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Home , Alois Senefelder, Andrew Saul, Andrew Wyeth, Bucerius Kunst Forum, Elsa Dorfman, Four of Diamonds

NATIO NAL G ALLERY OF

2014 ANNUAL REPORT ART & EDUCATION Juliet C. Folger BOARD OF TRUSTEES COMMITTEE Marina Kellen French (as of 30 September 2014) Frederick W. Beinecke Morton Funger Chairman Lenore Greenberg Earl A. Powell III Rose Ellen Greene Mitchell P. Rales Frederic C. Hamilton Sharon P. Rockefeller Richard C. Hedreen Victoria P. Sant Teresa Heinz Andrew M. Saul Helen Henderson Benjamin R. Jacobs FINANCE COMMITTEE Betsy K. Mitchell P. Rales Linda H. Kaufman Chairman Mark J. Kington Jacob J. Lew Secretary of the Treasury Jo Lauder David W. Laughlin Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller LaSalle D. Leffall Jr. Chairman President Victoria P. Sant Edward J. Mathias Andrew M. Saul Robert B. Menschel Diane A. Nixon AUDIT COMMITTEE John G. Pappajohn Frederick W. Beinecke Sally E. Pingree Chairman Tony Podesta Mitchell P. Rales William A. Prezant Sharon P. Rockefeller Diana C. Prince Victoria P. Sant Robert M. Rosenthal Andrew M. Saul Roger W. Sant Mitchell P. Rales Victoria P. Sant B. Francis Saul II TRUSTEES EMERITI Thomas A. Saunders III Julian Ganz, Jr. Leonard L. Silverstein Alexander M. Laughlin Albert H. Small David O. Maxwell Benjamin F. Stapleton John Wilmerding Luther M. Stovall Alexa Davidson Suskin EXECUTIVE OFFICERS Christopher V. Walker Frederick W. Beinecke Diana Walker President William L Walton Earl A. Powell III John R. West Director Andrew M. Saul John G. Roberts Jr. Dian Woodner Chief Justice of the Franklin Kelly Deputy Director and Chief Curator HONORARY TRUSTEES’ William W. McClure COUNCIL Treasurer (as of 30 September 2014) Darrell R. Willson Edwin L. Cox Administrator Julian Ganz, Jr. Elizabeth A. Croog Secretary and General Counsel Alexander M. Laughlin Elizabeth Cropper David O. Maxwell Dean, Center for Advanced Study John C. Whitehead in the Visual John Wilmerding John F. Kerry Jacob J. Lew TRUSTEES’ COUNCIL Secretary of State Secretary of the (as of 30 September 2014) Treasury J. Buonanno Chair Adrienne Arsht Diana Bracco Louise Bryson Calvin Cafritz Leo A. Daly III Louisa Duemling James T. Dyke Gregory W. Fazakerley G. Wayne Clough Doris Fisher Secretary of the Aaron I. Fleischman

NATIONAL GALLERY OF ART

Washington, DC

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PRESIDENT’S FOREWORD

It is my pleasure to serve as president of the National The Trustees’ Council, which serves the Gallery as a Gallery of Art, succeeding Victoria P. Sant, who stepped national advisory body to the Board of Trustees, welcomed down after more than a decade of exemplary service as a new chairman, Vincent J. Buonanno of and president. Her historical perspective and judgment contin- Providence, RI. We are delighted to have Vin’s leadership ues to be of great value to all of us while she remains a of the Council and express our deep appreciation to James general trustee. We serve on the Board of Trustees along T. Dyke, his predecessor as Council chairman, for his with Sharon Percy Rockefeller of Washington, DC, who leadership and generosity to the Gallery over many years. continues as chairman, and Mitchell P. Rales of Potomac, We were pleased to welcome several new members to MD, and Andrew M. Saul of City, both of the Trustees’ Council this year, including Adrienne Arsht whom continue as general trustees. The Chief Justice of of Washington, DC; David W. Laughlin of ; the United States, the Secretary of State, the Secretary William A. Prezant of Reno, NV; Leonard L. Silverstein of of the Treasury, and the Secretary of the Smithsonian Bethesda, MD; and Alexa Davidson Suskin of Brooklyn, Institution serve as ex-officio trustees. NY. Several members also rejoined the Council: Leo A. It is gratifying to have the Gallery thrive as a joint Daly III, Juliet C. Folger, Lenore Greenberg, Richard C. enterprise of our federal government and patriotic citizen Hedreen, Helen Henderson, John G. Pappajohn, Sally supporters. Several Washington philanthropists continue E. Pingree, Thomas A. Saunders III, Albert H. Small, Andrew W. Mellon’s legacy to the nation by supporting Benjamin F. Stapleton, William L Walton, John R. West, our East Building renovation project begun last year. We and Dian Woodner. My fellow trustees and I are grateful are grateful to Victoria Sant and her husband, Roger Sant, to all of the Trustees’ Council members for their invaluable a member of the Gallery’s Trustees’ Council; Mitchell Rales counsel, assistance, and support of the Gallery. and his wife, Emily Rales; and David Rubenstein, co-CEO This year we mourned the loss of Rachel Lambert of the Carlyle Group, for their generous support. Their Mellon, who, along with her husband, Paul Mellon, made gifts are underwriting our ambitious project to expand transformational gifts to the Gallery’s collection during gallery space by more than 12,000 square feet, while their lifetimes. We also mourn the death of trustee emeri- federal funding is helping to extensively renovate the tus Robert F. Erburu, who served tirelessly as a trustee for existing galleries for the first time since they were com- sixteen years, including six as chairman, and generously missioned in 1978. The new space will include an outdoor supported the Gallery’s art acquisition program. We also sculpture terrace overlooking and lost former Trustees’ Council member Ladislaus von two flanking sky-lit interior tower galleries. Hoffmann, who was dedicated to enhancing the collections During this year a historic agreement between the of graphic art, some of which came from his own prized Corcoran Gallery of Art, George Washington University, collection of rare books, and two longtime friends of the and the of Art was concluded. The art Gallery, Arnold A. Saltzman and Richard M. Scaife, whose collection of the Corcoran Gallery has been transferred to gifts significantly enhanced the modern and American the stewardship of the Gallery from which a substantial collections respectively. portion will be accessioned into the collection of the Gallery. My fellow trustees and I appreciate the generosity of Our strong partnership between the federal govern- many, many individuals, foundations, and corporations ment and the private sector continues to sustain the supporting a wide range of programs, art acquisi- Gallery’s collections and programs. The federal govern- tions, special exhibitions, educational activities, scholarly ment’s support of operations and maintenance enables the research and publication, and conservation. Gallery to present its renowned collection and programs Among the most important of these activities is art to millions of visitors, free of charge to all. On behalf of acquisition. The Gallery relies solely on the donations of all the trustees, I express our deep appreciation to the works of art or private funds to purchase art in order to President and the Congress of the United States for their build and enhance its growing collection. We especially steadfast commitment to the Gallery. would like to thank Juliet and Lee Folger for acquiring 8

two during this fiscal year for the Gallery’s Dutch augmented the Gallery’s modern collection at their annual collection: with Peacock Pie by Pieter Claesz and meeting, when members voted to acquire Michelangelo Ice Scene near a Wooden Observation Tower by Jan van Pistoletto’s Donna che indica (Woman who points). We Goyen. The Gallery also received important gifts from Jo welcomed Kyle J. Krause as co-chair of the Collectors Ann and Julian Ganz, Jr., Alfred H. Moses and Fern M. Committee. He joins Denise Saul in leading this group Schad, and Helen Porter and James T. Dyke. committed to enhancing the Gallery’s collection of mod- Several longtime friends of the Gallery made substantial ern art. Members of the Tower Project continued their commitments this year to promote scholarly research and support of future special exhibitions of in conservation activities. We thank the Andrew W. Mellon the Tower Gallery. The Circle, which numbered more Foundation for renewing its support of Conservation than one thousand members nationwide at year-end, Space, a software application that will benefit the conser- provided crucial annual unrestricted funding for a variety vation field worldwide. We also appreciate the renewed of Gallery activities. The Board of Trustees expresses its support of the Samuel H. Kress Foundation for the Kress deep gratitude to annual giving donors at every level for Professorship and Kress Fellowships. their generosity. We are pleased to recognize all of our Notwithstanding the closure of the East Building generous supporters in the pages that follow. galleries, the Gallery’s special exhibitions program was We also would like to thank members of the Legacy very robust in this fiscal year, sustained in large part by the Circle, which recognizes those who have included the corporations, foundations, and individuals who provided Gallery in their testamentary plans. This year a number critical funding. We are particularly grateful for the E. of individuals have elected to make a planned gift to Rhodes and Leona B. Carpenter Foundation’s commitment benefit the Gallery, generously supporting the future of to the Gallery’s forthcoming exhibition From Kingdoms to this institution. Empires: Celebrated Archaeological Discoveries from The National Gallery of Art is a gift to the nation and the People’s Republic of . The Board of Trustees to the world, made possible through extraordinary vision acknowledges Booz Allen Hamilton Inc. for its important and enduring generosity. We are profoundly grateful to the sponsorship of Degas/Cassatt. Our warm thanks also go federal government and to the many private donors for to the Robert and Mercedes Eichholz Foundation, the their ongoing commitment and are pleased to engage mil- foundation sponsor for both Degas/Cassatt and Garry lions of visitors each year in person and online. We remain Winogrand. We appreciate the support of these sponsors steadfast in upholding the tradition of excellence that has of : Looking Out, Looking In: Altria Group, distinguished this great institution since its founding. whose sponsorship was their eleventh at the Gallery, the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the Exhibition Circle. We thank Helen Henderson for her ongoing generosity through the HRH Foundation to the Gallery’s distinguished exhibition film Frederick W. Beinecke program and Mitsubishi Estate Co., Ltd. for its support of the Fund for the International Exchange of Art. Annual giving—through the Exhibition Circle, the Collectors Committee, the Tower Project, and the Circle— is critical to the success of many programs. We are grateful to members of the Exhibition Circle, whose vital support of the special exhibitions program this year sponsored not only the Andrew Wyeth exhibi- tion but also Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860. The Collectors Committee 9

DIRECTOR’S STATEMENT

The National Gallery of Art was Andrew W. Mellon’s facade repointing. All were funded with federal support monumental gift to the nation, accepted and established and completed on time and within budget. as a public-private partnership through a joint resolution of During the fiscal year, the Gallery acquired several Congress in 1937. Since that date, the Gallery has served important works of art that we are delighted to share a national role by preserving, collecting, exhibiting, and with the public as part of the permanent collection. They fostering the understanding of works of art at the highest constitute a broad subject matter across a range of media, possible museum and scholarly standards. During fiscal year schools, and eras. 2014, the Gallery remained dedicated to this mission. An astonishing sixty-two rare works arrived at the This year the Board of Trustees elected a new president Gallery from the estate of Mr. and Mrs. Paul Mellon. The of the Gallery, Frederick W. Beinecke, who became a paintings, sculptures, and works on paper were among the member of the Trustees’ Council in 2004 and a general gifts of art bequeathed to the Gallery by Paul Mellon that trustee in 2007. On behalf of the Board of Trustees and remained in his wife’s care after his death. An additional the executive officers of the Gallery, I would like to thank two paintings will arrive during the next fiscal year. This Victoria Sant for her service as president and to welcome marks Mr. and Mrs. Mellon’s final disposition to the Mr. Beinecke in his new role. In addition we welcomed a Gallery. Paul Mellon was one of the greatest philanthro- new senior curator of special projects in modern art, Lynne pists of our time, and his donations of art to the nation Cooke, whose knowledge, contacts, and experience will are unsurpassed. He and his wife, Rachel Lambert Mellon, further enhance the Gallery’s work in modern art. left an extraordinary legacy, which we plan to honor with Late in the year, we finalized an agreement with an exhibition in 2016. Highlights of the bequest include George Washington University and the Corcoran Gallery Vincent ’s Still Life of Oranges and Lemons of Art and Corcoran College of Art and Design, creating a with Blue Gloves, Edgar Degas’s The Riders, and Winslow new partnership to preserve the Corcoran’s legacy. Under Homer’s School Time. the terms of the agreement, stewardship of the Corcoran The Gallery is indebted to the many generous donors art collection, which includes works of art in all media, who enhanced the collection this year. Highlights of modern was transferred to the Gallery. Curators, conservators, acquisitions included Robert Rauschenberg’s Black registrars, and designers from both institutions began the and Barbara Kruger’s Untitled (Know nothing, Believe any- lengthy process of inventorying the collection, planning thing, Forget everything). A sixteenth-century silver portrait for accession of some pieces, and preparing distribution of King V of Spain by medalist Hans Krafft the Elder options for others. made after drawings by Albrecht Dürer entered the collec- We are deeply grateful to the President and Congress tion, as did an English fifteenth-century alabaster sculpture for their continued support of the Gallery’s operations and of four saints surrounding the Virgin Mary. Acquisitions of the Master Facilities Plan. Combined with the gifts of many drawings included Giovanni Badile’s Portrait of a Boy in generous private donors, these federal funds continue Profile and Giovanni Battista Piranesi’s Two Workmen at Mr. Mellon’s vision of the private-public partnership that Tables. Other significant acquisitions included Nicolò Bold- is the Gallery. This year the Gallery began the first phase rini’s woodcut Hercules and the Nemean Lion (partially after of the updated Master Facilities Plan renovation inside the Raphael), William Kentridge’s accordion-folded illustrated East Building, including improvements to fire protection book Portage, Alma Lavenson’s mesmerizing photograph and life safety systems as well as replacement of aged Self-Portrait, and James Nares’ 2011 video Street. mechanical, electrical, and plumbing systems. Concurrent The Gallery presents varied works such as these from with these federally funded system upgrades, privately its permanent collection alongside loans from other institu- funded expansion and renovations will occur during this tions in special exhibitions. This year was filled with several multi-year initiative. insightful and inspiring offerings. The earliest paintings in This year marked the completion of several important the Gallery’s collection from the thirteenth century would projects, including the East Building facade project, the East not have been possible without Byzantine precedents, Building glass curtain wall replacement project, the West many of which were included in Heaven and Earth: Art of Building exterior stone repairs, and the West Building north Byzantium from Greek Collections. NATIONAL GALLERY OF ART 10

Through collaborations with two Italian museums, specialists and art lovers from all over the world to skim, we presented significant works rarely seen outside . swim, or dive into rich areas of the permanent collection. We were delighted to exhibit a universally acknowl- The first release, Dutch Paintings of the Seventeenth edged masterpiece, the Dying Gaul from the Capitoline Century, welcomes a host of scholars, students, and those Museum in . An image of a conquered enemy, the serious about art to study and enjoy the nation’s Dutch sculpture represents courage in defeat, composure in the painting collection. face of death, and dignity. We also were most grateful for During the year, the Gallery’s online open-access image the generosity of the Capodimonte Museum in repository, NGA Images, achieved more than 550,000 and pleased to present Titian’s Danaë, celebrating the downloads. Since its inception in March 2012 nearly genius and legacy of one of the world’s most influential one million images have been downloaded from NGA painters whose work is well represented in the Gallery’s Images, and the number of images available has more than permanent collection. doubled. Currently, more than 42,000 images of objects Two exhibitions featured a selection of the 781 works from the Gallery’s collection are available for free download of art bequeathed to the Gallery by Ruth Cole Kainen: to the American people. Modern German Prints and Drawings from the Kainen Several notable works were conserved this year. In Collection and Modern American Prints and Drawings preparation for the 2015 exhibition, painting conservators from the Kainen Collection. The bequest—primarily prints, treated Piero di Cosimo’s great altarpiece, The Visitation drawings, watercolors, and rare illustrated books—marked with Saint Nicholas and Saint Anthony Abbot. Object the culmination of many gifts that she and her husband, conservators completed the extensive treatment of Henry Jacob Kainen, made to the Gallery. Moore’s Knife Edge Mirror Two Piece, located near the Two exhibitions drew more than 820,000 visitors to the Gallery’s East Building entrance. The treatment involved the Gallery this year: Andrew Wyeth: Looking Out, Looking In repatination of the monumental bronze sculpture, returning and Degas/Cassatt. Andrew Wyeth’s spare, elegant, and its appearance to what Moore intended. abstract window paintings and works on paper tackled The Gallery welcomed more than 3.7 million visitors the complexities presented by the subject throughout his this year. Due to the Gallery closure forced by five days of career. The Gallery is particularly well suited to explore severe weather and a sixteen-day government shutdown the friendship between Edgar Degas and in as well as the closure of the East Building for renovation, Degas/Cassatt because of the exceptional works donated visitation numbers were lower than in recent years. We by discerning collectors, such as Paul Mellon, Chester Dale, anticipate the average will return to normal when the East and Lessing J. Rosenwald. A profound debt of gratitude Building galleries reopen in 2016. This year there were is owed to many lenders, both public and private, in the approximately 15,000 visits to www.nga.gov per day, a one United States and France. hundred fourteen percent increase in Facebook fans, and a Two very different photography exhibitions presented sixty-eight percent increase in those active on Twitter. artists documenting their world. The exhibition of photo- None of these activities would be possible without the graphs by reinterpreted a career that was, Gallery’s dedicated Board of Trustees and talented staff. I like the artist’s America, both epic and unresolved. The cap- join with new Board President Frederick Beinecke in thank- tivating images of Captain Linnaeus Tripe: Photographer ing them, along with the federal government, individual, of India and Burma, 1852–1860 inspired visitors interested foundation, and corporate donors, and many volunteers, in photography, architecture, and history. Tripe occupies a for their continued support of the National Gallery of Art. special place in the history of nineteenth-century photog- raphy for his foresight in recognizing that photography could be an effective tool for conveying information about unknown cultures and regions. To better fulfill its educational mission, the Gallery Earl A. Powell III debuted NGA Online Editions, an online environment that is fully integrated with the Gallery website and will allow

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COLLECTING

PAINTINGS An extraordinary group of sixty-two works came to the Gallery through the final bequest of Mr. and Mrs. Paul Mellon. Their gift included a spectacular painting by , Still Life of Oranges and Lemons with Blue Gloves, 1889, a charming work haunted by the memory of the artist’s friend, , who had recently departed Arles. The still life is a marvelous example of Van Gogh’s ability to convey textures, in this case the waxen pucker of citrus fruit, the weave of the wicker basket, and the prickly needles of the cypress branches, through his signature brush strokes. The painting complements a 2013 Mellon gift, Green , Auvers, 1890, a fresh and highly impasted landscape from the final weeks of the artist’s life. Other highlights from the bequest include a very early work by , showing the artist’s precocious promise, Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863, an intimate painting of a subject not usually associated with the artist. The Riders, c. 1885, by Edgar Degas depicts a group of jockeys on horseback, a subject favored by both Degas and Mr. Mellon, a renowned racing enthusiast. This large, vibrantly colored canvas is an extraordi- nary complement to the many Degas waxes and drawings on the same subject, donated to the Gallery by Mr. Mellon during his lifetime. The Gallery has the world’s third largest collection of works by Degas and, thanks to Mr. Mellon, the world’s greatest collection of this artist’s sculpture made during his lifetime. The generous Mellon gift also included twelve exquisite oil sketches by Georges Seurat, which join four paintings and one drawing in the Gallery’s permanent collection. These marvel- ously immediate small works elevate the Gallery’s collection of works by Seurat to one of the strongest in the country. Other important French paintings acquired this year include works by Camille Pissarro, Edouard Manet, Henri Fantin-Latour, and Rene Pierre Charles Princeteau. Three outstanding works were added to the Gallery’s collection of Dutch paintings this year, two of which—Pieter Claesz’s Still Life with Peacock Pie, 1627, and Jan van Goyen’s Ice Scene near a Wooden Observation Tower, 1646—were made possible through the ongoing generosity of the Lee and Juliet Folger Fund. Pieter Claesz’s magnificent banquet piece depicts a sumptuous feast of some of the exotic foods available in the Netherlands during the early seventeenth century, including a cooked pheasant, olives, lemons, breads, shiny apples, velvety peaches, nuts, and candied fruit. These delicacies, many of which were imported, are presented on pewter platters or in precious Wan-Li bowls. Dominating the tabletop, however, is a large peacock pie, a culinary showpiece reserved for special occasions. After cook- observation tower, is quite rare in Van Goyen’s ephemeral nature of life. The addition of these ing the pie, the chef would mount the bird’s work. In the dead of winter, the tower and three exceptional paintings further strength- wings, tail, neck, and head back onto the the low building behind it have become ens and enhances the Gallery’s collection of crust. The remarkable of this banquet the setting for a communal gathering, with seventeenth-century Dutch paintings. piece enabled Claesz to create a painting people skating, being pushed, or riding in Important works by , that seems to be an extension of the viewer’s horse-drawn sleds. Clouds sweep across the Raphaelle Peale, John Frederick Peto, and world. Light flooding the scene illuminates the sky above the expanse of ice that leads to a Maurice Brazil Prendergast entered the col- objects, which the artist has rendered with town on the far shore. The painting’s remark- lection this year. Included in the Mellon gift, a wide variety of light and textural effects, able condition, which displays all the vigor of the paintings add significant depth to the ranging from translucent glass, to the reflec- Van Goyen’s brushwork, adds to its dramatic Gallery’s rich collection of American still-life tive surfaces of polished pewter, a crumpled character. His depiction of the chilly winter and genre paintings. Among these works napkin, rough lemon peels, and soft feathers. atmosphere, especially in the light effects on are two exceedingly rare paintings by Peale: Jan van Goyen’s luminous Ice Scene near the ice, is remarkable. Strawberries and Cream, 1816, and Still Life a Wooden Observation Tower features a The acquisition of François van Daellen’s with Apples, Sherry, and Tea Cake, 1822. distinctive wooden structure that not only small yet thought-provoking Vanitas Still Life, Together with A Dessert, 1814, an earlier gift served as a beacon for sailors navigating the c. 1650, was made possible through the gen- from JoAnn and Julian Ganz, these paint- myriad waterways that crisscross the Dutch erosity of the Nell and Robert Weidenhammer ings constitute an unmatched suite of Peale’s landscape, but was also used as an observa- Fund. Situated within a dark interior and best work. Eldest son of Charles Willson tion post for men guarding the entrance to lit by daylight pouring through an open Peale, a portrait painter and a strategic waterway. The vertical composi- window, a skull, a femur, an extinguished museum entrepreneur, Raphaelle Peale was tion, undoubtedly chosen to accentuate the candle, and an array of books all suggest the America’s first professional still-life painter.

VINCENT VAN GOGH Still Life of Oranges and Lemons with Blue Gloves Collection of Mr. and Mrs. Paul Mellon 12 C oLLECTING

Acutely observed and meticulously rendered, still-life compositions have recently attracted 1870s featuring schoolhouses, teachers, and Peale’s still-life paintings have long been considerable scholarly attention. students. The red schoolhouse at the center judged among the finest achievements in all Two notably important works by Winslow of School Time may be the same structure of American still-life painting. The addition Homer were also included in the Mellon seen in the background of an earlier Mellon of two key works by this founding father gift. School Time, c. 1874, is one of a series gift, The Red School House, 1873, a thought- of American still-life painting provides the of works the artist completed during the ful study of a schoolmistress. The second ideal introduction for all that follow, including later works by John Frederick Peto, also represented in the Mellon gift. In its compositional structure and ordered simplicity, Peto’s Still Life with Cake, Lemon, Strawberries, and Glass, 1890, is a direct descendant of Peale’s Still Life with Apples, Sherry, and Tea Cake painted more than sixty years earlier. Markedly dif- ferent, however, is Peto’s Straw Hat, Bag, and Umbrella, 1890/early 1900s, a vertical composition in which a darkly patterned carpet bag, a blue umbrella, and a sunlit hat hang against a flat wall. In this work, the recessive depth characteristic of the formal tabletop compositions by both Peale and Peto has given way to shallow space and a seemingly casual arrangement of well- worn objects. The abstract qualities of such

PIETER CLAESZ WINSLOW HOMER Still Life with Peacock Pie School Time The Lee and Juliet Folger Fund Collection of Mr. and Mrs. Paul Mellon NATIONAL GALLERY OF ART 13

Homer acquisition, a small painting titled popular memoir of his adventures, Salamina: At its annual meeting, the Collectors Commit- The Flirt, 1874, is a complete compositional “…the island of Karrat…is an imposing land- tee purchased Michelangelo Pistoletto’s Donna study for one of the Gallery’s best-known mark by reason of its comparative isolation che indica (Woman who points), 1962/1982, a paintings, Homer’s Breezing Up, 1873–1876. and the noble architecture of its mountain signature silkscreen and steel-mirror piece that Immediately evident when the two works are mass. With towers and buttressed walls magically engrosses the space of the gallery compared is Homer’s decision to replace a reared high upon a steep escarpment, it has and the attention of the viewer. Additionally, figure at the bow of the boat with an anchor. the dignity of a great citadel standing to a number of Committee members joined The juxtaposition of such preliminary studies guard the gateway to the glamorous region.” together to supplement remaining funds and with finished compositions offers unparalleled Kent and his classmates George Bellows purchase Barbara Kruger’s painting Untitled access to Homer’s creative process. and were among the most (Know nothing, Believe anything, Forget The Gallery received an important gift from accomplished protégés of the highly influen- everything), 1987/2014, an iconic work by the collection of Deborah and Edward Shein, tial early twentieth-century artist and teacher an artist known for her pointed amalgams of Rockwell Kent’s magnificent Greenland land- Robert Henri. Citadel is the first painting by text and image. scape, Citadel, 1932–1933. Kent painted Kent to enter the Gallery’s collection. It joins A number of twentieth-century works Citadel during his second excursion to other notable early modernist works from the entered the collection from the estate of Mr. Greenland from 1931 to 1933 and in 1935 Shein Collection by John Marin, John Storrs, and Mrs. Paul Mellon, including paintings recorded his impressions of the subject in the and Marcel Duchamp. by Raoul Dufy, Roger de La Fresnaye, and

BARBARA KRUGER John D. Rockefeller IV, Howard and Roberta Untitled (Know nothing, Believe anything, Ahmanson, Denise and Andrew Saul, Lenore S. Forget everything) and Bernard A. Greenberg Fund, Agnes Gund, Gift of the Collectors Committee, Sharon and and Michelle Smith 14 C oLLECTING

Maurice de Vlaminck. The Vlaminck paint- historically informed wooden frame, these This one, donated by Drs. Yvonne and A. ing, Chestnut Trees in Bloom, c. 1905/1906, figures enhance the Gallery’s holdings of Peter Weiss, is the only example in a public is a notable addition to the Gallery’s already northern European alabaster carvings from the collection in America. strong collection of fauvist works. Another fourteenth through the sixteenth centuries. A French oval bronze of 1572, por- group of modern works came from the estate A monument of medallic art is the sil- traying the military commander and governor of Mercedes Eichholz, including paintings by ver portrait of the young, newly crowned of Lyon, François de Mandelot, is the Gallery’s Lee Gatch, Juan Gris, Georges Rouault, Pierre Emperor Charles V, commissioned by the first acquisition purchased through the newly Soulages, and Anne Truitt. The work by Gris, city council of Nuremberg in expectation established Hester Diamond Fund for the a small cubist oil painting on board titled Ace of an imperial visit in 1521. The celebrated purchase of old master sculpture. A virtuoso of Clubs and Four of Diamonds, 1912, is medalist, Hans Krafft the Elder, produced example of the incuse-cast technique, devel- especially significant. it from drawings by Albrecht Dürer, the oped by Italian medalists in the 1560s and An assortment of compelling individual greatest German master of the . 1570s, the relief has on the reverse a detailed gifts also enhanced the Gallery’s modern Showcasing the advanced technological negative cast of the portrait on the obverse. collection this year. Leon Kossoff’s richly know-how of Nuremberg, the medal’s inno- Mandelot appears in elegantly aristocratic expressive painting Tube Entrance, Winter vative and complex production combined profile, with a neatly trimmed pointed beard Evening, 1998, was given by Robert and the techniques of casting and striking. Only above a ruff collar, and parade armor decorat- Mary Looker; Philip Pearlstein’s majestically 12 original struck examples survive; most of ed with vine scrolls, a tiny relief of Hercules, a decorative painting Two Nudes with Animal the 167 produced were later melted down. grotesque scowling face, and the scallop shell Marionettes, 1988, was donated by the James F. Dicke family; Sarah Morris’ uncompro- mising acrylic abstraction Midtown Seagram with Fluorescents, 1999, was a gift from the Heather and Tony Podesta Collection; and Oliver Jackson’s vigorous painting Untitled (9.19.84), 1984, was given by Mr. and Mrs. Gerald D. Kohs. An especially notable gift was Robert Rauschenberg’s Black Painting, 1952, given by for the Robert and Jane Meyerhoff Collection.

SCULPTURES Important late medieval, Renaissance, and modern works in various materials joined the sculpture collection this year. The earliest is a rare and beautiful group of five alabaster Figures from a Retable of the Virgin and Child, c. 1440/1460, purchased through the Florian Carr Fund. Such holy images, carved in workshops in the English midlands near Nottingham, were in demand for centuries throughout . This group must have comprised an altarpiece in the chapel in Spain where it survived, while much devotional sculpture in England fell victim to sixteenth-century iconoclasm. Bearing traces of old polychromy, the Virgin and four female saints with their curvilinear drapery and sway- ing poses embody late gothic ideals of grace. Under an openwork canopy, the Virgin holds a dignified Christ Child and a remarkably undercut bunch of roses. Set in a modern but

ENGLISH FIFTEENTH CENTURY Saint Margaret of Antioch, and (possibly) Figures from a Retable of the Virgin and Child, with Saint Mary Kleophas Saint Catherine of Alexandria, Saint Apollonia, Florian Carr Fund NATIONAL GALLERY OF ART 15

of the order of Saint Michel. An intriguing Cochin the Younger in 1781. Two delight- convex plaquette of Laocoön and his Sons, ful volumes of watercolors, executed by the perhaps made to adorn a sword pommel, Ferrarese artist Giuseppe Padovani in 1772, augments the Gallery’s distinguished collec- one with studies of flowers, the other with tion of this art form. It portrays the Trojan insects and animals, entered the collection priest as a heroic seated nude, struggling in as the gift of Malcolm and Wiener. vain against the serpents sent to kill him and Perhaps the most unusual acquisition of the his sons. Possibly from seventeenth-century year was a group of three exceptionally fine France or Italy, this rare work was given by cut-paper images, laid down on red-lacquered Andrew M. Brown, a steadfast supporter of wood, by an anonymous British practitioner of the Gallery’s sculpture collection. this very specialized and demanding art, which Rodin Working on his “Gates of Hell,” is essentially equivalent to drawing with scis- an imposing bronze tribute to the famous sors. Crowning this diverse eighteenth-century master by his former assistant Émile-Antoine group was a sheet by Giovanni Battista Piranesi Bourdelle, was cast before 1929 from a 1910 with two unusually large and vibrant pen model. The bronze was a gift of sculptor studies of his assistants, datable to the Alfredo Halegua and his wife, Dr. Raquel early 1770s. Purchased with funds donated by Halegua. This action portrait fuses naturalism the Ahmanson Foundation, this was a prime with faceted abstraction to convey the fierce a youth, drawn in the 1440s by the Veronese addition to one of the most important collec- energy and endurance of the great French painter Giovanni Badile. Once part of the tions of prints, drawings, and illustrated books artist whose sculptures figure so prominently famous collection of drawings assembled by by the artist anywhere in the world. in the Gallery’s collection. A different kind Ian Woodner, this sheet was given by his The collection of nineteenth-century draw- of heroism is portrayed in The Miner, 1904, daughter, Dian Woodner, to join the core of ings continued to grow through the generos- by Constantin Meunier, the Belgian artistic her father’s holdings preserved at the Gallery. ity of many benefactors. Included among the champion of industrial laborers. This plaque, Representing different aspects of sixteenth- Mellon gift were seven outstanding drawings in stoneware with polychrome glaze, was and seventeenth-century draftsmanship were and watercolors by Winslow Homer and a made in the factory of Henri Baudoux, a an adept mannerist work of The Judgment marvelous and extremely large landscape leading producer of the ceramic tile favored in of by an as-yet-unknown German artist pastel by , as well as art nouveau architecture and decoration. The working around 1600, purchased through the several studies by leading French impression- plaque was a gift of Mary L. Levkoff. Ruth and Jacob Kainen Memorial Acquisition ists Edgar Degas, Berthe Morisot, Camille Important acquisitions of modern sculpture Fund; an impressive compositional drawing of Pissarro, and Eugène Boudin. A beauti- also enhanced the Gallery’s collection. Maya The Last Judgment, 1613/1614, by Giovanni fully executed and remarkably well-preserved Lin’s luminous marble sculpture Latitude New Mauro delle Rovere, one of the leading paint- romantic watercolor from 1832 by William York City, 2013, was given by Louise and ers in in his time, purchased through Turner of Oxford, Dawn in the Valleys of Leonard Riggio; Costantino Nivola’s elegant the New Century Fund; and a delicately Devon, was purchased through the Florian travertine Widow of Pausania, 1980–1984, drawn panoramic view of the Burgundian Carr Fund. In honor of Wolfgang Ratjen’s was contributed by Pietro S. Nivola, the artist’s town of Beaune, c. 1650, by the Dutch artist seventieth birthday, the Ratjen Foundation son; Nam June Paik’s intriguingly humorous Jan Peeters I, purchased as the gift of Diane gave an impeccably detailed drawing of Ugly Buddha Complex, 1991, was offered by A. Nixon. Clemens Brentano, 1837, by Ludwig Emil the Hakuta family; and Mr. and Mrs. Carl S. Notable eighteenth-century works included Grimm, an appropriate addition to the Gewirz completed their gift of Lee Bontecou’s two fine French portrait drawings purchased Gallery’s Ratjen collection, as Ratjen himself small but powerful relief, Untitled, 1960. A as the gift of Ivan and Winifred Phillips in had greatly admired the work. Contributing small elephant sculpture by Alexander Calder, memory of Neil Phillips: a charming watercolor to the growth of the Gallery’s international included in the Mellon gift, complements the by Carmontelle of Marie-Louise Petit at the collection of nineteenth-century European Gallery’s collection of works by the artist. Age of 105, with Her Young , 1765, watercolors, Alexander and Judith Laughlin which presents a touching yet light-hearted donated funds for the purchase of Corso DRAWINGS Most prominent among choice juxtaposition of old age and youth; and a Sant’Anastasia with the Palazzo Maffei in gifts of old master drawings, and by far the beautifully fresh and impeccably executed , 1855, by the British master William earliest drawing to join the collection this year, black chalk of Mademoiselle Grogniard, Callow; A Moroccan Woman in Traditional was a rare and exquisitely sensitive portrait of Dame de Saint-Just, drawn by Charles-Nicolas Dress, 1866, by the Spaniard Mariano

GIOVANNI BADILE Portrait of a Boy in Profile Woodner Collection, Gift of Dian Woodner 16 C oLLECTING

Fortuny y Carbó; and Masqueraders Boarding This year was outstanding for gifts of painting Great America, 1994, acquired by Gondolas before a Venetian Palazzo, 1869, by modern drawings, most notably an important the Gallery in 2011. Additional gifts included the Frenchman Eugène Louis Lami. David and bequest from the estate of Mercedes Eichholz. Jim Dine’s 24 Objects in My Bedroom, Long Joan Maxwell made possible the acquisition of Comprising eighteen drawings and watercol- Ago, 1973, a seminal drawing with collage a giant yet subtly nuanced charcoal landscape ors, the bequest includes a gemlike gouache given by Judith Brodie and Mervin Richard from 1861 by one of the great practitioners of from 1936 by Yves Tanguy, evoking a ghostly in honor of Thomas G. Klarner; an untitled the medium, Adolphe Appian, as well as an dreamscape; Joan Miró’s Personnages, 1937, drawing from 2005 by Julie Mehretu, given by evocative watercolor of a Stairway in Subiaco, in ink with crudely applied paint on rough Billy E. Hodges; Sheila Hicks’ Cecily’s Garden, 1873, by the Roman painter Pio Joris. A small fiberboard, characteristic of Miró’s art brut 2009, a gift of Roy and Cecily Langdale but scintillating pastel of the setting sun seen between 1927 and 1937; and ’s Davis; and an experimental collage donated across a meadow by Paul Huet, made circa delightful pen and wash L’amour masqué, by , a work he made expressly 1845, was purchased as a gift in honor of the 1954, the Gallery’s first from his engag- for the Gallery’s 2013 exhibition Yes, No, late Melvin R. Seiden, while the eerily demonic ing series known as “The Human Comedy.” Maybe: Artists Working at Crown Point Press. Satan Rides and Drives the World, 1882, by Six modern drawings from the Mellon gift Through the Ruth and Jacob Kainen Memorial Francesco Paolo Michetti, came as the gift included a beautiful cubist still life by Georges Acquisition Fund, the Gallery acquired one of Dian Woodner. A key watercolor study for Braque, c. 1918, and René Magritte’s pre- of the finest drawings from Louis Lozowick’s one of ’s witty illustrations for a paratory drawing for the painting The Blank series Machine Ornament, c. 1923, reflecting music primer for children, Petit solfège illustré, Signature, 1965. The artist Kerry James the American artist’s Russian roots and his published in 1893, was purchased for the Marshall donated ten drawings, each one engagement with constructivism. Virginia and Ira Jackson Collection. fundamental to the conceptualization of his

NICOLÒ BOLDRINI, PARTIALLY AFTER RAPHAEL Hercules and the Nemean Lion Pepita Milmore Memorial Fund NATIONAL GALLERY OF ART 17

PRINTS AND ILLUSTRATED BOOKS The Divers Portraits, 1775, offer a panorama on planetary motion. A number of very year’s notable acquisitions of Renaissance of Venetian society of the time and count important volumes came from the final sale prints included an extremely fine impres- among the first aquatints in Italy. Théophile of the distinguished collection of Arthur and sion of Marco Dente’s Massacre of the Alexandre Steinlen’s poster for the theater Charlotte Vershbow. Nine were purchased Innocents, c. 1525, after a design by Baccio company Chat Noir, 1896, is a masterpiece thanks to an anonymous donor’s contribu- Bandinelli, one of the most famous prints of of the genre, purchased for the Virginia and tion, including Typi in Apocalypsi Ioannis the Italian Renaissance, acquired through Ira Jackson Collection. Continuing to enrich (Frankfurt, 1539), featuring twenty-seven the Ailsa Mellon Bruce Fund with support the holdings by , the Epstein very crisp impressions of woodcuts by Hans from Robert Loper and the Samuel H. Kress Family Collection donated three more prints: Sebald Beham at his most imaginative and Foundation. Another major sixteenth-century Stéphane Mallarmé, 1897; a hand-colored refined; the Abbé de Saint-Non’s complete Italian print, Nicolò Boldrini’s chiaroscuro version of the woodcut Mystical Shore, Fragments choisis dans les Peintures des woodcut Hercules and the Nemean Lion, 1897; and the woodcut Outside the House, Palaix et des Eglises de l’Italie (Paris, 1767– c. 1566, was acquired through the Pepita Moonlight, 1901. A powerful early portrait 1775), the earliest issue of two hundred Milmore Memorial Fund and complemented by , Der Träumer, 1905, was aquatints after paintings he saw in Italy; by James Bergquist’s donation of a separate acquired through the Ruth and Jacob Kainen Edmond Picard’s Le Juré (, 1887), impression of the print’s line block. Two of Memorial Acquisition Fund. Meanwhile, the illustrated with seven lithographs by Odilon Mathis Zündt’s etchings of imaginary objects acquisition of modern Italian prints went Redon; Friedrich Nietzche’s Also Sprach in complicated perspective, 1567, are choice forward with one of Giovanni Boldini’s finest Zarathustra in the 1908 Leipzig edition, a additions to the collection’s sixteenth-century drypoint portraits, Whistler Asleep, pur- choice example of art nouveau style designed German prints. Dirck Stoop’s complete set chased through the Ailsa Mellon Bruce Fund, by one of its leading figures, Henry van der of twelve horses, 1651, is a fine example and important etchings by leading futurists Velde; and an immaculate copy of Ambroise of the Dutch fondness for prints of ani- Luigi Russolo and Umberto Boccioni, pur- Vollard’s famous 1931 edition of Honoré mals. Through the Florian Carr Fund, the chased as gifts of Matthew and Ann Nimetz. de Balzac’s Chef-d’oeuvre inconnu, with Gallery acquired a complete set of Giovanni A considerable number of outstanding Picasso’s etchings and wood engravings in Benedetto Castiglione’s Six Oriental Heads, illustrated books entered the collection. continuous, intimate dialogue with the text. late 1640s, including his self-portrait, in William J. Wyer donated an exquisitely A major gift from the artist Jim Dine exceptionally rare, truly early impressions, hand-colored copy of Sebastian Münster’s comprised forty-three of his best prints from and original condition. Made possible by the Organum Uranicum (Basel, 1536) contain- 1969 to 2013, including multiple states of New Century Fund, Giovanni David’s twelve ing his portrait and thirty-five woodcuts his slyly suggestive Five Paintbrushes, 1972.

WILLIAM KENTRIDGE Portage Gift of the Collectors Committee, Sylvia K. Greenberg, and Cathryn Dickert Scoville 18 C oLLECTING

Dine additionally donated his Picture of Cathryn Dickert Scoville. The accordion-style 11.5), 2011, a triptych of inkjet prints that Dorian Gray, 1968, a book illustrated with book unfolds to nearly fourteen feet in captures the passage of light across the artist’s twelve lithographs and etchings plus six length and addresses themes that Kentridge living-room window; Matthew Brandt’s Salton loose prints. The volume boasts a red-velvet has explored repeatedly: migration, exodus, Sea C1, 2007, a salted paper print; Andrew binding, while the prints present Dorian and the plight of the dispossessed. The artist Moore’s Model T Headquarters, Highland Gray (and others) in mod attire: everything Pat Steir donated Cry Stall Gaze, 2013, a Park, , 2009, and Palace Theater, from white boots to bejeweled jackets. Dine volume with poetry by Anne Waldman and Gary, Indiana, 2008, both inkjet prints show- calls Dorian Gray “one of the most indulged illustrations by Steir. ing the decay of the Midwestern landscape; things I ever made.” and Carrie Mae Weems’ chromogenic Among notable purchases was a rare PHOTOGRAPHS This year the Gallery print May Flowers, 2002, and inkjet prints impression of George Bellows’ lithograph acquired 192 photographs and three videos Slow Fade to Black II, 2010. The Charina Splinter Beach, 1916, an early state proof including an important album of thirty-eight Endowment Fund enabled the acquisition of purchased as the gift of Max Berry. The print works by American photographer William H. Marco Breuer’s scrubbed gelatin silver print features streetwise kids at so-called Splinter Rau, Property of the Lehigh Valley Central Study for Scrub, 1998, and exposed and Beach, a spot overlooking the East River, R. R. Co., c. 1895, taken along the railroad burned gelatin silver print Untitled (Tip), where bathers were more apt to get splinters from Easton, Pennsylvania, to Niagara Falls. 2001, along with eleven chromogenic prints in their behinds than sand down their trou- Although Rau made many pure landscape by John Divola from his series on Zuma Beach, sers. Equally noteworthy was the acquisition views, he documented a land that had 1977–1978. Tony and Heather Podesta gave of Romare Bearden’s magisterial Odysseus been transformed by cultivation and indus- the Gallery three photographs by Angela suite, 1979, purchased as the gift of Richard trialization. The Gallery was also fortunate to Strassheim, and the Foundation A. Simms. The set of six screenprints—a acquire another album of 154 photographs for the Visual Arts donated Warhol’s Little black Odyssey in which all the figures are by George K. Warren, West Point Album Red Book, 1972, consisting of twenty-two dark skinned—ably demonstrates not only Class of 1868, of both recent college gradu- dye diffusion transfer prints. Joseph M. Cohen Bearden’s mastery of color and composition, ates as well as landscapes of the surrounding and the Collectors Committee generously but also his extraordinary aptitude for nar- Hudson River Valley. provided the funds to acquire Rineke Dijkstra’s rative. Another key acquisition was Portage, The Alfred H. Moses and Fern M. Schad enchanting I See a Woman Crying (Weeping 2000, an affecting work by the South Fund enabled the Gallery to acquire several Woman), 2009, a video of several British African artist William Kentridge, purchased important works by contemporary photogra- school children discussing Picasso’s Weeping through the Collectors Committee with addi- phers including Uta Barth’s luminous …and to Woman, while the Sarah and William L tional support from Sylvia K. Greenberg and draw a bright white line with light (Untitled Walton Fund, the Collectors Committee, and the Marlene Nathan Meyerson Family Foundation enabled the Gallery to add James Nares’ mesmerizing video Street, 2011, a sixty-minute slow-motion homage to New York City, to the collection. In addition, the Ahmanson Foundation generously provided funds for the Gallery to acquire the artist Bruce Conner’s touching video His Eye is on the Sparrow, 2006. Other important twentieth-century addi- tions to the collection include Alma Lavenson’s Self-Portrait, 1932, one of only four known vintage gelatin silver prints of this iconic photograph, acquired with assistance from Robert Menschel and the Vital Projects Fund, the Diana and Mallory Walker Fund, the New Century Fund, and the Eugene L. and Marie- Louise Garbáty Fund. Several other photo- graphs by early twentieth-century female photographers were acquired, including

ALMA LAVENSON New Century Fund, and the Eugene L. and Marie- Self-Portrait Louise Garbáty Fund Robert Menschel and the Vital Projects Fund, Diana and Mallory Walker Fund, NATIONAL GALLERY OF ART 19

and Ruth Fine generously donated four artist’s books in honor of Thomas Klarner. Notable acquisitions of rare albums include a scarce, photographically illustrated exhibition catalog of Arnulf Rainer (1964); Grand Dictionnaire Universel du 19 siècle by Larousse & Goupil (c. 1870); French architec- ture illuminated at night (1937); the planned community of Port Sunlight in England (1913); the Springfield Museum of Fine Arts (1921); and Millimeter und Geraden by Friedrich Vordemberge-Gildewart (1940). The Gallery’s holdings on world expositions grew with the acquisition of albums captur- ing views of (1859), Paris (1878, 1900), and Cleveland (1936–1937). Among the individual rare photographs acquired were architectural studies of by G. K. Warren, Oxford University by Francis Frith, Spanish build- ings by Juan Laurent and Raphael Garzón Rodriguez, Amiens Cathedral by Charles Berenice Abbott’s Jean Cocteau, 1926, pur- personaggi illvstri nell’arme et nelle lettere Marville, as well as anonymous works depict- chased with the Diana and Mallory Walker by Lodovico Dolce (Venice, 1578), and a fine ing buildings in China, India, England, France, Fund; Laure Albin-Guillot’s Le Pont des Arts, early edition of Alois Senefelder’s seminal text Italy, and the United States. Photographs , a rare fresson print, acquired through on , Vollstandiges Lehrbuch der of artworks by Titian attributed to Ponti, the R. K. Mellon Family Foundation; Madame Steindruckerey… ( and , 1818), Bernini by Robert Macpherson, Cellini by D’Ora’s Mariette Lydis, 1927, purchased with all purchased through the J. Paul Getty Fund John Brampton Philpot, and Rodin by Robert assistance from Robert Menschel and the in honor of Franklin D. Murphy; De origine Doisneau were also added to the collection. Vital Projects Fund and the R. K. Mellon et amplitudine civitatis Veronae by Torello Funds donated anonymously allowed Family Foundation; and Tina Modotti’s sensi- Saraina (Verona, 1540) and Caryatidvm (vvl- the Gallery to purchase a rare and excep- tive portrait Anita Brenner, 1927, purchased gvs termas vocat) by Hans Vredeman de Vries tional portrait of Eugene Delacroix taken by with the Pepita Milmore Memorial Fund. In (Antwerp?, c. 1570) through the Grega and photographer Victor Laisné in 1852. This addition, Gary Davis gave the Gallery eight Leo A. Daly III Fund for Architectural Books; photograph was the model for the subse- photographs by Henri Cartier-Bresson and and Divo et invictissimo Leopoldo I.P.F.A. quent engraving of Delacroix’s visage used thirty-eight by . Finally, the fidei in Hungaria assertori… by Romeyn de in Histoire des artistes vivants français et Gallery acquired three photographs by György Hooghe (c. 1686) and Oorspronkelyk en etrangers: etudes d’apres nature by Théophile Kepes. His Juliet with Peacock Feather and vermaard konstryk tekenboek by Abraham Silvestre (Paris, 1856). Red Leaf, 1937–1938, as well as Frederick Bloemaert (Amsterdam, 1740) through the Sommer’s celebrated portrait of his friend, the Nell and Robert Weidenhammer Fund. artist Max Ernst, were acquired through the Twentieth-century works added to the rare Pepita Milmore Memorial Fund. book collection include Sillage intangible by Lucien Scheler featuring a drypoint RARE BOOKS AND IMAGES Noteworthy engraving by Picasso (Paris, 1958) and additions among the 110 titles added to Les pénalties de l’Enfer, ou, Les Nouvelles the Library’s rare book collection in 2014 Hébrides by Robert Desnos with lithographs include Nimpharvm oceanitidvm, ephydrid- by Miró (Paris, 1974), acquired through the vm potamidvm, naiadvm, lynadvmqve icones David K. E. Bruce Fund. The Thomas Klarner by Philippe Galle (Antwerp, 1587), Imprese Memorial Fund supported the purchase of a nobili et ingeniose di diuersi prencipi et d’altri rare broadside, Festival Dada (Paris, 1920),

ALOIS SENEFELDER Vollständiges Lehrbuch der Steindruckerey… J. Paul Getty Fund in honor of Franklin D. Murphy

22 E xHIBITING

EXHIBITING

During fiscal year 2014 the Gallery presented nineteen special exhibitions. Seven exhibitions, Diaghilev and the Ballets Russes, 1909–1929: When Art Danced with Music; Ellsworth Kelly: Colored Paper Images; In the Tower: Kerry James Marshall; Northern Mannerist Prints from the Kainen Collection; Yes, No, Maybe: Artists Working at Crown Point Press; Tell It with Pride: The 54th Regiment and Augustus Saint-Gaudens’ Shaw Memorial; and Charles Marville: Photographer of Paris, continued from the previous year. The Library presented six exhibitions of books and images from its collections. The year began with Heaven and Earth: Art of Byzantium from Greek Collections, the Gallery’s first exhibition devoted to Byzantine art. With recognized masterpieces and new discoveries from recent archaeological excavations, it spanned the period of the Byzantine Empire, from the fourth to the fifteenth century. Of the 170 works on view, 75 left Greece for the first time and an additional 40 had never before been seen in the United States. Heaven and Earth was an especially important exhibition for the Gallery as the influence of Byzantine artists is seen throughout the Gallery’s permanent collection of early Italian paintings. Organized thematically, Heaven and Earth illuminated various aspects of Byzantine life, public and private, spiritual and secular. Mosaics, wall paintings, and sculpture from churches were displayed with painted icons, Gospel books, and liturgical vessels to convey the ecclesiastical setting of public worship. Portable altarpieces, small ivory and steatite icons, and silver and gold pendant reliquaries worn by the faithful suggested the nature of private worship at home. Works of art for the domestic sphere—floor mosaics, silver and ceramic dinnerware, glass and bronze furnishings, and jewelry—offered a glimpse of the accoutrements of daily life. Biblical manuscripts shown alongside copies of works by Homer, Aeschylus, Sophocles, and other ancient authors reminded visitors of the Christian and clas- sical foundations of Byzantine intellectual life. The exhibition concluded with works of art reflecting artistic exchanges between Byzantium and Western Europe during the empire’s last phase. To give visitors a sense of the original ecclesiastical context of many of the works of art, the Gallery produced a film with footage of five Byzantine churches set to the music of Byzantine hymns and chants. A sixteen-foot-high photographic reproduction of the sanctuary of the eleventh-century church of Hosios Loukas provided a dramatic backdrop for the display of works of art that played essential roles in Byzantine spiritual life. A fully illustrated catalog and com- panion volume dedicated to Byzantine cities and towns in Greece accompanied the exhibition. This year the Gallery had the rare on a carefully proportioned, faux-finished Part of the Gallery’s mission—to preserve opportunity to exhibit one of the most pedestal with a fifteen-foot-tall banner works of art at the highest possible muse- renowned works from antiquity. The Dying reproducing Giovanni Paolo Panini’s painting um and scholarly standards—brought the Gaul: An Ancient Roman Masterpiece from Ancient Rome, which prominently includes Gallery to the forefront during World War II the Capitoline Museum, Rome marked the Dying Gaul among the many antiq- when American art historians, museum the first time the sculpture had left Italy uities depicted. Two freestanding baffles and art professionals, and archivists were since 1797. Embodying courage and nobil- provided additional explanatory information deployed as military officers to protect works ity in the face of death, this image of and images. An accompanying brochure of art, historical buildings, monuments, a vanquished enemy is a deeply moving recounted the discovery of the Dying Gaul in and archives in war theaters throughout celebration of the human spirit. The sculp- seventeenth-century Rome and its influence Western Europe as part of the Monuments, ture was displayed in the Gallery’s Rotunda on subsequent painters and sculptors. Fine Arts, and Archives (MFAA) program.

The Dying Gaul: An Ancient Roman Masterpiece from the Capitoline Museum, Rome 24 E xHIBITING

Heaven and Earth: Art of Byzantium from Greek Collections NATIONAL GALLERY OF ART 25

The Monuments Men and the National including artists outside the expressionist included work from the same period made Gallery of Art, an archival display that sphere. She selected works from preceding mostly outside New York, and “Boom and presented World War II-era documents, and later periods that resonated with the Bust” showed photographs taken largely photographs, and memorabilia, illustrated central expressionist themes of human life, in Texas and Los Angeles from 1971 until the seminal role the Gallery played in the passion, and an individual’s relationship to Winogrand’s death. Plunging headlong into creation of the MFAA and the Roberts society and to nature. The layout of the his work, Winogrand preferred shooting Commission and explored the real-life expe- exhibition was modulated with the use of wall film to editing his pictures or producing riences of a few of the monuments men. color, supporting the themes and chronology books and exhibitions. As a result, many The exhibition Modern German Prints of the works. Two rooms were devoted to of his strongest early photographs fell into and Drawings from the Kainen Collection the work of Kirchner and included a selection obscurity as he matured, while numerous celebrated one of the most important col- of his illustrated books. Fourteen works from later ones remained unprocessed at the time lectors of prints and drawings in recent the exhibition were featured in a slide show of his death. Winogrand never published or decades, Ruth Cole Kainen, and her bequest on the Gallery website. exhibited approximately one-third of the to the Gallery. This exhibition—the second The major retrospective Garry Winogrand photographs presented; more than sixty of three to focus on central aspects of surveyed the photographer’s career from its were printed for this exhibition and shown her bequest—included 122 of her finest inception in 1950 to his death in 1984. Garry in public for the first time. By presenting German drawings, prints, watercolors, and Winogrand, a New Yorker who roamed the such discoveries alongside Winogrand’s cel- illustrated books dating from 1769 to 1980. United States during the postwar decades, ebrated pictures, the exhibition reinterpreted Ruth Kainen focused on , a left behind a sweeping portrait of American a career that was, like the artist’s America, movement that rejected the academic pursuit life. His photographs powerfully combine the both epic and unresolved. of timeless, idealized beauty in favor of hope and exhilaration as well as the anxiety The exhibition’s video, featuring archival creating dynamic art that reflected life and and turbulence that characterized America footage from a 1977 workshop Winogrand experience in the modern world. She acquired during these vital years, revealing a country gave for students at Rice University in works by the most important expressionists, that glitters with possibility but threatens to Houston, provided insight to his working with a particular interest in Ernst Ludwig spin out of control. methods, his ideas about photography, and Kirchner and other artists of Die Brücke. The exhibition was divided into three sec- his personality. A fully illustrated catalog She placed these major acquisitions within a tions: “Down from the Bronx” presented accompanied the exhibition. Two dozen of broader context by collecting lesser-known photographs made in New York City from the exhibited works were featured in a slide artists from the German-speaking world, 1950 through 1971, “A Student of America” show on the Gallery’s website.

Modern German Prints and Drawings from the Kainen Collection 26 E xHIBITING

Garry Winogrand Andrew Wyeth: Looking Out, Looking In NATIONAL GALLERY OF ART 27

Andrew Wyeth: Looking Out, Looking A fully illustrated catalog accompanied this collaboration was Cassatt’s Little Girl in a In gathered together—for the first time—a exhibition. Highlights from the exhibition Blue Armchair, 1878. Degas’s participation select group of Andrew Wyeth’s images of were featured on the Gallery website. in this painting is known through a let- windows, including his most famous paint- Edgar Degas’s influence on fellow impres- ter Cassatt wrote to her dealer, Ambroise ing, . Completed early sionist Mary Cassatt is widely known, but Vollard, which was displayed to the right of in the artist’s career, the painting captured her role in shaping his work and intro- the painting, but the details remained a mys- the moment when an ocean breeze flow- ducing him to American audiences was tery. Recent cleaning and careful analysis of ing through an open window gently lifted fully examined for the first time in Degas/ the brushwork, as well as x-radiographs and tattered curtains. During the course of the Cassatt. Organized thematically with a focus infrared images revealed changes beneath next sixty years, Wyeth returned repeatedly on the height of Degas’s and Cassatt’s the paint surface, providing clear evidence of to the subject of windows, producing more artistic alliance—the late 1870s through the Degas’s intervention in Cassatt’s picture. The than three hundred works on this theme. mid-1880s—the exhibition included some infrared image was shown on a plinth below The exhibition began with Wind from the seventy works in a variety of media including the painting so visitors could see the changes. Sea, alongside watercolor studies quickly oil paintings, pastels, and works on paper, A fully illustrated catalog accompanied executed to capture a momentary impres- with several that were once in the artists’ the exhibition. A brochure featured ten sion and tempera paintings created over an personal collections. works from the show as well as an infrared extended period of distillation and simplifi- The Gallery is exceptionally rich in holdings image of Little Girl in a Blue Armchair. An cation, and proceeded to galleries of images by Cassatt and Degas, with one of the finest audio tour explored the artists’ friendship that reflect his extended study of windows. collections of works by Cassatt in existence, and the experimental nature of their paint- The exhibition explored the now-apparent totaling 119, and the third largest collection ing and techniques. A slide fact that Wyeth was an artist as concerned of works by Degas in the world, total- show and special feature appeared on the with formal abstraction and existential dark- ing 158. This critically successful exhibition Gallery website. ness as were his contemporaries. utilized these strong holdings and included The Gallery highlighted the arrival of two The palette for the five-room exhibition groundbreaking technical analysis presented new paintings by Vincent van Gogh from included custom wall colors, carefully select- by the Gallery’s conservators and scientists the bequest of renowned philanthropist, art ed mat colors, and hand-rubbed frames that who examined key works by both artists. collector, and Gallery benefactor Paul Mellon created a harmonic backdrop for the works. The most notable example of the artists’ and his wife, Rachael Lambert Mellon,

Degas/Cassatt 28 E xHIBITING

in Celebrating Van Gogh at the National Gallery of Art. The display of these gifts was further enhanced by the Gallery’s collection of works by Van Gogh along with the loan from the Kröller-Müller Museum in Otterlo, the Netherlands, of the Portrait of Monsieur Roulin, 1889. A portrait of Joseph Roulin, the postman Van Gogh made famous through a series of paintings, was exhibited for the first time at the Gallery and hung alongside the Gallery’s Roulin’s Baby, 1888, a portrait of the postman’s daughter, Marcelle, as an infant. Thanks to the generosity of important benefactors such as Mr. and Mrs. Mellon, Ailsa Mellon Bruce, Chester Dale, Pamela Harriman, and John Hay Whitney, the Gallery has ten paintings and eleven prints and drawings by Van Gogh. A highlight of the year was the presentation of Titian’s Danae, 1544–1545, on special loan from the Capodimonte Museum in Naples. The sensuous Danae reflects the Renaissance fascination with the theme of the loves of the gods and is one of numerous paintings in which Titian established a new genre in Western art, that of erotic mythologies. The myth of Danaë seduced by Zeus in the guise of a shower of gold coins was recounted in the brochure. The painting was installed in proximity to other examples of this genre by Titian from the Gallery’s collection—Venus room explored the period leading up to deep in a number of areas, and excellent in with a Mirror, c. 1555, and Venus and World War II, in which many artists, such as quality, the Gallery’s collection is unsurpassed Adonis, c. 1560. Childe Hassam and Stuart Davis, departed outside Italy itself. The first section considered Thanks to a number of generous donors, from strict representation. The second room the persistence of traditional styles along more than two hundred nineteenth-century moved toward pure abstraction in the post- with the dominant role of art academies European and American watercolors and war period with works by Jackson Pollock, through the first half of the nineteenth gouaches have been added to the Gallery’s David Smith, and Willem de Kooning. This century. The second section concerned the collection. The Color of Nature: Recent exhibition represented only a small frac- arrival of romantic ideals, which emphasized Acquisitions of Landscape Watercolors fea- tion of the works donated by Ruth Kainen naturalism, individual expression, and original tured fifteen stunning, sun-filled landscapes and paid tribute to her connoisseurship and approaches to printmaking through the end by European masters that express the rich generosity. Several of the most important of the century. The third section was devoted possibilities of this endlessly fascinating works were featured in a slide show on the to critical precursors of (such medium. All of the watercolors were includ- Gallery website. as Giovanni Fattori and Giovanni Boldini), ed in a slide show on the Gallery website. From Neoclassicism to Futurism: Italian to futurism, and to singular figures of early Modern American Prints and Drawings Prints and Drawings, 1800–1925 explored modern art such as Giorgio Morandi. An from the Kainen Collection, the third and a period of Italian art neglected in the usual accompanying leaflet provided an introduc- final exhibition in the series from the Kainen histories of modern art. This exhibition con- tion to the exhibition with reproductions of bequest, included a selection of exceptional sisted of some seventy prints, drawings, and the most significant works. A virtual tour prints and drawings from the first three- illustrated books from the nearly two hundred of the works and accompanying texts were quarters of the twentieth century. The first acquired in recent years. Broad in scope, made available on the Gallery website.

Celebrating Van Gogh at the National Gallery of Art NATIONAL GALLERY OF ART 29

Titian’s Danaë from the Capodimonte Museum, Naples 30 E xHIBITING

Captain Linnaeus Tripe: Photographer of This exhibition traced Tripe’s work from at the touch of button to illustrate Tripe’s India and Burma, 1852–1860 was the first his earliest photographs made in England, retouching on the negative surface. A final, major traveling exhibition of the artist’s to ones created on expeditions to the south didactic room compared the technical aspects work. Tripe first learned photography in Indian kingdom of Mysore, to Burma, and of Tripe’s work with other photographs in the Great Britain from amateurs who considered again to south India. Many of his pictures Gallery’s collection. A fully illustrated catalog it a pastime. With few models to follow, were the first photographs ever made of accompanied the exhibition. he developed a professional practice under celebrated archaeological sites and monu- The Gallery administered the loan of 962 the auspices of the large bureaucracy of ments, ancient and contemporary religious works of art to 207 sites during fiscal year the British East India Company. Reflecting and secular buildings, geological formations, 2014. This year major loans of works from his military discipline as an officer in the and landscape vistas. Yet the dynamic vision the Gallery’s collection were featured both British army, he achieved remarkably con- Tripe brought to these large, technically domestically and internationally. sistent results, despite the Indian heat and complex photographs and the lavish atten- During the East Building renovation, many humidity that posed constant challenges to tion he paid to their execution indicate that works have been made available to other muse- photographic chemistry. Tripe’s schooling as his aims were not merely documentary but ums, presenting a unique opportunity to share a surveyor, where the choice of viewpoint artistic. New frames were designed for all the the Gallery’s celebrated collections of impres- and careful attention to visual details were photographs in the exhibition. Two of the sionist and modern art. Sixty-eight works were essential, gave his photographs their distinc- original full-size negatives were installed with featured in Gems of : Paintings tive aesthetic rigor. LED light panels behind them and illuminated from the National Gallery of Art at the Museo

Modern American Prints and Drawings from the Kainen Collection NATIONAL GALLERY OF ART 31

dell’Ara Pacis Augustae in Rome and Intimate Milan; and Camille Pissarro’s Charing Cross Jack-in-the-Pulpit–No. 2, Jack-in-the-Pulpit Impressionism from the National Gallery of Bridge, London to the Fundación “La Caixa” No. 3, Jack-in-the-Pulpit No. IV, Jack-in- Art at the Legion of Honor in San Francisco. in Barcelona. Among the Gallery’s many the-Pulpit–No. 5, and Jack-in-the-Pulpit Forty-three works traveled to the de Young international loans to exhibitions were three No. VI to the Georgia O’Keeffe Museum in Museum in San Francisco for the exhibition paintings by El Greco to the Museo de Santa Santa Fe and the de Young Museum. The Modernism from the National Gallery of Art: Cruz in Toledo for the exhibition The Greek of Gallery also loaned important works by Paul The Robert & Jane Meyerhoff Collection. Fifty Toledo; Henri de Toulouse-Lautrec’s Marcelle Gauguin, George Bellows, and John Marin paintings and ten graphics by the artist Mark Lender Dancing the Bolero in “Chilpéric” to the New-York Historical Society and John Rothko were lent to the Gemeentemuseum to the Musée du Petit Palais in Paris for the Singleton Copley’s Watson and the Shark to Den Haag for their exhibition Mark Rothko. exhibition Paris 1900, La Ville spectacle; the Museum of Fine Arts, Houston. Twenty-four paintings and six graphics by Gustave Caillebotte’s Skiffs to the Centre d’Art the artist were also lent to the et d’Expositions La Ferme Ornée in Yerres Arts Center’s exhibition Mark Rothko: The for Caillebotte in Yerres; and James McNeill Decisive Decade, 1940–1950. Forty-three Whistler’s Grey and Silver: Chelsea Wharf works were lent to the Sterling and Francine and Wapping to the Dulwich Picture Gallery in Clark Art Institute’s exhibition Make It New: London for An American in London: Whistler Abstract Paintings from the National Gallery and the Thames. of Art, 1950–1975. This year the Gallery loaned 650 works The Gallery loaned numerous works to a to museums and collections throughout number of retrospectives this year including the United States. Highlights of these loans Joan Miró’s The Farm to the Albertina in include Joseph Mallord William Turner’s Vienna; ’s to Venice: The Dogana and San Giorgio the Musée national d’art moderne, Centre Maggiore and Keelmen Heaving in Coals by Georges Pompidou in Paris; ’s Moonlight to the Peabody Essex Museum in Houses at Vitebsk to the Palazzo Reale in Salem, Massachusetts, and Georgia O’Keeffe’s

Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860 Students from the Gallery’s Art Around the Corner program use magnifying glasses to see details in Romare Bearden’s Tomorrow I May Be Far Away.

34 E xHIBITING

EDUCATING

The education division paid special attention to online audiences this year, using several channels to broaden the Gallery’s reach and increase public engagement. The division took on the Gallery’s Facebook and Twitter accounts, which saw a 114 percent increase in Facebook fans and a 68 percent increase in those active on Twitter during the fiscal year. Replies and comments from the Gallery’s audience increased by 15 percent each month, with an average reach of more than fourteen million users each month. The Gallery also launched an Instagram account and organized an Instameet to celebrate the occasion. The education division coordinated the Gallery’s initial TweetUps. Both are physical events, which invite those active on the respective social media to register, come to the museum, and post to their followers about their experience. Two TweetUps highlighted the Monuments Men installation and the exhibition of paintings by Vincent van Gogh. The Instameet featured modern art through a new, more interactive East Building tour, titled Modern Sculpture: Dialogues in Three Dimensions. The Gallery launched NGAkids Art Zone, its first venture into the world of iPad applica- tions. In this interactive experience, children visit a virtual art gallery and create their own art inspired by works in the Gallery’s collection. The division updated the permanent collection iPhone application Your Art, publishing highlights in five foreign languages and making the full application, with translations, available on Android devices. To date, the application has been downloaded about 50,000 times around the world. The Chinese version was cited as one of the top ten applications in China. Among written material produced to encourage engagement, 15,000 first-edition copies of An Eye for Art, a book to introduce children and families nationwide to the Gallery’s collection, were sold and distributed. The publisher requested a second printing of 5,000. The division also offered all its traditional on-site programs including tours, auditorium lectures, printed guides to the collections, as well as school and family programs. Staff developed the second year of Drawing Salon, a program for adults that integrates art history, studio practice, and conversation, which attracts a younger and more diverse audi- ence than traditional gallery programs. Tours in American Sign Language, voice interpreted for hearing participants, and ASL for Learners, a tour for those learning sign language, continued to serve the community. Tours for the visually impaired also continued. Programmatic highlights of the year included three symposia for the exhibitions Charles Marville: Photographer of Paris, Heaven and Earth: Art of Byzantium from Greek Collections, and El Greco in the programs were recast to include more under- showings across the nation reached an National Gallery of Art and Washington- served students. Two new school tours for age additional forty-one million viewers. The Area Collections: A 400th Anniversary four through third grade, Art Investigators Gallery’s website had almost five-and-a-half Celebration. Two invitation-only study days and Art Tales, encouraged children to look million visits. brought museum and academic art historians closely and use their imaginations to learn together in gallery discussions of the Marville about art. Performances of Forward, 54th!, a CONCERTS AND FILMS This year the music and Byzantine exhibitions. The Gallery show- play for families presented in conjunction with department organized the Jazz in the Garden cased four artists this year: Andy Goldsworthy, Tell It with Pride: The 54th Massachusetts series, which drew an estimated 153,000 Julie Mehretu, Allan McCollum, and Kerry Regiment and Augustus Saint-Gaudens’ Shaw people to the Sculpture Garden for free James Marshall, the latter through a panel Memorial, served almost 2,500 students, fami- concerts every Friday evening, between discussion on race and class in contemporary lies, and teachers, many associated with Title 1 Memorial Day and Labor Day. America. Through auditorium events, such as schools. A special performance was arranged at Additionally, eleven concerts were present- the presentation “Dutch Paintings in a New Walter Reed National Military Medical Center ed in honor of exhibitions. One concert of Age: The Debut of NGA Online Editions” by in Bethesda, Maryland, for wounded warriors Byzantine music honored Heaven and Earth. curator Arthur K. Wheelock Jr., the Gallery and staff. Family and youth programs included The sixty-fifth American Music Festival, in served an annual lecture audience of more about 12,000 participants; teacher programs honor of Yes, No, Maybe: Artists Working than 16,000. Sixty-two audio podcasts and reached more than 2,500 people; gallery tours at Crown Point Press and Tell It with Pride, six videos allowed the Gallery to share events and talks were provided for 36,000 individu- featured five concerts of music by American online, with more than 230,000 downloads. als; and free audio guides of the permanent composers. Four concerts of nineteenth- Ten academic-year fellows and interns and collection served an additional 52,000 visitors. century French music were presented in eighteen summer participants, representing Together, education programs and in-house honor of Degas/Cassatt, and one concert seventeen states and six foreign countries, publications reached roughly 675,000 users. was presented in honor of Andrew Wyeth: worked on projects from digital engagement Founded in the 1950s, the Gallery’s Looking Out, Looking In. to curatorial research throughout the Gallery. time-honored outreach program Education Collaborations with other Gallery depart- This year the Gallery served approximately Resources now consists of more than 140 ments resulted in numerous varied musical 27,000 K–12 students, including participants teaching packets, CDs, and DVDs and more presentations, including screenings with live in the twenty-second annual High School than 500 online resources. During the last music of the silent film Summer Night Songs, Seminar. After an extensive evaluation, the Art year, this free-loan program served more three special presentations during morning Around the Corner and Mini-Multiple Visit than one million users while public television roll call for the Gallery’s guard force, and

Students from the Gallery’s multiple-visit High School Seminar sketch Roxy Paine’s Graft in the Sculpture Garden. 36 E ducATING

organized in association with Fondo Pasolini and Luce Cinecittà, Rome; “Masterworks of Czech Animation,” a collaboration with the National Film Archive in ; “Martin Scorsese Presents: Masterpieces of Polish Cinema”; “Hard Thawing: Experimental Film and Video from Finland”; “Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe”; “Reminiscence: Alain Resnais”; “Recovered Treasure: UCLA’s Festival of Preservation”; and “A Sense of Time and Place: Peter von Bagh.” The popular program “American Originals Now,” featuring artists discussing and exhib- iting their works, included Moyra Davey, Kevin Jerome Everson, Jesse Lerner, and John Gianvito. Renowned Canadian artist Michael concerts and a book signing in connection by funds bequeathed to the Gallery by William Snow presented his early work in “Michael with the publication of Five Lives in Music Nelson Cromwell and F. Lammot Belin, with Snow: Looking Forward, Looking Back.” by Cecelia Hopkins Porter. Gallery musical generous additional support from Barbara A. In conjunction with the exhibition Tell offerings with outside partners included six Spangenberg, the Billy Rose Foundation, and It with Pride, a ciné-concert featured the concerts jointly produced with the Delegation the Gottesman Fund in memory of Milton world premiere of Andrew Simpson’s new of the European Union to the United States M. Gottesman. Additional assistance came orchestral score for Buster Keaton’s land- to celebrate the Month of European Culture, from the Cultural Service of the Embassy of mark The General. Another ciné-concert a presentation of the winners of the 2014 France in partnership with Safran, the Randy featured ’s The Big Parade, a Misbin Family Memorial Chamber Music Hostetler Living Room Music Fund, the Ann favorite film of Andrew Wyeth. American Competition with Washington Performing and Gordon Getty Foundation, and Professor or Washington film premieres during the Arts, concerts in honor of Degas/Cassatt Joseph L. Gastwirth. year included The Stuart Hall Project; with the Cultural Service of the Embassy The film department continued to organize Manakamana; Nocturne: Britten; Hans of France, and a concert by the a cappella unique and culturally diverse film screenings Richter: Everything Turns, Everything choral ensemble Cathedra with the Anglican and retrospectives throughout the year. These Revolves; The New ; Burning Association of Musicians. events encompassed a broad range of moving Bush; and Becoming Traviata. Special concerts were presented in honor image art forms, from 35mm prints to the most of African American History Month, the recent digital technology. From experimental RESOURCES FOR SCHOLARLY RESEARCH Washington Cherry Blossom Festival, and video to documentary, from retrospectives to The Library added approximately 8,000 books the 3,000th concert in the Gallery’s long- restorations, this year’s presentations included and 1,400 auction catalogs to its holdings running weekly concert series. The concerts the work of emerging American filmmakers this year. The reader services department included six world-premiere and seven as well as historically important international welcomed more than 3,000 visitors, answered Washington-premiere performances of new directors. In all, nearly 400 screenings and area 22,000 inquiries, and conducted bibliographic works. Concerts designed to attract and premieres took place in the auditorium of the instruction courses for students from the involve young people included performances East Building and, following the closure of the Corcoran School of the Arts and Design, by the Patrick Henry College Youth Music auditorium, at other museums and venues in Catholic University, George Washington Academy and the Bahamas National Youth the Washington area. The Gallery’s ongoing University, and University of Maryland. Choir. The fiscal year ended with an innova- membership in the International Federation of The reader services department inaugurated tion in the form of Sunday brunch concerts in Film Archives was critical for allowing access to ILLiad, a fully automated interlibrary loan the Sculpture Garden. prints from archival vaults around the world. processing system, for use by Gallery staff. The activities of the music department In addition, sixteen films were added to the Through its interlibrary loan program, the garnered twelve reviews in the Washington Gallery’s film library. Library received and processed approximately Post and one review in . Highlights from the 2014 season includ- 5,100 transactions with university and muse- Concerts in fiscal year 2014 were sponsored ed the retrospective “Pier Paolo Pasolini,” um libraries nationally and internationally.

Actors perform the Gallery-commissioned play Forward, 54th!, inspired by Augustus Saint- Gaudens’ Shaw Memorial and written and directed by Mary Hall Surface. NATIONAL GALLERY OF ART 37

The department of image collections than 63,000 images of primarily Tuscan and The Gallery Archives worked to improve acquired approximately 117,000 images this Umbrian art. The estate of William A. Smith public access to records and information relat- year, including 103,658 photographs, nega- donated a collection of portrait photographs ing to the Gallery’s history in every medium. tives, transparencies, and images in micro- from a survey Smith completed during the To enhance the Gallery’s website, archival form; fourteen CD-ROMs; nineteen rare 1950s and 1960s while travelling through staff updated the format for more than photographic albums; fifty-four rare repro- Eastern Europe and Asia as well as portraits 1,000 past exhibition descriptions. Annual ductive prints; and more than 13,500 digital of fellow artists in New York. The Samuel H. Reports from 1938 to 2009 were added to files. Researchers viewed more than 250,000 Kress Foundation completed the transfer of the website, and a template was developed images on-site. Nearly 1,300 records were historic images from its archives documenting for past press releases. To enhance the docu- added to the database bringing the total the Kress Collection. In addition to Gallery mentary record, nine oral history interviews number of records for works of art and staff who have thoughtfully donated slides, were conducted and added to the collection. architecture to 145,000. Image specialists photographs, rare postcards, and scans to Archival staff worked with researchers on- answered 1,250 reference inquiries and pro- the collection, William Craft Brumfield added site and responded to some 325 substantive vided 298 orientations. The collection now thousands of digital images to his important reference inquiries. The archival display The holds more than fourteen million images. survey of Russian architecture, and Charles Monuments Men and the National Gallery The department received several important Isaacs and Carol Nigro donated Isaacs’ por- of Art was extended to accommodate great gifts in 2014. The Roy Lichtenstein Foundation trait of Andrew and Betsy Wyeth. James public interest. donated part of the Shunk-Kender Archive, Ackerman, Miles Chappell, Pie Friendly, John Archival holdings were augmented with which includes 2,460 vintage images of work Sullivan, and Anke van Wagenberg also significant files relating to past Gallery exhibi- by Christo and Jeanne-Claude. The Institute donated photographs. With funds provided tions, education programs, concerts, and pub- of Fine Arts of New York University donated by the Kiplinger Foundation and Mr. and lic information programs. The digital archival the photographic archives of art historians Mrs. B. Francis Saul II, the library completed repository was expanded with the acquisition Richard Offner, Gertrude Achenbach Coor, its project documenting historic residences in of more than one terabyte of digital media and James Stubblebine, numbering more the Washington, DC area. files. More than 3,700 slides and photographs were scanned as part of the ongoing strategic digitization program. Supported by a generous grant from the Samuel H. Kress Foundation, archival staff oversaw digitization of more than 10,000 legacy documents and images relating to the history and conservation of the Kress Collection. Donations of archival material enhanced the Gallery’s archival holdings. Artist Tony Rosati donated slides, negatives, and prints of Lessing Rosenwald and Alverthorpe Gallery dated between 1974 and 1981, enhanc- ing archival resources on the collector and the Rosenwald Collection. Dorothy Vogel donated additional materials relating to the Vogel biography and development of the col- lection and continued to assist archives staff in organizing and identifying photographs and documents. The study room for European works of art on paper in the East Building hosted almost 1,000 visitors. Twenty-nine classes from elev- en universities and six schools were taught, using the Gallery’s original prints, drawings, and rare illustrated books. In addition, there were thirteen lectures for special groups and ten tours for Gallery docents, interns, and

After touring the Gallery’s Italian collection, children participating in the Stories in Art program make their own Italian-inspired masterpieces. 38 E ducATING

new staff. Gallery curators presented twenty- six of these classes, lectures, and tours. The study room for American works of art on paper in the West Building hosted almost 900 visitors, including students in thirty classes from eight universities and fourteen schools. In addition, curators gave twenty-four pre- sentations for special groups and two tours for Gallery docents, interns, and new staff.

PUBLICATIONS This year the Gallery launched the first of its NGA Online Editions with the publication of Dutch Paintings of the Seventeenth Century, which presents authoritative scholarship in a user-friendly format that is fully integrated with the Gallery’s website. Featuring a dynamic research experience for a broad audience, the online systematic catalog has opened this collection to a worldwide network of scholars, students, and other art lovers. The online imprint, which marks a new era in the publication of the Gallery’s permanent Center 34; and The Edmond J. Safra Visiting of the East Building galleries, ensuring that collection volumes, is a web-based platform Professorship at the Center for Advanced images are available for research and publi- developed with support from the Getty Study in the Visual Arts, National Gallery of cation purposes. The division began a project Online Scholarly Catalogue Initiative (OSCI). Art: Reflections on the First Twelve Years. to capture the Gallery’s collection of Alfred NGA Online Editions will ultimately provide Printed brochures were prepared for four Stieglitz photographs. All images will be free and open access to current in-depth exhibitions: Titian’s Danaë, From Neoclas- posted to the Gallery’s website as part of a information on more than 5,000 paint- sicism to Futurism, The Dying Gaul, and Stieglitz resource. ings, sculptures, and decorative arts in the Degas/Cassatt, and three library shows: Grega Using highly sophisticated imaging Gallery’s collections. The site (www.nga.gov/ and Leo A. Daly III Fund for Architectural techniques, the division also created and content/ngaweb/research/online-editions. Books, Preservation and Loss during World posted 563 ultra-resolution images on the html) includes an enhanced reading envi- War II, and The Book Illustrations of Romeyn Gallery’s website, allowing the public to pan ronment and a set of smart tools for sharing, de Hooghe. All but the library brochures are and zoom at extremely close detail. citing, comparing, printing, and managing available on www.nga.gov. The division’s Rapid Capture imaging both texts and images. While designed espe- project has reached the end of the second cially for use by scholars and students, it will IMAGING AND VISUAL SERVICES The divi- phase, to digitize the entire Index of American benefit all who visit the Gallery’s website. sion of imaging and visual services con- Design, consisting of 18,257 watercolors In addition to launching the online series, tinued its essential work documenting the that document the rich legacy of American six printed volumes were produced by the Gallery’s collections and promoting access architecture, interior design, textiles, and publishing office, including four for 2014 to the highest quality, color-accurate digital crafts. All of the images produced are exhibitions: Intimate Impressionism from the images. New master digital files were made available for download through NGA Images, National Gallery of Art; Andrew Wyeth: for 435 acquisitions, including Green Wheat the Gallery’s online open-access image Looking Out, Looking In; Degas/Cassatt; Fields, Auvers by Van Gogh, The Concert by repository, as are more than 42,000 images and Captain Linnaeus Tripe: Photographer of Gerrit van Honthorst, and Collection of Four of collection objects, for free download and India and Burma, 1852–1860. The Andrew Hundred and Eighty Plaster Surrogates by any use. Wyeth catalog went back to press for a sec- Allan McCollum. ond printing, bringing the total number of The division completed a major photogra- copies to nearly 20,000. Two print volumes phy project to create new and replacement were produced for CASVA: its annual report, images of modern works prior to the closure

The General, 1926, Directed by Clyde Bruckman and Buster Keaton Courtesy United Artists/Photofest NATIONAL GALLERY OF ART 39

CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

The Center for Advanced Study in the Visual In the program of special meetings, the “Past Belief: Visions of Early Christianity Arts, founded in 1979, sponsors the study Center cosponsored, with the University of in Renaissance and Reformation Europe.” of the visual arts in each of its four program Maryland, the forty-fourth Middle Atlantic Professor Grafton also met informally with areas: fellowships, research, publications, and Symposium in the . This year’s members of the Center for a discussion of his scholarly meetings. Members of the Center Wyeth Lecture in American Art, the biennial lectures. His presentations attracted a large are selected through a competitive process by event supported by the Wyeth Foundation audience, and audio podcasts were made the Center’s Board of Advisors, with the excep- for American Art, was presented by Jennifer available following each lecture. Video pod- tion of the three professorial appointments L. Roberts of Harvard University on the casts will follow. (the Samuel H. Kress professor, the Andrew topic “Reversing American Art.” The follow- The Center’s ongoing research projects W. Mellon professor, and the Edmond J. Safra ing day, Professor Roberts led an incontro provide primary materials for the field. A team visiting professor), which are made at the invi- entitled “Currency as Metaprinting.” The of scholars, led by Dean Elizabeth Cropper and tation of the Gallery’s Board of Trustees. Center sponsored a two-day symposium Professor Lorenzo Pericolo of the University During its thirty-fourth academic year, the entitled “The Civil War in Art and Memory” of Warwick, is preparing a sixteen-volume Center welcomed fellows from Canada, France, in association with the exhibition Tell It with annotated English translation and critical Italian , Italy, the Netherlands, Switzerland, Pride: The 54th Massachusetts Regiment and edition of Carlo Cesare Malvasia’s Felsina the United Kingdom, and the United States. Augustus Saint-Gaudens’ Shaw Memorial. pittrice (Bologna, 1678). Each richly illus- The topics of their research ranged from the The Center also hosted a two-part seminar trated volume includes the text of Malvasia’s effects of the electric illumination of Paris in the on the topic of , supported by the associated preparatory notes, together with nineteenth century to the gardens in the early Andrew W. Mellon Humanities Grant. The detailed historical commentary. Harvey Miller/ Qing Dynasty, from plastic surgery after World symposium and the seminar will both result Brepols published volume thirteen, Lives of War I to outsider art in New Orleans, from in publications. Domenichino and Francesco Gessi, in fall 2013. Persian gardens to the architecture of India’s The sixty-third A. W. Mellon Lectures in Associate Dean Therese O’Malley is directing Deccan region, and from medieval manuscripts the Fine Arts were delivered by Anthony the design of an online digital database for the to outliers in contemporary art. Grafton of Princeton University on the topic History of Early American Landscape Design that will expand upon the book Keywords in American Landscape Design (2010). Associate Dean Peter Lukehart and his team have been developing a geotagging feature that will allow place names mentioned in documents in the database (www. nga.gov/casva/accademia) to link to their respective locations on interactive, historic maps of Rome dating from the sixteenth and seventeenth centuries. The team has also been identifying high-quality examples of these rare maps and acquiring digital scans. More information on the Center’s pro- grams, as well as an archive of its published annual reports, is available online at www.nga. gov/content/ngaweb/research/casva.html.

CASVA fellows and staff tour the paper conservation studios. Gallery painting conservator Michael Swicklik removes varnish from Piero di Cosimo’s Visitation with Saint Nicholas and Saint Anthony Abbot.

42 E ducATING

PRESERVING

The conservation division continued work on several special projects, including Facture, the biennial journal focused on conservation treatment, scientific research, and technical art history related to works of art in the Gallery’s collection. The second volume will be published in 2015. Conservators, scientists, and technicians throughout the division continued to lead a collabora- tion with other institutions, as part of Conservation Space, an initiative to develop software for supporting conservation business processes and managing conservation documents. The painting conservation department completed twenty-five major treatments, fifty-seven minor treatments, and thirty-nine major examinations involving x-radiography and infrared reflectography. More than 1,800 paintings were examined and documented in preparation for loans to other institutions, inclusion in Gallery exhibitions, and in advance of the closing of the East Building galleries. Notable painting conservation treatments this year included François Boucher’s Madame Bergeret, Morris Louis’ 133, Pontormo’s Monsignor della Casa, and Vincent van Gogh’s Still Life of Oranges and Lemons with Blue Gloves. In preparation for the 2015 exhibition Piero di Cosimo: The Poetry of Painting in Renaissance Florence, the master’s great altarpiece The Visitation with Saint Nicholas and Saint Anthony Abbot was treated. In support of NGA Online Editions, several conservators and scientists worked closely with curators and catalog authors to resolve questions of facture and condition, prepare technical entries, and edit the scholarly essays for five volumes devoted to thirteenth- and fourteenth-century Italian paintings, sixteenth-century Italian paintings, Dutch paintings, nineteenth-century French paintings, and American modernism. Research related to the Gallery’s paintings, artists’ materials and techniques, and innovative approaches to treat- ment, as well as numerous publications and presentations also continue to engage the staff and extend the Gallery’s mission. Paper conservators completed nine major treatments, 172 minor treatments, twelve major examinations, and 973 minor examinations for exhibitions, loans, acquisition, and collec- tions maintenance. Several German prints and drawings from the recently acquired Kainen Collection were conserved, including two important etchings by that were bathed and selectively treated to diminish discoloration caused by past overexposure to light and acidic housing materials. In preparation for a major exhibition of 140 drawings traveling to Venice, conservators verified media descriptions, mended tears, removed inappropriate attachments, consolidated flaking paint, or artists’ frames, devised special hanging in Stuttgart, matting-framing workshops to and reduced distortions. Paper conservators and framing systems, and developed designs conservation groups in London and Paris, worked with curators to identify the materi- for book enclosures and display cradles. and lectures at Towson University and the als used by Mark Rothko for a catalogue Additionally, the paper conservation lab . raisonné of the artist’s drawings. hosted a workshop on the identification of The photograph conservation department Matting-framing specialists hinged and modern prints, organized by the American completed five major treatments, 406 minor matted 766 prints, drawings, and photo- Institute for Conservation (AIC). A mem- treatments, and 1,099 condition examina- graphs, framed or unframed 965 artworks, ber of the paper conservation department tions for exhibitions, loans, acquisition, built or repaired 170 frames, and prepared was elected chair of the AIC book and collections maintenance, and donor develop- 189 custom housings. They also assisted paper specialty group. Sharing their exper- ment. The majority of conservation treatment with the maintenance of the graphics store- tise, staff presented a workshop on artists’ supported loans, collection maintenance, rooms, cataloged and photographed historic drawing materials to conservation students and Gallery exhibitions. Treatment highlights

The head of the Gallery’s painting conservation department, Jay Krueger, restores Barnett Newman’s Achilles. 44 Peservingr

A gift of thirty rare prints from the Frick Art Reference Library, made on paper identical to that used by Strand, was crucial to the research and testing in support of this study. Research on the chemical methods used by Edward Steichen to treat palladium prints by included the production of dozens of palladium prints to mimic Stieglitz’s working methods, accelerated aging and chemical analyses of the samples, and an extensive review of Stieglitz’s letters along with the chemistry and period litera- ture related to palladium photographs. Research completed in support of the exhibition and catalog Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860 led to an increased understand- ing of the methods Tripe may have used to create his unusual prints. The textile conservation department completed six minor examinations, six minor treatments, one major examination, and 138 condition examinations. It collaborated on an international Indo-Persian carpet project, where Gallery carpets, including the Arabesque Band Carpet, c. 1650, were studied and analyzed with colleagues from Centro de História de Além-Mar, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, Portugal and the Freer and Sackler Galleries. The project’s findings contributed substantive results from dye and fiber analysis. Richard Tuttle’s Shirt #2 and Pants were treated and prepared for loan to the Bowdoin College . The textile lab coordinated with several conservation departments as well as staff from the on the study of an 1817 Bellangé fire screen, where x-radiography and dye and fiber analysis were performed as part of a larger study of the furniture suite. included Meret Oppenheim’s Le Couple; and palladium photographs, resulting in new The object conservation department per- Imre Kinszki’s Karierte Welt; Jean-Baptiste and significant findings to be presented at a formed eight major treatments, 1,144 minor Frénet’s salted paper print Portrait of Woman symposium during fiscal year 2015. treatments, twenty-nine major examinations, and Child; and Harry C. Rubincam’s platinum Technical study of Paul Strand’s platinum and more than 800 minor examinations print The Circus. and palladium photographs included the documenting condition and preparing Gallery The department completed the fourth year examination of thirty-one prints from the objects for loan. Noteworthy treatments of its major research initiative investigating Center for Creative Photography and twenty- were Jean Dubuffet’s intricate slag piece the technical and aesthetic history of platinum seven prints from the Gallery’s collection. L’amphigourique; two outdoor sculptures,

A paper conservator removes adhesive and old repairs from Jacob Matham’s Venus, Bacchus, and Ceres. NATIONAL GALLERY OF ART 45

highlighting Edgar Degas’s original wax sculpture Little Dancer Aged Fourteen. The department of loans and exhibitions conservation, renamed the department of preventive conservation, coordinated activi- ties throughout the Gallery while continuing to work on outgoing loans, frames, and special exhibitions. Conservators also assisted with traveling loan exhibitions associated with the closing of the East Building galleries. In addition, twenty-two micro-climate and waterproof packages were produced for the Gallery’s ambitious loan program. Frame conservators completed several major treatments, notably two paintings by Van Gogh from the bequest of Mr. and Mrs. Paul Mellon, Still Life of Oranges and Lemons with Blue Gloves and Green Wheat Fields, Auvers. Other important treatments included Mary Cassatt’s Little Girl in a Blue Armchair, El Greco’s Saint Martin and the Beggar, resizing of a frame for Gerrit van Honthorst’s The Concert, and modification of an antique frame for Massimiliano Soldani- Benzi’s Hagar and the Angel. The scientific research department began to upgrade instrumentation and expand current capabilities. A new Raman spectrometer was acquired that will be used for various applica- tions, beginning with pigment identification. The precision computer-controlled easel was integrated with an x-ray fluorescence spectrometer to allow elemental mapping of paintings. The elemental maps, when combined with those from reflectance hyper- spectral imaging, are providing new insights, Tony Smith’s Wandering Rocks and Henry Pride: The 54th Massachusetts Regiment and including the compositional paint changes Moore’s monumental Knife Edge Mirror Two Augustus Saint-Gaudens’ Shaw Memorial, found in The Apostle Paul by Rembrandt van Piece; and José de Rivera’s Black, Yellow, and a Gallery talk about revelations following Rijn and Workshop. Red. Object conservators were instrumen- treatment of the polychrome terracotta bust In support of conservation treatment, tal in the fabrication of a new gift, Robert Lorenzo de’ Medici, probably after a model investigation of gel cleaning systems has Smithson’s Glass Stratum. by Andrea del Verrocchio, was delivered. continued with trials by conservators while Object conservation staff worked closely Collaborative research with scientists on further research into their efficacy is ongo- on numerous activities associated with the ’s bronze sculptures will be ing. The study of artists’ materials such as East Building interior renovation and exterior highlighted in Facture. Technical advances consolidants and adhesives has continued, construction projects to protect art remaining generated several publications featuring and new projects, such as the study of on view inside the atrium and on the grounds. sculptures by prominent Renaissance artists, Grumbacher traditional oil paints and the A public lecture, “Conservation of the Shaw Riccio, Antico, and Gianfrancesco Susini. newer water-mixable oil paints, have begun. Memorial: The Long Journey,” was presented The department collaborated with other Analysis requests of coatings and effloresc- to complement the exhibition Tell It with Gallery departments to prepare an exhibition ing materials were carried out on various

A newly developed scanning x-ray system is used to examine and map pigments in Rembrandt van Rijn’s Self-Portrait. 46 Peservingr

wax

clay

rope

organic material (padding)

wire

paint brushes

wood

organic material over wood

metal armature

paintings, sculptures, and textiles, includ- the Gallery’s photograph collections. Through Staff in all conservation and scientific research ing works by Auguste Renoir and Robert controlled heat-aging studies on the labora- departments produced numerous reports and Morris. Medium analysis was performed on tory samples, several kinds of staining seen an impressive number of publications. Members a number of works of art, including paint- in platinum and palladium photographs have of the division were invited to make presenta- ings by Edgar Degas and Mary Cassatt in been successfully recreated. tions at symposia, workshops, conferences, and support of the Degas/Cassatt exhibition. Important art materials were cataloged dur- webinars for a wide range of audiences. Technical studies were initiated to explore the ing the year, bringing the total number of items social and stylistic exchange between Dutch in the database to 21,400. The division provides seventeenth-century high-life genre painters outreach leadership through the American such as Johannes Vermeer, Gabriel Metsu, Society of Testing and Materials International and Gerard ter Borch. Subcommittee on Artists’ Materials, facilitating In collaboration with the photograph the creation of manufacturing standards for art conservation department, scientists have suc- materials. This work assists artists by assuring cessfully recreated different kinds of historic that high-quality art materials are available in platinum and palladium photographs, which the marketplace, increasing the longevity of have already helped in process identification of works of art made today.

The internal armature of Edgar Degas’s interior fabrication, was identified through collab- Little Dancer Aged Fourteen, as seen here in the orative study by Gallery object conservators and x-radiograph and schematic drawing of the conservation scientists. NATIONAL GALLERY OF ART 47

Gallery object conservator Katy May works Knife Edge Mirror Two Piece, restoring the alongside contract conservators to complete a surface to the transparent golden appearance major repatination treatment on ’s intended by Moore.

2014 REVIEW 50

TREASURER’S REPORT

In fiscal year 2014, the National Gallery of Art con- private equity and venture capital also performed quite tinued to strengthen its financial position. This was strongly. International developed market equities and achieved through prudent management of expenses, fixed income securities tempered the portfolio’s gains. favorable performance of the invested portfolio, The invested portfolio’s long-term performance over successful fundraising, and the continued support of the ten-year period totaled 7.6 percent exceeding the Congress and the Administration. 70/30 Index benchmark by 30 basis points. The federal commitment to operate and maintain The Gallery continued implementation of the Mas- the Gallery originates in the 1937 Joint Resolution ter Facilities Plan, a comprehensive, long-term capital of Congress that accepted Andrew W. Mellon’s renewal program supported by federal appropriations unprecedented gift to the nation of his art collection, that is designed to address life safety and infrastruc- the funds needed to construct the West Building, and ture improvements necessary to maintain and protect an endowment fund. The Joint Resolution pledged the Gallery’s buildings. In fiscal 2014, investments that the United States would provide funds for the in building renovations, capitalized equipment, and upkeep, administrative expenses, and costs of opera- software totaled $16.7 million. In the of 2014, tions, including the protection and care of the works of the multi-year East Building facade renovation was art given to the nation, so that the Gallery would at all completed on budget and on schedule. In January times be properly maintained and remain open to the 2014, a construction contract was awarded and work public free of charge. began on major fire, life safety, and infrastructure The Gallery receives annual federal appropria- improvements to the public areas of the East Build- tions to support core programs and renovations of its ing. In concert with this project, and consistent with buildings as part of the budget approved annually Mr. Mellon’s vision for the Gallery, private donations by Congress and enacted into law by the President. will fund the construction of a new rooftop sculpture Income from endowments as well as gifts and grants terrace overlooking Pennsylvania Avenue, flanked designated by donors for other specific purposes by two new galleries in the northeast and northwest supplement the federal appropriations. Endowment towers of the East Building adding more than 12,000 support for current expenditures is computed under square feet of new art exhibition space. Construction the Gallery’s spending policy and utilized in accor- is expected to be complete in the spring of 2016 fol- dance with donor-imposed restrictions. The Gallery is lowed by reinstallation and reopening of the galleries a nonprofit organization exempt from federal income in the fall of 2016. taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code. OPERATING RESULTS Fiscal year 2014 presented its share of challenges starting with a government-wide FINANCIAL POSITION The Gallery’s net assets totaled shutdown that closed the Gallery for sixteen days. $1.1 billion at September 30, 2014, an increase of $68.6 The shutdown in October was the most significant million or 6.5 percent over fiscal 2013. This increase on record in terms of the number of federal agencies is primarily due to the continued strong performance impacted and the number of employee furlough days. of the Gallery’s investment portfolio, which ended the Severe winter weather compounded the obstacles year at $817.4 million, a $56.2 million increase over facing the Gallery, forcing its closure for an additional the prior year. The invested portfolio returned 9.7 five days. As a result of these closures and the interior percent excluding new gifts added and spending with- renovations to the East Building, attendance fell by 14 drawn for programs. All asset classes of the portfolio percent compared to the prior year. In spite of these saw gains, but U.S. public market equities contributed challenges, the Gallery ended the fiscal year with an the most to overall performance. Investments in unrestricted operating surplus of $1.9 million before NATIONAL GALLERY OF ART 51

depreciation and amortization, an improvement of Fiscal 2014 was also a transformative year of $0.6 million over the $1.3 million surplus in fiscal 2013. growth for the Gallery’s collection of fine art. In the Operating support and revenue totaled $144.8 spring of 2014, sixty-two masterpieces by Vincent million in fiscal 2014, decreasing $1.1 million, or 0.8 van Gogh, Claude Monet, Winslow Homer, Georges percent below fiscal 2013. Federal support totaled Seurat, and many others joined the nation’s collection. $109.6 million, an increase of $1.7 million, or 1.6 Paul Mellon bequeathed these masterpieces to the percent, recovering slightly from reductions sustained Gallery upon his death in 1999 subject to a life interest in fiscal 2013 due to the government-wide seques- of his wife, arts patron and master gardener, Rachel ter. Support from the Gallery’s endowments totaled Lambert Mellon, to whom he gave the right to pos- $16.3 million, an increase of $2.7 million or 20.1 sess the works during her lifetime. Mrs. Mellon died percent, mainly due to the strong performance of on March 17, 2014, at which time these works of art the investment portfolio and the recovery of several were released to the Gallery. In the summer of 2014, endowments that had been underwater since the the Gallery’s collection was further augmented by a stock market declines of 2008 and 2009. This recovery historic agreement between the National Gallery of allowed the endowments to resume distributions in fis- Art, the Corcoran Gallery, and the George Washington cal year 2014 under the Gallery’s endowment spending University. Under this agreement, the Corcoran Gallery policy. Royalties and other income totaled $3.3 million, of Art transferred the custody and care of its entire increasing $0.9 million or 36.7 percent, primarily due art collection and certain related endowments to the to one-time contributions for touring exhibitions of Gallery. At the same time, the Corcoran College of Art art displaced by the East Building construction project. and Design as well as the Corcoran building and other These increases in support and revenue were offset by assets were transferred to the George Washington declines in income from gifts and grants for operations University. After the university renovates the Corcoran and sales in the Gallery shops. Support from gifts and building on 17th Street, the Gallery will program and grants totaled $6.8 million, a decrease of $5.6 million operate approximately 15,000 square feet of exhibi- or 45.2 percent, primarily due to fewer exhibitions in tion space devoted to modern and contemporary fiscal year 2014 with the closure of the East Building art. In addition to the artworks coming to the Gallery galleries for renovation. Accentuating this difference from the Corcoran and the estate of Paul Mellon, the were several unusually costly exhibitions in the prior Gallery purchased a number of significant artworks year that attracted major corporate and foundation in fiscal year 2014 including Pieter Claesz’s Still Life support such as Diaghilev and the Ballets Russes, with Peacock Pie and Jan van Goyen’s Ice Scene near 1909–1929: When Art Danced with Music. Gallery a Wooden Observation Tower. shops sales totaled $8.8 million, a decrease of $0.8 million or 8.8 percent, as a result of twenty-one days AUDITORS’ REPORT AND FINANCIAL STATEMENTS of lost sales from the Gallery closures described above. Summarized financial information is shown on the In fiscal year 2014, operating expenses fell slightly following pages. The Gallery’s complete fiscal year more than operating support and revenue and contrib- 2014 audited financial statements, related notes, and uted to a small increase in the surplus from operations. the auditors’ reports thereon can be found on the Gal- Fiscal 2014 operating expenses totaled $142.9 million, lery’s website at www.nga.gov. The Gallery’s external decreasing $1.7 million or 1.2 percent below the prior auditors rendered an unmodified opinion on the fiscal year. A decrease of $4.0 million or 18.7 percent in year 2014 financial statements and did not identify any exhibition costs from the closure of the East Building material weaknesses, significant deficiencies, or areas of galleries is the main contributor to the lower cost of noncompliance with laws and regulations. operations in fiscal 2014. 52

FINANCIAL STATEMENTS

SUMMARIZED STATEMENTS OF FINANCIAL POSITION Years ended 30 September 2014 and 2013 (In thousands)

ASSETS 2014 2013 Cash and cash equivalents $ 67,918 $ 51,374 Pledges, accounts receivable, and other assets 19,343 29,343 Investments and trusts held by others 817,404 761,194 Property, plant, and equipment, net 288,983 285,775 Total assets $ 1,193,648 $ 1,127,686

LIABILITIES AND NET ASSETS LIABILITIES: Environmental liability $ 23,782 $ 23,908 Other liabilities 52,115 54,605 Total liabilities 75,897 78,513

NET ASSETS: Unrestricted 502,257 474,587 Temporarily restricted 215,357 194,414 Permanently restricted 400,137 380,172 Total net assets 1,117,751 1,049,173

Total liabilities and net assets $ 1,193,648 $ 1,127,686

SUMMARIZED STATEMENT OF OPERATIONS Years ended 30 September 2014 and 2013 (In thousands)

UNRESTRICTED SUPPORT AND REVENUE 2014 2013 Federal appropriations $ 109,600 $ 107,918 Gifts and grants 6,786 12,382 Gallery shops sales, net 8,811 9,662 Spending policy appropriated for operations 16,252 13,532 Royalties and other income 3,338 2,441 Total support and revenue 144,787 145,935

UNRESTRICTED EXPENSES* Collections 44,790 43,726 Special exhibitions 17,523 21,557 Education, Gallery shops, and public programs 38,952 38,518 Editorial and photography 6,081 5,959 General and administrative 31,457 30,445 Development 4,100 4,410 Total expenses 142,903 144,615 Change in net assets from operating activities $ 1,884 $ 1,320

*excluding depreciation and amortization NATIONAL GALLERY OF ART 53

2014 UNRESTRICTED OPERATING SUPPORT AND REVENUE $144,787 (In thousands)

Royalties and other income

Spending policy appropriated 2% for operations 11%

Gallery shops sales, net 6%

Gifts and grants 5%

76% Federal appropriations

2014 UNRESTRICTED OPERATING EXPENSES BEFORE DEPRECIATION AND AMORTIZATION $142,903 (In thousands)

Development

3%

General and administrative 22%

32% Collections

Editorial and photography 4%

12% Education, Gallery shops, 27% Special exhibitions and public programs 54

ACQUISITIONS

FROM THE COLLECTION OF MR. AND MRS. PAUL MELLON

The following sixty-two donations of Monet, Claude, French, 1840–1926 >Bathers (Study for “Bathers at Degas, Edgar, French, 1834–1917 art, from the Collection of Mr. and Mrs. >Still Life with Bottle, Carafe, Bread, Asnières”), 1883/1884, oil on >Man Pruning a Tree, charcoal on two Paul Mellon, were received by the and Wine, c. 1862/1863, oil on panel, 2014.18.54 joined sheets of paper, 2014.18.8 National Gallery of Art in 2014. An canvas, 2014.18.32 >Horse and Boats (Study for Dufy, Raoul, French, 1877–1953 additional two works will arrive during , 1883/1884, Peale, Raphaelle, American, 1774–1825 “Bathers at Asnières”) >Harbor Scene, c. 1923, watercolor and the next fiscal year. The paintings, oil on panel, 2014.18.55 >Strawberries and Cream, 1816, oil on gouache, 2014.41.1 sculptures, and works on paper were panel, 2014.18.34 >The with Clothing on the Bank bequeathed in 1999. The renowned , Dunoyer de Segonzac, André, French, >Still Life with Apples, Sherry, and (Study for “Bathers at Asnières”) philanthropist, art collector, and Gallery 1883/1884, oil on panel, 2014.18.56 1884–1974 Te a C a k e , 1822, oil on panel, Founding Benefactor Paul Mellon >Outskirts of Saint Tropez, c. 1925, 2014.18.35 >Study of Figures for “La Grande pen and black ink over black chalk, (1907–1999) and his wife, Rachel Jatte”, 1884/1885, oil on panel, Lambert Mellon (1910–2014), left an Peale, Titian Ramsay, American, 2014.18.57 2014.18.47 1799–1885 extraordinary legacy, and this marks >Haystacks, c. 1882, oil on panel, Feininger, Lyonel, American, > , date their final disposition to the Gallery. Spray of Flowers and Ferns 2014.18.58 1871–1956 unknown, oil on metal, 2014.18.36 >Man with a Hoe, c. 1882, >The Sailing Ship, 1939, watercolor PAINTINGS Peto, John Frederick, American, oil on panel, 2014.18.59 with pen and black ink, 2014.18.11 1854–1907 Vlaminck, Maurice de, French, Greuze, Jean-Baptiste, French, >Still Life with Cake, Lemon, Bonnard, Pierre, French, 1867–1947 1876–1958 1725–1805 Strawberries, and Glass, 1890, > , c. 1912, >Chestnut Trees in Bloom, >A Dog, c. 1760, red chalk, 2014.18.14 Still Life with Basset Hound oil on canvas, 2014.18.37 oil on canvas, 2014.18.1 c. 1905/1906, oil on canvas, >Mug, Book, Biscuits, and Match, Homer, Winslow, American, 1836–1910 > , 1920, oil on 2014.18.60 Vase with Flowers 1893, oil on panel, 2014.18.38 >Boys Wading, 1873, watercolor and canvas, 2014.18.2 gouache over graphite >Straw Hat, Bag, and Umbrella, SCULPTURES Degas, Edgar, French, 1834–1917 1890/early 1900s, oil on canvas on >Berry Pickers, 1873, watercolor >The Riders, c. 1885, oil on canvas, academy board, 2014.18.39 and gouache over graphite 2014.18.7 Calder, Alexander, American, >In the Garden (Rustic Courtship), Pissarro, Camille, French, 1830–1903 1898–1976 1874, watercolor and gouache Dufy, Raoul, French, 1877–1953 >Landscape, Ile-de-France, 1873, > , 1971, over graphite >The Landing, 1928, oil on canvas, oil on canvas, 2014.18.40 Blue Elephant with Red Ears painted metal, 2014.18.5 >Looking Out, 1875, graphite and 2013.164.1 > Young Peasant Girls Resting in Chinese white on gray paper , 1882, Fremiet, Emmanuel, French, 1824–1910 Fantin-Latour, Henri, French, the Fields near Pontoise >Boy on a Raft, 1879, watercolor oil on canvas, 2014.18.42 > , model 1836–1904 Two Seated Basset Hounds over graphite 1853, bronze, 2014.18.12 >Still Life with Mustard Pot, 1860, Prendergast, Maurice Brazil, >Yachting Girl, 1880, black crayon, oil on canvas, 2014.18.9 American, 1858–1924 Mêne, Pierre-Jules, French, 1810–1879 graphite, and gouache on buff paper >Pansies, 1874, oil on canvas, >In the Park, Paris, 1891, oil on >Group of Rabbits, model after 1846, >Four Fishwives on the Beach, 1881, 2014.18.10 canvas on board, 2014.18.44 cast probably before 1879, bronze, watercolor over graphite, 2014.18.15– 2014.18.30 17, 20–23 Gogh, Vincent van, Dutch, 1853–1890 Princeteau, Rene Pierre Charles, > , model after 1846, >Still Life of Oranges and Lemons with French, 1843–1914 Spaniel (Diane) Klee, Paul, Swiss, 1879–1940 cast early 20th century, bronze, Blue Gloves, 1889, oil on canvas, >Riders on the Beach at Dieppe, >Interior with the Clock, 1913, 2014.18.31 2014.18.13 1892, oil on canvas, 2014.18.45 watercolor >Composition with Figures, 1915, pen Homer, Winslow, American, 1836–1910 Renoir, Auguste, French, 1841–1919 DRAWINGS and ink and watercolor, 2014.18.24, 25 >The Flirt, 1874, oil on panel, >The Young Soldier, c. 1880, oil on 2014.18.18 canvas, 2014.18.46 Magritte, René, Belgian, 1898–1967 > , c. 1874, oil on canvas, Boudin, Eugène, French, 1824–1898 , School Time Seurat, Georges, French, 1859–1891 >Study for “The Blank Signature” 2014.18.19 >Conversation on the Beach, 1865, 1965, graphite with charcoal, brown >Haymakers at Montfermeil, c. 1882, watercolor and graphite on buff paper, ink, and oil paint(?), 2014.18.27 La Fresnaye, Roger de, French, oil on panel, 2014.18.48 2014.18.3 1885–1925 >Peasant with a Hoe, c. 1882, Morisot, Berthe, French, 1841–1895 >The Watering Can (Emblems: oil on panel, 2014.18.49 Braque, Georges, French, 1882–1963 >At the Edge of the Forest (Edma The Garden), 1913, oil on canvas, >The Stone Breaker, c. 1882, >Still Life, c. 1918, watercolor, charcoal, and Jeanne), 1871, watercolor and 2014.18.26 oil on panel, 2014.18.50 and graphite, 2014.18.4 graphite, 2014.18.33 > Manet, Edouard, French, 1832–1883 The Watering Can—Garden at Chase, William Merritt, American, Pissarro, Camille, French, 1830–1903 , c. 1883, oil on panel, >Pears, 1880, oil on canvas, 2014.18.28 Le Raincy 1849–1916 >The Children, 1880, gouache with 2014.18.51 >The Melon, c. 1880, oil on canvas, >Gathering Flowers, Shinnecock, Long graphite on canvas mounted on board, > , 1883, 2014.18.29 A Summer Landscape Island, c. 1897, pastel on canvas, 2014.18.41 oil on panel, 2014.18.52 2014.18.6 >The Driveway, 1895, black pencil > , c. 1883, Figures in a Landscape on wove paper, 2014.18.43 oil on panel, 2014.18.53 NATIONAL GALLERY OF ART 55

ACQUISITIONS

PAINTINGS Chardin, Jean-Siméon, French, Degas, Edgar, French, 1834–1917 Glackens, William, American, 1699–1779 >The Dance Class, c. 1873, oil on 1870–1938 >The Scullery Maid, c. 1738, oil on canvas, 2014.79.710, Corcoran >Luxembourg Gardens, 1906, oil on Beaux, Cecilia, American, 1855–1942 canvas, 2014.79.708, Corcoran Collection (William A. Clark Collection) canvas, 2014.79.47, Corcoran >Sita and Sarita, c. 1921, oil on canvas, Collection (William A. Clark Collection; Collection (Museum purchase, Dewing, Thomas Wilmer, American, 2014.79.1, Corcoran Collection Frame: Gift of the Women’s Committee William A. Clark Fund) 1851–1938 (Museum purchase, William A. of the Corcoran Gallery of Art) > , 1911, oil on Goyen, Jan van, Dutch, 1596–1656 Clark Fund) Lady with a Mask Church, Frederic Edwin, American, canvas, 2014.79.16, Corcoran >Ice Scene near a Wooden Observation Bellows, George, American, 1882–1925 1826–1900 Collection (Museum purchase) To w e r , 1646, oil on panel, 2014.35.1, >Forty-two Kids, 1907, oil on canvas, > , 1857, oil on canvas, The Lee and Juliet Folger Fund Niagara Douglas, Aaron, American, 1899–1979 2014.79.2, Corcoran Collection 2014.79.10, Corcoran Collection >Into Bondage, 1936, oil on canvas, Gris, Juan, Spanish, 1887–1927 (Museum Purchase, William A. (Museum purchase, Gallery Fund) 2014.79.17, Corcoran Collection >Ace of Clubs and Four of Diamonds, Clark Fund) > , 1854, oil on canvas, Tamaca Palms (Museum purchase and partial gift from 1912, oil on board, 2014.17.12, Gift 2014.79.11, Corcoran Collection Bierstadt, Albert, American, 1830–1902 Thurlow Evans Tibbs Jr., The Evans- of Robert and Mercedes Eichholz (Gift of William Wilson Corcoran) >Buffalo Trail: The Impending Storm, Tibbs Collection) Hartley, Marsden, American, 1869, oil on canvas, 2014.79.3, Claesz, Pieter, Dutch, 1596/1597–1660 Durand, Asher Brown, American, 1877–1943 Corcoran Collection (Museum purchase, > , 1627, oil Still Life with Peacock Pie 1796–1886 >Berlin Abstraction, 1914/1915, oil through the gift of Mr. and Mrs. on panel, 2013.141.1, The Lee and >The Edge of the Forest, 1868–1871, on canvas, 2014.79.21, Corcoran Lansdell K. Christie; Frame: Museum Juliet Folger Fund oil on canvas, 2014.79.18, Corcoran Collection (Museum purchase, purchase through the gifts of William Cole, Thomas, American, 1801–1848 Collection (Museum purchase, Gallery Fund) Wilson Corcoran) > , 1837, oil on canvas, Gallery Fund) >Mount Corcoran, c. 1876–1877, oil on The Return Hassam, Childe, American, 1859–1935 2014.79.12, Corcoran Collection (Gift canvas, 2014.79.4, Corcoran Collection Eakins, Thomas, American, 1844–1916 >The New York Window, 1912, oil of William Wilson Corcoran) (Museum purchase, Gallery Fund) >Singing a Pathetic Song, 1881, oil on canvas, 2014.79.41, Corcoran > , 1837, oil on canvas, >The Last of the Buffalo, 1888, oil on The Departure on canvas, 2014.79.19, Corcoran Collection (Museum purchase, 2014.79.13, Corcoran Collection (Gift canvas, 2014.79.5, Corcoran Collection Collection (Museum purchase, Gallery Fund) of William Wilson Corcoran) Gallery Fund) (Gift of Mary Stewart Bierstadt [Mrs. Healy, George Peter Alexander, Copley, John Singleton, American, Albert Bierstadt]) Eastman, Seth, American, 1808–1875 American, 1813–1894 1738–1815 Bingham, George Caleb, American, >Ball Playing among the Sioux Indians, >Abraham Lincoln, 1860, oil on canvas, > , c. 1770–1772, oil 1811–1879 Thomas Amory II 1851, oil on canvas, 2014.79.46, 2014.79.22, Corcoran Collection on canvas, 2014.79.14, Corcoran >Cottage Scenery, 1845, oil on canvas, Corcoran Collection (Gift of William (Museum purchase, Gallery Fund) Collection (Museum purchase through 2014.79.6, Corcoran Collection Wilson Corcoran) the gifts of William Wilson Corcoran) Homer, Winslow, American, 1836–1910 (Museum purchase, Gallery Fund Gainsborough, Thomas, British, >A Light on the Sea, 1897, oil on Corot, Jean-Baptiste-Camille, French, and gifts of Charles C. Glover, Jr., 1727–1788 canvas, 2014.79.48, Corcoran Orme Wilson, and Mr. and Mrs. 1796–1875 >Frances Susanna, Lady de Collection (Museum purchase, Gallery Lansdell K. Christie) > , 1860, reworked c. 1865/1870, Repose Dunstanville, c. 1786, oil on canvas, Fund; Frame: Gift of the Women’s oil on canvas, 2014.79.709, Corcoran Blackburn, Joseph, British, active 2014.79.706, Corcoran Collection Committee of the Corcoran Gallery Collection (William A. Clark Collection) 1752/1777 (William A. Clark Collection) of Art and partial gift of Eli Wilner & >Portrait of a Gentleman, c. 1760, Cuyp, Aelbert, Dutch, 1620–1691 >Francis Basset, Lord de Dunstanville, Company Period Frames and Mirrors, oil on canvas, 2014.79.7, Corcoran >Landscape with Herdsmen, mid- c. 1786, oil on canvas, 2014.79.705, New York City) 1650s, oil on panel, 2014.79.707, Corcoran Collection (William A. Collection (Museum purchase, Hopper, Edward, American, 1882–1967 Gallery Fund) Corcoran Collection (William A. Clark Collection) >Ground Swell, 1939, oil on canvas, Clark Collection) Bruce, Patrick Henry, American, Garber, Daniel, American, 1880–1958 2014.79.23, Corcoran Collection 1881–1936 Daellen, François van, Dutch, >South Room—Green Street, 1920, (Museum purchase, William A. >Peinture/Nature Morte, c. 1924, active c. 1636/1662 oil on canvas, 2014.79.42, Corcoran Clark Fund) > , c. 1650, oil on paper Collection (Museum purchase, oil on canvas, 2014.79.8, Corcoran Vanitas Still Life Inness, George, American, 1825–1894 Collection (Museum purchase, laid down on panel, 2014.58.1, Nell Gallery Fund) >Sunset in the Woods, 1891, oil and Robert Weidenhammer Fund Gallery Fund) Gatch, Lee, American, 1902–1968 on canvas, 2014.79.43, Corcoran Cassatt, Mary, American, 1844–1926 Davis, Stuart, American, 1892–1964 >Jurassic Tide, 1962, oil and stone on Collection (Museum purchase, >Young Girl at a Window, c. 1883– >Study for Swing Landscape, 1937– canvas, 2014.17.10, Gift of Robert and Gallery Fund) 1938, oil on canvas, 2014.79.15, Mercedes Eichholz 1884, oil on canvas, 2014.79.9, Jackson, Oliver, American, born 1935 Corcoran Collection (Museum Corcoran Collection (Museum purchase Gifford, Sanford Robinson, American, >Untitled (9.19.84), 1984, oil-based and exchange through a gift given in purchase, Gallery Fund; Frame: 1823–1880 pigments and oil-pastel on linen, Museum purchase) memory of Edith Gregor Halpert by the >Ruins of the Parthenon, 1880, oil 2014.43.1, Gift of Mr. and Mrs. Halpert Foundation and the William A. on canvas, 2014.79.20, Corcoran Gerald D. Kohs Clark Fund) Collection (Museum Purchase Gallery Kent, Rockwell, American, 1882–1971 Fund; Frame restoration generously >Citadel, 1932–1933, oil on canvas, funded by the Women’s Committee of 2013.155.1, Gift of Deborah and the Corcoran Gallery of Art, 2009) Edward Shein 56 ACQUISITIONS

King, Charles Bird, American, Prendergast, Maurice Brazil, American, Sully, Thomas, American, 1783–1872 Dürer, Albrecht, German, 1471–1528, 1785–1862 1858–1924 >Andrew Jackson, 1845, oil on canvas, and Hans Krafft the Elder (medalist), >Poor Artist’s Cupboard, c. 1815, oil >Landscape with Figures, 1921, oil 2014.79.33, Corcoran Collection (Gift German, 1481–1542 on wood, 2014.79.24, Corcoran on canvas, 2014.79.45, Corcoran of William Wilson Corcoran) >Charles V, 1500–1558, King of Collection (Museum purchase, Collection (Museum purchase, Thayer, Abbott Handerson, American, Spain 1516–1556, Holy Roman Gallery Fund, and exchange) William A. Clark Fund) [obverse], 1849–1921 Emperor 1519 Coat of

Kossoff, Leon, British, born 1926 Ranney, William Tylee, American, >Mount Monadnock, probably Arms on a Double-headed Eagle [reverse], 1521, silver, 2013.160.1.a, b, >Tube Entrance, Winter Evening, 1813–1857 1911/1914, oil on canvas, 2014.79.34, Gift of Drs. Yvonne and A. Peter Weiss 1998, oil on board, 2013.166.1, >The Retrieve, 1850, oil on canvas, Corcoran Collection (Museum purchase, Gift of Robert and Mary Looker 2014.79.29, Corcoran Collection (Gift Anna E. Clark Fund) English 15th Century of William Wilson Corcoran) > Kruger, Barbara, American, born 1945 Truitt, Anne, American, 1921–2004 Figures from a Retable of the Virgin >Untitled (Know nothing, Believe Rauschenberg, Robert, American, >Sand Morning, 1973, acrylic on and Child, with Saint Catherine of anything, Forget everything), 1925–2008 canvas, 2014.17.29, Gift of Robert Alexandria, Saint Apollonia, Saint 1987/2014, screenprint on vinyl, >Black Painting, 1952, oil and and Mercedes Eichholz Margaret of Antioch, and (possibly) , c. 1440/1460, 2014.38.1, Gift of the Collectors newspaper on canvas, 2013.140.1, Saint Mary Kleophas Vanni, Andrea, di, Sienese, alabaster with traces of polychromy, in Committee, Sharon and John D. Gift of Jasper Johns to the National c. 1330–1413 a modern tabernacle with four replaced Rockefeller IV, Howard and Roberta Gallery of Art for the Robert and >The Agony in the Garden, the canopies, 2014.60.1, Florian Carr Fund Ahmanson, Denise and Andrew Saul, Jane Meyerhoff Collection Crucifixion, and the Descent into Lenore S. and Bernard A. Greenberg French 16th Century Robinson, Theodore, American, Limbo, 1380s, tempera on panel, Fund, Agnes Gund, and Michelle Smith > 1852–1896 2014.79.711, Corcoran Collection François de Mandelot, 1529–1588, , 1572, bronze, La Farge, John, American, 1835–1910 >The Valley of the Seine, from the Hills (William A. Clark Collection) governor of Lyon 1571 2014.59.1, The Hester Diamond Fund > , c. 1861, , 1892, oil on canvas, Flowers on a Window Ledge of Giverny Warhol, Andy, American, 1928–1987 oil on canvas, 2014.79.25, Corcoran 2014.79.30, Corcoran Collection Italian or French 17th Century >Mao, 1973, synthetic polymer paint Collection (Museum purchase, Anna E. (Museum purchase, Gallery Fund) > , probably 17th and silkscreen ink on canvas, Laocoön and his Sons Clark Fund) century, bronze, 2014.59.2, Purchased Rouault, Georges, French, 1871–1958 2014.79.50, Corcoran Collection as a gift of Andrew M. Brown Marshall, Kerry James, American, >The Friar, c. 1930, oil on board, (Gift of the FRIENDS of the Corcoran born 1955 2014.17.23, Gift of Robert and Gallery of Art) Lin, Maya Ying, American, born 1959 > , 1992, acrylic and collage Mercedes Eichholz > , 2013, Voyager Whistler, James McNeill, American, Latitude New York City on canvas, 2014.79.52, Corcoran Vermont Darby marble, 2013.163.1, Sargent, John Singer, American, 1834–1903 Collection (Gift of the Women’s Gift of Louise and Leonard Riggio 1856–1925 >Battersea Reach, c. 1863, oil on Committee of the Corcoran Gallery >Simplon Pass, 1911, oil on canvas, canvas, 2014.79.35, Corcoran Meunier, Constantin, Belgian, 1831– of Art) 2014.79.31, Corcoran Collection Collection (Bequest of James Parmelee; 1905, manufactured by Henri Baudoux Miller, Alfred Jacob, American, (Bequest of James Parmelee) Frame restored in memory of Anne >The Miner, 1904, glazed stoneware 1810–1874 >En route pour la pêche (Setting Out to Wallick and Marianna Grove, members in period wood frame, 2013.161.1, >Election Scene, Catonsville, Fish), 1878, oil on canvas, 2014.79.32, of the Women’s Committee of the Gift of Mary L. Levkoff , c. 1860, oil on academy board, Corcoran Collection (Museum purchase, Corcoran Gallery of Art) County Nivola, Costantino, American, 2014.79.26, Corcoran Collection (Gift Gallery Fund; Frame: Gift of the Whittredge, Worthington, American, born Italy, 1911–1988 of Mr. and Mrs. Lansdell K. Christie) Women’s Committee of the Corcoran 1820–1910 >Widow of Pausania, 1980–1984, Gallery of Art) Morris, Sarah, American, born 1967 >Trout Brook in the Catskills, 1875, travertine, 2013.165.1, Gift of > >Midtown Seagram with Fluorescents, Marie Buloz Pailleron (Madame oil on canvas, 2014.79.49, Corcoran Pietro S. Nivola , 1879, oil on 1999, gloss household paint on Edouard Pailleron) Collection (Museum purchase, canvas, 2014.79.53, Corcoran Paik, Nam June, American, canvas, 2013.159.1, Gift of the Gallery Fund) Collection (Museum purchase and born South Korea, 1932–2006 Heather and Tony Podesta Collection, gifts of Katherine McCook Knox, Woodville, Richard Caton, American, >Ugly Buddha Complex, 1991, cast Washington, DC John A. Nevius, and Mr. and Mrs. 1825–1855 bronze (buddhas) and empty metal Morse, Samuel Finley Breese, Lansdell K. Christie) >Waiting for the Stage, 1851, oil on television cases, 2014.44.1, Gift of American, 1791–1872 canvas, 2014.79.36, Corcoran the Hakuta Family Scully, Sean, American, born >The House of Representatives, 1822, Collection (Museum purchase, Gallery Ireland, 1945 Powers, Hiram, American, 1805–1873 probably reworked 1823, oil on canvas, Fund, William A. Clark Fund, and > , 1986, oil on canvas, 2014.79.51, >The Greek Slave, model 1841–1843, 2014.79.27, Corcoran Collection Flyer through the gifts of Mr. and Mrs. Corcoran Collection (Gift of the carved 1846, marble, 2014.79.37, (Museum purchase, Gallery Fund) Lansdell K. Christie and Orme Wilson; Women’s Committee of the Corcoran Corcoran Collection (Gift of William Frame: Museum purchase through the Mount, William Sidney, American, Gallery of Art in memory of Jinx Cutts, Wilson Corcoran) gifts of William Wilson Corcoran) 1807–1868 with aid of Funds from Firestone Remington, Frederic, American, >The Tough Story—Scene in a Foundation and the Jinx Cutts SCULPTURES 1861–1909 , 1837, oil on panel, Country Tavern Memorial Fund) >Off the Range (Coming Through 2014.79.28, Corcoran Collection Soulages, Pierre, French, born 1919 the Rye), model 1902, cast 1903, (Museum purchase, Gallery Fund) Bourdelle, Émile-Antoine, French, >Peinture 130 x 97 cm, 18 septembre bronze with green patina, 1861–1929 Pearlstein, Philip, American, born 1924 1980, 1980, oil on canvas, 2014.17.25, 2014.79.38, Corcoran Collection > >Two Nudes with Animal Marionettes, Gift of Robert and Mercedes Eichholz Rodin Working on his “Gates of (Museum purchase) 1988, oil on canvas, 2013.162.1, Gift of Hell”, model 1910, cast before 1929, Stanley, John Mix, American, the James F. Dicke Family bronze, 2014.4.1, Gift of Alfredo DRAWINGS 1814–1872 Halegua and Dr. Raquel Halegua Pistoletto, Michelangelo, Italian, >The Trapper’s Cabin, 1858, oil born 1933 on canvas, 2014.79.44, Corcoran Alfonzo, , Cuban, 1950–1991 >Donna che indica (Woman who Collection (Gift of William Wilson >Untitled, 1987, acrylic and watercolor, points), conceived 1962, fabricated Corcoran) 2014.17.1, Gift of Mercedes Eichholz 1982, silkscreen print on polished stainless steel, 2014.28.1, Gift of the Collectors Committee NATIONAL GALLERY OF ART 57

Ango, Jean-Robert, French, Carrogis, called Carmontelle, French, Fortuny y Carbó, Mariano, Spanish, Lebrun, Rico, American, born Italy, died after 1773 1717–1806 1838–1874 1900–1964 >Christ Cleansing the Temple (after >Marie Louise Petit at the Age of 105, >A Moroccan Woman in Traditional >Turtle, 1960, pen and brush with Luca Giordano), 1760s, red chalk over with Her Young Nurse, 1765, Dress, 1866, watercolor, 2013.176.1, black ink traces of black chalk, 2014.53.4, Ailsa watercolor over black and red chalk, Purchased as the Gift of Alexander M. >Fighting Demons, 1961, pen and Mellon Bruce Fund heightened with white chalk on cream and Judith W. Laughlin brush with black ink and wash, paper, 2013.195.1, Purchased as the 2014.17.16–17, Gift of Robert and Anonymous Artist Gonzaga, Pietro, Venetian, 1751–1831 Gift of Ivan and Winifred Phillips in Mercedes Eichholz >A Boy Holding His Dog (after Edouard >Stage Design of an Ancient Roman Memory of Neil Phillips Manet), after 1922, facsimile with Encampment by Night (recto); Loir, Luigi Aloys Francois Joseph, graphite and pen and ink, 2014.51.1, Cleary, Manon, American, 1942–2011 Architectural Fantasy on a Round French, 1845–1916 Anonymous Gift >Untitled #1, 1987 Temple Enclosed with an Ambulatory >A Market Square before a Cathedral, > , 1987, pastel on (verso), c. 1792, pen and brown ink 1870s/1880s, watercolor and gouache Appian, Adolphe, French, 1818–1898 Untitled #30 sandpaper, 2014.17.4–5, Gift of with gray wash (recto); graphite (verso), over charcoal on blue paper, >Wooded Pond by the Ancient Sluice of Mercedes Eichholz 2014.54.1.a, b, William B. O’Neal Fund 2013.196.1, Ruth and Jacob Kainen Levaux near Vienne, 1861, charcoal Memorial Acquisition Fund with stumping and scratching out, Close, Chuck, American, born 1940 Grimm, Ludwig Emil, German, 2014.108.4, Purchased as the Gift of >Self-Portrait, 2013, collage of color 1790–1863 Lozowick, Louis, American, 1892–1973 Joan and David Maxwell photogravure proofs, cut and >Clemens Brentano, 1837, pen and >Machine Ornament, c. 1923, pen and assembled, 2014.5.1, Gift of the Artist gray and black ink with gray wash over black ink, 2014.89.1, Ruth and Jacob Badile, Giovanni, Veronese, graphite, 2013.183.1, Gift of the Kainen Memorial Acquisition Fund 1379–1448/1451 Cochin II, Charles-Nicolas, French, Wolfgang Ratjen Foundation in Honor >Portrait of a Boy in Profile, 1440s, pen 1715–1790 Marlow, William, British, 1740–1813 of Wolfgang Ratjen’s 70th Birthday and tip of the brush with brown ink >Mademoiselle Grogniard, Dame de >The Tiber with Saint Peter’s and the over leadpoint, 2014.9.1, Woodner Saint-Just, 1781, black chalk, Hassam, Childe, American, 1859–1935 Castel S. Angelo (recto); The Bay of Collection, Gift of Dian Woodner 2014.108.3, Purchased as the Gift of >Au Grand Prix de Paris, 1887, pastel Naples (verso), 1810, pen and ink Ivan and Winifred Phillips in Memory and graphite on tan board, 2014.79.39, with graphite (recto); pen and ink Bell, Larry, American, born 1939 of Neil Phillips Corcoran Collection (Bequest of James (verso), 2014.103.1.a, b, Ailsa Mellon >Mel 96, 1985, color vapor drawing, Parmelee) Bruce Fund 2014.17.3, Gift of Mercedes Eichholz Curnock, James Jackson, British, 1839–1891 Hicks, Sheila, American, born 1934 Marshall, Kerry James, American, Bonnard, Pierre, French, 1867–1947 > > , 2009, woven born 1955 >Study for “Gamme majeure” (Major Trees over the River Frome at Cecily’s Garden , 1862, watercolor and silk, cotton, linen, and cotton > , c. 1994, Scale), 1891/1893, brush and pen and Stapleton Study for “Great America” gouache over traces of graphite, perlé, 2014.6.1, Gift of Roy and pen and black ink on graph paper black ink with green watercolor over 2014.33.1, Ailsa Mellon Bruce Fund Cecily Langdale Davis in honor of > graphite, 2014.83.1, Purchased for the Study for “Great America” (Under Judith O. Sieg , c. 1994, pen and blue ink Virginia and Ira Jackson Collection Dine, Jim, American, born 1935 Wate r) > , c. 1994, >24 Objects in My Bedroom, Long Homer, Winslow, American, 1836–1910 Study for “Great America” Braque, Georges, French, 1882–1963 pen and black ink on graph paper Ago, 1973, graphite, watercolor, >Young Woman Sewing, 1876, >Still Life with Guitar, 1921, gouache > , c. 1994, and glue with collage of various watercolor over graphite, 2014.79.40, Study for “Great America” and graphite on panel mounted on a conté crayon papers, pencil, rubber strap, and safety Corcoran Collection (Bequest of James painted board, 2014.17.7, Gift of > pin, 2014.50.1, Gift of Judith Brodie Parmelee) Study for “Great America” (Tunnel of Robert and Mercedes Eichholz , c. 1994, graphite and Mervin Richard in honor of Love) Huet, Paul, French, 1803–1869 > , c. 1994, British 18th Century Thomas G. Klarner Study for “Great America” > , c. 1845, pastel >The Expulsion from Eden, 1780s?, A Meadow at Sunset conté crayon Dole, William, American, 1917–1983 on gray-blue paper, 2013.196.3, cut paper pasted to red-painted wood, >Study for “Great America” (Mother > , 1962, watercolor and collage Purchased as a Gift in Memory of the figures and serpent touched with Caprice and Child), c. 1994, conté crayon > , 1966, collage, Melvin R. Seiden pen and gray ink, graphite, and white Curriculum Materials >Study for “Great America” (Mother 2014.17.8–9, Gift of Robert and gouache Joris, Pio, Italian, 1843–1921 and Child), c. 1994, graphite Mercedes Eichholz >Adam and Eve in the Garden with >A Stairway in Subiaco, 1873, >Study for “Great America” (Mother Two Sheep and Two Doves, 1780s?, Dumas, Michel, French, 1812–1895 watercolor over graphite, 2014.92.1, and Child), c.1994, graphite cut paper pasted to red-painted wood, >Saint Denis, c. 1885, graphite on Purchased as the Gift of Joan and >Final study for “Great America”, the figures and animals touched with tracing paper, laid down and squared David Maxwell c. 1994, conté crayon, 2014.12.1–10, graphite, pen and brush with gray and for transfer, 2013.184.2, Gift of Faya Gift of the Artist Klauber, Joseph Wolfgang Xavier, brown ink Causey German, 1740–1813 Mehretu, Julie, American, born > Adam and Eve in the Garden with a Faber, Johann Joachim, German, >Saint John the Baptist as an Infant, Ethiopia, 1970 , Pair of Sheep and a Pair of Doves 1778–1846 1770s(?), black, red and white chalk >Untitled, 2005, graphite, 2013.151.1, 1780s?, cut paper pasted to a red- >Cliffs Overhanging a River Gorge on brown paper, 2014.96.2, Ailsa Gift of Billy E. Hodges painted and varnished paper, laid down near Sorrento (recto); Castle near Mellon Bruce Fund Michetti, Francesco Paolo, Italian, on wood, the figures and animals Massa (verso), 1823, graphite and 1851–1929 drawn over with graphite, pen and gray Lam, Wifredo, Cuban, 1902–1982 brown wash (recto); graphite (verso), > , ink, and touches of red paint, plus >Untitled, 1942/1943, pen and ink with Satan Rides and Drives the World 2014.62.1.a, b, Ailsa Mellon Bruce 1882, charcoal and white chalk on gray green and brown watercolor in the colored pencil, 2014.17.15, Gift of Fund paper, 2014.52.1, Purchased as the Gift doves, 2013.172.1–3, Ailsa Mellon Robert and Mercedes Eichholz Forain, Jean-Louis, French, 1852–1931 of Dian Woodner Bruce Fund Lami, Eugène Louis, French, 1800–1890 >Christ at Emmaus, c. 1902, black >A Hillside Path with Blooming Callow, William, British, 1812–1908 >Masqueraders Boarding Gondolas chalk, 2014.49.1, Gift of Nancy Wasell Cherry Trees under an Overcast Sky, > before a Venetian Palazzo, 1869, Corso Sant’ Anastasia with the Work in honor of Lessing J. Rosenwald 1905, pastel, charcoal, and touches of , 1855, watercolor and gouache over graphite, Palazzo Maffei in Verona and Alicia Craig Faxon gouache on blue paper, 2014.109.1, 2014.53.3, Purchased as the Gift of graphite and watercolor with gum Ailsa Mellon Bruce Fund arabic and touches of gouache, Alexander M. and Judith W. Laughlin 2013.182.1, Purchased as the Gift of Alexander M. and Judith W. Laughlin 58 ACQUISITIONS

Miró, Joan, Spanish, 1893–1983 Pinelli, Bartolomeo, Italian, 1781–1835 Truitt, Anne, American, 1921–2004 Bianchi, Mosè, Italian, 1840–1904 >Personnages, 1937, oil and ink on >Telemachus Pleading before Pluto and >Untitled, 1971, acrylic on paper, >Intérieur de l’église à Milan, c. 1874, fiberboard, 2014.17.19, Gift of Robert Proserpina, 1809, pen and brown ink 2014.17.28, Gift of Robert and etching with drypoint and aquatint on and Mercedes Eichholz with brown and gray wash over Mercedes Eichholz chine collé graphite, 2014.94.1, William B. > Moreau, Pierre, French, died 1762 Turner of Oxford, William, British, The Artist’s Wife in Profile Facing O’Neal Fund , c. 1880, etching with bitten tone >Architectural Fantasy of a 1789–1862 Right > , etching with roulette Magnificent Ancient Port, c. 1750, Piranesi, Giovanni Battista, Venetian, >Dawn in the Valleys of Devon, 1832, Seated Acolyte and aquatint on buff paper, pen and brown and black ink, 1720–1778 watercolor with scratching out and gum 2013.171.11–12, 2014.26.2, Ailsa 2014.88.1, William B. O’Neal Fund >Two Workmen at Tables (recto); arabic, 2014.34.1, Florian Carr Fund Mellon Bruce Fund Fragment of a Lion Bas-Relief (verso), Nasini, Giuseppe Nicola, Italian, Watts, Frederick William, British, > , 1874, etching with early 1770s, pen and black-brown ink Un Miracle 1657–1736 1800–1862 aquatint on chine collé, 2014.63.1, (recto); red chalk (verso), 2014.2.1.a, >A Bacchanal, c. 1700, pen and brown >Trees by the River at Castle Purchased as the Gift of Matthew and The Ahmanson Foundation ink with brown wash over traces of Bromwich, 1826, graphite, 2014.33.2, Ann Nimetz black chalk, 2014.105.1, Ailsa Mellon Purcell, Ann, American, born 1941 Ailsa Mellon Bruce Fund Biseo, Cesare, Italian, 1843–1909 Bruce Fund >Untitled, 1983, fabric and acrylic on > , gray paper, 2014.17.6, Gift of PRINTS AND ILLUSTRATED BOOKS Rovine della casa di S.S. sul Palatino Nordström, Jockum, Swedish, 1900, etching, 2013.171.6, Ailsa Mercedes Eichholz born 1963 Mellon Bruce Fund >Untitled, 2013, paper cutout collage Reinhart, Johann Christian, German, Abel-Truchet, French, 1857–1919 Boccioni, Umberto, Italian, 1882–1916 with graphite, colored pencil, ink, 1761–1847 > Théâtre Libre: La Fumée, puis >Periphery, 1908, drypoint, 2014.102.1, and watercolor, 2013.167.1, Gift of >Two Intertwined Oak Trees, c. 1800, , 1895, color lithograph, la Flamme Purchased as the Gift of Matthew and the Artist black chalk with brown wash, 2014.45.1, Virginia and Ira Jackson Ann Nimetz 2014.110.1, Ailsa Mellon Bruce Fund Owen, Frank, American, born 1939 Collection Boccioni, Umberto, Italian, 1882–1916, >Vapor , 1970, acrylic on paper, Rovere, Giovanni Mauro della, Anthing, Johann Friedrich von, German, and Franceso Balilla Pratella (composer), 2014.17.20, Gift of Robert and Milanese, 1575–1640 1753–1805 Italian, 1880–1955 Mercedes Eichholz >The Last Judgment, 1613/1614, pen > Collection de cent Silhouettes des > and brown ink with brush and brown Musica Futurista per Orchestra Padovani, Giuseppe, Italian, Personnes illustres et célèbres dessinées (Bologna, 1912), bound volume with wash and white heightening over traces (Gotha, 1793), c. 1750–c. 1830 d’après les originaux one line block reproduction of a of graphite on brown prepared paper, portfolio of ninety-nine etched plates >Fiori Diversi Raccolti da Giuseppe Boccioni drawing on the cover, 2013.177.1, New Century Fund and one facsimile, 2014.104.1, William Padovani Argentano (Ferrara, 1772), 2014.87.1, William B. O’Neal Fund bound volume of thirty-eight botanical Schotel, Petrus Johannes, Dutch, B. O’Neal Fund Bodmer, Karl, Swiss, 1809–1893 watercolor illustrations, a trompe l’oeil 1808–1865 Appian, Adolphe, French, 1818–1898 >A Forest Clearing, etching and watercolor frontispiece, and a bordered >Ships in a Stormy Sea, c. 1840, pen > , 1861, etching, 2014.88.2, Shepherdess drypoint, 2014.95.2, Ailsa Mellon title page and black ink with gray wash, Ailsa Mellon Bruce Fund Bruce Fund >Insetti ed Altri Animali (Ferrara, 2014.98.1, Ailsa Mellon Bruce Fund Arnoldi, Charles, American, born 1946 1772), album of thirty-nine watercolor Boldini, Giovanni, Italian, 1842–1931 Signac, Paul, French, 1863–1935 > , 1986, color monotype, illustrations, a trompe l’oeil watercolor Untitled >Whistler Asleep, 1897, drypoint on >The Calanque at Saint Tropez, 1906, 2014.17.2, Gift of Mercedes Eichholz frontispiece, and a bordered title page, pale green-gray paper, 2014.27.1, watercolor and graphite, 2013.196.2, 2013.194.1.1–2, Purchased as the Gift Bearden, Romare, American, Ailsa Mellon Bruce Fund Ruth and Jacob Kainen Memorial of Malcolm and Carolyn Wiener 1911–1988 Acquisition Fund Boldrini, Nicolò, Italian, born c. 1510, > , 1979 Parrocel, Joseph Ignace François, The Fall of Troy active c. 1530–c. 1570 Signorini, Giuseppe, Italian, 1857–1932 > French, 1704–1781 Circe Turns a Companion of >Hercules and the Nemean Lion (after >A Moorish Soldier before a Sunlit , 1979 >A Fountain with Three Nereids, Odysseus into a Swine Raphael), c. 1566, chiaroscuro woodcut Wall, 1878, watercolor over graphite, > , 1979 1740s(?), black chalk heightened with The Sirens’ Song printed from two blocks in tan and 2014.53.2, Ailsa Mellon Bruce Fund > , 1979 white chalk on beige paper Cattle of the Sun God black ink on buff paper, 2014.1.1, > , 1979 >A Fountain with Three Tritons, Slade, Roy, Welsh, born 1933 Odysseus Leaves Nausicaa Pepita Milmore Memorial Fund > , 1979, color 1740s(?), black chalk heightened with >Sea and Sky, 1972, crayon with Home to Ithaca >Hercules and the Nemean Lion (after screenprints, 2013.142.1–6, Purchased white chalk on beige paper, graphite, 2014.17.24, Gift of Robert Raphael), c. 1566, woodcut (line block as the Gift of Richard A. Simms 2014.108.1, 2, William B. O’Neal Fund and Mercedes Eichholz from chiaroscuro woodcut), 2014.48.1, Beham, Sebald, German, 1500–1550 Gift of James A. Bergquist, Boston, in Peeters I, Jan, Dutch, 1624–c. 1677 South German 17th Century > Honor of Peter Parshall >Beaulne (Beaune), c. 1650, pen and >The Judgment of Paris, c. 1600, Typi in Apocalypsi Ioannis depicti ut brown ink with brown and blue wash pen and brown ink with brown wash clarius vaticinia Ioannis intellegi Borromeo, Giberto, Italian, 1815–1885 (Frankfurt, 1539), bound over graphite, 2014.106.1, Purchased and white heightening over black possint >Aux Iles Borromeo [Lago maggiore], volume with twenty-six woodcut as the Gift of Diane A. Nixon chalk, incised for transfer, 2014.91.1, c. 1870, etching on buff paper, illustrations, 2013.168.1, Purchased as Ruth and Jacob Kainen Memorial 2013.171.7, Ailsa Mellon Bruce Fund Petitot, Ennemond Alexandre, French, Acquisition Fund an Anonymous Gift 1727–1801 Bosio, Walter Teodoro, Italian, Bella, Stefano Della, Florentine, 1610– >Design for a Stage Curtain: The Steffelaar, Cornelis, Dutch, 1795–1861 born c. 1835 1664, and Giovanni Carlo Coppola Interior of an Elaborate Temple >A Giant Oak at the Edge of a Forest, >Selva, 1870, etching on chine collé, (author), Italian, 1599–1652 Dedicated to Illustrious Men, 1780s?, 1840s(?), pen and black ink and 2013.171.8, Ailsa Mellon Bruce Fund > (after Alfonso pen and gray ink with gray wash, gray wash, 2014.16.1, Ailsa Mellon Le Nozze degli Dei Parigi II) (Florence, 1637), bound Buhot, Félix-Hilaire, French, 1847–1898 2014.53.1, William B. O’Neal Fund Bruce Fund volume with etched title-page and >Embarcadere à Trouville, 1877, Tamayo, Rufino, Mexican, 1899–1991 Picasso, Pablo, Spanish, 1881–1973 seven double-page etched illustrations, etching and drypoint on japan paper, >Horse and Running Girl, 1937, >L’amour masqué, 1954, pen and ink on 2014.101.1, William B. O’Neal Fund 2013.175.1, Ailsa Mellon Bruce Fund paper mounted on board, 2014.17.21, watercolor and pencil, 2014.17.26, Gift Bellows, George, American, 1882–1925 Castiglione, Giovanni Benedetto, Italian, Gift of Robert and Mercedes Eichholz of Robert and Mercedes Eichholz > , 1916, lithograph 1609 or before 1664 Tanguy, Yves, French, 1900–1955 Splinter Beach [proof], 2014.21.1, Purchased as the >The Six Oriental Heads, late 1640s, >Untitled, 1936, gouache on brown Gift of Max Berry complete set of six etchings, paper laid down on board, 2014.17.27, 2014.73.1–6, Florian Carr Fund Gift of Robert and Mercedes Eichholz NATIONAL GALLERY OF ART 59

Caylus, Anne-Claude-Philippe de David, Giovanni, Italian, 1743–1790 >Fortress of the Heart, 1982, color Faruffini, Federico, Italian, 1833–1869 Tubières, comte de, French, 1692–1765 >Divers portraits graves à l’eau-forte, et lithograph >Cesare Borgia and Machiavelli, 1866, >Blind Critic by an Easel, c. 1740, dediés à M. Dominique Corvi…, >London Monotype XI (The Gate), etching, 2014.64.1, Purchased as the etching, 2013.184.1, Gift of Faya 1775, complete set of twelve etchings 1982, color monotype on two sheets Gift of Matthew and Ann Nimetz Causey with aquatint, printed in dark brown, of paper Feyen-Perrin, François-Nicolas Auguste, 2013.173.1–12, New Century Fund Chamisso, Adelbert von, German, >London Monotype XXI (Sydney French, 1826–1888 > , 1982, color monotype with 1781–1838 A Seated Young Woman Holding a Triptych) >Ostriches in the Desert, 1872, etching , c. 1775, etching, 2014.37.2, hand-coloring, charcoal, pigment, and >Peter Schlemihl’s wundersame Letter and drypoint, 2014.55.1, Ailsa Mellon Ailsa Mellon Bruce Fund collage on three sheets of paper Geschichte (Nuremberg, 1839), Bruce Fund > , 1776, etching, bound volume with sixteen Cupid Disarmed >The Hammer (with Watercolor 2014.93.1, Bert Freidus Fund Fischer, Maria Anna, Austrian, photomechanical prints, 2014.61.1, Marks), 1982, lithograph with 1782–1844 William B. O’Neal Fund , Adolfo, Italian, 1874–1928 watercolor on two sheets of paper >A Lakeside Chapel by Moonlight, > , 1916, chiaroscuro >The Three Sydney Close Woodcuts, Claus, Carlfriedrich, German, 1930– Ila e le ninfe 1810s(?), etching with aquatint, woodcut in teal and black, 1983, woodcut on three sheets 1998; Hubertus Giebe, German, born 2014.95.1, Ruth and Jacob Kainen 2013.171.13, Ailsa Mellon Bruce Fund of paper 1953; Sighard Gille, German, born Memorial Acquisition Fund > , c. 1910, >Lost Shells, 1985, etching and 1941; Johannes Heisig, German, born Gabriel D’Annunzio (?) etching with monotone wiping, watercolor with drypoint and power- François, Jean-Charles, French, 1953; Rolf Münzner, German, born printed in dark brown on buff paper, tool drypoint on two sheets of paper 1717–1769 1942; and Walter Libuda, German, 2014.81.2, Purchased as the Gift of >Tools and Dreams, 1985, drypoint, >God the Father Creating the Heavens, born 1950 Matthew and Ann Nimetz aquatint, and power-tool drypoint 1760, crayon manner printed in red, > Und die Tat, sie blieb uns doch: Karl >Venus at Sea, 1985, softground 2014.26.4, Ailsa Mellon Bruce Fund Marx, 1982–1983, portfolio of six Del Neri, Edoardo, Italian, 1890–1932 etching, and power-tool drypoint Gachet, Paul-Ferdinand, French, prints with cover and text, >An Elderly Sailor, c. 1890, aquatint, with acrylic paint 1828–1909 2014.42.3.1–6, Gift of Ingrid Rose in soft-ground, and monotype wiping, > , 1985, drypoint, aquatint, The Channel >North Windmill in the Creuse Valley, memory of her husband, Milton Rose 2014.107.4, Purchased as the Gift of and power-tool drypoint Matthew and Ann Nimetz 1874, etching with drypoint on tan Close, Chuck, American, born 1940 > , 1986, drypoint, 12 Rue Jacob paper, 2014.37.5, Purchased for the > , 2013, four color- Denon, Vivant, French, 1747–1825 softground and hardground etching, Self-Portrait Virginia and Ira Jackson Collection separation photogravures and one >The Virgin and Child with Angels aquatint, and power-tool drypoint full-color photogravure [study for (after Correggio), etching, 2014.26.3, >Quartet, 1986, color etching, aquatint, Gallina, Gallo, Italian, 1796–1874 unpublished progression print] Ailsa Mellon Bruce Fund and photogravure on four sheets of >lo levò in aria gridando, ecco il pane > , 2010, color photogravure paper della providenza,1828–1830, Self-Portrait Dente, Marco, Italian, c. 1493–1527 [proof for unpublished print], 2014.5.2– > , 1992, color woodcut on lithograph >The Massacre of the Innocents (after The Summer 3, Gift of the Artist three sheets of paper >‘…disposto…disposto sempre Baccio Bandinelli), c. 1525, engraving, > , 1993, hand-colored all’ubbidienza’, 1828–1830, lithograph, Coqueret, Pierre-Charles, French, 2014.57.1, Ailsa Mellon Bruce Fund, Two Old Bathers etching with drypoint and power-tool 2013.171.1–2, Ailsa Mellon Bruce Fund 1761–1832 Samuel H. Kress Foundation Fund, and drypoint >Desaix (after Hilaire Le Dru), 1798, Purchased as the Gift of Robert Loper Gamelin, Jacques, French, 1738–1803 > , 2000, hand-colored mezzotint, 2013.170.6, Ailsa Mellon The Mandrake >A Winged Skeleton Holding an Dine, Jim, American, born 1935 etching with drypoint Bruce Fund Anatomical Drawing, 1779, etching > The Picture of Dorian Gray >Nicolai Strasse Robes, 2011, offset and engraving, 2013.170.5, Ailsa Corneille, Michel, French, 1642–1708 , 1968, bound volume (Edition A) lithograph and color lithograph on two Mellon Bruce Fund >Samson and Delilah, 1660s(?), with twelve color lithographs plus six sheets of paper Gandolfi, Mauro, Italian, 1764–1834 etching, 2014.37.1, Ailsa Mellon loose lithographs >Woodcut with Teal and Yellow, 2013, >Virgin and Child with Saints Jerome Bruce Fund >Cincinnati I, 1969, lithograph hand-painted woodcut, 2014.11.1–62, > , 1969, lithograph and Catherine and an Angel (after Cruikshank, George, British, 1792–1878 Cincinnati II Gift of the Artist >Hearts and a Watercolor, 1969, Correggio), 1825, engraving, >The Death of Property Tax!!!, 1816, Dorigny, Michel, French, 1617–1665 etching and watercolor 2014.65.1, Purchased as the Gift of etching and engraving with publisher’s > (after >Five Paintbrushes (first state), 1972, Livre de Diverses Grotesques Matthew and Ann Nimetz hand-coloring Simon Vouet), 1647, complete set etching and drypoint Ganière, Jean, French, died 1666 >Very Unpleasant Weather, 1820, of fifteen etchings, 2013.174.2, >Five Paintbrushes (third state), 1973, >The Fortune Teller (after Valentin etching and engraving with publisher’s Katharine Shepard Fund etching and drypoint hand-coloring, 2013.170.1, 7, Ailsa de Boullogne), c. 1640, etching > , 1972, etching Dorner, Johann Jakob the Elder, Mellon Bruce Fund Bolt Cutters (first state) with engraving, 2013.184.5, Gift and aquatint German, 1741–1813 of Faya Causey Czeschka, , Austrian, > , 1973, > Bolt Cutters (second state) A Man in a Turban Reading to a Gautier Dagoty, Jean-Baptiste-André, 1878–1960 etching and aquatint , 1774, etching, Young Woman French, 1740–1786 >Die Nibelungen, 1909 or 1920, bound >Four German Brushes Series, 1973, 2014.37.3, Ailsa Mellon Bruce Fund volume with eight double-page line >Ph. Cl. A. de Thubières, Comte de etching and drypoint Dulac, Charles-Marie, French, block illustrations heightened in gold, Caylus, c. 1765, mezzotint, 2014.26.1, >Red Beard, 1973, color etching and 1865–1898 2013.169.6, Purchased as an Purchased as the Gift of Dewayne and drypoint > , 1894, lithograph Anonymous Gift Spiritus sancte Deus Faith Perry >Big Red Wrench in a Landscape, printed in red-brown, 2013.185.1, Ailsa Gillray, James, British, 1757–1815 Dal Pozzo, Francesco, Italian, 1973, color lithograph Mellon Bruce Fund 1891–1983 >Ten Winter Tools, 1973, suite of ten >A New Way to Pay the National- Dumont, Jacques, French, 1701–1781, >Jungle Clearing with Spreading Palms, lithographs Debt, 1786, etching and engraving finished by Jean Daullé, French, 1928, chiaroscuro woodcut in tan and >Wall Chart II, 1974, color lithograph >Modern Grace, 1796, etching and 1703–1763 black on tan paper, 2013.171.3, Ailsa >Retroussage Eiffel Tower, 1976, engraving with publisher’s hand- > , 1739, etching Mellon Bruce Fund etching, drypoint, liftground etching, The Bagpipe Player coloring and softground etching finished in engraving >Titianus Redivivus, 1797, etching and Daumier, Honoré, French, 1808–1879 > , >The Yellow Robe, 1976, color A Young Mother Carrying a Crib engraving with publisher’s hand- >Histoire Ancienne, 1842–1843, bound lithograph 1739, etching finished in engraving, coloring, 2013.170.2–4, Ailsa Mellon volume with complete set of fifty > , 1982, 2014.37.6–7, Katharine Shepard Fund Bruce Fund lithographs, 2013.169.3.1–50, The Jerusalem Woodcut Heart woodcut Purchased as an Anonymous Gift 60 ACQUISITIONS

Goltzius, Hendrick, Dutch, 1558–1617 Kentridge, William, South African, Morelli, Domenico, Neapolitan, Rivière, Henri, French, 1864–1951 >Icarus (after Cornelis Cornelisz van born 1955 1823–1901 >Le Premier Quartier, 1901, Haarlem), 1588, engraving, >Portage (Johannesburg, 2000), >The Little Goat, c. 1879, etching lithograph, 2014.46.1, Gift of John 2013.154.1, Gift of Allen R. Adler accordion-folded illustrated book with and aquatint Harvey Schlichte Bergen and Frances Beatty torn black paper on encyclopedia pages > , 1879, Personification of Engraving Rosenthal, Bernard, American, taken from a c. 1900 “Le Nouveau etching, aquatint, and drypoint Gottlieb, Adolph, American, 1903–1974 1914–2009 Larousse Illustré,” 2014.67.1, Gift of > >Blue Halo, 1967, color screenprint, A Young Woman with a Bow in Her >Things Invisible to See, 1960, the Collectors Committee, Sylvia K. , c. 1879, etching, 2014.107.1–3, 2014.17.11, Gift of Robert and Hair lithograph, 2014.17.22, Gift of Robert Greenberg, and Cathryn Dickert Scoville Purchased as the Gift of Matthew and Mercedes Eichholz and Mercedes Eichholz Ann Nimetz Kerner, Johann Simon (artist and Grooms, Red, American, born 1937 Russolo, Luigi, Italian, 1885–1947 author), German, 1755–1830 Motherwell, Robert, American, >Local, 1971, color lithograph, >Mattino, 1909, etching and aquatint, > 1915–1991 2014.17.13, Gift of Robert and Abbildung aller Oekonomischen 2014.64.2, Purchased as the Gift of (Stuttgard, > , 1973, color lithograph Mercedes Eichholz Pflazen, Vols. I and II The Highlands Matthew and Ann Nimetz 1786), set of two bound volumes, each with paper collage on handmade paper Guarino, Salvatore, Italian, 1882–1969 containing 100 etched and hand- >Untitled, 1978, color lithograph on Sadeler II, Aegidius, Flemish, >A Young Woman Frowning, c. 1910, colored botanical illustrations, chine collé, 2013.150.3–4, Gift of Mr. c. 1570–1629 etching and drypoint, 2014.107.5, 2014.42.2, Gift of Ingrid Rose in and Mrs. Earl A. Powell III >The Holy Family with Saint Anne Purchased as the Gift of Matthew memory of her husband, Milton Rose and Two Angels (after Hans von Munch, Edvard, Norwegian, and Ann Nimetz Aachen), c. 1593, engraving, Kirkall, Elisha, English, c. 1682–1742 1863–1944 2014.96.1, Ruth and Jacob Kainen Guérard, Henri-Charles, French, > (after > , 1897, The Adoration of the Shepherds Stéphane Mallarmé Memorial Acquisition Fund 1846–1897 Francesco Salviati), 1724, etching, lithograph on japan paper >The Artist’s Left Hand, 1890s, ink mezzotint, engraving, and chiaroscuro >Mystical Shore, 1897, woodcut with Saint-Non, Jean-Claude-Richard, handprint on tan paper, 2014.36.1, woodcut, printed in ochre and brown, crayon on China paper Abbé de, French, 1727–1791 Purchased for the Virginia and Ira 2013.186.1, Purchased as the Gift of >Outside the House, Moonlight, 1901, >Fragments choisis dans les Jackson Collection Lawrence Lawver woodcut on japan paper, 2014.8.1–3, Peintures…des Palaix et des Eglises Gift of The Epstein Family Collection de l’Italie, (Paris, 1767–1775), bound Heckel, Erich, German, 1883–1970 Lagrenée, Jean Jacques II, French, volume with 200 aquatint illustrations >Der Träumer, 1905, woodcut 1739–1821 Naumann, Hermann, German, (six titles, 194 plates), 2013.169.1, on beige paper, 2013.181.1, Ruth > , etching, 2014.81.1, born 1930 Saint Jerome Purchased as an Anonymous Gift and Jacob Kainen Memorial Ailsa Mellon Bruce Fund >Grafik zu Franz Kafka, published Acquisition Fund 1985, portfolio of eight etchings with Sanchini, Pietro, Italian, 20th century Liebermann, Max, German, cover and text, 2014.42.4.1–8, Gift of >Donne al bagno, 1949, woodcut in Hildenbrand, Adolf, German, 1847–1935, and Julius Elias (author), Ingrid Rose in memory of her husband, black on japan paper, 2013.171.4, Ailsa 1881–1944, and Gottfried Keller German, 1861–1927 Milton Rose Mellon Bruce Fund (author), German, 1881–1944 >Die Handzeichnungen Max >Romeo und Julia auf dem Dorfe Libermanns (Berlin, 1922), bound Nicolle, Victor Jean, French, 1754–1826 Savery, Salomon, Dutch, 1594–1665 or (Bern, 1919), bound volume with six volume with two intaglio prints tipped >La Décoration et du Feu d’Artifice… after, and Jan van der Veen (poet), etched illustrations, 2014.7.2.1–6, in; one etching with drypoint and one la Naissance de Monseigneur le Dutch, 1578–1659 Gift of Ingrid Rose in memory of drypoint, 2014.7.1, Gift of Ingrid Rose Daufin, 1782, etching and aquatint >Zinne-beelden, oft Adams Appel her husband, Milton Rose in memory of her husband, Milton Rose with roulette printed in brown, (Amsterdam, 1642), bound volume 2013.174.1, Katharine Shepard Fund with engraved title, and fifty etched Holbein the Younger, Hans, German, Maggi, Giovanni, Italian, 1566–1618 emblems, 2014.15.1, Purchased as an 1497/1498–1543, and Sebastian M. > Perotti, Edoardo, Italian, 1824–1870 Fontane diverse che si vedano nel Anonymous Gift Münster (author), German, 1489–1552 alma città di Roma et altre parte >In Montagna, c. 1870, etching on >Organum Uranicum bound with d’Italia (Rome, 1618), bound complete chine collé [proof], 2013.171.9, Ailsa Steinlen, Théophile Alexandre, Swiss, Organa Planetarum (Basel, 1536), two set of thirty-four engravings printed on Mellon Bruce Fund 1859–1923 volumes bound together, containing seventeen half-sheets, 2014.97.1, >Prochainement la très illustre Picasso, Pablo, Spanish, 1881–1973, twenty-three hand-colored woodcuts, Purchased as the Gift of Vincent J. Compagnie du Chat Noir, 1896, color and Honoré de Balzac (author), fourteen of which have movable Buonanno lithograph, mounted on muslin, Spanish, 1799–1850 volvelles, dials, and pointers, 2014.100.1, Purchased for the Virginia Marsh, Reginald, American, 1898–1954 > (Paris, 2013.153.1, Gift of William J. Wyer Le Chef-d’oeuvre inconnu and Ira Jackson Collection >Eltinge Follies, 1940, hand-colored 1931), unbound volume with thirteen Jones, John Paul, American, 1924–1999 engraving, 2014.90.1, Donald and etchings, two wood-engravings on the Steir, Pat, American, born 1938 >Annunciation, 1960, etching and Nancy de Laski Fund cover, and sixty-seven wood-engravings >Cry Stall Gaze, 2013, accordion-folded aquatint, 2014.17.14, Gift of Robert after Picasso drawings, 2013.169.7.1– illustrated book with color screenprint, Masson, André, French, 1896–1987 and Mercedes Eichholz 13, Purchased as an Anonymous Gift photogravure, and string, 2014.10.1, > , 1973, color lithograph on Seduction Gift of the Artist Kahn, Wolf, American, born Germany, japan paper, 2014.17.18, Gift of Robert Quadrone, Giovanni Battista, Italian, born 1927 and Mercedes Eichholz 1844–1898 Stoop, Dirck, Dutch, 1618–1676 >Early Spring, House among the Trees, > , 1874, etching >The Set of Horses, 1651, complete set Monogrammist FG, Italian, 1510–1583 Vedetta [Il gentiluomo] 1997, color etching and aquatint with plate tone, 2013.171.5, Ailsa of twelve etchings, 2014.56.1–12, Ailsa >Vulcan and Cyclops Forging Cupid’s >River Bend, 1978, etching, 2014.40.1– Mellon Bruce Fund Mellon Bruce Fund (after Francesco Primaticcio), 2, Gift of the Artist Arrows 1540s, engraving, 2013.152.1, Gift of Redon, Odilon, French, 1840–1916; Tesi, Mauro Antonio, Bolognese, Kalckreuth, Leopold von, German, C. G. Boerner Théo van Rysselberghe, Belgian, 1730–1766 1855–1928 1862–1926; and Edmond Picard >Raccolta di Disegni Originali di >Heimkehr, 1897, color lithograph, (author), French, 1840–1916 Mauro Tesi (after Mauro Antonio Tesi) 2013.181.2, Ruth and Jacob Kainen >Le Juré, (Brussels, 1887), bound (Bologna, 1787), bound volume with Memorial Acquisition Fund volume with seven lithographs by forty-two etched and aquatinted Redon on Japan paper, one Evely- illustrations, 2013.169.2, Purchased process engraving of Redon’s as an Anonymous Gift self-portrait, and one mezzotint portrait of Edmond Picard, 2013.169.4, Purchased as an Anonymous Gift NATIONAL GALLERY OF ART 61

Testelin, Louis, French, 1615–1655 Wiegers, Jan, Dutch, 1893–1959 American 19th Century Conner, Bruce, American, 1933–2008 >The Holy Family with Saint Anne, >A Young Woman with a Necklace, c. >Portrait of a Man, c. 1850, >His Eye is on the Sparrow, 2006, HD 1640s(?), etching, 2014.37.4, Ailsa 1925, etching & vernis-mou printed in daguerreotype, 2014.25.2, Pepita video, 2014.77.1, The Ahmanson Mellon Bruce Fund red, 2014.106.2, Ruth and Jacob Milmore Memorial Fund Foundation Kainen Memorial Acquisition Fund Thon, Sixt, German, 1817–1901 American 19th Century Davey, Moyra, Canadian, born 1958 >Dog Asleep beside a Pair of Boots, Zanetti I, Antonio Maria, conte, >Locket with Two Portraits, c. 1850, >Copperhead #48, 1990, chromogenic etching, 2014.47.1, Gift of Nicolaas Italian, 1680–1757 daguerreotypes, 2014.86.1, Pepita print, printed 2010–2011, 2014.85.1, Teuwisse >A Standing Youth Gesturing to Milmore Memorial Fund Alfred H. Moses and Fern M. Schad (after Parmigianino), 1723, Fund Thornley, Georges William, French, His Right American 19th Century chiaroscuro woodcut printed from 1857–1935 >Locket with Four Portraits, c. 1850, Deal, Joe, American, 1947–2010 three blocks in deep purple, light >The Bath (after Edgar Degas), 1889, daguerreotypes, 2014.86.2, Pepita >View, Salt City, Utah, 1977, brown, and pink transfer lithograph in reddish brown on Milmore Memorial Fund gelatin silver print, 2013.143.18, Gift > chine collè A Standing Youth Gesturing to His of Fern M. Schad (after Parmigianino), 1723, Barth, Uta, American, >Jockeys (after Edgar Degas), 1889, Right chiaroscuro woodcut, printed in three born Germany, 1958 Delmaet, Hyacinthe César, French, transfer lithograph in reddish brown blocks in two shades of gray-green and >…and to draw a bright white line 1828–1862, and Louis-Émile on chine collè, 2013.184.3–4, Gift of ochre, 2014.56.13–14, Ailsa Mellon with light (Untitled 11.5), 2011, three Durandelle, French, 1839–1917 Faya Causey Bruce Fund inkjet prints, 2014.30.1.1–3, Alfred H. >Construction of New Paris Opera, c. Unger, Hans, German, 1872–1936 Moses and Fern M. Schad Fund 1865, albumen print, 2013.189.1, Zündt, Mathis, German, c. 1498–1572 >Weiblicher Studienkopf, 1896, Pepita Milmore Memorial Fund > Bellon, Denise, French, 1902–1999 lithograph in green and black, A Perspective of Seven Stars Balanced (after Hans Lencker), >Bousbir Bordello, Casablanca, de Rostaing, Marquis, French, 2013.181.3, Ruth and Jacob Kainen on Three Crosses 1567, etching Morocco, c. 1940, gelatin silver print, active 1850s Memorial Acquisition Fund >A Perspective of a Faceted Snail Shell 2014.71.1, R. K. Mellon Family >Pont de Lestelle sur le Gave, près Various Artists and Karl Ludwig Balanced on a Pyramid, 1567, Foundation Bétharram, Basses-Pyrénées (Bridge at Willdenow (author), German, etching, 2014.66.1–2, Ailsa Mellon >African Woman Wearing Headdress Lestelle sur le Gave, near Bétharram, 1765–1812 Bruce Fund with Coins, 1938, gelatin silver print, Basses-Pyrénées), late 1850s, albumen >Hortus Berolinensis (Berlin, [1803–] 2014.76.1, Purchased as the Gift of the print, 2013.188.1, Carolyn S. Brody 1806–1816), bound volume with PHOTOGRAPHS Gallery Girls Family Foundation Fund and Pepita engraved title, two hand-colored Milmore Memorial Fund Bonsall, Isaac H., American, 1833–1909 engraved garden plans, and 108 hand- Abbott, Berenice, American, 1898–1991 >Lula Lake, Lookout Mountain, Dijkstra, Rineke, Dutch, born 1959 colored engraved illustrations, 2014.7.4, > , 1926, gelatin silver print, Georgia, 1864–1865 >I See a Woman Crying (Weeping Gift of Ingrid Rose in memory of her Jean Cocteau 2014.13.1, Diana and Mallory Walker >Lula Lake, Upper Falls, Lookout Woman), 2009, three-channel HD husband, Milton Rose Fund Mountain, Georgia, 1864–1865, video with sound, 2013.138.1, Various Artists and Kurt Pfister (author), albumen prints, 2014.69.1–2, Pepita Purchased with funds donated by Adams, Ansel, American, 1902–1984 German, 1895–1951 Milmore Memorial Fund Joseph M. Cohen and Gift of the >Clearing Winter Storm, 1944, gelatin >Deutsche Graphiker der Gegenwart, Collectors Committee silver print, printed later, 2013.150.2, Brandt, Matthew, American, born 1982 (Leipzig, 1920), bound volume with Gift of Mr. and Mrs. Earl A. Powell III >Salton Sea C1, 2007, salted paper Divola, John, American, born 1949 thirty-one prints: fifteen lithographs, > , print, 2014.31.1, Alfred H. Moses and >Zuma #27, 1978 eight woodcuts, and eight Pipes and Gauges, West Virginia 1939, gelatin silver print, 2013.157.1, Fern M. Schad Fund >Zuma #3, 1977 photomechanical reproductions, Gift of Diana and Mallory Walker >Zuma #5, 1977 2014.7.3, Gift of Ingrid Rose in memory Breitenbach, Josef, American, born >Zuma #11, 1978 of her husband, Milton Rose Albin-Guillot, Laure, French, 1881–1962 Germany, 1896–1984 >Zuma #16, 1977 >Le Pont des Arts, 1930s, fresson print, >Untitled from “What About Steel?, Velde, Henry van der, Belgian, 1863– >Zuma #18, 1977 2014.72.1, R. K. Mellon Family New Jersey”, 1942, gelatin silver print, 1957, and Friedrich Wilhelm Nietzsche >Zuma #20, 1978 Foundation 2014.22.1, Pepita Milmore Memorial (author), German, 1844–1900 > , 1978 Fund Zuma #25 >Also Sprach Zarathustra (Leipzig, American 19th Century >Zuma #65, 1977 1908), bound volume containing four >Portrait of a Girl, c. 1850, Breuer, Marco, German, born 1966 >Zuma #7, 1978 parts, each with a separate title, head- daguerreotype, 2013.192.1, >Study for Scrub, 1998, gelatin silver >Zuma #8, 1977, chromogenic and tail-piece printed in relief, as well as Pepita Milmore Memorial Fund paper, scrubbed prints, 2014.80.1–11, Charina >Untitled (Tip), 2001, gelatin silver one double-page ornamental title for American 19th Century Endowment Fund the volume, 2013.169.5, Purchased as paper, exposed and burned, 2014.23.1– >Portrait of a Lieutenant, c. 1860, D’Ora, Madame, Austrian, 1881–1963 an Anonymous Gift 2, Charina Endowment Fund ambrotype, 2013.146.1, Gift of Andrew >Mariette Lydis, 1927, gelatin silver Viganò, Vico, Italian, 1874–1967 Szegedy-Maszak and Elizabeth Bobrick, Cartier-Bresson, Henri, French, print, 2014.72.2, Robert Menschel and >Cacciatore, 1905, etching with roulette in honor of Philip and Ina Trager 1908–2004 the Vital Projects Fund and the R. K. >Children Scavenging Unburned Coal, and plate tone, 2013.171.10, Ailsa American 19th Century Mellon Family Foundation Mellon Bruce Fund Beijing, China, 1948 >Portrait of a Woman, c. 1870s, E. & H. T. Anthony & Co., >Tretyakov Gallery, Moscow, Russia, Weigel, Johann Christoph (artist and tintype, 2014.14.1, Pepita Milmore American, 1862–1902 1954 publisher), German, c. 1654–1726; Elias Memorial Fund > >Swan Lake at the Bolshoi Theater, The Brigade de Shoe Black, City Hall Christoph Heiss, German, 1660–1731; , c. 1870, albumen stereoscopic American 19th Century Moscow, Russia, 1954 Park and Johann Jakob von Sandrart (artist prints, 2014.75.1, Pepita Milmore >Sojourner Truth, 1864, albumen print >Collective Farm, Uzbekistan, 1954 frontispiece), German, 1655–1698 Memorial Fund (carte-de-visite), 2014.19.1, Pepita >Gorki Park, Moscow, Russia, 1954 > (Augsburg, 1695), bound Biblia Ectypa Milmore Memorial Fund >Rickshaw Rider, Beijing, China, 1948 Emerson, Peter Henry, British, volume with two full-page mezzotint American 19th Century >“Army Day” Parade, Forbidden City, born Cuba, 1856–1936 engravings after Sandrart and 834 > 1850s, Beijing, China, 1948 >The Lone Lagoon, 1895 etched and engraved illustrations, Portrait of a Man, daguerreotype, 2014.25.1, Pepita >Bok Choy Vendor, Beijing, China, >Gnarled Thorn-trees, 1895, 2014.42.1, Gift of Ingrid Rose in Milmore Memorial Fund 1948, gelatin silver prints, 2013.145.1– photogravures, 2014.74.1–2, Robert memory of her husband, Milton Rose 8, Gift of Gary Davis Menschel and the Vital Projects Fund 62 ACQUISITIONS

Evans, Terry, American, born 1944 >Gelek Rinpoche working hard to ferry Kaiser, H. G., American, 187–195; Plates 197–217; Plate 221; >Rose Hill Cemetery, McPherson a few students…, 1993 born Germany, 1864? Plate 219; Plate 223; Plates 227–234; County, Kansas, 1991 >Kitchen window later afternoon >Sun Cycle Taken Dec. 21–17, Plate 236; Plates 239–244; Plate 246; >Smoky Valley (Native American) January 23, 1987,…, 1987 Looking South from Gov. Hill, 1917, Plates 248–253; Plates 256–261; Plate Village Site Circa 1000–1500 AD, >Dorothy Norman in her house East gelatin silver print, 2013.179.1, Pepita 263; Plates 265–303; Plates 305–314; Saline County, Kansas, 1992, gelatin 70th Street …, 1987 Milmore Memorial Fund Plates 316–343; Plates 345–349; Plates silver prints, 2014.70.1–2, Robert 351–358; Plates 360–366; Plates 368– >Welsh Poet Dafydd Rowlands & Kepes, György, American, born Menschel and the Vital Projects Fund 378; Plates 381–399; Plates 403–406; myself…, 1995 Hungary, 1906–2001 > Plate 410; Plate 414; Plates 416–418; French 20th Century Tokdhan Rinpoche from Eastern >Flowers, etc., 1982, dye diffusion , 1993, gelatin silver prints Plates 420–424; Plate 426; Plate 431; >Swallowed Coin, Military Hospital, Tibet… transfer print, 2013.143.9, Gift Plates 433–434; Plates 437–439; Plate 1918, gelatin silver print, 2013.180.1, >Lorenzo & Larry Ferlinghetti,…, of Fern M. Schad 1972, gelatin silver print, printed 441; Plate 443; Plates 445–447; Plate Pepita Milmore Memorial Fund >Juliet with Peacock Feather and Red 1984–1997 451; Plates 454–479; Plate 481; Plates Leaf, 1937–1938, gelatin silver print Friedlander, Lee, American, born 1934 483–492; Plates 494–498; Plates 502– >Elsa Dorfman, , with gouache, 2014.20.1, Pepita >NYC, 1968 511; Plates 513–519; Plate 521; Plate their son Isaac & late beloved brindle Milmore Memorial Fund >Memphis, 1973, gelatin silver prints, , 1986 525; Plate 527; Plates 529–530; Plates Greyhound “Moozer”… >Untitled (Berlin), gelatin silver print 2013.143.8, 19, Gift of Fern M. Schad 532–534; Plate 536; Plates 539–546; >Creeley patient with me, July with gouache, 2014.24.1, Robert >Jazz & Blues, 1983, portfolio of seven Plates 548–550; Plate 553; Plates 555– 1984,…, 1984 Menschel and the Vital Projects Fund dye imbibition prints, 2013.158.2, Gift >Louis Auchincloss at Dostoyevsky’s 557; Plate 559; Plates 561–569; Plates of Susan and Peter MacGill Kilburn, William Edward, British, writing desk,…, 1985 571–598; Plates 600–646; Plates 648– 1818–1891 Gardner Studio, Napoleon, Ohio, >Harry Smith talking to Scotch 657; Plates 680–690; Plates 692–699; > , late 1840s, American, 1865–c. 1900 folk-singer English Professor at Portrait of a Girl Plates 701–702; Plate 707; Plate 715; daguerreotype, 2014.86.3, Pepita >Portrait of a Woman, 1890s, albumen University of Mississippi…, 1987, Plates 721–734; Plates 736–763; Plates Milmore Memorial Fund print (cabinet card), 2013.147.2, Gift of gelatin silver prints 765–768; Plates 770–780; Plate 120, Robert E. Jackson >Friend Robert Merims early 1950s, Klein, William, American, born 1928 1887, collotypes, 2014.79.54–704, 1950s, gelatin silver print, printed > , 1956, gelatin Corcoran Collection (Museum Ginsberg, Allen, American, 1926–1997 Store Window Madrid 1984–1997 silver print, 2013.143.7, Gift of Fern purchase, 1887) >Self-portrait with R. D. Lang,…, 1987 > M. Schad >Andrei Voznesenski, afternoon at Michael Emerton Kansas City Nares, James, American, born , 1991 Christine’s Polish restaurant…, 1987 5/30/91 Lavenson, Alma, American, 1897–1989 England, 1953 > , 1994 >Elizabeth F. Holmes, her living room Anne Waldman poet orator,… >Self-Portrait, 1932, gelatin silver print, >Street, 2011, HD video with sound, > Waldoboro ,…, 1985 David Greenberg, Phi Beta Kappa 2014.78.1, Robert Menschel and the 2014.82.1, The Sarah and William L , 1995, gelatin >Gary Snyder, Masa and youngest son Rutgers U. ‘93,… Vital Projects Fund, Diana and Mallory Walton Fund, Gift of the Collectors silver prints Gen,…, 1988 Walker Fund, New Century Fund, Committee, and the Marlene Nathan > >R. D. Lang on his front porch…, William S. Burroughs fixing and the Eugene L. and Marie-Louise Meyerson Family Foundation , 1953 1987 typescript of “Yage Letters”… Garbáty Fund > Nègre, Charles, French, 1820–1880 >R. D. Lang in residence at Naropa Alene Lee, her friend Jack , 1953, gelatin silver prints, Man Ray, American, 1890–1976 >Cathedrale de Chartres (Chartres Institute,…, 1987 Kerouac,… printed 1984–1997, 2013.145.9–46, >Self-Portrait (Broken Plate), 1924, Cathedral), photogravure, 2013.148.1, >Jimmie Schuyler dining with artist Bill Gift of Gary Davis gelatin silver print, printed 1960s, Gift of Charles Isaacs and Carol Nigro Katy and friend Raymond Foye…., 2013.143.13, Gift of Fern M. Schad Nichols, C. W., American, 1825–1896 1987 Gowin, Emmet, American, born 1941 > , 1880s, albumen >Visiting R. D. Lang at his Hampstead >Road Italy 1973: Earth Bank, Modotti, Tina, Italian, 1896–1942 Portrait of a Woman print (cabinet card), 2013.147.3, Gift of house…, 1987, gelatin silver prints Virginia 1972, 1972–1973 >Anita Brenner, 1927, gelatin silver Robert E. Jackson >I couldn’t get over his beauty,…, >View of Rennie Booher’s House, print, 2014.99.1, Pepita Milmore 1961, gelatin silver print, printed Danville, Virginia, 1973, gelatin silver Memorial Fund Nixon, Nicholas, American, born 1947 1984–1997 prints, 2013.143.2–3 Moore, Andrew, American, born 1957 >View of Copley Square, Boston, 1974, >Czelaw Miloscz in Philadelphia >Scarperia, Italy, 1975, gelatin silver >Model T Headquarters, Highland gelatin silver print, 2013.143.1, Gift of sunlight after poetry reading,…, 1985 print, 2013.143.10 Park, Michigan, 2009 Fern M. Schad >Lucien Carr, New York City, March >Artful Genealogies Render Them: >Palace Theater, Gary, Indiana, >The Brown Sisters, Truro, 3, 1985, 1985 Danville, Virginia, 1976, gelatin 2008, inkjet prints, printed 2014, Massachusetts, 2013, gelatin silver >Jeff B. Buhl, I met at Kerouac silver print, 2013.143.16, Gift of Fern 2014.32.1–2, Alfred H. Moses and print, 2013.193.1, Robert and Elizabeth Conference Naropa,…, 1985 M. Schad Fern M. Schad Fund Fisher Fund > , c. 1985 Steven Taylor Hine, Lewis, American, 1874–1940 Moran, John, attributed to, American, Prince, Douglas, American, born 1943 > Al Aronowitz Bearsville New York >Wagon Boy or “Tail Boy” Helping to 1831–1903 >Untitled, 1972 August 17, 1984, his bedroom, 1984 Load the Wagon, c. 1914, gelatin >At Bedford Springs, c. 1866, albumen >Self-Portrait as Dreaming Man, 1972, > , in his mother’s house silver print, 2013.143.4, Gift of Fern print, 2013.187.1.a, Robert Menschel gelatin silver prints, 2013.143.12, 14, 1987, gelatin silver prints M. Schad and the Vital Projects Fund and Robert Gift of Fern M. Schad >Neal Cassady New York 1964 on Horne, Bernard Shea, American, and Elizabeth Fisher Fund visit with Ken Kesey’s bus, 1964, Rau, William H., American, 1855–1920 gelatin silver print, printed 1984–1997 1867–1933 Moran, John, American, 1831–1903 >Property of the Lehigh Valley Central > , 1916, platinum print, >John Hammond ill, his apartment on Still Life >On the Brandywine, c. 1866, albumen R. R. Co. Album: , Hobart 2013.143.11, Gift of Fern M. Schad Sutton Place December 4, 1986, 1986 print, 2013.187.1.b, Robert Menschel College >Rene Ricard, outrageous…, 1986, Hosoe, Eikoh, Japanese, born 1933 and the Vital Projects Fund and Robert >Untitled > gelatin silver prints >Ordeal by Roses, 1963, gelatin silver and Elizabeth Fisher Fund Cayuga Lake Toward Ithaca. > >Bill Burroughs, more friendly + print, 2013.143.5, Gift of Fern M. Muybridge, Eadweard, American, Cuyaga Lake, Sheldrake. > open…, 1953, gelatin silver print, Schad born England, 1830–1904 Cliff View, Through the Trees. printed 1984–1997 >Seneca Lake and Watkins. Jensen, Matthew, American, born 1980 >Animal Locomotion: Plates 1–10; >Poet Dafydd Rowlands…, 1995 >Picnic Grounds. >The 49 States, 2008–2009, portfolio Plates 12–62; Plates 64–100; Plates > >Rockdale Curve, On the Lehigh. Poet Larry Eigner, National Poetry of forty-nine chromogenic prints, 102–119; Plates 121–142; Plates 144– , 1989 >Easton and Weygat Mountain. Week ,… 2013.156.1, Gift of Mary and 154; Plates 156–161; Plates 163–169; > >Easton, Pardee Hall, Lafayette Jello Biafra (Eric Boucher) head of Dan Solomon Plates 171–179; Plates 181–185; Plates Dead Kennedys rock band,…, 1987 College. NATIONAL GALLERY OF ART 63

>Untitled >Artificial Leg, 1944, gelatin silver print, >Hemlock Run Curve, Near Towanda. 2013.143.17, Gift of Fern M. Schad > Red Rocks Near Allen’s. Strassheim, Angela, American, > Towanda From Table Rock. born 1969 > View East of Standing Stone. >Untitled (Girl in Hammock), 2008 > York Narrows, On The Susquehanna. >Untitled (Alicia Running), 2007 > Susquehanna at Standing Stone. >Untitled (Self-Portrait in Bus), 2006, > Susquehanna at Standing Stone. chromogenic prints, 2013.159.2–4, > Musconetcong Curve. Gift of the Heather and Tony Podesta > Musconetcong Glen. Collection >Cathedral Rocks, Susquehanna Near Meshoppen. Thiollier, Felix, French, 1842–1914 >Picturesque Susquehanna, Near >Grand châtaignier au bord d’un Laceyville. chemin (Large Chestnut Tree on the >Beechwood Lake. Side of a Road), c.1875–1880, >Shawanese Lake. albumen print, 2013.191.1, Pepita >Glen Onoko, Onoko Falls. Milmore Memorial Fund >Nesquehoning Valley, From Packer’s Walker, Lewis Emory, American, Point. 1825–1880 >Ganoga Lake Branch. >Construction of Washington >Cliff View, Summit of Alleghenies. Aqueduct, Potomac River, c. 1857, >Across Country From West Portal, salted paper print, 2013.190.1, Pepita N.J. Milmore Memorial Fund > Morris Canal From Green’s Bridge. Warhol, Andy, American, 1928–1987 >The Susquehanna From Wyalusing. >Little Red Book, 1972, bound volume > The Susquehanna At Wyalusing. with twenty-two dye diffusion transfer > Easton, Lafayette College. prints, 2013.149.1, Gift of the Andy > Easton, From Weygat Mountain. Warhol Foundation for the Visual Arts >Ganoga Lake. >Hemlock Forest. Warren, George K., American, >The Lehigh, At Turkey Run. 1824 or 1834–1884 >Bethlehem. Calypso Island., c. 1895, >West Point Album Class of 1868, volume of thirty-eight albumen prints, 1868, bound volume with 154 2014.29.1.1–38, Pepita Milmore albumen prints, 2014.68.1, Pepita Memorial Fund Milmore Memorial Fund and Jean and Clinton Wright Samaras, Lucas, American, born Greece, 1936 Watkins, Carleton E., American, >Natasha Garcia-Lomas, 2010 1829–1916 >Charles Renfro, 2009 >Yosemite Valley from Inspiration >Joel Ehrenkranz, 2010 Point, no. 7, 1865, albumen print, >Barbara Glimcher, 2009 2013.150.1, Gift of Mr. and Mrs. >Juan Betancurth, 2009 Earl A. Powell III >Riley Hooker, 2009 Weems, Carrie Mae, American, >Andrew W. K., 2009 born 1953 >Herb Glimcher, 2009 >May Flowers, 2002, chromogenic >Marc Glimcher, 2009 print, printed 2013, 2014.3.1 >Cindy Sherman, 2010 >Slow Fade to Black II, 2010, >Cindy Sherman, 2010 seventeen inkjet prints, 2014.84.1–17, >James Lindon, 2010 Alfred H. Moses and Fern M. >Erik La Prade, 2010 Schad Fund >Douglas Baxter, 2009 William Mills & Son, American, >Lisa Yuskavage, 2009, inkjet prints, 19th Century 2013.144.1–15, Gift of Kimberly and > , John F. Zwetchkenbaum Portrait of a Deceased Baby 1880s–1890s, albumen print Shore, Stephen, American, born 1947 (cabinet card), 2013.147.1, Gift >Monet’s Garden, 1984, portfolio of of Robert E. Jackson seven dye imbibition prints, Wilson, Edith R., American, 1864–1924 2013.158.1, Gift of Susan and > , 1922, palladium Peter MacGill Portrait of a Family print, 2013.178.1, R. K. Mellon Family Siskind, Aaron, American, 1903–1991 Foundation >Cathy, c. 1952, gelatin silver print, Winogrand, Garry, American, 2013.143.15, Gift of Fern M. Schad 1928–1984 Sommer, Frederick, American, >Hard Hat Rally, New York, 1969, 1905–1999 gelatin silver print, 2013.143.6, Gift of >Max Ernst, 1946, gelatin silver print, Fern M. Schad printed 1970s, 2013.139.1, Pepita Milmore Memorial Fund 64

CHANGES OF ATTRIBUTION

The following changes of attribution are PAINTINGS SCULPTURES the result of scholarly research utilizing the latest art historical investigations and 1995.74.1 1942.9.102 scientific examinations. It is the policy of Head of a Young Boy Samson Slaying the Philistine the National Gallery of Art to publish these Old: Jan de Bray Old: German 16th Century changes regularly. The following changes New: Attributed to Jan de Bray New: Italian 18th/19th Century of attribution were proposed by Gallery curators and approved by the Gallery’s Board 1942.9.58 1943.4.87 of Trustees during fiscal year 2014. Each list Head of Saint Matthew Louis XIV is arranged in alphabetical order according Old: Rembrandt van Rijn Old: after Gian Lorenzo Bernini to former attribution. Changes of title and/ New: Rembrandt Workshop New: French 18th Century, after Gian or date are included if they were a part of Lorenzo Bernini the attribution change. 1942.9.64 Head of an Aged Woman DRAWINGS Old: Rembrandt van Rijn New: Rembrandt Workshop 1984.3.63 The Assumption of the Virgin Old: Bartolomeo Tarsia New: Giambattista Canal NATIONAL GALLERY OF ART 65

EXHIBITIONS AND LOANS

During the fiscal year 289 lenders from Continued from the previous fiscal year Sponsored by the Terra Foundation 1 September 2014–1 February 2015 fourteen countries and thirty-two to 20 January 2014 for American Art Organized by the National Gallery of Art states loaned 1,639 works to nineteen Organized by the National Gallery of Art Leadership support provided by Jonathan Bober, curator Nancy Anderson and Sarah Greenough, Randi and Bob Fisher exhibitions. The Gallery also worked >Captain Linnaeus Tripe: Photographer on another thirty-seven exhibitions curators Made possible through the generous Made possible through the generous support of the Robert and Mercedes of India and Burma, 1852–1860 that are scheduled to open in the next 21 September 2014–4 January 2015 support of GRoW, an initiative of the Eichholz Foundation and the Trellis Fund five years, and administered the tour Organized by the National Gallery of Annenberg Foundation Additional funding kindly provided by of seven exhibitions. United States Art, Washington, and The Metropolitan Additional support provided by the the Blavatnik Family Foundation Government Indemnity was secured for Museum of Art, New York, in Trellis Fund three exhibitions on view in fiscal year >Andrew Wyeth: Looking Out, association with the Victoria and 2014, resulting in a savings of $390,965 >Charles Marville: Photographer Looking In Albert Museum, London in insurance premiums. of Paris 4 May 2014–30 November 2014 Sarah Greenough and Roger Taylor, Continued from the previous fiscal year Organized by the National Gallery of Art curators >Diaghilev and the Ballets Russes, to 5 January 2014 Nancy Anderson, curator Made possible by The Exhibition Circle 1909–1929: When Art Danced Organized by the National Gallery of Made possible by Altria Group of the National Gallery of Art with Music Art, Washington, in association with the Supported by The Mr. and Mrs. Continued from the previous fiscal year Metropolitan Museum of Art, New York Raymond J. Horowitz Foundation to 6 October 2013 Sarah Kennel, curator for the Arts LENDERS TO EXHIBITIONS Organized by the Victoria and Albert Made possible through the generous Additional funding provided by Museum, London, in collaboration with support of Leonard and Elaine Silverstein The Exhibition Circle of the National Private Collections the National Gallery of Art, Washington Additional support provided by The Gallery of Art Sarah Kennel and Jane Pritchard, Exhibition Circle of the National Gallery Signor Luigi Agrati curators of Art >Degas/Cassatt David Alexander Made possible by generous grants 11 May 2014–5 October 2014 Paul Allen from ExxonMobil and Rosneft >Heaven and Earth: Art of Byzantium Organized by the National Gallery of Art Leadership support provided by from Greek Collections Kimberly Jones, curator Robert Bachelder Adrienne Arsht 6 October 2013–2 March 2014 Made possible by a generous grant from Neil Bluhm Additional funding kindly given by Organized by the Hellenic Ministry Booz Allen Hamilton Inc. in celebration Barbara Bluhm-Kaul and Don Kaul of Culture and Sports, Athens, with of its 100th Anniversary Sally Engelhard Pingree and The Mr. Irving Blum Charles Engelhard Foundation, the collaboration of the Benaki Sponsored by the Robert and Mercedes Jason Blum Jacqueline B. Mars, Leonard and Elaine Museum, Athens, and in association Eichholz Foundation Silverstein, and The Exhibition Circle with the National Gallery of Art, Supported by an indemnity from Patricia M. Bolte of the National Gallery of Art Washington, and the J. Paul Getty the Federal Council on the Arts and Pontus Bonnier Supported by an indemnity from Museum, Los Angeles the Humanities Mr. and Mrs. David G. Booth Susan Arensberg, curator the Federal Council on the Arts and >Celebrating Van Gogh at the National Mr. and Mrs. Norman Braman the Humanities Made possible by major funding from OPAP S.A. Gallery of Art Eli and Edythe L. Broad 8 June 2014–18 September 2014 >Ellsworth Kelly: Colored Paper Images Financial support also provided by Dr. James D. Brodell Continued from the previous fiscal year Mary Morton, curator the A. G. Leventis Foundation Walter and Mary Beth Buck to 1 December 2013 Supported by an indemnity from >Titian’s Danaë from the Capodimonte Antonina Cappel Organized by the National Gallery of Art the Federal Council on the Arts and Museum, Naples Giles Cassels Charles Ritchie, curator the Humanities 1 July 2014–6 November 2014 Organized by the National Gallery Jean-Christophe Castelli >In the Tower: Kerry James Marshall >The Dying Gaul: An Ancient Roman Continued from the previous fiscal year of Art and the Embassy of Italy, Ronald S. Coddington Masterpiece from the Capitoline to 8 December 2013 Washington, together with the Steven Cohen Organized by the National Gallery of Art Museum, Rome Capodimonte Museum, Naples, and 12 December 2013–16 March 2014 Carl Cruz James Meyer, curator the Superintendency of Cultural Organized by Roma Capitale, Mrs. Kenneth Dayton Sponsored by Dr. Anita Blanchard Heritage for the City and the Museums Sovrintendenza Capitolina–Musei and Martin Nesbitt and Cari and of Naples and the Royal Palace of Roxane Debuisson Capitolini, and the National Gallery of Michael Sacks Caserta to celebrate the occasion of Janet Dewan Art, together with the Embassy of Italy, Additional support from The Tower Italy’s Presidency of the Council of the Washington Fred Dorfman Project of the National Gallery of Art European Union from July 1 through Mary Levkoff, curator Janet and Craig Duchossois December 31, 2014 Part of The Dream of Rome and 2013— >Northern Mannerist Prints from the David Brown, curator Edward B. du Pont The Year of Italian Culture in the United Kainen Collection Generous support provided by Phillipe Durand-Ruel States, organized under the auspices of Continued from the previous fiscal year INTESA SANPAOLO Stefan Edlis the President of the Italian Republic by to 5 January 2014 Additional support provided by the Italian Ministry of Foreign Affairs Emil and Richard Silverstein Organized by the National Gallery of Art Berlucchi and Ferrero Jonathan Bober, curator and the Embassy of Italy in Washington, Bessie and C. Richard Epes in collaboration with the Ministero per i >The Color of Nature: Recent Ambassador and Mrs. William S. Farish >Yes, No, Maybe: Artists Working at Beni e le Attività Culturali Acquisitions of Landscape Watercolors Mr. and Mrs. Donald G. Fisher Crown Point Press 13 July 2014–14 September 2014 Continued from the previous fiscal year >Modern German Prints and Drawings Organized by the National Gallery of Art Randi and Bob Fisher to 5 January 2014 from the Kainen Collection Margaret Morgan Grasselli, curator Aaron I. Fleischman 23 February 2014–29 June 2014 Organized by the National Gallery of Art Chris Foard Judith Brodie and Adam Greenhalgh, Organized by the National Gallery of Art >Modern American Prints and Jeffrey Fraenkel and Alan Mark curators Jonathan Bober, curator Drawings from the Kainen Collection Supported in part by a generous grant 1 September 2014–1 February 2015 Greg French >Garry Winogrand Organized by the National Gallery of Art from the Thaw Charitable Trust 2 March 2014–8 June 2014 Lee Friedlander Carlotta Owens and Charles Ritchie, Organized by the National Gallery of Larry Gagosian >Tell It with Pride: The 54th curator Massachusetts Regiment and Augustus Art, Washington, and the San Francisco Dr. Fritz Gerber Saint-Gaudens’ Shaw Memorial >From Neoclassicism to Futurism: Mr. and Mrs. Gordon P. Getty Sarah Greenough, curator Italian Prints and Drawings, Mr. and Mrs. Noam Gottesman 1800–1925 66 EXHIBITIONS AND LOANS

Howard Greenberg Private Collection, Florida GREECE California Esther Grether Private Collection, Athens: 2nd Ephorate of Byzantine Los Angeles: Frederick R. Weisman Art Mr. and Mrs. Kenneth Griffin Private Collection, Kansas City Antiquities; Benaki Museum; Byzantine Foundation; The J. Paul Getty Museum; and Christian Museum; Ephorate of Los Angeles County Museum of Art; Solomon R. Guggenheim Foundation Private Collector c/o Isabelle Bérès Prehistoric and Classical Antiquities; The Museum of Contemporary Art, Agnes Gund Mrs. Emily Rauh Pulitzer Kanellopoulos Museum; Museum of Los Angeles Eileen Hale Carlos Ramos Cycladic Art; National Archaeological San Diego: San Diego Museum of Art Dr. Margaret Harrington Mr. and Mrs. Andrew ; National Epigraphic Museum; San Francisco: Fraenkel Gallery; Robert National Gallery of Athens; National Mr. and Mrs. Mason Haupt Mr. Marc Rosen and Ms. Susan Pinsky Koch Gallery; San Francisco Museum of Library of Greece; Numismatic Museum Modern Art Mr. and Mrs. Joseph A. Helman Chalkida: 23rd Ephorate of Byzantine Santa Monica: The Broad Art Foundation John D. Hervey Barbara Ruben Antiquities Mrs. Samuel Heyman David M. Rubenstein Chania: 28th Ephorate of Byzantine Colorado William J. Hokin Leo Rubinfien Antiquities Denver: Denver Art Museum Charles Isaacs Mr. and Mrs. Michael Sacks Corinth: Archaeological Museum of Corinth Connecticut Matthew R. Isenburg Mr. and Mrs. Eric Sambol Crete: Historical Museum of Crete Hartford: Museum Connie Kaplan Peter Sayers of Art Hypatia: 24th Ephorate of Byzantine David King Stella Schub Antiquities New Britain: New Britain Museum of American Art Ted Koppel and Grace Anne Maurice Sendak Kastoria: 16th Ephorate of Byzantine Dorney Koppel Shelburne Museum, Inc. Antiquities–Byzantine Museum of Kastoria New Haven: Art Gallery Bernard Kramarsky Lila Silverman Kastro: 6th Ephorate of Byzantine Delaware Antiquities Mr. and Mrs. Ronald Krueck Charles Simonyi Wilmington: Antonia Bissell Laird Roger Mooney and Donald Steele Larissa: 7th Ephorate of Byzantine Antiquities District of Columbia Mrs. Viktor Langen Mr. and Mrs. Terry Stent Metsovo: Averof Collection Washington: The Corcoran Gallery of Timothy and Melinda Larson Stephen G. Stein Employee Benefit Trust Mistra: Museum of Mistra Art; The Library of Congress; Moorland- Leonard A. Lauder Beatrice Stern Patras: Patras Museum Spingarn Research Center, Howard The Honorable and Mrs. Ronald S. Lauder Elizabeth Susman University; National Gallery of Art Library; Phthiotis: 24th Ephorate of Byzante National Museum of African American Mr. and Mrs. David Lenhardt Roger Thérond Antiquities–Byzantine Museum of Phthiotis History and Culture; ; Edward J. Lenkin David and Tara Troob Polygyros: 10th Ephorate of Byzantine National Portrait Gallery, Washington; David Lichtenstein Unknown Collection Antiquities Smithsonian Institution, Archives of Mitchell Lichtenstein Margaret G. Walker Rhodes: 4th Ephorate of Byzantine American Art Antiquities–Castello of Rhodes Jeffrey H. Loria Thomas Walther Florida Adrienne Lubeau Seres: 12th Ephorate of Byzantine Oliver Wasow Antiquities–Archaeological Museum St. Petersburg: Museum of Fine Arts, W. Bruce and Delaney H. Lundberg William D. Weiss of Serres St. Petersburg, Florida Jay MacDonald William Earle Williams Sparta: Archaeological Museum of Sparta Illinois Ezra Mack Michael and Jane Wilson Thessaloniki: Museum of Byzantine Culture Chicago: The Robert D. and Nancy A. Magoon Pat and William Wilson III ITALY Frank Majore Anna and Leonid Winestein Kansas Kerry James Marshall Venice: Hellenic Institute of Byzantine and Topeka: Kansas State Historical Society Ethan Winogrand Postbyzantine Studies Beatrice Mayer Dian Woodner Maryland Mark McCain Mrs. Andrew Wyeth JAPAN Annapolis: Maryland Commission on James W. and Frances G. McGlothlin James Browning Wyeth Asaka-shi: Marunuma Art Park Artistic Property Mrs. Elizabeth Lewis McLean Baltimore: The Baltimore Museum of Art; LIECHTENSTEIN The Honorable John J. Medveckis University of Maryland Baltimore County Public Collections Vaduz: Kunstmuseum Liechtenstein Art Gallery; The Francisco Merino AUSTRALIA College Park: National Archives Robert E. Meyerhoff NETHERLANDS Canberra: National Gallery of Australia Rodney Miller Amsterdam: Stedelijk Museum Massachusetts Robert Minturn CANADA Otterlo: Kröller-Müller Museum Boston: Baker Library, Harvard Business School; The Boston Athenaeum; Boston Lucy Mitchell-Innes Montreal: Canadian Centre for SPAIN Public Library; Massachusetts Historical Paul Montrone Architecture; Notman Photographic Society; Museum of Fine Arts, Boston Archive, McCord Museum Barcelona: Museu Picasso Nick Murray Cambridge: Harvard University, Ottawa: National Gallery of Canada Raymond D. Nasher SWEDEN Houghton Library Hubert Neumann FRANCE Stockholm: Dansmuseet Waltham: Rose Art Museum Williamstown: Sterling and Francine Clark Pierre Nouvion Charenton-le-Pont: Médiathèque de SWITZERLAND Art Institute Daniel and Jane Och l’architecture et du patrimoine Zurich: Kunsthaus Zürich Worcester: American Antiquarian Society Tod Papageorge Labruguière: Musée Arthur Batut Alan Paris Paris: Bibliothèque de l’Hôtel de Ville; UNITED KINGDOM–ENGLAND Michigan Bibliothèque Historique de la Ville de Paris; Dr. Med. Hubert Peeters Bradford: National Media Museum Detroit: The Detroit Institute of Arts Foundation Louis Vuitton Pour la Creation; Kent: Bethlem Royal Hospital Ron Perelman Musée Carnavalet; Musée des Arts Minnesota London: The British Library; The Courtauld Mrs. John Powers Décoratifs; Musée d’Orsay; Musée national Minneapolis: Walker Art Center Gallery, Courtauld Institute of Art; ; Prentice and Paul Sack Photographic Trust d’art moderne, Centre Georges Pompidou; Bibliothèque Nationale de France University College, London; Victoria Missouri John and Lisa Pritzker and Albert Museum; Wilson Centre for Kansas City: The Nelson-Atkins Museum Private Collection GERMANY Photography of Art Private Collection Sussex: Robert Hershkowitz, Ltd. Aachen: Neue Galerie-Sammlung Ludwig St. Louis: Saint Louis Art Museum Private Collection c/o Brandywine Berlin: John Heartfield Archive UNITED STATES River Museum Cologne: New Hampshire Private Collection c/o Christie’s Frankfurt: Museum für Moderne Kunst Arizona Cornish: Saint-Gaudens National Private Collection c/o Frank Fowler Historic Site München: Suddeutsche Zeitung Tucson: Center for Creative Photography Private Collection c/o Matthew Marks Stuttgart: New Jersey Private Collection c/o Neptune Fine Art Arkansas New Brunswick: Jane Voorhees Zimmerli Private Collection c/o Wyeth Study Center Bentonville: Crystal Bridges Museum of Art Museum, Rutgers, The State University American Art of New Jersey NATIONAL GALLERY OF ART 67

New York Jan Davidsz de Heem The Robert Lehrman Art Trust Gaston Lachaise Brooklyn: Brooklyn Museum >Still Life with Fruit, Oysters, and Wine Joseph Cornell >Peacocks New York: Condé Nast; Estate of Roy Jan Lievens >Varietes Apollinaris Frederick William MacMonnies Lichtenstein; Gagosian Gallery; The Gilder >Self-Portrait >Pan of Rohallion The Library of Congress Lehrman Collection; International Center Edouard Manet Paul Manship Unknown Artist of Photography; Jack Shainman Gallery; >Spring >Actaeon The John Simon Guggenheim Memorial Jan van Mieris >Hubbard and Broekman Reproduction >Atalanta Foundation; Keith de Lellis Gallery; of a Pascal Taksin Harpsichord Hans P. Kraus, Jr., Inc.; Roy Lichtenstein >A Traveler at Rest >Briseis Foundation; The Metropolitan Museum Jan Miense Molenaer Manoogian Collection >Flight of Europa of Art; The Museum of Modern Art; The >A Lute Player George Caleb Bingham >Flight of Night New York Public Library; Pace/MacGill Charles Ethan Porter >The Jolly Flatboatmen >Oriental Dancer: Vase Gallery; The Richard Avedon Foundation; >Cherries >Panther leaping at deer (Bronze RL Inc.; Schomburg Center for Research Mount Vernon Rembrandt van Rijn Relief from the New York Century in Black Culture; Segalot, LP; Stonecroft William Winstanley Association Flower Boxes) Associates, LLC; The Joy of Giving >Study of an Elderly Woman in a >Salome Something, Inc.; Whitney Museum of White Cap >View of the North [Hudson] River Edward McCartan American Art Jan Steen (Morning) >View of the North [Hudson] River Rochester: George Eastman House >The Prayer before the Meal >Nymph and Satyr (Evening) >Bacchus North Carolina Mr. Roger Arvid Anderson Elie Nadelman Musée du , Réunion des Musées Raleigh: North Carolina Museum of Art Possibly Germain Pilon Nationaux, Paris >Classical Head >Veiled Mourner with Torch >Head of a Girl Ohio Venetian 16th Century Augustus Saint-Gaudens Cleveland: The Cleveland Museum of Art Ambassador Elizabeth Frawley Bagley >Boy on a Dolphin >“The Puritan” (Deacon Samuel Rembrandt van Rijn Columbus: Ohio Historical Society National Museum of Health and Chapin) Mayfield Village: Progressive Art >Portrait of an Old Man Medicine, Institute of Pathology >Samuel Gray Ward Corporation Edith Black >Robert Louis Stevenson (square format) Oberlin: Oberlin College Archives Pieter de Grebber >Dr. John H. Brinton >Robert Louis Stevenson (horizontal format) Oklahoma >Musical Company Candida and Rebecca Smith Oklahoma City: Oklahoma City Museum >Victory/Peace The Morris and Gwendolyn Cafritz David Smith of Art Foundation >Aggressive Character Pennsylvania NGA LOANS TO David Smith Robert H. Smith Chadds Ford: Brandywinde River Museum TEMPORARY EXHIBITIONS >Cubi XI Manner of Pugin of Art Calder Foundation Gettysburg: Gettysburg National Military >Marble Octagonal Pedestal (2 Works) The department of loans and the National Lending Service administered the loans Park Alexander Calder Smithsonian American Art Museum of 962 works of art to 207 sites during Philadelphia: Library Company of >Aztec Josephine Baker French 13th Century >Red Panel fiscal year 2014. This number includes Philadelphia; Philadelphia Museum of Art >Vita Contemplativa >1 Red, 4 Black plus X White the loan of 827 works to 138 temporary Pittsburgh: Carnegie Museum of Art >Heraldic Panel > To m ’s exhibitions at 173 institutions and the >Bishop Blessing Texas >Cheval Rouge extended loan of 128 Gallery works to >Angel Holding a Cross and the Austin: Harry Ransom Humanities >Cheval Rouge (maquette) 29 sites. Seven works from the Gallery’s Crown of Thorns Research Center >Untitled collections were on short-term loan to the Fort Worth: Amon Carter Museum Mrs. Frederick M. Stafford permanent collections of five museums. The Catholic University of America, San Antonio: McNay Art Museum; Claude Lorrain Oliveira Lima Library Tobin Theatre Arts Fund *Works in National Lending Service Frans Post >Landscape with Apollo and Virginia >Brazilian Landscape, Probably U.S. Department of the Interior, National AUSTRIA Norfolk: Chrysler Museum of Art Park Service, Saint-Gaudens National Pernambuco Vienna, Albertina Petersburg: Pamplin Historical Park and Historic Site, Cornish, New Hampshire Cooper-Hewitt, National Design The National Museum of the Civil War Augustus Saint-Gaudens and the Fauves Soldier Museum, Smithsonian Institution 19 September 2013–12 January 2014 Giovanni Domenico Tiepolo >Study Head of a Black Soldier Richmond: Virginia Museum of Fine Arts (6 works) Albert Marquet >The Immaculate Conception >Posters at Trouville West Virginia >Preliminary Sketch for Shaw Memorial Raoul Dufy Morgantown: West Virginia University Collection of Louis and Georges de Ménil >Shaw Memorial Libraries Anthony Caro >Early Study of the Allegorical Figure for >The Beach at Sainte-Adresse >Prairie the Shaw Memorial Henri Matisse Wisconsin >Open Window, Collioure Rose-Marie and Eijk van Otterloo Manitowoc: Rahr-West Art Museum Fioratti Collection Collection Giovanni Minello Miró: From Earth to Sky Caesar van Everdingen >Bust of a Woman 12 September 2014–11 January 2015 LENDERS OF WORKS DISPLAYED >Bacchus and Bacchantes Joan Miró WITH THE NGA COLLECTION Glenstone >An Offering to Venus Aert van der Neer >The Farm Anonymous >Fifteen Pairs of Hands >A Snowy Winter Landscape BELGIUM Bernardo Bellotto Collection of Esaias van de Velde I Brussels, Musées royaux des Beaux-Arts >Pirna, The Fortress of Sonnenstein Foundation, Inc. >An Elegant Company in a Garden Nicolaes Pietersz Berchem de Belgique Helen Frankenthaler The White House >An Italianate Landscape with Figures The Heritage of Rogier van der Weyden: >Mountains and Sea Paul Cézanne Gerrit Adriaensz Berckheyde Painting in Brussels 1450–1520 >Hamlet at Payannet, near Gardanne >The Grote or St. Bavokerk in Haarlem Collection of the Artist 12 October 2013–20 November 2013 (Hameau à Payannet près de German 18th Century Jasper Johns Follower of Rogier van der Weyden Gardanne) >Pair of Female Figures >Between the Clock and the Bed >Christ Appearing to the Virgin >Field Painting >Houses on a Hill Master of the Prado “Adoration of Jacopo Palma il Giovane >Still Life with Skull >Venus and Cupid at the Forge of Vulcan >No the Magi” Jan van Goyen >Target Mr. and Mrs. Erving Wolf >The Presentation in the Temple >Peasants and a Soldier Conversing >Dancers on a Plane Anna Hyatt Huntington >Yawning Panther 68 EXHIBITIONS AND LOANS

Brussels, Palais des Beaux-Arts, Bruxelles Hockney, Printmaker 10 March 2014–15 June 2014 1 April 2014–20 July 2014 Rubens and His Legacy 5 February 2014–11 May 2014 Vincent van Gogh Gustave Caillebotte 25 September 2014–4 January 2015 David Hockney >Self-Portrait >Skiffs* Sir Anthony van Dyck >Henry at the Table GERMANY >A Genoese Noblewoman and Her Son >Sofa 8501 Hedges Place, Los Angeles The Passions of Jean-Baptiste Carpeaux Pieter Claesz Soutman and Sir Peter Paul >Sidney in His Office 23 June 2014–30 September 2014 Berlin, Brücke-Museum Berlin Rubens >Celia Jean-Baptiste Carpeaux Die Schlemihl-Mappen Zyklen >The Defeat of >Small Head of Gregory >Neapolitan Fisherboy (Pêcheur (The Cycle of Schlemihl Portfolios) Antoine Watteau London, napolitain à la coquille) 1 August 2014–16 November 2014 >Girl with a Shell ( Jeune fille >The March of Silenus [recto] Honoré Daumier (1808–1879) à la coquille) CANADA 22 October 2013–26 January 2014 >Peter Schlemihls wundersame Honoré Daumier Paris, Musée du Louvre Geschichte (Title Page) Montreal, Montreal Museum of Fine Arts >Advice to a Young Artist La Primavera del Rinascimento: La >Verkauf des Schattens Art and Music in Venice: From the >Rest in the Country (Sancho Panza) Scultura e le Arti a Firenze 1400–1460 >Die Geliebte >Qualen der Liebe Renaissance to the Baroque >Scene of the Tribunal (The Verdict) 23 September 2013–6 January 2014 >Nach der Verfolgung des Schattenlosen 12 October 2013–19 January 2014 >Man Carrying a Sack Desiderio da Settignano Circulated to: Portland Art Museum durch den Mob der Gasse London, Tate >Saint Jerome in the Desert >Schlemihl versucht mit dem Schatten 15 February 2014–11 May 2014 Florentine 15th Century Retrospective zu fliehen Venetian 16th Century 15 October 2013–9 March 2014 >Madonna and Child >Das Männlein narrt ihn, indem es den >Orpheus Leone Battista Alberti Paul Klee Schatten allein bei ihm vorbeispazieren Luca Carlevariis (author) >Self-Portrait >Grüne Pflanzen Blutlaus (Green lässt, Schlemihl versucht ihn zu fasse >Le Fabriche, e Vedute di Venetia, Plant-Blood-Louse) Paris, Musée du Luxembourg Berlin, Martin-Gropius-Bau disegnate, poste in prospettiva et intagliate da Luca Carlevarijs Il Sogno nel Rinascimento/Rêver On the Trails of the Late Turner: Painting Set Free à la Renaissance 17 October 2013–6 January 2014 Québec, Museé des beaux-arts du Québec 10 September 2014–25 January 2015 7 October 2013–26 January 2014 George Catlin Morrice and Lyman in Light of Matisse Joseph Mallord William Turner Lorenzo Lotto >The Expedition Encamped below the 8 May 2014–7 September 2014 >Approach to Venice >Allegory of Chastity Falls of Niagara. January 20, 1679* Henri Matisse Lodovico Carracci FRANCE >Portage Around the Falls of Niagara >Palm Leaf, Tangier >The Dream of Saint Catherine at Table Rock* Giverny, Musée des impressionnismes of Alexandria ENGLAND Berlin, Neue Nationalgalerie Giverny Paris, Musée du Petit Palais Greenwich, National Maritime Museum Marsden Hartley Une nouvelle lumière: les américains face Paris 1900 La Ville spectacle 5 April 2014–29 June 2014 Turner and the Art of the Sea, 1796–1899 à l’impressionnisme 1 April 2014–17 August 2014 Circulated to: Los Angeles County 21 November 2013–21 April 2014 28 March 2014–29 June 2014 Henri de Toulouse-Lautrec Museum of Art Circulated to: Peabody Essex Museum Circulated to: National Galleries >Marcelle Lender Dancing the Bolero 3 August 2014–30 November 2014 4 June 2014–1 September 2014 of Scotland in “Chilpéric” Marsden Hartley Joseph Mallord William Turner 19 July 2014–19 October 2014 Paris, Musée Jacquemart-André >The Aero >Venice: The Dogana and San Giorgio Mary Cassatt Maggiore >Children Playing on the Beach* Jean-Antoine Watteau and the fête galantes Bonn, Kunst-und Ausstellungshalle der >Keelmen Heaving in Coals by Dennis Miller Bunker 14 March 2014–21 July 2014 Bundesrepublik Deutschland Moonlight >Roadside Cottage Nicolas Lancret Florence! King’s Lynn, Houghton Hall Marseilles, Palais Longchamp >La Camargo Dancing 22 November 2013–9 March 2014 Jean-Honoré Fragonard Filippino Lippi Houghton Revisited: The Walpole The Great Workshop of the Midi >A Game of Hot Cockles Masterpieces from Catherine the Great’s 1880–1960 >Tobias and the Angel Florentine 15th or 16th Century, probably Hermitage 13 June 2013–13 October 2013 Perugino: Raphael’s Master after a model by Andrea del Verrocchio 1 May 2013–23 November 2013 André Derain 12 September 2014–19 January 2015 and Orsino Benintendi Frans Hals >Mountains at Collioure* Pietro Perugino >Portrait of a Young Man >Lorenzo de’ Medici Ornans, Musée départemental Gustave Circle of Diego Velázquez >Madonna and Child Düsseldorf, Kunstsammlung Nordrhein- Courbet >Pope Innocent X Paris, Musée national d’art moderne, Westfalen Courbet/Cézanne, La vérité en peinture Centre Georges Pompidou Alexander Calder—The Avant-Garde Liverpool, Tate Liverpool 30 June 2013–14 October 2013 Roy Lichtenstein: A Retrospective in Motion Chagall, Modern Master Gustave Courbet 3 July 2013–4 November 2013 7 September 2013–26 January 2014 7 June 2013–6 October 2013 >The Stream (Le Ruisseau du Puits- Roy Lichtenstein Alexander Calder Marc Chagall Noir; vallée de la Loue) >Little Spider >La Grotte de la Loue >Look Mickey >Houses at Vitebsk >Untitled (The Wood Mobile) Paul Cézanne Paris, Réunion des Musées Nationaux and London, Dulwich Picture Gallery >Houses in Provence: The Riaux Valley Galeries nationales du Grand Palais Essen, Museum Folkwang Essen An American in London: Whistler and near L’Estaque Japanese Inspirations—Monet, Gauguin, the Thames George Braque 16 September 2013–6 January 2014 van Gogh... 16 October 2013–12 January 2014 Paris, Galeries nationales du Grand Palais Circulated to: The Museum of Fine Arts, 27 September 2014–1 February 2015 Circulated to: Addison Gallery of Félix Vallotton (1865–1925) Houston Edgar Degas American Art 30 September 2013–20 January 2014 16 February 2014–11 May 2014 >Before the Ballet 1 February 2014–13 April 2014 Circulated to: Circulated to: Museo Guggenheim Bilbao Circulated to: Arthur M. Sackler Gallery 14 February 2014–1 June 2014 Frankfurt, Städelsches Kunstinstitut und 13 June 2014–21 September 2014 2 May 2014–17 August 2014 Circulated to: Mitsubishi Ichigokan Städtische Galerie Georges Braque James McNeill Whistler Museum Albrecht Dürer: His Art in the Context of >Grey and Silver: Chelsea Wharf 14 June 2014–23 September 2014 >Harbor Its Time >Price’s Candle-Works Félix Vallotton >The Port of La Ciotat 23 October 2013–2 February 2014 >Wapping* >The Church of Souain Yerres, Marie d’Yerres—Centre d’Art et Giovanni Bellini d’Expositions La Ferme Ornée >Portrait of a Venetian Gentleman Paris, Musée d’Orsay Caillebotte in Yerres Albrecht Dürer Vincent Van Gogh/Antonin Artaud, >Portrait of a Clergyman ( Johann Le suicidé de la société Dorsch?) NATIONAL GALLERY OF ART 69

Hamburg, Bucerius Kunst Forum 24 June 2014–8 December 2014 Claude Monet >Studies for “Entablature” Dionysus. Intoxication and Ecstasy Follower of Cimabue >Argenteuil >Study for “Girl with Beach Ball III” 3 October 2013–12 January 2014 >Christ between Saint Peter and Saint Berthe Morisot >Study for “Expressionist Head” Circulated to: Staatliche James Major [left panel] >The Artist’s Sister at a Window >Study for “Reflections: Nurse” Kunstsammlungen Dresden >Christ between Saint Peter and Saint Camille Pissarro >Study for “Fragmented Painting of 8 February 2014–10 June 2014 James Major [middle panel] >Orchard in Bloom, Louveciennes Lemons and a Melon on a Table” >Untitled Follower of Raphael >Christ between Saint Peter and Saint >The Fence* James Major [right panel] >Putti with a Wine Press Georges Seurat Verona, Palazzo della Gran Guardia, Florence, Palazzo Strozzi >Study for “La Grande Jatte” Verona Mannheim, Städtische Kunsthalle >Seascape (Gravelines) Pontormo and Rosso Fiorentino: Around Monet Mannheim Alfred Sisley the different paths of “Mannerism” 26 October 2013–9 February 2014 Myth/Reality. and 8 March 2014–20 July 2014 >Boulevard Héloïse, Argenteuil Circulated to: Basilica Palladiana >Meadow Rosso Fiorentino 22 February 2014–4 May 2014 22 November 2013–23 March 2014 >Flood at Port-Marly Circulated to: Kunsthalle der Hypo- >Portrait of a Man Henri de Toulouse-Lautrec Meindert Hobbema Pontormo Kulturstiftung, Munich >Carmen Gaudin >Hut among Trees 11 April 2014–10 August 2014 >Monsignor della Casa Edouard Vuillard Max Beckmann Milan, Palazzo Reale, Milan >Child Wearing a Red Scarf Paolo Veronese. L’illusione della realtà >Christ in Limbo* Bernardino Luini and His Sons >The Conversation 5 July 2014–5 October 2014 >Falling Man* 10 April 2014–13 July 2014 >Woman in Black Veronese Bernardino Luini >Two Women Drinking Coffee >The Martyrdom and Last Communion Masterworks from the World are Guests >Portrait of a Lady >The Yellow Curtain of Saint Lucy at our French Impressionist Collection >The Artist’s Paint Box and Moss Roses >Venus JAPAN 26 September 2014–18 January 2015 >Vase of Flowers on a Mantelpiece >Landscape of the Ile-de-France Edouard Manet Marc Chagall Retrospective Tokyo, The Bunkamura Museum of Art >Self-Portrait, Aged 21 >The Dead Toreador 1 September 2014–31 January 2015 Paul Cézanne Arcadia on the Shore—Puvis de Munich, Museum Villa Stuck Marc Chagall Chavannes’s Mythic World >The Battle of Love* 2 January 2014–9 March 2014 In the Temple of Self. The Artist’s Residence >Houses at Vitebsk >Still Life with Milk Jug and Fruit* Circulated to: Shimane Art Museum as a Total Work of Art, Europe and Rome, Museo dell’Ara Pacis Augustae >Three Pears America 1800–1949 Vincent van Gogh 20 March 2014–16 June 2014 Gems of Impressionism: Paintings from Pierre Puvis de Chavannes 21 November 2013–2 March 2014 the National Gallery of Art >Flower Beds in Holland >Rest Georgia O’Keeffe 23 October 2013–23 February 2014 Paul Gauguin >Work >Winter Road I Jean-Baptiste-Camille Corot >Self-Portrait Dedicated to Carrière Antoine Vollon Wiesbaden, Museum Wiesbaden >The Artist’s Studio Visual Deception II into the Future Edgar Degas >Mound of Butter The Jawlensky Horizon. Alexej von 9 August 2014–5 October 2014 >The Races Henri Fantin-Latour Jawlensky in the Reflection of his Encounters René Magritte >Dancers Backstage >Three Peaches on a Plate from 1900–1914 >The Blank Signature* 14 February 2014–1 June 2014 >Horses in a Meadow >Self-Portrait >Still Life with Grapes and a Carnation Christoffel Pierson Paul Gauguin >Self-Portrait with White Collar Odilon Redon >Niche with Falconry Gear >The Invocation* Edouard Manet >Breton Village >At the Races Tokyo, Mitsubishi Ichigokan Museum >Village by the Sea in Brittany >Oysters Félix Vallotton (1865–1925) >Still Life with Bottles and Fruit Johan Barthold Jongkind >A King Charles Spaniel 14 June 2014–23 September 2014 HUNGARY >The Towpath >Tama, the Japanese Dog Félix Vallotton >George Moore in the Artist’s Garden Budapest, Museum of Fine Arts, Budapest Rome, Palazzo di Venezia >The Church of Souain Jean-Louis Forain Carlo Saraceni Caravaggio to Canaletto—The Glory of >Behind the Scenes* Tokyo, Tokyo Fuji Art Museum 28 November 2013–2 March 2014 Italian Baroque and Rococo Painting Auguste Renoir Impressionists at the Waterside: Depicting Pensionante del Saraceni 25 October 2013–16 February 2014 >Head of a Young Girl Urban Resorts: Paris, the Seine, and Orazio Gentileschi and >Woman with a Cat >Still Life with Fruit and Carafe Normandy >Saint Cecilia and an Angel >The Vintagers Rovereto, Museo di Arte Moderna e 22 October 2013–5 January 2014 Contemporanea di Trento e Rovereto ITALY >Madame Henriot Eugène Boudin >Madame Monet and Her Son Antonello da Messina >Washerwomen on the Beach of Etretat Ferrara, Exhibit Halls, Palazzo dei >Picking Flowers 4 October 2013–12 January 2014 >Bathing Time at Deauville Diamanti >Young Woman Braiding Her Hair Antonello da Messina Auguste Renoir >Peaches on a Plate Matisse, la figura. La forza della linea, >Madonna and Child >Regatta at Argenteuil >Claude Monet l’emozione del colore. Attributed to Antonello da Messina Claude Monet Pierre Bonnard 22 February 2014–15 June 2014 >Portrait of a Young Man >Cliffs at Pourville Henri Matisse >Two Dogs in a Deserted Street Turin, Galleria Civica d’Arte Moderna e >Still Life with Sleeping Woman >The Cab Horse KOREA >The Green Table Contemporanea-Torino >Woman Seated in an Armchair Seoul, Leeum, Samsung Museum of Art >Table Set in a Garden Roy Lichtenstein. Works on Paper Firenze, Museo di San Marco >Bouquet of Flowers* 26 September 2014–1 January 2015 Alexander Calder retrospective 18 July 2013–27 October 2013 Matthias Corvinus and Florence. Art >Stairs in the Artist’s Garden* Roy Lichtenstein Alexander Calder and Humanism in the court of the King >The Artist’s Studio >Shipboard Girl: Separation Drawing of Hungary >Red Plums for Red >Rearing Stallion 10 October 2013–6 January 2014 >Paris, Rue de Parme on Bastille Day >Shipboard Girl: Separation Drawing LATVIA Ambrogio de Predis Eugène Boudin for Yellow >Bianca Maria Sforza >Beach at Trouville >Sunrise: Separation Drawing for Blue Riga, The Latvian National Museum of Art Workshop of Andrea del Verrocchio >Women on the Beach at Berck >Sunrise: Separation Drawing for Yellow Vija Celmins Retrospective >Yacht Basin at Trouville-Deauville >Alexander the Great >Study for left panel of “Cow Triptych 11 April 2014–22 June 2014 >Festival in the Harbor of Honfleur Florence, Galleria dell’Accademia (Cow Going Abstract)” Vija Celmins >Coast of Brittany >Study for center panel of “Cow Triptych “The Popularity of the Primitives.” >Beach Scene at Trouville >Pink Pearl Eraser (Cow Going Abstract)” >Pencil Art Treasures from Italian Collections >Washerwoman near Trouville >Study for right panel of “Cow Triptych between 1700 and 1800 >Concert at the Casino of Deauville (Cow Going Abstract)” 70 EXHIBITIONS AND LOANS

NETHERLANDS SPAIN 7 February 2014–11 May 2014 John Altoon Paul Gauguin >Untitled Otterlo, Kröller-Müller Museum Barcelona, Fundación “La Caixa” >Untitled Barcelona >Haystacks in Brittany* Seurat, Master of pointillism Ernst Ludwig Kirchner 23 May 2014–7 September 2014 Camille Pissarro Retrospective >Dance Hall Bellevue Marsden Hartley 15 October 2013–26 January 2014 Georges Seurat Edouard Vuillard 3 August 2014–30 November 2014 Camille Pissarro >Seascape at Port-en-Bessin, Normandy* >Woman in a Striped Dress Marsden Hartley >The Lighthouse at Honfleur >Charing Cross Bridge, London Circulated to: Los Angeles County >The Aero >Woman Strolling with a Muff Madrid, Museo Nacional Centro de Arte Museum of Art Palm Springs, Palm Springs Art Museum The Hague, Gemeentemuseum Den Haag Reina Sofía 8 June 2014–14 September 2014 Richard Diebenkorn: The Berkeley Years, Paul Gauguin Mark Rothko Biographical Forms. Construction and 1953–1966 20 September 2014–1 March 2015 Individual Mythologies >Haystacks in Brittany* 26 October 2013–16 February 2014 27 November 2013–31 March 2014 Ernst Ludwig Kirchner Mark Rothko Richard Diebenkorn Philip Guston >Dance Hall Bellevue >Orange and Tan >Still Life: Cigarette Butts and Glasses Edouard Vuillard >Untitled (Seagram Mural sketch)* >Midnight Pass Road >Seated Figure with Hat >Woman in a Striped Dress >Untitled (Seagram Mural sketch)* Madrid, Museo Thyssen-Bornemisza >Seated Woman with Umbrella >Untitled (Seagram Mural sketch)* Raoul Dufy >Untitled* Cézanne Site/Non-Site >L’Amour San Francisco, Asian Art Museum of >Untitled* 4 February 2014–18 May 2014 >La Chasse San Francisco >Phalanx of the Mind* Paul Cézanne >La Danse In Grand Style: Celebrations in Korean Art >Aquatic Drama* >The Bend in the Road >La Peche During the Joseon Dynasty >Personage Two* Toledo, Museo de Santa Cruz Henri Matisse 25 October 2013–12 January 2014 >Untitled* Nam June Paik The Greek of Toledo >Open Window, Collioure >Untitled (still life in front of window)* Félix Vallotton >Ommah >Street Scene* 14 March 2014–22 June 2014 El Greco (Domenikos Theotokopoulos) >La paresse (Laziness) San Francisco, California Palace of the >Untitled (man and two women in a Circulated to: Montreal Museum of Legion of Honor, The Fine Arts Museums pastoral setting)* >Saint Martin and the Beggar Fine Arts >Madonna and Child with Saint of San Francisco >Untitled* 6 October 2014–25 January 2015 >The Omen of the Eagle* Martina and Saint Agnes Intimate Impressionism from the Paul Gauguin >Antigone* >Christ Cleansing the Temple National Gallery of Art >Underground Fantasy* >Haystacks in Brittany* 29 March 2014–3 August 2014 SWITZERLAND Ernst Ludwig Kirchner >No. 2* Circulated to: McNay Art Museum >Dance Hall Bellevue >No. 18 Basel, Fondation Beyeler 1 September 2014–4 January 2015 Edouard Vuillard >No. 7* Gustave Courbet Jean-Baptiste-Camille Corot >Woman in a Striped Dress >Untitled* 7 September 2014–18 January 2015 >The Artist’s Studio >No. 10* Gustave Courbet UNITED STATES Edgar Degas >Untitled* >The Stream (Le Ruisseau du Puits- >The Races >No. 8* Arkansas Noir; vallée de la Loue) >Dancers Backstage >No. 6 (?)* >La Grotte de la Loue >Horses in a Meadow >Untitled* Little Rock, The Arkansas Arts Center >La Bretonnerie in the Department >Self-Portrait with White Collar >No. 9* Mark Rothko: The Decisive Decade, of Indre* Edouard Manet >No. 7 [or] No. 11* 1940–1950 >No. 10* Kunstmuseum Basel, Kupferstichkabinett 25 October 2013–9 February 2014 >At the Races >Untitled* Mark Rothko >Oysters Piet Mondrian–Barnett Newman–Dan >Tama, the Japanese Dog >No. 8* >Untitled* Flavin >George Moore in the Artist’s Garden >Untitled* >No. 3* 8 September 2013–19 January 2014 >A King Charles Spaniel >Untitled (Harvard Mural sketch)* >Untitled* Barnett Newman Jean-Louis Forain >Untitled* >Yellow Painting >Sea Fantasy* >Untitled* >Aquatic Drama* >Behind the Scenes* >Red Band* Bern, Zentrum Paul Klee >Personage Two* Auguste Renoir >Untitled (Seagram Mural sketch)* Paul Klee, , Louis Moilliet. >Untitled* >Head of a Young Girl >Untitled* The Trip to Tunisia 1914 >Hierarchical Birds* >Woman with a Cat >Untitled* 14 March 2014–22 June 2014 >Untitled* >The Vintagers >Untitled* Paul Klee >Untitled* >Madame Henriot >Madame Monet and Her Son >Untitled* >Persische Nachtigallen (Persian >Untitled (man and two women in a >Picking Flowers >Untitled* Nightingales) pastoral setting)* >No. 5* >Sacrificial Moment* >Young Woman Braiding Her Hair >Untitled* Geneva, Musée Rath >Untitled* >Peaches on a Plate >Untitled* Gustave Courbet. Les années suisses >Untitled* >Claude Monet >Untitled* 5 September 2014–4 January 2015 >The Omen of the Eagle* Pierre Bonnard >Untitled* Gustave Courbet >Antigone* >Two Dogs in a Deserted Street >Untitled* >The Black Rocks at Trouville >Untitled* >The Cab Horse >Untitled [recto] >Untitled* >The Green Table >Untitled Lausanne, Fondation de l’Hermitage >No. 18* >Table Set in a Garden >Untitled La peinture américaine: 1830–1900 >No. 10* >Bouquet of Flowers* >Untitled 27 June 2014–26 October 2014 >Untitled* >Stairs in the Artist’s Garden* >Untitled William Michael Harnett >No. 9* >Paris, Rue de Parme on Bastille Day >Untitled >My Gems >No. 8* >The Artist’s Studio >Seated Woman Alexander Helwig Wyant >Untitled* >Red Plums >Untitled (Related to “Antigone”). >Peaceful Valley* >Abstraction [recto] Eugène Boudin >Figure Composition with Grid [recto] Thomas Moran >Untitled >Beach at Trouville >Untitled >The Much Resounding Sea* >Untitled (Related to “Antigone”) >Women on the Beach at Berck >Untitled (vase of flowers) [recto] >Yacht Basin at Trouville-Deauville John James Audubon California >Untitled Claude Monet >Osprey and Weakfish Los Angeles, Los Angeles County Museum >Argenteuil Zurich, Kunsthaus Zürich of Art Berthe Morisot German Expressionism and France: From John Altoon >The Artist’s Sister at a Window Van Gogh and Gauguin to the Blue Rider 8 June 2014–14 September 2014 NATIONAL GALLERY OF ART 71

Camille Pissarro >Fourteenth Station Santa Barbara, Santa Barbara Circulated to: The Parrish Art Museum >Orchard in Bloom, Louveciennes >Be II Museum of Art 19 July 2014–12 October 2014 Georges Seurat Clyfford Still Alice Aycock, Drawings: Some Stories are William Glackens >Study for “La Grande Jatte” >PH-571 (1951-N) Worth Repeating >Family Group* >Seascape (Gravelines) Joseph Cornell 25 January 2014–19 April 2014 Jacksonville, The Cummer Museum of Art Alfred Sisley >Sand Fountain Alice Aycock & Gardens >Boulevard Héloïse, Argenteuil >Les Constellations Voisines du Pôle >Masonry Enclosure: Project for a The Art of Empathy: The Cummer Mother >Meadow Doorway of Sorrows in Context >Flood at Port-Marly >Study for Homage to the Square: >Masonry Enclosure: Project for a 26 November 2013–16 February 2014 Henri de Toulouse-Lautrec Light Rising Doorway >Carmen Gaudin Ad Reinhardt Master of the Starck Triptych Connecticut Edouard Vuillard >Untitled (Yellow and White) >The Raising of the Cross [center, left, >Child Wearing a Red Scarf >Untitled (Red and Gray) Greenwich, Bruce Museum of Arts and right panels] >The Conversation and Science Georgia >Woman in Black >Chodorow II Oysters, the Pearls of Long Island Sound Atlanta, High Museum of Art >Two Women Drinking Coffee >Flin Flon IV 2 November 2013–23 March 2014 >The Yellow Curtain >La scienza della fiacca (4x) Childe Hassam The Louvre and the Tuileries Garden >The Artist’s Paint Box and Moss Roses 26 October 2013–19 January 2014 Agnes Martin >Oyster Sloop, Cos Cob* >Vase of Flowers on a Mantelpiece >Untitled #2 Circulated to: Toledo Museum of Art >Landscape of the Ile-de-France Eric Fischl District of Columbia 13 February 2014–11 May 2014 >Self-Portrait, Aged 21 >Saigon, Minnesota Washington, Hirshhorn Museum and Circulated to: Portland Art Museum Paul Cézanne >Saigon, Minnesota [panel 2] Sculpture Garden 28 June 2014–28 September 2014 >The Battle of Love* >Saigon, Minnesota [panel 3] Camille Pissarro >Still Life with Milk Jug and Fruit* Damage Control: Art and Destruction >Saigon, Minnesota [panel 4] >Place du Carrousel, Paris Eugène Boudin Since 1950 Anthony Caro 24 October 2013–26 May 2014 >Festival in the Harbor of Honfleur >Table Piece LXX Illinois >Coast of Brittany Circulated to: Mudam Luxembourg- Burgoyne Diller Chicago, The Art Institute of Chicago >Beach Scene at Trouville Musée d’Art Moderne Grand-Duc Jean >First Theme 12 July 2014–12 October 2014 Art and Appetite: American Painting, >Washerwoman near Trouville Howard Hodgkin >Concert at the Casino of Deauville Vija Celmins Culture and Cuisine >Souvenirs Vincent van Gogh >Airplane Disaster 12 November 2013–27 January 2014 David Salle >Flower Beds in Holland >Tulip Car #1 Circulated to: Amon Carter Museum >Coming and Going Paul Gauguin 22 February 2014–18 May 2014 Jasper Johns Washington, National Museum of >Self-Portrait Dedicated to Carrière Joseph Decker >Perilous Night Women in the Arts Camille Pissarro >Green Plums William Baziotes Meret Oppenheim: Tender Friendships >The Fence* John Frederick Peto >Desert Landscape 25 April 2014–14 September 2014 Antoine Vollon >Breakfast Bradley Walker Tomlin Meret Oppenheim >Mound of Butter >An English Breakfast >Maneuver for Position >Le Couple (The Couple) Henri Fantin-Latour Grace Hartigan Indiana >Three Peaches on a Plate Washington, National Portrait Gallery, >Essex and Hester (Red) >Self-Portrait Washington Indianapolis, Indianapolis Museum of Art Hans Hofmann >Still Life with Grapes and a Carnation Face Value: Portraiture in the Age of The Faces of Neo-Impressionism Odilon Redon >Autumn Gold Abstraction 13 June 2014–7 September 2014 Jean Dubuffet >Breton Village 18 April 2014–11 January 2015 Circulated to: ING Cultural Centre >La ronde des images >Village by the Sea in Brittany Barkley Leonnard Hendricks 19 February–18 May 2014 Roy Lichtenstein Paul Cézanne >Sir Charles, Alias Willie Harris* Achille Laugé >Three Pears >Painting with Jasper Johns >Entablature >The Artist’s Mother Johan Barthold Jongkind >Skin with O’Hara Poem Nancy Graves Maine >The Towpath Richard Diebenkorn >Agualine >Seated Figure with Hat Brunswick, Bowdoin College Museum San Francisco, Fine Arts Museums of James Rosenquist of Art San Francisco, de Young >Spectator–Speed of Light Washington, The Phillips Collection Impressionists of the Water Ellsworth Kelly Van Gogh Repetitions Maurice Prendergast: By the Sea 29 June 2013–13 October 2013 1 June 2013–6 October 2013 >Orange Green 12 October 2013–2 February 2014 Maurice Brazil Prendergast Circulated to: Peabody Essex Museum Robert Rauschenberg Circulated to: The Cleveland Museum 9 November 2013–23 February 2014 >Archive of Art >Docks, East Boston Auguste Renoir Brice Marden 2 March 2014–1 June 2014 >Oarsmen at Chatou >Picasso’s Skull Vincent van Gogh Richard Tuttle: A Print Retrospective 26 June 2014–19 October 2014 Terry Winters >Dr. Gachet (Man with a Pipe) Modernism from the National Gallery >Graphics Tablet >Farmhouse in Provence Richard Tuttle of Art: The Robert & Jane Meyerhoff Philip Guston >Trans Asian Collection >Courtroom Neo-Impressionism and the Dream of >Herbert Vogel 7 June 2014–12 October 2014 Mark Rothko Realities: Painting, Poetry, Music >Lobster Barnett Newman >Untitled 27 September 2014–11 January 2015 >Pants >Edda Renouf >First Station San Marino, The Huntington Library, Art Georges Seurat >Second Station >Shirt #2 Collections, and Botanical Gardens >Seascape at Port-en-Bessin, Normandy* Richard Tuttle and Mei-mei Berssenbrugge >Third Station Albert Dubois-Pillet Face to Face: Flanders, Florence, and (author) >Fourth Station >A River Landscape >Fifth Station Renaissance Painting >Hiddenness 28 September 2013–13 January 2014 Charles Angrand >Sixth Station >The Annunciation to the Shepherds Maryland >Seventh Station Follower of Pietro Perugino >Eighth Station >Saint Jerome in the Wilderness Florida Annapolis, The Mitchell Gallery, Hans Memling St. John’s College >Ninth Station Fort Lauderdale, Museum of Art, >Saint Veronica [obverse] >Tenth Station Fort Lauderdale Dialogues: Words and Images in Art, >Eleventh Station 1500–1924 >Twelfth Station William Glackens 31 January 2014–6 April 2014 >Thirteenth Station 23 February 2014–1 June 2014 72 EXHIBITIONS AND LOANS

Lucas van Leyden Circulated to: Canton Museum of Art Mimmo Rotella Circulated to: Fine Arts Museums of San >The Explusion from Paradise 28 August 2014–26 October 2014 >Muro Romano Francisco, de Young Melchior Lorch Eric Hebborn (Watteau imitation) Daniel Buren 8 February 2014–11 May 2014 >Martin Luther >Standing Young Man Leaning on a >White acrylic paint on white and blue Georgia O’Keeffe Georg Pencz Plinth striped cloth >Jack-in-Pulpit–No. 2 >Paris Writing Words of Love to Eric Hebborn (Mantegna imitation) Larry Zox >Jack-in-the-Pulpit No. 3 Oenone >A Naked Warrior with One Foot >Decorah (Single Gemini Series) >Jack-in-the-Pulpit No. IV Théophile Alexandre Steinlen on a Helmet Simon Hantaï >Jack-in-Pulpit Abstraction–No. 5 >Jack-in-the-Pulpit No. VI >La mort des pauvres-Baudelaire Williamstown, Sterling and Francine Clark >Étude Wilhelm Lehmbruck Frederick Hammersley Art Institute New York >Macbeth V (The Vision of Lady >One, #8 Macbeth) David Smith: Raw Color Al Loving Brooklyn, Brooklyn Museum 4 July 2014–19 October 2014 William Hogarth >Brownie, Sunny, Dave, and Al WAR/PHOTOGRAPHY: Photographs of David Smith >A Harlot’s Progress: pl.1 Jasper Johns Armed Conflict and its Aftermath >A Rake’s Progress: pl.1 >Circle I >Target 8 November 2013–2 February 2014 Jean-Baptiste-Camille Corot >Circle II Sam Gilliam Lewis Hine >Circle III >Dante and Virgil (Dante et Virgile) >Hot Chord >Soldier Thrown in Air Eugène Delacroix Lynda Benglis Make It New: Abstract Paintings from the >Hamlet and Horatio before the >1st Wax Work Art, Activism, and Civil Rights National Gallery of Art, 1950–1975 Gravediggers (Act V, Scene I) in the 1960s 2 August 2014–13 October 2014 Minnesota Jan Pietersz Saenredam after Cornelis 7 March 2014–13 July 2014 Morris Louis Cornelisz van Haarlem Minneapolis, Walker Art Center Circulated to: Hood Museum of Art, >Beta Kappa >Plato’s Cave : The Sixties Dartmouth College Franz Kline William Etty 14 September 2013–12 January 2014 30 August 2014–14 December 2014 >Four Square* >The Horse of Selene from the Elgin Claes Oldenburg Norman Lewis Alma Thomas Marbles [recto] >U.S.A. Flag >Untitled (Alabama) John Raphael Smith after >Red Rose Cantata* >Lear and Cordelia Jackson Pollock Missouri Buffalo, University at Buffalo Art Galleries >Number 1, 1950 (Lavender Mist) Giorgio Ghisi after Giovanni Battista Kansas City, The Nelson-Atkins Art=Text=Art: Works by Larry Poons Contemporary Artists Scultori Museum of Art >The Fall of Troy and the Escape >Tristan da Cugna* 20 September 2014–11 January 2015 Impressionist France: Visions of Nation of Aeneas Jules Olitski Bruce Conner from Le Gray to Monet >Unlocked* >Book Pages 19 October 2013–9 February 2014 Helen Frankenthaler Dialogues: Words and Images in Art, Circulated to: Saint Louis Art Museum Catskill, Thomas Cole National 1500–1924 >Wales* 16 March 2014–14 July 2014 Historic Site 31 January 2014–6 April 2014 Mark Rothko Berthe Morisot Thomas Cole and Frederic Church Käthe Kollwitz >No. 1* 30 April 2014–2 November 2014 >Aus vielen Wunden blutest du, O Barnett Newman >The Harbor at Lorient Thomas Cole Volk (You Bleed from Many Wounds, >Achilles Frédéric Bazille Oh People) Clyfford Still >The Ramparts at Aigues-Mortes* >Study for “Catskill Creek” Gustave Le Gray Cooperstown, Fenimore Art Museum, Massachusetts >PH-115 Kenneth Noland >Beech Tree, Forest of Fontainebleau New York State Historical Association >The Pont du Carrousel, Paris: View to Boston, Massachusetts Historical Society >Dawn’s Road Folk Art and American Modernism the West from the Pont des Arts Tell It with Pride: The 54th Massachusetts Ellsworth Kelly 18 September 2014–31 December 2014 Charles Nègre Regiment and Augustus Saint-Gaudens’ >Tiger Mina Lowry Shaw Memorial Philip Guston >Scène de Marché au Port de l’Hôtel de Ville, Paris (Market Scene at the Port >Whirligig 21 February 2014–23 May 2014 >Untitled of the Hotel de Ville, Paris) Lucille Lacoursiere Richard Benson Jean Dubuffet Jean-Charles Cazin >Figurehead >Robert Gould Shaw Memorial >Confiture matière-lumière >The Quarry of Monsieur Pascal near Eric Mose >Robert Gould Shaw Memorial (Texturologie LIII) [Preserves of Nanterre >Weather Vane Finial >Robert Gould Shaw Memorial Matter and Light (Texturology LIII)] >Robert Gould Shaw Memorial Cy Twombly New Jersey East Hampton, Guild Hall Museum William Earle Williams Tracing Moran’s Romanticism & >Untitled (Bolsena) Montclair, Montclair Art Museum >Folly Beach looking towards Morris Joan Mitchell Island, 1999 >Piano mécanique Robert Smithson’s New Jersey 26 October 2013–5 January 2014 >Folly Beach, South Carolina, 1999 Richard Tuttle 22 February 2014–22 June 2014 Thomas Moran Robert Smithson North Adams, Massachusetts Museum of >White Cotton Octagonal >The Much Resounding Sea* >A Nonsite, Pine Barrens, New Jersey Contemporary Art Robert Ryman Hudson, New York State Office of Parks, Sol LeWitt: A Wall Drawing Retrospective >Untitled Princeton, Princeton University Art Recreation and Historic Preservation 14 November 2008–14 November 2033 Jo Baer Museum Maine Sublime: Frederic Edwin Church’s Sol LeWitt >Horizontals Flanking (Small, New Jersey as Non-Site Landscapes of Mount Desert and Mount Thalo-Green Line) >Wall Drawing No. 681 C / A wall 5 October 2013–4 January 2014 Katahdin >Horizontals Flanking (Small, divided vertically into four equal Dan Graham 9 June 2013–27 October 2013 Thalo-Green Line) squares separated and bordered by >Kitchen Trays Stacked for Sale in Frederic Edwin Church Yayoi Kusama black bands. Within each square, bands Highway Discount Store, Jersey City, >Newport Mountain, Mount Desert in one of four directions, each with color >Infinity Nets Yellow New Jersey >Fog off Mount Desert ink washes superimposed. Jean Fautrier >Two Home Homes >Body and Soul New York, The Metropolitan Museum Springfield, Museum of Fine Arts, Lee Bontecou New Mexico of Art Springfield >Untitled Santa Fe, Georgia O’Keeffe Museum Artists and Amateurs: Etching in Intent to Deceive: Fakes and Forgeries in Eighteenth-Century France Robert Mangold Modern Nature: Georgia O’Keeffe and the Art World 1 October 2013–5 January 2014 >Yellow Wall (Section I + II) Lake George 21 January 2014–27 April 2014 Marcel Broodthaers 4 October 2013–26 January 2014 Circulated to: The John and Mable >Panneau de Moules (Panel of Mussels) Ringling Museum of Art Al Held 23 May 2014–2 August 2014 >Black Angel NATIONAL GALLERY OF ART 73

Jean-Honoré Fragonard after Giovanni >Tahitian Shore [recto] Pennsylvania >Bathsheba at Her Bath Battista Tiepolo >Two Marquesans [recto] Philadelphia, The Barnes Foundation >Conrad Celtis >The Feast of Anthony and Cleopatra >Parau na te Varua ino (Words of >The Imperial Eagle (Le festin d’Antoine et de Cleopatre) the Devil)* The World is an Apple: The Still Lifes >Mercury and Venus Jean-Baptiste Le Prince >Reclining Nude [recto] of Paul Cézanne >The Battle of Pad >Les Pecheurs (The Fishermen) >Two Tahitians Gathering Fruit [recto] 14 June 2014–22 September 2014 >The Archbishop Blessing the Child Louis Gabriel Moreau >Manao Tupapau (She is Haunted by Circulated to: Art Gallery of Hamilton after the Baptism >Abandoned Park a Spirit) 1 November 2014–8 February 2015 >Battle of the Foot Soldiers with Lances Paul Cézanne >The Fight in the Forest Charles Marville: Photographer of Paris Henri Matisse: The Cut-Outs >Vase of Flowers >Pilgrims at a Wayside Shrine >Coat of Arms with a Single Eagle 27 January 2014–4 May 2014 14 October 2014–9 February 2015 Philadelphia, Philadelphia Museum of Art Circulated to: >The Coat of Arms of Wigeleus von Circulated to: The Museum of Fine Arts, Arshile Gorky–Joan Miró: A Dialogue Houston 17 April 2014–7 September 2014 Fröschel, Bishop of Passau 4 October 2013–14 November 2014 Albrecht Dürer 13 June 2014–14 September 2014 Henri Matisse Arshile Gorky >The Crucifixion called the Sword Charles Marville >Large Decoration with Masks >Self-Portrait Pommel of Maximilian >Venus >Salle des Cariatides, au Musée >Still Life on the Table >Masquerade Dance with Torches >Woman with Amphora and du Louvre >Portrait of Master Bill >The Triumphal Chariot of Maximilian Pomegranates >The Seine from the Pont du Carrousel I (The Great Triumphal Car) Looking towards Notre Dame New York, Neue Galerie New York Léger: Modern Art and the Metropolis >Emperor Maximilian I >Rue de la Bûcherie, du cul de sac Saint- Vasily Kandinsky: From Blaue Reiter 10 October 2013–5 January 2014 Daniel Hopfer Ambroise (fifth arrondissement) to the Circulated to: Museo Correr, Venice >Interior of the Church of Saint >Rue Saint-Jacques 3 October 2013–10 February 2014 Katherine with Parable of the Pharisee >Hôtel de la Marine 8 February 2014–2 June 2014 and the Publican >Statue of Clovis, Church of Sainte- Robert Delaunay >Girolamo da Siena Clotilde, Paris >Improvisation 31 (Sea Battle) >Political Drama >Kunz von der Rosen >Charles Delahaye >Geteilt (Divided) Tennessee >Saint George on Horseback Slaying New York, The New-York Historical Memphis, The Dixon Gallery and Gardens the Dragon The Passions of Jean-Baptiste Carpeaux Society >Emperor Charles V 3 Mar 2014–27 May 2014 The Armory Show at 100: Modernism Connecting the World: The Panama Canal >Emperor Maximilian I in the Guise Circulated to: Musée d’Orsay and Revolution at 100 of Saint George 23 June 2014–30 September 2014 11 October 2013–23 February 2014 27 July 2014–5 October 2014 >The Virgin and Child with Saint Anne Jean-Baptiste Carpeaux John Marin Julian Alden Weir by a Portal >Neapolitan Fisherboy (Pêcheur >Woolworth Building, No. 28 >U.S. Thread Company Mills, >Interior of the Church of Saint Maria napolitain à la coquille) Paul Gauguin Willimantic, Connecticut Magdalena with the Parable of the >Girl with a Shell ( Jeune fille à la >Parau na te Varua ino (Words of Texas Offering of the Widow coquille) the Devil)* >Ornament for Dagger Sheath Austin, The Jack S. Blanton Museum of George Bellows >Reliquary with Pietà Art, The University of Texas at Austin Garry Winogrand >Little (Queenie Burnett) >Soldier Embracing a Woman 27 June 2014–21 September 2014 Imperial Augsburg: Renaissance Prints and >Three German Soldiers Armed with New York, Whitney Museum of Garry Winogrand Drawings, 1475–1540 Halberds American Art >Ornament with Sirens and Ornament >Los Angeles Airport 5 October 2013–5 January 2014 Whitney Biennial 2014 Circulated to: The Frances Lehman Loeb with Genius >Girl in Elevator, New York >Triumphal Altar with Stages in the Life >Park Avenue, New York 7 March 2014–25 May 2014 Art Center, Vassar College American 19th Century 19 September 2014–14 December 2014 of Christ >Las Vegas >The Crucified Christ in a Decorated >“We Go for the Union”* Leonhard Beck Niche The Painters of the Sistine Chapel Southampton, The Parrish Art Museum >Execution of a Man at a Market-Place >The Virgin Mary Taking Leave of 1 September 2014–30 November 2014 Angels, Demons, and Savages: Pollock, of a Town Christ Sandro Botticelli Ossorio, Dubuffet, 1948–1952 >Saint Remigius >Three German Soldiers Armed with >The Adoration of the Magi 21 July 2013–27 October 2013 >Assembly of Four Kings, in the Halberds foreground Four Men Alfonso Ossorio Daniel Hopfer and Hieronymus Hopfer New York, The Morgan Library & Museum >Saint Bilhelmus >Emperor Charles V Théodore Rousseau: Landscape Drawings >Perpetual Sacrifice >Tournament on the Occasion of the Hieronymus Hopfer and Oil Sketches from East Coast Jean Dubuffet Festivity of the Marriage Collections >Corps de dame jaspé (Marbleized Body German 15th Century >Emperor Charles V >Erasmus of Rotterdam 26 September 2014–18 January 2015 of a Lady) >Christ on the Cross with Pope Pius II >Leopold Dick Théodore Rousseau >Confiture matière-lumière German 15th Century (Texturologie LIII) [Preserves of Hieronymus Hopfer after Giovanni Battista >Sunset from the Forest of Fontainebleau >Madonna in a Wreath of Roses Matter and Light (Texturology LIII)] Palumba German 15th Century New York, The Museum of Modern Art >Personification of Rome Ohio >Madonna and Child in a Glory with Hieronymus Hopfer after Andrea Rene Magritte 1926–1938 an Indulgence and a Prayer 28 September 2013–13 January 2014 Columbus, Columbus Museum of Art Mantegna German 15th Century Circulated to: The Menil Collection George Bellows and the American >Silenus >Map of the World Hans Weiditz, II 14 February 2014–1 June 2014 Experience German 15th Century 23 August 2013–5 January 2014 >The Man of Sorrows Standing Circulated to: The Art Institute of >Franciscan, Pelbartus of Temesvar, Chicago George Bellows >Christ on the Mount of Olives in a Garden Giovanni Maria Pomedelli 29 June 2014–13 October 2014 >Club Night* Hans Burgkmair I René Magritte >New York >Charles V, 1500–1558, King of Spain >Saint Valentine, Saint Stephen and 1516–1556, Holy Roman Emperor >La condition humaine >The Germans Arrive Saint Maximilian 1519 [obverse] Oklahoma >Samson and Delilah Hans Schwarz >Joshua, David and Judas Maccabaeus Gauguin/Impressions >Kunz von der Rosen, died 1519, Tulsa, The Philbrook Museum of Art >Hector, Alexander and Julius Caesar 2 March 2014–9 June 2014 Confidential Counselor of Maximilian Monet and the Seine: Impressions of a River >Hester, Judith and Jael Paul Gauguin I of Austria 29 June 2014–21 September 2014 >Lucretia, Veturia and Virginia >Te Atua (The Gods) Small Plate >Conrad Peutinger, 1465–1547, Claude Monet >Solomon’s Idolatry >Nave Nave Fenua (Delightful Land) Humanist and Antiquarian >Oviri (The Savage) [recto] >Ships Riding on the Seine at Rouen >Emperor Maximilian I >Animal Studies >The Lovers Surprised by Death 74 EXHIBITIONS AND LOANS

Christoph Weiditz the Elder Houghton Hall: Portrait of an English ITALY A. Hashagen >Francisco de los Cobos, c. 1475/1480– Country House Florence, Casa Buonarroti >Ship “Arkansas” Leaving Havana 22 June 2014–22 September 2014 John Neagle 1547, Privy Counselor and Chancellor, after Michelangelo Art Patron [obverse] Sir Anthony van Dyck >Damned Soul** >Colonel Augustus James Pleasonton Matthes Gebel >Philip, Lord Wharton Residence of the Vice President of the >Charles V, 1500–1558, King of Spain Frans Hals UNITED KINGDOM—ENGLAND United States 1516–1556, Holy Roman Emperor >Portrait of a Young Man London, United States Embassy Residence 1519 [obverse] Circle of Diego Velázquez Sir William Beechey Joachim Deschler >Pope Innocent X >Mary Crowninshield Endicott >Hieronymus Paumgartner, 1498– >Lieutenant-General Sir Thomas Picton Chamberlain (Mrs. Joseph Follower of Nicolas Poussin Francis Cotes 1565, Patrician of Nuremberg >Nymphs Feeding the Child Jupiter Chamberlain) [obverse] >Mrs. Thomas Horne Auguste Renoir Thomas Gainsborough Valentin Maler Vermont >Child with Blond Hair >William Yelverton Davenport >Jakob Fugger, 1459–1525, Banker Shelburne, Shelburne Museum, Inc. >Child with Brown Hair and Financier London, Wallace Collection French Impressionist Paintings and the John Ferneley Matthes Gebel Havemeyer Family Sir Thomas Lawrence >Heaton Park Races >Raymund Fugger, 1489–1535, Scholar 14 June 2014–1 September 2014 >Francis Charles Seymour-Conway, Style of Benjamin Marshall and Patron of the Arts [obverse] Edouard Manet 3rd Marquess of Hertford >Race Horse and Trainer Friedrich Hagenauer Walt Kuhn >Masked Ball at the Opera* UNITED STATES >Conrad Peutinger, 1465–1547, >Zinnias Humanist and Antiquarian Virginia Alabama Lydia Field Emmet Urs Graf I Harrisonburg, Madison Art Collection, , Birmingham Museum of Art >Olivia >The Madonna with Saint Ulrich and James Madison University Saint Afra [recto] Anders Zorn The White House Christoph Bockstorfer Rembrandt and the Mennonite Community >Hugo Reisinger American 19th Century 13 January 2014–28 February 2014 >Allegory of “Pride Goeth Before Montgomery, Montgomery Museum of >Chief Jumper of the Seminoles Destruction...”: A Gentleman and a Rembrandt van Rijn Fine Arts Winslow Homer Lady on Horseback >View of Amsterdam from the Mark Rothko >Sunset George Catlin >Emperors Charles V and Ferdinand I Northwest >Untitled Jorg Breu I >Cornelis Claesz Anslo >A Crow Chief at His Toilette >The Hay Harvest ( June) >Self-Portrait with Saskia California >Cheyenne Village Rembrandt van Rijn and William Baillie >The Wine Harvest (September) Oakland, Oakland Museum >A Small Cheyenne Village German 16th century (Augsburg) >Christ Preaching and Healing >Pawnee Indians Approaching Buffalo Mark Rothko (Fragment from the Hundred >Game of the Arrow—Mandan >Portrait of a Man Wearing a Hat with >Untitled a Medallion Guilder Print) >A Foot War Party in Council— District of Columbia Mandan Hans Holbein the Elder Washington >An Ojibbeway Village of Skin Tents >Portrait of a Woman [recto] The Library of Congress Swabian School Bellingham, Whatcom Museum >Ball-Play Dance—Choctaw Carl Milles Vanishing Ice: Alpine and Polar Landscapes >Buffalo Chase >Study of a Knight in Armor, Holding >Head of Orpheus a Halberd in Art 1775–2012 >Buffalo Chase, with Accidents Francesco Petrarch (author) and 1 November 2013–2 March 2014 National Museum of American History >Catlin and Indian Attacking Buffalo Hans Weiditz, II (artist) Circulated to: El Paso Museum of Art Charles Peale Polk >K’nisteneux Indians Attacking Two Grizzly Bears >Von der Artzney bayder Glück (De 1 June 2014–24 August 2014 >General Washington at Princeton >Grassy Bluffs, Upper Missouri Remediis Utriusque Fortuna) (On the Circulated to: Glenbow Museum, Calgary National Portrait Gallery >Camanchees Lancing a Buffalo Bull Remedies of Good and Evil Fortune) 27 September 2014–3 January 2015 Irving R. Wiles >Mired Buffalo and Wolves Augsburg 15th century (and attributed to Thomas Hart Benton >Grizzly Bears Attacking Buffalo Hans Burgkmair?) >Miss Julia Marlowe >Trail Riders* Raoul Dufy >Christ on the Cross with the Virgin U.S. Commission of Fine Arts >The Basin at Deauville** and Saint John Wisconsin Alice Neel Leon Polk Smith German 15th Century (Augsburg) Milwaukee, Milwaukee Art Museum >William Walton >Stretch of Black III >Christ on the Cross with the Virgin Thomas Sully: Imagination and Invention Office of Senate Leadership, Edward Corbett and Saint John 11 October 2013–5 January 2014 United States Capitol Marcus Tullius Cicero (author), Hans >Washington, D.C. November 1963 III Franklin C. Courter Jasper Johns Weiditz, II, Hans Burgkmair I Thomas Sully >Officia M.T.C. >Andrew Jackson* >Lincoln and His Son, Tad** >Numerals, 0 through 9** Sam Francis Hans Burgkmair I, Erhard Ratdolt >Lady with a Harp: Eliza Ridgely Office of Vice President (publisher) of the United States >White Line** Mark Rothko >Missal for Passau EXTENDED LOANS FROM Dietz Edzard >The Party THE NGA COLLECTION >Flowers in a Vase Fort Worth, Amon Carter Museum >No. 17 [or] No. 15 >Three Flowers in a Vase Color! Richard Diebenkorn All works are part of the National Lending André Derain 5 October 2013–5 January 2014 >Berkeley No. 52** Service unless indicated by ** >Marie Harriman Robert Bergman Hans Hofmann Karl Knaths FRANCE >Staccato in Blue** >Untitled >Marble Mantel Dan Graham Ed Ruscha Paris, Musée du Louvre Mark Rothko >I Think I’ll...** >Homes for America Severo da Ravenna >Untitled (two women at the window) Robert Mangold Houston, The Museum of Fine Arts, >The Christ Child** American 19th Century >1/2 W Series (Medium Scale)** Houston >The Start of the Hunt IRELAND >1/2 V Series (Medium Scale)** American Adversaries: West and Copley in >The End of the Hunt Dublin, United States Embassy Residence John Wesley Jarvis >1/2 X Series (Medium Scale)** a Transatlantic World Ad Reinhardt 6 October 2013–20 January 2014 Gilbert Stuart >Commodore John Rodgers >Untitled (Yellow and White)** >Counsellor John Dunn John Vanderlyn >Untitled (Red and Gray)** >Colonel Guy Johnson and >John Sudam Susan Rothenberg American 18th Century Karonghyontye (Captain David Hill) >Butterfly** John Singleton Copley >Attack on Bunker’s Hill, with the Louise Nevelson Burning of Charles Town >Watson and the Shark >Model for “Sky Covenant”** NATIONAL GALLERY OF ART 75

Giorgio Morandi Justice Ginsburg TEMPORARY LOANS TO >Still Life** Mark Rothko MUSEUM COLLECTIONS >Still Life** >Untitled Pat Steir >The Omen *Works in National Lending Service >After Winslow Homer I** Justice Kennedy >Waterfall with Rose Petals** NETHERLANDS Berthe Morisot Alice Neel Amsterdam, Rijksmuseum >Girl in a Boat with Geese >Loneliness** French 17th Century 1 February 2015–27 September 2015 Secretary of Defense >Flowers in a Classical Vase Ercole de’ Roberti George Catlin >Giovanni II Bentivoglio Justice O’Connor >Prairie Dog Village >Ginevra Bentivoglio George Catlin >Fort Union >Buffalo Chase, Sioux Indians, UNITED STATES Secretary of Education Upper Missouri California Mark Rothko >After the Buffalo Chase—Sioux >Rural Scene >A Crow Village and the Salmon Pasadena, Norton Simon Museum >Untitled River Mountains 5 December 2014–2 March 2015 >The Pugilist >Two Blackfoot Warriors and a Woman Edouard Manet >Woman Reading >An Apachee Village >The Railway >Untitled (still life with vase Justice Stevens Connecticut and two statues) Studio of Franz Xaver Winterhalter Secretary of Energy Hartford, Wadsworth Atheneum >Queen Victoria Museum of Art John Woodhouse Audubon C. Gregory Stapko after John Constable 15 September 2015–15 January 2016 >Black-Footed Ferret >A View of Salisbury Cathedral** Titian Leonid Alphonse Legros >Ranuccio Farnese >Faraduro, Portugal >Hampstead Heath George Catlin George Catlin District of Columbia >Distinguished Crow Indians >Scene from the Lower Mississippi Washington, The Phillips Collection >Two Unidentified North American Maurice Utrillo 1 September 2014–31 December 2015 Indians >Street at Corté, Corsica Georgia O’Keeffe Francis A. Beckett American 19th Century >Jack-in-the-Pulpit No. IV >Blacksmith Shop >Portland Harbor, Maine J. W. Bradshaw New York Justice Sotomayor >Plains Indian New York, The Metropolitan Museum Mark Rothko after William John Wilgus of Art >Street Scene >Ichabod Crane and the Headless 28 February 2008–31 December 2016 Horseman >Untitled (subway) >Untitled Francesco di Giorgio Martini Secretary of Health and Human Services >Untitled (woman in subway)** >God the Father Surrounded by Angels French 19th Century and Cherubim Maryland >Woman and Two Children in a Field Mark Rothko Solomons, Annmarie Garden Sculpture LIBRARY LOANS >Untitled Park & Arts Center Secretary of Housing and Urban James Rosati UNITED STATES Development >Untitled** District of Columbia Mark Rothko George Rickey >Untitled >Cluster of Four Cubes** District of Columbia, Hirshhorn Museum >Untitled Pennsylvania and Sculpture Garden >Contemplation Damage Control: Art and Destruction Doylestown, James A. Michener >The Source since 1950 Art Museum >Untitled (four figures in a plaza) 24 October 2013–26 May 2014 Edward Hicks Attorney General of the United States Edward Ruscha >The Landing of Columbus >Royal Road Test (Los Angeles, 1967) Follower of Claude Lorrain Joseph Goodhue Chandler >Harbor at Sunset >Girl with Kitten Pennsylvania Edward Savage >George Washington Virginia Philadelphia, Philadelphia Museum of Art French 19th Century Fairfax, George Mason University Léger: Modern Art and the Metropolis 14 October 2013–5 January 2014 >Race Course at Longchamps Lila Pell Katzen Fernand Léger Secretary of Transportation >Antecedent >J’ai tue (Paris, 1918) Douglas Volk Alfredo Halegua >Abraham Lincoln >America Chief of Staff, The White House Charlottesville, The Fralin Museum of Art, American 19th Century University of Virginia >Abraham Lincoln Jean Arp >Oriforme** Supreme Court of the United States Chief Justice John Roberts Gilbert Stuart >George Washington George Cuitt the Younger >Easby Abbey, near Richmond 76

PUBLICATIONS AND MEDIA

During the fiscal year the Gallery released (438 pages, 151 color) Published for the The Gallery also released a new iPad >Harry Callahan: Photographer, its first online scholarly catalog through Center for Advanced Study in the Visual application, NGAKids Art Zone, that has Teacher, Mentor the new digital imprint National Gallery Arts, National Gallery of Art, by Harvey been downloaded more than 15,000 >The Domenichino Affair: Novelty, of Art Online Editions, produced six Miller Publishers/Brepols Publishers times, updated its existing iPhone Imitation, and Theft in Seventeenth- book-length publications including four application, Your Art, with translations >The Edmond J. Safra Visiting Century Rome exhibition catalogs, and had several major Professorship at the Center for in multiple languages, and published publications in progress for publication an Android version of the application. >A Sense of Place—Winslow Homer Advanced Study in the Visual Arts, and the Maine Coast in fiscal year 2015. In addition to labels National Gallery of Art: Reflections Your Art has been downloaded more and wall texts for all fiscal year 2014 on the First Twelve Years than 40,000 times. The Gallery has sent >The Accidental Masterpiece: On the exhibitions, the publishing office edited Text by Elizabeth Cropper 3,964,897 newsletters to its subscribers. Art of Life and Vice Versa online features and produced more than (68 pages, 29 color, 26 b/w) The Gallery’s audio files were accessed >The Artist’s Reality: Philosophies two hundred education projects and >Center 34 441,900 times in SoundCloud and videos of Art more than six hundred pieces of Gallery Annual report, print and web versions were viewed 200,563 times in Brightcove. ephemera, ranging from press releases >The Art of Frank Lloyd Wright Exhibition Features and invitations to recurring programs such >Speaking Pictures: Poetry Addressing as the award-winning film calendar. EXHIBITION BROCHURES >Degas/Cassatt Works of Art >Heaven and Earth: Art of Byzantium >Andrew Wyeth at the Movies: The by David Alan Brown, COLLECTION CATALOG >Titian’s Danaë from Greek Collections Story of an Obsession produced by the department of exhibition programs and the >Tell It with Pride: The 54th >The Girl with a Pearl Earring: The >Dutch Paintings of the Seventeenth publishing office Massachusetts Regiment and Augustus Making of an Icon Century (http://www.nga.gov/ Saint-Gaudens’ Shaw Memorial >From Neoclassicism to Futurism: >Van Gogh: The Face in the Mirror content/ngaweb/research/online- >Yes, No, Maybe: Artists Working at editions/17th-century-dutch- Italian Prints and Drawings, 1800– >Out of the Kokoon: Modernism in 1925 by Jonathan Bober, produced by Crown Point Press Cleveland before the Armory Show paintings.html) the department of exhibition programs Arthur K. Wheelock Jr. Video Podcasts and the publishing office >Andrew Wyeth: A Spoken Self- (n.p., 390 illustrations) National Gallery Portrait of Art Online Editions >The Dying Gaul by Susan M. >The Sixty-Third A. W. Mellon Arensberg, produced by the Lectures in the Fine Arts: Past Belief: >Patrons, Artists, and Saints: El Greco department of exhibition programs Visions of Early Christianity in in the Chapel of San José in Toledo EXHIBITION CATALOGS and the publishing office Renaissance and Reformation Europe, >El Greco: 400 Years After Parts 1–6 >Degas/Cassatt by Kimberly A. Jones, >Mary Cassatt’s Radical Monstrosities >Intimate Impressionism from produced by the department of >Diamonstein-Spielvogel Lecture Series: the National Gallery of Art exhibition programs and the publishing Julie Mehretu >Producing Digital Knowledge about Mary Morton office Analog Art: The Case of Frederick >Degas/Cassatt at the National Gallery Sommer (180 pages, 102 illustrations, of Art hardcover edition only) >From the Library: Grega and Leo A. Daly III Fund for Architectural Books >Dutch Paintings in a New Age: The >The Collecting of African American Debut of NGA Online Editions >Andrew Wyeth: Looking Out, by Yuri Long Art IX: Collecting Black: An Looking In >In the Library: Preservation and Loss Anachronism >Introduction to the Exhibition: Nancy K. Anderson and Charles Brock “Degas/Cassatt” (212 pages, 150 illustrations) Published during World War II by Gregory >Garry Winogrand at Rice University in association with D.A.P./Distributed Art P. J. Most >The Sixty-Third A. W. Mellon >Kerry James Marshall | nga Publishers, Inc. >From the Library: The Book Lectures in the Fine Arts: Past Belief: Illustrations of Romeyn de Hooghe >Conversations with Artists: Kerry Visions of Early Christianity in >Degas/Cassatt James Marshall Renaissance and Reformation Europe Kimberly A. Jones et al. by Yuri Long (176 pages, 145 illustrations) Published >A Painting’s History: Cuyp’s “River >FAPE 2014: The Role of Art in in association with DelMonico • Prestel Landscape with Cows” Diplomacy: The Artist in a Global EXHIBITION FILM Community >Captain Linnaeus Tripe: >The Dutch and Flemish Cabinet Photographer of India and Burma, Galleries >Introduction to the Exhibition: >Five Byzantine Churches “Andrew Wyeth: Looking Out, 1852–1860 (12 minutes, color) >North Meets South: Goltzius Roger Taylor and Crispin Branfoot with Looking In” and Rubens Sarah Greenough and Malcolm Daniel >Ways of Seeing Byzantium (208 pages, 100 illustrations, hardcover DIGITAL OUTREACH >Rembrandt edition only) Published in association with >Old Topographics: Photography and DelMonico • Prestel >Rembrandt’s “The Mill” Urbanization in Nineteenth-Century This year the Gallery’s most significant >Steve Antosca: HABITAT Paris endeavor in the area of digital outreach >“Fair Greece, Sad Relic”: How Did CENTER FOR ADVANCED STUDY was the creation of a new means of >Five Byzantine Churches presenting scholarly information about Byzantium Reform Classical Greek IN THE VISUAL ARTS (CASVA) >In the Conservation Lab: El Greco’s Art? PUBLICATIONS the collection as part of National Gallery “Saint Martin and the Beggar” of Art Online Editions. The year also >Elson Lecture 2014: Allan McCollum saw approximately 15,000 visits to >From Shadow to Substance: The Felsina pittrice Massachusetts 54th Volunteer Infantry >Introduction to the Exhibition: “Garry >Carlo Cesare Malvasia’s : www.nga.gov per day as well as a 114 Winogrand” Lives of the Bolognese Painters and Augustus Saint-Gaudens’ Shaw percent increase in Facebook fans and Memorial Exhibition Volume 13, Lives of Domenichino and a 68 percent increase in those active >The Collecting of African American Francesco Gessi on Twitter. Replies and comments from Audio Podcasts Art X: Rodney Merritt Miller: Reflections on Collecting Critical edition by Lorenzo Pericolo; social media posts grew during the same translation by Anne Summerscale; essay >Among Friends: Allen Ginsberg, >Capital Culture: J. Carter Brown, the period at an increase of fifteen percent Robert Delpire, Jonas Mekas, and Ed by Elizabeth Cropper; historical notes by each month. Late in the year, the Gallery National Gallery of Art Anne Summerscale, Alexandra Hoare, Grazda on Robert Frank launched its Instagram account and >The Inside Story: “Monuments Men” Lorenzo Pericolo, and Elizabeth Cropper already has more than 3,000 followers. >Ursula von Rydingsvard and the National Gallery of Art NATIONAL GALLERY OF ART 77

>Image of the Black in Western Art >An Eye for Art: Focusing on Great >Alisha Chipman and Dana Hemmenway, >Kathryn A. Dooley, Damon M. Conover, Artists and Their Work “The Last Full Measure: An Exhibition Lisha D. Glinsman, and John K. Delaney, >Looking Forward, Looking Back American Association of University of Photographs “Complementary Standoff Chemical >Climbing and Clarifying: The Genius Presses Book, Jacket, and Journal from the Liljenquist Family Collection Imaging to Map and Identify Artist of Jacob Lawrence Show 2014 at the Library of Congress,” Topics in Materials in an Early Italian Renaissance Photographic Preservation 15 (2013): Panel Painting,” Angewandte Chemie >A Bearden Celebration >Charles Marville: Photographer 270–282. International 53 (2014): 13775–13779. of Paris >The Collecting of African American Kraszna-Krausz Book Awards 2014, >Matthew L. Clarke, Alisha Chipman, >Margaret Morgan Grasselli, “The Art XI: The Wedge Collection shortlisted Constance McCabe, Christopher A. Attribution of the Fauns: Restoring a >Witnessing Byzantium: The Greek Maines, and Sarah S. Wagner, “The Group of Trois-crayons Drawings to Louis Perspective Film Awards Platinum and Palladium Initiative: Tools de Boullogne the Younger,” Master and Strategies for Interdisciplinary 51, no. 4 (2013): 471–480. >Five Byzantine Churches Drawings >Speaking across Disciplines: Collaboration,” Topics in Photographic 35th Annual Telly Competition: Bronze >———, review of The Male Nude: Introducing “Facture,” a New Preservation 15 (2013): 176–177. Gallery Journal Award for Film Editing Eighteenth-century Drawings from >Matthew L. Clarke, Constance McCabe, the Paris Academy, by Emmanuelle >Conservation of the Shaw Memorial: >Diaghilev and The Ballets Russes and Christopher A. Maines, “Unraveling Brugerolles et al., 52, 35th Annual Telly Competition: Bronze Master Drawings The Long Journey the Modified Surface of the Photographic no. 2 (2014): 243–248. Award in the category of Charitable/ Paper ‘Japine,’” 6 >Visualizing Community: City and Not-for-profit Productions Analytical Methods >Joseph Hammond, “Tintoretto and the (2014): 147–55. Village in Byzantine Greece 49th Annual Worldfest, Houston Presentation of Christ: The Altar of the >An Insider’s Perspective International Film Festival: Remi Award >Lynne Cooke, “Peer Review,” in Judith Purification in Santa Maria dei Carmini, Scott: Bound and Unbound, ed. Venice,” Artibus et Historiae 68 (2013): >The Education of a Curator: Keeping >George Bellows Catherine Morris and Matthew Higgs 203–217. 48th Annual U.S. International Film & It All in Balance (Brooklyn Museum, 2014), 18–27. Video Festival: Silver Screen Award in >John Oliver Hand, “Maître de l’Adoration >Russians in Napoléon vu par Abel the category of Documentary Programs: >Harry Cooper, “Word Man in No- du Prado. Trois fragments d’un retable,” Gance: The Émigré Contribution Short Man’s Land,” in Ed Ruscha Catalogue in L’Héritage de Rogier van der >Andy Goldsworthy Raisonné of the Works on Paper Vol. Weyden. La peinture à Bruxelles >Joan Miró: The Ladder of Escape ed. Lisa Turvey (New (Musées royaux des 48th Annual U.S. International Film 1: 1956–1976, 1450–1520 >The Real Treasure of “Citizen Kane”: Haven, 2014), 36–41. Beaux-Arts de Belgique, Brussels, 2013), & Video Festival: Certificate for William Randolph Hearst and the 128–130. Story of His Extraordinary Collections Creative Excellence in the category of >———, “The Matrix of Juan Gris’s Documentary Programs: Short Cubism,” in Cubism: The Leonard >———, “Joos van Cleve (h.1485/1490– >DJ Spooky: A Civil War Symphony A. Lauder Collection (Metropolitan 1540/1541). La vida del artista,” in >Diamonstein-Spielvogel Lecture Series: Museum of Art, 2014), 69–75. Encuentros. Dámaso y el tríptico de STAFF PUBLICATIONS (San Martin Julie Mehretu >———, Agaete de Joos van Cleve Make It New: Abstract Centro de Cultura Contemporánea, Las >Making It: Race and Class in Painting from the National Gallery >Maurizio Aceto, Angelo Agostino, Gaia Palmas de Gran Canaria, 2014), 15–19. Contemporary America of Art, 1950–1975 (Clark Art Fenoglio, Ambra Idone, Monica Gulmini, Institute, 2014). >John Oliver Hand and Carol Christensen, >The Sydney J. Freedberg Lecture on Marcello Picollo, Paola Ricciardi, and “Bernard van Orley’s ‘The Marriage >Harry Cooper, Molly Donovan, James Italian Art: Circa 1515: Leonardo, John K. Delaney, “Characterisation of of the Virgin and Christ Among the Meyer, Jennifer Roberts, Kerry Rose, Raphael, and Michelangelo Colourants on Illuminated Manuscripts Doctors’: Technical Examination and the by Portable Fibre Optic UV-visible- and Paige Rozanski, Modernism for >Charles Marville, Photographer of Search for Context,” in Paint and Piety: NIR Reflectance Spectrophotometry,” the Nation: The Robert and Jane Paris in the Age of Haussmann (De Young Collected Essays on Medieval Painting Analytical Methods 6, no. 5 (2014): Meyerhoff Collection , ed. Noëlle L. Museum, 2014). and Polychrome Sculpture >The Sixty-Second A. W. Mellon 1488–1500. Streeton and Kaja Kollandsrud (London, Lectures in the Fine Arts: Out of Site >Gregory H. Bailey and Robyn E. >Elizabeth Cropper, “Malvasia and Vasari: 2014), 193–203. in Plain View: A History of Exhibiting Hodgkins, “Silver Surface Decoration Emilian and Tuscan Histories of Art,” in Architecture since 1750 >Melanie Spears Harper, “Holly Bass: Mind on Limoges Painted Enamels,” in Bologna—Cultural Crossroads from and Body Performance,” , ed. Gian Afrikadaa >War Memoranda: A Conversation Metropolitan Museum Studies in Art, the Medieval to the Baroque 7 Mario Anselmi et al. (Bologna, 2013), Design and Contemporary Arts with Binh Danh and Robert Schultz Science, and Technology 2, (New York, (2014): 104–109. 10/29/13 2014), 157–165. 97–105. >Arlen Heginbotham, Jane Bassett, >———, “Declino e ascesa del Pontormo >Tell It with Pride: The 54th >Lorena Baines, The New Hollstein David Bourgarit, Chris Eveleigh, e del Rosso Fiorentino: manierismo Massachusetts Regiment and Augustus Dutch and Flemish Etchings, Lisha Glinsman, Duncan Hook, e modernita,” in Saint-Gaudens’ Shaw Memorial Engravings and Woodcuts 1450– Pontormo e Rosso Dylan Smith, Jeff Speakman, Aaron 1700: Nicolaes de Bruyn, 2 vols. Fiorentino: Divergenti vie della Sugar, and Robert Van Langh, “The , ed. Carlo Falciani and (Ouderkerk aan den Ijssel, 2014). ‘maniera’ Copper CHARM Set: A New Set of AWARDS Antonio Natali (Firenze, 2014), 343–353 Certified Reference Materials for the >Barbara Berrie, Francesca Casadio, Kristi (published in English as Pontormo and Standardization of Quantitative X-ray Dahm, Yoon Joo Strumfels, Martha Rosso Fiorentino: Diverging Paths of Fluorescence Analysis of Historic Print, Design Awards Tedeschi, and Judith Walsh, “A Vibrant Mannerism, 2014). Surface: Investigating Color, Texture Copper Alloys,” Archaeometry, July >Colorful Realm: Japanese Bird-and- and Transparency in Winslow Homer’s >———, “I ritratti del Pontormo e del 12, 2014, http://onlinelibrary.wiley. Flower Paintings by Itō Jakuchū Watercolors,” in Science and Art: Rosso Fiorentino,” in Pontormo e Rosso com/doi/10.1111/arcm.12117/abstract AIGA 50 DC 2014 The Painted Surface, ed. Antonio Fiorentino (Firenze, 2014), 119–125. (accessed December 7, 2014). >Yes, No, Maybe: Artists Working at Sgamellotti, Brunetto G. Brunetti, and >———, “Galileo Galilei and Artemisia >Kimberly A. Jones, “Mary Cassatt’s ‘Little Crown Point Press Costanza Miliani (Cambridge, 2014), Gentileschi: Between the History of Girl in a Blue Armchair’: Unraveling AIGA 50 DC 2014 404–428. Ideas and Microhistory,” in Caravaggio: an Impressionist Puzzle,” Archives of Reflections and Refractions, ed. Lorenzo American Art Journal 53, no. 1–2 (Fall >Tell It with Pride: The 54th >Jonathan Bober, catalog entries in Italian Master Drawings from the Princeton Pericolo and David M. Stone (Farnham, 2014): 116–121. Massachusetts Regiment and Augustus England, 2014), 227–251. Saint-Gaudens’ Shaw Memorial University Art Museum, ed. Laura >Sarah Kennel, “Lieu de Mémoire, Lieu AIGA 50 DC 2014; Washington Book Giles (Princeton and New Haven, 2014). >John K. Delaney, E. Melanie Gifford, de Photographie: A Brief History of Publishers 2014 Book Design and >Alisha Chipman, “Separate but Equal: Lisha D. Glinsman, John Oliver Hand, Photography in the Tuileries,” in The Art Effectiveness Awards Testing Treatment Techniques to and Catherine Metzger, “Common of the Louvre’s Tuileries Garden (High Separate Water-damaged Blocked Painting and Diligent Fiddling: Technical Museum of Art, Atlanta, 2013). >National Gallery of Art Library Analysis for Insight into Divergent Styles booklet Film-based Negatives from the Henry >Suzanne Quillen Lomax, Joseph Francis of Dürer’s ‘Madonna and Child’/‘Lot and AIGA 50 DC 2014 Clay Anderson Collection of the Lomax, and Amadeo DeLuca-Westrate, his Daughters,’” in Smithsonian National Museum of The Challenge of the “The Use of Raman Microscopy and (Nürnberg, 2013), 1036–1040. >Albrecht Dürer: Master Drawings, African American History and Culture,” Object Laser Desorption Ionization Mass Watercolors, and Prints from the Topics in Photographic Preservation >Molly Donovan, “A Forest of Her Own,” Spectrometry in the Examination of Albertina 15 (2013): 444–461. in Synthetic Organic Pigments in Modern AIGA 50 DC 2014; American Association Ursula von Rydingsvard at Yorkshire (Yorkshire Sculpture Works of Art,” of University Presses Book, Jacket, and Sculpture Park Journal of Raman Park, 2014), 12–21. 45, no. 6 (2014): 448–455. Journal Show 2014 Spectroscopy 78 PUBLICATIONS AND MEDIA

>Alison Luchs, catalog entry on Verrocchio >Suzanne Sarraf, “That Which Appears,” workshop, relief of Alexander the Great, Museums in the Digital Era (October in Mattia Corvino e Firenze, ed. Peter 2013), 317–345. Farbaky, Magnolia Scudieri et al. (Museo >Guendalina Serafinelli, “ a di San Marco, Florence, 2013), 156–157. Roma negli anni quaranta e cinquanta >Eleonora Luciano, review of Carvings, del Seicento,” in Mattia Preti tra Casts and Collectors: The Art of Caravaggio e Luca Giordano: Il Renaissance Sculpture, by Peta Cavaliere calabrese, ed. Vittorio Sgarbi Motture, Emma Jones, and Dimitrios and Keith Sciberras (La Venaria Reale, Zikos, Renaissance Quarterly 67 (Spring 2013), 35–42. 2014): 224–225. >———, “Commissioni Agostiniane per >———, “The Identification of a Medal Giacinto Brandi,” in Santo Tomás de of Cristoforo Civran,” The Medal 64 Villanueva: Culto, Historia y Arte, (2014): 4–9. vol. 1, Estudios y Laminas, ed. Antonio Iturbe Saíz and Roberto Tollo (Tolentino >———, catalog entries and artists and Madrid, 2013), 201–213. biographies in European Medals in the Chazen Museum of Art. Highlights >Anne Simmons, review of World Atlas from the Vernon Hall Collection and of Street Art and Graffiti, by Rafael Later Acquisitions, ed. Maria Saffiotti Schacter, Choice: Current Reviews Dale (Madison, Wisconsin, 2014), 32–46, for Academic Libraries 52, no. 2 77–78, 84–86, 104–106, 110–114. (October 2014). >Peter M. Lukehart, “The ‘Accademia >Dylan Smith, “‘Truly an Ingenious Man’: dei Scultori’ in Late Sixteenth- and Analysis of the Specialized Surface Seventeenth-Century Rome,” in Critical Treatments on Renaissance Bronzes by Perspectives on Roman Baroque Antico,” in Metal 2013 Edinburgh, Sculpture, ed. Anthony Colantuono and Scotland, Interim Meeting of the Steven F. Ostrow (University Park, 2014), Metal Working Group, ed. E. Hyslop, 21–40. V. Gonzalez, L. Troalen, and L. Wilson (Edinburgh, 2013), 271–279. >Odile Madden, Robyn Hodgkins, and Susan Heald, “Substituting >Joyce Tsai, Jay Krueger, and Christopher SPME for Noses in the Detection and Maines, “Transparency and Light, Quantification of Mothball Vapors Structure and Substance: Enamel Paints from Textiles in the National Museum in Lazlo Moholy-Nagy’s ‘Z VII’ (1926),” of the American Indian Collection,” in Journal for the American Institute ICOM-CC 17th Triennial Conference for Conservation 52, no. 4 (2013): Preprints, Melbourne, 15–19 236–244. , ed. J. Bridgland September 2014 >Tana Elizabeth Villafana, William P. (Paris, 2014), 9. Brown, John K. Delaney, Michael Palmer, >Constance McCabe, Matthew L. Clarke, Warren S. Warren, and Martin C. Fischer, Christopher A. Maines, Lisa Barro, “Femtosecond Pump-probe Microscopy Silvia A. Centeno, and Anna Vila, “An Generates Virtual Cross-sections in Initial Investigation into Japine: William Historic Artwork,” Proceedings of the Willis’s Proprietary Paper,” Topics in National Academy of Sciences 111 Photographic Preservation 15 (2013): (2014): 1708–1713. 27–33. >Elizabeth Walmsley, “Technical Images >James Meyer, “Carl Andre: Sculpture as and Painting Technique in Leonardo’s Place,” Artforum 53, no. 1 (September Portrait of Ginevra de’ Benci,” in 2014): 365–366. Leonardo and Optics, ed. F. Fiorani and A. Nova (Venice, 2013), 55–78. >———, interview with Hans Tursack, ATTENTION # 2, (Princeton >———, “Leonardo’s Portrait of University School of Architecture, 2014). Ginevra de’ Benci: A Reading of the X-radiographs and Infrared >Therese O’Malley, “‘Plants in Their Reflectograms,” in Perfection,’ The Botanic Garden and the Leonardo da , ed. M. Illustrated Book,” in Vinci’s Technical Practise Flora Illustrata: Menu (Paris, 2014), 56–71. Great Works from the LuEsther T. Mertz Library of The New York >———, “Italian Renaissance Paintings Botanical Garden, ed. Susan M. Fraser Restored in Paris by Duveen Brothers, and Vanessa Bezemer Sellers (New York Inc., c.1927–1929,” Facture 1 (2013): and New Haven, 2014), 52–77. 58–77. >Therese O’Malley and Kathryn Barush, >Arthur K.Wheelock Jr., “The Dutch with Emily Pugh, Jessica Ruse, and Painting Collection at the National Courtney Tompkins, “‘In the Park’: Lewis Gallery of Art,” in Holland’s Golden Miller’s Chronicle of American Landscape Age in America: Collecting the Art at Mid-Century,” Nineteenth-Century of Rembrandt, Vermeer, and Hals, Art Worldwide 12, no. 1 (Spring 2013). ed. Esmée Quodbach (New York and University Park, 2014), 122–137. >Debra Pincus, “‘Like a Good Shepherd’: A Tribute to Sarah Blake McHam,” in A Scarlet Renaissance, ed. Arnold Victor Coonin (London, 2013), XIII–XVIII. >Emily Pugh, Architecture, Politics, and Identity in Divided Berlin (Pittsburgh, 2014). >Mervin Richard and Linda Stone, “Conservation Space: A Digital Approach to Conservation Documentation,” in ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014, ed. J. Bridgland (Paris, 2014), 7. NATIONAL GALLERY OF ART 79

STAFF LIST

Staff as of 30 September 2014 Design Assistants Development Associate for Senior Event Planner Research Associate Andrea D’Amato Major Gifts Maria E. A. Tousimis Jennifer Roberts Jon Frederick Kelsey Horowitz OFFICE OF THE DIRECTOR Event Planner Curatorial Assistants Design Coordinator Development Associate for Melissa Goodman Kerry Rose Deborah Clark-Kirkpatrick Stewardship and Communications Paige Rozanski Director Budget Specialist Earl A. Powell III Kamal Zargar Production Coordinators Resa Erickson NORTHERN BAROQUE Linda Daniel Development Associate for Chief of Staff & Event Planning Specialist PAINTINGS Executive Assistant Elizabeth Parr Annual Giving Malcolm Dilley Curator and Head of Department Angela M. LoRé Nathan Peek Stephanie Ross Andrew Watt Invitations and Protocol Arthur K. Wheelock Jr. Staff Assistants Development Assistant Benjamin Masri-Cohen Curatorial Associate Celina B. Emery Production Assistants for Operations Chelsea Souza Jennifer Henel Kristin Richmond Caroline Gralton Wayne Henson Brian Sentman Exhibitions Research Assistant Chief Internal Auditor Development Assistant for Henriette Rahusen Lucia Wind Photographer Major Gifts OFFICE OF THE DEPUTY Rob Shelley Sarah Kaplan DIRECTOR/CHIEF CURATOR Graduate Intern Internal Auditor Matthew Lincoln Orin Wolf Head of Graphics Development Assistant for Barbara Keyes Annual Giving Deputy Director and NORTHERN RENAISSANCE SPECIAL PROJECTS Deborah Berg Graphic Design/Silkscreen Chief Curator PAINTINGS Franklin Kelly Congressional Liaison Officer Production CORPORATE RELATIONS Curator and Head of Department and Director of Special Projects Lisa Farrell Administrator for Policy John Oliver Hand Delia Gerace Scott Glenn Perry Deputy Corporate and Programs Relations Officer PHOTOGRAPHS Special Projects Associate Jeffrey Wilson Elizabeth Driscoll Pochter Stefan Wood Cristina Del Sesto Senior Curator and Head Sarah Bohannan Administrative Assistants of Department Head of Exhibits Shop Head of Global Initiatives Nancy Moncure Deiss Special Projects Assistant Ellen Bryant Sarah Greenough Alexandra Lawson Randy Payne Kerry Rose Wallin Exhibits Shop Specialists Senior Officer for Associate Curators EXHIBITIONS Corporate Relations AMERICAN AND Sarah Kennel Lester Dumont BRITISH PAINTINGS Chief of Exhibitions George Grello Jeanette C. Beers Diane Waggoner D. Dodge Thompson George McDonald Special Assistant to the Chief Curator and Head of Department Assistant Curator Nancy K. Anderson Exhibition Officers Robert Motley Development and Corporate Andrea Nelson Jennifer F. Cipriano Head of Lighting Shop Relations Officer Associate Curator Consulting Curator Naomi R. Remes Robert Johnson Charlotte Couch Charles Brock Philip Brookman Ann. B. Robertson Lighting Shop Specialists Corporate Relations Assistant Assistant Curator Research Assistant Assistants for Exhibition Juan Garedo Brittany Bordeaux Deborah Chotner Leslie Ureña Administration Charles Sthreshley Global Initiatives Assistant Consulting Curator Meredith Kablick Curatorial Assistant Head of Paint Shop Emi Kitawaki Sarah Cash Allison Keilman Maryanna Ramirez Dennis Bult Olivia Wood PRESS AND PUBLIC Curatorial Assistant Curatorial Consultant Painters/Finishers INFORMATION Zoë Samels Office Manager/Assistant to Kaitlin Booher Wilber Bonilla the Chief of Exhibitions Chief Press and Public Volunteer Exhibition Assistant Derrick Duarte Wendy Battaglino Information Officer Ellen Layman Chloe Downe DEVELOPMENT Deborah Ziska Exhibition Programs FRENCH PAINTINGS Graduate Interns Chief Development and Deputy Press and Public Grace Kuipers Head of Department Curator and Head of Department Corporate Relations Officer Information Officer Mary Morton Bethany Wratislaw Susan MacMillan Arensberg Christine Myers Anabeth Guthrie Associate Curator PRINTS AND DRAWINGS Associate Curators Deputy Chief Development Senior Publicist Kimberly A. Jones Andrew W. Mellon Senior Curator Margaret Doyle Officer Kathryn Bond of Prints and Drawings Lynn Matheny Kay Casstevens Assistant Curator Consulting Publicist Yuriko Jackall Andrew Robison Audiovisual Production Specialist Senior Development Officer for Mary Carter Office Manager Carroll Moore Major Gifts Curatorial Assistant Publicist Nina O’Neil Susanne L. Cook Assistant Producers Cathryn Dickert Scoville Sarah Holley David Hammer ITALIAN AND SPANISH Old Master Prints Senior Development Officer Web Designer/Systems Developer Elizabeth Laitman Hughes PAINTINGS for Major Gifts and Foundation Dwayne Franklin Curator and Head of Department Staff Assistant Giving Curator and Head of Department Jonathan Bober Calendar/Newsletter Managing Julia M. Hetherington Patricia A. Donovan David Alan Brown Editor and Financial Manager Associate Curator DESIGN AND INSTALLATION Senior Development Officer for Laurie Tylec Associate Curator Gregory Jecmen Annual Giving Gretchen Hirschauer Senior Curator and Chief of Rebecca C. Oliver Program Assistant Assistant Curator Design Miriam Grotte Curatorial Assistant Ginger Hammer Mark Leithauser Development Officer for Planned David Essex Giving Executive Assistant to the Chief of Old Master Drawings Deputy Chief and Head of Giselle Larroque Obermeier Press and Public Information MODERN ART Exhibition Production Domini LeNoir Curator and Head of Department Gordon Anson Development Associate for Curator and Head of Department Margaret Morgan Grasselli Reports and Record Integrity SPECIAL EVENTS Harry Cooper Office Manager Associate Curator Rachel Greiner Chief of Protocol and Special Carol Koelemay Associate Curators Stacey Sell Development Associate for Events Molly Donovan Assistant Curator Architects/Designers Research and Information Carol W. Kelley James Meyer Jamé Anderson Amy Johnston Kristi Maiselman Executive Assistant Donna Kirk Consulting Curator Annie Gray Miller Sarah Newman 80 STAFF LIST

Modern Prints and Drawings Daniel Randall Senior Educator and Manager of Senior Book Designer Bindery Assistant David Smith School Tour and Docent Programs Bradley Ireland Jane E. Higgins Curator and Head of Department William Whitaker Elizabeth Diament Judith Brodie Graphic Designer Reader Services Art Services Specialists Senior Educator and Manager, Rio DeNaro Associate Curators Francis Adams Art Around the Corner Head of Reader Services Carlotta Owens Assistant Production Manager Joseph Hoffman Sara Lesk Lamia Doumato Charles Ritchie John Long Carson Murdach Museum Educator, Reader Services Volunteer Andrew W. Mellon Postdoctoral Michael Russell Production Assistant and Coordinator of Allison Porambo Curatorial Fellow Lewis Schlitt Mariah Shay Professional Development, Adam Greenhalgh Reference Librarian EDUCATION Art Around the Corner 2014 Culturex Fellow John Hagood Curatorial Consultant Julie Carmean María Isabel Hidalgo Urbaneja Lauren Schell Dickens Division Head Reference Librarian for Lynn Pearson Russell Museum Educators, Rothko Project Interlibrary Loan Joseph F. McCrindle Foundation Art Around the Corner Jacqueline L. Protka Graduate Curatorial Intern Administrator Meghan Lally Project Manager, Administration Francesca Kaes Kim Hodges Chelsea Morrocco Laili Nasr Interlibrary Loan Assistants Consulting Educator, Faye Karas SCULPTURE AND School Tour Scheduler DIVISION OF IMAGING AND Public Programs Thomas F. J. McGill Jr. DECORATIVE ARTS Jennifer Cross VISUAL SERVICES Sarah Durkee Interlibrary Loan Volunteer Acting Head of Department Senior Educator and Manager Chief, Division of Imaging Lura Young and Curator of Early European Adult Programs of Family & Teen Programs and Visual Services Circulation Assistants Sculpture Nathalie Ryan Alan Newman Lecturers Charlotte Donvito Alison Luchs Diane Arkin Coordinator of Teen Programs Digital Imaging Services Rodrick McElveen Associate Curator Eric Denker Sarah Diallo Department Head Vertical Files Librarian Eleonora Luciano David Gariff Coordinator of Multiple-Visit Peter Dueker Anne Simmons Curatorial Assistant Adult Programs Tour Scheduler Family Programs Coordinator of Visual Services Vertical Files Student Assistant Emily Pegues C. Arlette Raspberry Paula Lynn Barbara Bernard John W. Hobson Volunteer Manager, Art Information Museum Educator, Family Permissions Coordinator Vertical Files Volunteer Debra Pincus Dianne Stephens & Teen Programs Gwendolyn Fernandez Barbara Goldstein Wood Judith Bernanke Supervisor, Art Information SPECIAL PROJECTS IN Image Permissions, Serials Technicians MODERN ART Volunteer Operations Education Assistant, Family Marta Horgan & Teen Programs NGA Collections Tammy Hamilton Senior Curator Dena Rapoport Peter Huestis Bruce B. Hebblethwaite Staff Assistant Lynne Cooke Digital Imaging Cataloger Katherine Gottschalk Digital Outreach Department of Image Collections CURATORIAL RECORDS Kate Mayo Chief, Library Image Collections AND FILES Academic Programs Chief of Digital Outreach John Gordy Photographic Services Gregory P. J. Most Head of Department Department Head Department Head Deputy Chief and Image Nancy H. Yeide Faya Causey Senior Digital Outreach Producer Dana Allen-Greil Lorene Emerson Specialist for Architecture Associate Administrator Andrea R. Gibbs Color Scientist Anne L. Halpern Ali Peil Digital Outreach Producer Guillermo Saénz Ken Fleisher Image Specialist for Modern Art Graduate Intern Program Administrator for Meg Melvin Photographers Michelle Edelman Internships and Fellowships Front-End Web Developer Mattie M. Schloetzer Carolyn Campbell Ric Blanc Image Specialist for American and REGISTRATION AND LOANS Lee Ewing British Art Education Publications Digital Outreach Intern Greg Williams Andrew L. Thomas Chief Registrar and Resources Allison Burness Tricia Zigmund Michelle Fondas Image Specialist for Italian Art Senior Publications Manager FILM PROGRAMS Visual Information Specialists Melissa Beck Lemke Registrar for Exhibitions Debbie Adenan Donna Mann Film Curator Image Specialist for Special Theresa Beall Christina Moore Writer/Editor Margaret Parsons Projects Collections Information Systems John Schwartz Jennifer Riddell Lisa M. Coldiron Coordinator Film Programmer LIBRARY Susan Finkel Associate Projects Manager Joanna Raczynska Image Specialist for French Art Melanie Spears Harper Executive Librarian Nicholas A. Martin Collections Information Systems PUBLISHING OFFICE Neal T. Turtell Head, Education Resources Image Specialist for Spanish Art Assistant Editor in Chief Leo J. Kasun Thomas A. O’Callaghan Jr. Elizabeth Concha Judy Metro Administrative Librarian/Head of Technical Services Registrar for Loans Manager, Resources Operations, Image Specialist for Northern Deputy Publisher and Roger C. Lawson and Affiliate Loan Coordinator European Art Judith Cline Production Manager Frances Duhart Library Systems Manager Molli E. Kuenstner Assistant Registrar for Loans Chris Vogel Karen P. Cassedy Circulation Desk Technician Shannon Schuler Teacher, School, and Design Manager Library Systems Specialist Carrie A. Scharf Senior Loan Officer Family Programs Wendy Schleicher John Shinn Student Assistant Lisa MacDougall Department Head Senior Editors Staff Assistant Melinda Allen Associate Registrar for Exhibitions Heidi Hinish Tam Curry Bryfogle Jennifer Smith Melissa Stegeman Julie Warnement Volunteer Senior Educator and Manager Sheldon Grossman Associate Registrar for Collections of Teacher Programs Senior Editor for Technical Services CONSERVATION Lehua Fisher Julie A. Springer Permanent Collections Acquisitions Assistants Sally Bourrie Assistant Registrar Program Assistant, David Diaz Chief of Conservation Holly Garner Teacher Programs Managing Editor of CASVA Amanda Kim Mervin Richard Justina Yee Publications Mary Lazarenko Registration Assistant Conservation Administrator Cynthia Ware Jeffrey Leone Carol Nesemann Senior Educator and Manager Michael Skalka of High School Programs Editor Catalogers Consulting Registrar Conservation Program Assistants Elisa Patterson Caroline Weaver John P. Heins Emma Kirks Nancy Swallow Bary Johnson Museum Educator, High School Assistant Editor Michelle LeBleu Art Services Manager J. Bryan Lane Programs Lisa Shea Nicola Wood Daniel Shay Cathy F. Quinn Lorena Baines Budget Coordinator Paula L. Zech Andrew W. Mellon Art Materials Senior Art Services Specialists Museum Educator, School Tour Jaime Lowe Technician James Clark Cataloging Assistants and Docent Programs Lola Castelo Joan Ganzevoort Permissions Manager Gretchen Berkman Deirdre Palmer Andrew Krieger Sara Sanders-Buell Vada Komistra NATIONAL GALLERY OF ART 81

Painting Conservation Scientific Research Department Paul Mellon Visiting Senior OFFICE OF THE Telecommunications Fellows Head of Department Head of Department ADMINISTRATOR Supervisor Michel Hochmann Jay Krueger Barbara H. Berrie Arlington Walker Michael Kiene Senior Conservators Senior Imaging Scientist Mireille Lee Administrator Telecommunications Specialists Carol Christensen John K. Delaney Hérica Valladares Darrell R. Willson Minnie Barbour Ann Hoenigswald Barbara McNair Research Conservator for Paul Mellon Visiting Senior Deputy Administrator Michael Swicklik Brion Shearin Paintings Technology Fellow/Millon Architectural John Robbins Elizabeth Walmsley Juanita Walker E. Melanie Gifford History Guest Scholar Deputy Administrator for Capital Conservation Technician Senior Conservation Scientists Lucia Simonato Projects and Chief Architect ARCHITECTURE AND Douglas Lachance Suzanne Quillen Lomax Ailsa Mellon Bruce Visiting Susan Wertheim ENGINEERING William Leisher Fellow of Modern Christopher Maines Senior Fellows Executive Assistant Senior Engineer/Senior Program and Contemporary Paintings Conservation Scientists Claude Dickerson Erin Fisher Manager Jennifer Hickey Maite Jover de Celis Alison Hunt Lisha Deming Glinsman Financial Analyst Charles E. Culpeper Advanced Kathryn Morales Ulf Küster Raffaella Morselli Melanie Smith Senior Architect/Senior Program Training Fellow Michael R. Palmer Manager Ulrich Pfisterer Assistant to the Administrator Dina Anchin Carl M. Campioli Photographic Materials Scientist Dominique Poulot for Budget Analysis Graduate Intern Matthew Clarke Alla Rosenfeld Jill Dunham Fire Protection Engineer/Program Kari Rayner Manager Charles E. Culpeper Advanced A. W. Mellon Budget Analyst Robert Wilson Paper Conservation Training Fellow Postdoctoral Fellows Karen Sherman Robyn Hodgkins Caroline O. Fowler Architects/Program Managers Systems Manager Head of Department Stephen Hart Whiteman William H. Cross Jr. Kimberly Schenck Chemical Imaging Fellow G. Lee Cathey Kathryn Dooley Michael Gavula PREDOCTORAL FELLOWS CAD Team Senior Conservator Architects/Project Managers IN RESIDENCE Martin Livezey Marian Dirda Bruce D. Condit David E. Finley Fellow Timothy Spencer Conservator CENTER FOR ADVANCED Christopher Ruffing STUDY IN THE VISUAL ARTS Emmelyn Butterfield-Rosen Staff Assistant (CASVA housing) Michelle Facini Construction Project Manager Paul Mellon Fellow Gwendolyn Murphy Matting and Framing Specialists Juan Radulovic Dean Joshua O’Driscoll Ken Ashton ADMINISTRATIVE SERVICES Construction Field Representatives Caroline Danforth Elizabeth Cropper Samuel H. Kress Fellow Chief Stephen M. Brown Shan Linde Associate Deans Susan W. Wager Abby Frankson Jenny Ritchie Cathy Yates Peter M. Lukehart Wyeth Fellow Therese O’Malley Deputy Chief Interior Designer Conservation Technician Elaine Y. Yau Irwin Gueco Michelle Stein Will Young Center Administrator Ittleson Fellow Helen Tangires Administrative Officer Program Analyst Andrew W. Mellon Advanced Subhashini Kaligotla Lauren Huh Training Fellow Scott Stephens Assistant Administrator for Andrew W. Mellon Fellow Josefine Werthmann Budget and Accounting Program Specialist Program Specialist Kristopher W. Kersey Hillary Lord Graduate Intern Bryant L. Johnson Tyrese Davis Twenty-Four-Month Michelle Sullivan Program Staff Chester Dale Fellow Program Specialist (Travel EQUAL EMPLOYMENT Susan Cohn James M. Thomas Coordinator) OPPORTUNITY Photograph Conservation Marie Joy Borja Elizabeth Kielpinski Equal Employment Opportunity Head of Department Hayley Plack PREDOCTORAL FELLOWS Program Assistant Officer Constance McCabe Catherine Southwick NOT IN RESIDENCE Christy Williams Kelly Goode Senior Conservator Courtney Tompkins David E. Finley Fellows FACILITIES MANAGEMENT Sarah S. Wagner Sarah Williams Robert Fucci Printing, Mailroom, David Pullins Administrative Records, Chief Conservator Research Staff and Supply David Samec Alisha Chipman Robyn Asleson Paul Mellon Fellows Mattia Biffis Esther Chadwick Support Services Supervisors Office Manager Object Conservation Joseph Hammond Hannah J. Friedman Angela Dory Michelle Byers Lorenzo Pericolo Dionne Page Head of Department Emily Pugh Samuel H. Kress Fellow Staff Assistant Shelley Sturman Guendalina Serafinelli Adam Jasienski Support Services Specialists Qula Wilder Bryan Durham Senior Conservators Nathaniel Silver Wyeth Fellow Anthony Proctor Senior Mechanical/Physical Plant Daphne Barbour Miri Kim Engineer Judy L. Ozone Members, Center for Advanced Printing Services Specialist Ittleson Fellow Ngoc (Ted) Huynh Study in the Visual Arts, Michael Austin Conservator Academic Year 2013–2014 Rachel Saunders Sustainability Energy Manager Katherine May Printing Services Clerk Andrew W. Mellon Fellow David Matthews Samuel H. Kress Professor Anushirvan Aazami Research Conservator, S. Hollis Clayson Kate Cowcher Facilities Scientist Robert H. Smith Bronze Supply Technicians Twenty-Four-Month Cecily Grzywacz Study Project Edmond J. Safra Visiting Professor Nathan Howell Chester Dale Fellow Dylan Smith Anna Ottani Cavina Ulrick Vilmenay Engineering Nikolas Drosos Andrew W. Mellon Advanced Paul Mellon Senior Fellow Mail Clerk Deputy Chief Twelve-Month Training Fellow Andrés Mario Zervigón Frances Moffatt William Burns Chester Dale Fellow James Gleason William C. Seitz Senior Fellow Nicola Cronin Barham Property, Logistics, and Engineer Conservation Technician David M. Lubin James Cromwell Transportation Mira Patel Robert H. and Clarice Smith Samuel H. Kress Senior Fellows Engineering Technicians Fellow Supervisor Nina L. Dubin Bryan Allen Textile Conservation Jessica Stevenson Stewart Robert Bevard Andreas Henning Gary Ilko Head of Department Ailsa Mellon Bruce Predoctoral Support Services Specialists Michael Ottmers Julia Burke Ailsa Mellon Bruce Senior Fellows Fellowships for Travel Abroad for Mahvash Alemi Kevin Grays Daniel Warrenfeltz Historians of American Art Anthony Sean Hilliard Louise Bourdua Building Automation Preventive Conservation Craig Lee Marvin Johnson Mario Carpo System Manager Head of Department Caroline M. Riley Ailsa Mellon Bruce National Audrey Sands Materials Handler Brian McGivney Bethann Heinbaugh Lemuel Jamison Gallery of Art Sabbatical Juliet Sperling Assistant Building Automation Senior Conservator Curatorial Fellow Motor Vehicle Operator System Manager Michael Pierce Eleonora Luciano Frank Armstrong Michael Smith Senior Conservators of Frames Richard Ford Stephan Wilcox 82 STAFF LIST

Facilities Services Wood Crafters Electricians Human Resources Assistants Electronics Technicians Lynn C. Edwards Troy Cahill Annette Brown Ty Cullins Deputy Chief William Ferguson Jr. Christopher Fioravanti Jamaal Carrington Glenn Hnatt Dan Hamm Jose Guerra Curtis Headlee Louis Wagner Jr. Training Officer Program Specialist Allan Scheufele Timothy Maxwell Judith Frank IT Specialist Vasily Lazarenko Richard Thomson Patrick Parrett Training Specialist Special Projects Coordinator Paint Shop HORTICULTURAL SERVICES Nikkia Anderson Identification William Cabeza Supervisor Chief Reppard Powers III Paul Zappulla PROCUREMENT AND Special Projects Workers Cynthia Kaufmann Brannock Reilly Paul Cotton Paint Leader CONTRACTS Vladimir Solomykov Deputy Chief Anthony Givens Frank Conto Chief Julianna Goodman Risk Management Facilities Specialist Painters Rodney C. Cartwright Horticulturists Deputy Chief Fernando Restrepo Victor Bercian Deputy Chief David Eimers Philip Goldsmith Craig Cruikshank Michael Benavides Work Control Center Miguel Jimenez Solomon Foster Fire Protection Specialist David Gentilcore Contracting Officers Facilities Services Manager James Miller Nathaniel Stroman Kimberley Mead Denise Gilson John Haughey Troy Patterson Jeff Nagle Dean Koepp Operations Work Control Coordinators David Reindl Mason Shop Gardener Leader Deputy Chief John Platt Geoffrey Spotts Supervisor Anthony Ferrell Mark Wallace John Todd Attorney Advisor Gino Ricci Gardeners Major Ethan S. Premysler Building Services Mason Leaders Charles Bauduy Larry Kaylor Purchasing Agents General Foreman Tony Lowe Wayne Buckner Captain Gregory Champlin Charles Boone Patrick Verdin Alessandra Hayes Karen Perry Brian Johnson James Wortham Supervisors Masons Security Command Center Shaun Kelsey Staff Assistant Anthony Dickey Robert Brinkley Lead Operator Chris Myers Patricia Barber Sylvia Dorsey Dennis Colella Devin Sampson David Weston Jr. Daniel Depaz Deborah Hamilton Willie Townes PROTECTION SERVICES Angela Lee Leonard Pagliaro Security Command Center Conrad Solomon Volunteers Chief Operators Leaders Charles Sydnor Beth Beers James J. Lucey Barbara Height Calvin Anderson Martha Davidson James Townsend Investigator Gerald Carthorne Building Operations Randy Harris Eugenio Velazquez Devigar Dozier Enis Pinar Laverne Whitted Deputy Chief Hannah Mazer Sheldon Malloy Investigative Technician Darlene Middleton Rodney Stringer MEDIA PRODUCTION Commanders Keith Hightower Timothy Fortt Assistant Manager Custodians and Laborers Chief Quellan Josey Noel Ashton Administration and Robert Baker Victoria Toye Quinyardo McClain Visitor Services Dawnetta Bell Supervisory Engineering Audiovisual Production Specialists Jeroboam Powell Kenneth Betts Technician Deputy Chief John Conway Lieutenants Wendy Contreras Larry Smith Brian Dooda Elizabeth Thomas Rosario Cordero Patricia Hassell Controls Supervisor Adam Enatsky Program Analyst Dennis Hill Erek Cowins Laura Kinneberg Warren Crumity Anthony Brooks Cheryl Miller Joseph Hudson Jr. Frank Tutko David Lee Jerry Dobbs Controls Technicians Program Specialist Lawrence Marshall Oliver Fowler Fabian Brown Information Technology Manager Andrea Bajrami Vernon Morton Andre Gordon Eugene Givens Suzanne Sarraf Office Assistant Dexter Moten O’linda Harris Jason Johnson Administrative Assistant Jesus Jimenez James Murphy Carolyn Harvey Wayne Valentine Geneva Rosenboro Brock Hawkins Program Assistant Keith Thalhamer Supervisors Alice Holloman MUSIC Dina Mukhutdinova Marlene Tucker David Gali Craig Jenkins Gerald Walker James Hamilton Chief Supply Technician Sharon Jenkins Sheila Wright Stephen Ackert Michelle Cameron Michon Jenkins-Savoy Leaders Sergeants Teresa Lee Artemas Edwards Music Program Specialist Supply Clerk Phillip Arnett Paul Marshall James Gant Danielle DeSwert Hahn Paul Gresham Wesley Branon Gail Maxfield A/C Equipment Mechanics Concert Aides Exhibition Aides Alphonso Brown III Linda Mitchell Seong An Vrejoohie Armenian Marian Ansley Joseph Callahan Gwendolyn Nathan Gregory Curry Mary Carter Sommie Atkinson Jerry Doss Sr. Darryel Parker Timothy Dawson Cathy Kazmierczak Courtney Blanchard Alonzo Fountain Tony Reese Jerry Dicks Michelle Bond Thomas Gorman Leora Richardson Roger Dunning PERSONNEL Deanna Boyd Carolyn Groce Cassandra Smith Harry Groce Mark Teed Chief Linda Byron Angeline Sutton James Hairston Sahlu Teklesadik Douglas Goodell Ray Byron Bridgette Thomas Jeremy Wojciechowski Nicole Caldwell Franklin Jess Tasha Wilson Deputy Personnel Officer Marietta Davis John Rogers Insulators Antonio Williamson Meredith Weiser Kami Farrie Johanna Speight James Deal Personnel Systems Specialists Jennifer Fujii Raymond Tyndle Building Maintenance Dwayne Queen Michele Caputo Stephen Hanson Gregory Tyson Deputy Chief Maintenance Workers Darryl Cherry Tera Jones Andre Vaughn Craig MacFarlane Earl Ashford Angela King Willie Wright Personnel Management Specialist Victor Jamison Elizabeth Moore Philip Young Jr. Production Center Foreman Terrence Snyder Charlie DiPasquale Wilbert Thompson Kristen Northrop Security Driver Ronald Winston Staffing Specialists Nora O’Reilly Carlos Dubose Carpenter Shop Kathy Sutton Davis Candace Oubre Electric Shop Laura Donahue Brittany Strupp Special Police Officers Supervisor Amy West Wayne Alexander Alvin Adams Supervisor Gallery Representatives Calvin Allen Anthony Pizzo Luis Baquedano Roger Allen Wood Crafter Leader Technical Services Leader Sarah Montgomery Irene Anderson-Thomas Carl Sturm Deputy Chief Daniel Smith Leonard Bashful Human Resources Specialists William Cato Jr. Miriam Berman Wiziri Belcher Mendi Cogle Wingfield Technical Services Supervisor Charles Berkley Jr. William Shaw Jeffrey Blaher Vander Blount NATIONAL GALLERY OF ART 83

Brian Bowman Gwendolyn Bell Willie Sims Tania Brown Accountant Neil Braithwaite Jules Bell Johnny Slaughter Pamela Coleman William French Roy Brown Jr. Bridget Day Gary Bland Alexander Stephens Accounting Technicians Vincent Brown Alessandra Echeverri J. D. Blue Charles Sweat Nicole Glaude George Burgess Julia Fernandez Kathryn Boyd Jermaine Thomas Kevin C. Oberman Darwin Capers Nanci Fox-Miller David Bradley Sr. Damien Toler Brenda M. Stevenson David Carder Rian Gaskins Steven Brock Thomas Tyson Stephanie L. Thorpe Slats Carter Lara Ghelerter Frederico Brown Marian Vaughn Valerie M. Wright Edward Chapman Jacqueline Brown David Watchorn Turner Hilliker Darnell Cooper Joshua Brown Ricardo Watson Kaitlin Jencso Payroll Venus Cristwell Christopher Burke Michael Webster Sophia Keith-Sellers Dominic Dangerfield Richard Byrd Raymond White Douglas Kingsbury Payroll Personnel Specialist Larita Dodson Jacqueline Cameron Verda Whitlow Marnier Manley Emma G. Moses James Doye Lee Carter Agnes Whittle Bonnie McBride Payroll Technician Robert Edwards Jesus Castro-Alvarez Lewis Wilborn II Zachariah McGant Margaret Myers Edward Foster Richard Cates James Wilcher Emily Mendonca William Gill Paul Cawley John Wilcher Thomas Mertens TECHNOLOGY SOLUTIONS Ryan Goolsby Marcella Champion Barry Williams Long Nguyen Chief Information Officer Chester Hall Jr. David Clark Edward Williams Jr. Kim Peacock Linda K. Stone Kaisha Harper Ivy Cooper Stephen Williams Natalie Fulgencio Perez Peter Henderson Jr. Larry Dailey Vincent Williams Amanda Saunders Deputy Chief Information Officer Jimmie Hines Randolph Davis Phillip Williamson Mildred Shivers Greg Swift Donna Hinton Edwin Diamola Jr. Timothy Willingham Timothy Turner Information Systems Security Mildred Holeman Stephen Dobbs Andre Wilson Melissa Winter Officer David Jackson Antonio Dorsey Chantay Wilson Merchandise Stock Clerks Nabil Ghadiali John Eric Jackson James Doye Montre Winbish Terry Gibson Domario Johnson IT Planning & Investment Analyst Alexander Duboise Jr. Anthony Wright Aaron Seaboch Eugene Johnson Patrick Dumsch Kenneth Wright Jr. Susan Farr Ottis Johnson Jr. (Union Raynard Forte II Patricia Wright Operations Supervisor User Services Representative) David Fortunoff Denise Young Kenny Sykes Manager Eliot Jones Baron Foxworth Lead Materials Handler RETAIL OPERATIONS Chris Usher Felisha Jones Olympia Frazier Marvin M. Walton Aaron Kinchen Tameka Gaines Chief Technical Lead Materials Handlers Anthony Kittoe Sherice Garedo David A. Krol Kristhian Senzano Albert Lawrence Russell Gaskins Jr. Mioril Andoque Deputy Chief/Operations Clifton Leach Ardella Gill James B. Everett Instructional Technologist Manager John Legrand Lita Goings Keon Phillips Christina Waldron Karen Boyd Franklin Lewis Joseph Goodman David Logan Debra Graham General Merchandise Manager New Initiatives Richard Lydick Richard Green Christine DerDerian OFFICE OF THE TREASURER IT Program Manager Augustine Maldonado Dennis Hairston Office Administration/Office Laszlo Zeke Rodney Mathew Dorothy Harper Manager Treasurer Lead Developer Isaac Mathis III Burley Harris Laura A. Fitzgerald William W. McClure David Beaudet Oumar Mbodj Jamal Hassan William McLaughlin Denson Haynes Staff Assistants Executive Assistant Applications Developer Denise Milburn Thomas Hill Miriam Dameron Judy Shindel Svetlana Reznikov-Velkovsky Wayne Morris Jr. Lemuel Hillian Adam Prescott Chief of Investments and IT Project Managers Darrin Moyer Fred Holmes Jr. Service Contracts Manager Cash Management Katherine Blackwell Jacob Neal Priscilla Hopkins Anne Valentine George-Ann Tobin Shivansh Goel Beverly North Robert Hyer Manager of Fine Arts Risk Chris Privott David Jakes Visual Information Specialist and Special Projects Operations Jerry Reaves David Johnson Noriko Bell Nancy Hoffmann Marcus Reeves Davier Johnson Manager Book Buyers Greg Swift Lonnie Robertson Demetrius Jones Dennis E. Callaghan Chief Planning and Linda Roché Nathnial Kefale Sr. Donald L. Henderson Budget Officer Infrastructure Manager Loretta Roy Gabriel Kelley James Gaglione Katherine Green Michael Simpson Stephen King Buyers Senior Budget Analysts John Smith Tameka Kyles Nancy A. Sanders Network Engineer Vicki Zobisch Cundiff Timothy Smith Tchalla Lemou Rachael Valentino Orlando Lewis Frank McCarthy Michael Strong Michael Lewis Inventory Control/Reorder Buyer Applications Administrator Altina Sumter Robert Lewis Lisa P. Morgart Budget Analysts Getachew Michael Kevin Taylor Tyrone Lewis Richard Eckert Bawasim Tchalim Lionel Livingston Systems Analyst/Programmer Eileen Ng Linux System Administrator Alexander Bloshteyn Jiabin Wu Edward Thomas Joseph Loy Senior Manager for Financial Joselito Tungcod Cory Lydick Visual Presentation Manager Systems and Reporting Larry Turner Rodney Madison Therese Stripling Kelly Liller OFFICE OF THE SECRETARY Gregory Tyson Ramesh Malhotra Andre Vaughn Charles Manuel III Visual Presentation Technicians Senior Financial Systems Manager AND GENERAL COUNSEL Melissa Cherry Quinton Waldon Maurice Massey II Leslie Braxton Gregory Watson Joseph McClain Store Manager Financial Systems Administrator Secretary and General Counsel Harold Williams Toi-Lynn McKenzie Nancy G. Vibert Lynn Li Elizabeth A. Croog Lee Williams Henry McKinnon Jr. Lynn Williams Lawrence Meyers Assistant Store Managers Financial Reporting Manager Deputy Secretary and Deputy Mitchell Wright Jr. Jonathan Morrow Frenzetta Coward Julianne Ehrman General Counsel Margaret Nelson Kelly Song Guziewski Nancy Robinson Breuer Senior Gallery Protection Coy K. Mayle Jr. GENERAL ACCOUNTING Officer and Trainer Calvin Noble Senior Associate General Counsel Naomi Morgulis Comptroller Yamashita Johnson Willie Norman Julian F. Saenz Roy Ottley Category Specialists David J. Rada Associate General Counsels Gallery Protection Officers Joyce Palmer Mary Heiss Deputy Comptroller Carolyn G. McKee Anani Abalo Theodore Panglao Mary Powell Myles Burgess Isabelle Raval Rukan Ahmed Marian Parker Christopher Siron Aaron Alexander Vincentius Payan Accounts Payable/Retail Legal, Administrative and Lead Cashiers Lori Allen Ronald Piekarski Accounting Manager Governance Specialist Charlene Conlon Clyde Anderson Pamela Pitts Michael Chapman Joanna Gatta Linda Peterson Randy Armstrong Porter Jr. Accounts Receivable Manager Staff Assistants Roan Bascoe Willie Pugh Cashiers Steve Arisumi Carol A. Christ Michael Bass Smith Michael Robinson Maria Aragon Hilary Evans Brian Bates Keith Roseburough Pamela Baxter-Simms 84 STAFF LIST

Museum Arts and Information Michaela Johnson Kathryn Zoeller Hyeran (Alissa) Kim Ann Szabo Administrator Evelyn Katz Gianna Zucchi Stephen Klatsky Barbara Szoradi Catalina Villamizar Nancy Keefe Bonnie Kleinhans June Tancredi Carolyn Kelloff ART INFORMATION Christie Kramer Ragan Tate GALLERY ARCHIVES Marney Kennedy VOLUNTEERS Ruth Kurzbauer Judith Terry Chief Carol King Liane Atlas Eileen LaFleur James (Jim) Thurston Maygene Daniels Ilze King Rosalie Baker Stephen Lake Marylee Tinsley Ann Klein Jay Ball Rosary Lalik Alicia Tisnado Senior Archivist and Michelle Koerner Sonali Ballal Paula Landau Anna Tucker Oral Historian Audrey Kramer Valerie Ballard Marion H. Lebanik Barbara Twigg Anne G. Ritchie Andrea Kraus Anika Belinfanti Virginia Lee Kathy Udell Archivist Bonhee Ku Catherine (Kittie) Beyer Allen M. Lewin Jeanette Van Wormer Michele Willens Naomi Kulakow Margaret Ann Booth Guenter Lewy Ward Van Wormer Olga Kushnir Ilse Lewy Suzanne Vaughn Archives Technician Denise Boxberger Julien LeBourgeios Heather Li Gene Venzke Jean Henry Greta Brown Rosalie Lesser Elizabeth Buchanek Marlane Liddell Ellen Villa Kress Project Archivist Susan Lewis Arthur Bugler Jr. Susan Lightsey Shawn Vreeland Marta Staudinger Paula Litvak Eva Burns Shania Lin Harry Walsh Karen Livornese Volunteer Dianne Maffia Diane Cabe Moon-Shia Wang Garbiñe López Sarah Rouse Barbra Mann Josephine (Jody) Cabezas Diane Wapner Anne Marie Marenburg Dianne Callan Mary Ann Lucey Michael Weaver Patricia Martin Elizabeth (Beth) Callsen Pat Lynagh Margo Stever Weed VOLUNTEERS Luba Marx Nancy Cammack Marion Macdonald Virginia Weschler Marylin Mathis Ann Carroll Theresa Maciejewski Joan Wessel Patricia Mattimore Colleen Casey Cynthia (Cindy) Major Elizabeth (Penny) White DOCENTS Ursula McKinney Joan Chapin Iris Mann Diane Wood Lee Allen Patricia McMurray Zie Wei (Susan) Chen Rikki Marshall Maria Ilona Wood Joan Barkin Amy Meadows Evelyn Childs LeeAnn Matthews Vinnie Zagurski Sue Beddow Linda Meer Rhonda Chocha Roy Matthews Carol Bellonby Sandra Mitchell Lynn Cleary Marshall McBeth Valerie Bernat Margaret Morrison Pat Clopper John McCaffrey Elizabeth Billings Joan Morton Carolyn Codamo Chuck McCorkle Susan Bollendorf Joan Mulcahy Marlene Conner Joan McCormick Marlene Bolze Laurie Nakamoto Dina Cotlier Carolyn McDevitt Irene Bortolussi Akemi Nishida Meghan E. Courtney Margaret McDonald Marina Bradfield Olga Nosova Michael Crowley Irma Jean (I. J.) McNelia Jill Brett Nur Nossuli Deborah Davenport Susan Mekkawi Maureen Fallon Bridgeland Yasuko Okuno Elaine Dawes Kerrie Messelbeck Gail Briggs Mary O’Neill Susan Dawson Barbara Meyers Florence Brodkey Patty Owens Sue Degnan Elaine Miller Ana Maria Brown Hedwig Pasolini Joanne DeSiato Carolyn Morse Donita Buffalo Deborah Pietras Clare Donelan Flavia Thomsen Mostazo Richard Burke Karen Piper Shirley Edelman Elizabeth (Betty) Mullen Karen Campbell Ann Marie Plubell Sibyl Nye Erdman Diane Munro Valerie Carleton Nancy Porter Rose Evans Luzie Nahr Leonard Coburn Ludmila Pruner Susana (Susi) Fainbraun-Shapiro Sherry Nevins Carol Cochran Maria Amelia Ramaciotti Judith Feldman Mary Niebuhr Theresa Daly Patricia Ramirez-Gomez Ileana Fernandez Joan Novell Dina D’Arcangelo Pickett Randolph Barbara Fisher Patricia Orr Gerard de la Cruz Lucia Jean Reynolds Marjorie Fisher Carol O’Shaughnessy Bela Demeter Cynthea Riesenberg Marcy Ford Arnold Palley Anna Dixon Janet Roberson Alan Friedman Susan (Suzi) Pease Cynthia Dormont Eileen Romano Lisa Fullerton Camille Pellegrino Sandra Dugoff Susan Rudy Betty Sue (Suzi) Gallagher Stephen Pelszynski Alice Ellington Sheila Ruffine Chhanda Ganguly Anthony (Tony) Piantes Marilyn Farrington Cathy Ryan Maria Garcia-Borreguero Karin Regan Sharon Feldman Lois Sacks Agnes Gavin Mary L. Regan Victoria Feldman Joyce Schwartz Joyce Gentile Gail Ridgway Paula Ferdinand Nancy Searles Bowen Gerry Arlene Ring Brooke Fink Steven Selden Martin Gerstell Dorothy Robinson Harriet Finkelstein Katy Senkus Jaclyn K. Gibson Martha Rogers Sandra Fischer Judy Shulman Bernard (Benny) Glenn Wynefred Rogerson Virginia Flavin Ruth Sickel Joan Goldwasser John Thomas Rooney Howard Fogt Trudi Small Gretchen Goodrich Gabrielle Rooz Stephenie Frasher Marie-France Smith Barbara Goodwin Emily Roper Barbara Freeman Celia Steingold Lucille (Lucy) Gordon Eugene (Gene) Rosenfeld Phyllis Freirich Christine Stinson Kimberly Gray Shirley Rosenfeld Carla Freyvogel Elizabeth Sullivan Edward Greenberg Carol Russell Maureen Gevlin Traer Sunley Judith Hadley Kalina Schneider Thomas Gilday Laura Symcak Mary Hanrahan Susan (Sue) Schneider Joan Gottfried Carolyn Thayer Mary Kay Happe Roberta Schneidman Gail Gregory Diedre Tillery Tawney Harding Sonja Schulken Laura Hagood Paula Tosini Jean Hay Suzanne Scott Alyson Hardy Shu Chen Tsai Jo Ann Hearld Nancy Searles Mary Harms Diane Tucker Maria Higgins Arlene Selber Melissa Harris Susan Van Nice Nancy Hirshbein Anastasia Sheveleva Jan Haugen Joy Vige Barbara Hodges James Silverwood Anne Haynes Eleanor Wang Celia Hoke Esther Slaff Shannon Hobbs Josephine Wang Mariana de Barros van Hombeeck Jane Smith Nira Hodos Maria Elena Weissman Gail Huh Ann Snuggs Sally Hoffmann Margaret Wesbecher Carol Huls Carol Snyder Patty Hohwiesner Sue Wickwire Irene Jacoby Claire Southerlin George Holliday Brooke Wilding Joan Janshego Mary K. Stoufer Adriana Hopper Marjorie Williams Carolyn Johnson Sheridan Strickland Marta Madrid Horgan Michael Winer Paula Kahn Linda Sundberg Sandy Horowitz Maria Wood Herb Kaplan Michele Sutton Marilyn Horwood Constance Wynn Melissa Kass Bonnie Sweet Merry Hunt Joan Zeizel Henrietta (Henri) Keller James (McKim) Symington Jr. NATIONAL GALLERY OF ART 85

GIFTS/DONORS

The support of the federal government Jasper Johns for the Robert and Jane Gregory P. J. Most $250,000–$499,999 and private sector enables the Gallery Meyerhoff Collection New York University, Institute of Fine Arts Helen Porter and James T. Dyke to fulfill its mission to collect, exhibit, Wolf Kahn interpret, and preserve works of art at Estate of William A. Smith HRH Foundation the highest possible standard. While Ina and Jack Kay † John Sullivan Samuel H. Kress Foundation the federal government provides an Mr. and Mrs. Gerald D. Kohs Anke van Wagenberg annual appropriation for the Gallery’s Mary L. Levkoff $100,000–$249,999 operation and maintenance, works of art Sarah Wagner and Steve Puglia in the collection, the two buildings, and Robert and Mary Looker The Ahmanson Foundation the sculpture garden are made possible Susan and Peter MacGill Charina Endowment Fund through private gifts, as are numerous Kerry James Marshall CORPORATE GIFTS The Charles Engelhard Foundation educational and scholarly programs. The Gallery extends its gratitude to both Collection of Mr. and Mrs. Paul Mellon CJM Foundation/Count and Countess de the federal government and the many Neptune Fine Art The Gallery is grateful to the following La Haye St. Hilaire generous donors listed here who made Pietro S. Nivola national and international corporations and The Mr. and Mrs. Raymond J. Horowitz gifts during fiscal year 2014. These foundations for their generous support in Foundation for the Arts The Heather and Tony Podesta Collection private contributions have allowed the fiscal year 2014: Sharon and John D. Rockefeller IV Gallery to enhance its art collections, Mr. and Mrs. Earl A. Powell III Trellis Fund build its library holdings, present special Wolfgang Ratjen Foundation in honor Altria Group, Inc. exhibitions, undertake conservation The Walton Family Foundation, Inc. of Wolfgang Ratjen’s 70th birthday Bank of America and research, offer comprehensive Mrs. Robert M. Weidenhammer educational initiatives, and pursue Louise and Leonard Riggio Bank of America Foundation scholarly endeavors. Thanks to the Ingrid Rose in memory of her husband, Booz Allen Hamilton ongoing commitment of its supporters $50,000–$99,999 Milton Rose Faber-Castell USA and the federal government, the Gallery Fern M. Schad Howard and Roberta Ahmanson continues to serve the American people. Mitsubishi Estate Co. Ltd Deborah and Edward Shein Blavatnik Family Foundation Louise and John Bryson GIFTS TO THE NATIONAL Mary and Dan Solomon Vincent and Linda Buonanno GALLERY OF ART Pat Steir BENEFACTORS Andrew Szegedy-Maszak and Elizabeth Bernard and Sarah Gewirz (1 October 2013–30 September 2014) Bobrick in honor of Philip and Ina Trager Benefactors are those who have made Virginia Cretella Mars GIFTS OF ART Nicolaas Teeuwisse cumulative gifts of art and/or funds at the Robert Menschel and the Diana and Mallory Walker level of $5,000,000 or more. The following Vital Projects Fund individuals’ names were added to this The Gallery’s collection is the result of The Andy Warhol Foundation for the Park Foundation distinguished list during fiscal year 2014: private generosity. Unlike other national Visual Arts, Inc. Edmond J. Safra Philanthropic Foundation museums throughout the world, the Drs. Yvonne and A. Peter Weiss Denise and Andrew Saul Gallery receives no government funds for John U. and Evelyn S. Nef † the acquisition of art. Works of art were Woodner Collection, Dian Woodner George M. † and Linda H. Kaufman Mr. B. Francis Saul II added to the Gallery’s collection in fiscal Nancy Wasell Work, in honor of Lessing John Wilmerding Mr. and Mrs. Albert H. Small J. Rosenwald and Alicia Craig Faxon year 2014 through the generosity of the Wyeth Foundation for American Art friends listed here. The Honorable Alfred H. Moses and William J. Wyer Ms. Fern M. Schad Anonymous Kimberly and John F. Zwetchkenbaum $25,000–$49,999 Allen R. Adler and Frances Beatty Max and Heidi † Berry INDIVIDUAL AND FOUNDATION GIFTS Buffy and William † Cafritz John Harvey Schlichte Bergen LIBRARY GIFTS James A. Bergquist, Boston, in honor Joseph M. Cohen of Peter Parshall Gifts of $1,000 or more for art acquisition, Grega and Leo A. Daly III Fund for special exhibitions, education, outreach, C. G. Boerner The following individuals and institutions Architectural Books made significant gifts to the Library and conservation, research initiatives, and Lenore S. and Bernard A. Greenberg Fund Judith Brodie and Mervin Richard, its Image Collections Department in fiscal unrestricted support were received from in honor of Thomas G. Klarner year 2014: the following generous donors during Agnes Gund Faya Causey fiscal year 2014: Marlene Nathan Meyerson Chuck Close Library Family Foundation $1,000,000 or more Gary Davis Ruth Fine in honor of Thomas Klarner Matthew and Ann Nimetz The Lee and Juliet Folger Fund Roy † and Cecily Langdale Davis in honor Michelle Smith The Andrew W. Mellon Foundation of Judith O. Sieg Image Collections Terra Foundation for American Art Emily and Mitchell Rales James F. Dicke Family Anonymous Diana Walker David Rubenstein Jim Dine James S. Ackerman William and Sarah Walton Mercedes Eichholz † Nancy Anderson Victoria and Roger Sant Robert and Mercedes Eichholz † William Craft Brumfield $10,000–$24,999 $500,000–$999,999 The Epstein Family Collection Miles Chappell Gay Block Robert and Mercedes Eichholz Elizabeth Cropper Nancy and Carl Gewirz Foundation Kenneth and Marcia Dam Pie Friendly Hakuta Family Jo Ann and Julian Ganz, Jr. The Max and Victoria Dreyfus Andrea Gibbs Foundation, Inc. Alfredo Halegua and Dr. Raquel Halegua The Honorable Alfred H. Moses and Louisa C. Duemling Billy E. Hodges Charles Isaacs and Carol Nigro Ms. Fern M. Schad Charles Isaacs and Carol Nigro Samuel H. Kress Foundation Denise Gwyn Ferguson Robert E. Jackson Molli E. Kuenstner The Gottesman Fund in memory of Milton M. Gottesman Virginia and Ira Jackson Collection Roy Lichtenstein Foundation Nicholas A. Martin 86 GIFTS/DONORS

Sylvia K. Greenberg COLLECTORS COMMITTEE OF THE Mary Beth and Don Roth THE CIRCLE OF THE NATIONAL Estate of George D. Havas NATIONAL GALLERY OF ART Pamela K. Royall and William A. Royall Jr. GALLERY OF ART Estate of R. Bruce Hunter Mr. and Mrs. C. Arthur Rutter III The Mark and Carol Hyman Fund The Collectors Committee serves a vital Victoria and Roger Sant The Gallery extends thanks to the Johnson Family Foundation role in broadening the scope of the Louisa Stude Sarofim members of The Circle for their generous Alexander M. and Judith W. Laughlin Gallery’s modern collection. Committee Mr. and Mrs. Andrew Saul annual gifts of $1,000, $2,500, $5,000, members provide invaluable support or $10,000 or more, which provide Ellen and Earle Layman with their annual gifts of $15,000, Jon Shirley unrestricted funding for a range of Edward Lenkin and Roselin Atzwanger $30,000, and more for the acquisition Michelle Smith activities throughout the Gallery. Robert B. Loper of modern art. Roselyne Chroman Swig Co-chairs George Preston Marshall Foundation Co-chairs Leopoldo Villareal Gregory W. Fazakerley R. K. Mellon Family Foundation Kyle J. Krause William and Sarah Walton Gail L. Jacobs Diane A. Nixon Denise Saul Mr. and Mrs. Stanford S. Warshawsky Ivan E. and Winifred Phillips Mr. and Mrs. Dave Williams (Reba) Members Patron Members ($10,000 and above) Billy Rose Foundation Anonymous Terri and Thomas Barry Dr. Richard A. Simms Howard and Roberta Ahmanson THE EXHIBITION CIRCLE OF THE Mr. and Mrs. Lawrence N. Brandt Ladislaus † and Beatrix von Hoffmann Ann and Steven Ames NATIONAL GALLERY OF ART Marc H. and Vivian S. Brodsky Matthew A. & Susan B. Weatherbie Mr. and Mrs. E. William Aylward Mr. and Mrs. Landon V. Butler Jr. Charitable Foundation Mary-Randolph Ballinger Mr. and Mrs. Carter Cafritz The Malcolm Hewitt Wiener Foundation The Gallery wishes to thank the members Anne T. and Robert M. Bass of The Exhibition Circle for their generous Jane R. Cafritz Dian Woodner Eli and Edythe Broad support at the level of $20,000 or more, Giuseppe and Mercedes Cecchi which provides funding for special Calvin and Jane L. Cafritz $1,000–$9,999 exhibitions each year. Judy and Richard Cohen Dr. and Mrs. Paul Carter Anonymous (2) Marshall B. Coyne Foundation, Inc. Joseph M. Cohen Anonymous The American Folk Art Society Louisa C. Duemling Gregory M. Connors Mrs. Ursula E. Andreas Mr. Andrew Athy Jr. The Roger S. Firestone Foundation Mike and Julie Connors Mr. and Mrs. Frederick W. Beinecke Dr. Darryl Atwell Nancy M. Folger and Sidney L. Werkman Edwin L. Cox Ronald M. Bradley Foundation Carolyn S. Brody Betsy and Pete Forster Davis/Dauray Family Fund Ruth Buchanan Andrew Brown Marina Kellen French Mrs. John R. Donnell The Clark Charitable Foundation and Faye F. Cohen Mr. and Mrs. Gordon P. Getty Barney A. Ebsworth A. James & Alice B. Clark Combined Federal Campaign Mrs. Barbara K. Gordon Mrs. Donald G. Fisher Bonnie and Louis Cohen/Rubenstein Hester Diamond Charitable Foundation Mr. and Mrs. Temple Grassi Mr. and Mrs. Hadley Martin Fisher George W. Elliott Mike and Julie Connors Patrick W. and Sheila Proby Gross Aaron I. Fleischman, Lin Lougheed Randi and Bob Fisher Ron and Barbara Cordover Mr. and Mrs. † Newman T. Halvorson Jr. Norma Lee and Morton Funger, The Embassy of France Mr. and Mrs. Frederic C. Hamilton Funger Foundation Lavinia M. Currier Gamblin Artists Colors Co. The Heinz Family Philanthropies Mr. and Mrs. Carl S. Gewirz Irwin and Ginny Edlavitch Professor Joseph L. Gastwirth Mr. and Mrs. Joseph W. Henderson III Mr. and Mrs. Robert Goergen Dr. Mark Epstein and Amoretta Hoeber Ann and Gordon Getty Foundation Lynne and Joe Horning Lenore S. and Bernard A. Greenberg Fund Ms. Denise Gwyn Ferguson Mrs. Martha Gil Montero and Mr. Clark F. Hoyt and Ms. Linda Kauss Peggy and Richard Greenfield The Lee and Juliet Folger Fund Mr. Joseph A. Page J. W. Kaempfer Agnes Gund Monica Lind Greenberg Michael S. Gilchrist Linda H. Kaufman Mr. and Mrs. Andrew S. Gundlach Sylvia K. Greenberg Michael A. Glass Ann and Mark Kington Mimi and Peter Haas Fund Marie M. Halff Mark G. Griffin and Kathleen A. Kennedy Lee G. Kirstein Mr. and Mrs. Frederic C. Hamilton Gail and Benjamin Jacobs Harman Cain Family Foundation Mr. and Mrs. John E. Klein Mr. and Mrs. Richard C. Hedreen Mr. and Mrs. Reuben Jeffery III The Randy Hostetler Living Room Robert and Arlene Kogod Michael R. Klein and Joan I. Fabry Music Fund Ms. Jo Carole and Ronald S. Lauder Chill and Barbara Langhorne Mrs. George M. Kaufman Robert and Arlene Kogod Dr. and Mrs. LaSalle D. Leffall Jr. The Leonard and Evelyn Lauder Lawrence Lawver Jill Howell Kramer Foundation Thelma and Melvin Lenkin Joan and David Maxwell Kyle J. and Sharon Krause Judith and Alexander Laughlin Jacqueline B. Mars Ms. Margaret B. Parsons Lorie Peters Lauthier The Lemon Foundation Virginia Cretella Mars James and Theodore Pedas Family Mary Looker Edward Lenkin and Roselin Atzwanger Edward and Dale Mathias Foundation Chris and Lois Madison Larry and Dee Levinson James H. and Zoe Moshovitis Wes and Jackie Peebles Joan and David Maxwell The Honorable and Mrs. Frederic V. Dewayne and Faith Perry The Honorable Bonnie McElveen-Hunter Mrs. Pat Munroe Malek Embassy of Poland Mr. and Mrs. Edwin Van R. Milbury The George L. Ohrstrom Jr. Foundation Mr. and Mrs. Richard E. Marriott The Lois Roth Endowment Mary V. Mochary Alan and Marsha Paller Mr. and Mrs. Thomas F. McLarty III Mr. and Mrs. Roger D. Stone H. Tony & Marti Oppenheimer and The Wes and Jackie Peebles Mrs. G. William Miller Mr. Neal Turtell, in memory of Thomas Oppenheimer Brothers Foundation Sally Engelhard Pingree The Honorable and Mrs. William A. Nitze G. Klarner John and Mary Pappajohn Irene Pollin Diane A. Nixon The J. and H. Weldon Foundation, Inc. Mr. † and Mrs. David B. Partridge Prince Charitable Trusts John and Mary Pappajohn The Tulgey Wood Foundation Sally Engelhard Pingree Sharon and John D. Rockefeller IV Dr. James D. Parker Tony Podesta Victoria and Roger Sant Phil and Jania Peter Cynthia Hazen Polsky and Leon Polsky Leonard and Elaine Silverstein Dr. and Mrs. Jerold Principato Family Foundation Prince Charitable Trusts Toni A. Ritzenberg Robert H. Smith Family Foundation Mr. and Mrs. Mitchell P. Rales Paul S. Russell, M.D. Mr. Benjamin F. Stapleton III Burton Reiner Mr. and Mrs. Thomas D. Rutherfoord Jr. Diane B. Wilsey Sharon and John D. Rockefeller IV Ellen and Gerry Sigal Michele Rollins and Monique Rollins NATIONAL GALLERY OF ART 87

Robert and Judith Snyder, Andrew and Mrs. Katherine Engelhard Pingree Mr. and Mrs. Edward L. Emes Jr. The Honorable John D. Macomber Molly Snyder, Robert and Jill Granader and Mr. David Andrew Dick Anne L. Emmet Wendy W. Makins Mr. Paul G. Stern The Honorable Stephen W. Porter Harold and Louise Engle Mr. and Mrs. John G. Malcolm and Mrs. Susan Porter Dr. and Mrs. Barry S. Strauch Sarah C. Epstein and Joseph P. Junkin Anne and John Marion Jacqueline Rizik Dr. Charlotte K. Telford and Mr. and Mrs. James W. Evans Jennifer L. Marshall and Neal H. Flieger Mr. Kevin F. Telford Mr. David Rockefeller Mr. and Mrs. Thomas M. Evans Jr. Tim and Jane Matz Mr. and Mrs. Eugene V. Thaw Mrs. Stanley J. Sarnoff Tony and Kathryn Everett Mayo Charitable Foundation Anne and Peter Thomas Mr. and Mrs. Charles C. Shelleman Jr. Barbara G. Fleischman Susan McCabe Mr. and Mrs. John V. Thomas Dr. Richard A. Simms Keith Forman and Mary Morton April McClain-Delaney and John Delaney Mallory and Diana Walker Mr. and Mrs. Robert Bland Smith SaraJane Foster Mr. Dennis K. McClellan and Marvin F. Weissberg Mrs. Frederick M. Stafford Peter A. and Barbara W. Freeman Mr. Steven E. Deggendorf Frederica Wheeler and Charles E. Johnson Dick and Jane Stoker Mr. and Mrs. David Morgan Frost Cynthia McGrath Ken and Dorothy Woodcock Mr. and Mrs. Edward Symes III Anne and Paul Gambal Darina and Allan McKelvie Judy and Leo Zickler Mr. and Mrs. Jon Gerstenfeld Irma Jean and John F. McNelia Supporting Members ($2,500–$4,999) Steven B. and Katrina H. Gewirz Laurel and Robert Mendelsohn, M.D. Sustaining Members ($5,000–$9,999) Anonymous (8) Thomas Gibian and Christina Grady Richard and Ronay Menschel Anonymous (3) Mr. and Mrs. David Alberts Mrs. Martha Gil Montero and Iris and Lawrence Miller James A. and Lynn A. Alexander Ms. Debbie K. Alex and Mr. David Harris Mr. Joseph A. Page Mr. and Mrs. Robert L. Moore Jr. Robert N. Alfandre † Carolyn Small Alper Nancy Glassman Mr. and Mrs. F. Joseph Moravec William B. and Sunny Jung Alsup Aileen Athy Susan Sachs Goldman Catherine Murray Ruth and Sam Alward Andrew Athy Jr. Richard and Mary L. Gray Michael and Sharon Nemeroff Leslie S. Ariail Miriam and Eliezer Benbassat Harry Grubert Nespola Charitable Foundation Miss Gillian Attfield Mr. and Mrs. Douglas J. Besharov Leda McIntyre Hall Melanie and Larry Nussdorf Agatha and Laurence Aurbach Mr. and Mrs. Robert O. Blake Mrs. Helen D. Hellmuth John and Donna Pflieger Captain and Mrs. Sverre Bach Andrew Brown Helen Lee Henderson Mr. Richard J. Price and Brittain Bardes Ellen MacNeille Charles Patti and Mitchell D. Herman Mr. Trent C. Tucker Mr. and Mrs. Robert S. Bennett Mr. and Mrs. Thomas C. Clarke Mr. and Mrs. Robert N. Herman Mr. and Mrs. Steven J. Quamme Marguerite H. Benson Andrea B. Currier Ms. Maria C. Higgins Whayne and Ursula Quin Roberta Matthews Bernstein Lisa and Porter Dawson Richard and Pamela Hinds Drs. Earl and Carol Ravenal The Honorable Stuart A. Bernstein Dr. Joseph P. DiGangi John and Dori Holaday Lola C. Reinsch and J. Almont Pierce and Mrs. Bernstein Virginia Dwan Mr. and Mrs. James K. Holman Douglas and Katherine Rigler Angelina Billon Lionel C. Epstein and Elizabeth P. Beth and Larry Horowitz Mr. and Mrs. Bruce C. Ross-Larson Streicher Ms. Elizabeth S. Bizic John K. Hoskinson and Ana I. Fábregas Roberta O. Roumel Elinor K. Farquhar Mr. and Mrs. James I. Black III Robert and Elizabeth Huffman Jim Rowe and Lisa Adams Mr. and Mrs. Alan H. Fleischmann Susan Bloom John Peters Irelan James J. Sandman and Elizabeth E. Fontaine Barbara and Tom Boggs † Elizabeth D. Mullin Lorna Jaffe Gerry and Lynne Gabrys, Guest Mr. and Mrs. Stephen A. Bou Richard and Ellen Sandor Dr. Dirk C. and Lois U. Jecklin Services, Inc. Jean Ramsay Bower † Jean Schepers Pamela Jenkinson Suzi and Dale Gallagher Marshall and Anne Brachman Mr. Christopher M. Schroeder and Anne Hale Johnson Professor Joseph L. Gastwirth Joan and Jack Bray Ms. Alexandra H. Coburn Mr. James A. Johnson Jr. and Honorable Joseph and Alma Gildenhorn Mrs. Edgar H. Brenner Stephen M. and Louise Schwebel Mr. Frank L. Spencer Mr. and Mrs. Ian Glenday Fleur S. Bresler Mr. and Mrs. Anthony F. Shelley Mrs. Ford A. Kalil Dr. Margaret A. Goodman Ira Don Brown Judith and Jerry Shulman Dr. Jay and Lynn Katzen Dr. Cheryl Gorelick Mr. and Mrs. Wiley T. Buchanan III Dr. and Mrs. Hugh V. Sickel Mrs. Myrtle Katzen Graham Holdings Company Frances Ann Bufalo Ms. Barbara Spangenberg Margot Kelly Lenore S. and Bernard A. Greenberg Fund Mr. and Mrs. Richard I. Burnham Dr. Abigail Spangler Mr. and Mrs. David T. Kenney Mr. and Mrs. † John D. Greenwald Mrs. Mary C. Burrus Peter and Jennie Stathis Justine and David Kenney Elizabeth C. Holleman Russell and Anne Byers Christine J. and Robert L. † Steiner Robin and Carol King Mrs. Sherrill M. Houghton Conrad and Ludmila Cafritz Mr. Terrence D. Straub and Mary Lynn and Nick Kotz Ms. Elizabeth M. Shepard The Fannie and Stephen Kahn Ms. Mary Carey David A. Krol Michele and Glenn Sutton Charitable Foundation Mr. and Mrs. Henry C. Cashen II David A. Lamdin Mary H. D. Swift Betsy Scott Kleeblatt Mrs. Aldus H. Chapin Bruce and Leslie Lane Mr. Akio Tagawa and Ms. Yui Suzuki LaSalle D. Leffall III The Honorable John E. Chapoton and Stephen and Maria Lans Jack and Betty Lou Ludwick Mrs. Chapoton Eileen and Michael Tanner Mrs. Anthony A. Lapham Mr. Forrest E. Mars Jr. Mrs. Robert H. Charles Mr. and Mrs. A. Alfred Taubman Gigi † and Arthur Lazarus Jr. Tom and Charlene Marsh Family Annetta J. Coffelt Dr. and Dr. Leonard Taylor Learned-Preston Foundation Foundation Robert M. Coffelt Jr. Mr. and Mrs. George Valanos Virginia Lee and Lilian Lee Mr. John J. Medveckis T. A. Cox Victoria and Michael Vergason Leon Fund of The Community Mr. Robert B. Menschel Joan Danziger Mr. and Mrs. G. Duane Vieth Foundation Serving Richmond and Robert E. Meyerhoff and Rheda Becker The Charles Delmar Foundation Central Virginia Emily and Frank Vogl Jim and Tracy Millar Mr. and Mrs. H. Richard Dietrich III Willee and H. Finlay Lewis Emily and Stephen Ward Mark Miller Dean and Margarita Dilley Rob Liberatore Dennis and Bridgette Weitzel Fenner Milton Edith R. Dixon Jerome and June Libin Judge Thomas B. Wells and Frederick W. and Linda K. Moncrief Mrs. Mary Jo Wells The William H. Donner Foundation Eugene and Carol Ludwig The Honorable E. Allan Wendt and Joan and Dan Mulcahy Mr. and Mrs. Douglas D. Drysdale Dr. and Mrs. Michael Maccoby Que D. Nguyen Mr. and Mrs. Mark S. Ordan Mr. and Mrs. Merritt P. Dyke Mr. and Mrs. Bruce K. MacLaury Mr. and Mrs. Charles C. Wilkes Mr. and Mrs. Gerald Petitt Elizabeth W. Edgeworth Mr. and Mrs. Worth D. MacMurray 88 GIFTS/DONORS

Professor John Wilmerding Suzanne Bennison and Lars Peterson Faya Causey Mr. and Mrs. H. Stewart Dunn Jr. Alan F. Wohlstetter Elizabeth Benson Mr. and Mrs. J. Patrick Cave Mrs. Diana B. Dunnan Lenore G. Zinn Anne Searle Bent Carmen and Tony Caver Alan and Becky Dye Kathleen Bergen and Alexander Bastos M. E. Challinor and H. S. Richardson Helen Porter and James T. Dyke Tower Project Members Philip D. Berlin and Olivia Adler Mr. Steve Champlin and E & B Family Trust ($2,500 and above) Ellen R. Berlow Ms. Mary Beth Cahill Mr. and Mrs. LeRoy Eakin III James Alefantis Michele and Allan Berman Mrs. Mary L. Chapman Philip and Shirley Edelman Jamie and Joseph Baldinger Richard D. Bernstein Ken and Cynthia Chase Mr. and Mrs. Daniel Edwards Martha Blalock and Christine L. Delucchi Elizabeth G. Berry The Rhoda and David Chase Mr. and Mrs. R. Augustus Edwards III Susan Bennett Family Foundation Robert Hunt Berry Daniel and Marina Ein Christopher R. Boutlier Dr. and Mrs. Alexander C. Chester Mr. and Mrs. Michael R. Beschloss Estelle S. Eisendrath Paula Cooper and Jack Macrae George and Laura Chester Judah Best and Emily Sopensky Julian and Elizabeth Eisenstein Brian and Paula Ballo Dailey Mrs. Pierre Paul Childs Mark and Shelley Betts Marjorie and Anthony Elson Joan Danziger Drs. Thomas and Judith Chused Mr. and Mrs. Albert J. Beveridge III Ms. Catherine B. Elwell Joseph P. DiGangi Kate Clark and Miles Carlisle Gene Bialek and Arlene Brown Mr. and Mrs. Mark T. Emery Neil and Izette Folger Mr. Harris Clay Mr. and Mrs. Mark Bierbower Patricia England and Lenore England Janice Kim and Tony Otten Barbara Clemens Lili and Jon Billings Mr. Xavier Fco. Equihua, Federal Lorie Peters Lauthier Lindsay Kudner Coates Elaine and Richard Binder Strategies Group, Inc. Cheryl G. Numark Mr. and Mrs. Eli A. Cohen Mr. and Mrs. Arthur Birney Jacqueline and Christian P. Erdman Ramon Osuna Suzanne F. Cohen Richard and Suzanne Bissell Mrs. John G. Esswein Robert C. Rea Colb Family Ms. Elizabeth S. Bizic Mrs. John Dwight Evans Jr. Hilary Richardson Mark Colley and Deborah Harsch Dr. and Mrs. V. John Blazina Mr. and Mrs. Rodney E. Eyster Judith Seligson and Allan Greenberg Beth and Terry Collins Ms. Elizabeth R. Boe Mr. and Mrs. Reed Fawell IV Jack Shainman Ambassador Frances D. Cook and Terry Jean Taylor Federico Mr. and Mrs. William C. Boicourt Dunmire, Esq. Paul So Robert and Betsy Feinberg Mr. and Mrs. Edward M. Bolen Jay and Margaret Costan Henry L. Thaggert III Mrs. James J. Ferguson Jr. Ms. Diane Bolz and Mr. and Mrs. Brian Coulter Mr. Michael Alan Finn Andrea E. Ferris Mr. and Mrs. John Courtright Contributing Members ($1,000–$2,499) Countess Peder C. Bonde Deborah B. and Gerald B. File Deborah Cowan Anonymous (4) Kathy Borrus Mr. and Mrs. Thomas A. Fink Warren and Claire Cox Iris Aberbach Mr. and Mrs. Lawrence K. Bou Ms. Gail S. Fleder Bob and Jamie Craft Mr. and Mrs. Dana T. Ackerly II Mr. and Mrs. Joshua S. Bourne Charles and Lisa Claudy Fleischman Mr. and Mrs. Timothy D. Adams John T. Craig Dr. Rosemary T. Bowes and Joy A. Thornton Donald Foley and Louise Hilsen Errol M. Adels and Adrienne Adels Susan Boyd Teresa Yancey Crane John and Eleanor Forrer Mr. and Mrs. Mario A. Aguilar Nomita von Barby Brady The Honorable and Mrs. Walter L. Cutler Mr. and Mrs. P. W. Foster Jr. Ross and Judy Ain Charles and Maureen Brain Kenneth and Marcia Dam David and Jackie Fowler Drs. Katherine Alley and Richard Flax Mr. and Mrs. Robert S. Brandt Ms. Susan H. Darby Florence Bryan Fowlkes Dr. and Mrs. Clement C. Alpert Mr. and Mrs. Raymond E. Brann Jr. Mrs. Stuart C. Davidson Ann Franke and Dan Alpert Judy Areen and Richard Cooper Rita Braver and Robert Barnett Philip and Sara Davis Mr. Mark Frantz and Alexandra Armstrong and Jerry J. McCoy Ms. Megan McNelia Frantz Ms. Catherine Brentzel Stephen and Sara Day Mr. and Mrs. Paul T. Armstrong Frank and Judy Franz Edith H. Brewster The Honorable and Mrs. Whitney Linda Arret John and Leslie Briggs Debevoise Maryann K. Friedman Allie and Ellen Ash Suzanne Brock Frauke de Looper Mr. and Mrs. N. Rickard Frisbie Lila Oliver Asher Jere and Bonnie Broh-Kahn Cristina Del Sesto Cynthia Fry and Hilary Freestone Ann M. Askew Anna Brooke Joy Alexandra de Ménil and Laird Scott James T. Fuller III and Catherine T. Porter Mrs. Martin Atlas Dr. Peter F. Bross and Dr. Lisa Rarick Townsend Reed Ms. Terrell Fuller Mr. and Mrs. Stephen J. Atwood Mr. and Mrs. Andrew J. L. Brown Stephen Neal Dennis Ms. Caroline D. Gabel Anne-Lise Auclair-Jones and Hal Jones Elizabeth and Ben Brown Philip Deutch and Marne Levine Ms. Bonnie L. Gallagher Mrs. Hannah L. Aurbach Mr. and Mrs. Vincent Browning Mr. Bosworth Dewey and Susan Gallagher and Michael Williams Ms. Liz Barratt-Brown Marilyn Austern Ms. E. Ann Brugger and Dr. Len Kogan Mr. and Mrs. David H. Gardner Julia Diaz-Asper Thayer and Kevin Baine Joseph M. Bryan, Jr. Dr. David L. Gardner and Mr. Pete Sally and Edison Dick Williams D. James and Emily Lind Baker Mr. and Mrs. John G. Buchanan III Mr. and Mrs. James F. Dicke II Ms. Mary Cox Garner Mr. and Mrs. Geoffrey B. Baker Mr. and Mrs. John L. Buchanan John and Anne Dickerson Wendy and William Garner Marion and Frederic L. Ballard Jr. † Deborah and Jeremiah Buckley Erin Barnes and Randall Brater Carole Dickert-Scherr and Jacob Scherr Epstein Becker & Green/The Honorable Sam and Susan Buffone Stuart M. Gerson Mary and Ed Bartlett Mrs. Richard Diebenkorn Janet C. Bullinger Mr. Martin H. Gerstell Dr. Rhoda W. Baruch Allison Cryor DiNardo and Robert Frances and Leonard Burka † DiNardo Mrs. Barbara J. Gibby Dr. and Mrs. Maxwell Barus Mr. David Bushnell and Ms. Ellen Bloom Michael and Betsy Dingman Mr. and Mrs. Kenneth W. Gideon Patricia Bauman and The Honorable Mr. and Mrs. James Butler John Landrum Bryant Doris Dixon Nathalie Gilfoyle Mr. and Mrs. C. Michael Buxton John and Priscilla Becker Mr. and Mrs. William B. Dockser Mr. John R. Gill III William E. Cain and Barbara Harman William and Virginia Becker Mr. and Mrs. Joseph Dorn L. S. T. Gimbel The Honorable John Thiers Calkins Mr. and Mrs. James R. Beers Kitty and Robert Dove David and Lorna Gladstone Foundation Nora L. Cameron Richard Ben-Veniste and Mr. and Mrs. Ryan Drant Mr. and Mrs. Kenneth Glazer Donna Marie Grell Vince Careatti Mr. and Mrs. Larry D. Droppa Gene and Patricia Godley Mrs. Rosannah Bennett Kelly Carr and Bryan Sherbacow Helen and Ray DuBois Patricia Garcia Golding and and Mr. Jackson Bennett Leigh Carter John and Elizabeth Dugan Kenneth Golding Mrs. W. Tapley Bennett Catto Charitable Foundation Jennifer A. Duncan and Richard Bach Ms. Barbara J. Goldsmith NATIONAL GALLERY OF ART 89

Mary Anne Goley Mr. Breckenridge Ingles Mrs. Carolyn G. Lewis Dr. Salma G. Mikhail Mrs. Gretchen Goodrich Dr. Melda Isaac Clayton and Susan Lewis Maxine Whalen Millar Barbara Gordon and Stephen Cannon Shirley Jacobs Jeanne G. Lewis † LTC. Dennis F. Miller, RET and Elizabeth Marsteller Gordon Joan and Garry Jewett Mr. and Mrs. John Van Dusen Lewis Judge Christine O. C. Miller Lucile M. and Jack B. Gordon Carolyn M. Johnson Ms. Toby Devan Lewis Edward and Noël Miller J. Gottfried The Honorable R. Tenney Johnson Beth and Daryl Libow Mr. and Mrs. Karl S. Miller Mary and Kingdon Gould Barbara J. Jones Donald V. Lincoln Henry A. and Judith R. Millon Kathleen Graff Boisfeuillet and Barbara Jones Bill and Elizabeth Livingston James K. and Jane S. Mitchell Drs. David S. Granite and Mr. and Mrs. Peter H. Jost David Lloyd, Realtor Myra and Toby Moffett Mary Lou Oster-Granite Peter J. Kadzik and Amy Weiss Janet and Wingate Lloyd Allen and Myra Mondzac Alexandra and John Graubert S. Kann Sons Co. Foundation Bonnie and Ham Loeb Mr. and Mrs. John H. Montgomery Virginia L. Gray Ann and Julius Kaplan Mr. and Mrs. J. D. Lonardo Barbara and David Morowitz Tom and Pam Green Mr. and Mrs. Peter E. Kaplan Jr. Michelle Dandrea Lowell Ann and Geoff Morrell William S. and Betty K. W. Greenberg Sally B. Kaplan George and Kennie Lupton Mrs. Bailey Morris-Eck and Mr. C. Franklin Eck Jr. Donna Greenfield and Burkey Belser Mr. and Mrs. Steven Kaplan Mr. and Mrs. William Lynch Pearl and Seymour Moskowitz Nelse L. Greenway Mr. and Mrs. Russell Katz Jed and Blythe Lyons Mr. and Mrs. Byrne Murphy Dee Ann Gretz Joëlle M. Kayden Jane MacLeish James J. and Susan D. Murphy George and Christina Griffin Mr. and Mrs. Robert Taylor Scott Keith Jr. John and Susan Magill Jane and Marc Nathanson Elisabeth Griffith Mrs. William J. Kelnhofer Paul Malamud, in memory of Ann Mr. and Mrs. Edgar Nehme Mr. Vincent J. Griski and Anne and David Kendall and Bernard Malamud Mr. Cameron W. Knight Mr. and Mrs. Robert A. Nelson J. Keith Kennedy Mr. and Mrs. Peter L. Malkin Nina B. Griswold Christine Neptune and Robert Brown Mrs. Roger G. Kennedy David and Cynthia Manke Anjali and Arun Gupta Sherry and Louis Nevins Edward and Arleen Kessler Barbra and Phillip Mann Corbin and Pamela Gwaltney Mr. and Mrs. Robert B. Newlin Andrea and Jim Kiernan Mr. and Mrs. Jan W. Mares May Yoneyama Gwinn Mr. and Mrs. Robert C. Nicholas III Paul Killian and Carole Goodson Mr. and Mrs. John F. Mars Dr. Joyce S. Hagel-Silverman Dane A. Nichols William and Ilze King Frank Marshall and Florence Auld Jill and Ridgway Hall Akemi Nishida and S. Paul Selavko Lila W. Kirkland Lydia and Michael Marshall Brook Halvorson Mr. and Mrs. James T. Norman Michael and Evelyn Kitay Christine Martin James and Kristina Hamilton Floyd L. Norton and Kathleen F. Patterson Mr. and Mrs. Lyle Kleinhans Mr. and Mrs. I. Guyman Martin III Ms. Tamzin T. Harding and Judith and Harry Martin Jeffrey Nuechterlein Mr. Michael H. Weaver Mr. Michael Kolakowski Mr. C. Raymond Marvin JoAnn K. and Charles K. Nulsen III John and Gail Harmon Mr. and Mrs. James L. Koltes Charles T. Matheson Mr. and Mrs. Hubert K. O’Bannon John C. and Ruth T. A. Harris Mr. and Mrs. Daniel Korengold and Tana Matisse Foundation Leslie and John Oberdorfer Douglas † and Marion Hart Matt Korn and Cindy Miller Roy T. and LeeAnn Matthews Giselle Larroque Obermeier and Larry Hawk Patricia and John Koskinen Stephen J. Obermeier James and Barbara L. Mauro Mrs. Florence F. Hawkins Stephen P. Koster Esq. Roger H. Ogden Michael and Hannah Mazer Ms. Kristen Hayes Audrey and Kenneth Kramer Mr. and Mrs. Christopher F. Ohrstrom Edward and Tessa McBride Mrs. Christie Kramer and Charles Kirby Sydney J. Olson Pat McCarrick Mr. and Mrs. R. Philip Herget III Mr. and Mrs. M. Kipp Kranbuhl Nancy Bradford Ordway Camilla McCaslin Stephen and Sally Herman Carl Kravitz and Elizabeth Werner Mr. and Mrs. David Osnos Mr. and Mrs. Gary Arthur Kret Mr. Mark S. McConnell and Anita G. Herrick Mrs. Leslie Delagran John Otsuki and Loretta Yenson Edith and John Kuhnle Christy and Fred Hertz Cathy and Scot McCulloch Patty and Carroll Owens Mr. and Mrs. Frank J. Hevrdejs The Honorable Philip Lader John and Katharine Pan and Mrs. Lader Ms. Margaret McDonald and Joe Higdon and Ellen Sudow Fund Mr. William Gruen Mr. and Mrs. Nicholas C. Pappas Mr. and Mrs. François M. J. Lampietti Ms. Janine M. Higgins Tracy and Greg McGillivary Professor and Mrs. Robert E. Park Mr. and Mrs. Christopher Landau Robert and Nancy Hinton John and Martha McGrane Mr. and Mrs. Tony Parker Lonie and Rich Landfield J. Catherine Hirsch Mr. and Mrs. Robert McGrath Gail Kern Paster Mr. and Mrs. Michael Landow Mr. and Mrs. Isao Hishikawa Mr. and Mrs. John A. McGraw Stacy and Eric Patlovich Jean and John Lange Mrs. Frank W. Hoch Mr. and Mrs. John A. McGraw Jr. John and Alma Paty Ms. Dina R. Lassow Ingola and John Hodges Mr. and Mrs. David G. McIntosh Judge and Mrs. Michael T. Paul W. David Lawson Christian and Nora Hohenlohe Ms. Cynthia Adler Mckee Mr. and Mrs. Malcolm E. Peabody Mr. and Mrs. Mark P. Lay Ms. Wilhelmina Holladay Ms. Katlin E. McKelvie and Jonathan and Jill Pearlman Barbara and Robin Lee Leigh and Patrick Holley Mr. Sam Backfield Stanley and JoAnn Pearlman Hillary and Wayne Lee Amanda and Carter Hood Roderick McKelvie and Claire McCarthy James and Theodore Pedas Mr. and Mrs. Lewis Leibowitz Mr. and Mrs. Stephen A. Hopkins Ms. Katherine McLeod Family Foundation Ms. Amanda Leiter and Caroline and Hollis McLoughlin Mr. and Mrs. Ronald H. Peele Jr. William L. Hopkins and Mr. Sambhav Sankar Richard B. Anderson † Mr. and Mrs. James C. Meade Jean Perin Jacqueline and Marc Leland Foundation Mr. Roger Horchow Amy and Marc Meadows Mr. and Mrs. Bruce Coleman Perkins Emily Lenzner and Peter Cherukuri Charles Horn and Jane Luxton Deepika Mehta and Marsh Marshall Ms. Barbara J. Petitti Mr. and Mrs. Terry Lenzner Sari Hornstein Rona and Allan Mendelsohn Mr. James Cowan Peva Elissa Leonard and Jay Powell James R. † and Rosemarie R. Howe Ilia Menocal Malcolm and Margaret Pfunder Herb and Dianne Lerner Mary L. Howell David and Anne Menotti Mr. and Mrs. Devereaux Phelps Jennifer L. Levin Philip and Fiona Huber Ms. Sabina Menschel and Franklin C. Phifer Leon Levy Foundation Mr. and Mrs. Richard Miller Huber Jr. Mr. Edward Priestap Pinnacle West Capital Corporation Mr. and Mrs. Michael M. Levy Margaret S. Hunter Mrs. Alice Merrill Mr. and Mrs. Alan Platt Richard H. Levy and Lorraine Gallard Dr. Lucie G. Hutchinson and Mrs. James G. Mersereau Liz and Greg Platts Mrs. Seena S. Levy Dr. James H. Hutchinson Mr. and Mrs. David A. Metzner Mr. and Mrs. R. Alan Plishker Allen Lewin 90 GIFTS/DONORS

Dr. and Mrs. Alan Pocinki Cathryn Dickert Scoville and Margaret L. Tomlinson Seena and Joseph Aisner, M.D. Sydney M. Polakoff and Thomas Scoville Lalie and Mike Tongour Carolyn Small Alper Carolyn Goldman R. Mark Scowcroft Jessica and Henry Townsend Dennis Alter The Honorable Trevor Potter and Mr. and Mrs. Thomas Scully Mr. and Mrs. Andrew J. Travers Lynn K. Altman Family Trust Mr. Westring Joan Searby Ms. Laura Travis-DePrest and M. Francis Anders Jeff and Elizabeth Powell Mr. and Mrs. Stephen R. Senkus Mr. Geert DePrest Mrs. Martin Atlas Joanne E. Powell Mr. and Mrs. Peter A. Sharp William E. Trueheart and Carol A. Word Merribel S. Ayres Judy Lynn Prince Nona F. Shepard Mr. John C. Ulfelder Ann M. and Thomas W. Barwick Mr. and Mrs. Stuart S. Prince Linda and Stanley Sher Sanford and Beth Ungar Mr. and Mrs. Frederick W. Beinecke Frank Babb Randolph Mrs. Stephen F. Sherwin Jennifer C. Urquhart and Mr. L. Graeme Bell III Susan Rappaport Michael W. Edwards Joan Shorey Professor John Andrew Bernstein Mr. and Mrs. Raymond J. Rasenberger Dr. Irwin Shuman and Jane Stuart Vander Poel and Edoardo Lenzetti The Honorable Max N. Berry and Mary Tinsley Raul and Alan Raul Mrs. Elaine Feidelman Mrs. Berry † Mr. and Mrs. John Daniel Reaves Sylvia and David Silver The Honorable Margaret Vanderhye and Robert Vanderhye Robert Hunt Berry in memory of Cynthia Redick and Robert Brent Leslie and Iris Silverman R. K. Mellon, Ormond E. Hunt, Mr. and Mrs. George D. Vassiliou James Reyes Barry and Beth Simon and Paul Mellon Melanne and Philip Verveer Mr. and Mrs. R. Roland Reynolds Ms. Madlen Simon The Honorable and Mrs. Martha and Robert Vicas William McCormick Blair Jr. Mr. and Mrs. Robert P. Reznick J. L. H. Simonds Ms. Beatrice Busch von Gontard Ambassador and Mrs. Donald Blinken Mrs. Lynn Rhomberg Charles J. Simpson Jr. and in memory of Maurice H. Blinken Pamela Raymont-Simpson Barbara S. Wahl and Charles D. Ossola John and Nina Richardson Jay Bowyer and Christopher Greer Hayes and Jill Smith The Honorable Jenonne Walker Colman and Richard Riddell Kathryn Brooke Hedrick Smith and Susan Zox Dr. and Mrs. Ken Walker Ms. Ridder and Andrew Brown Mr. David Alberswerth Mr. and Mrs. Matthew C. Smith Irene and Bill Wallert Ruth H. Buchanan Marie W. Ridder Mr. and Mrs. T. Eugene Smith Barbara and Harold Walsh Frances Ann Bufalo Ring Mr. and Mrs. Richard W. Snowdon III Mr. John W. Warner IV Vincent J. Buonanno Mr. and Mrs. David B. Ritchey Mr. and Mrs. John W. Snyder Mr. and Mrs. William E. Warren Gilbert Butler Mr. and Mrs. Michael Robbins Dr. Sarah B. Snyder Virginia A. Weil Mr. and Mrs. W. Russell G. Byers Jr. Cara W. Robertson Mr. and Mrs. James R. Socas Amy Weinberg and Norbert Hornstein Buffy and William † Cafritz Dr. William W. Robertson Jr. and Janet W. Solinger Mrs. Eric W. Weinmann Norman and Carolyn K. Carr Karel Dierks Robertson David G. Speck and Georgia E. Welles Jane Washburn Robinson Marcia Neuhaus Speck Susanne and W. Harrison Wellford Faya Causey George A. Roche Mr. W. Cannon Spotswood and J. Tullos Wells Dr. Gerald Cerny Mr. Joseph Rodota Mr. William Allen Walter and Elizabeth Welsh Chuck L. Chandler Mr. and Mrs. Richard Roeckelein Jim Stanford and Gigi Bradford Robert and Kathy Wenger Bruce and Sharyn Charnas Wynefred W. Rogerson The Honorable Cliff and Eileen Shields West A. James Clark and Alice B. Clark Joan Moore Stearns Mr. and Mrs. Frederick S. Rolandi III Ms. Leslie B. Westreich Thomas and Robin Clarke Ms. Joanne Sten Anne and John Rollins Ms. Dorothy B. Wexler Ted Cooper Mr. and Mrs. Joseph Stettinius Jr. Mr. and Mrs. Dugan Romano Katharine Weymouth T. A. Cox Sarah and Ted Stettinius Dr. Gregory C. Romanow and Frances C. Wheeler and Ian and Annette Cumming Dr. Gena L. Romanow Mr. and Mrs. Guy Steuart George Y. Wheeler III Ted Dalziel Shirley and Bill Rooker Mr. and Mrs. Guy T. Steuart III Elizabeth A. White Joan Danziger Mr. and Mrs. Benjamin Rose Elizabeth and George Stevens Jr. Mr. and Mrs. John Wilkinson Muriel G. Davidson Mrs. Milton M. Rose Betsy Stewart Linda and Stephen Willard Roy † and Cecily Langdale Davis Mr. and Mrs. James S. Rosebush Ms. Natalie E. Stewart Suzanne and Richard Willett Shirley Ross Davis Christy Halvorson Ross and Garth Ross Mr. and Mrs. Terence P. Stewart Williams Family Foundation of Virginia L. Dean Mr. and Mrs. David Ruben Whitney Stewart Georgia, Inc. Alexandra D. de Borchgrave Ms. Hattie Ruttenberg and Mr. and Mrs. Richard P. Stifel Jr. Edwin and Kathe Williamson Cristina Del Sesto Mr. Jonathan Molot Linda and Robert Stillman Joanne S. and Walter C. Wilson Dr. Lois de Ménil and Louise and Arnold Sagalyn Mr. Robert Stockho and Ms. Margot Dinneen Wilson Dr. Georges de Ménil Betty H. Sams Dr. Veronika Jenke Ms. Edith B. Wooten and Mr. Ivan Bailey Mr. Harry DeMott and Dr. Maro Sarafian Mr. Donald A. Stoufer and Mrs. Stoufer Mr. Steven J. Wunder Dr. Samantha Aldred Ms. Ann Satterthwaite Amy and Peter Sturtevant Mavis L. Wylie, Ph.D. Marion F. Deshmukh Susan Small Savitsky and Gerald Savitsky Mr. and Mrs. Brendan V. Sullivan Jr. Robert and Linda Yahn Mr. and Mrs. James F. Dicke II Mr. and Mrs. J. Andrew Scallan II Mary Beth and Kevin Sullivan Penny and David Yao Dr. J. Robert DiFulgo Alison and Edith Schafer Mr. and Mrs. Trevor W. Swett III Mrs. Dora Jean Young Dr. Joseph P. DiGangi Mrs. Frances Way Schafer and Ann and Bob Szabo Lois and Ira Young Patricia A. Donovan Mr. William Schafer Ms. Barbara H. Szoradi Mr. and Mrs. Anthony Zelano Robert W. † and Louisa C. Duemling Susan Schaffer and Michael Rogan Ms. Rohini S. Talalla Margot and Paul Zimmerman Virginia Dwan Suzanne H. Scheer Jake and Carrington Tarr Dario and Gió Zucchi Merritt P. Dyke Bob and Patricia Schieffer Ragan S. Tate and Bobby P. Stone Mr. Barney A. Ebsworth Reverend Gail Nicholas Schneider Topsy Taylor Joan M. Eckert Dr. Sara D. Schotland Mrs. Waverly Taylor THE LEGACY CIRCLE Jean Efron Mr. and Mrs. Nash Whitney Schott Dr. Stan Tempchin Robert and Mercedes Eichholz † Jill A. Schuker David and Adena Testa Legacy Circle members are those who Mr. and Mrs. Gerry Elliott Alan E. and Marianne Schwartz Mr. and Mrs. Harry Teter Jr. have decided to include the Gallery in Virginia F. Harrison Elliott † and their estate plans through various means. Dr. and Mrs. Andrew Schwartz Dr. Timothy Thomas George W. Elliott Rhea S. Schwartz and Paul Martin Wolff Mr. and Mrs. Robert H. Thompson Anonymous (39) Mr. A. Thompson Ellwanger III and Mr. Gregory E. Mescha † Mr. Frederic W. Scott Jr. William R. and Norma K. Tiefel The Adels Family NATIONAL GALLERY OF ART 91

Ms. Jane Engle Lynne R. Levin Ann Van Devanter Townsend and The Epstein Family Collection Simon and Bonnie Levin Lewis Raynham Townsend † Dr. K. Bolling Farmer Donald V. Lincoln Jack and Margrit Vanderryn Lee and Ann Fensterstock Francine Schear Linde † in honor of her André-François H. Villeneuve Aaron I. Fleischman parents, Herbert and Blanche Schear Dorothy and Herbert † Vogel Peter T. Foley Robert † and Mary Looker Bettye S. Walker Michael C. Forman and Jennifer S. Rice Angela M. LoRé in memory of her Ambassador Jenonne Walker parents, Charles and Alice LoRé Douglas and Pamela Fowler Mrs. Patricia A. Walters Jack and Betty Lou Ludwick Barbara W. Freeman David Warnock and Deidre Bosley Susan and Peter MacGill Howard and Shirlee Friedenberg Michael H. Weaver Joan and David Maxwell Maryann and Alvin † Friedman Mrs. Robert M. Weidenhammer Ellen McPeake David Morgan Frost The Honorable Allan Wendt and Mr. Harvey Shipley Miller and Que D. Nguyen Morton and Norma Lee Funger Mr. J. Randall Plummer Elizabeth A. White Suzi Gallagher Kent and Marcia Minichiello John C. Whitehead Jo Ann and Julian Ganz, Jr. Lucy G. Moorhead Malcolm Wiener William H. Gerdts and Diane L. Morris Abigail Booth Gerdts Professor John Wilmerding Ann Mosca Mr. and Mrs. Carl S. Gewirz Christopher and Beverly With in The Honorable Alfred H. Moses Memory of Karl and Gerda With Mr. and Mrs. William T. Gibb and Fern M. Schad Andrea Woodner Milly and Arne Glimcher Jeffrey Hugh Newman David F. Wright in memory of my Mary Anne Goley Diane A. Nixon good friend, John Taylor Arms IV Dr. Margaret A. Goodman Stephen and Claudine Ostrow Judy and Leo Zickler Cheryl O. Gorelick Mary and John Pappajohn Charles S. and Elynne B. Zucker Joyce Z. Greenberg in memory Elisa M. Patterson of her husband, Jacob Greenberg Ivan E. and Winifred Phillips † Deceased Lenore and Bernard Greenberg Judith D. Pomeranz Sarah Greenough Helen Porter and James T. Dyke Every effort has been made to create a The Grinstein Family complete and accurate list of contributors. Richard and Jeanne Press Harry Grubert Due to limited space, gifts under $1,000 Judy Lynn Prince are not listed. Agnes Gund Francis H. Rasmus Helena Gunnarsson Gifts to the Gallery may be made in Carol Bird Ravenal, Ph.D. The Stephen Hahn Family Collection the form of cash, securities, or real Mary L. Regan and personal property, and may be Denise Hale Anita † and Burton Reiner directed toward specific programs or be John C. Harbert, M.D. designated as unrestricted. Some donors Mr. † and Mrs. George W. Riesz Richard C. and Elizabeth A. Hedreen make outright gifts, while others elect The Rizik Family to make deferred gifts to help provide Helen Lee Henderson Mary and David † Robinson for the future. All gifts and bequests are Judith F. Hernstadt deductible, within the limits prescribed by Andrew Robison Maria C. Higgins law, for applicable federal tax purposes. David Rockefeller For further information, please call the William L. Hopkins and development office at (202) 842-6372. Richard B. Anderson † Sharon Percy Rockefeller Jeffrey E. Horvitz Diane Rosacker Arthur C. G. Hyland Trina and Lee G. Rubenstein Earle Hyman in memory of Rolf Sirnes Gwendolyn Russell Mr. James A. Johnson Jr. The Honorable Arnold A. † and Joan Saltzman Paul M. Kanev Mrs. Stanley J. Sarnoff Betsy Karel Douglas Schaller Kasper Jean Schepers in memory of Jak Katalan W. Robertson Schepers and Gift of Kaufman Americana E. Beeson Bruce Schepers Foundation in honor of George M. † Deanna J. Schupbach, Ph.D. and Linda H. Kaufman Charles and Helen Schwab Richard and Elaine Kaufman Joyce Pomeroy Schwartz Judith Keenan Deborah and Edward Shein Ellsworth Kelly Ruth and Hugh Sickel Mr. Thomas G. Klarner † Gerald and Ellen Sigal Thomas and Kathleen Koepsell Iris Silverman Robert and Arlene Kogod Albert and Shirley Small Michael W. Kolakowski Robert H. † and Clarice Smith Alice S. and William K. Konze Mrs. Rudolf Sobernheim † Christie Kramer and Charles Kirby Mary and Dan Solomon Julie LaFave James D. and Kathryn K. Steele Evelyn † and Stephen G. Stein Jo Carole and Ronald S. Lauder Mrs. Walter J. Stoessel Jr. Alexander M. and Judith W. Laughlin Donald D. Stone Arthur Lazarus Jr. Robert T. and Bonnie Sweet Virginia Lee in Memory of Dr. and Mrs. Chai-Chang Choi Stanley and Barbara † Tempchin The Honorable and Mrs. Marc E. Leland 92

Copyright ©2015 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978-0-89468-394-7

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: Cover, inside front cover, pages 2–3, 8–9, 20–21, 23, 24, 25, 26, 27, 28, 29, 30, 31, 37, 40–41, 43, 44, 47, 48–49

Photograph by Tricia Zigmund: pages 32–33

Photograph by Elisa Patterson: page 35

Photograph by Nathalie Ryan: page 36

Film still courtesy of United Artists/ Photofest, ©United Artists, Photographer William Piltz: page 38

Photograph by Lee Ewing: page 39

Photograph by John Delaney: page 45

Illustration by Julia Sybalsky and Abigail Mack: page 46

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram NATIONAL GALLERY OF ART Washington, DC