LA MAFIA 2016 La Mafia with Founding Members Oscar De La

Total Page:16

File Type:pdf, Size:1020Kb

LA MAFIA 2016 La Mafia with Founding Members Oscar De La LA MAFIA 2016 La Mafia with founding members Oscar De La Rosa & Armando Lichtenberger Jr. started up in Houston in the early 1980s, and for more than three decades and thirty seven albums has become one of the largest and most critically-acclaimed names in Latin Music. Since the beginning, La Mafia has gained admirers worldwide thanks to a blend of Oscar De La Rosa's passionate singing and Armando Lichtenberger Jr.'s polished productions. The high level stage energy of band members David De La Garza with his famous Roland keytar, Tim Ruiz’s jazz influenced bass solos , rock solid drumming from Eduardo Torres and a touch of Rockero with guitarist Viktor Pacheco La Mafia is always a show to remember. La Mafia also set a precedent in the world of music by being one of the first Mexican-American groups to tour the US, Mexico, and Central / South America , allowing them to vastly expand their base of fans over the whole of the North American continent. Over the years, La Mafia has been praised for its versatility and willingness to explore a wide variety of styles, often blending rock, folk, reggae, and pop with traditional Latin music. Thanks to this matchless talent and the adoration of their listeners, La Mafia has been able to become a household name to generations of music lovers. Their first international release was Estas Tocando Fuego on CBS International / Sony Records in 1991, which has sold more than 4 million copies. 1993's Ahora y Siempre was certified triple platinum by the RIAA. La Mafia currently boasts 13 Top-10 hits and four No. 1 songs. During the course of their career, La Mafia has been the winner of two Grammys and two Latin Grammys, with an additional 9 Grammy / Latin Grammy nominations. The most recent of these nominations was for 2009's Eternamente Romanticos. Among other awards and acclaim, Billboard has recognized La Mafia as one of the Top 25 Latin Artists of the last 25 years. The latest album "Amor y Sexo" which was released June 3 2014 debuted in the in Billboards Top Ten on the Hot Latin Tracks and also in the Top Ten in iTunes . In 2015 La Mafia collaborated with Mexico’s Grupo Bronco on a Mashup of the 2 bands biggest hits , “Como Me Duele Amor” and “Que No Quede Huella” which topped the charts Internationally. In 2016 La Mafia has released a new single “Alejate” which is climbing the charts. LA MAFIA Oscar De La Rosa (lead vocalist) Armando Lichtenberger Jr. (keyboards, accordion) David De La Garza (keyboards, vocals) Tim Ruiz, (bass guitar) Eduardo Torres (drums) Viktor Pacheco (guitar) Robbie Longoria (percussion & bajo quinto) GRAMMYS 1995 Grammy Nomination - VIDA “Best Pop Album” 1996 Grammy Nomination - Exitos En Vivo “Best Mexican-American Performance” 1997 Grammy WINNER - Un Millon De Rosas “Best Mexican-American Performance” 1998 Grammy WINNER - En Tus Manos “Best Mexican-American Performance” 1999 Grammy Nomination - Euforia “Best Mexican-American Performance” 2000 Grammy Nomination – Momentos “Best Mexican-American Performance” 2000 Latin Grammy Nomination – Momentos “Best Album Grupero” 2001 Latin Grammy Nomination – Contigo “Best Album Grupero” 2002 Grammy Nomination – Contigo “Best Mexican-American Performance”2002 Latin Grammy Nomination – Inconfundible “Best Tejano Album” 2005 Latin Grammy WINNER – Para El Pueblo “Best Album Grupero” 2006 Latin Grammy WINNER – Nuevamente “Best Tejano Album” 2009 Latin Grammy Nomination – Eternamente Romanticos Best Album Grupero” HIGHLIGHTS Recently named by BILLBOARD as one of the top 25 Latin Artists of the past 25 years Lifetime Achievement Award by the TEJANO MUSIC AWARDS 4 Number 1 BILLBOARD hits 13 Top Ten BILLBOARD hits 8 - Premio Lo Nuestro 12 – Tejano Music Awards Multiple Platinum & Gold albums Extensive tours throughout the USA –Mexico –Central & South America Multiple USO TOURS to Germany –Kosovo – Sarajevo – The Netherlands .
Recommended publications
  • Organized Crime and Terrorist Activity in Mexico, 1999-2002
    ORGANIZED CRIME AND TERRORIST ACTIVITY IN MEXICO, 1999-2002 A Report Prepared by the Federal Research Division, Library of Congress under an Interagency Agreement with the United States Government February 2003 Researcher: Ramón J. Miró Project Manager: Glenn E. Curtis Federal Research Division Library of Congress Washington, D.C. 20540−4840 Tel: 202−707−3900 Fax: 202−707−3920 E-Mail: [email protected] Homepage: http://loc.gov/rr/frd/ Library of Congress – Federal Research Division Criminal and Terrorist Activity in Mexico PREFACE This study is based on open source research into the scope of organized crime and terrorist activity in the Republic of Mexico during the period 1999 to 2002, and the extent of cooperation and possible overlap between criminal and terrorist activity in that country. The analyst examined those organized crime syndicates that direct their criminal activities at the United States, namely Mexican narcotics trafficking and human smuggling networks, as well as a range of smaller organizations that specialize in trans-border crime. The presence in Mexico of transnational criminal organizations, such as Russian and Asian organized crime, was also examined. In order to assess the extent of terrorist activity in Mexico, several of the country’s domestic guerrilla groups, as well as foreign terrorist organizations believed to have a presence in Mexico, are described. The report extensively cites from Spanish-language print media sources that contain coverage of criminal and terrorist organizations and their activities in Mexico.
    [Show full text]
  • BMP RGV Chart 85X11 052013.Cdr
    RRIOIO GGRANDERANDE VALLEYVALLEY PROPEPROPERTIESRTIES THE VALLEY’S RADIO STATION LEADER STATION NAME “LA LEY” “Digital 101.5” “710 KURV News Talk” “Jack FM” “Super Tejano” “840 AM” “La Lupe” SPANISH SPANISH ENGLISH ENGLISH BILINGUAL SPANISH SPANISH “Mexican Regional” “Spanish Pop” “News/Talk” “Adult CHR” “Tejano” “News, Sports, “Adult Spanish Hits” FORMAT Most popular Spanish from Latin America and The market leader for Rapid growing format; Tejano music has Entertainment” from the 70s, 80s & 90s format in the U.S. Spain; similar to English current affairs, news, Adult Hits. Broad experienced The market’s newest Classic hits in Regional Dj’s speak Spanish Pop music; Dj’s speak weather and sports. playlist of over 2500 growth in popularity in leader for Spanish Mexican music Spanish Announcers speak songs the RGV news, sports & English entertainment SLOGAN “Porque es La Ley” “Musica Internacional” “News Talk 710 KURV” “Playing What We Want” “Where Tejano Lives” “Noticias, Deportes, Entretenimiento” “Viejitas” Emilio Navaira U2 La Mafia Pilar Mondragon Intocable Shakira Rush Limbaugh Los Bukis Elton John Bobby Pulido Hugo De La Cruz Poder del Norte Juanes Sean Hannity Rocio Durcal CORE ARTISTS Sheryl Crow Kumbia Kings Pesado Mana Glenn Beck Juan Gabriel Rolling Stones Selena Spanish Pop Classics ...and many more 18 to 49 Year Old Female - leaning 18-49 Adults 25+ highly Spanish dominant adults Target; 55/45 Male to Year old listeners; educated with an Adults 25-54; White Adults 25-54; This is a Adults 25-54; educated 25-54; Hard working;
    [Show full text]
  • Musica Tejana: More Than Conjuntos and Orquestas
    San Jose State University SJSU ScholarWorks 2001: 28th Annual: Beginning a New Millennium NACCS Annual Conference Proceedings - Tucson, AZ Apr 1st, 5:00 PM Musica Tejana: More Than Conjuntos and Orquestas Guadalupe San Miguel, Jr. University of Houston - Main Follow this and additional works at: https://scholarworks.sjsu.edu/naccs San Miguel,, Guadalupe Jr., "Musica Tejana: More Than Conjuntos and Orquestas" (2001). NACCS Annual Conference Proceedings. 17. https://scholarworks.sjsu.edu/naccs/2001/Proceedings/17 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. CHAPTER FIFTEEN Guadalupe San Miguel, Jr. Musica Tejana: More Than Conjuntos and Orquestas INTRODUCTION Manuel Pena has argued that musica tejana is comprised of two major musical ensembles and their styles, the conjunto and the orquesta.1 These are not the only ones in the community. Others have formed and become dominant at different historical periods in the 20th century. The only ensemble that has survived during this century, however, has been the conjunto. CONJUNTO: TRADITIONAL AND PROGRESSIVE The conjunto originated on both sides of the border and began as a two-person outfit in the 1920s, one played the accordion and the other played a string instrument. Its repertoire, initially, was quite broad and included a host of traditional dances and songs popular throughout 215 Mexico. The conjunto expanded to four persons and four instruments in the post-WWII period.
    [Show full text]
  • CENTER for PUBLIC HISTORY Letter from the Editor Classical Music in Houston
    Volume 11 • Number 1 • fall 2013 CENTER FOR PUBLIC HISTORY LETTER FROM THE EDITOR Classical Music In Houston he Houston region has a long musical pop music fans showed their agreement by Ttradition with diverse styles ranging buying his records. From his early twenties from country to zydeco to blues to rock and into his fifties, Jones built a formidable song- roll to gospel—and everything in between. book while also exploring the depths of al- Our current issue captures many parts of cohol and drug addiction. His fans remained this musical heritage, with the important ex- loyal even after he earned the nickname “no ception of classical music. Indeed, it barely show Jones”; they excused frequent binges mentions Hank Williams and has nothing and missed shows as the price paid for the to say about George Jones, one of the most depth of feeling in his voice. One of his best famous of our region’s country singers. ballads, “Choices,” is an apology to those he Hank Williams is the Beethoven of the hurt along the way: “I was tempted; from an southern United States, home to genera- early age I found I liked drinkin’, and I never tions of country boys who ordered store- turned it down. There were loved ones, but bought guitars from the Sears catalogue I turned them all away, livin’ and dyin’ with and picked out tunes while listening to the choices I made.” Country singer Moe the Grand Ole Opry. Williams escaped Bandy’s great song,’ “Hank Williams, You poverty with mournful songs about lov- Wrote My Life,” could have been written for ing and cheating and drinking.
    [Show full text]
  • Mexican Mafia 1 Q ___
    C I FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION/PRIVACY ACTS SECTION COVER SHEET SUBJECT: MEXICAN MAFIA 1 Q ___:. _ ~ -» . _ _ _ . _ _ _ _ .. ._,_- ~/ ».. =1-.,..v_.~.-,4 .» ¢si;- ~ :..~:.=~ =~,~ . &#39;&#39; A-1. wrnnnnrunuMAY in mmon &#39;-umto "Q5 - &#39; » .&#39; .- p . jY?._§I&#39;§f&#39;§§§§_&#39;?3£ &#39; V - &#39;~"3 """" 1&#39; ~" V ~ » ; A"&#39;§ki&#39;-&#39;23.-" UNITEDS A;-I _ENT ___.,1, &#39; . ._&#39;~~ .:;%§.?.*;:§;=§§0r ¢_8_I4~_,"P_f&#39;»|92_§-> - fl v -B ¢;";;.&#39; 1&#39;/~*3 ~ *&#39;»*:..4.§.;&#39; T am .. - _,_&#39;I /:7 1 1 TO &#39; 1 =11! -__V Uh ____./J txou 4 /1" .11/14677107 _ _ &#39;_ 1 &#39; _ .I G »"-75" | /&#39;date -7% E5 B &#39; 3.,- . I "_ -" |/92,. IRBCTOR7632 FBI H2, =13, DATE;/ I mom ¢*m- _ I, s FRANCI8/C0L} 57;97 PTC3>/ 11>!54! 0r/&#39;7./*1; -<1&#39;:tzu.c,j:;/0_we$H /7I92.é/A J, -5 . -"1». ~e / // /"P 2 *»,, &#39; "-1. 1,. &#39;_ ~ f 1&#39; ~_ &#39; I &#39; &#39; 1&#39;2 &#39; /*&#39; _-M If 1, _.-IQu 1 92.1-1-_EXTRE e &#39; Eme,hp &#39;1&#39; a EmeMA TT Rs ,La Mafia afio &#39; . &#39;~" -- -~ -A &#39; - 92 - 1-. " . &#39; s &#39;.;.~ . 8 /5L2;/Z/4,2,731/73, captionedSan "EX&#39;1REMIS&#39;1 Franciscoteletype Rethe - ACTIVITIESPENAL to.Bureau NSTITUTIONS ated,v;__. .1 DISTURBANCE E.X&#39;1&#39;nm41s&#39;r AT SAN QUENTIN- PENAL PRISONINST!.;U&#39;I_.IONS 8 29-e 30 73 R Acrrvnzss :>1s&#39;ruRB2&#39;=;NcE -"_92,..<_> ZsAN_PRISON, QUENTIN 11/9-11/10/1&9?/57: /£50 4-97.
    [Show full text]
  • Desde Conjunto to Chingo Bling: Mexican American Music and Musicians in Houston by Natalie Garza
    On a packed night at the Pan-America, patrons of various ages enjoy live music played by Mexican and Mexican American bands. Photo courtesy of the Houston Metropolitan Research Center, Houston Public Library. Desde Conjunto to Chingo Bling: Mexican American Music and Musicians in Houston By Natalie Garza eet start tapping and people are drawn to the dance American music scene in Houston has benefitted from lo- Ffloor by the upbeat polka sound of the accordion and cally grown talent that meets the cultural and entertainment the bajo sexto keeping rhythm. Men wearing tailored suits needs of its community by integrating a variety of musical lead women in strappy sandals or black heels as the mid- stylings and genres. calf hemlines of their dresses flow with every spin. In the The 1930s witnessed a boom of Mexican American midst of the music, crowds are heard chatting at their tables musicians in Houston dominated by two forms of music, seamlessly transitioning between English and Spanish, and the conjunto and orquesta Tejana. This regionally grown as if part of the ambient sound, the clanking of beer bottles music became known collectively as música Tejana, defined carried by thirsty patrons fills the air. In 1930s Houston, by historian Guadalupe San Miguel Jr. as all the musical Mexican Americans enjoyed this vibrant atmosphere on any forms and styles listened to by Tejanos since the nineteenth given weekend. Over the last nine decades, the Mexican century, rather than a single genre.1 One of the most recog- 2 HOUSTON HISTORY Vol. 11 • No.1 nizable identifiers of the conjunto is the use of the bajo sexto and accordion.
    [Show full text]
  • A Guide to the Ramón Hernández Tejano Music Collection, 1922-2019
    A Guide to the Ramón Hernández Tejano Music Collection, 1922-2019 Collection 141 Descriptive Summary Creator: Ramón Hernández Title: Ramón Hernández Tejano Music Collection Dates: 1922-2019 [Bulk dates, 1985-2019] Abstract: The Ramón Hernández Tejano Music Collection spans from 1922-2019 and is organized into twelve series. The collection documents the history of Tejano, conjunto, and orquesta music predominately in Texas (although musicians from around the world are represented). The bulk of the material relates to musicians’ publicity material, but all aspects of the business of Tejano music, including record labels, media outlets, publications, and events are also well-represented. The costume collection consisting of stage outfits is also of note. Identification: Collection 141 Extent: 253 boxes, plus oversize, framed items, and artifacts (approx. 175 linear feet) Language: English, Spanish, Japanese Repository: The WittliFF Collections, Texas State University Administrative Information Access Restrictions Open for research. Preferred Citation Ramón Hernández Tejano Music Collection, The Wittliff Collections, Texas State University Acquisition Information Purchase, 2017 Processing Information Processed in 2019-2020 by Susannah Broyles, with assistance from Roman Gros and Kyle Trehan. Notes for Researchers The Ramón Hernández Music Recording Collection includes 45s, LPs, audiocassettes, and CDs and is Collection 141b. The contents are included as an appendix to this collection. Some publications have been transferred to the Wittliff’s book collection and are available through the library’s online catalog. Guide to the Ramón Hernández Tejano Music Collection (Collection 141) 2 Ramón Hernández Biographical Notes Ramón Hernández (1940-) became an authority on Tejano music through his work as a journalist, photographer, publicist, collector, and musicologist.
    [Show full text]
  • News Item-RIP Ralph Marron
    "The Tejano Community recognizes a true pioneer of Tejano music, the late Mr. Ralph Marron Sr., Leader of the Legendary Saints & Sinners Band." For_Immediate_Release October 16th, 2009 -- Tejano Community The Tejano Community recognizes a true pioneer of Tejano music, the late Mr. Ralph Marron Sr., Leader of the Legendary Saints & Sinners Band. Ralph was born on August 16, 1948 in Houston, TX and passed away Friday, October 9, 2009, after battling complications from pancreatic cancer. In the late 60's, Ralph Marron Sr.(Bass, singer, songwriter) along with his brother Mike Marron Sr. (vocals, guitar ) and friend, Roy Paramo (keyboards) formed a musical group called "The Star Lights" showcasing Tejano and R&B Music. After much success, their sheer passion for Tejano music led the brothers to create a new group in the 70's called "The Saints & Sinners." Tejano was a “new genre” of music that Ralph and his brother embraced, and they were not aware, but they were about to embark on a 40 year plus journey spreading their music to the masses. A Native Houstonian, Ralph devoted many hours of his playing time to churches and charities. Ralph’s Tejano group also performed at countless weddings, quinceaneras, birthdays, anniversaries and political events for people throughout Texas celebrating the roots of Chicano Culture. His group’s first groundbreaking cultural accomplishment was being the first “Tejano Band” to perform at “The Houston International Festival.” The Saints & Sinners also helped popularize local iconic venues in the 70's & 80's such as Party on The Square, Pan America, Golden Fleece, Market Square, Hurricane Club, Stardust Club, Miller Outdoor Theater, Star Dust and the Island Club, drawing thousands of fans.
    [Show full text]
  • Twentieth Century Popular Music in Texas
    TWENTIETH CENTURY POPULAR MUSIC IN TEXAS: HISTORY, DEFINITIONS, AND CHARACTERIZATIONS OF SELECTEDGENRES / STYLES WITH AN EMPHASIS ON MÚSICA TEJANA By Felipe Garcia A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Music with a Major in Music May 2014 Committee Members: Dr. Nico Schüler, Chair Dr. Charles Ditto Dr. Dimitar Ninov COPYRIGHT By Felipe Garcia 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Felipe Garcia, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS I would like to thank my friends and family for supporting me while I attend graduate school, especially my wife Holley, son Dorian, and my parents Oscar and Velma Garcia. I also would like to thank my committee members Dr. Nico Schüler, Dr. Charles Ditto, and Dr. Dimitar Ninov. Finally, I would like to thank God for creating Texas and music. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ............................................................................................................. iv ABSTRACT ........................................................................................................................................ vii CHAPTER I. INTRODUCTION ........................................................................................................... 1 II. A BRIEF HISTORY OF TEXAS MUSIC AND BREAKDOWN OF THE MUSICAL CONTRIBUTIONS OF THE MAJOR MUSICAL CONTRIBUTORS TO MUSIC IN TEXAS ................................................................ 3 2.1.
    [Show full text]
  • 1 Interviewee: Isaac Rodriguez Interviewer: Mary Manning Date: 9
    Interviewee: Isaac Rodriguez Interviewer: Mary Manning Date: 9/23/2017 Transcription Conventions: “ . ” after a phrase that is not completed. Repeated words/short phrases and fillers such as “uh”, “um,” and “ah” are usually not transcribed. Pauses, laughter are not noted or transcribed. Mary: [00:00:01] Alright, we're rollin. Today is September 23rd, 2017. I'm Mary Manning and I'm with the the University of Houston, and I'm working on a research project called Community Practice, Identity Building, and the Gulf Coast Sound. I am at the home of Isaac Rodriguez, who is a DJ who has kindly agreed to share his knowledge and expertise about D.J.ing and Tejas Got Soul. Mary: [00:00:34] So tell me about Tejas Got Soul. Isaac: [00:00:43] OK. Tejas Got Soul. I'm going go to the beginning. Tejas Got Soul started . well, the seed was planted when . it was probably about five years ago. My grandma was in town, and she was staying at my aunt's house. She had just retired, and she was moving up north with one of her grandsons. So she was having an estate sale. So when I was going to pick up my grandma who lives in L.A, she was at my aunt's house who was having an estate sale. So when I drive up, and I don't really see this side of the family, like I don't see them. I probably see them once every three years. Basically when my grandma is in town, I'll go see her sisters and I've never been close to that side of the family just because you know my grandma was never around.
    [Show full text]
  • Fiesta De La Flor 2017 Band Line-Up
    Fiesta de la Flor 2017 Band Line-Up Friday, March 24 Finding Friday Finding Friday is a polished, professional, high-energy cover band based in San Antonio, Texas. Playing hits from the ‘70s to today, Finding Friday takes pride in keeping audience entertained and the dance floor jam packed. Jimmy Gonzalez y el Grupo Mazz Mexican descendant Jimmy González was born and raised in the U.S., getting involved in popular music after joining with singer Joe López to form a band called Grupo Mazz, playing private parties and special events. During the '90s, Grupo Mazz became one of the top artists in the Tejano music scene. Megan Chapa After the success of her debut album Mi Diario with the hit singles “La Otra”, “No La Voy Hacer” and “Ella O Yo,” the 2016 Tejano Music Awards nominee for Best New Female Artist released her latest single “Viveme” from her upcoming sophomore album Sueños Inquebrantables. Headliner: La Mafia After three decades, 38 albums and over 12 million copies sold, La Mafia is back with their new single "Que No Quede Huella / Como Me Duele Amor" Oscar de la Rosa and Armando Lichtenberger Jr., leaders of the Mafia, started promoting their new single "Que No Quede Huella / Como Me Duele Amor", with the participation of guest artist Bronco. Saturday, March 25 B-Side Players The B-Side Players make music without borders or boundaries. Exploring the multifaceted grooves of Latin America and the Caribbean, incorporating funk, rock, jazz and hip-hop rhythms, the band has been laying down their own inimitable global funk since they came together.
    [Show full text]
  • When Tejano Ruled the Airwaves: the Rise and Fall of KQQK in Houston, Texas
    San Jose State University SJSU ScholarWorks 2002-2004: 29th, 30th, & 31st Annual NACCS Annual Conference Proceedings Conferences Proceedings Mar 1st, 10:00 AM When Tejano Ruled the Airwaves: The Rise and Fall of KQQK in Houston, Texas Guadalupe San Miguel Jr. University of Houston Follow this and additional works at: https://scholarworks.sjsu.edu/naccs Part of the Ethnomusicology Commons, Gender and Sexuality Commons, and the Race and Ethnicity Commons San Miguel, Guadalupe Jr., "When Tejano Ruled the Airwaves: The Rise and Fall of KQQK in Houston, Texas" (2002). NACCS Annual Conference Proceedings. 13. https://scholarworks.sjsu.edu/naccs/2002-2004/Proceedings/13 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. NACCS_FINAL:NACCS proceedings 3/18/09 4:10 PM Page 200 CHAPTER ELEVEN When Tejano Ruled the Airwaves: The Rise and Fall of KQQK in Houston, Texas 1 Guadalupe San Miguel, Jr., University of Houston INTRODUCTION “Tejano is back and so are all your old Tejano artists,” states an animated DJ for radio station KQQK 106.5 FM. Immediately thereafter, the station puts on a jamming ranchera by a top Tejano artist. This is quickly fol - lowed by another ranchera and another and another - a good 45 minutes of non-stop music. Later in the broadcast, the DJ announces that “Tejano is back and better than ever.” This comment was in reference to the radio station’s earlier abandonment of Tejano music in 1999.
    [Show full text]