Tejano Music by Derek Phakoo
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Organized Crime and Terrorist Activity in Mexico, 1999-2002
ORGANIZED CRIME AND TERRORIST ACTIVITY IN MEXICO, 1999-2002 A Report Prepared by the Federal Research Division, Library of Congress under an Interagency Agreement with the United States Government February 2003 Researcher: Ramón J. Miró Project Manager: Glenn E. Curtis Federal Research Division Library of Congress Washington, D.C. 20540−4840 Tel: 202−707−3900 Fax: 202−707−3920 E-Mail: [email protected] Homepage: http://loc.gov/rr/frd/ Library of Congress – Federal Research Division Criminal and Terrorist Activity in Mexico PREFACE This study is based on open source research into the scope of organized crime and terrorist activity in the Republic of Mexico during the period 1999 to 2002, and the extent of cooperation and possible overlap between criminal and terrorist activity in that country. The analyst examined those organized crime syndicates that direct their criminal activities at the United States, namely Mexican narcotics trafficking and human smuggling networks, as well as a range of smaller organizations that specialize in trans-border crime. The presence in Mexico of transnational criminal organizations, such as Russian and Asian organized crime, was also examined. In order to assess the extent of terrorist activity in Mexico, several of the country’s domestic guerrilla groups, as well as foreign terrorist organizations believed to have a presence in Mexico, are described. The report extensively cites from Spanish-language print media sources that contain coverage of criminal and terrorist organizations and their activities in Mexico. -
Memories of the Freestyle Music Scene (1 980S-90S)
Memories of the Old School Freestyle Music Scene (1980s-90s) Musical Expressions Embraced by Chicana10 Youth in San Antonio BBL 3023 .901 April 28, 2009 Final - Oral History Project Music Interview Transcript Interviewer: Melissa Casarez Interviewee: Crirtina Casarez Date: April 16, 2009 Page 1 2 Melissa: My name is Melissa Casarez and this is Cristina Casarez and we are gonna talk about freestyle. Q. 1 What were your earliest memories of Freestyle music? Cristina: Um... that would be .... l would say around .... l know I said twelve earlier but it's more like fourteen ...p robably fourteen or fifteen years old. Um... and I believe the first time I heard about it was like in school with my friends. That's usually where you hear everything from when you're young...y ou kinda pick it up from your peers and what's going on during that time ...what's popular Melissa: Q.2 What drew your attention to freestyle? Like, why Freestyle? Cristina: Um..... l guess the beat. Because it's got a Latin, like a Latin kick to it and that ....come being Hispanic or Mexican descent um that's just something that really caught my attention and I just love music in general. Um but when you have something you can move to and it's got a good rhythm um.... that usually attracts my attention. Melissa: Among the teens in your High School, who listened to the music? Who was its prime audience? Cristina: Um .... l would say .... it was probably more the Hispanic um background. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
LA MAFIA 2016 La Mafia with Founding Members Oscar De La
LA MAFIA 2016 La Mafia with founding members Oscar De La Rosa & Armando Lichtenberger Jr. started up in Houston in the early 1980s, and for more than three decades and thirty seven albums has become one of the largest and most critically-acclaimed names in Latin Music. Since the beginning, La Mafia has gained admirers worldwide thanks to a blend of Oscar De La Rosa's passionate singing and Armando Lichtenberger Jr.'s polished productions. The high level stage energy of band members David De La Garza with his famous Roland keytar, Tim Ruiz’s jazz influenced bass solos , rock solid drumming from Eduardo Torres and a touch of Rockero with guitarist Viktor Pacheco La Mafia is always a show to remember. La Mafia also set a precedent in the world of music by being one of the first Mexican-American groups to tour the US, Mexico, and Central / South America , allowing them to vastly expand their base of fans over the whole of the North American continent. Over the years, La Mafia has been praised for its versatility and willingness to explore a wide variety of styles, often blending rock, folk, reggae, and pop with traditional Latin music. Thanks to this matchless talent and the adoration of their listeners, La Mafia has been able to become a household name to generations of music lovers. Their first international release was Estas Tocando Fuego on CBS International / Sony Records in 1991, which has sold more than 4 million copies. 1993's Ahora y Siempre was certified triple platinum by the RIAA. -
April 2020 Premiere | 1 Fresh Air Is Still Safe
April 2020 Premiere | 1 Fresh air is still safe. Explore MOR(e) of NEA. Visit exploremornea.com/currently for ideas on how to stay occupied while practicing social distancing, ways to support local businesses, event cancellations and postponements, information on businesses who are giving back to the community during this time, and MOR(e). 2 | Premiere April 2020 exploremornea.com April 2020 Premiere | 3 26 27 28 32 4 | Premiere April 2020 CONTENTS COVID-19 Keeping You In? 8 A Message from MOR Media Every Little Bit Counts 22 AMMC Volunteer Program Dress for Life 22 Non-profit teaches dressing for success Whole Hearts Farming 26 Local, organic goods Sustainable Practices 27 Green business spotlight Local Tastes Sweeter 28 Mrs. Angie’s Honey Rainbow Garden 29 Paragould Children’s Home Ripple Turns Into a Wave 32 A-State Environmental Club 20 Twenty-Somethings 37 Special Section April 2020 Premiere | 5 From The PUBLISHER... DINA MASON do not even know where to start … I usually We want to congratulate all of our 20/20 fill the role of eternal optimist, sometimes to my Somethings and thank them for participating. own demise, but it is a role I am comfortable We wanted to take the opportunity to demystify Iwith. I tell people I do Premiere because it is an millennial myths. These twenty-somethings defy opportunity to shine a light on the good, so I hope stereotupes: they are leading our commmunity to this issue and the next issues that follow do just a brighter future. that. April is always our Green, Spring, all things new You will notice a few differences – some of these and fresh theme so you will read lots of the “Good stories will say -- read more on-line. -
Types and Meaning of Metaphor in Song Lyrics by Selena Gomez
TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in Department of English Education By : DYAH AYU EVI PUJI LESTARI A320150096 DEPARTMENT OF ENGLISH EDUCATION SCHOOL OF TEACHER TRAINING AND EDUCATION UNIVERSITAS MUHAMMADIYAH SURAKARTA 2020 i ii iii TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Abstrak Penelitian ini berjudul Types and Meaning of Metaphor in Song Lyrics by Selena Gomez. Penelitian ini bertujuan untuk (1) mengidentifikasi tipe-tipe metaphor yang digunakan pada lirik lagu Selena Gomez, (2) menganalisis makna metaphor yang digunakan dalam lirik lagu Selena Gomez. Metode yang digunakan dalam penelitian ini adalah metode kulaitatif. Sumber data diambil dari Sembilan lagu. Teori yang digunakan dalam penelitian ini adalah teori metaphor dari Lakoff dan Johnson (1980). Penelitian ini diawali dengan mengidentifikasi metaphor sesuai teori Lakoff dan Johnson (1980). Kemudian data yang terkumpul dianalisis untuk menemukan makna dari setiap metaphor. Hasil penelitian ini terdapat tiga tipe metaphor dalam lagu Selena Gomez yaitu structural metaphor, orientational metaphor, and ontological metaphor. Metafora Ontologis adalah yang paling sering digunakan dalam lirik lagu. Dari tiga puluh data ada dua puluh metafora ontologis. Sedangkan jenis metafora yang jarang digunakan adalah metafora struktural dan metafora orientasi. Tujuh data adalah jenis metafora struktural (23%), tiga data adalah metafora orientasi (10%), dan dua puluh data adalah metafora ontologis (67%). Kedua, jenis makna, ada tujuh jenis makna yaitu makna konseptual, makna konotatif, makna sosial, makna afektif, makna yang direfleksikan, makna kolokatif, makna tematik. Penelitian ini menemukan tiga jenis makna. Ada 11 makna konseptual (37%), kemudian 18 makna konotatif (60%), dan 1 makna kolokatif (3%). -
Rumba Rhythms, Salsa Sound
MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A THE SALSA SOUND MATT DOEDEN This Page Left Blank Intentionally MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A HE SALSA SOUND T MATT DOEDEN TWENTY-FIRST CENTURY BOOKS MINNEAPOLIS NOTE TO READERS: some songs and music videos by artists discussed in this book contain language and images that readers may consider offensive. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Doeden, Matt. American Latin music : rumba rhythms, bossa nova, and the salsa sound / by Matt Doeden. p. cm. — (American music milestones) Includes bibliographical references and index. ISBN 978–0–7613–4505–3 (lib. bdg. : alk. paper) 1. Popular music—United States—Latin American influences. 2. Dance music—Latin America—History and criticism. 3. Music— Latin America—History and criticism. 4. Musicians—Latin America. 5. Salsa (Music)—History and criticism. I. Title. ML3477.D64 2013 781.64089’68073—dc23 2012002074 Manufactured in the United States of America 1 – CG – 7/15/12 Building the Latin Sound www 5 Latin Fusions www 21 Sensations www 33 www The Latin Explosion 43 Glossary w 56 Source Notes w 61 Timeline w 57 Selected Bibliography w 61 Mini Bios w 58 Further Reading, w Websites, Latin Must-Haves 59 and Films w 62 w Major Awards 60 Index w 63 BUILDING THE Pitbull L E F T, Rodrigo y Gabriela R IG H T, and Shakira FAR RIGHT are some of the big gest names in modern Latin music. -
LCGFT for Music Library of Congress Genre/Form Terms for Music
LCGFT for Music Library of Congress Genre/Form Terms for Music Nancy Lorimer, Stanford University ACIG meeting, ALA Annual, 2015 Examples Score of The Four Seasons Recording of The Four Seasons Book about The Four Seasons Music g/f terms in LCSH “Older headings” Form/genre term Subject heading Operas Opera Sacred music Church music Suites Suite (Music) “Newer headings” Genre/form term Subject heading Rock music Rock music $x History and criticism Folk songs Folk songs $x History and criticism Music g/f terms in LCSH Form/genre term Children’s songs Combined with demographic term Buddhist chants Combined with religion term Ramadan hymns Combined with event term Form/genre term $v Scores and parts $a is a genre/form or a medium of performance $v Hymns $a is a religious group $v Methods (Bluegrass) $a is an instrument; $v combines 2 g/f terms Genre/form + medium of performance in LCSH Bass clarinet music (Jazz) Concertos (Bassoon) Concertos (Bassoon, clarinet, flute, horn, oboe with band) Overtures Overtures (Flute, guitar, violin) What’s wrong with this? Variations in practice (old vs new) Genre/form in different parts of the string ($a or $v or as a qualifier) Demographic terms combined with genre/form terms Medium of performance combined with genre/form terms Endless combinations available All combinations are not provided with authority records in LCSH The Solution: LCGFT + LCMPT Collaboration between the Library of Congress and the Music Library Association, Bibliographic Control Committee (now Cataloging and Metadata Committee) Genre/Form Task Force Began in 2009 LCMPT published February, 2014 LCGFT terms published February 15, 2015 567 published in initial phase Structure Thesaurus structure Top term is “Music” All terms have at least one BT, except top term May have more than one BT (Polyhierarchy) The relationship between a term and multiple BTs is “and” not “or” (e.g., you cannot have a term whose BTs are “Cat” and “Dog”) Avoid terms that simply combine two BTs (e.g. -
New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on Siriusxm
NEWS RELEASE New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on SiriusXM 7/15/2020 Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen channels to Launch at Noon ET for 30 days The Prince Channel returns through August 13 Each Dedicated Artist Channel, Authorized and Produced In Cooperation With The Artists and Their Teams, Features Career-Spanning Hits, Rare Recordings, Interviews, and More Limited-run channels to include guest hosts including Akon, Beck, Big Boi, Carlos Santana, Catherine Zeta-Jones, CeeLo Green, Cypress Hill, Demi Lovato, Dua Lipa, Foo Fighters (Dave Grohl and Taylor Hawkins), Michael Rapaport, Rosie Perez, Sean Lennon, Shawn Mendes and more Click HERE to download individual channel logos through 7/21/20. NEW YORK, July 15, 2020 /PRNewswire/ -- SiriusXM announces the launch of its latest collection of exclusive radio channels dedicated to iconic musicians starting today at Noon ET. SiriusXM's presents brand new channels from Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen, plus the return of The Prince Channel, that will be available through August 13 on the SiriusXM app, internet connected devices and smart speakers in your home. SiriusXM has collaborated with these legendary artists and their teams to create unique, hand-crafted radio channels that listeners and fans will nd nowhere else. For information on these new music channels dedicated to iconic artists head over to https://www.siriusxm.com/newchannels. Beastie Boys Channel will feature classic bangers, deep cuts, rarities and live recordings celebrating the legacy and inuence of Michael "Mike D" Diamond, Adam "ADROCK" Horovitz and the late Adam "MCA" Yauch. -
Highline Repertoire
HIGHLINE REPERTOIRE 50’S, 60’S, 70’S, 80’S ROCK & BLUES All Night Long – Lionel Richie Let’s Go Crazy – Prince Another One Bites the Dust – Queen Like a Prayer – Madonna Bennie and the Jets – Elton John Livin’ on a Prayer – Bon Jovi Billie Jean – Michael Jackson Long Train Running – The Doobie Brothers Black Velvet – Allannah Miles Love Shack – The B-52’s Born to Run – Bruce Springsteen Moondance – Van Morrison Brown Eyed Girl – Van Morrison Mustang Sally – Wilson Pickett C’est La Vie – Robbie Neville Old Time Rock and Roll – Bob Seger Come Together – The Beatles Our House – Madness Crazy Little Thing Called Love – Queen Play That Funky Music – Wild Cherry Dancing in the Dark – Bruce Springsteen Pour Some Sugar on Me – Def Leppard Dancing in the Moonlight – King Harvest Runaround Sue – Dion Do You Love Me – The Contours Satisfaction – The Rolling Stones Don’t Let the Sun Go Down on Me – Elton Son of a Preacher Man – Dusty Springfield John Summer of ’69 – Bryan Adams Don’t Stop Believin’ – Journey Sweet Caroline – Neil Diamond Dreams – Fleetwood Mac Sweet Child o’ Mine – Guns ‘N’ Roses Faith – George Michael Sweet Dreams – Eurythmics Footloose – Kenny Loggins Sweet Home Alabama – Lynyrd Skynyrd Girls Just Want to Have Fun – Cyndi Lauper Take on Me – a-ha Glory Days – Bruce Springsteen The Way You Make Me Feel – Michael Great Balls of Fire – Jerry Lee Lewis Jackson Holiday – Madonna This Must Be the Place – Talking Heads Hound Dog – Elvis Presley Time After Time – Cyndi Lauper I Can’t Go for That – Hall and Oates Tiny Dancer – Elton John -
BMP RGV Chart 85X11 052013.Cdr
RRIOIO GGRANDERANDE VALLEYVALLEY PROPEPROPERTIESRTIES THE VALLEY’S RADIO STATION LEADER STATION NAME “LA LEY” “Digital 101.5” “710 KURV News Talk” “Jack FM” “Super Tejano” “840 AM” “La Lupe” SPANISH SPANISH ENGLISH ENGLISH BILINGUAL SPANISH SPANISH “Mexican Regional” “Spanish Pop” “News/Talk” “Adult CHR” “Tejano” “News, Sports, “Adult Spanish Hits” FORMAT Most popular Spanish from Latin America and The market leader for Rapid growing format; Tejano music has Entertainment” from the 70s, 80s & 90s format in the U.S. Spain; similar to English current affairs, news, Adult Hits. Broad experienced The market’s newest Classic hits in Regional Dj’s speak Spanish Pop music; Dj’s speak weather and sports. playlist of over 2500 growth in popularity in leader for Spanish Mexican music Spanish Announcers speak songs the RGV news, sports & English entertainment SLOGAN “Porque es La Ley” “Musica Internacional” “News Talk 710 KURV” “Playing What We Want” “Where Tejano Lives” “Noticias, Deportes, Entretenimiento” “Viejitas” Emilio Navaira U2 La Mafia Pilar Mondragon Intocable Shakira Rush Limbaugh Los Bukis Elton John Bobby Pulido Hugo De La Cruz Poder del Norte Juanes Sean Hannity Rocio Durcal CORE ARTISTS Sheryl Crow Kumbia Kings Pesado Mana Glenn Beck Juan Gabriel Rolling Stones Selena Spanish Pop Classics ...and many more 18 to 49 Year Old Female - leaning 18-49 Adults 25+ highly Spanish dominant adults Target; 55/45 Male to Year old listeners; educated with an Adults 25-54; White Adults 25-54; This is a Adults 25-54; educated 25-54; Hard working;