The Poems of Charlotte Smith Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Poems of Charlotte Smith Pdf, Epub, Ebook THE POEMS OF CHARLOTTE SMITH PDF, EPUB, EBOOK Charlotte Smith | 364 pages | 09 Dec 1993 | Oxford University Press Inc | 9780195083583 | English | New York, United States The Poems of Charlotte Smith PDF Book In a marriage that she later described as prostitution, she was given by her father to the violent and profligate Benjamin Smith. The novel was published in June , a year before France and England went to war and before the Reign of Terror began, which shocked the British public, turning them against the revolutionaries. To Mrs. She helped shape the "patterns of thought and conventions of style" for the period. New York: H. Smith's marriage was unhappy. There are no discussion topics on this book yet. Her two younger siblings, Nicholas and Catherine Ann, were born within the next five years. Dear Customer, As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Charlotte returned to negotiate with them, but failed to come to an agreement. Rachael rated it really liked it Apr 11, Oxford University Press Amazon. Account Options Anmelden. Robert Burns poems 6. E-Book anzeigen. Her Elegiac Sonnets sparked the sonnet revival in English Romanticism; The Emigrants initiated its passion for lengthy meditative introspection; and Beachy Head lent its poetic engagement with nature a uniquely telling immediacy. Ode to the olive tree. I can't wait to read Ms. Charlotte Smith was the author of ten novels, a play, and a host of innovative educational books for children, as well as several volumes of poetry that helped set priorities and determine the tastes of the culture of early Romanticism. Song From the French of Cardinal Bernis. To a young man entering the world. She had to sell her books to pay off her debts. Romantic poet William Wordsworth was the most affected by her works. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. Book the Second. Charlotte Turner Smith: Poems study guide contains a biography of Charlotte Turner Smith, literature essays, quiz questions, major themes, characters, and a full summary and analysis of select poems. She always saw herself as a poet first and foremost, however, as poetry was considered the most exalted form of literature at the time. Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture. Only her father-in-law, Richard, appreciated her writing abilities, although he wanted her to use them to further his business interests. She always saw herself as a poet first and foremost, however, as poetry was considered the most exalted form of literature at the time. She also returned to writing poetry and Beachy Head and Other Poems was published posthumously. Written near a port on a dark evening. Your Name:. Her interests include horse riding, interior decorating, writing and gardening. Your Comment:. When the faint moon, yet lingering in her wane, And veil'd in clouds, with pale uncertain light Hangs o'er the waters of the restless main. Popular Poets 1. Friend Reviews. As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Also, her increasingly blunt prefaces made her less appealing to the public. The second part of the poem is her addressing Petrarch in direct speech, talking to him as to a lover, telling him to use and enjoy his time on earth and to remember that one day he will join her in heaven where she will be waiting for him. All of her works were published under her own name, "a daring decision" for a woman at the time. The Poems of Charlotte Smith Writer As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Smith claimed the position of gentlewoman, signing herself "Charlotte Smith of Bignor Park" on the title page of Elegiac Sonnets. This text is based on the copyrighted Wikipedia article; it is used under the Creative Commons Attribution-ShareAlike 3. All of her works were published under her own name, "a daring decision" for a woman at the time. At the age of six, Charlotte went to school in Chichester and took drawing lessons from the painter George Smith. The graveyard becomes dismantled by the sea and the bones of the dead end up, carried by the tide, mingling amongst the shells and sand on the shore. Oxford University Press. Smith revised Elegiac Poems several times over the years, eventually creating a two-volume work. She convinced Richard to set Benjamin up as a gentleman farmer in Hampshire and lived with him at Lys Farm from until Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture. However, as the years passed, readers became exhausted by Smith's stories of struggle and inequality. Smith had made only eight of thirty-one three-point attempts all season; her coach was Sylvia Hatchell. From The Same. This, the first edition of Smith's collected poems, will restore to all students of English poetry a distinctive, compelling voice. Choose your country or region Close. One of my favourite things about doing a masters which spans many literary periods is the fact that you can come across writers, which you may never have heard of before, and instantly come to admire and appreciate their work. You are commenting using your Facebook account. By the end of her life, it had almost paralyzed her. To Night. Go to this web site and read more Novelist After Benjamin Smith was released from prison, the entire family moved to Dieppe, France to avoid further creditors. In keeping with the traditional sonnet form there is a volta in the sestet. Madison Julius Cawein poems 3. These lines suggest the dissolution of boundaries as aspects of culture and nature become mingled and unified on the beach. Her early novels are exercises in aesthetic development, particularly of the Gothic and sentimentality. Miraculous Plagues Cristobal Silva. Fill in your details below or click an icon to log in:. Poem of the day. Peter Bolton 25 Feb Publishers did not pay as much for these works, however, and by , Smith was poverty-stricken. Home About EN Submission. She had to sell her books to pay off her debts. Her epistolary novel Desmond tells the story of a man who journeys to revolutionary France and is convinced of the rightness of the revolution and contends that England should be reformed as well. Name required. View Poem. Last week in class we studied the Harlem Renaissance; a cultural movement that spanned across many art forms. Smith was a successful writer, publishing ten novels, three books of poetry, four children's books, and other assorted works, over the course of her career. Product Details About the Author. The Poems of Charlotte Smith Reviews Sonnet XLIX. Sonnet X. Index of First Lines. She was born in Hong Kong to an English mother and an American father. Elegiac Sonnets by Charlotte Smith from Wikimedia Commons One of my favourite things about doing a masters which spans many literary periods is the fact…. In the first stanza the speaker gently asks the nightingale why it is so sad that it keeps lamenting to the moon every night. But the speaker already knows that she will resent this happy atmosphere and will instead seek out lonely, shadowy spots, away from the holidaying crowd, because everything that made her happy is gone. Her early novels are exercises in aesthetic development, particularly of the Gothic and sentimentality. Two years later, she, her aunt, and her sister moved to London and she attended a girls school in Kensington where she learned dancing, drawing, music, and acting. Stuart Curran. Ella Wheeler Wilcox poems 4. The second part of the poem is her addressing Petrarch in direct speech, talking to him as to a lover, telling him to use and enjoy his time on earth and to remember that one day he will join her in heaven where she will be waiting for him. In fact, Benjamin illegally spent at least a third of the legacy and ended up in King's Bench Prison in December On the departure of the nightingale. Oxford University Press. The narrator tells the reader about a time when she used to enjoy life, watching the world from somewhere on the hills or on a beach. When Charlotte left Benjamin, she did not secure a legal agreement that would protect her profits—he would have access to them under English primogeniture laws. To tranquillity. The truant dove from Pilpay. Charlotte Turner Smith was an English Romantic poet and novelist. As time passed by, the narrator found herself in the situation to no longer being able to see the beauty in the world. Book The Poems of Charlotte Smith. Written in a tempestuous night on the coast of Sussex. Peace throughout and eas…. Search poems, poets From The Same. To A Querulous Acquaintance Melancholy. Missing a poem of Charlotte Smith? Enabling JavaScript in your browser will allow you to experience all the features of our site. Sonnet XVII. C7 April 3, Textual Notes. William Shakespeare. Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture. Madison Julius Cawein poems 3. Publishers did not pay as much for these works, however, and by , Smith was poverty-stricken.
Recommended publications
  • British Poetry of the Long Nineteenth Century
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries.
    [Show full text]
  • Praise, Patronage, and the Penshurst Poems: from Jonson (1616) to Southey (1799)
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-09-24 Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) Gray, Moorea Gray, M. (2015). Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27395 http://hdl.handle.net/11023/2486 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Praise, Patronage, and the Penshurst Poems: From Jonson (1616) to Southey (1799) by Mooréa Gray A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA SePtember, 2015 © Mooréa Gray 2015 Abstract The Penshurst grouP of Poems (1616-1799) is a collection of twelve Poems— beginning with Ben Jonson’s country-house Poem “To Penshurst”—which praises the ancient estate of Penshurst and the eminent Sidney family. Although praise is a constant theme, only the first five Poems Praise the resPective Patron and lord of Penshurst, while the remaining Poems Praise the exemplary Sidneys of bygone days, including Sir Philip and Dorothy (Sacharissa) Sidney. This shift in praise coincides with and is largely due to the gradual shift in literary economy: from the Patronage system to the literary marketPlace.
    [Show full text]
  • Charlotte Smith’S Own Death
    Charlotte (Turner) Smith (1749-1806) by Ruth Facer Soon after I was 11 years old, I was removed to London, to an house where there were no books...But I found out by accident a circulating library; and, subscribing out of my own pocket money, unknown to the relation with whom I lived, I passed the hours destined to repose, in running through all the trash it contained. My head was full of Sir Charles, Sir Edwards, Lord Belmonts, and Colonel Somervilles, while Lady Elizas and Lady Aramintas, with many nymphs of inferior rank, but with names equally beautiful, occupied my dreams.[1] As she ran through the ‘trash’ of the circulating library, little could the eleven-year Charlotte Turner have imagined that she was to become one of the best-known poets and novelists of the late eighteenth century. In all, she was to write eleven novels, three volumes of poetry, four educational books for young people, a natural history of birds, and a history of England. Charlotte was born in 1749 to Nicholas Turner, a well-to-do country gentleman, and his wife, Anna. Her early years were spent at Stoke Place, near Guildford in Surrey and Bignor Park on the Arun in Sussex. The idyllic landscape of the South Downs was well known to her and was to recur in her novels and poetry time and again: Spring’s dewy hand on this fair summit weaves The downy grass, with tufts of Alpine flowers, And shades the beechen slopes with tender leaves, And leads the Shepherd to his upland bowers, Strewn with wild thyme; while slow-descending showers, Feed the green ear, and nurse the future sheaves! Sonnet XXXI (written in Farm Wood, South Downs in May 1784) Sadly this idyllic life was to end abruptly with the death of Anna Turner, leaving the four-year old Charlotte to be brought up by her aunt Lucy in London.
    [Show full text]
  • Women Poets in Romanticism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Burch University 1st International Conference on Foreign Language Teaching and Applied Linguistics May 5-7 2011 Sarajevo Women Poets in Romanticism Alma Ţero English Department, Faculty of Philosophy University of Sarajevo, Bosnia and Herzegovina [email protected] Abstract: In Bosnia, modern university literary courses usually do not even include Romantic women poets into their syllabuses, which is a huge shortcoming for every student interested in gender studies as such. That is why this paper focuses on the Romantic Era 1790s-1840s and those women who had broken out of their prisons and into the literary world of poetry. Many events, such as the French Revolution, political and social turbulences in Britain, rising female reading audiences, and public coteries have influenced the scope of women poets‘ development and reach. Due to great tensions, male and female Romantic poetry progressed in two contrary currents with opposite ideas regarding many a problem and issue. However, almost every Romantic artist at that time produced works of approval regarding social reforms. Women continued writing, which gained them greater acknowledgment and economic success after all. Poets such as Charlotte Smith and Anna Barbauld were true Romantic representatives of female poets and this is why we shall mostly focus on specific display of their poetic works, language, and lives. Key Words: Romantic poetry, Women poets, Charlotte Smith, Anna Barbauld Introduction The canon of British Romantic writing has traditionally been focused on the main male representatives of the era, which highly contributed to the distortion of our understanding of its literary culture.
    [Show full text]
  • Justice, Dissent, and the Sublime Canuel, Mark
    Justice, Dissent, and the Sublime Canuel, Mark Published by Johns Hopkins University Press Canuel, Mark. Justice, Dissent, and the Sublime. Johns Hopkins University Press, 2012. Project MUSE. doi:10.1353/book.15129. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/15129 [ Access provided at 29 Sep 2021 18:58 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Justice, Dissent, and the Sublime This page intentionally left blank Justice, Dissent, M and the Sublime N Mark Canuel The Johns Hopkins University Press Baltimore © 2012 The Johns Hopkins University Press All rights reserved. Published 2012 Printed in the United States of America on acid-free paper 9 8 7 6 5 4 3 2 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Canuel, Mark. Justice, dissent, and the sublime / Mark Canuel. p. cm. Includes bibliographical references and index. ISBN 978-1-4214-0587-2 (hdbk. : alk. paper) — ISBN 978-1-4214-0609-1 (electronic) — ISBN 1-4214-0587-3 (hdbk. : alk. paper) — ISBN 1-4214- 0609-8 (electronic) 1. Aesthetics in literature. 2. English literature—18th century— History and criticism. 3. English literature—19th century—History and criticism. 4. Justice in literature. 5. Sublime, The, in literature. 6. Romanticism—Great Britain. I. Title. PR448.A37C35 2012 820.9Ј007—dc23 2011047314 A catalog record for this book is available from the British Library. Special discounts are available for bulk purchases of this book.
    [Show full text]
  • Charlotte Smith's Life Writing Among the Dead
    THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020) LW&D56–LW&D80 Un-earthing the Eighteenth-Century Churchyard: Charlotte Smith’s Life Writing Among the Dead James Metcalf King’s College London ABSTRACT The work of poet and novelist Charlotte Smith (1749–1806) has been consis- tently associated with life writing through the successive revelations of her autobiographical paratexts. While the life of the author is therefore familiar, Smith’s contribution to the relationship between life writing and death has been less examined. Several of her novels and poems demonstrate an awareness of and departure from the tropes of mid-eighteenth-century ‘graveyard poetry’. Central among these is the churchyard, and through this landscape Smith re- vises the literary community of the ‘graveyard school’ but also its conventional life writing of the dead. Reversing the recuperation of the dead through reli- gious, familial, or other compensations common to elegies, epitaphs, funeral sermons, and ‘graveyard poetry’, Smith unearths merely decaying corpses; in doing so she re-writes the life of the dead and re-imagines the life of living com- munities that have been divested of the humic foundations the idealised, famil- iar, localised dead provide. Situated in the context of churchyard literature and the churchyard’s long history of transmortal relationships, this article argues that Smith’s sonnet ‘Written in the Church-Yard at Middleton in Sussex’ (1789) intervenes in the reclamation of the dead through life writing to interrogate what happens when these consolatory processes are eroded. Keywords: Charlotte Smith, graveyard poetry, churchyard, death European Journal of Life Writing, Vol IX, 56–80 2020.
    [Show full text]
  • The Circulation of Émigré Novels During the French Revolution
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Katherine Astbury Article Title: The Trans-National Dimensions of the Émigré Novel during the French Revolution Year of publication: 2011 Link to published article: http://www.synergiescanada.org/journals/utp/120884/m3462l212630/6 638764534gx2r1p Publisher statement: None The trans-national dimensions of the émigré novel during the French Revolution The French Revolution exerted a curiously harmonising effect on novelistic production as writers across Europe, especially in those countries immediately bordering France, found inspiration in its events and social ramifications. In particular, the dispersal of émigrés across the continent provided writers with a common series of plot devices through which to explore notions of identity and the interplay of politics and sensibility. Émigrés themselves such as Sénac de Meilhan and Mme Souza wrote novels about emigration, drawing on their personal experiences, but English, German and Swiss writers who witnessed emigration also used it as a device to structure their novels. Despite the fact that these texts by their nature deal with the crossing of national frontiers and the fact that they were often translated and circulated across cultures, the study of the émigré novel as a genre has, until now, largely been conducted along national lines with the result that the trans-national nature of the development of the genre has not been recognised.
    [Show full text]
  • White Creole Women in the British West Indies
    WHITE CREOLE WOMEN IN THE BRITISH WEST INDIES: FROM STEREOTYPE TO CARICATURE Chloe Aubra Northrop, B.S. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2010 APPROVED: Marilyn Morris, Major Professor Laura I. Stern, Committee Member Denise Amy Baxter, Committee Member Richard B. McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Northrop, Chloe Aubra. White Creole Women in the British West Indies: From Stereotype to Caricature. Master of Arts (History), December 2010, 107 pp., 2 illustrations, references, 91 titles. Many researchers of gender studies and colonial history ignore the lives of European women in the British West Indies. The scarcity of written information combined with preconceived notions about the character of the women inhabiting the islands make this the “final frontier” in colonial studies on women. Over the long eighteenth century, travel literature by men reduced creole white women to a stereotype that endured in literature and visual representations. The writings of female authors, who also visited the plantation islands, display their opinions on the creole white women through their letters, diaries and journals. Male authors were preoccupied with the sexual morality of the women, whereas the female authors focus on the temperate lifestyles of the local females. The popular perceptions of the creole white women seen in periodicals, literature, and caricatures in Britain seem to follow this trend, taking for their sources the travel histories. Copyright 2010 by Chloe Aubra Northrop ii ACKNOWLEDGMENTS I would like to thank my wonderful committee, Dr.
    [Show full text]
  • Alexandra Paterson. “Tracing the Earth: Narratives of Personal and Geological History in Charlotte Smith’S Beachy Head.” Romanticism, 25
    Journal of Literature and Science Volume 13, No. 2 (2020) ISSN 1754-646XJournal of Literature and Science 13 (2020) Thomas on Paterson: 83-84 Review: Thomas on Paterson: 83-84 Alexandra Paterson. “Tracing the Earth: Narratives of Personal and Geological History in Charlotte Smith’s Beachy Head.” Romanticism, 25. 1 (2019): 22-31. In “Tracing the Earth: Narratives of Personal and Geological History in Charlotte Smith’s Beachy Head” (hereafter “Tracing the Earth”) Alexandra Paterson examines the way in which the reading of personal history is linked in Charlotte Smith’s Beachy Head (1807) to the reading of geological history. In Beachy Head the geological history of landscape reconfigures Smith’s representation of both self and landscape, a process complemented by Smith’s recasting of lines and themes from her earlier Elegiac Sonnets (1784-1800) such as Sonnet V, “To the South Downs”. “To the South Downs” charts an emotional estrangement from the landscape, with the octave of the poem working to emphasize the change in the speaker’s emotional state over time. The disjunction between the child and adult’s relationship with the landscape in the sonnet reappears in Beachy Head, where around twenty descriptive lines extend the sonnet’s quatrain. Yet, while the compression of both adult and childhood experiences into two quatrains in “To the South Downs” make the contrast between the two evident, Beachy Head blends the speaker’s past and present so that they overlap. Images of tracing and weaving emphasize connections between the two poems and between the child and the landscape, but also weave together past and present selves.
    [Show full text]
  • Romantic Poetry 1 Romantic Poetry
    Romantic poetry 1 Romantic poetry Romanticism, a philosophical, literary, artistic and cultural era[1] which began in the mid/late-18th century[2] as a reaction against the prevailing Enlightenment ideals of the day (Romantics favored more natural, emotional and personal artistic themes),[3][4] also influenced poetry. Inevitably, the characterization of a broad range of contemporaneous poets and poetry under the single unifying name can be viewed more as an exercise in historical The Funeral of Shelley by Louis Edouard Fournier (1889); the group members, from left compartmentalization than an attempt to right, are Trelawny, Hunt and Byron to capture the essence of the actual ‘movement’.[citation needed] Poets such as William Wordsworth were actively engaged in trying to create a new kind of poetry that emphasized intuition over reason and the pastoral over the urban, often eschewing consciously poetic language in an effort to use more colloquial language. Wordsworth himself in the Preface to his and Coleridge's Lyrical Ballads defined good poetry as “the spontaneous overflow of powerful feelings,” though in the same sentence he goes on to clarify this statement by In Western cultural context romanticism substantially contibuted to the idea asserting that nonetheless any poem of of "how a real poet should look like". An idealized statue of a Czech poet value must still be composed by a man Karel Hynek Mácha (in Petřín Park, Prague) repesents him as a slim, tender “possessed of more than usual organic and perhaps unhealthy boy. However, anthropological examination proved sensibility [who has] also thought long that he was a man of a strong, robust and muscular body constitution.
    [Show full text]
  • "A Good Book Is a Blessing": the Life and Reading of Frances Whittle Lewis in Antebellum America
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 "A Good Book is a Blessing": The Life and Reading of Frances Whittle Lewis in Antebellum America Brian Keith Geiger College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Geiger, Brian Keith, ""A Good Book is a Blessing": The Life and Reading of Frances Whittle Lewis in Antebellum America" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626181. https://dx.doi.org/doi:10.21220/s2-c212-6r89 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “A GOOD BOOK IS A BLESSING:” THE LIFE AND READING OF FRANCES WHITTLE LEWIS IN ANTEBELLUM AMERICA A Thesis Presented to The Faculty of the Department of History The College of William and Mary In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Brian K. Geiger 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Brian K. Geip e rJ Approved, July 1998 obertAf. Gross Melvin P. Ely TABLE OF CONTENTS Acknowledgments ................................................................... iv Abstract............................................................................................................ v Chapter 1: An Antebellum Life in North and South...................................... 2 Chapter 2: A World of Books ........................................................................22 Chapter 3: Reading for Life ...........................................................................45 Conclusion...............................................
    [Show full text]
  • Melancholy and Nostalgia in Charlotte Smith's Lyric Poetry Davita
    Pathological Poetics: Melancholy and Nostalgia in Charlotte Smith’s Lyric Poetry Davita DesRoches, Department of English McGill University, Montreal August 2018 A thesis submitted to McGill University in partial fulfillment of the requirement of the degree of Master of Arts. © Davita DesRoches 2018 And as the time ere long must come When I lie silent in the tomb, Thou wilt preserve these mournful pages; For gentle minds will love my verse, And Pity shall my strains rehearse, And tell my name to distant ages. - Charlotte Smith, “To My Lyre” ii Table of Contents Abstract iv Résumé v Acknowledgements vii Preface ix Introduction 1 Chapter One: Mobile Melancholia 10 Formal Melancholia 21 Communal Melancholia 33 Regional Melancholia 44 Chapter Two: Domestic Nostalgia 50 Nostalgic Communities 59 Nostalgic Materials 67 Nostalgic Waters 77 Conclusion 87 Works Cited 89 iii Abstract This study investigates the troubled relationship between British Romantic poetry and the female body by exploring disease as a distinguishing feature of Charlotte Smith’s lyric poetry. My thesis argues that Smith develops a complex pathological poetics in Elegiac Sonnets (1784– 1800), “The Emigrants” (1793), and “Beachy Head” (1807). Smith’s oeuvre displays and diagnoses symptoms of disease and thus features her lyric speaker as both patient and physician. I contend that Smith constructs this pathological persona to emphasize the consequences of making a diseased female body public by taking advantage of the implied female body attached to the female poet’s lyric “I.” Smith’s pathological poetics are most compellingly manifest in her poetry’s concern with melancholy—the “accredited pathology” of great poets—and with nostalgia—the modern disease of “compulsory movement” (Schiesari 9; Goodman “Uncertain Disease” 200).
    [Show full text]