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BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
Central Florida Future, Vol. 22 No. 06, September 7, 1989
University of Central Florida STARS Central Florida Future University Archives 9-7-1989 Central Florida Future, Vol. 22 No. 06, September 7, 1989 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 22 No. 06, September 7, 1989" (1989). Central Florida Future. 939. https://stars.library.ucf.edu/centralfloridafuture/939 NEWSCLIPS ... ~ ........... 3 :- :0::0P.:lNlON .; ......... ~ ...•.... &·' ·: tjOMICS ':' ;.,. '·. :-.~. : ' .•. :;....... 9 ::·· 1;!;, Q,LASS JFl ED. '.:'... ::HO. ,,, 10,: :· .;::: § 'pbfiTSfk ; · ;~. \ .:: .. ..: ·..... f2 :~:::: ) Thentral Florida Future Volume 22, Number 6 University of Central Florida/Orlando Thursday September 7, 1989 Balky elevators· handicap acce·ss by Lance Turner Gold faced is not an isolated case. Frid- ' CENTRAL FLORIDA FUTURE erici also uses a wheelchair and has had to deal with elevator problems A UCF student who uses a wheel since 1970, when she was a student at · chairwas denied access to her class last the University of South Florida. She Wednesday because ofa faulty elevator said elevator breakdown is a problem in the Howard Philips building. throughout the State University Sys Jenni Gold, RTV major, said it was tem. not the first time she had experienced The UCF Student Senate has ad such a difficulty. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
TRAVEL Destination Spotlight: St
ROMANCE TRAVEL Destination Spotlight: St. Kitts 10 & Nevis Places to Honeymoon in Europe Michael Akilah Moore’s Destination &Wedding CONTENTS 3 Publishers’s Message 13 How to Keep the Love Fresh in your Relationship 4 Gluten Free Recipes: 14 10 Romantic Ways Once A Rarity, Now A Tasty To Spend Valentine's Day Option Valentine’s Day 5 Three Cruise Lines 14 10 Romantic Ways That are Perfect for an To Spend Valentine's Day Unforgettable Honeymoon 7 Destination Spotlight: 16 Stockholm: A World Saint Kitts and Nevis of New Experiences For Valentine’s Day 9 Belize, Mother Nature’s 18 10 Great Places to Best Kept Secret Honeymoon in Europe 11 Wild Romance: Find 20 Michael &Akilah the Honeymoon Adventure Moore’s Destination That is Right for You Wedding Publisher’s Message his is our second annual Destination Wedding and 3. Stories from shared experiences like childhood or college Honeymoon issue. In this issue we spotlight Michael make excellent anecdotes to include in your speech. Tese &Akilah Moore’s beautiful destination wedding in stories can also could tug at heartstrings if your anecdote TMexico. We plan to showcase more destinations revolves around something sentimental. weddings in other issues. So if you like your destination 4. I was a member of Toastmasters International and one wedding to be considered email us at: [email protected]. of the things they stressed is the importance of practice. Put Destination Wedding in the subject line. Practice your presentation before the actual event. As you One of the traditions of the wedding is for the best man to practice, you may discover issues with pacing or ways to make the frst toast. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
New Album Reviews
For Those Of You Who Have Never: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world I have always been a fan of the humble compilation. Although much maligned in recent years, they can be a great way to introduce yourself to new artists, or genres. This June has seen a surge of quality collections all begging to be reviewed. Some are designed to showcase a particular label (Floor To Floor for Dusky’s 17 Steps, Facticity for Functions‘ Infrastructure New York, The Lost Tapes for Code Is Law), the selection skills of a certain DJ (Tim Green’s Body Language mix, Ryan Elliott’s Fabric 88), or a specific era’s sound (C87’s 80s indie). If you aren’t a fan of compilations, please don’t despair, as we also find time to review great new artist albums by Rebolledo, Huerco S, Weval, Mala, Trevino, Wolf Müller & Cass, and more. So, put on your reading glasses, open up your ears and let us begin… This week we’ll start with the return of Rebolledo, whose second solo album, Mondo Alterado should be available in your local record store now. Continuing the soundtrack-inspired electronica of last year’s Momento Drive mix CD, Mondo Alterado is a stately, atmospheric downtempo delight. Described in the press notes as being “A kind of soundtrack for a movie that doesn’t exist”, the album conjures a wealth of emotions and imagery, making it Rebolledo’s most rewarding work yet. Opener, Here Comes The Warrior (Super Short Album Version) is a dense and absorbing fifteen minute ride into the heart of ambient grooves. -
Cure for Sanity
THE POP WILL EAT ITSELF CURE FDR SANITY label rca the 2485 on -2- prescription R THE POP pwei a WILL EAT SANITY ITSELF/CURE FOR FOR ITSELF/CURE 22 SANITY EAT j a WILL pwei POP 1. THE INCREDIBLE P.W.E.I vs THE MORAL MAJORITY (1 36 65/oo9 )obpm 2. DANCE OF THE MAD BASTARDS (536 57/205") 126 bpm 34/913 bpm (445 23/246 103 bpm 3. 88 SECONDS... & STILL COUNTING 05i >99 4. X Y & ZEE ) 5. CITY ZEN RADIO 1990/2000 FM THE 54 44 99 <2'26.29/752' •> 106BPM (0 912 ) BPM 6. DR. NIGHTMARE’S MEDICATION TIME .7. TOUCHED BY THE HAND OF prescription 112BPM (31388/723 109 bpm R CICCIOLINA (EDITED HIGHLIGHTS) (74223/ion 8. lOOOx NO! ) 9. PSYCHOSEXUAL -2- (2-16 oo/ooi") 120 (355 86/588 122 bpm Koe 10/142 1275 bpm BPM 10. AXE OF MEN ) 1 1 . ANOTHER MAN’S RHUBARB ) (04i 19/901 92 bpm (355 34/126 > 12. MEDICINE WITH FORKED TONGUE ) 13. NIGHTMARE AT 20,000FT MAN SPEAK on 2485 (< 2269/505 mobpm (5-21.92/666") 120 bpm 109 bpm 14. VERY METAL NOISE POLLUTION > 15. 92°F (THE 3RD DEGREE) 16. LIVED IN <131 66/100 115 bpm the SPLENDOUR: DIED IN CHAOS (506 78 876 )104 bpm 17. THE BEAT THAT REFUSED TO DIE ) rca label ®aA Tmk(s) a Registered • Marca(s) Registrada(s) RCA Corporation. BMG logo ® BMG Music • : 1991 BMG Music (UK) Ltd. • Manufactured and Distributed by BMG Music, New York, N.Y. Printed in U.S.A. -