliet, From an Original Transparent £360 Drawing in His Lordships possession is with A diagrammatic 'view' of the world's mountains, permission humbly Dedicated by His divided into the Western & Eastern Hemispheres, with Lordships most obliged & obed. serv.t Edw.d lists of names & heights down the sides. For Orme comparison there is a tiny vignette of London with the The Original Drawing by a Gentleman / Orme, Conduit dome of St Paul's in the bottom corner, and a little Street, Escudit Sold & Published June 1, 1799 by balloon marking Joseph Louis Gay-Lussac 1804 Edwd. Orme, Printseller to the King corner of George altitude record of 22,900. Street, & Conduit Street London. At the time Dhaulagiri was the highest known peak: it Fine coloured mezzotint, platemark 540 x 340mm now ranks seventh, after the 1852 discovery of the (21¼ x 13½"0). Very large margins. £480 Everest range. Stock: 36881 Scene from Shakespeares' 'Romeo and Juliet' in which Juliet awakens to find that Romeo, believing her to be dead, has killed himself. It is therefore poised at the 439. Games With The Ball - Tennis. The moment before Juliet takes her own life. Court at Lord's. Transparency by Edward Orme (1774 - 1821) R.S. Groom, Wilkinson & Co., Litho, St. Paul's Press. publisher, printer and printmaker. Orme led the market 3, 4 & 5 Queen's Head Passage, Paternoster Row, in transparencies, coloured prints chemically treated to London E.C. [n.d., c.1860.] render certain parts of the image transparent when held Lithograph with large margins. Sheet size: 245 x to the light. This could create effective illusions of 305mm. (9¾ x 12"). £260 moonlight, fire etc. Due to their popularity few have A game in progress inside the real tennis court at 442. The Race. Lord's. At the request of MCC members a tennis court Howitt. Published May 10th 1811by S.Howitt, Panton was built in 1839, soon becoming the venue for major Street, Haymarket, London. championship and exhibition games. Very fine coloured aquatint, platemark 200 x 290mm Stock: 36607 (8 x 11½"). Very large margiins. Platemark broken along lower edge; paper watermarked 'W Edgar 1797'. 440. The Suffolk Punch. Satllion, rising £260 7,_the property of M.r. Denny, Egmoor, Closely fought race betweenn three horses in Norfolk. Professor Low's Illustrations of the foreground. By Samuel Howitt (1756/7-1823), painter Breeds of the Domestic Animals. and etcher. From a wealthy ffamily, Howitt was a keen Drawn by M.r. Nicholson, R.S.A. from a Painting byy sportsman who became an arrtist (drawing on his M.r. Shiels, R.S.A. Drawn on Stone & Printed by sporting enthusiasms) when ffinancial difficulties Fairland, 45 S.t. Johns Sq. Published August, 1841 by forced him to earn a living. In 1779 Howitt married Longman, Orme, Brown, Green & Longmans, Elizabeth Rowlandson, sisterr of the artist Thomas Paternoster Row, London. Rowlandson, and the two men were friends, with some Coloured lithograph. Sheet: 415 x 330mm, (16½ x similarities in their watercolour style. For another 13"). Small tears in edges. £320 impression with different collouring see ref. 3330. Not A portrait of the chesnut Suffolk Punch breed, a in Siltzer. domestic daught horse used in farming or for pulling Stock: 37017 artillery. Stock: 37507 443. Trumpator. The Property of the Hon.ble. George Watson. Plate 6.th. of Portraits of Celebrated Running Horses. Painted, Engrav'd & Pub.d. by I. Whessell, N.o.9 Winchester Row, Paddington, Aug.t.12.1808. Mezzotint with some etching. Plate: 520 x 415mm, (20½ x 16½). Some worm holes in plate. Some damage to margins. £340 A portrait of Trumpator, winner of the Clermont Stakes in 1785 and the Claret Stakes in 1786. Stock: 37511

444. [Hawking.] Geo. Walker Del. Engraved by R. Havell. Publish'd by Robinson & Son, Leeds, Marrch 1. 1824. Hand coloured aquatint. Sheet size: 260 x 360mm (10¼ x 14¼"). Trimmed insiide platemark. £240 A scene depicting a hawker on horseback as he 441. The Pedigree and Performances of Bay prrepares to release hawks, with two dogs to the right, Malton. The Pedigree & Perfomances of the and a gentlemen and lady onn horseback beyond. Grey Horse Gimcrack. Inscribed to the Noblle From George Walker’s 'The costume of Yorkshire' & most Hoon.ble. Charles Watson Wentworth, puublished in 1814, containing forty-one coloured Marquiss of Rockingham; By his Lordship's aquatint plates based upon the author’s original drawings of social and economic scenes in Yorkshire. most Obedient & Devoted Servant, Reginald Stock: 37160 Heber. Fra. Sartorius pinx. R. Houston del. et.fef cit. Publish'd 445. La Chasse au Sanglier. Gravé par W.m. accordin tp Act of Parliament 10th March 1766, by R. Woollett d'aprés Le desssin Original de Jean Heber, in Chancery Lane, & Rob.t. Sayer, Map & Printseller, in Fleet Street. Pillement. Mezzotint, very fine. Plate: 460 x 335mm, (18 x 13¼"). London Publish'd according to Act of Parliament Frame: 675 x 560mm, (26½ x 22"). Large margins. August 29, 1760. A Paris chez Leviez rue S.t. André Unexamined out of frame. £690 des Arts, vis a vis l'hôtel de Château Vieux. Depiction of the race at Newarket in 1765 in which Copper engraving. Plate: 590 x 480mm, (23 x 19"). Bay Malton (1760-1785), owned by the Marquiss of Trimmed within plate on leftt, right and upper edges. Rockingham, beat Gimcrack who was considered to be £380 the best horse at Newmarket. Detailed descriptions of A scene showing a boar huntt in a large forest. In the the pedigree and history of both Gimcrack and Bay foreground several figures spear a boar, a male figure on horseback aims a rifle at tthe boar and a mounted Malton beneath title. Stock: 37475 female hunter points a pistol.. In the background figures on horseback and on foot approach with dogs, guns and spears. Stock: 37510

446. By permission of the Patentees, This Steam Carriage over different landmarks, including Engraving of the First Carriage, the "Ariel", is London, India and Pyramids; here the carriage is respectfully inscribed, to the Directors of the passing over Dover on its way to France with two Aerial Transit Company, by their obedient others also airborne. Servants, The Publishers. Henson was responsible for a number of innovations which he patented: lightweight steam engines (a by- W. Walton. Day & Haghe, Lithrs. to the Queen. product of his aviation research), ice-making machines London, Pub March 28th, 1843, by Ackermann & Co. and fabric waterproofing. His most lasting invention Strand. was the T-handled safety razor (1847) still used today; Lithograph with large margins. Sheet size: 220 x when Gillette added a disposable blade in 1901 the 275mm (8¾ x 10¾"). £240 modern razor was born. William Henson's Aerial Steam Carriage is depicted in Stock: 36593 a ficticious flight over the Pyramids. In 1842 William Henson (1812-1888) patented his design for an Aerial Steam Carriage, known as the 449. [Dr Church's Steam Coach] London and 'Ariel'. Although the design never flew, it acted as a Birmingham Steam Coach 23 Inside and 22 basis for much of the thinking of the early aviation Outside Seats [on side of coach] pioneers, and laid the foundations for the modern Eng.d by Josiah Allen Birm.m [n.d., c.1838] monoplane. With his partner, John Stringfellow, plans Etching and engraving, sheet 175 x 250mm (7 x 10"). were made to set up an airfreight company, the Aerial Trimmed close to image. £260 Steam Transit Company, to transport goods acoss the Three-wheeled steam coach invented by the American world. inventor William Church. Several such vehicles Stock: 36337 appeared in Britain between 1820 and 1840. However, the developing railway networks, along with other 447. [By permission of the Patentees, This impediments such as exorbitant road tolls and Engraving of the First Carriage, the "Ariel", is opposition from operator of horse-drawn coaches, all contributed to their downfall. respectfully inscribed, to the Directors of the Stock: 37211 Aerial Transit Company, by their obedient Servants, The Publishers.] 450. Shillibeer's Omnibus. A New Carriage W. Walton. Day & Haghe, Lithrs. to the Queen. on the Parisian Mode, for the Conveyance of London, Pub March 28th, 1843, by Ackermann & Co. Strand. Inside Passengers from Paddington to the Lithograph. Sheet size: 150 x 230mm (6 x 9"). Bank. Established by G. Shillibeer, Coach Trimmed to image. £120 Builder &c. No12 Bury Strt. Bloomsbury William Henson's Aerial Steam Carriage is depicted in Square. a ficticious flight over the Pyramids. [Anon., c.1830] In 1842 William Henson (1812-1888) patented his Lithograph with hand-colouring, printed area 245 x design for an Aerial Steam Carriage, known as the 315mm (9½ x 12¼"). Very fine colour & large 'Ariel'. Although the design never flew, it acted as a margins; Paper watermarked '1829 J. Whatman'; fold basis for much of the thinking of the early aviation through centre. £280 pioneers, and laid the foundations for the modern The omnibus of George Shillibeer (1797-1866), an monoplane. With his partner, John Stringfellow, plans unheralded pioneer in London transport history. In were made to set up an airfreight company, the Aerial 1828 Shillibeer petitioned the Treasury to be allowed Steam Transit Company, to transport goods acoss the to run omnibuses based on those which had recently world. begun to operate in Paris. He was turned down because Stock: 36332 of the hackney coach monopoly on central London. Shillibeer's solution was to run his three-horse vehicle 448. Locomotive Aérienne à Vapeur. (de Mr (carrying twenty passengers, all inside the coach) Henson.) outside the central area under stage coach legislation, César Daly direxit. E. Wormser sculp. A Paris No 4 along a new road from Paddington to the Bank via Rue Furstemberg [n.d., 1843]. Islington. This is noted on the side of the omnibus Steel engraving, very rare. Printed area 230 x 220mm depicted here, along with Somers Town and "the (9 x 8¾"), £320 Diorame Regents Park", which it passed en route. The 'Henson Aerial Steam Carriage', patented by Despite his enterprise, Shillibeer was unable to exploit William Samuel Henson (1812-88), a British aviation his early advantage- competitors operating smaller engineer and inventor, in 1843, over half-a-century vehicles dominated the route, and when in 1832 the before the Wright Brothers' first flight. He incorporated central London hackney coach monopoly was ended, the 'Aerial Transit Company' in 1843, and built a scale Shillibeer's large vehicles were unsuitable for the model of this steam-powered aeroplane, which did narrow streets. Shillibeer was bankrupted, and when he manage to hop (or perhaps bounce) off the ground. tried to operate outside the centre, on routes to However a lack of sustained success led to the Greenwich, Woolwich and Brighton, his attempts were company being wound up in 1848. again scuppered by the steamboat trade and the The company's publicist, Frederick Marriott, improving railways. In later life he was imprisoned for commissioned a number of prints depicting the Aerial brandy smuggling before patenting a new type of funeral carriage and setting up as an undertaker on City famous caricaturist Thomas Rowlandson and the Road- on the same route that his omnibus had travelled architecture by Augustus Pugin. Abbey, Scenery: 212 many years previously. Stock: 37369 Stock: 37015 455. The Pool from London Bridge, Morning. 451. The Old Soldier remarkable for constant W. Parrott del et lith. Published by Henry Brooks, 919, attendance at St Paul's, done from an originaal Regent Street, Portland Place, and 87, New Bond Painting. Street, April 15.th. 1841. Printed by C. Hullmandel. JW [?-in image lower left] / C Mosley Sculp [c.1745] Lithograph with very large margins. Sheet: 545 x Etching, platemark 220 x 220mm (8¾ x 8¾"). Rare. 365mm, (21½ x 14½"). £480 £140 A view of the Thames crowded with steam ships A pensioner standing in a square, probably in London's loaded with people, the sun rrises in the East. Smithfield. From 'London from the Thames' by William Parrott, Stock: 37377 one of the most important serries of London views of the period. 452. St. George's Bloomsbury. Plate 86. Stock: 36746 Published Nov. 30 1799 by T. Malton. Hand coloured aquatint. Sheet size: 435 x 300mm (17¼ x 11¾"). Trimmed inside margins. £220 A view of St. George's church from the street, showing the portico with Corinthian columns at the entrance, and the steeple with the statue of George I at the top in Roman garb. Elegantly dressed figures are seen on the street in front. An illustration to Thomas Malton's 'Picturesque Touur', 1799. Stock: 37230

453. Exhibition Room, Somerset House. Rowlandson & Pugin del.t et sculp.t. Hill Aquatin. London Pub, 1. Jan.y 1808, at R. Ackermann's 456. Somerset House, St Paul's & Blackfriars Repository of Arts on the Strand. Bridge from Waterloo Bridge. Hand coloured aquatint with large margins. Platemarrkk: W. Parrott Del et Lithog. [Published by Henry Brooks, 240 x 285mm (9½ x 11¼"). £240 319 Regent Street, Portland Place, and 87 New Bond Interior view of the exhibition room at Somerset Street, April 15th , 1841. / Prrinted by Hullmandel] House, London. An extremely crowded exhibition with Tinted lithograph, printed area 220 x 410mm (8¾ x paintings from floor to ceiling and a large number of 16"). Very large margins. Full sheet as published. viewers. The Royal Academy was founded in 1768 £480 with the backing of George III and twelve years laterr Strollers on the terrace of Soomerset House look out at moved into the newly completed Strand block of the activity on the Thames, with many people boarding Somerset House. Here the Academy held its annual steam boats and a procession of ceremonial barges. On exhibitions until 1836. the south side of Blackfriars Bridge one of London's Published in Ackermann's famous work, the several shot manufactories occcupies a prominent 'Microcosm of London', the figures were drawn by the poosition. famous caricaturist Thomas Rowlandson and the From 'London from the Thames' (12 plates, 1842) by architecture by Augustus Pugin. Abbey, Scenery: 212. William Parrott (1813-69). Like his predecessors Prout, Stock: 37370 Bonington and T.S. Boys, Parrott used the 19th century medium of lithography to turrn his own designs into 454. India House The Sale Room. prrints.. Lithography, which unlike other forms of Pugin & Rowlandson del. et sculpt. J. C. Stadler Aquat. prrintmaking in use at the time, did not require long London. Pub1.st Dec.r 1808, at R. Ackermann’s apprenticeships, so artists who before (and after) Repository of Arts 101, Strand. collaborated with specialist printmakers to turn their Hand coloured aquatint with large margins. Platemark: designs into prints, were insttead able to control the 240 x 285mm (9½ x 11¼"). £180 reproduction of their work. Artists such as Gericault, The sale room of East India House on Leadenhall Goya and Delacroix were enntthusiastic early converts to Street in the City of London. The East India Companny lithography. Addams 198.13 Stock: 37198 was the agent of the British Government in India from 1600 until 1858. Employees of the Company included essayist Charles Lamb, philosopher James Mill, and his 457. Southwark Bridgee from London Bridge. son J.S. Mill. The building was demolished in 1862 W. Parrott Del et Lith. Publisshed by Henry Brooks, and the Lloyd's premises built on the site. 319 Regent Street, Portland Place, and 87 New Bond Published in Ackermann's famous work, the Street, April 15th , 1841. / Prrinted by Hullmandel 'Microcosm of London'. The figures were drawn by the Lithograph and tintstone, priinnted area 255 x 420mm (10 x 16½"). Very large margins. £480 View of Southwark Bridge from London Bridge; with 461. A Perspective View of Lincoln's Inn. Vüe paddle steamers on the River Thames waiting to dock de Lincolns Inn. at Old Swan Pier in the foreground and the City of J. Maurer delin et sculp London. According to the Act London visible behind. Excellent detailed of Parliament 1741. Printed for John Bowles at the representation of the Thames in the early Victorian Black Horse in Cornhill. period. Fine coloured engraving. 230 x 400mm (9 x 15"). From 'London from the Thames' by William Parrott, Small margins. £320 one of the most important series of London views of A view of Lincoln's Inn, one of the four of London's the period. Abbey 237.6 inns of courts. Stock: 37115 Stock: 35854

458. Westminster and Hungerford from 462. [The breaking up of the Agamemnon] Waterloo Bridge. Seymour Haden 1880 [in image lower left, with W. Parrott Del et Lithog. [Published by Henry Brooks, signature lower right] [1880] 319 Regent Street, Portland Place, and 87 New Bond Etching and mezzotint printed in brown ink, platemark Street, April 15th , 1841. / Printed by Hullmandel] 260 x 475mm (10¼ x 18¾"). Very large margins. Fine Tinted lithograph, printed area 220 x 410mm (8¾ x impression but damaged. Creases; repaired tears into 16"). Very large margins. Full sheet as published. image from lower edge. Haden's stamp lower left. £480 £380 A view looking up the Thames at low tide, from the Sunset view upstream along the Thames from East north side of Waterloo Bridge towards Westminster Greenwich, with the domes of Greenwich Hospital Abbey and Bridge. Children fishing and swimming in visible on the left. The 91-gun ship 'Agamemnon' is the foreground, with a detailed view of the buildings shown with a sheer hulk alongside about to remove it. along the north side of the river. Next to Hungerford The 'Agamemnon' was launched at Woolwich Market a jetty protrudes into the river. Shortly after this Dockyard in 1852, and sold to W.H. Moore for print was made, Brunel's short-lived Hungerford breaking up on 12 May 1870. Suspension Bridge was built across the Thames to Large Thames view by Sir Francis Seymour Haden service the market. From 'London from the Thames' (1818 - 1910), one of the pioneers of the 19th century (12 plates, 1842) by William Parrott (1813-69). Adams etching revival. Haden married the sister of James 198.5 McNeill Whistler and became an important influence Stock: 37199 on the American artist. This print carries the stamp which Haden applied to certain of his prints. Ex 459. [London. Westminster Abbey, West collection of the Late Hon. C. Lennox-Boyd; View. No.1] Schneiderman 198; Harrington 229; L.1048. Arthur Spencer [pencil signature] [F. & M. Ltd, Stock: 37348 Bedford. n.d. c.1920.] Etching. 200 x 140mm (7¾ x 5½"). With title (as 463. The Chinese House, the Rotunda, & the above) and description on separate letterpress label. Company in Masquerade in Renelagh £95 Gardens. [parallel text in Fernch] Stock: 36300 Bowles delin.t / Bowles sculp Printed for John Bowles at the Black Horse in Cornhill, & Carington Bowles in 460. Jack in the Green or the 1.st of May St Pauls Church Yard, London [n.d., c.1750] Scenes of London No. 5. Line engraving with hand-colouring, watermarked On Stone by G. Rymer. [London: Ackermann, 1834] paper 18th century; platemark 285 x 410mm (11¼ x Lithograph with hand-colouring, sheet 190 x 230mm 16"). Small margins; staining; very good colour. £380 (7½ x 9"). Excellent colour; trimmed, losing Ranelagh Gardens, adjoining Wren's Chelsea publication line, and pasted to album sheet with text Pensioner's Hospital, became popular as a place to fragments and another print verso. £180 escape the city and take in the cleaner air in Chelsea. May day celebration in London with a 'Jack in the Its admirers included Smollett, Edward Gibbon, Green', the figure wearing a foliage-covered Horace Walpole and the Duke of Cumberland. Balls, framework. Harlequins etc. dance around a crowd. concerts, dinners and of course gossip were shared here The tradition of the Jack in the Green waned as part of almost daily. It quickly exceeded Vauxhall in the Victorian disapproval of such customs, so the 1834 popularity, but it's popularity waned until the season of date of this print is perhaps significant. 1804 when the fashionable set abandoned it entirely. Originally published as one of six 'Scenes of London', During the masquerade depicted here, participants all of which showed street entertainments such as a were disguised or in fancy dress, often favouring Punch & Judy show and jugglers. The scene shown Oriental costume. This Oriental taste was reflected by here can be identified as Burton Street in Bloomsbury, Ranelagh's 'China House' created in 1750. The rococo laid out between 1809 and 1820 by the Scottish rotunda, built by William Jones, was 150ft in diameter developer James Burton. and heated by a large fireplace. Mozart once played at Stock: 37007 the orchestra stand inside it.

After one of several pictures of the area which Antonio Canaletto (1697 - 1768) painted while resident in London. Stock: 37212

464. Kings Bench Prison. Pugin & Rowlandson del. et sculpt. J. C. Stadler Aquat. London. Pub1.st Dec.r 1808, at R. Ackermann’s Repository of Arts 101, Strand. Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼"). Few nicks in margins. £260 The courtyard of the King's Bench Prison in St George's Fields, Southwark, London, with inmates 467. To the King and the Parliament is most playing a game of rackets on the far left. The prison, Humbly Dedicated by James Paine R.A.B. which took its name from the King's Bench court of Arch.t. This design for a stone bridge erected law in which cases of defamation, bankruptcy and other misdemeanours were heard, was mainly occupied across the River Thames from Brentford in by debtors, some of the most famous of whom included Midd.x. to Kew in Surreyy... Bid= Public Ways King Theodore I of Corsica and Tobias Smollett. In Extend. A. Pope. 1768 the imprisonment of John Wilkes (for libel) Published Jan. 1.st. 1792 by JJ. Paine. triggered riots in which several people were killed. Very rare aquatint with some etching. Sheet: 630 x This building was burnt to the ground in the 1780 425mm, (24¾ x 16¾"). Trimmed within plate. Gordon Riotss, and quickly rebuilt. By the time this Repaired damage to edges. £420 print was made, the prison had become notorious for A view of the second Kew Bridge, opened in 1789 and the laxity of its rules (an 1828 description would call it made entirely of stone, which replaced a previous 'the most desirable place of incarceration in London' brridge. The bridge depicted was built alongside the and by that time there were thirty gin shops and a host first to avoid disruptions in trraffic, it is perhaps from of trades being practiced in the courtyard). The prison under this bridge that the vieew is taken. A procession was demolished in 1880. of several horsemen flanking a carriage is depicted Published in Ackermann's famous work, the crossing the bridge. Title in English and French. 'Microcosm of London', which probably selected the Stock: 36830 prison to depict because of its comparative comfort. The figures were drawn by the famous caricaturist 468. To the most Noble the Marquis of Thomas Rowlandson and the architecture by Augustus Worcester, this View of the City of Bristol is Pugin. Abbey, Scenery: 212; for the burning of the old humbly Inscribed by His Lordships most prison in the Gordon Riots see ref. 25017. Obed.t Serv.ts T. Jones & J. Hassell. Stock: 37368 Drawn & Engraved by J. Hasssell London, Pub.d March 2d 1795 by T. Jones No.23 Clarges Street, and J 465. [London. The Tower of London From Hassell, No.2 Castle Street, Leicester Square. the Thamess. No.4.] Very fine & rare coloured aquatint, platemark 275 x Arthur Spencer [pencil signature.] [n.d. c.1920.] 345mm (10¾ x 13½"). Very large margins. Bit dusty Etching. 1400 x 195mm (5½ x 7¾"), with on left margin. £280 accompanying descriptive letterpress label with title (as Fine view along the river Avon towards Bristol. above). £140 Stock: 37020 The most famous view of the Tower of London. Stock: 36301 469. Prison and Castle from the Huntingdon Road. 466. View on the Thames near Battersea W. Westall del.t / J.C. Stadler sculp.t London, Puv. Painted by Charles Deane / Engraved bu William Oct. 1 1814 at 101 Strand forr Ackermann's History of James Taylor London, Published May 1 1823 by Hurst Cambridge Robinson & Co. Printsellers to His Majesty 90 Aquatint with hand-colouringg, platemark 255 x 300mm Cheapside & 8 Pall Mall (10 x 11¾"). Creases; weak iimpression. £45 Line engravinng, sheet 425 x 575mm (16¾ x 22½"). View along what is now Casstle Street, Cambridge, with Creasing; very rare. £420 a view of Castle Mound, the ruined castle (a site now Very unusuaal large view of Battersea on the Thames,, occupied by the Grade-II listted Castle Inn), and the emphasising the rural characteristics retained by the octagonal prison (left). Conssttructed according to area around Battersea prior to the arrival of the Jeremy Betham's principle off the 'panopticon' whereby railways in the 1830s. inmates could be surveilled ffrom a central vantage Engraved after a painting by the obscure landscape pooint, the prison was built between 1802 and 1807. It painter Charles Deans (1815-1855, fl.). Not in BM was used until 1915, and demolished in 1928-9. The Stock: 37224 site is now occupied by the Shire Hall (which reused brricks from the prison in its walls). For Ackermann's 'History of Cambridge'. Abbey Scenery 79. 474. Cambridge. Stock: 36199 [Leiden: Pieter van der Aa, c.1707.] Engraved map with hand colour. 130 x 165mm (5 x 470. Cambridge. 6½"). £140 [Venice, 1706.] A miniature map of Cambridge, published in James Engraving. 130 x 180mm (5 x 7"). Worm holes, margin Beverell's 'Les Delices de la Grande Bretagne'. stained on right. £240 Stock: 37069 A sketch map of Cambridge, orientated with north to the right. The map is odd in lacking either place names 475. [Thirlmere] The Lake of Wyburn in or a key. Cumberland. The mapmaker, Vincenzo Coronelli (August 16, 1650 Laporte del. King sculp. London, Published March 2.d – December 9, 1718) was a Franciscan monk and 1795, by Tho.s Macklin, Poets Gall.y Fleet Street. cosmographer, best known for two huge manuscript Very scarce & fine coloured etching. Sheet 450 x globes for Louis XIV of France; the pair, 384 cm in 660mm (17¾ x 26"). Trimmed to plate, tears in edges, diameter and weighing approximately two tons, are one tear entering image on right. £420 now in the Bibliothèque nationale François Mitterrand. A fine etched landscape of Wythburn Water in the Stock: 37287 Lake District by J. King after John Laporte. In the late 19th century it was subsumed into Thirlmere Reservoir 471. Prospetto Orientale di Canbrige. by the building of a dam, with the 96 mile-long Prospetto Occidentale di Candbrige. Thirlmere Aqueduct (the longest gravity-fed aqueduct [Venice, 1706.] in the country) taking the water to Manchester. Engraving. 130 x 180mm (5 x 7"). Large margins. Stock: 37070 Worm holes in printed border. Stain in margins on right. £240 476. A view of Ulleswater, in Cumberland. A pair of small prospects of Cambridge, from the east [Laporte del. King sculp.] [London: Published Sep.r 1 and west. 1792 by T. Gowland Jun.r, Gould Square, near Tower The mapmaker, Vincenzo Coronelli (August 16, 1650 Hill, London.] – December 9, 1718) was a Franciscan monk and Very scarce & fine coloured etching. Sheet 455 x cosmographer, best known for two huge manuscript 610mm (17½ x 24"). Trimmed within plate, brown globes for Louis XIV of France; the pair, 384 cm in tape around edges. £360 diameter and weighing approximately two tons, are A fine etched landscape of Ullswater in the Lake now in the Bibliothèque nationale François Mitterrand. District by J. King after John Laporte. Stock: 37289 Stock: 37059

472. Prospectus Cantabrigiæ Orientalis. 477. A General View of the House and [Venice, 1706.] Gardens of Chatsworth in Derbyshire, a Engraving. 130 x 370mm (5 x 14½"). Large margins. Beautiful Seat of His Grace the Duke of Worm holes in image. £360 A rare prospect of Cambridge from the east, with rustic Devonshire. Vue Generale de la Maison & figures in the foreground. Jadin Magnifique de Chatsworth, dans le The mapmaker, Vincenzo Coronelli (August 16, 1650 Comté de Derby, appartment a Monseig.r le – December 9, 1718) was a Franciscan monk and Duc de Devonshire. cosmographer, best known for two huge manuscript Publsihed by Laurie & Whittle, 53, Fleet Street, globes for Louis XIV of France; the pair, 384 cm in London. diameter and weighing approximately two tons, are Hand coloured engraving, rare. Platemark: 330 x now in the Bibliothèque nationale François Mitterrand. 465mm (13 x 18¼"). Thread margins. £360 Stock: 37307 A vue d'optique of Chatsworth House, Gardens, and surrounds, including the bridge over the River 473. Prospectus Cantabrigiæ Occidentalis. Derwent, and the hills of the Derwent Valley. [Venice, 1706.] Numerous figures can be seen in the foreground. Engraving. 130 x 370mm (5 x 14½"). Large margins. Stock: 37233 Damage at folds, with loss, worm holes in image. £160 478. North Midland Railway. View of the A rare prospect of Cambridge from the west, with Bridge over the River Amber & Turnpike rustic figures in the foreground. Road near Amber Gate The mapmaker, Vincenzo Coronelli (August 16, 1650 From Nature & on Stone by S. Russell Day & Haghe – December 9, 1718) was a Franciscan monk and Lith.rs to the Queen [c.1845] cosmographer, best known for two huge manuscript Lithograph and tintstone, printed area 280 x 380mm globes for Louis XIV of France; the pair, 384 cm in (11 x 15"). £320 diameter and weighing approximately two tons, are The Grade II listed bridge across the River Amber in now in the Bibliothèque nationale François Mitterrand. South Wingfield, Derbyshire, a major achievement of Stock: 37308 the North Midland Railway from Derby to Leeds to thhe byypass a road and river. When George Stephenson designs of George and Robert Stephenson in 1840. engineered the North Midland Railway from Derby to From a series of lithographs publicising significant Leeds, he intersected the canal at this point, and a engineering achievements on the North Midland Victorian commentator wrote that 'river, road, railway Railway route. and canal were thus piled up,, four storeys high'. Stock: 37222 From a series of lithographs showing principal engineering achievements off the North Midland Railway. Stock: 37216

482. North Midland Railway. Bridge over the River Derwent and the Matlock Road. Near Amber Gate. From Nature & on Zinc by S. Russell Day & Haghe Lith.rs to the Queen [c.1845]] Zincograph and tintstone, priinted area 290 x 425mm (11½ x 16¾"). £280 The recently Grade II* listed Derwent Viaduct, built in 1836-40 to the designs of George and Robert Stephenson. The viaduct was one of several significant 479. North Midland Railway. View through engineering achievements reeqquired as part of the North the Belper Cutting looking North Midland Railway from Derby to Leeds. S. Russell litth. Day & Haghe Lith.rs to the Queen From a series of lithographs ppublicising those [c.1845] significant structures. Lithograph and tintstone, printed area 290 x 400mm Stock: 37217 (11½ x 15¾"). £380 The Belper cutting, a major achievement of the North 483. North Midland Railway. Milford Midland Railway from Derby to Leeds to the designs Tunnel. North Front. of George and Robert Stephenson in 1840. Massive From Nature & on Stone by S. Russell Day & Haghe stone retaining walls were required to make the cutting, Lith.rs to the Queen [c.1845]] spanned by several parallel bridges. Lithograph and tintstone, priinnted area 290 x 390mm From a series of lithographs publicising significant (11½ x 15½"). £380 engineering achievements on the North Midland Milford Tunnel in Derbyshirre, a twin track railway Railway route. tunnel that runs through a hilll called the Chevin Stock: 37221 beetween Duffield and Belperr. It was constructed to allow passage of the North Midland Railway from 480. North Midland Railway. View of the Derby to Leeds to the designs of George and Robert New St. Brridge &c. in Belper, looking South. Stephenson in 1840 showing a fine train coming Built by Joseph Turner of Wingfield. through th tunnel. From Nature & on Zinc by S. Russell Day & Haghe From a series of lithographs ppublicising significant Lith.rs to the Queen [c.1845] engineering achievements on the North Midland Zincograph and tintstone, printed area 270 x 355mm Railway route. (10½ x 14"). £280 Stock: 37223 Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river 484. North Midland Railway. Bridge over the constructed as part of the North Midland Railway from Nottingham Road and Canal near Derby. Derby to Leeds to the designs of George and Robert From Nature & on Zinc by S. Russell Day & Haghe Stephenson in 1840. Lith.rs to the Queen [c.1845]] From a series of lithographs publicising significant Zincograph and tintstone, priinted area 260 x 385mm engineering achievements on the North Midland (10¼ x 15"). Slight crease on right. £280 Railway route. Bridge over the Nottingham Road and canal near Stock: 37219 Derby, constructed as part off the North Midland Railway from Derby to Leeds to the designs of George 481. North Midland Railway. Bridge under and Robert Stephenson. A diirect consequence of the the Cromford Canal at Bull Bridge. expansion of the railways was that racing became a From Nature & on Stone by S. Russell Day & Haghee national sport and owners coould transport horses over Lith.rs to the Queen [c.1845] much greater distances. Derby Racecourse opened in Rare lithograph and tintstone, printed area 260 x 1848 near the Nottingham Rooad railway line. 380mm (10¼ x 15"). Slight soiling to edges. Bit dusty. From a series of lithographs ppublicising significant £280 engineering achievements on the North Midland The Bullbridge Aqueduct (or Amber Aqueduct) at Railway route. Bullbridge, Derbyshire. The aqueduct was originally Stock: 37218 built in 17944 for the Cromford canal, allowing it to 485. North Midland Railway. Bridge over the 488. Sketches of Chelteenham, and its Vicinity. Derwent at Swainsley Wood Drawn from Nature & on Stone and Published S. Russell litth. Day & Haghe Lith.rs to the Queen by H. Lamb [c.1845] Published by H. Lamb, Royal Library Malvern and Lithograph and tintstone, printed area 265 x 410mm Fancy Repository, High Streeet, Cheltenham. [n.d., (10½ x 16"). Dusty on right side. £220 c.1830.] Bridge across the River Derwent near Swainsley Wood Oblong folio, in green wrappers; illustrated title and in Belper, one of several bridges across the river nine lithographs, two on indiia paper. Extra plate added constructed as part of the North Midland Railway from at end. Back cover and extra plate loose, extra plate Derby to Leeds to the designs of George and Robert trimmed and laid on later carrd. £650 Stephenson in 1840. A different publication to Abbbbey: 94, also 'Views of From a series of lithographs publicising significant Cheltenham and its Vicinity'.. engineering achievements on the North Midland Stock: 37194 Railway route. Stock: 37220 489. North West View of the Stables lately erected by J.R. Scott Esq.r Cheltenham. [&] 486. Torquay, From the Pier Head. Interior of the Stables lattely erected by J.R. From Nature & on Stone by W. Spreat / Printed by W. Scott Esq.r Cheltenham.. Spreat, Exeter. Torquay New Series No1, published by Drawn & Engraved by D.T. EEgerton. Pub.d by W. Spreat Exeter [n.d., c.1840] Sherwood Neely & Jones, July 1st 1822. [&] Aug.t 1.st Lithograph with tintstone, printed area 270 x 340mmm 1822. (10½ x 13½"). Large margins. £220 Hand coloured aquatints. Sheet size: 135 x 205mm (5¼ Fine view of the coastal town of Torquay, with clearly x8") each. Trimmed inside pllatemark. Slight damage to identifiable buildings and numerous figures at work upper and lower edge respeccttively, where previously and rest. boound. £95 Stock: 37108 A pair depicting the exterior and interior of John Scott’s Racing Stables in Chheltenham. The equestrian ‘palace’ was built at a time when innovation in the keeping and treatment of horrses was a popular Loose booxes were build around tall glass belvederes rising high up above the roofs to leett in as much light as poossible as shown. Stock: 37324

490. Lymne Castle, with a distant View of the French Coast. It is situaated on the descent of a Hill, about two miles West of Hythe: Its remains bear marks of great Antiquity, but when, or by whom founded, is not certain: It has been suppos'd to be the famous Portius Lemanis; but that the Sea had retired from its 487. To His Royal Highness The Duke of spacious Haven, once a Harbour for 250 Gloucester These Views of Waymouth &c. are Danish Vessels, Anno 8933. Here it was that by Permission most Humbly Inscribed by His Prince Edward, exacted the Oath from the Highness's Devoted Faithful Humble Servantts, Barons of the Cinque Poorts. J.s Fittler J.s Love. Dayes del.t. Jukes aq.t. [Londdon, Pub.d Jany. 31. 1790 Pub.d as the Act Directs Feb.y 1791. byy F. Jukes Engraver, Howland Street.] [but later.] Etched title and eleven coloured aquatint plates with Coloured aquatint very rare & fine. Sheet 390 x very large maargins (with J. Whatman watermark), as 500mm (15¼ x 19¾"). Tear in inscription area called for, with 7 (of 11) letterpress descriptions of the skillfully repaired. £320 plates, lacking list of subscribers; rare complete. Some Lympne Castle, built at the fformer Roman Channel wear and toning of all plates, one plate with crack in poort of 'Portus Lemanis'. platemark. Some staining on edge of margins. £1600 The topographical watercoloours of Edward Dayes A complete set of oval views of Weymouth and (1763–1804) often contained ruins, and had an environs, including several views of the town and influence on the early work of J.M.W. Turner. Portland, Corfe Castle, Lulworth, Wyke, Radipole & Stock: 36754 Belfield. Abbey: Scenery 339. Different publication lines to Abbey. Stock: 35799

491. High Street, Lutterworth. Proof. 495. [A pair.] Rydal Mount. [n.d., c.1850.] W.H. 1871. W. Hull, Del.t. Autotype. Printed in Very scarce coloured lithograph. Sheet 245 x 305mm Permanent Pigments by the Autotype Fine Art (9¾ x 12"). £160 Company (Limited) 36, Rathbone Place, London. A rare view of Lutterworth in Leicestershire, looking Two scarce photogravures. Printed areas 410 x 230mm uphill. (16 x 9"), stuck in original mounts. Some spotting.£360 Stock: 37120 Two prints from pencil sketches by William Hull (1820-80), showing Wordsworth's house in Ambleside 492. The Suspension Bridge, Intended to be in the heart of the Lake District, at which he wrote Erected over the River Avon at S.t. Vincent's 'Daffodils'. A peculiar version of Autotype. Rock. Stock: 37123 [n.d., c.1830.] Lithograph. Sheet: 340 x 255mm, (13¼ x 10"). 496. Front View of the Grand Stand at Trimmed. £220 Doncaster, 1824. A view showing the proposed plan for the bridge I.G. Weightman del.t. Benj.n Davies Sculp.t. Pub. by linking Clifton with Leigh Woods in Somerset. Plans Sherwood & Co. London Sept. 1824. to build a bridge were discussed as early as 1753, Hand coloured aquatint. Sheet size: 130 x 205mm (5 x however, the bridge was not completed until 1864. The 8"). Trimmed inside platemark. £75 final design was drawn up by William Henry Barlow A view of the Grand Stand at Doncaster racecourse. and John Hawkshaw and was based on an earlier One of Britain's oldest racecourses, Doncaster has a design by I.K. Brunel. See refs: 7517 & 31401 for history of regular race meetings going back to the 16th other proposed designs for Clifton Suspension bridge. century. It is home to two of the world's oldest races, Stock: 37508 the Doncaster Cup and the St Leger Stakes. Stock: 37329 493. Stone Coffins, as found on Excavations upon the site of Chertsey Abbey. 497. South West View of Fountain Abbey. From a photograph by Captain Oakes. J.H. Le Keux sc. R. Dunning Pinx.t. Engraved by R. & D. Havell. [n.d., c.1905.] Publish'd May 1, 1813 by R. Dunning, Ripon Rare engraving. Sheet size: 125 x 170mm (5 x 6¾"). Yorkshire. Trimmed inside platemark. £60 Coloured aquatint. Sheet 260 x 345mm (10¼ x 13½"). A plate from 'Chertsey Abbey: an existence of the Trimmed into plate £220 past', written by Lucy Wheeler, published in 1905. In A view of Fountains Abbey from the banks of the the mid-19th century the site of the abbey was River Skell, one of Dunning's 'Four Views of Fountains excavated under the supervision of the architect and Abbey'. In 1986 the abbey and surrounding parkland archaeologist Samuel Angell, who published an was designated a World Heritage Site by UNESCO. account of the investigations, accompanied by a ground Abbey Scenery 368. Stock: 37047 plan of the abbey church, in 1862. Stock: 37298 498. Whitby from the East Cliff. 494. Beachy Head (1) From this part of the Lithographed by Newman & Co. 48 Watling St. Gun Gardens the late lamented Rev. Henry London. Published by S. Reed, Stationer, Whitby. James, Vicar of Willingdon, Sussex, [n.d., c.1850.] accidentally fell and lost his life on the 22nd of Tinted lithograph. Sheet size: 225 x 300mm (8¾ x 11¾). Large margins. £120 May, 1850. / (2) Here, on the 10th of March, A locally published fine view of Whitby from the East 1850, at 6 o'clock in the evening, Mr. S.R. Cliff. The abbey ruin at the top of the East Cliff is the Smyth (a stranger then to the Coast), town's oldest and most prominent landmark. A number overtaken by the tide and surprised by a very of couples are seen walking along a path in the centre, dense fog, endeavoured to ascend the Cliff [...] with various ships on the water in the bay below and Drawn & Litho.d by S.R. Smyth / 1852 the coast in the distance. Lithograph on india, printed area approx 170 x 240mm Stock: 37260 (6¾ x 9½"). Scarce. £140 Very unusual view of the chalk headland of Beachy 499. Whitby from the end of the West Pier. Head in East Sussex, drawing attention to two Lithographed by Newman & Co. 48 Watling St. accidents which occurred on the cliff within a short London. Published by S. Reed, Stationer, Whitby. space of time. The second befell the printmaker [n.d., c.1850.] himself who was fortunately saved and perhaps made Tinted lithograph. Sheet size: 225 x 300mm (8¾ x this print in part to highlight the risks (a key identifies 11¾). Large margins. £120 the exact places where the accidents took place). A locally published view of Whitby from the end of the Stock: 37373 West Pier. The pier is busy with figures leading towards Whitby in the background, as a steam ship passes on the left. Stock: 37261 500. Elizabeth Castle in Yarsey. A view of the fof rtified island of Haulbowline in Cork [Wenceslauss Hollar.] [n.d., c.1650.] harbour from the town of Cobh. Cobh was known as Etching. Platemark: 55 x 130mm (2¼ x 5¼"). Large Queenstown from 1850, when the name was changed margins. £130 to commemorate a visit by Queen Victoria, until 1920. A view of Elizabeth Castle, Jersey. The castle is Stock: 37196 depicted with its round tower on top of rocky promontory, seen across the bay. With ruins at the left 504. [Park Gate Lodge,, Lissadell.] Plate 6 and a ship to the right. Sir Walter Raleigh, Governor of Designed by F. Goodwin. Engraved by J.Edge. Jersey between 1600 and 1603, named the castle after [London, c.1833.] Elizabeth I of England. Coloured aquatint. Sheet 155 x 260mm (6 x 10¼"). By printmaker and painter Wenceslaus Hollar (1607 - Trimmed at bottom, losing tiitle and publisher's 1677). Ex collection of Christopher Lennox-Boyd. inscription. £95 Stock: 37272 The design for a gatehouse ffoor Lissadell House in County Sligo, which was buiilt by London architect 501. To Henry Howard Esq.r M.P. [This Francis Goodwin for for Sir RRobert Gore-Booth (1784- Distant View of Chepstow, with the 1835), 4th Baronet. Confluence of the Rivers Wye and Severn is Stock: 37397 with the greatest Respect inscribed by his mosst obedient h.ble Servant F. Jukes. Plate 16th.] 505. A Prospect of the City of Dublin, from Drawn by E. Dayes. Engraved by F. Jukes. [London the Magazine Hill, in His Majesty's Phoenix Pub.d Oct 1 1802 by F. Jukes No 57 John St, Fitzroy Park. Veue de la Ville de Dublin de dessus Square.] l'Arsenal desu Majesté buti sur la Montagne Rare coloured aquatint. Sheet 340 x 455mm (13½ x des Pheonix Pare. Six points de Veue d'edifices 18"). Trimmed within plate, losing half of title and all publics et remarquables de la Ville de Dublin. the publication line, surface scratches,tear in top edge, J. Tudor delin. J. Mason scullp. Published by Laurie & two worm holes in sky. £240 Whittle, No.53 Fleet Street London. [n.d., c.1750.] The last plate of 'View of the River Wye', published Hand coloured engraving. Pllatemark: 245 x 400mm 1797-1802. Abbey: 545. (9¾ x 15¾"). Very large marrgins. £420 Stock: 37046 A view of the city of Dublin,, after Joseph Tudor (1695 - 1759), one of the most ambitious and highly regarded 502. This View of Overton Bridge. Irish painters of his generation. In the foreground, a [n.d., c.1800.] man in a tricorn hat who is pointing to the right, a Hand coloured lithograph. Very rare. On watermarked woman wearing a particularlly broad dress, and a young paper 'C J Honig'; Sheet size: 325 x 410mm (12¾ x girl in a bonnet, stand on Magazine Hill, overlooking 16¼"). Unfinished. £260 the city in the distance. Cattlle and other figures can be A scarce view of Overton Bridge, crossing the River seen on the banks of the River Liffey in the centre, Dee, in the border town of Wrexham in north-east with the spires of Christ Church Cathedral and St Wales. Two figures can be seen in the fof reground with Patrick's Cathedral, as well as many other prominent a fishing basket and nets, with the arched bridge to the buuildings, in the backgroundd. right, and a small house in the hills in the background. Stock: 37232 Stock: 37236 506. Back of Haulbowliine & View Down the Harbour. Taken from the point at Ringaskiddy. Sketched & Drawn on Stonee by H. Morgan Esq. W. Spreat Lith. Exceter. [n.d., c..1850.] Hand coloured lithograph. Sheet size: 265 x 360mm (10½ x 14¼"). £360 A view of Hawbowline in Cork Harbour off the coast of Ireland, taken from the fisshing village of Ringaskiddy. A number of veessels are seen in the water, including two long rowing boats in the distance to the left, a tall sailing ship iin the middle ground in the centre, and a smaller boat in the foreground. Two figures are seen with a fishing net on a bank to the right. Stock: 37231 503. Haulbowline and White Point from Columbine Quay. Queenstown. 507. Ross Castle on the Island of Ross Great Sketched & Drawn on Stone by H.Morgan Esq. W. Lake of Killarney. Spreat lithog Exeter. [n.d., c.1800.] Lithograph; Sheet: 355 x 270mm, (14 x 10½"). £380 Hand coloured lithograph. Very rare. Sheet size: 330 x A map of France published just prior to Napoleon's 420mm (13 x 16½"). Very small pin hole in centre. 'Hundred Days' and Waterloo. The island of Elba is £360 marked bottom right. A scarce view of Ross Castle, Ireland, with figures in Stock: 37296 the foreground, the castle in the centre, and hills in the distance. The castle is situated on Lough Leane in the 512. [Greek War of Independence.] Landung south west of Killarney. The main part of the castle der Französischen Hülssarmee in was built in the 14th century by the O’Donoghue clan, Griechenland den 19 August 1828. the rulers of the area. The rooms in the tower were a [c.1829.] reception room, a bed chamber and unusually the top Etching with original hand colour. Sheet 170 x 205mm storey was the main hall. It was one of the last (6¾ x 8"). Trimmed. £220 strongholds to surrender to Cromwell’s forces in 1652 A scene of the Russo-Turkish War of 1828–1829, during the English Civil War. showing the joyous reception of the Greeks to the Stock: 37235 arrival of the French army in August 1828, the year after the Battle of Navarino. 508. Holy Cross, County of Tipperary. The war started after the Russians helped the Greek Fred.k Calvert del et sculp. London, Pub, 1, Jan.y 1813 independence movement fight the Battle of Navarino by S.Inman, 7 Lambs Conduit St, Foundling Hospital. in 1827: the Turks closed the Dardanelles to Russian Rare aquatint. 200 x 285mm (8 x 11¼"). Watermarked ships and revoked the Akkerman Convention. The war 'N Sharp 1817'. Large margins. Slight soiling. £95 ended with the Treaty of Adrianople, which increased A moonlit scene of Holycross Abbey, a ruined Russian dominance around the Black Sea area and Cistercian monastery near Thurles. It got its name from Georgia, and, most importantly, forced the Sultan to a relic of the True Cross given to the monastery by promise autonomy for Greece. Queen Isabella, widow of King John. When the abbey Stock: 36341 was restored in 1969 the Vatican gave them another authenticated relic of the Holy Cross; in 2012 the relic 513. Terranova. A. Pezzo di pavimento rivilto was stolen but recovered the following year. in modo del tremoto centrale che la base è in Stock: 37390 luogo di superficie e quaesta in luogo di quella. Pom' Schiantarelli A.d.d. dal vero. A. Zaballi R.I. scol. 509. Mont Blanc as Seen, from the Valley of [Naples, 1784.] Chamouni. Engraving with original colour, margins with grey Painted by Will.m Delamotte. Engraved by Thomas wash. 210 x 330mm (8½ x 13"). Very large margins. Lupton. London. Published by Ja.s Bulcock, 163, £220 Strand, (11 doors East of Somerset House,) May 1st A view of the town of Villanova, which was badly 1828. damaged by the Calabrian earthquakes of February and Mezzotint, rare. 295 x 360mm (11½ x 14"). Large March 1793. Pompeo Schiantarelli (1746-1802/5), an margins. Surface wear on left corner mainly in architect, led a team from Neapolitan Academy of margins and inscription area. £320 Science and Letters to record the devastation, which A view looking past Chamonix towards the glaciers killed 35,000 people in the region. He also helped with and ridges of Mont Blanc. Ex: Collection of Hon. the rebuilding efforts, planning two towns, Polistena Christopher Lennox-Boyd. and Mileto. Stock: 35792 Schianarellu published his account as 'Istoria de' fenomeni del tremoto avvenuto nelle Calabrie e nel 510. Six vues d'Amiens. Valdemone nell'anno 1783' (Account of the Effects of Lithographiées d'après nature et dédiées à la Société the Earthquake in Calabria in 1783). The plates are des Amis des Arts par Th. Mansson. Chez Hacbect very similar in style to those in William Hamilton's Jeune édit. à Amiens. study of volcanoes, 'Campi Phlegraei', 1776-9, also Folio, printed wrappers, 6 tinted lithographs, loose as published in Naples. issued, rare. Wear to wrappers, slight spotting of plates. Stock: 37116 £220 Six views, all depicting Amiens Cathedral, after Théodore Henri Mansson (1811-50). 514. Veduta del Duomo Di Milan. Vue de la Stock: 35801 Cathédrale de Milan. Ant Lanzani inc. Milano presso Gio Bacciarini 511. Map of the French Empire, according to Negoziante di Stampe Corsia del Duomo No. 1025. Marshal Berthier's Chart published by [n.d. c.1800.] Authority in 1804. Exhibiting the limits of the Aquatint with etching. Blind stamp in lower right Kingdom of France as settled by the definitive margin. Platemark: 190 x 240mm (7½ x 9½"). Large Treaty of Peace of 1814. margins. Slight crease in upper right corner. £160 Neele sc. Strand. Pub.d by Edw.d Baines Leeds Dec.r A view of Milan Cathedral, with numerous figures in 1st 1812 [-14]. front, including several in horse drawn carriages Engraved map. 230 x 310mm (9 x 12¼"). Large appearing from an arch to the right. The Gothic margins. Folded as issued, tipped onto album paper. cathedral took nearly six centuries to complete, and is £130 the fifth largest church in the world, and the largest in 519. Monreale Sicily. Italy. Mrs. Oates / Lit. W / Wenzell litog. [c.1839.] Stock: 37159 Rare lithograph on india, printed area 210 x 265mm (8 x 10½"). Very large marginss. £120 515. Fort on the lava near Porticci. Monreale (Murriali in Sicilian), a town in the province Harriette Oates / F. Wenzel / Lith. A. Ledoux [c.1839] of Palermo on the island of Sicily. The town, Rare lithograph on india, printed area 210 x 270mm (8 dominated by its cathedral, is in the distance, with x 10½"). Very large margins. £120 ruins in the foreground as in the tradition of Italian View in Sicily near Portici, at the foot of Mount views by artists such as Richard Wilson. Vesuvius in the Bay of Naples. After Harriette Oates Lithograph after Harriette Oates (née Rhodes), who (née Rhodes), who made a series of views in Sicily and made a series of views in Sicily and Southern Italy Southern Italy around 1839. around 1839. Stock: 37114 Stock: 37111

516. Stalectite Rock near La Cava 520. Church of Saint Roosalia On the summit Mrs. Oates / Lit. W / Wenzel litog. [c.1839] of Monte Pellegrino near Palermo Rare lithograph on india, printed area 220 x 260mm Harriette Oates / F Wenzel / Lith. A. Ledoux [n.d., (8½ x 10½"). Very large margins. Pencil in title area c.1839] ('A' written over mispelt 'E' in 'Stalectite'). £75 Rare lithograph, printed area 220 x 270mm (8½ x La Cava, in the Cava di Tirreni near Salerno in 10½"). Very large margins. £95 Southern Italy. In 1819 Sir Richard Colt Hoare wrote The Santuario di Santa Rosallia, Palermo, Sicily. In 'The environs of La Cava have been always held in 1624 the remains of St Rosallia, the patron saint of high estimation by the admirers of picturesque scenery, Sicily, were found in a cave oon Mount Pellegrino, and considered as not inferior to any in Italy: to these where she had died in 1166. The church was built on sequestered scenes both Gaspar Poussin and Salvator the same site. Rosa directed their attention'. Hoare also noted the Lithograph after Harriette Oates (née Rhodes). 'huge and extravagant stalactites' to be found in the Stock: 37109 vicinity ('A Classical Tour through Italy and Sicily'). Lithograph after Harriette Oates (née Rhodes), who 521. La Romagnola Sicilia. made a series of views in Sicily and Southern Italy Mrs. Oates [possibly lit. Wenzel, c.1839] around 1839. Rare lithograph on india, printed area 220 x 265mm Stock: 37112 (8½ x 10½"). Very large marrgins. £120 View in Sicily, after Harriettte Oates (née Rhodes), who 517. S. Meemoria. Paulia. Pompilia. Benedicta. made a series of views in Sicily and Southern Italy M.A.T.W. Litho. Newlands. 1829. around 1839. Lithograph. On India. Sheet: 290 x 220mm, (11½ x Stock: 37113 8¾"). Large mmargins. £65 A view of a cave, the entrance of which is decorated with a pediment and frieze. The printmaker Mary Anne Theresa Whitby (1784-1850) probably visited the site when in Switzerland in the 1820s. Whitby was the widow of Cornwallis' flag captain, John Whitby, who died in 1806. Following her husband's death, Whitbyy spent much of her time with Cornwallis, who left his estate to her on his death in 1819. Whitby was an amateur lithographer who established a private press at Newlands. ExEx collection of Christopher Lennox-Boyd. Stock: 37185

518. The Church of St. Peter at Rome. Built in the Pontificates of Pope Julius II, Paul III, and Paul V [...] London, Printed for Bowles & Carver, No 69 St Paul's Church Yard. 522. Eruption of Vesuvviius, Jan.y 3.rd 1839, Line engravinng with later hand-colouring, 1809 J Ms. Oates / Lit. W / Wenzel litog. Whatman watermark; platemark 275 x 420mm (10¾ x Rare lithograph, printed area 230 x 270mm (9 x 10½"). 16½"). Very large margins. £220 Very large margins. £160 The Papal Basilica of Saint Peter, in the symmetrical Eruption of the Mount Vesuvius volcano near the Bay elevated view favoured in the 18th century. A late of Naples. renaissance church at the heart of the Vatican City, and Lithograph after Harriette Oates (née Rhodes). Stock: 37110 the head of the Catholic Church. Stock: 37213

523. A Perspective View of the Town and 528. Vue de St. Petersbourg. Vue du Palais Fortifications of Malta. Veue Perspective de la de Pierre 1.re au jardin d'été Ville et des Fortifications de Malta. S. nat. Sadovnikov [...] Editeur H. Prévost [1833] Published 12th May 1794 by Laurie & Whittle, 53 Lithograph, printed area 240 x 170mm (9½ x 6¾"). Fleet Street, London. Parallel text in French and Russian. £220 Hand coloured engraving. Platemark: 260 x 400mm View in the gardens at Peterhof, Peter the Great's (10¼ x 15¾"). Unexamined out of frame. Foxing. palace complex outside St Petersburg. Modelled on £520 Versailles, the palace and gardens are a UNESCO A highly detailed panoramic bird's-eye view of the world heritage site. fortified town of Valletta on the island of Malta. Lithograph after Vasily Semyonovich Sadovnikov Stock: 37340 (1800-79), whose popular lithographic panorama of St Petersburg's main thoroughfare the Nevsky Prospect 524. De Heerengracht. Le Heerengracht. gained him considerable fame. Uitgegeven door Frans Buffa en Zonen te Amsterdam Stock: 36956 en by V. van Gogh J.r S. Hage. [n.d., c.1860.] Lithograph with fine hand colour and large margins. 529. Village de Sjaou. environs de Printed area 210 x 235mm (8¼ x 9¼"). £180 Thorshawn, ile Strömöe (Iles Feroë). A view of the Herengracht (Lord's Canal), the first of Dessiné par Lauvergne. Lith. par Sabatier. Fig. par the three major canals in the centre of Amsterdam, Bayot. Imp. Lemercier à Paris. Paris. Arthu-Bertrand specifically the Gouden Bocht ('Golden Bend'), flanked éditeur. Londres Ackermann et C.ie [n.d., 1842.] by the fashionable mansions owned by Amsterdam's Tinted lithograph. Printed area 340 x 440mm (13½ x elite. 17¼"). £260 The Universiteitsbibliotheek Leiden attributes the view A coastal village on the Faroë Islands. It was published to the artist Vincent van Gogh. However it is more in 'Voyages de la Commission Scientifique du Nord, en likely that the publisher was his uncle, an art dealer Scandinavie, en Laponie, au Spitzberg et au Feröe, who was named Vincent after his own father (thus pendant les années 1838, 1839 et 1840, sur la corvette properly 'junior') and referred to in van Gogh's letters La Recherche'. as 'Uncle Cent'. Stock: 37057 Stock: 35804 530. Vue de Thorshavn (Iles Feroë). 525. Gezigt Buiten de Haarlemmer Poort. Dessiné par Lauvergne. Lith. par Sabatier. Imp. Vue Prise Hors la Porte de Haarlem Lemercier à Paris. Paris. Arthu-Bertrand éditeur. Uitgegeven door Frans Buffa en Zonen te Amsterdam. Londres Ackermann et C.ie [n.d., 1842.] [n.d., c.1860.] Tinted lithograph. Printed area 340 x 440mm (13½ x Lithograph with fine hand colour and very large 17¼"). Edges soiled and worn. Tears in edges. £220 margins. Printed area 210 x 235mm (8¼ x 9¼"). £130 A view of the capital of the Faroë Islands. It was A view looking towards the port of Haarlem, with the published in 'Voyages de la Commission Scientifique skyline dominated by windmills. du Nord, en Scandinavie, en Laponie, au Spitzberg et Stock: 35805 au Feröe, pendant les années 1838, 1839 et 1840, sur la corvette La Recherche'. 526. [St Petersburg- the Winter Palace and Stock: 37056 Admiralty Arch from across the Neva?] André Durand 1842 [in image lower left] 531. Vue du Village de Kyrö en Finland, 22 Rare lithograph, sheet 210 x 330mm (8¼ x 13"). 8.br 1839. Trimmed to image and pasted on backing sheet. £240 Dessiné par Lauvergne. Lith par Sabatier. Imp. Stock: 37036 Lemercier à Paris. Paris. Arthu-Bertrand éditeur. [n.d., 1842.] 527. Kiakta Tinted lithograph. Printed area 340 x 440mm (13½ x Dessiné par M.r le Ch.r de L'espinasse. Dirigé par Née, 17¼"). Very large margins. £240 Gravé par Niquet. [Paris, 1783.] The rocky scenery of Kyrö (Karinainen) in western Rare engraving. 240 x 270mm (9½ x 10½"). Very large Finland. It was published in 'Voyages de la margins. £160 Commission Scientifique du Nord, en Scandinavie, en A view of the Russian city Kyakhta, on the border of Laponie, au Spitzberg et au Feröe, pendant les années Siberia and Mongolia. It was built in 1727 as a trading 1838, 1839 et 1840, sur la corvette La Recherche'. post regulating the trade between Russia and the Qing Stock: 37048 Empire of China. It was published in Le Clerc's 'Histoire physique, morale, civile et politique de la 532. Les Thermopiles (Environ de Russie Ancienne' Tammerfors). Stock: 37072 Dessiné et lith. par Lauvergne. Imp. Lemercier à Paris. Paris. Arthu-Bertrand éditeur. [n.d., 1842.] Tinted lithograph. Printed area 340 x 440mm (13½ x 17¼"). £240 A narrow passage between two cliffs near Tammerfoors (Tampere) in southern Finland. It was published in 'Voyages de la Commission Scientifique du Nord, en Scandinavie, en Laponie, au Spitzberg et au Feröe, pendant les années 1838, 1839 et 1840, sur la corvettte La Recherchhe'. Stock: 37053

533. [Four plates from 'A Visit to Iceland and the Scandinavian North' by Ida Pfeiffer] Mines of Danemora; The Geysers. Boiling Springs; Hecla; Falls of Trollhatta. [London: Ingram, Cooke, and Co. / 227 Strand / 1852]

Four tinted wood-engravings glued to backing sheet, A French traveller, Charles-Paul-Jean-Baptiste de sheet 400 x 250mm (15¾ x 9¾"). Rare. £160 Bourgevin Vialart de Saint-Morys, toured Scandinavia, Four of the eight plates to the British publication of including Lapland and Finland, and financed this plate Ida Pfeiffer's 'Visit to Iceland and the Scandinavian boook, illustrated by drawings from his personal North' (first published in German, 1846). The collection. Dannemora mine in Sweden was an iron ore mine Stock: 37190 which has been in use for several hundred years, and the Trollhättan falls in Sweden. Other plates show a 536. Vues de Stockholm et ses Environs. geyser in Iceeland, and the volcano of Hekla (which [Stockholm: Gjöthstrom & Magnusson, n.d., c.1830.] erupted in 1845, when Pfeiffer visited the island). Oblong quarto, original red half morocco and boards, Pfeiffer (1797-1858) was one of the first female title (as above) in gilt on front board; 18 lithographic explorers, who published several books of her pllates with Swedish titles. Frrench bookseller's label on journeys. These also included accounts of visits to the front pastedown. Some slighhtt wear to binding, hinges Holy Land and Madagascar, and two narratives of strained, some damp staining, one plate loose, one separate trips around the world. Abbey 161.1; 162.4; toned overall. £550 162.6; 162.8 A collection of 18 plates of Stockholm and its Stock: 35821 environs, bound for the Frenncch market. Only three pllates are numbered and these are not in order. 534. Bell-Sound (Spitzberg) bâtiment Russe Stock: 37189 abandonné, trouvé par la corvette la Recherchhe (Juilliet 1838). 537. Genève. Dessiné et lith. par A. Mayer. Imp. Lemercier à Pariss. Lith part Deroy d'apres Guesdon. Imp Frick f.res r de la Paris. Arthu-Bertrand éditeur. [n.d., 1842.] Vieille Estrapade, 17, Paris. JJules Springer, 62, rue de Tinted lithograph. Printed area 340 x 440mm (13½ x Seine, Paris. [n.d., c.1860.] 17¼"). £260 Tinted lithograph. Sheet 245 x 325mm (9¼ x 12¾"). An abandoned Russian boat in Bellsund, a 20 km long Large margins, with small teear in right margin. £220 sound on the west coast of Spitsbergen, which had An elevated view of Geneva,, with the railway in the been home to an English whaling base in the 1620s. It forground and landmarks named in the upper and lower was published in 'Voyages de la Commission edges. From 'La Suisse a Voll d'Oiseau' (Bird's Eye Scientifique du Nord, en Scandinavie, en Laponie, au Views of Switzerland). Spitzberg et au Feröe, pendant les années 1838, 1839 et Stock: 37393 1840, sur la corvette La Recherche'. Stock: 37054 538. Geneva. Louisa Jones 1833. 535. Voyage pittoresque de Scandinavie. Rare lithograph. Pencil drawing verso; Sheet: 270 x Cahier de Vingt-Quatre Vues, avec 185mm, (10½ x 7¼"). Repaiirred tear in right edge.£140 Descriptions. A view of the city of Geneva in Switzerland looking [From plates] Published May 1802 for the Author, by across the water. Ex: Collecction of Hon. C. Lennox- Mess.rs G. & W. Nichol, Pall Mall, & J. White Fleet Boyd. Street. Publiè a Paris par J.E. Gabriel Dufour libraire Stock: 36829 rue de Tournon. 4to, original limp marbled boards; pp. 24, French textt, 539. Upper Glacier of Grindelwald & the and 23 (of 24) numbered aquatints by J. Merigot after Schreckhorn. Louis Belanger. Covers worn. £680 IDG [within plate]. Lithograph. Collector's ink sttamp of Christopher Lennox-Boyd on verso. Sheet size: 400 x 240mm (15¾ x 9½"). Large lower margin. £130 The Upper Grindelwald Glacier is one of the two valley glaciers south of Grinddelwald on the northern side of the Bernese Alps, in tthe Canton of Berne. The Glacier arises from a vast snow field south of including a panoramic view of the meeting of the rivers Schreckhorn, depicted here, with two birds of prey in Niger and Chadda. No Text. the foreground. Ex collection of Christopher Lennox- Stock: 37241 Boyd. Stock: 37170 543. Malay. Cape Town. [George Duff.] [n.d., c.1850.] 540. Church Missionary Station Regent. Watercolour and pencil drawing. Sheet size: 115 x Litho. Cye. Mason. Printed by Waterlow & Sons. [n.d. 80mm (4½ x 3¼"). £190 c. 1870.] A rare watercolour portrait by George Duff (fl.1840- Tinted lithograph with large margins. Rare. Sheet size: 1860s). 180 x 245mm (7 x 9½"). £130 Stock: 37413 A view of a Church missionary station, probably West African, with three buildings in the middle ground, 544. Table Bay. paths with figures walking towards a small footbridge [George Duff.] [n.d., c.1850.] over a river in the foreground, and hills in the distace. Watercolour and pencil drawing. Sheet size: 80 x Historically, missions have been religious communities 115mm (3¼ x 4½"). £280 used to convert local populations to Christianity. A rare watercolour view of Table Bay, overlooked by Missions often provided the logistics and supplies Cape Town at the northern end of the Cape Peninsula, needed to support that work, as well as a way to named so because it is dominated by the flat-topped 'civilize' recently Christianized indigenous peoples Table Mountain as depicted, with two boats on the through cultural assimilation and Westernisation. water. By George Duff (fl.1840-1860s). Stock: 36321 Stock: 37414

541. Inhuman & Barbarous lingering 545. [Malay Woman.] Torture, inflicted on an European, in Barbary. [George Duff.] [n.d., c.1850.] [William Elmes.] London Pub. by T. Tegg, Dec. 21. Watercolour and pencil drawing. Sheet size: 115 x 1808. 80mm (4½ x 3¼"). £190 Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). A rare watercolour portrait by George Duff (fl.1840- Trimmed inside platemark. Folds as published. Small 1860s). tear in lower edge. £280 Stock: 37415 From a very scarce series of plates by the caricaturist William Elmes depicting shipwrecks and maritime 546. [Balboa claiming the Pacific Ocean for disasters, attacks by native Americans and by other Spain.] [Toma de posesion de la mar del sur.] indigenous peoples and pirates, ceremonies, [Drawn and lithographed by Vicente Urrabieta Ortiz.] punishments and torture. Published by Thomas Tegg. [Madrid : Lit. J. Donon y Ayguals de Izco, 1849.] An example of the extreme torture against Christians. Lithograph with hand colour; rare. Printed area 350 x Stock: 37442 445mm (13¾ x 17¾"). Some toning. Cut inside titles. £280 542. Picturesque Views on the River Niger, Vasco Núñez de Balboa (c.1475-1519) crossed the sketched during Lander's last Visit in 1832-33 Isthmus of Panama in 1513 and became the first [1] Views on the Nun Branch of the River European to reach the Pacific from the New World. Niger. [2] Procession to Ibu. [3] Cliffs at Attah From 'Colección de láminas de la Historia de la Marina [&] Mountains & Market Conoes near Real Española. Litografías de los Mejores Artistas Bokweh. [4] Huts at Jogguh. [5] The Palaver. Españoles.' Stock: 35917 [6] The Cinfluence of the Rivers Niger and Chadda. [7] Mount Patteh from Bangadeh. [8] 547. [Cortez scuttling the Spanish fleet in The King Giving Judgement at the Gate of His Mexico, 1519.] Emulo de Agatocles: Imitador Palace [&] The Interior of the Cheif Malem's de Timarco: Digna Copia de Lauria. House. [9] The Morning Call. [&] Attah. [10] Dib y lit.o por Urrabieta. Lit. de Ayguals de Izco. Beaufort Island [...]. [Madrid : Lit. J. Donon y Ayguals de Izco, 1849.] by Commander William Allen, R.N., F.R.G.S. of Lithograph with hand colour, rare. Printed area 350 x London and Paris, and Corresponding Member of the 445mm (13¾ x 17¾"). £380 Zoological Society. London: John Murray, Albemarle Hernán Cortez watching his ships sink, having scuttled Street; Hodgson & Graves, Pall Mall; and Ackerman, his fleet to strand his troops in Mexico, preventing a Strand. M.DCCC.XL. possible mutiny. The title compares him to three Tinted lithographs. 10 plates and title page. Sheet size: historical figures: Agathocles, tyrant of Syracuse; 275 x 385mm (10¾ x 15¼") each. Disbound. Damage Timarchus, tyrant of Miletus, and Roger of Lauria (c. to title page. Ink stain on first plate. Plate 6 folded as 1245 – 17 January 1305), a Sicilian admiral in the issued. Foxing. Cut down & damage to printed service of Aragon. wrapper on which in ink 'from Papa 1845'. £420 Drawn and lithographed by Vicente Urrabieta Ortiz for A complete set of lithographs made from sketches by 'Colección de láminas de la Historia de la Marina Real Richard and John Lander along the River Niger, Española. Litografías de los Mejores Artistas right. While human sacrificee was practiced throughout Españoles.' Mesoamerica, the Aztecs, if ttheir own accounts are to Stock: 35916 bee believed, brought this praacctice to an unprecedented level. Stock: 37157

551. The horrid Torture of Impalment alive as a Punishment on Runaway Slaves. W.m E. [William Elmes.] London Pub. by Tho.s Tegg, Sep 9 1808. Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). Trimmed inside platemark. Folds as published. Small tear in lower edge. £350 From a very scarce series of plates by the caricaturist William Elmes depicting shippwrecks and maritime disasters, attacks by native Americans and by other indigenous peoples and pirattes, ceremonies, puunishments and torture. Published by Thomas Tegg. 548. Capt. Keith & family betrayed & made A punishment meted out to ruunaway slaves in Dutch Prisoners by the American Indians. Surinam as recorded by Stedman. Elmes. [William Elmes.] London Pub. by T. Tegg, Oct. Stock: 37434 22. 1808. Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). 552. The Dance of the Calumet of the Sun, or Trimmed inside platemark. Folds as published. £420 Pipe of peace, performed on the most Seldom From a very scarce series of plates by the caricaturist occasions, by the Indian Nations, in North William Elmes depicting shipwrecks and maritime America. disasters, attacks by native Americans and by other London Pub. by T.Tegg, Jann.y 21 - 1809. indigenous peoples and pirates, ceremonies, Aquatint. With original corresponding letterpress punishments and torture. Published by Thomas Tegg. chapbook. Sheet size: 185 x 2265mm (7¼ x 10¼"). Capt. Keith and his family were captured by the Sheet size: 185 x 265mm (7¼ x 10¼"). Trimmed inside Indians and were lucky to survive. He eventually pllatemark. Folds as publisheedd. £520 returned to England with no money but his wife won Plate 21 from 'The Mariner'ss Marvellous Magazine, or the lottery! Wonders of the Ocean; Conttaaining the Most Stock: 37438 Remarkable Adventures and Relations of Mariners in Various Parts of the Globe. IIn Four Volumes, 549. Wellingtonia Gigantea, Lindl. Embelished with Forty Engravings', published by J.M. Lapham, ad nat. del. L. Stroobant, Lith, in Horto Thomas Tegg, 111, Cheapside, J. and A. Duncan, Van Houteano. Gent: Louis van Houtte, 1854.] Glasgow; J. Sutherland, Edinburgh; and J. McClery, Tinted lithograph. Sheet 340 x 245mm (13¼ x 9¾"). Dublin. 1809. With the original 28 page chapbook and Folded as issued, faint offset. £120 title page, describing the capptivity and sufff erings of A view of a Sequoiadendron giganteum (also known as Captain James Fox amd his companions among the the giant sequoia, giant redwood, Sierra redwood, Esquimax Indians in North America. Probably Sierran redwood, or Wellingtonia), the world's largest peerformed by the Illinois to strengthen peace between tree, shown with figures to show scale. Published in the tribes. The Calumet, a large pipe, was usually van Houtte's 'Flore des serres et des jardins de prresented to the honoured guest. l'Europe', aftter the tree had been introduced to Europe Thomas Tegg published forty chapbooks between 1805 by William Lobb for James Veitch's Nursery. and 1809, which relate narraattives of shipwreck and The first European reference to the tree was in 1833, captivity occurring between 1678 and 1809. but the first scientific naming of the species was by Stock: 37433 John Lindley in December 1853, as recorded here. However the name 'Wellingtonia' had already been 553. Guelph. One of the Towns founded by used, but the name was not corrected until 1939. Stock: 37119 Mr. Galt for the Canada Company in Upper Canada. G. Chilas del.t. Engelmann & co. lith. [n.d., c.1830.] 550. Montezuma and the Great Temple of Lithograph, very scarce. Sheeet size: 195 x 245mm (7¾ Human Sacrifice. x 9½"). Cut to image on 3 sides. Crease down middle [n.d., c.1863.] where bound. £190 Rare mixed method engraving. Sheet size: 235 x A view of the town of Guelpph, Canada, with a woman 150mm (9¼ x 5¾"). £120 standing in the foreground, looking out towards the Montezuma II was Emperor of Mexico from 1502 to town, with a dog by her side.. A bridge is seen across a 1520 and was in power when the Spanish began their river to the left, with variouss buildings distributed in conquest of the Aztec Empire. Montezuma is the distance. Guelph was selected as the headquarters represented here wearing Roman style armour and of British development firm 'the Canada Company' by sandals. A temple is shown in the background to the its first superintendent John Galt, a popular Scottish 275 x 370mm (10¾ x 14½") each. Slight foxing novelist who designed the town to attract settlers to it throughout. Some staining to plates. £2000 and the surrounding countryside. Galt designed the An illustrated account of selff-taught amateur artist town to resemble a European city centre, complete William Hickman's travels to the Nepisiguit River, with squares, broad main streets and narrow side New Brunswick, Canada, knnown at the time as 'the streets, resulting in a variety of block sizes and shapes. Rocky River' and famed for iit's salmon fishing. This From Fraser's Magazine for Town and Country, boook was not originally intended for wider publication, volume 2, Nov. 1830. buut as 'mementos of a pleasaannt visit paid by the author, Stock: 36313 with a fishing-rod and sketchbook, to the banks of the Nipisaguit'. 554. [Winter Scene on the River St. The titles of the plates are; 'No. 1. Above the Grand Lawrence. 1844.] Falls', 'No.2. The Grand Fallss', 'No. 3. The Camp, [Caroline Bucknall-Estcourt.] [n.d., c.1844.] Grand Falls', 'No.4. Portage Below the Little Falls', Hand coloured lithograph. Very rare. Sheet size: 375 x 'No.5. Morning at the Mid Landing', 'No.6. The 515mm (14¾ x 20¼"). Very large margins. £520 Pabineau Falls', 'No.7. Shootting A Rapid', 'No.8. The A winter scene on the Saint Lawrence river, near Town of Bathurst'. Abbey: 629 Quebec, Canada, showing a traditionally dressed Stock: 37469 female in a fur lined hooded coat and gloves, sitting in a sledge, to the right. Other smaller figures and a 556. [Lower Quebec] Lands for Sale, in the church can be seen in the distance to the left. Eastern Townships of Lower Canada, by the After marrying Sir James B. Bucknall Estcourt, a British American Land Company. British topographical painter, in 1837, Caroline (1809 - J. King, Printer, College Hilll, London. [n.d., last date 1886) accompanied her husband on his postings in in text 1835.] Canada (1838-39 and 1844-47) and overseas. She often Scarce 4pp letterpress broadsheet, with coloured wood- sketched the people she met and places she visited. In engraved map 235 x 405mmm (9¼ x 16"). Fold torn. the 1850s she traveled to the Crimea during the British £460 campaign with her sister, Marieanne, to join her An advert for land in Sherbrooke County in Lower husband who was suffering from cholera. Although she Quebec, on the borders of the United States. nursed him diligently, he died and Caroline was made a 'The British American Land Company' was founded in KCB's (Knight Commander of the Order of the Bath) 1832 to manage land in Lowwer Canada. It purchased widow in 1856. She is known for her Canadian views, over 800,000 acres of Crown land in the Eastern especially her Quebec winter scenes. Townships for approximately £120,000 pounds Stock: 37444 sterling, hoping to sell it to British settlers, boosting the English-speaking populationn in Lower Canada.

This attempt to upset the ethnic balance in the new colony was sharply denounced by the Patriot Party Stock: 37322

557. Village of Nicolet. Drawn by J. Bouchette. Engrraved by W. J. Bennett. [W. Faden. 1815.] Scarce aquatint. Sheet size: 145 x 240mm (5¾ x 9½"). Cut inside platemark. £190 A view of the village of Nicolet, Québec, with the River Nicolet in the centre, on which are two fishing booats. The village is seen in tthe background, with a small windmill on the left, and the church on the right. From a 'Collection of Five Rural view of Québec' after 555. Sketches on The Nipisaguit A River of Bouchette (Nicolet, Harrowers Mill, Lake New Brunswick B.N. America by William Temiscouata, Isle aux Noir and Village of St. Thomas), Hickman B.A. To His Excellency The Right puublished by W. Faden, 1815. Honorable The Earl of Mulgrave, Lieutenantt- Stock: 37238 Governor of Nova Scotia, Etc. Etc. this work iis respectfully dedicated, by his obediant humble 558. View of the Villag of St. Thomas, Riviere servant. The Author. du Sud. W. Hickman, del. _ F. Jones, lith. Halifax, N.S. Drawn by J. Bouchette. Engrraved by W. J. Bennett. Published by John B. Strong, Bookseller and Librarian. [W. Faden. 1815.] London: Day & Son, Lithographers to the Queen, Gate Scarce aquatint. Sheet size: 145 x 240mm (5¾ x 9½"). Street, Lincolns-Inn Fields. 1860. Cut inside platemark. £190 Folio, original cloth, lettered in gilt with elaborate gilt A view of the village of St. Thomas, Québec, with design on cover. Complete but disbound. Sheet size: Regents Bridge crossing the river in the centre, and a horse and cart appoaching froom the left. From a 'Collection of Five Rural view of Québec' after From 'Scenery and Animated Life'. An extended Bouchette (Nicolet, Harrowers Mill, Lake version of the same image was used on Fullarton's Temiscouata, Isle aux Noir and Village of St. Thomaas), lithographic map of Bermuda. published by W. Faden, 1815. Stock: 37395 Stock: 37239 563. [Photograph of a waterfall on Cuba.] 559. [Esquimalt Hospital. 1861.] The place on Cuba from Havanna where Lopes [Anon.] [1861 written in pencil on reverse.] was taken & shot by Spanish troops. Lopez was Pencil drawing. Sheet size: 90 x 165mm (3½ x 6¾"). leader of Spanish Americcan filibusters who Slight foxing. £360 invaded attempting to destroy Spanish rule A pencil drawing of Esquimalt Hopsital inVancouver, there [ink mss. on reverse.] British Columbia. In 1855, the British Royal Navy [n.d., c.1860.] constructed three hospital buildings on the harbour of Sepia photograph, 315 x 250mm (12½ x 9¾"), Esquimalt to treat casualties of the Crimean War. A mounted on board. Backboarrd toned. £260 small settlement grew up on the water's edge near the A photograph of a forest watterfall, apparently where naval installation, and in 1858 the discovery of gold on the filibuster Narciso López (1797-1851) was captured. the Fraser River triggered a huge influx of people to In August 1851 López arrived on Cuba with several the area. Stock: 37234 hundred men, hoping to stir rrebellion with the backing of the Southern states of the UUnited States. When this failed he and his men were captured, most executed, 560. A View in Goulding's Harbour, North the rest sent to work in mining labor camps. West Coast of America. The modern Cuban flag was designed by López and Publish'd May 1, 1789 by J. Stockdale & G. Goulding. Miguel Teurbe Tolon and caarrried on this expedition. Engraving with very large margins. 185 x 235mm (7¼ Stock: 37399 x 9"). £190 A view of a very rudimentary settlement at Gouldingg's Harbour, a side channel of Portlocks Harbor between Sitka and Juneau in Alaska. From George Dixon's 'Voyage round the World; but More Particularly to the North-West Coast of America: Performed in 1785, 1786, 1787, and 1788, in the King George and Queen Charlotte, Captains Portlock and Dixon'. This was the account of the first commercial voyage to the Pacific Northwest, attempting to trade sea-otter fur. The crew were the first English visitors to Hawaii since Cook. Stock: 35849

561. View of St. Anthony's Nose, on the North River, Province of New York. G.B. Fisher delin.r. J.W. Edy Aquatinta. Pub'd Sept.rr 1, 564. [Three Watercolour Views in Dominica.] 1795, by J.W. Edy, No.2, Romney Row, St. John's, View of the Town of Roseau More, Bruce in Westminster. the Island of Dominica. [&] View of the Aquatint, printed in colours and hand finished. Sheet 470 x 665mm (18½ x 26¼"). Trimmed to plate, laid on Svottish Head in the Islaand of Dominica. [&] board. Repaairs on right. £850 View of Morne Bruce, the Town of Roseau, A large aquatint view of 'St. Anthony's Nose', a 900- and the Scotts-Head, in the Isalnd of Dominica. foot high promontary on the Hudson River near [n.d., c.1820.] Peekskill. It was published in the very rare series 'Six Watercolour. Rare. Sheet: 430 x 310mm, (17 x 12"). Views in North America', aquatinted by John William Fine. Laid down. £950 Edy after Lieut. George Bulteel Fisher, one of only two Three very fine watercolours of the Island of Dominica views of the United States rather than Canada. in the vacinity of the Island's capital Roseau on the Fisher (1764-1834) was aide to Prince Edward, major- West coast. The watercolourrs show local Dominicans general of the British Army in Canada, to whom he in their fishing boats and theiir dwellings as well as dedicated the series. large European ships coming into harbour. The French Stock: 36848 and British fought for controol of Dominica into the 19th Century, one watercolour shows the Union jack 562. Government Dock Yard Bermuda. flying from a building on the top of a hill. Stock: 37514 A. Fullarton & Co London & Edinburgh. [n.d., c.1860.] Coloured wood engraving. Sheet 65 x 200mm (2½ x 565. [King's Square / St Jago de la Vega] 7¾"). Trimmed from a larger sheet. £140 [Dra]wn by James Hakewill / Engrav'd by Sutherla[nd] [Publish'd Februr ary 1 1824 by Hurst Robinson & Co 90 Cheapside & E. Lloyd, Haarley Str.] Aquatint with hand-colouring, watermark: 'J known for his books, which documented visits to Whatman'; sheet 135 x 260mm (5¼ x 10¼"). Trimmed Jamaica, Paris, and Italy (in which Hakewill's sketches close to image, losing title and other text. £160 were the basis for watercolours by JMW Turner King's Square in St Jago de la Vega (Spanish Town), subsequently engraved for the book). Abbey 683.9. the capital of Jamaica until nearby Kingston became Stock: 37210 the capital in 1872. In the centre is the temple constructed by John Bacon for Admiral Rodney, 568. [Montpelier Estate, St James's The commemorating his victory over the French at the property of C.R. Ellis Esqe M.P.] Battle of the Saints in 1782. On the left is the House of Drawn by James Hakewill / Engraved by Fielding Assembly and on the right is the King's House. [Publish'd February 1 1824 by Hurst Robinson & Co Plate from James Hakewill's 'A Picturesque Tour of the 90 Cheapside & E. Lloyd, Harley Str.] island of Jamaica' (seven parts, 1824-5). Hakewill Aquatint with hand-colouring, sheet 150 x 220mm (6 x (1778-1843) was an architectural draughtsman best 8¾"). Trimmed close to image, losing title and other known for his books, which documented visits to text. £140 Jamaica, Paris, and Italy (in which Hakewill's sketches The Montpelier estate in Jamaica, where sugar was were the basis for watercolours by JMW Turner produced and cattle reared until the entire estate shifted subsequently engraved for the book). Abbey 683.1; For to cattle following the 1831 slave revolts which led to Admiral Rodney see ref. 36624; for John Bacon see the Slavery Abolition Act of 1833. The property was ref. 8781 owned at this time by Charles Rose Ellis, first baron Stock: 37205 Seaford (1771-1845). Plate from James Hakewill's 'A Picturesque Tour of the 566. [Cardiff Hall, / St Ann's] island of Jamaica' (seven parts, 1824-5). Hakewill Drawn by James Hakewill / Engrav'd by Sutherland (1778-1843) was an architectural draughtsman best [Publish'd July 1 1824 by Hurst Robinson & Co 90 known for his books, which documented visits to Cheapside & E. Lloyd, Harley Str.] Jamaica, Paris, and Italy (in which Hakewill's sketches Aquatint with hand-colouring, sheet 140 x 205mm (5¼ were the basis for watercolours by JMW Turner x 8"). Trimmed close to image, losing title and other subsequently engraved for the book). Abbey 683.3 text. £140 Stock: 37207 Cardiff Hall, situated to the west of St Ann's Bay on the north coast of Jamaica, was a plantation house 569. Bryan Castle, Great House, Trewlawny. owned by John Blagrove. Blagrove owned 1500 slaves Drawn by James Hakewill / Engraved by Sutherland. in Jamaica, each of whom he left a dollar in his will. Publish'd Mar. 1 1824 by Hurst Robinson & Co 90 Blagrove was still alive when James Hakewill sketched Cheapside & E. Lloyd, Harley Str. the buildings, but died in April 1824, shortly before Aquatint with hand-colouring, platemark 230 x 295mm this print was published. In 1831 a large-scale slave (9 x 11½"). Large margins. Paper watermarked revolt in Jamaica contributed directly to the Slavery Whatman 1825; excellent condition. £320 Abolition Act of 1833. Bryan Castle in Trelawny Parish, northwest Jamaica. Plate from Hakewill's 'A Picturesque Tour of the island The house was built by Bryan Edwards (1743-1800), of Jamaica' (seven parts, 1824-5). Hakewill (1778- planter and politician who owned large estates in 1843) was an architectural draughtsman best known for Jamaica. his books, which documented visits to Jamaica, Paris, Plate from James Hakewill's 'A Picturesque Tour of the and Italy (in which Hakewill's sketches were the basis island of Jamaica' (seven parts, 1824-5). Hakewill for watercolours by JMW Turner subsequently (1778-1843) was an architectural draughtsman best engraved for the book). Abbey 683.15 known for his books, which documented visits to Stock: 37206 Jamaica, Paris, and Italy (in which Hakewill's sketches were the basis for watercolours by JMW Turner 567. Holland Estate. St Thomas in the East. / subsequently engraved for the book). Abbey 683.5; for The Property of G.W. Taylor Esq.e M.P. Bryan Edwards see ref. 24764; for Trelawny Parish Drawn by James Hakewill / Engrav'd by Sutherland. see ref. 26074. Publish'd Aug. 1 1825 by Hurst Robinson & Co 90 Stock: 37208 Cheapside & E. Lloyd, Harley Str. Aquatint with hand-colouring, platemark 210 x 290mm 570. Rose Hall, St James' (8¼ x 11½"). Excellent condition. £350 Drawn by James Hakewill / Engrav'd by Sutherland. The Holland Estate sugar plantation in St Thomas, Publish'd Apr. 1 1824 by Hurst Robinson & Co 90 Jamaica. It was owned at this time by the politician Cheapside & E. Lloyd, Harley Str. George Watson Taylor (1770-1841). Taylor amassed Aquatint with hand-colouring, platemark 235 x 300mm great wealth from the slave owner and politician Simon (9 x 11½"). Large margins. Paper watermarked Taylor (1739-1813) and numbered William IV Whatman 1822; excellent condition. £320 amongst his friends, but his extravagant lifestyle (and Rose Hall, near Montego Bay, Jamaica, seen from its the abolition of slavery in 1833, which he vigorously gates. In the 18th century the residence belonged to the opposed) brought him close to bankruptcy. politician Sir Charles Price (1708-1772) and his son, Plate from James Hakewill's 'A Picturesque Tour of the who was forced to sell it after trade was disrupted island of Jamaica' (seven parts, 1824-5). Hakewill during the American War of Independence. The hall (1778-1843) was an architectural draughtsman best still stands as a luxury venue complete with golf course. Plate from James Hakewill's 'A Picturesque Tour of the island of Jamaica' (seven parts, 1824-5). Hakewill (1778-1843) was an architectural draughtsman best known for his books, which documented visits to Jamaica, Pariis, and Italy (in which Hakewill's sketches were the basis for watercolours by JMW Turner subsequently engraved for the book). Abbbey 683.9. Stock: 37209

571. View From Content. P.H. Gosse Del.t. H & N Hanhart Imp.t. [London: Longman & Co. 1851.] Rare tinted lithograph. Sheet size: 95 x 140mm (3¾ x 574. [Set of Four Views of Charlotte Amalie, 5½"). Small rrepaired tear in upper egde. £95 St. Thomas.] South East View of the Town Plate three from 'A Naturalist's Sojourn In Jamaica' by Charlotte Amalie on the Island of St. Thomas. English naturalist Phillip Henry Gosse (1810 - 1888), [&] East View of the Town of Charlotte published in 1851. Gosse travelled to Jamaica in 1844 Amalieon the Island of St.Thomas. [&] South and stayed for eighteen months to observe the diverse West View of the Town Charlotte Amalie on wildlife there. Upon his return he described his the Island of St. Thomass. [&] West View of the findings in a trilogy of books. The first two examined the island's birds, he has been hailed as the 'father of Town Charlotte Amalie oon the Island of St. Jamaican ornithology', and the third described all the Thomas. other forms of life on the island, from beetles to fruit Gez. v. R. Stennet, 1833. Litth v. C. W. Arladt u C. trees. Gosse documented his work by writing it in a Müller. Gedruckt v. L. Zöllnner. diary form, discussing what he encountered as his Set of four lithographs on india. Sheet: 265 x 190mm, journey progressed, and providing a number of (10½ x 7½"). Scarce. Few repairs. Titles separate. illustrations. Abbey Travel: 688. £1150 Stock: 37152 Four views, two from the land and two from the sea of the town of Charlotte Amalie of St. Thomas in the 572. West Indies I. Port Royal Harbour West Indies. Charlotte Amalliie was named after Charlotte Amalie of Hesse-Kassel (1650-1714) queen Jamaica. consort to King Christian V of Denmark and was a [A. Fullarton & Co London & Edinburgh. n.d., Danish colony until 1917 when it was bought by the c.1860.] US. Coloured wood engraving. Sheet 70 x 200mm (2¾ x Stock: 37513 7¾"). Trimmed from a larger sheet. £50 From 'Scenery and Animated Life'. The same image 575. View of El Medinah. Taken From the was used on Fullarton's lithographic map of Jamaica. Stock: 37396 Harrah (Or Ridge) West of the Town. R. Burton Del.t. Hanhart Lith. [n.d., c.1855.] 573. [Jamiaca] Cave. Tinted lithograph. Sheet sizee: 140 x 225mm (5½ x P.H. Gosse Del.t. H & N Hanhart Imp.t. [London: 8¾"). Large margins. Slightt foxing. £260 Plate 1 from the first volume of Richard Francis Longman & Co. 1851.] Burton's 'Personal Narrative of a Pilgrimage to El- Rare tinted lithograph. Sheet size: 95 x 140mm (3¾ x Medinah and Mecca', 1855-1856. In the spring of 5½"). £95 1853, noted linguist and expllorer Richard Francis Plate five from 'A Naturalist's Sojourn In Jamaica' by Burton (1821-1890) started his most famous and English naturalist Phillip Henry Gosse (1810 - 1888), important journey. Burton undertook the Muslim published in 1851. Gosse travelled to Jamaica in 1844 piilgrimage to Mecca and Medina in disguise at a time and stayed for eighteen months to observe the diverse when Europeans were forbidden access. Abbey: 368. wildlife there. Upon his return he described his Stock: 37262 findings in a trilogy of books. The first two examined the island's birds, he has been hailed as the 'father of Jamaican ornithology', and the third described all the 576. View of El Medinah, the Burial Place of other forms of life on the island, from beetles to fruit the Prophet. Taken From the Harrah (Or trees. Gosse documented his work by writing it in a Ridge) West of the Town. diary form, discussing what he encountered as his R. Burton Del.t. Hanhart Lith. [n.d., c.1855.] journey progressed, and providing a number of Tinted lithograph. Sheet sizee: 140 x 225mm (5½ x illustrations. Abbey Travel: 688. 8¾"). Large margins. Foxingg. £260 Stock: 37153 Plate 6 from the second voluumme of Richard Francis Burton's 'Personal Narrative of a Pilgrimage to El- Medinah and Mecca', 1855-1856. In the spring of 1853, noted linguist and expllorer Richard Francis Burton (1821-1890) started his most famous and important journey. Burton undertook the Muslim A view of Hong Kong, publiished the year after the pilgrimage to Mecca and Medina in disguise at a time island was leased to the Britiish. when Europeans were forbidden access. Abbey: 368. Stock: 35852 Stock: 37263 581. Hong Kong. 577. Canton R.E. del et lith. / Hullmandell & Watson, Imp London: R.E. del et lith. / Hullmandel & Watson, Imp London: Hurst & Blackett Great Marllborough Street [c.1854] Hurst & Blackett Great Marlborough Street [c.1854] Colour lithograph, printed arrea 130 x 180mm (5 x 7"). Tinted lithograph, printed area 135 x 190mm (5 x Large margins. £240 7½"). Large mmargins. £140 View in Hong Kong soon afftter it becane a British Busy view showing the commercial significance of the colony in 1842. From: Robert Elwes Sketches Tour port city of Guangzhou (formerly Canton) in the Around The World. Not in Chater Collection. Guangdong province of China. In the early 19th Stock: 37031 century it was the centre of overseas trade with China. Stock: 37033 582. Hong Kong. C. Graham del. A. H. Pyne sc. London E.T. Brain & 578. View of Canton C.o. Fleet Street. [text missing]-gate Potomac / Ja.s Archer Sc. Boston. Hand-coloured engraving. Sheet: 280 x 220mm, (11 x [n.d., c.1820] 8½"). Cut to platemark. £130 Engraving, sheet 215 x 400mm (8½ x 15¾"). A view of Hong Kong from tthe water, the bay is full of Trimmed; folds as normal; small hole in centre; bottom large European ships and small Chinese fishing boats. left corner missing. £260 Stock: 37188 Busy view showing the commercial significance of the port city of Guangzhou (formerly Canton) in the 583. Victoria, Hong Koong Guangdong province of China. In the early 19th [Anon., c.1850] century it was the centre of overseas trade with China. Steel engraving, sheet 135 x 195mm (5¼ x 7¾"). American print by the Boston engraver J. Archer. Trimmed inside platemark. £160 Stock: 37030 Victoria or Victoria City (oriiginally known as Queenstown), one of the firstt urban settlements in Hong Kong aftere it became a British colony in 1842. It was the de facto capital of Hoong Kong from then until the 1997 handover. Not in Chater Collection Stock: 37026

584. View of Wampooh China. Owen del. Wells sc. Publish''d by Bunney & Gold, June 1, 1802. Aquatint. 140 x 225mm (5½ x 8¾"). £130 Huangpu, in the Guanghzou region of China. Published in the 'Naval Chronicle' in 1802, where it was described as 'a small but poppulous village, pleasantly 579. Une Rue de Canton. situated on the eastern bank of the Pe-kiang river, Paris sc. / Himely sc. de Sainson Edit / Finot Imp. about twenty miles below the city of Canton'. It was [Paris: Imprimerie Royale, 1833-1835.] the docking area for many nations trading with China Aquatint on india paper, platemark 285 x 380mm. 11¼ in the 18th century and was tthe site of a battle between x 15". Tear (tto backing sheet but not india) upper righht Chinese and British forces in 1841 during the Opium £320 Wars. Canton (now Guangzhou) in the Guangdong province Stock: 37027 of China. A rare western example of a precise Chinese street scene showing a range of activities and trades. 585. Second Bar, China From 'Voyage autour du monde par les mers de l'Inde Owen del. Wells sc. Published by J. Gold 103 Shoe et de la Chinne de la corvette de sa Majeste La Favorite Lane 1st Nov.r 1802 execute pendant les annees 1830, 1831, 1832 sous le Aquatint and accompanying letterpress sheet140 x commandement de M. Laplace...' (5 vols). 225mm (5½ x 8¾"). £130 Stock: 36962 'A picturesque view on the riiver Canton, the only river, in that extensive country [China] . into which the 580. Harbour of Hong Kong. vessels of foreign nations are admitted', as the [after Thomas Allom.] Engraved by S. Bradshaw.] accompanying text informs. IIn the Shizi Ocean in the [London: Fisher, Son & Co, 1843.]. Guanghzou region of China, 'Second Bar' was one of Steel engraving with hand colour. Sheet 165 x 220mm two 'bars' which was the term used by the British to (6½ x 8¾"). Trimmed within plate, losing publication refer to sandbanks which impeded ships' transport up line. £80 the Canton River. It was situuated near current Huangpu New Port. Stock: 37028 586. Fort Victoria, Kow Loon. 591. Shanghai Drawn by T. Allen. From a sketch on Engraved by M. R.E. del et lith. / Hullmandell & Watson, Imp London: J. Starling. The London Printing and Publishing Hurst & Blackett Great Marllborough Street [c.1854] Company Limited. Lithograph and tintstone printed area 135 x 190mm (5 Hand-coloured engraving. Sheet: 270 x 210mm, (10½ x 7½"). Large margins. £140 x 8¼"). Cut to platemark. £130 One of the earliest views of Shanghai, soon after it was A view of Victoria Bay near Kow Loon, now part of opened to foreign trade as a rresult of the British victory Hong Kong. The bay is full of European ships and over China in the First Opium War. It later grew into small Chinese fishing boats, some figures swim while the centre of China's commerrce with the West, others load and unload ships. Soldiers guard the supplanting Canton (Guangzhou) which had held that entrance to the fort and another converses with a poosition prior to the Opium Wars. From: Robert Elwes fisherman. Sketches Tour Around The World. Stock: 37191 Stock: 37032

587. The Pria Grandé, Macao. Le Pria Grandé, Macao. Pria Grandé Macao. 592. Taj Mahal - Agra Drawn by T. Allom. From a sketch on the spot by Drawn from Nature & on stone by Capt.n J. Luard. Warner Varnham, Esq. Engraved by W. H. Capone. Printed by Graf & Soret. [n.d., c.1835]. The London Printing and Publishing Lithograph on India paper wiith large margins. Printed Company_Limited. area: 280 x 200mm (11 x 8")). £240 Hand coloured engraving. Sheet: 275 x 205mm, (10¾ An ornate screen surrounding a tomb in the Taj Mahal. x 8"). Cut to platemark. £130 By Major John Luard (1790 - 1875), who published A view of the promenade of Praia Grande Bay in 'Views in India, Saint Helena and Car Nicobar, drawn Macau which was under Portugese rule. The from nature and on stone' in 1835, and 'History of the promenade is lined with handsome European buildings Dress of the British Soldier' iin 1852. and the bay is full of boats. Stock: 36878 Stock: 37187 593. Bazaar - Barhampore. 588. Macao Drawn from Nature & on stone by Capt.n J. Luard. C. Graham del / A.H. Payne sc. London: Brain & Printed by Graf & Soret. [n.d., c.1835]. Payne. 12, Paternoster Row [c.1850] Lithograph on India paper wiith large margins. Printed Steel engraving with hand-colouring, sheet 205 x area: 220 x 280mm (8¾ x 15") £140 270mm (8 x 10½"). £85 A scene in Baharampur, Bengal, with a shanty shop Prospect of the trading port of Macao (Macau), on the various jars and baskets of riice. South China Sea; a sailing ship in foreground. Macao By Major John Luard (1790 - 1875), who published is now, along with Hong Kong, one of the two special 'Views in India, Saint Helena and Car Nicobar, drawn administrative regions of the People's Republic of from nature and on stone' in 1835, and 'History of the China Not in Chater Collection Dress of the British Soldier' iin 1852. Stock: 37024 Stock: 36880

589. Macao,- China Drawn by W. Purser / Engraved by W. Floyd Fisher, Son & Co. London 1832 Steel engraving, platemark 170 x 250mm (6¾ x 9¾"). Large margins. £130 Prospect of the trading port of Macao (Macau), on the South China Sea; a sailing ship in foreground. Macao is now, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. View along the Praya Grande showing buildings in detail. This is a less common view that the distant views looking towards the island from the sea. Not in Chater Collection Stock: 37025 594. A View of Bombay from Malabar Point 590. Quantekong. [Idole des Chinois.] Taken on the Spot by Lieut. Col. Williamson, [Pieter van der Aa, 1729.] during the dreadful Firee of the Night of the Engraving. Plate: 160 x 270mm, (6¼ x 10½"). Very 17th Grn.y 1803, and Engraved from the large marginns. £240 original Drawing in the possession of Sir A portrait of Quantekong, a Chinese diety at his Charles Warre Malet Bar.t writing desk. An illustration from 'La agreable galerie Engraved by J.S. Barth Publiished Jan.y 5 1804, by R. du monde...' published by Pieter van der Aa in 1729. Cribb No. 288 Holborn, Lonndon. Stock: 37478 Very scarce aquatint, platemark 265 x 355mm (10½ x cats etc. Among the publishers are 'The Asiatic 14"). Very large margins. £450 Lithographic Press' and 'T. Black', both of Calcutta. Bombay, (now Mumbai, the capital of Maharashtra Stock: 37181 State), which at the time was the headquarters of the East India Company. From a sketch made from the 598. Near Lucknow. wooded promontory of Malabar Hill during the great Drawn from Nature & on stone by Capt.n J. Luard. fire of 1803 which destroyed much of the settlement. Printed by C. Hullmandel. [n.d., 1835]. As a result of the disastrous fire, the British planned a Lithograph on India paper with large margins. Printed new town with wider roads. area: 280 x 200mm (11 x 8"). £130 After a sketch by the military officer Thomas A general view of Indian temple architecture with a Williamson, 'who served upwards of Twenty Years in pair of camels tethered in the foreground. Bengal' and whose drawings were also the basis of By Major John Luard (1790 - 1875), who published Orme's 'Wild Sports of the East'. 'Views in India, Saint Helena and Car Nicobar, drawn Stock: 37013 from nature and on stone' in 1835, and 'History of the Dress of the British Soldier' in 1852. 595. Hindostannee Costume. Stock: 36876 Drawn from Nature & on stone by Capt.n J. Luard. Printed by Graf & Soret. [n.d., c.1835]. 599. [West Point of Sattarah.] Lithograph on India paper with large margins. Printed [Sketched by an Officer in the Indian Army. Drawn on area: 280 x 200mm (11 x 8"). £160 Stone by A. Picken.] [Printed and published by A. A child in gown and slippers. Friedel, 24, Greek Street, Soho, London.] By Major John Luard (1790 - 1875), who published Lithograph on india, proof before letters. Printed area 'Views in India, Saint Helena and Car Nicobar, drawn 185 x 255mm (7¼ x 9"). £190 from nature and on stone' in 1835, and 'History of the The fort at Satara near Pune, a seat of Maratha power Dress of the British Soldier' in 1852. in the 17th and 18th centuries, used as a British Stock: 36877 cantonment in the 19th. From 'Eight Most Splendid Views of India, sketched by an Officer in the Indian 596. The Key to the Plate representing the Army', showing hill forts in forts situated in the method of catching Wild Elephants. The Western Ghats of Maharashtra, western India. Elephants are driven together by a great Although Baron Adam Friedel is sometimes quoted as number of People in districts of three of four the artist as well as the publisher, it is unlikely that he miles in Circumference towards the Kraal [...] served as a soldier in India; he was already a successful [Engraved by Robert Havell, published by Robert publisher, particularly of portraits of the leaders of the Cribb, 1817] Greek revolution. Stock: 35534 Very scarce etching and aquatint, platemark 130 x 705mm (5 x 27¾"). Large margins. Folds as normal. £650 600. Aboo's Tomb - Merut. Long view showing the various stages of capturing an Drawn from Nature & on stone by Capt.n J. Luard. elephant in a kraal or enclosure on the island of Ceylon Printed by Graf & Soret. [n.d., c.1835]. (now Sri Lanka) . While this print is described as a key Lithograph on India paper with large margins. Printed and originally accompanied a bird's eye view of area: 220 x 280mm (8¾ x 15") £220 elephants being captured, this is not a key in the A scene in Meerut, with a camel rider, two elephants traditional sense of identifying the components of an and a mahout, with ornate tombs behind. image. Rather it shows the different stages of the By Major John Luard (1790 - 1875), who published activity whereas the print it accompanies shows only 'Views in India, Saint Helena and Car Nicobar, drawn one stage. The 'key' therefore provides a more from nature and on stone' in 1835, and 'History of the informative and educational counterpart to the Dress of the British Soldier' in 1852. decorative landscape view it accompanied. Stock: 36879 Elephants were traditionally captured for the King and kept in his stables. George III owned a copy of the 601. Nurmahal, uxer Schach Selim, Supremi accompanying print as part of his large collection of Mogol. topographical prints. Ex: Spencers and Collection of [anon., c.1710] the Late Hon. C. Lennox-Boyd. Etching, platemark 285 x 170mm (11¼ x 6¾"). Small Stock: 37225 margins. £130 Scene in Nurmahal, or Noor Mahal, a city in the 597. [Collection of 65 prints from various Jalandhar district in the state of Punjab, India. Plate Indian presses.] from 'Principum et Illustrium quorundam Virorum qui [1840s.] in Europa alibique Terrarum, quà Fama, quà Eruditione 65 prints, mainly lithographs, a few with original célèbres fuerunt, verae Imagines' published by Pieter colour. Most sheets 140 x 220mm (5½ x 8½"), but a van der Aa in Leyden. few folding. £1450 Stock: 37016 Includes many hunting scenes from the 'India Sporting Review', horse racing & elephants, birds, fish, large 602. View of Oudanulla, as it appeared before 608. Singapore Scene in Singapore. Eine the Attack in 1763. Chunargur from the West, Scene in Singapore. as it appeared after the Siege in 1764. [by the Krebs Lithographing Co from a photograph by Published according to Act of Parliament by J. Rennell, George Moerlin.] [Cincinatti: M. & R. Burgheim, n.d., Dec.r 14th 1780. 1886.] Rare engraving. 255 x 440mm (10 x 17¼"). Large Chromolithograph, printed area 160 x 180mm (6¼ x margins. Bit dusty. £240 7"). £95 Two views on one plate, depicting forts on the Ganges Singapore harbour scene, published in 'A Trip Around attacked by the British during their consolidation of the World'. Bengal in the 1760s. It was first published in the Stock: 35818 second edition of James Rennell's 'Bengal Atlas', one of the landmarks of cartography. 609. Singapore. Coconut Grove. Stock: 37071 Kokospalmen Wäldchen. [by the Krebs Lithographing Co from a photograph by 603. Chinese 'Mylan' from Rickshaw [ms George Moerlin.] [Cincinatti: M. & R. Burgheim, n.d., verso] 1886.] Pencil drawing, sheet 320 x 250mm (12½ x 9¾"). Chromolithograph. Printed area 135 x 185mm (5¼ x Unidentified signature lower right. £180 7¼"). £75 Pencil sketch of a resident of a Chinese man. A European stone bridge over the Kallang, coconut Stock: 36960 palms behind, published in 'A Trip Around the World'. Stock: 35806 604. Crossing the Line. Drawn & Engraved by Tho.s. & Will.m. Daniell. 610. A Pengaten Wadon or Bride. Published by Mess.rs. Longman, Hurst, Rees & Orme, [Willian Daniell.] London, Published by Black, Paternoster Row, Jan.y.1.1810. Parbury & Allen. Leadenhall Street. 1817. Hand-coloured aquatint with large margins. Plate: 250 Hand coloured aquatint. On watermarked paper, 'Smith x 185mm, (9¾ x 7¼"). £95 & Allnutt. 1816. 'Sheet size: 265 x 210mm (10¼ x Plate from Thomas and William Daniell's 'Picturesque 8¼"). £120 voyage to India; by way of China'. A crew surround Plate 18 from 'The History of Java' written by Sir four figures dressed in furs, one sits in a tub. A Thomas Stamford Raffles (1781-1826), published in traditional celebration to crossing the Equator. two volumes, 1817. A Jarvan bride depicted wearing Stock: 36375 ornate gold jewellery including a head piece, earrings, arm bands, cuffs, necklace and waistband. After 605. [Landscape, probably South-East Asia.] serving as Lieutenant Governor of Java, Raffles [Anon., c.1830] returned to London and began preparations for the Lithograph on india with small margins, india 170 x publication of 'The History of Java'. He collected 330mm (6¾ x 13"). Rare £190 numerous documents of Javanese culture, including Picturesque landscape with cattle in a river and temple ancient and modern musical instruments, models, in middle distance. books, drawings, cloth, and carvings in wood and Stock: 35817 metal, as well as natural history specimens like plants, animal skeletons and skins. This immense collection 606. Malay / Kuala Lumpur / F.M.S. [ms was then transported to London and served his source verso] material for the text. Abbey: 554. Stock: 37249 Pencil drawing, sheet 265 x 235mm (10½ x 9¼"). Foxing lower left. Unidentified signature lower right. £180 611. A Penganten Lanang or Bridegroom. Pencil sketch of a resident of Kuala Lumpur, capital of [Willian Daniell.] London, Published by Black, Malaysia. Parbury & Allen. Leadenhall Street. 1817. Stock: 36959 Hand coloured aquatint. 'Sheet size: 265 x 210mm (10¼ x 8¼"). £120 607. Singapore. Police Station. Chinese Plate 19 from 'The History of Java' written by Sir Temple Thomas Stamford Raffles (1781-1826), published in two volumes, 1817. A Jarvan bridegroom, standing in [by the Krebs Lithographing Co from a photograph by profile to the right, wearing traditional ornate golden George Moerlin.] [Cincinatti: M. & R. Burgheim, n.d., jewellery including a head piece, arm bands, cuffs, and 1886.] waistband. After serving as Lieutenant Governor of Chromolithograph, printed area 185 x 155mm (7 x Java, Raffles returned to London and began 6¼"). £75 preparations for the publication of 'The History of Scenes in Singapore, published in 'A Trip Around the Java'. He collected numerous documents of Javanese World'. Stock: 35819 culture, including ancient and modern musical instruments, models, books, drawings, cloth, and carvings in wood and metal, as well as natural history specimens like plants, animal skeletons and skins. This immense collection was then transported to London London and began preparations for the publication of and served hiis source material for the text. Abbey: 554. 'The History of Java'. He colllected numerous Stock: 37250 documents of Javanese cultuure, including ancient and modern musical instruments,, models, books, drawings, 612. A Javan of the lower class. cloth, and carvings in wood and metal, as well as [Willian Daniell.] London, Published by Black, natural history specimens like plants, animal skeletons Parbury & Allen. Leadenhall Street. 1817. and skins. This immense colllection was then Hand coloured aquatint. On watermarked paper, 'Smith transported to London and served his source material & Allnutt. 1816. 'Sheet size: 265 x 210mm (10¼ x for the text. Abbey: 554. 8¼"). £120 Stock: 37243 Plate 2 from 'The History of Java' written by Sir Thomas Stamford Raffles (1781-1826), published in 614. A Javan Woman of the lower class. two volumes, 1817. A man in traditional costume [Willian Daniell.] London, Published by Black, stands with one hand on his hip and a sword tucked Parbury & Allen. Leadenhalll Street. 1817. into his waistband. A small settlement can be seen to Hand coloured aquatint. 'Sheet size: 265 x 210mm the left, withh hills beyond. After serving as Lieutenant (10¼ x 8¼"). £120 Governor of Java, Raffles returned to London and Plate 3 from 'The History of Java' written by Sir began preparations for the publication of 'The History Thomas Stamford Raffles (17781-1826), published in of Java'. He collected numerous documents of Javanese two volumes, 1817. A women, standing slightly to the culture, including ancient and modern musical left, wearing a tunic, long skkiirt and sash. Cattle and a instruments, models, books, drawings, cloth, and large cart are on the left, with a small building to the carvings in wood and metal, as well as natural history right and hills behind. After sserving as Lieutenant specimens like plants, animal skeletons and skins. This Governor of Java, Raffles retturned to London and immense collection was then transported to London beegan preparations for the publication of 'The History and served hiis source material for the text. Abbey: 554. of Java'. He collected numerous documents of Javanese Stock: 37242 culture, including ancient and modern musical instruments, models, books, drawings, cloth, and carvings in wood and metal, as well as natural history specimens like plants, animal skeletons and skins. This immense collection was then transported to London and served his source materiaal for the text. Abbey: 554. Stock: 37244

615. A Javan Chief in his ordinary dress. [Willian Daniell.] London, Published by Black, Parbury & Allen. Leadenhalll Street. 1817. Hand coloured aquatint. 'Sheet size: 265 x 210mm (10¼ x 8¼"). £120 Plate 4 from 'The History of Java' written by Sir Thomas Stamford Raffles (17781-1826), published in two volumes, 1817. A Javan chief in traditional costume, standing in front off a river, pointing to the right. Other figures can be seen on the banks in the distance. After serving as Lieutenant Governor of Java, Raffles returned to London and began preparations for the publication of 'The Histoorry of Java'. He collected numerous documents of Javanese culture, including ancient and modern musical instruments, models, boooks, drawings, cloth, and carvings in wood and metal, as well as natural history specimens like plants, animal skeletons and skins. This immense collection was then transported to London and served his source 613. A Rong'geng or dancing Girl. material for the text. Abbey: 554. [Willian Daniell.] London, Published by Black, Stock: 37245 Parbury & Allen. Leadenhall Street. 1817. Hand coloured aquatint. On watermarked paper, 'Smith 616. A Javan in the War dress. & Allnutt. 1816.' Sheet size: 265 x 210mm (10¼ x [Willian Daniell.] London, Published by Black, 8¼"). £120 Parbury & Allen. Leadenhalll Street. 1817. In ink near right arm Speciosum Miracum; Plate 21 Hand coloured aquatint. 'Sheet size: 265 x 210mm from 'The History of Java' written by Sir Thomas (10¼ x 8¼"). £120 Stamford Raaffles (1781-1826), published in two Plate 5 from 'The History of Java' written by Sir volumes, 1817. A woman in traditional costume, Thomas Stamford Raffles (17781-1826), published in dancing in profile to the right. After serving as two volumes, 1817. A figuree in traditional 'War Dress', Lieutenant Governor of Java, Raffles returned to holding a spear with his righhtt hand and a long sword with his left. After serving as Lieutenant Governor of Japanese custom, engraved after a painting by Wilhelm Java, Raffles returned to London and began Gottlieb Tilesius von Tilenau (1769-1857), a doctor preparations for the publication of 'The History of and naturalist who travelled widely making landscape Java'. He colllected numerous documents of Javanese drawings, which were used to illustrate many scientific culture, including ancient and modern musical and geographical volumes. instruments, models, books, drawings, cloth, and Stock: 37215 carvings in wood and metal, as well as natural history specimens like plants, animal skeletons and skins. This 620. Singapore immense collection was then transported to London R.E. del et lith. / Hullmandell & Watson, Imp London: and served hiis source material for the text. Abbey: 554. Hurst & Blackett Great Marllborough Street [c.1854] Stock: 37246 Tinted lithograph, printed area 135 x 190mm (5 x 7½"). £260 617. A Javan in the Court dress. An early view of Singapore, off the southern tip of the [Willian Daniell.] London, Published by Black, Malay Peninsula. It was founded in 1819 as a trading Parbury & Allen. Leadenhall Street. 1817. poost of the East India Company and was a British Hand coloured aquatint. 'Sheet size: 265 x 210mm settlement from 1826 until 19963. From: Robert Elwes (10¼ x 8¼"). £120 Sketches Tour Around The World. Plate 6 from 'The History of Java' written by Sir Stock: 37034 Thomas Stamford Raffles (1781-1826), published in two volumes, 1817. A figure, facing the right standing 621. Singapore. with one hand on a dagger by his waist, in traditional [Anon., c.1860] Jarvan 'court dress'. A building can be seen behind too Engraving, sheet 80 x 130mm (3 x 5"). Slight tear in the left, withh hills on the right. After serving as title. £75 Lieutenant Governor of Java, Raffles returned to Singapore, Southeast Asia. A number of various London and began preparations for the publication of vessels can be seen on the waater with small houses on 'The History of Java'. He collected numerous the shore in the distance. documents of Javanese culture, including ancient and Stock: 36963 modern musical instruments, models, books, drawings, cloth, and caarvings in wood and metal, as well as natural history specimens like plants, animal skeletons and skins. This immense collection was then transported to London and served his source materiall for the text. Abbey: 554. Stock: 37247

618. A Madurese of the rank of Mantri. [Willian Daniell.] London, Published by Black, Parbury & Allen. Leadenhall Street. 1817. Hand coloured aquatint. 'Sheet size: 265 x 210mm (10¼ x 8¼"). £120 Plate 7 from 'The History of Java' written by Sir Thomas Stamford Raffles (1781-1826), published in two volumes, 1817. Three figures in traditional costume; two on the right are conversing and carrying objects. Smal buildings and other figures are in the 622. [Riders in Countryside] backgrond with hills in the distance. After serving as Copied on Stone by E. Purcell. Redman Lithog. Lieutenant Governor of Java, Raffles returned to "London Published by J. G. Ashley. February 1821". London and began preparations for the publication of [In manuscript below image..] 'The History of Java'. He collected numerous Scarce large lithograph. Fellowes 1817 watermarked documents of Javanese culture, including ancient and paaper; Sheet size: 490 x 615mm (19¼ x 24¼"). Very modern musical instruments, models, books, drawings, large margins. Some small teears to edges of sheet. cloth, and caarvings in wood and metal, as well as £360 natural history specimens like plants, animal skeletons Two figures in traditional Peersian costume, riding and skins. This immense collection was then horses from right to left in a landscape with a castle on transported to London and served his source materiall a hill in the background to the right. From for the text. Abbey: 554. 'Lithographic Costumes of Russia and Persia'. Stock: 37248 Stock: 37163

619. [Japanese Greeting] Japanischer Gruss [with text in Russian] Tilesius p. / J. Tschesky Sc. [c.1800] Rare engraving, platemark 240 x 310mm (9½ x 12¼"). Very large margins. £360 Tinted lithograph. Very rare.. Sheet size: 120 x 165mm (4 x 6½"). Trimmed to image. £70 Plate 15 from 'Oriental and Western Siberia' by Thomas Witlam published in 1858, a narrative of seven years of exploration in Siberiia, Mongolia, the Kirghis Steppes, Chinese Tartary and part of Central Asia. Abbbey: 530. Stock: 37257

626. River Djem-A-Louk. [W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's to the Queen.] London, Published by Hurst & Blackett. [n.d., c.1858.] Tinted lithograph. Very rare.. Sheet size: 105 x 165mm (4 x 6½"). Trimmed to image. £80 Plate 15 from 'Oriental and Western Siberia' by Thomas Witlam published in 1858, a narrative of seven years of exploration in Siberiia, Mongolia, the Kirghis Steppes, Chinese Tartary and part of Central Asia. Abbbey: 530. Stock: 37258

627. Volcanic Crater, Saian Mountains. 623. Ceylan, entre Colombo et Kandy, Mai W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's 1841. to the Queen. London, Published by Hurst & Blackett. de Rudder lith d'apres le dessin du Prince A. Soltyfoff. [n.d., c.1858.] Impré par Auguste Bry, a Paris. [n.d., c.1848.] Tinted lithograph. Very rare.. Sheet size: 120 x 165mm Lithograph. Framed. Printed area: 360 x 280mm (14 x (4 x 6½"). Trimmed to image. £70 11"). Frame size: 680 x 570mm (26¾ x 22¼"). Plate 7 from 'Oriental and Western Siberia' by Thomas Unexamined out of frame. £580 Witlam published in 1858, a narrative of seven years of A view in Sri Lanka showing a young family standing exploration in Siberia, Mongolia, the Kirghis Steppes, outside a hut in one of the many villages on the routee Chinese Tartary and part of Central Asia. Abbey: 530. between Colombo, the modern capital, and Kandy, Stock: 37256 located in the hills. Fruit including pineapples and bananas are seen on the ground to the left below a 628. A Natural Arch on Nouk-A-Daban. crouching figure who looks up towards a standing man W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's and woman. The woman is carrying a child and to the Queen. London, Published by Hurst & Blackett. holding the hand of another. Sri Lanka was a [n.d., c.1858.] Portuguese colony from the late 16th Century until it Tinted lithograph. Very rare.. Sheet size: 120 x 165mm was captured by the Dutch; a colony which lasted until (4¾ x 6½"). Trimmed to image. £70 the arrival of the British in the late 18th century. The Plate 19 from 'Oriental and Western Siberia' by hill country capital of Kandy was the last kingdom to Thomas Witlam published in 1858, a narrative of seven succumb to the British in 1815. years of exploration in Siberiia, Mongolia, the Kirghis Stock: 36449 Steppes, Chinese Tartary and part of Central Asia. Abbbey: 530. 624. Falls on the Rivek Kopal. Stock: 37254 W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's to the Queen. London, Published by Hurst & Blackett. 629. Zabata-Nor. [n.d., c.1858.] W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's Tinted lithograph. Very rare. Sheet size: 175 x 105mm to the Queen. London, Published by Hurst & Blackett. (7 x 4"). Trimmed to image. Small tear to lower left [n.d., c.1858.] corner. £70 Tinted lithograph. Very rare.. Sheet size: 120 x 165mm Plate 15 from 'Oriental and Western Siberia' by (4¾ x 6½"). Trimmed to image. £70 Thomas Witlam published in 1858, a narrative of seven Plate 7 from 'Oriental and Western Siberia' by Thomas years of exploration in Siberia, Mongolia, the Kirghis Witlam published in 1858, a narrative of seven years of Steppes, Chinese Tartary and part of Central Asia. exploration in Siberia, Mongolia, the Kirghis Steppes, Abbey: 530. Chinese Tartary and part of Central Asia. Abbey: 530. Stock: 37259 Stock: 37255

625. Tamchi-Boulac, or Dropping Spring. 630. [Figures in Turbans.] W. Atkinson del. _ J. Needham lith. Day & Son, Lithr's W.m. Hogarth sculp. to the Queen. London, Published by Hurst & Blackett. Engraving. Sheet: 180 x 260mmm, (7 x 10¼"). Trimmed [n.d., c.1858.] within platenark. £140 An interior view showing the crowning of the Sultan The Paramatta River is a watterway in Sydney, Achmet in the Mosque of Eyup in Istanbul. Illustration Australia. It is the main tributary of Sydney Harbour. for 'A. de la Motraye's Travels through Europse, Asia, Here a ship can be seen enterring with a British Flag and into Part of Africa...' 1723. Paulson 34. marking the territory on the shore. Stock: 37394 From "The History of New South Wales, including Botany Bay, Port Jackson, Paarramatta, Sydney, and all 631. Aboriginal Sepulchre. its dependancies, from the Original Discovery of the Maria Read. [signed in image.] 1868. Island with the Customs and Manners of the Natives; Watercolour. Sheet: 250 x 180mm, (9¾ x 7"). Laid on and an Account of the English Colony, -from its- card. Foxing. £260 Foundation, to the Present Tiimes. by George An amateur watercolour by Maria Read after a Barrington; superintendent of the Convicts. Enriched chromolithograph by Samuel Thomas Gill (1818-1880) with beautiful Coloured Prinnts." Tim McCormick, 'First titled 'Native Sepulchre' from his series of twenty four Views of Australia 1788-18225'; for another impression studies of Australian life titled 'The Australian seee ref. 15621. Sketchbook' 1865. The image illustrates the aboriginal Stock: 37079 burial practice of lying the deceased on an elevated platform draped in leaves, benath the platform several wild dogs gather. Stock: 37165

632. Camping Out. Kate Read. [ssigned in image.] [1868.] Watercolour. Sheet: 255 x 180mm, (10 x 7"). Laid on card. Foxing. £260 An amateur watercolour by Kate Read after a chromolithograph by Samuel Thomas Gill (1818-1880) titled 'Night Camp' from his series of twenty four studies of Australian life titled 'The Australian Sketchbook' 1865. Two figures, situated by a camp fire 635. Sydney. look out towards the distance which is lit by the light V. Woodthorpe sc. Published Dec.24.1802, by M.Jones of a full-moon. See similar watercolours 37166 & Paternoster Row. 37165 Hand-coloured stipple, sheett 125 x 210mm (4¾ x Stock: 37164 8¼"). Small margins. Staining. £180 Early view of Sydney. A rough reworking of a 1796 633. Garden Island. engraving (itself based on a watercolour by Edward Woodthorpe sc. Published March 5 1803 by M. Jones Dayes) which represents a teeam of Cape bullocks Paternoster Row. toiling up Brickfield Hill, George Street near present- Hand-coloured stipple, sheet 125 x 210mm (4¾ x day Central Railway Station.. Here the cattle have been 8¼"). Cut to plate at bottom. £180 retained but the landscape is flatter and less detailed. Garden Island, an inner-city locality of Sydney since From 'The History of New Soouth Wales [...]' joined to the mainland, and used for government and supposedly by the famous piickpocket George naval purposes since the first days of British Barrington (first published 1802), although there is no settlement. From 'The History of New South Wales evidence of his involvement with the book, and [...]' supposedly by the famous pickpocket George London publishers used his name without scruples. Tim Barrington (first published 1802), although there is no McCormick, 'FiF rst Views of Australia 1788-1825', evidence of his involvement with the book, and p.276; for another impressioon see ref. 15718. London publishers used his name without scruples. Stock: 37076 As Tim McCormick shows, the views and text in the book were plagiarised from various sources. This 636. East View of Sydneey. engraving does not relate to any other known views but V. Woodthorpe sc. Published Dec.24.1802, by M.Jones uit and the other views of the book 'are of interest Paternoster Row. because they illustrate how the already complex Hand-coloured stipple, sheett 125 x 210mm (4¾ x process of converting an original field drawing to a 8¼"). Cut to platemark. £180 published book illustration can be still further extendded Early view of Sydney, from ''The History of New South by an illicit trraffic in images'. Tim McCoormick, 'First Wales [...]' supposedly by the famous pickpocket Views of Australia 1788-1825', p.276; for another view George Barrington (first pubblished 1802), although of Sydney from the series see ref. 15718. there is no evidence of his involvement with the book, Stock: 37078 and London pubblishers used his name without scruples. This view, as McCormick notes, is a mirroro -image of 634. Entraance of Paramatta River. an engraving published in David Collins' 'An Account Woodthorpe sc. Published March 25 1803 by M. Jonees of the English Colony' (London, 1798), itself after a Paternoster Row. watercolour by Edward Dayes. The source has been Hand-coloured stipple and etching, 1804 watermarked augmented with the additionn of an Aboriginal paper; sheet 125 x 210mm (4¾ x 8¼"). £180 Australian aiming a spear at a British settler, drawing 640. Sydney Harbour ffrrom Watson's Bay parallels with violence against settlers often depicted in Terry, del. 1853. Sands & Kenny, Sydney & prints such as those documenting Cook's voyages. Tim Melbourne. McCormick, 'First Views of Australia 1788-1825', Steel engraving, sheet 155 x 200mm (6 x 8"). Small p.276; for another view of Sydney from the series see tears. £130 ref. 15718. Sydney Harbour, Australia, ffrom Watson's Bay. Stock: 37075 Watson's Bay was named aftter British sailor Robert Watson, who had been given land there in 1801. He 637. South View of Sydney. beecame harbourmaster of Syydney in 1811 and first V. Woodthorpe sc. Published Dec.24. 1802, by superintendent of Macquariee Lighthouse in 1816. M.Jones Paternoster Row. After Frederick Charles Terryry (1825 - 1869), British Hand-coloured stipple, sheet 125 x 210mm (4¾ x artist resident in Australia from c.1852. 8¼"). Cut to plate at bottom. £180 Stock: 37090 Early view of Sydney, from 'The History of New South Wales [...]' supposedly by the famous pickpocket 641. Sydney Cove from Fort Macquarie. George Barrington (first published 1802), although Terry, del. 1853. Sands & Kenny, Sydney & there is no evidence of his involvement with the book, Melbourne. and London publishers used his name without scruples. Steel engraving, sheet 150 x 200mm (6 x 8"). Tear This view, as McCormick notes, is a mirror-image of lower left. £130 an engraving published in David Collins' 'An Account View of Sydney Harbour, Australia, with shipping, of the Englissh Colony' (London, 1798), itself after a from the battlements of Fort Macquarie, built at watercolour by Edward Dayes. Cattle, two figures Bennelong Point, where the SSydney Opera House now talking, and a fisherman have been added, encouraging stands. similarities with contemporary views of British rural Governor Lachlan Macquarie directed that a fort was landscape. Tim McCormick, 'First Views of Australia buuilt between December 1817 to February 1821 under 1788-1825', p.276; for another view of Sydney from the the direction of Francis Greeenway. The fort was series see ref. 15718. demolished in 1901 to make way for new electric Stock: 37074 tramway sheds named Fort Macquarie Tram Depot. After Frederick Charles Terryry (1825 - 1869), British- 638. Town & Cove of Sydney. boorn artist resident in Austraallia from c.1852. NLA: Woodthorpe sc. Published by M. Jones Paternoster 2699388. Row March 18. 1803 Stock: 37091 Hand-coloured stipple, sheet 125 x 210mm (4¾ x 8¼"). Slight staining to edges. Cut to plate at bottom. £180 Early view of Sydney, from 'The History of New South Wales [...]' supposedly by the famous pickpocket George Barrington (first published 1802), although there is no evidence of his involvement with the book, and London publishers used his name without scruples. As Tim McCormick shows, the views and text in the book were plagiarised from various sources. This engraving does not relate to any other known views. McCormick states of this view that it appears to show the Clock Tower (completed 1797) and a view across Bennelong Point and the Cove. Tim McCormick, 'First Views of Australia 1788-1825', p.276; for another view of Sydney from the series see ref. 15718. Stock: 37077 642. Wool Drays on the Blue Mountains. Maria Read. [signed in imagee.] [n.d., c.1868.] 639. Port Jackson Heads. Watercolour. Sheet: 250 x 180mm, (9¾ x 7"). Laid on [Anon., c.1880] card. Foxing. Some staining.. £260 Lithograph with tintstone, sheet 175 x 230mm (7 x 9"). An amateur watercolour by Maria or Kate Read after a £130 chromolithograph by Samuell Thomas Gill (1818-1880) Port Jacksonn (Sydney Harbor), the natural harbour of titled 'Wool Drays' from his sseries of twenty four Sydney. Capptain James Cook visited the harbour in studies of Australian life titled 'The Australian 1770 and named it after Sir George Jackson of the Sketchbook' 1865. The imagge depicts several carts British Admiralty. In 1788 Governor Arthur Phillip puulled by cattle across the plaains of New South Wales, established the first Australian colony there, describing cattle were favoured for this sort of work because they were more reliable on the rought terrain, in the it as 'the finest harbour in the world'. Stock: 37089 foreground a driver attempt tto control his team. See 37164 & 37165 for similar watercolours. Stock: 37166

643. View of the Island of Airick, belonging to the Group of Kawen, in the Radack Chain. I. Clark sc. [n.d., c.1821.] Hand coloured aquatint. Sheet size: 115 x 175mm (4½ x 6¾"). Trimmed inside platemark. Nick in top left & right corner. £75 A plate from 'Voyage Of Discovery Into The South Sea And Beering's Straits, For the purpose of exploring a north-east passage, undertaken in the years 1815-1818' by Otto von Kotzebue, 1821. An admirer of Captain Cook, Otto von Kotzebue (1787–1846) was a leading navigator, in Russian service, circumnavigating the globe three times. His 1815 expedition set out to find a passage through the Arctic, study the coastlines of Kamchatka and Alaska, and explore the Pacific. Stock: 37333 645. H.M.S. Assistance and Pioneer in Winter Quarters, Returning Daylight. Comm.r W.W. May, del. Daay & Son Lith.rs to the 644. The extraordinary Manner of the Triall Queen. [Published on 1 Mayy 1855.] for Adultery, among the Malays. Tinted lithograph. Printed areea 200 x 285mm (8 x W. E. [William Elmes.] London Pub. by T. Tegg, Occt. 11¼"). Borders dusty. £240 7. 1808. Under Sir Edward Belcher, ffive ships entered the Aquatint. Sheet size: 185 x 265mm (7¼ x 10¼"). Arctic to search for Franklin and the crews of the Trimmed inside platemark. Folds as published. £360 'Erebus' and 'Terror', missing from an earlier A fascinating image from a very scarce series of plates expedition. Four out of the fiive vessels were by the caricaturist William Elmes depicting shipwrecks abandoned in pack ice, for which Belcher was court- and maritime disasters, attacks by native Americans martialled, but acquitted. and by other indigenous peoples and pirates, From 'A series of fourteen sketches made during the ceremonies, punishments and torture. Published by voyage up Wellington Channel in search of Sir John Thomas Tegg. Franklin' by Walter W. May,, London, 1855. Stock: 37437 Stock: 36453

Item 423: Illustrations from the Irish Linen Industry